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On Flog It! today we're taking you on a tour of the country, | 0:00:02 | 0:00:05 | |
revisiting some of the stunning locations we've seen on the series. | 0:00:05 | 0:00:08 | |
And as always we're on the hunt for special items to sell at auction. | 0:00:08 | 0:00:14 | |
And to top all that, I'll be exploring Ugbrooke House in Devon. | 0:00:14 | 0:00:18 | |
A fascinating stately home full of interesting characters. | 0:00:18 | 0:00:21 | |
Welcome to Flog It! | 0:00:23 | 0:00:25 | |
Here at Ugbrooke, this impressive castle-style house has been home | 0:00:46 | 0:00:49 | |
to 13 generations of the Clifford family. | 0:00:49 | 0:00:53 | |
The Cliffords can trace their ancestry all the way back to | 0:00:54 | 0:00:58 | |
the time of the Vikings, some 2,500 years ago, | 0:00:58 | 0:01:02 | |
through their role in the Battle of Hastings, | 0:01:02 | 0:01:04 | |
right up to the present day and it really is a fascinating tale. | 0:01:04 | 0:01:08 | |
I'll be exploring that story later but first we are off on a journey | 0:01:09 | 0:01:12 | |
around the country. | 0:01:12 | 0:01:14 | |
On today's show we'll be at Greenwich Royal Naval College | 0:01:18 | 0:01:21 | |
where Mark was very impressed with some first class family silver. | 0:01:21 | 0:01:25 | |
Gosh, I wish I had a grandfather like that | 0:01:25 | 0:01:28 | |
who gave me a lovely set of your Jensen silver. | 0:01:28 | 0:01:32 | |
At Reading's glorious Victorian town hall, there was music... | 0:01:33 | 0:01:36 | |
ORGAN MUSIC | 0:01:36 | 0:01:38 | |
..laughter... | 0:01:41 | 0:01:43 | |
There is a resemblance there. | 0:01:43 | 0:01:45 | |
..and utter disbelief. | 0:01:46 | 0:01:49 | |
I mean, I can't believe that. | 0:01:49 | 0:01:52 | |
My husband will not believe that. | 0:01:52 | 0:01:54 | |
And we revisit one of our most impressive venues to date, | 0:01:55 | 0:01:59 | |
Althorp House, home to the Spencer family for more than five centuries. | 0:01:59 | 0:02:03 | |
And Will's found a touch of class. | 0:02:03 | 0:02:05 | |
Stylish, expensive. | 0:02:06 | 0:02:08 | |
That's all for later, but first stop on the tour is one of London's most | 0:02:11 | 0:02:15 | |
famous riverside landmarks - the Royal Naval College in Greenwich, | 0:02:15 | 0:02:19 | |
designed by Sir Christopher Wren in the late 1600s | 0:02:19 | 0:02:23 | |
and Mark seems pleased as punch already. | 0:02:23 | 0:02:26 | |
-Hello, Linda. -Hello. | 0:02:27 | 0:02:29 | |
Oh, you've made my day. | 0:02:29 | 0:02:31 | |
-Good. -You really have. | 0:02:31 | 0:02:33 | |
You've brought in a lovely cutlery set for us. | 0:02:33 | 0:02:36 | |
-Yes. -Which when you look at it can only be one designer. | 0:02:36 | 0:02:39 | |
And I'm only going to try and pronounce this once | 0:02:39 | 0:02:42 | |
and then I'm going back to the English version. | 0:02:42 | 0:02:44 | |
-It's by Georg Jensen. -Fantastic. | 0:02:44 | 0:02:47 | |
A Danish designer who is | 0:02:47 | 0:02:49 | |
very well-known for his silverware. | 0:02:49 | 0:02:51 | |
Originally started actually producing ceramics but at | 0:02:51 | 0:02:55 | |
the turn-of-the-century turned his hand to making silver. | 0:02:55 | 0:02:57 | |
And later jewellery. | 0:02:57 | 0:02:59 | |
You get some wonderful funky designs in the '30s and '40s and '50s | 0:02:59 | 0:03:03 | |
of Jensen jewellery. | 0:03:03 | 0:03:05 | |
-Yeah. -But you've brought us a service | 0:03:05 | 0:03:07 | |
which is known as the cactus pattern. | 0:03:07 | 0:03:09 | |
-Yeah. -And we have actually got six of everything. | 0:03:09 | 0:03:12 | |
We haven't put it all out but some of the other pieces, I think, are in | 0:03:12 | 0:03:15 | |
original plastic lining? | 0:03:15 | 0:03:17 | |
-Yeah, they are. -So we haven't taken them out. | 0:03:17 | 0:03:19 | |
-OK. -This particular pattern was introduced in the 1920s, 1930s. | 0:03:19 | 0:03:24 | |
But it's still produced today. | 0:03:24 | 0:03:26 | |
-Is it? I didn't know that. -I think this is probably mid-century. | 0:03:26 | 0:03:30 | |
-OK. -Even '60s or '70s. If that ties in with your knowledge of it? | 0:03:30 | 0:03:33 | |
Yeah, I have no knowledge about it at all. | 0:03:33 | 0:03:36 | |
-So where did you get it from? -My grandfather gave it to me... | 0:03:36 | 0:03:39 | |
-Gosh. -..quite a few years ago. | 0:03:39 | 0:03:41 | |
And it has literally just sat, as you can see, by the | 0:03:41 | 0:03:44 | |
-colour of it. -Well, I wasn't going to point it out. | 0:03:44 | 0:03:46 | |
I know we always say don't clean... | 0:03:46 | 0:03:48 | |
It could have done with a good polish. Yes. | 0:03:48 | 0:03:50 | |
But it has literally just sat in the cupboard. | 0:03:50 | 0:03:52 | |
Gosh, I wish I had a grandfather | 0:03:52 | 0:03:53 | |
like that who'd give me a lovely set of your Jensen silver. | 0:03:53 | 0:03:57 | |
It's so Art Deco, isn't it? | 0:03:57 | 0:03:59 | |
-It's beautiful. -You can see why it's known as the cactus pattern. | 0:03:59 | 0:04:01 | |
-Yeah. -Jensen has stylised them. | 0:04:01 | 0:04:04 | |
Each one of them has got the Jensen mark here. | 0:04:04 | 0:04:08 | |
You can date it through that. | 0:04:08 | 0:04:10 | |
-Oh, right. -The earlier ones had certain dots around the Jensen mark. | 0:04:10 | 0:04:14 | |
-OK. -The thing to point out is that all these are silver. | 0:04:14 | 0:04:18 | |
-Yeah. -Except the blades of the knives. Those are stainless steel. | 0:04:18 | 0:04:22 | |
-OK. -Because they're stronger than silver. | 0:04:22 | 0:04:24 | |
Right, OK. I think it's still quite modern, you could still use it now. | 0:04:24 | 0:04:28 | |
-Absolutely. -Yeah. -And you're absolutely right, the collecting | 0:04:28 | 0:04:32 | |
now, anybody under 40 wants that mid-20th century design. | 0:04:32 | 0:04:36 | |
-Yeah. -Or the Art Deco period. | 0:04:36 | 0:04:38 | |
-Simple designs, you know? -Yeah, yeah. | 0:04:38 | 0:04:40 | |
We've got to put the right estimate on to attract people in. | 0:04:40 | 0:04:44 | |
-Yeah. -Have you had any thoughts on price yourself? | 0:04:44 | 0:04:47 | |
I have no idea, I really, I have no idea what the value is. | 0:04:47 | 0:04:50 | |
Well, I think we should put £600-£800 on that. | 0:04:50 | 0:04:53 | |
-Oh, my God. -Is that all right? | 0:04:53 | 0:04:55 | |
-Yeah. -I can put less if you want? | 0:04:55 | 0:04:57 | |
No, I'm shocked. No, don't put less! | 0:04:57 | 0:04:59 | |
SHE LAUGHS | 0:04:59 | 0:05:01 | |
I can't believe that. | 0:05:01 | 0:05:02 | |
I honestly do, I think we should put 600-800, with a 600 reserve, fixed. | 0:05:02 | 0:05:08 | |
-OK. -And if it doesn't sell then take it back. | 0:05:08 | 0:05:11 | |
It should make a lot of money. | 0:05:11 | 0:05:13 | |
My goodness, I'm so shocked. | 0:05:13 | 0:05:14 | |
And you can put it to something to worthwhile I'm sure? | 0:05:14 | 0:05:17 | |
Yeah, I'm going to try and get a nice antique dining set, | 0:05:17 | 0:05:19 | |
-table and chairs. -Oh, wonderful. | 0:05:19 | 0:05:21 | |
So I'm going to put it to something that I can keep. | 0:05:21 | 0:05:24 | |
That's fantastic. And your grandfather would so pleased. | 0:05:24 | 0:05:26 | |
-Yeah. -So we're happy to put it in? | 0:05:26 | 0:05:29 | |
-Definitely. -Thanks for making my day, Linda. -Done deal. -Done deal! | 0:05:29 | 0:05:32 | |
That's the great thing about passing on antiques, | 0:05:35 | 0:05:37 | |
each generation has the chance to take an item from the past | 0:05:37 | 0:05:41 | |
and reinvest in the future. | 0:05:41 | 0:05:43 | |
Here at Ugbrooke, the house is full of family heirlooms | 0:05:47 | 0:05:50 | |
and they've come from a long line of impressive Clifford characters. | 0:05:50 | 0:05:54 | |
"Heroic, passionate, reckless. | 0:05:56 | 0:06:00 | |
"Wedded from boyhood to bold measures. | 0:06:00 | 0:06:02 | |
"Rugged and impetuous as the Dartmoor | 0:06:02 | 0:06:05 | |
"from which his ancient race spring." | 0:06:05 | 0:06:08 | |
Now that's how this man, Thomas Clifford, | 0:06:08 | 0:06:11 | |
is described in a biography | 0:06:11 | 0:06:12 | |
of King Charles II. | 0:06:12 | 0:06:14 | |
Thomas had an illustrious career in Royal service and he became one of | 0:06:14 | 0:06:18 | |
King Charles's most important advisers | 0:06:18 | 0:06:21 | |
during the mid-17th century. | 0:06:21 | 0:06:23 | |
In fact, Charles made him first Baron Clifford | 0:06:23 | 0:06:26 | |
for his advice on money matters. | 0:06:26 | 0:06:30 | |
But Thomas also made up one of five men known for their wheeling and | 0:06:30 | 0:06:33 | |
dealing as the Cabal. | 0:06:33 | 0:06:36 | |
The Cabal was formed of five men, Ugbrooke's Thomas Clifford, | 0:06:37 | 0:06:41 | |
Baron Arlington, | 0:06:41 | 0:06:43 | |
George Buckingham, | 0:06:43 | 0:06:45 | |
Anthony Ashley and the Earl of Lauderdale, John Maitland. | 0:06:45 | 0:06:50 | |
The word "cabal" has long been associated with secrets but when | 0:06:50 | 0:06:55 | |
these men got together it became a byword for political intrigue. | 0:06:55 | 0:06:59 | |
For the first time in British history, power in the Royal Council | 0:07:00 | 0:07:04 | |
was shared by a group of men rather than a favoured individual. | 0:07:04 | 0:07:07 | |
And Thomas Clifford was one of those men. | 0:07:07 | 0:07:10 | |
The Cabal had the power to redirect | 0:07:10 | 0:07:12 | |
government policy at home and abroad. | 0:07:12 | 0:07:15 | |
And they conspired to write one of the most controversial treaties | 0:07:15 | 0:07:18 | |
in British history. | 0:07:18 | 0:07:20 | |
We will be finding out more about the secret treaty | 0:07:20 | 0:07:23 | |
later on in the show. | 0:07:23 | 0:07:25 | |
But now our trip around the UK is touching down at Reading | 0:07:25 | 0:07:28 | |
town hall where more than 500 people came to have their items valued by | 0:07:28 | 0:07:33 | |
our experts. And David Harper looks like the cat that got the cream. | 0:07:33 | 0:07:37 | |
Linda, hello. | 0:07:40 | 0:07:41 | |
-Hello. -Hello, I'm hoping you're a big cat lover. | 0:07:41 | 0:07:44 | |
I am a massive cat fancying cat lover, yes. | 0:07:44 | 0:07:48 | |
-Absolutely. -Good for you, me too as well. | 0:07:48 | 0:07:50 | |
Tell me about your love of cats. | 0:07:50 | 0:07:51 | |
It started when I was a child. | 0:07:51 | 0:07:53 | |
And then I had my own cats, obviously when I sort of left home | 0:07:55 | 0:07:59 | |
and eventually I came into breeding Tonkinese cats. | 0:07:59 | 0:08:03 | |
-Right. -And I'm now learning to be a cat judge. | 0:08:03 | 0:08:06 | |
So, this is why, hence we have a rather lovely, funny, amusing, | 0:08:06 | 0:08:12 | |
very appealing sketch here of two cats. | 0:08:12 | 0:08:15 | |
-Yeah. -By an incredibly famous cat lover himself, | 0:08:15 | 0:08:20 | |
Louis Wain. | 0:08:20 | 0:08:21 | |
He was one of the founding members of the National Cat Club. | 0:08:21 | 0:08:25 | |
He was obviously interested in cats, he worked with cats. | 0:08:25 | 0:08:28 | |
He judged cats. | 0:08:28 | 0:08:31 | |
But sadly I also know that in later years he was put into a home, | 0:08:31 | 0:08:35 | |
and pretty much forgotten. | 0:08:35 | 0:08:37 | |
But this one I love, it just makes me smile. | 0:08:37 | 0:08:41 | |
How did you come about it? | 0:08:41 | 0:08:42 | |
In the early '90s I was at an antique show and I found it in one | 0:08:42 | 0:08:46 | |
of the bins under the table so it was virtually a boot sale. | 0:08:46 | 0:08:49 | |
-Right. -But it just amused me and it was only £5. | 0:08:49 | 0:08:52 | |
Well, then it doesn't matter if it is Louis Wain or not Louis Wain at that level. | 0:08:52 | 0:08:55 | |
-Absolutely. -The problem of course is that because he is so well known and | 0:08:55 | 0:08:59 | |
popular and valuable there are huge amounts of copies on the market. | 0:08:59 | 0:09:04 | |
But the original frame had a piece | 0:09:04 | 0:09:06 | |
of paper on the back which is round the back. | 0:09:06 | 0:09:08 | |
OK, which is this piece here. | 0:09:08 | 0:09:10 | |
And it had that address on it. | 0:09:10 | 0:09:12 | |
If you look at the handwriting itself, | 0:09:12 | 0:09:15 | |
you would certainly believe that is 1906. | 0:09:15 | 0:09:17 | |
It's a beautiful hand. So that's looking good. | 0:09:17 | 0:09:20 | |
But, still, the market is ruthless | 0:09:20 | 0:09:23 | |
and, you know, that's not enough proof to the next buyer. | 0:09:23 | 0:09:27 | |
I'm not confident that it's genuine, only through bitter experience | 0:09:27 | 0:09:31 | |
of handling literally thousands of objects in my life | 0:09:31 | 0:09:35 | |
and coming across very good fakes | 0:09:35 | 0:09:37 | |
and I know it's so easy to fake this. | 0:09:37 | 0:09:40 | |
If I could categorically | 0:09:40 | 0:09:42 | |
be convinced that was a real Louis Wain, | 0:09:42 | 0:09:45 | |
with all the history and provenance, it's £300- £500 in auction. | 0:09:45 | 0:09:49 | |
Easily make £500, everybody would be excited. | 0:09:49 | 0:09:53 | |
But, we're not sure, we can't be sure, | 0:09:53 | 0:09:57 | |
I think it needs to go with an estimate of 80-120 | 0:09:57 | 0:10:01 | |
as an unsure thing, which means, Linda, | 0:10:01 | 0:10:04 | |
you have to be a bit of a risk taker. | 0:10:04 | 0:10:07 | |
Because if it's good, you might go home with 500. | 0:10:07 | 0:10:11 | |
If it's bad you might go home with 50. | 0:10:11 | 0:10:14 | |
And if it's really bad I get to take it home again. | 0:10:14 | 0:10:17 | |
Exactly, exactly. So how do you feel about that? | 0:10:17 | 0:10:20 | |
-Yeah, that's... -You're good. | 0:10:20 | 0:10:21 | |
-I'm up for that, yeah. -And I've got to tell you something, | 0:10:21 | 0:10:24 | |
you've got a fantastic big smile and, there we go. | 0:10:24 | 0:10:27 | |
If you just come closer, give me that beautiful smile. | 0:10:27 | 0:10:31 | |
Look at this, there is a resemblance there! | 0:10:31 | 0:10:34 | |
So, we'll meet at the auction. | 0:10:34 | 0:10:36 | |
-Lovely. -Up for it? -Yes. -Linda. Thank you. | 0:10:36 | 0:10:39 | |
Fabulous. | 0:10:39 | 0:10:41 | |
I've heard of dogs who look like their owners, | 0:10:44 | 0:10:46 | |
maybe the same's true for cats? | 0:10:46 | 0:10:49 | |
Now we are travelling to the other side of the country to East Sussex, | 0:10:51 | 0:10:54 | |
stopping off at the 15th century Herstmonceux Castle | 0:10:54 | 0:10:57 | |
where Catherine Southon has hunted | 0:10:57 | 0:10:59 | |
out another family piece that is soon to find a new home. | 0:10:59 | 0:11:02 | |
Sarah, gorgeous box. | 0:11:04 | 0:11:07 | |
-Thank you. -Love this little box, where did it come from? | 0:11:07 | 0:11:10 | |
It was my great aunt's. And she left it to me. | 0:11:10 | 0:11:12 | |
Been a treasured possession in the family? | 0:11:12 | 0:11:14 | |
Not really, no. No. I don't actually like it very much. | 0:11:14 | 0:11:17 | |
-Why don't you like it? -It's silver, I don't really like silver. | 0:11:17 | 0:11:21 | |
-I prefer gold, I'm a gold girl. -CATHERINE LAUGHS | 0:11:21 | 0:11:23 | |
Why not, why not? It is a very simple piece, | 0:11:23 | 0:11:26 | |
not a lot to it, but as you turn over we've got the name Asprey's. | 0:11:26 | 0:11:31 | |
-Right. -Surely that means something to you? | 0:11:31 | 0:11:34 | |
-Not really. Do they sell gold? -No, they don't sell gold, | 0:11:34 | 0:11:37 | |
but they sell wonderful quality objects and that's just what | 0:11:37 | 0:11:41 | |
-you've got here. -It's growing on me. -Is it growing on you? | 0:11:41 | 0:11:44 | |
Am I selling it? I'm selling it well. | 0:11:44 | 0:11:46 | |
So where did this come from, Sarah? | 0:11:46 | 0:11:48 | |
It belonged to my great aunt, and her husband | 0:11:48 | 0:11:51 | |
was a jeweller and a clock maker. | 0:11:51 | 0:11:54 | |
So she had lots of lovely bits and bobs? | 0:11:54 | 0:11:57 | |
She had lots of little bits and bobs hanging around the house, yeah. | 0:11:57 | 0:12:00 | |
And how did this come into your possession? | 0:12:00 | 0:12:03 | |
She died and my aunt inherited and then my aunt died and now I've | 0:12:03 | 0:12:08 | |
-inherited it. -Well, let's turn it around here and have a little look | 0:12:08 | 0:12:12 | |
at the marks because here we've got the initials WC. | 0:12:12 | 0:12:15 | |
-Right. -Which stands for one of the main silversmiths | 0:12:15 | 0:12:19 | |
of the 20th century, William Cummins. | 0:12:19 | 0:12:21 | |
So it's a pretty good name here. | 0:12:21 | 0:12:24 | |
But this is probably William Cummins' family, I would say. | 0:12:24 | 0:12:28 | |
Very simple in its style with this lovely little turquoise stone on the top. | 0:12:28 | 0:12:32 | |
It's essentially a little trinket box. | 0:12:32 | 0:12:34 | |
-Oh, right, OK. -And once upon a time perhaps you would have kept your | 0:12:34 | 0:12:37 | |
little trinkets, your rings, your earrings or something like that. | 0:12:37 | 0:12:40 | |
You don't keep anything in it? | 0:12:40 | 0:12:42 | |
No, no. It just sits in my drawer, unused, unloved. | 0:12:42 | 0:12:44 | |
It really is unloved, isn't it? But it is top-quality, top-maker, | 0:12:44 | 0:12:50 | |
top-retailer because that's the retailer on the bottom, Asprey's. | 0:12:50 | 0:12:54 | |
So value, I'm not going to tell you it's worth a vast amount of money | 0:12:54 | 0:12:58 | |
but I am going to tell you that it's probably worth around £60-£80. | 0:12:58 | 0:13:02 | |
And I think if you pop that into auction everyone's going to go for | 0:13:02 | 0:13:07 | |
-it because of the name and it wouldn't surprise me if it made a bit more. -Good. | 0:13:07 | 0:13:10 | |
-How does that sound? -Good, yeah, sounds good. -You really love it now, | 0:13:10 | 0:13:13 | |
-don't you? -Yeah, I do, yeah. It's growing on me. | 0:13:13 | 0:13:16 | |
We'll find out how it fares in just a moment but first it's back to | 0:13:16 | 0:13:20 | |
Ugbrooke, home to the 17th-century Cabal member Sir Thomas Clifford. | 0:13:20 | 0:13:24 | |
And I met the current man of the house, Alexander, | 0:13:24 | 0:13:27 | |
to hear more about the secret treaty | 0:13:27 | 0:13:29 | |
and how it was found here at Ugbrooke. | 0:13:29 | 0:13:32 | |
Alexander, this is a marvellous looking 17th-century chest, | 0:13:35 | 0:13:39 | |
what was inside it? | 0:13:39 | 0:13:40 | |
This is the Cabinet Minister's chest. | 0:13:40 | 0:13:43 | |
A bit like the red briefcase that George Osborne would hold up outside | 0:13:43 | 0:13:47 | |
Downing Street today. The document that was held in this was incredibly | 0:13:47 | 0:13:53 | |
inflammatory and dangerous to the state. | 0:13:53 | 0:13:57 | |
It was the Secret Treaty of Dover signed in 1670 between | 0:13:57 | 0:14:02 | |
King Charles II and King Louis XIV of France. | 0:14:02 | 0:14:08 | |
What this treaty was all about was two things. | 0:14:08 | 0:14:11 | |
One, was for King Charles to declare that he was actually a Roman Catholic. | 0:14:11 | 0:14:18 | |
At the time, there was 100 years of hatred of Rome. | 0:14:18 | 0:14:23 | |
If Charles, the King, said, "Right, we should be Catholic again," | 0:14:23 | 0:14:30 | |
then you know, it would be a disaster. | 0:14:30 | 0:14:33 | |
And two, for the French to give England | 0:14:33 | 0:14:38 | |
a whole load of money to go to war against the Dutch. | 0:14:38 | 0:14:42 | |
Absolutely incredible. | 0:14:42 | 0:14:43 | |
An amazing piece of history and I gather it's now, | 0:14:43 | 0:14:46 | |
that document's now in the British Museum? | 0:14:46 | 0:14:49 | |
That's correct. Unfortunately we had to sell so many things in the '80s. | 0:14:49 | 0:14:54 | |
The roofs, the leaks, you know, we're in a beautiful library but | 0:14:54 | 0:14:58 | |
unfortunately a lot of that was damaged. | 0:14:58 | 0:15:01 | |
So to be able to pay for the repairs, we had to sell things | 0:15:01 | 0:15:06 | |
and such wonderful documents like this secret treaty. | 0:15:06 | 0:15:09 | |
That went for £350,000 to an anonymous bidder. | 0:15:09 | 0:15:14 | |
That really was some find. Hopefully now you're in charge | 0:15:14 | 0:15:17 | |
of the house you're going to find something like this | 0:15:17 | 0:15:19 | |
hidden away under the floorboards somewhere. | 0:15:19 | 0:15:21 | |
The only things that I've found so far is a letter opener | 0:15:21 | 0:15:24 | |
and a picture of the Ugbrooke Park football team | 0:15:24 | 0:15:27 | |
so I think I've got a long way to go and a lot of hunting. | 0:15:27 | 0:15:31 | |
What an incredible piece of our national history. | 0:15:31 | 0:15:34 | |
But now it's time to take our items off to auction, | 0:15:34 | 0:15:37 | |
and here's a reminder of what we're selling. | 0:15:37 | 0:15:39 | |
Georg Jensen is a huge name in silver | 0:15:42 | 0:15:45 | |
so this cutlery set is a cut above the rest. | 0:15:45 | 0:15:48 | |
There is a question mark over its authenticity | 0:15:52 | 0:15:54 | |
but we love this friendly feline. | 0:15:54 | 0:15:56 | |
And Sarah might not like the silver Asprey box | 0:15:59 | 0:16:02 | |
but perhaps the bidders will. | 0:16:02 | 0:16:04 | |
And we're going to find out right now, | 0:16:07 | 0:16:10 | |
as our first auction is on the south coast of Sussex | 0:16:10 | 0:16:12 | |
at Rye Auction Galleries. | 0:16:12 | 0:16:15 | |
And like all auctions, there's commission to pay. | 0:16:16 | 0:16:19 | |
Here today it's 15% plus VAT. | 0:16:19 | 0:16:22 | |
And it's time for Sarah's silver to go under the hammer. | 0:16:22 | 0:16:25 | |
-Sarah, good luck. -Thank you. | 0:16:25 | 0:16:27 | |
We've got that little silver box, the Asprey. | 0:16:27 | 0:16:29 | |
It's a great name, going under the hammer. | 0:16:29 | 0:16:31 | |
And you just said to Catherine earlier, "I don't like silver." | 0:16:31 | 0:16:34 | |
-But you're wearing silver! -I know! But normally I wouldn't. | 0:16:34 | 0:16:36 | |
You're a gold girl, aren't you? | 0:16:36 | 0:16:38 | |
-I'm a gold girl. -Why are you selling this anyway? | 0:16:38 | 0:16:41 | |
Because it just sits in my drawer unloved. | 0:16:41 | 0:16:43 | |
So it needs to find a nice home. | 0:16:43 | 0:16:45 | |
Right, it's going under the hammer. | 0:16:45 | 0:16:47 | |
Prepare to say goodbye to this one, because this will definitely sell. | 0:16:47 | 0:16:50 | |
The Asprey of London Square section box. | 0:16:51 | 0:16:54 | |
It's dated London 1903 by William Cummins & Sons Limited. | 0:16:54 | 0:16:58 | |
And I've got to start it at 38. | 0:16:58 | 0:17:01 | |
I've got 38 here. | 0:17:01 | 0:17:03 | |
42, 45. 48, 50. | 0:17:03 | 0:17:06 | |
50 here. 5? 55. 60. 5. 70. | 0:17:06 | 0:17:11 | |
5. Pretty good. | 0:17:11 | 0:17:12 | |
-See, you like it now. -80. 5. | 0:17:12 | 0:17:14 | |
90. 5. | 0:17:14 | 0:17:16 | |
At £90 with you, sir. | 0:17:16 | 0:17:18 | |
At £90. Do I see five, now? | 0:17:18 | 0:17:20 | |
At £90, are we all done and finished here? | 0:17:20 | 0:17:23 | |
At £90, then. | 0:17:23 | 0:17:25 | |
That's a good price, £90. That's lovely. | 0:17:25 | 0:17:27 | |
I'm pleased with that. Buy some gold now. | 0:17:27 | 0:17:30 | |
Buy some gold! | 0:17:30 | 0:17:32 | |
Got to be gone. At £10, then. | 0:17:35 | 0:17:38 | |
From Rye, we're heading 100 miles west to the market town | 0:17:41 | 0:17:44 | |
of Wokingham, where Martin & Pole's Saleroom is our host. | 0:17:44 | 0:17:47 | |
The Louis Wain picture with no reserve is up next, | 0:17:47 | 0:17:50 | |
and the jury's out as to whether it's genuine or not. | 0:17:50 | 0:17:53 | |
Let's see what the bidders think. | 0:17:53 | 0:17:55 | |
Oh, Linda! | 0:17:57 | 0:17:58 | |
The fuss you've been causing. | 0:17:58 | 0:18:01 | |
-She's trouble, isn't she, this one? -Louis Wain, yes. | 0:18:01 | 0:18:04 | |
It's the sketches from the valuation day. | 0:18:04 | 0:18:06 | |
And I know you love your cats, don't you? | 0:18:06 | 0:18:07 | |
-I do. Yes. -Why are you selling this, then? -I've had it for some time. | 0:18:07 | 0:18:11 | |
And we're downsizing. | 0:18:11 | 0:18:13 | |
All right, OK. Now, you're not sure it's an original. | 0:18:13 | 0:18:16 | |
-No. -You think it is. | 0:18:16 | 0:18:18 | |
Other people have looked at it and they think it is. | 0:18:18 | 0:18:20 | |
This is great because this is where we let the market decide. | 0:18:20 | 0:18:23 | |
Let's put it under the hammer right now. | 0:18:23 | 0:18:25 | |
OK, come on, let's have our fingers crossed. | 0:18:25 | 0:18:27 | |
Let's do this. Here we go, this is it. | 0:18:27 | 0:18:29 | |
The Louis Wain study of cats' heads. | 0:18:29 | 0:18:32 | |
Start this with me at £65. | 0:18:32 | 0:18:33 | |
70 anywhere? With me at £65. | 0:18:33 | 0:18:36 | |
Any further offers at 65? | 0:18:36 | 0:18:38 | |
70. 75. 80, with you now. | 0:18:38 | 0:18:41 | |
£80. Any more? At £80. | 0:18:41 | 0:18:44 | |
Are we selling at £80? Are we all done? Was that a bid? | 0:18:44 | 0:18:47 | |
Come on! 85 now. | 0:18:47 | 0:18:49 | |
90. 95. 100. | 0:18:49 | 0:18:52 | |
At £100 now at the front. | 0:18:52 | 0:18:54 | |
Any more than £100? | 0:18:54 | 0:18:56 | |
Selling, then, for £100. | 0:18:56 | 0:18:57 | |
-All done. -GAVEL BANGS | 0:18:57 | 0:19:00 | |
-Oh, after all that. -I was so excited. | 0:19:00 | 0:19:02 | |
-That's all right. -You got £100. | 0:19:02 | 0:19:04 | |
Look, he's mid-estimate. You were right. | 0:19:04 | 0:19:05 | |
Anyway, look, we're really sorry we didn't get the 500 plus. | 0:19:05 | 0:19:08 | |
-No, I'm quite happy. -OK. -I'm quite happy. | 0:19:08 | 0:19:10 | |
£5, and I've enjoyed the picture. | 0:19:10 | 0:19:12 | |
-Brilliant. -That's the spirit, Linda. | 0:19:12 | 0:19:15 | |
From Berkshire, we're nipping over to West London to Chiswick Auctions, | 0:19:15 | 0:19:19 | |
where that beautiful Georg Jensen cutlery set is up for grabs. | 0:19:19 | 0:19:22 | |
I'm casting my mind back to the valuation day and I was | 0:19:24 | 0:19:27 | |
wandering around doing pieces to camera, | 0:19:27 | 0:19:29 | |
and I came across a load of Georg Jensen silver. | 0:19:29 | 0:19:31 | |
Yes, 20th-century modern. We've heard the name before. | 0:19:31 | 0:19:34 | |
Great Danish design, and it all belonged to Linda. | 0:19:34 | 0:19:37 | |
And here you are. That was my spot, wasn't it? | 0:19:37 | 0:19:39 | |
-Yeah, it was. -And do you know, I was so busy, I said, | 0:19:39 | 0:19:42 | |
"I know who'd like to do that." This man! | 0:19:42 | 0:19:44 | |
-Well, I ended up with them. They're lovely, aren't they? -Yeah. | 0:19:44 | 0:19:46 | |
Fingers crossed. Ready? Everything crossed. | 0:19:46 | 0:19:48 | |
It's going under the hammer right now. Here we go, this is it. | 0:19:48 | 0:19:51 | |
The Jensen set of cactus pattern silver cutlery. | 0:19:51 | 0:19:55 | |
Start me £400 for this. | 0:19:55 | 0:19:57 | |
400. 420, 440, 460, 480, 500, 520, | 0:19:57 | 0:20:02 | |
540, 560, 580, 600. 620. | 0:20:02 | 0:20:06 | |
He's out. 620, then, with the lady. | 0:20:06 | 0:20:09 | |
-620. -Internet, come on. -Yeah. | 0:20:09 | 0:20:12 | |
In the room at 620. | 0:20:12 | 0:20:14 | |
Is that it? I'm going to sell it. | 0:20:14 | 0:20:17 | |
620, then, it goes. | 0:20:17 | 0:20:19 | |
GAVEL BANGS It sold in the room. | 0:20:20 | 0:20:22 | |
-That's OK. -That's OK. | 0:20:22 | 0:20:24 | |
It sold at the bottom estimate. | 0:20:24 | 0:20:25 | |
-It's gone to a good home. -Yes. | 0:20:25 | 0:20:28 | |
And you're happy. You didn't realise it was going to be £600. | 0:20:28 | 0:20:30 | |
No, not at all. | 0:20:30 | 0:20:32 | |
Sold at the bottom end of the estimate. | 0:20:32 | 0:20:35 | |
But that's still a lot of cash for something Linda never used. | 0:20:35 | 0:20:38 | |
That's the first three items sold, | 0:20:38 | 0:20:40 | |
and there's more auction action later. | 0:20:40 | 0:20:43 | |
Now we're heading back to Greenwich Royal Naval College, | 0:20:50 | 0:20:53 | |
where Mark is never one to miss a connection. | 0:20:53 | 0:20:56 | |
-Pat, isn't this a wonderful room? -It is amazing, isn't it? | 0:20:57 | 0:20:59 | |
-It's wonderful, yeah. -Fabulous. | 0:20:59 | 0:21:01 | |
And it's known as the Painted Room, isn't it? | 0:21:01 | 0:21:03 | |
-Yes, it is, yeah. -And you've brought a painting in. | 0:21:03 | 0:21:06 | |
-I have, indeed. -It's caused quite a conundrum, this, hasn't it? | 0:21:06 | 0:21:10 | |
Give us the history that you know. | 0:21:10 | 0:21:12 | |
Your husband fell in love with it, is that right? | 0:21:12 | 0:21:14 | |
Yes. We bought it in the north-east up in South Shields | 0:21:14 | 0:21:16 | |
in the early '70s. And he fell in love with this painting. | 0:21:16 | 0:21:22 | |
He felt it was probably a colliery manager. | 0:21:22 | 0:21:25 | |
I can see why he thinks that, because when you look at | 0:21:25 | 0:21:28 | |
the portrait, he's a very handsome man, what, in his 40s, I guess? | 0:21:28 | 0:21:31 | |
-Yeah, yeah. -Very nicely dressed. | 0:21:31 | 0:21:34 | |
He's got his tie, he's got his little gold stick pin there. | 0:21:34 | 0:21:38 | |
He's looking very self assured, isn't he? | 0:21:38 | 0:21:41 | |
He is, very, yeah. | 0:21:41 | 0:21:42 | |
And you could imagine somebody who maybe has just achieved, | 0:21:42 | 0:21:46 | |
owns a small business. | 0:21:46 | 0:21:47 | |
Or as you say is a colliery manager. | 0:21:47 | 0:21:50 | |
It's oil painting very matching the Malton British School. | 0:21:50 | 0:21:53 | |
-You know, there's earthy, slate-y colours. -Yeah, gorgeous colours. | 0:21:53 | 0:21:56 | |
-Lovely colours! -I like the tones that are in it. | 0:21:56 | 0:21:59 | |
I like the colours that are in it. But I just don't like... | 0:21:59 | 0:22:01 | |
His eyes follow me. | 0:22:01 | 0:22:03 | |
Wherever he is on the wall, in the room, his eyes follow me. | 0:22:03 | 0:22:07 | |
Well, they say, of course, if that happens, it's a very good portrait. | 0:22:07 | 0:22:11 | |
-Oh, right. -It's signed by the artist, JP Turnbull. | 0:22:11 | 0:22:14 | |
Now, in our limited time we've managed to do a bit of | 0:22:14 | 0:22:18 | |
research and have come up with absolutely nothing. | 0:22:18 | 0:22:21 | |
So we can't tell you much about that. | 0:22:21 | 0:22:23 | |
If we turn the picture round and put it back on the easel, | 0:22:23 | 0:22:28 | |
we have got here, Mr P Brooks, | 0:22:28 | 0:22:30 | |
and then an address, Durham, | 0:22:30 | 0:22:33 | |
-which fits in again. -Yeah. | 0:22:33 | 0:22:35 | |
And then April 1934. | 0:22:35 | 0:22:37 | |
-Yeah. -So that could be the sitter, which is nice to know. | 0:22:37 | 0:22:41 | |
Yeah. | 0:22:41 | 0:22:43 | |
Has it been up in the wall in prime position? | 0:22:43 | 0:22:46 | |
He has. He was on the wall up until about... | 0:22:46 | 0:22:50 | |
six or seven years ago. | 0:22:50 | 0:22:52 | |
And when I sort of had a change round of things, I decided then, | 0:22:52 | 0:22:57 | |
OK, he can come off the wall, and he went under the sofa. | 0:22:57 | 0:23:00 | |
Under the... Oh, well, I... Oh. | 0:23:00 | 0:23:03 | |
Such a shame. I'm so glad he's out from under the sofa. | 0:23:03 | 0:23:06 | |
I think in terms of the value we've got to look at it | 0:23:06 | 0:23:09 | |
as a decorative piece. And I think if we put it into auction, | 0:23:09 | 0:23:13 | |
-we should put an estimate of 100-150. -OK. | 0:23:13 | 0:23:16 | |
-Now, would you be happy with that? -Very happy. | 0:23:16 | 0:23:18 | |
You're happy to get rid of it, aren't you? | 0:23:18 | 0:23:20 | |
I'm happy to get rid of it. | 0:23:20 | 0:23:21 | |
See, if I'd only known that, I could have put 10-20 on it! | 0:23:21 | 0:23:24 | |
But, no, seriously, I think we've got to put a figure that reflects | 0:23:24 | 0:23:27 | |
the quality of the item. | 0:23:27 | 0:23:29 | |
-Yeah. -And we'll put 100 discretionary reserve on it. | 0:23:29 | 0:23:33 | |
That means the auctioneer will go within 10% of that. | 0:23:33 | 0:23:36 | |
-Thank you very much for bringing him in, Pat. -Thank you. | 0:23:36 | 0:23:39 | |
He is a charming looking fellow. | 0:23:39 | 0:23:41 | |
Next we continue our journey by heading north to another sensational | 0:23:41 | 0:23:46 | |
location - Althorp, in Northamptonshire. | 0:23:46 | 0:23:49 | |
And the Flog It! crowd didn't disappoint, either, | 0:23:49 | 0:23:52 | |
bringing bags laden with treasures. | 0:23:52 | 0:23:54 | |
And Will Axon found two eye-catching pieces of jewellery. | 0:23:54 | 0:23:57 | |
Christine and Neville, thank you for coming along today. | 0:24:01 | 0:24:04 | |
And I'm assuming these are yours, Christine. | 0:24:04 | 0:24:07 | |
-Yes. -Were these gifts from your good husband sat next to you? | 0:24:07 | 0:24:10 | |
Well, yes and no. Because they caught my eye in the shop. | 0:24:10 | 0:24:15 | |
And what was it that caught your eye about them? | 0:24:15 | 0:24:17 | |
The star brooch, which is dainty, I thought. | 0:24:17 | 0:24:21 | |
Well, it is very pretty, isn't it? | 0:24:21 | 0:24:23 | |
It's almost given that very light feeling by those little | 0:24:23 | 0:24:26 | |
seed pearls that are inset into the gold. | 0:24:26 | 0:24:29 | |
Very late Victorian, into the Edwardian period. | 0:24:29 | 0:24:32 | |
There were a lot of this type of brooch being made. | 0:24:32 | 0:24:35 | |
So they're not particularly rare. | 0:24:35 | 0:24:37 | |
And as a motif, that star was very popular at the time as well. | 0:24:37 | 0:24:42 | |
But then we move across to this, | 0:24:42 | 0:24:45 | |
what I would call a sort of stick pin. | 0:24:45 | 0:24:47 | |
-Yes. -And, again, very different in both colour and style. | 0:24:47 | 0:24:52 | |
Tell me what drew you to that? | 0:24:52 | 0:24:54 | |
Well, at the time I wanted something to put in my brooch because I had | 0:24:54 | 0:24:58 | |
like, a tie brooch. | 0:24:58 | 0:25:00 | |
She sounds like a very stylish lady, Neville. | 0:25:00 | 0:25:03 | |
I mean, you obviously took a lot of thought | 0:25:03 | 0:25:06 | |
and care about how you looked. | 0:25:06 | 0:25:08 | |
-Not just stylish, expensive! -Oh, there he is. | 0:25:08 | 0:25:12 | |
There's a man talking for you, isn't it? | 0:25:12 | 0:25:14 | |
Let's talk about the stick pin. Obviously, that's diamonds. | 0:25:14 | 0:25:17 | |
I think that middle stone there is probably around the sort of | 0:25:17 | 0:25:20 | |
half carat mark, that sort of size, I would have thought. | 0:25:20 | 0:25:23 | |
You're probably looking at a total weight of about | 0:25:23 | 0:25:26 | |
a carat in diamond weight. | 0:25:26 | 0:25:28 | |
-Yeah. -And it's in this white metal mount, which is unmarked, | 0:25:28 | 0:25:33 | |
but I'm almost certain that's going to be platinum. | 0:25:33 | 0:25:36 | |
Now my suggestion for the auction is | 0:25:36 | 0:25:38 | |
that we do split them into two separate lots. | 0:25:38 | 0:25:40 | |
-OK. -The little, shall we say, Edwardian gold seed pearls set, | 0:25:40 | 0:25:46 | |
I can see that at sort of around the £100 mark. | 0:25:46 | 0:25:49 | |
How does that sound to you as a sort of figure? | 0:25:49 | 0:25:51 | |
-That's fine. -So maybe if we straddle that hundred pounds, | 0:25:51 | 0:25:54 | |
say, the old favourite, 80-120. | 0:25:54 | 0:25:57 | |
-Yeah. -Reserve it at 80 with a bit of discretion and I'm sure we'll get | 0:25:57 | 0:26:01 | |
-that away. -Right. -Now, the other piece, | 0:26:01 | 0:26:03 | |
I think we're going to have to be a | 0:26:03 | 0:26:05 | |
little bit more generous in our estimate. | 0:26:05 | 0:26:08 | |
-Right. -I think easily sort of £500, that sort of figure. | 0:26:08 | 0:26:11 | |
What I would suggest that is an estimate of 500-700. | 0:26:11 | 0:26:14 | |
-OK. -And, again, | 0:26:14 | 0:26:16 | |
reserve it at that £500 with maybe a little bit of discretion. | 0:26:16 | 0:26:19 | |
-Yeah. -It would be a shame not to sell them for the sake of a single | 0:26:19 | 0:26:22 | |
-bid if you've... -Yes. -..you know, | 0:26:22 | 0:26:24 | |
you've got yourself into the mind-set of selling them. | 0:26:24 | 0:26:26 | |
And, well, who knows? | 0:26:26 | 0:26:29 | |
You might find something to replace them at the auction! | 0:26:29 | 0:26:31 | |
The brooch's quality and the design is timeless. | 0:26:31 | 0:26:34 | |
Hopefully the bidders will agree. | 0:26:34 | 0:26:35 | |
Back at Herstmonceux Castle, | 0:26:39 | 0:26:41 | |
James Lewis has found another family piece | 0:26:41 | 0:26:44 | |
that's been saved from the skip. | 0:26:44 | 0:26:46 | |
The sound of a concertina being played on the streets | 0:26:46 | 0:26:51 | |
always makes me think about Paris. | 0:26:51 | 0:26:54 | |
-Right. -Sitting in one of those streetside cafes with a lovely cup | 0:26:54 | 0:26:59 | |
of hot chocolate for me, actually. | 0:26:59 | 0:27:01 | |
Right, OK. | 0:27:01 | 0:27:02 | |
And maybe a little French tart. | 0:27:02 | 0:27:04 | |
-Eating one, not being with one! -OK! | 0:27:04 | 0:27:07 | |
And, you know, with that sound in the background. | 0:27:07 | 0:27:11 | |
It's so Parisian, isn't it? | 0:27:11 | 0:27:13 | |
-That is. -And this is a really good example. | 0:27:13 | 0:27:16 | |
-Is it? -Jane, where did you find it? | 0:27:16 | 0:27:18 | |
It's my father-in-law's. | 0:27:18 | 0:27:20 | |
-OK. -And it was just given to us. | 0:27:20 | 0:27:23 | |
Basically, he died a few years ago, | 0:27:23 | 0:27:25 | |
and we were given that and a piano accordion, which we got rid of. | 0:27:25 | 0:27:29 | |
But we just put that to one side. | 0:27:29 | 0:27:31 | |
-Did he play? -I don't know. | 0:27:31 | 0:27:33 | |
But I think maybe his father did. | 0:27:33 | 0:27:35 | |
-OK. -And he just sort of bought it for him, I think. | 0:27:35 | 0:27:38 | |
So we've got a concertina in its original case, | 0:27:38 | 0:27:42 | |
and we've got JJ Vickers' label inside the lid. | 0:27:42 | 0:27:45 | |
-Is that the retailer? -That's the retailer. | 0:27:45 | 0:27:47 | |
-Right, fair enough. -On the side here, we've got | 0:27:47 | 0:27:51 | |
"Jefferies Brothers Maker, Proud Street." | 0:27:51 | 0:27:55 | |
In London. So we've got Jefferies as the maker. | 0:27:56 | 0:27:59 | |
-Right. -Charles Jefferies. -Which is Italian? -Well, Charles Jefferies is | 0:27:59 | 0:28:03 | |
an interesting character because Charles Jefferies | 0:28:03 | 0:28:06 | |
started life as a tinker. | 0:28:06 | 0:28:08 | |
-OK. -And then became an accordion player. | 0:28:08 | 0:28:11 | |
And he would sit out on the streets playing his accordion. | 0:28:11 | 0:28:14 | |
-Oh, he played? Oh, wow. -I've got real talent, haven't I? | 0:28:14 | 0:28:16 | |
-Yeah, you have! Brilliant! -I won't give up the day job. | 0:28:16 | 0:28:18 | |
Oh, it's fine. Brilliant. | 0:28:18 | 0:28:20 | |
And he would play his accordion. | 0:28:20 | 0:28:22 | |
And people would come to him in the street and say, | 0:28:22 | 0:28:25 | |
what a wonderful accordion, could you make me one? | 0:28:25 | 0:28:27 | |
And he started making them as part of the business. | 0:28:27 | 0:28:30 | |
Oh, I see. That's brilliant. | 0:28:30 | 0:28:32 | |
And they are the Rolls-Royce of accordions. | 0:28:32 | 0:28:35 | |
-Really? -They're really good makers. | 0:28:35 | 0:28:37 | |
But it is in wonderful condition as well. | 0:28:37 | 0:28:39 | |
It's never been out of the box, as far as I know. | 0:28:39 | 0:28:41 | |
Well, not since I've had it. I've never even taken it out. | 0:28:41 | 0:28:44 | |
-OK. -Sorry! | 0:28:44 | 0:28:47 | |
So concertinas vary dramatically in price. | 0:28:47 | 0:28:51 | |
And they are a mine field. | 0:28:51 | 0:28:53 | |
Date - 1870, 1880. | 0:28:53 | 0:28:56 | |
-Really? -Something around there. -Oh, brilliant. | 0:28:56 | 0:28:59 | |
What do you think it's worth? Do you think you'd take 80 for it? | 0:28:59 | 0:29:01 | |
I don't know. I suppose so. | 0:29:01 | 0:29:03 | |
I just... It doesn't... | 0:29:03 | 0:29:05 | |
-I really don't know. -So if somebody offered you 150, would you take it? | 0:29:05 | 0:29:09 | |
-I think so. -You would? -Sure, yeah. -I wouldn't. -You wouldn't? | 0:29:09 | 0:29:13 | |
-No. -Really? -No. -Really?! -No, it's worth more than that. | 0:29:13 | 0:29:16 | |
-Wow! -If I said to you I think... | 0:29:16 | 0:29:18 | |
..that the estimate, the estimate should be £1,000-1,500. | 0:29:20 | 0:29:25 | |
What?! | 0:29:25 | 0:29:27 | |
I... I... Well. | 0:29:27 | 0:29:29 | |
I mean, I can't believe that. | 0:29:29 | 0:29:32 | |
My husband will not believe that! | 0:29:32 | 0:29:34 | |
Really? What did your husband think it was worth? | 0:29:34 | 0:29:36 | |
My husband said, "Why are you taking it? | 0:29:36 | 0:29:39 | |
"It's not worth anything. | 0:29:39 | 0:29:40 | |
-"Throw it away!" -Throw it away?! | 0:29:40 | 0:29:43 | |
Well, good job you didn't listen to the husband. | 0:29:43 | 0:29:46 | |
I am shocked. I am genuinely shocked. | 0:29:46 | 0:29:50 | |
I think it will make that easily. | 0:29:50 | 0:29:52 | |
-Really? -And let's just see what it makes on the day. | 0:29:52 | 0:29:55 | |
-It's a great thing. -Thank you, that's fabulous. | 0:29:55 | 0:29:57 | |
What a find. And that's the last to come from Reading. | 0:29:57 | 0:30:01 | |
Before we take our three items to auction, | 0:30:04 | 0:30:06 | |
I wanted to visit Ugbrooke one last time to find out about that | 0:30:06 | 0:30:10 | |
incredible family history, from the people who know it best. | 0:30:10 | 0:30:13 | |
Ugbrooke has been home to the Cliffords for more than 400 years. | 0:30:17 | 0:30:20 | |
The family and staff have lived on this estate, | 0:30:20 | 0:30:22 | |
and over time transformed the humble Tudor dwelling into this impressive | 0:30:22 | 0:30:27 | |
castle-style home. | 0:30:27 | 0:30:28 | |
The Clifford family is ancient and fascinating with a family tree so | 0:30:35 | 0:30:39 | |
large, its roots go all the way back to 500 AD. | 0:30:39 | 0:30:43 | |
They descended from early Vikings, and when William the Conqueror | 0:30:43 | 0:30:46 | |
invaded these shores in 1066, it was a forefather of the Cliffords by his side. | 0:30:46 | 0:30:52 | |
Few families can boast such a varied cast of characters, | 0:30:55 | 0:30:58 | |
with politicians, military men and adventurers at every turn. | 0:30:58 | 0:31:01 | |
Today, Ugbrooke is still the Clifford family home, | 0:31:05 | 0:31:07 | |
with the Honourable Alexander tasked with preserving the family seat, | 0:31:07 | 0:31:11 | |
and keeping its history well and truly alive. | 0:31:11 | 0:31:15 | |
At his side are a team of staff and volunteers who are dedicated to | 0:31:15 | 0:31:19 | |
helping Ugbrooke live on. | 0:31:19 | 0:31:21 | |
I wanted to know who their favourite Clifford was, and why. | 0:31:21 | 0:31:26 | |
So let's meet the people of Ugbrooke, past and present. | 0:31:26 | 0:31:29 | |
Alexander Clifford, future Lord and custodian of Clifford. | 0:31:32 | 0:31:36 | |
Catherine Fender, guide and history buff. | 0:31:37 | 0:31:40 | |
Alan Easterbrook, gamekeeper for an incredible 50 years. | 0:31:41 | 0:31:45 | |
And Mary Holman, expert guide with 15 years' experience. | 0:31:48 | 0:31:52 | |
My favourite Clifford character, | 0:31:55 | 0:31:57 | |
although there are so many going down the line, | 0:31:57 | 0:32:00 | |
would have to be the great adventurer, | 0:32:00 | 0:32:02 | |
Lewis, the ninth Lord Clifford. | 0:32:02 | 0:32:05 | |
His stories of when he was in the US joining up with Custer's | 0:32:05 | 0:32:10 | |
expeditionary force on his battles with Chief Sitting Bull. | 0:32:10 | 0:32:16 | |
He was on the banks of the Yellowstone River. | 0:32:17 | 0:32:20 | |
He was picking up his bedding, | 0:32:20 | 0:32:22 | |
and when he ducked to bend over to pick it up, | 0:32:22 | 0:32:25 | |
he then heard a shot from a musket. | 0:32:25 | 0:32:29 | |
Just above his head, hitting a tree above him, | 0:32:29 | 0:32:32 | |
from an Indian firing across the river. | 0:32:32 | 0:32:34 | |
The way he says it, is as though it was exciting. | 0:32:36 | 0:32:38 | |
He's enjoying it. | 0:32:38 | 0:32:40 | |
Only a month or so later, Custer and his whole force was wiped out. | 0:32:42 | 0:32:46 | |
So he was in the States with Custer's expeditionary force | 0:32:50 | 0:32:53 | |
until two weeks before the massacre. | 0:32:53 | 0:32:56 | |
And as we come into the morning room, here, | 0:33:03 | 0:33:05 | |
we have a wonderful portrait of Elizabeth. | 0:33:05 | 0:33:09 | |
My favourite person within the Ugbrooke history, I think, | 0:33:09 | 0:33:13 | |
has to be the ninth Lady Clifford, Lady Mabel Clifford. | 0:33:13 | 0:33:17 | |
She was a very formidable lady. | 0:33:18 | 0:33:21 | |
I don't think you argued with her. | 0:33:21 | 0:33:23 | |
But she obviously had great presence. | 0:33:23 | 0:33:26 | |
She was a wonderful hostess. | 0:33:26 | 0:33:30 | |
She loved weekend house parties. | 0:33:30 | 0:33:32 | |
And she was a great one for putting on plays with her weekend house guests. | 0:33:34 | 0:33:39 | |
She used to send them invitations six months in advance. | 0:33:39 | 0:33:43 | |
She would send them a copy of the play she wanted to put on, | 0:33:43 | 0:33:46 | |
and they had to come knowing their part. | 0:33:46 | 0:33:49 | |
And I think bringing their own costumes to play in the play. | 0:33:49 | 0:33:52 | |
They were very privileged to have the Duke and Duchess of York, | 0:33:54 | 0:33:57 | |
as they then were, who later became George V and Queen Mary. | 0:33:57 | 0:34:02 | |
And what is wonderful that in the archives of the house, | 0:34:02 | 0:34:06 | |
we have a programme for the weekend that the Duke and Duchess of York | 0:34:06 | 0:34:10 | |
came to stay here. | 0:34:10 | 0:34:11 | |
I've been here 50 years. | 0:34:18 | 0:34:20 | |
Just turned 50 years. | 0:34:20 | 0:34:21 | |
I come when I was 16 to meet His Lordship. | 0:34:23 | 0:34:27 | |
I was probably shaking in me boots. | 0:34:28 | 0:34:30 | |
He said, "When can you start?" | 0:34:30 | 0:34:32 | |
And I never looked back. | 0:34:32 | 0:34:34 | |
Lord Clifford, the 13th Lord of Chudleigh. | 0:34:37 | 0:34:41 | |
To me, he was like a father. | 0:34:41 | 0:34:43 | |
We spent a lot of time together. | 0:34:45 | 0:34:47 | |
Though His Lordship, Mondays, would go off to the House of Lords, | 0:34:48 | 0:34:52 | |
he'd probably come back on the Thursday and with the woodmen, | 0:34:52 | 0:34:56 | |
he would go out in the park and help them get the park shipshape. | 0:34:56 | 0:35:01 | |
He was a man that was always active, doing something. | 0:35:03 | 0:35:08 | |
Three generations that I've been with now have treated me | 0:35:10 | 0:35:13 | |
like family, really. I know nothing else, but here. | 0:35:13 | 0:35:17 | |
And it's just my life. | 0:35:17 | 0:35:20 | |
It's a privilege, it really is. | 0:35:20 | 0:35:22 | |
I'm a guide here, and I've been here for eight years. | 0:35:27 | 0:35:30 | |
It's a special treat in the summer, | 0:35:30 | 0:35:32 | |
coming here for three or four months. | 0:35:32 | 0:35:34 | |
You come down the drive and you come into a different world. | 0:35:35 | 0:35:38 | |
I'm very interested in the tenth Earl, | 0:35:42 | 0:35:44 | |
because he was the black sheep of the family in many ways. | 0:35:44 | 0:35:47 | |
And his nickname in the family was Silly Willy. | 0:35:47 | 0:35:50 | |
He was actually sent out to New Zealand when he was 18, | 0:35:50 | 0:35:53 | |
because the family knew that he couldn't cope with money at all. | 0:35:53 | 0:35:57 | |
He tried to earn some money out there by rounding up the rabbits and | 0:35:57 | 0:36:02 | |
canning them, which was a great idea, | 0:36:02 | 0:36:05 | |
until at least a dozen people died of lead poisoning because they | 0:36:05 | 0:36:09 | |
sealed the tins with lead. | 0:36:09 | 0:36:11 | |
But the reason I like him is because | 0:36:11 | 0:36:15 | |
for most of his life, people said he was a failure. | 0:36:15 | 0:36:17 | |
And the nickname, Silly Willy, shows that. | 0:36:17 | 0:36:20 | |
But he was actually brilliant. | 0:36:20 | 0:36:23 | |
He became very interested in radiology, | 0:36:23 | 0:36:25 | |
and realised that the rays right at the edge of the spectrum could | 0:36:25 | 0:36:29 | |
actually kill tumours. | 0:36:29 | 0:36:30 | |
He was one of the very first people in the 1920s to realise that. | 0:36:30 | 0:36:33 | |
And having been in the medical world all of my life, | 0:36:33 | 0:36:35 | |
I know how special that is. | 0:36:35 | 0:36:37 | |
It's crazy that I have my own museum in the house. | 0:36:39 | 0:36:44 | |
I can pick up things and wear... You know, my ancestors have worn. | 0:36:44 | 0:36:48 | |
I can pick up a crazy hat or a sword. | 0:36:48 | 0:36:53 | |
Be careful not to hit any of the equipment here! | 0:36:53 | 0:36:56 | |
It is the most fascinating house and fascinating family. | 0:36:56 | 0:37:00 | |
Wonderful portraits. | 0:37:00 | 0:37:01 | |
And in the most marvellous setting. | 0:37:01 | 0:37:03 | |
I always worried when I was younger that | 0:37:05 | 0:37:09 | |
I would be the generation that would lose it. | 0:37:09 | 0:37:12 | |
No thoughts on retiring. | 0:37:13 | 0:37:15 | |
Go on as long as I can. | 0:37:15 | 0:37:17 | |
I'm hoping that they'll carry me off, of the estate | 0:37:17 | 0:37:19 | |
while I'm out there working! | 0:37:19 | 0:37:21 | |
It is one family, and it's about looking after everyone. | 0:37:21 | 0:37:26 | |
Our trip around the country is nearly at a close. | 0:37:33 | 0:37:36 | |
All that remains is to put our last three items under the hammer. | 0:37:36 | 0:37:40 | |
And here's a reminder of what we're selling. | 0:37:40 | 0:37:42 | |
The colliery man with the beady eyes. | 0:37:44 | 0:37:46 | |
Will anyone want to take him home? | 0:37:46 | 0:37:47 | |
Some sparkling jewellery, which we've separated into two lots. | 0:37:51 | 0:37:54 | |
And the concertina that proved a big surprise to Jane. | 0:38:01 | 0:38:05 | |
First, we're back at Chiswick in west London to put that dapper | 0:38:11 | 0:38:14 | |
looking gentleman up for sale. | 0:38:14 | 0:38:15 | |
£100 to go. 100 is bid. | 0:38:15 | 0:38:17 | |
110, 120. | 0:38:17 | 0:38:18 | |
-Pat, good luck. -Thank you. | 0:38:19 | 0:38:21 | |
Are the eyes following her around? | 0:38:21 | 0:38:23 | |
We're talking about that wonderful oil painting, the gentleman. | 0:38:23 | 0:38:26 | |
Art is subjective. | 0:38:26 | 0:38:27 | |
I mean, I like it, you like it, | 0:38:27 | 0:38:29 | |
-and I know you don't like it. -I like the colours. | 0:38:29 | 0:38:31 | |
I like the colours. That's what Mark says, they are modern, | 0:38:31 | 0:38:33 | |
they are to date. Hopefully this lot out there, | 0:38:33 | 0:38:35 | |
that room full of bidders will like it as well. | 0:38:35 | 0:38:38 | |
Let's put it to the test. It's going under the hammer now. | 0:38:38 | 0:38:41 | |
Now we come onto this lovely lot. | 0:38:43 | 0:38:45 | |
JF Turnbull, the oil on canvas portrait of a gentleman. | 0:38:45 | 0:38:47 | |
He certainly is, he's just down here. | 0:38:47 | 0:38:49 | |
Let's start this off at £100. | 0:38:49 | 0:38:52 | |
£100. | 0:38:52 | 0:38:54 | |
It's not looking terribly good, is it? | 0:38:54 | 0:38:56 | |
It's not looking good, is it? | 0:38:56 | 0:38:57 | |
£90, otherwise we're going to pass it. | 0:38:57 | 0:38:59 | |
Any interest at £90? | 0:38:59 | 0:39:01 | |
£90 is bid in the room. | 0:39:01 | 0:39:03 | |
It's at £90. | 0:39:04 | 0:39:06 | |
A particularly interesting lot, this. At £90. | 0:39:06 | 0:39:09 | |
That's it, it is selling. | 0:39:09 | 0:39:11 | |
And it is now sold at £90. | 0:39:11 | 0:39:13 | |
-Sold. -Sorry. -Fine. -But we had a discretionary reserve | 0:39:14 | 0:39:17 | |
so we got it away. | 0:39:17 | 0:39:19 | |
-It's OK. Look, we're happy. Pat's happy! -Good, good. | 0:39:19 | 0:39:21 | |
Those eyes are not going to be following her around. | 0:39:21 | 0:39:23 | |
It's not going back under the sofa. | 0:39:23 | 0:39:25 | |
Do you know what? That's the wrong place to put it. | 0:39:25 | 0:39:27 | |
I think that's why he's looking at you, with disdain. | 0:39:27 | 0:39:30 | |
I really do. | 0:39:30 | 0:39:32 | |
Let's hope its new owner hangs in pride of place. | 0:39:32 | 0:39:36 | |
Now we're heading two hours north to Market Harborough in Leicestershire, | 0:39:36 | 0:39:40 | |
where Gildings are in charge of the sale. | 0:39:40 | 0:39:42 | |
Christine, you seem to be selling your jewellery at the moment. | 0:39:44 | 0:39:47 | |
-Well... -Why? -Needs must. | 0:39:47 | 0:39:50 | |
Oh, needs must. We've got two items, haven't we? | 0:39:50 | 0:39:52 | |
The seed pearl brooch, and the stick pin. | 0:39:52 | 0:39:55 | |
180-120, the stick pin. | 0:39:55 | 0:39:57 | |
-The stick pin's worth an awful lot of money. Did you know that? -Yes. | 0:39:57 | 0:40:00 | |
-You did know that? -Yes. | 0:40:00 | 0:40:02 | |
Right, we're starting off with the seed pearl. | 0:40:02 | 0:40:04 | |
The cluster, star burst brooch. | 0:40:04 | 0:40:06 | |
Let's find out what the bidders think. | 0:40:06 | 0:40:08 | |
The yellow metal star brooch, and starting here at £55. | 0:40:08 | 0:40:12 | |
At 55? 60. 60, five. | 0:40:12 | 0:40:16 | |
-Come on, come on, we're there. -75, internet. | 0:40:16 | 0:40:20 | |
80, five. | 0:40:20 | 0:40:22 | |
90. Room bid at 90. | 0:40:22 | 0:40:24 | |
You're out online. Five. | 0:40:24 | 0:40:25 | |
100. 110, 120. | 0:40:25 | 0:40:30 | |
130, 140, 150. Back in. | 0:40:30 | 0:40:34 | |
Thank you, anyway. 150 now, with the online bidder at £150. | 0:40:34 | 0:40:37 | |
Watching the floor carefully at 150. | 0:40:37 | 0:40:39 | |
This is good. The auctioneer's doing really well. | 0:40:39 | 0:40:41 | |
Last chance and selling online at 150. | 0:40:41 | 0:40:44 | |
And that's £150. | 0:40:44 | 0:40:46 | |
-Yeah. -One more to go, it's that bar brooch. | 0:40:46 | 0:40:49 | |
Let's hope we get the top end. | 0:40:49 | 0:40:51 | |
Yeah, I hope so. | 0:40:51 | 0:40:52 | |
The white metal bar brooch. | 0:40:52 | 0:40:54 | |
Let's start the bidding, if you will, at 360. | 0:40:54 | 0:40:57 | |
At 360, here, at 360. | 0:40:57 | 0:40:59 | |
At £360, at 360. | 0:40:59 | 0:41:01 | |
Yeah, come on, Will. Move it on! | 0:41:01 | 0:41:03 | |
400. 420, 440. | 0:41:03 | 0:41:06 | |
And 60. In the room at 460, and I'm out. | 0:41:06 | 0:41:09 | |
-We've got fresh bidders here, look. -Gosh, that was good. | 0:41:09 | 0:41:11 | |
500. 550. 600. | 0:41:11 | 0:41:16 | |
Shake of the head, standing right at £600. | 0:41:16 | 0:41:18 | |
-At 600, we've done it. -Lady's bid, seated, at £600. | 0:41:18 | 0:41:22 | |
At 600, are we all done? | 0:41:22 | 0:41:23 | |
Last chance. If you're quick online... | 0:41:23 | 0:41:25 | |
Brilliant. Well done, Will Gilding. | 0:41:27 | 0:41:29 | |
£600 for the second lot, 150 for the first lot. | 0:41:29 | 0:41:32 | |
That's £750. | 0:41:32 | 0:41:34 | |
-Wow. -Where there's a Will, there's a way! -That's good, yeah. | 0:41:34 | 0:41:36 | |
-Where there's a Will, there's a way! -Smashing. -Well done, Will. | 0:41:36 | 0:41:39 | |
-Thank you, sir. -Smashing. | 0:41:39 | 0:41:41 | |
That's a great result for Christine. | 0:41:43 | 0:41:44 | |
Finally, it's back down south to Rye Auctions, | 0:41:44 | 0:41:48 | |
to see if James's whopping estimate proves true. | 0:41:48 | 0:41:51 | |
At £290. | 0:41:51 | 0:41:52 | |
The concertina, Jane. | 0:41:54 | 0:41:55 | |
Best one I've seen on Flog It! | 0:41:55 | 0:41:57 | |
-Best one you've seen? -Really? | 0:41:57 | 0:41:59 | |
-Without a shadow of a doubt. -For a long, long time. | 0:41:59 | 0:42:01 | |
Because this one is the Rolls-Royce. | 0:42:01 | 0:42:03 | |
-Do you think? -Did you know? -No, I didn't know that. | 0:42:03 | 0:42:05 | |
-So where's it been all its life? -It's been... It's my father-in-law's. | 0:42:05 | 0:42:08 | |
We inherited it. It's just been sitting upstairs. | 0:42:08 | 0:42:10 | |
-My husband wanted to throw it away. -No! -Yes! | 0:42:10 | 0:42:13 | |
Well, I'm excited about this. I hope you are. | 0:42:13 | 0:42:16 | |
I hope this lot, here, in this packed sale room are as well. | 0:42:16 | 0:42:19 | |
Hopefully we've got some phone lines, | 0:42:19 | 0:42:21 | |
we're putting it under the hammer right now. | 0:42:21 | 0:42:23 | |
-Good luck, Jane. -Thank you. | 0:42:23 | 0:42:25 | |
The Jeffries Brothers Duet concertina, | 0:42:25 | 0:42:28 | |
and I can start this in at 1050, 1100. | 0:42:28 | 0:42:34 | |
1100, I've got. | 0:42:34 | 0:42:35 | |
1100, do I see 1150? | 0:42:35 | 0:42:37 | |
At 1100. At 1100, do I see 1150 now? | 0:42:39 | 0:42:43 | |
1200. 1200 still on commission. | 0:42:43 | 0:42:45 | |
At 1200, do I see 1250? | 0:42:45 | 0:42:47 | |
At 1200. | 0:42:47 | 0:42:49 | |
Are we all done? At 1200? | 0:42:49 | 0:42:51 | |
Are you all done and finished? | 0:42:51 | 0:42:53 | |
It's sold at 1200, we got it mid-estimate. | 0:42:55 | 0:42:57 | |
-Good, thank you. -That's OK, that's all right, isn't it? | 0:42:57 | 0:42:59 | |
-Thank you so much. -It's better than putting it in the skip. | 0:42:59 | 0:43:01 | |
Absolutely. Absolutely, thank you so much. | 0:43:01 | 0:43:03 | |
That's all right. Thank you for bringing it in. That was great. | 0:43:03 | 0:43:06 | |
Well, that's it for today's show. | 0:43:13 | 0:43:15 | |
We've had a wonderful time here at Ugbrooke House. | 0:43:15 | 0:43:18 | |
And what an incredible family history, | 0:43:18 | 0:43:21 | |
one that's still being kept alive by family members today. | 0:43:21 | 0:43:24 | |
We've also heard some of your fascinating stories, | 0:43:24 | 0:43:27 | |
and we've seen some great results in auction rooms all over the country. | 0:43:27 | 0:43:31 | |
I was particularly pleased for Jane. That concertina was first class. | 0:43:31 | 0:43:34 | |
And it deserved to get over £1,000. | 0:43:34 | 0:43:37 | |
Not bad for a squeeze-box! | 0:43:37 | 0:43:38 | |
I hope you've enjoyed the show. | 0:43:38 | 0:43:40 | |
So until the next time, it's goodbye. | 0:43:40 | 0:43:42 |