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Now with a preview of this weekend's Oscars, it is Talking Movies. | :00:00. | :00:26. | |
Hello from Hollywood and welcome to our special Oscars preview edition | :00:27. | :00:33. | |
of Talking Movies. I am Tom Brook. In today's programme, everything you | :00:34. | :00:36. | |
need to know about the Academy Awards. The big-name stars in the | :00:37. | :00:45. | |
running. It does not mean -- doesn't mean a lot due to get this | :00:46. | :00:52. | |
recognition? Obviously. Always. There are document is in | :00:53. | :00:56. | |
foreign-language films vying for a prize. Will protest over President | :00:57. | :01:05. | |
Donald Trump's policies take centre stage? This could be the most | :01:06. | :01:10. | |
politicised Oscars we have had. Plus our predictions on who will win the | :01:11. | :01:15. | |
top prizes. All of that and more in our special Oscars preview edition | :01:16. | :01:26. | |
of Talking Movies. The 89th annual Academy Awards is about to get under | :01:27. | :01:30. | |
way, and the big question, it seems, is how many trophies will La La Land | :01:31. | :01:37. | |
take time? This ode to a Hollywood's golden age of musicals has many | :01:38. | :01:41. | |
ardent supporters. It dominates the Optus deal with its four | :01:42. | :01:48. | |
denominations. This match is all about Eve and Titanic. -- dominates | :01:49. | :01:58. | |
the Oscars field. La La Land has won the hearts and minds of many in the | :01:59. | :02:02. | |
lead into the options. Its creator, Damien Chazelle, for six years to | :02:03. | :02:08. | |
bring it on the screen. It stars, Emma Stone Orions Gosling. It is a | :02:09. | :02:15. | |
shot that with all was gone. -- Emma Stone and Ryan Gosling. It is very | :02:16. | :02:20. | |
special that it happened. And I think that the audience is | :02:21. | :02:24. | |
connecting. Most of the other best pitches nominees are less dreamy | :02:25. | :02:28. | |
than La La Land, and several when they come to storytelling and | :02:29. | :02:31. | |
casting display diversity. Last year, the Oscars was the siege by | :02:32. | :02:39. | |
protest. This year, there are many feel is rooted in black expresses | :02:40. | :02:46. | |
that largely black casts, like fences, Moonlight, and Hidden | :02:47. | :02:56. | |
Figures. I think it is great that we have had more nominees across all | :02:57. | :02:59. | |
categories from acting nominations to cinematography and director and | :03:00. | :03:08. | |
screenplay, but obviously, Oscars Are White is about not just the | :03:09. | :03:16. | |
blacks, but people of all races who are not white. There were surprise | :03:17. | :03:20. | |
nubs and inclusions within the nominations this year. One of the | :03:21. | :03:24. | |
biggest exclusions was Amy Adams, the star of Arrival, who was widely | :03:25. | :03:29. | |
expected to read best actress on a seat. -- Best actress nominee. But | :03:30. | :03:40. | |
lives in movie got a nomination. A surprise inclusion was Mel Gibson | :03:41. | :03:43. | |
for his work on Hacksaw Ridge as director. That was also nominated as | :03:44. | :03:47. | |
Best Director. He expected nomination suggests a degree of | :03:48. | :04:00. | |
rehabilitations Hollywood. Another possibility is people using the | :04:01. | :04:04. | |
awards podium to express their frustration over President Donald | :04:05. | :04:06. | |
Trump and his policies. This could potentially be the most politicised | :04:07. | :04:10. | |
Oscars that we have ever had. Because they think people are so | :04:11. | :04:14. | |
scared and angry at what is happening in our country. And I | :04:15. | :04:20. | |
think for the first time, a mass number of actors feel that perhaps | :04:21. | :04:26. | |
their role as citizens in this is very important. And they will speak | :04:27. | :04:30. | |
out. The protest extends beyond American shores. The Iranian | :04:31. | :04:38. | |
director of The Salesman has decided not to come to the country based on | :04:39. | :04:42. | |
Donald Trump's Executive Order and emigration. Many are expressing | :04:43. | :04:46. | |
their displeasure with the administration. We are living in a | :04:47. | :04:52. | |
politicised moment. I think people have things they want is a Banega | :04:53. | :04:57. | |
platform, they will say them. What you said the people that do not | :04:58. | :05:02. | |
think that it is the appropriate arena for is pressing process? I | :05:03. | :05:05. | |
think art is inherently political. I think the Oscars as a platform to | :05:06. | :05:10. | |
the art. And I think politics goes without art. So I think it is | :05:11. | :05:15. | |
appropriate. Here in LA, the murdered trial of O.J. Simpson more | :05:16. | :05:22. | |
than 20 years ago mesmerised the local population and much of the | :05:23. | :05:30. | |
world. Those events have inspired a film that has been nominated as a | :05:31. | :05:34. | |
strong contender in the best of major category. That is our focus | :05:35. | :05:40. | |
now. You could I do everything you have done, man. If nothing else, | :05:41. | :05:49. | |
this is a hugely ambitious work. It is the commendation of a 5-part TV | :05:50. | :05:54. | |
series runs late hours. It covers the trial of more than 20 years ago, | :05:55. | :05:58. | |
in which O.J. Simpson was a man tried and then acquitted of | :05:59. | :06:01. | |
murdering his ex-wife. The director sees his film to the story of | :06:02. | :06:05. | |
America through the lens of O.J. Simpson. He was a star athlete, a | :06:06. | :06:10. | |
plain earing commercial pitchman. He was a Hollywood star. So before he | :06:11. | :06:14. | |
became infamous, he was already someone who had broken barriers, | :06:15. | :06:23. | |
especially for black athletes. -- plain | :06:24. | :06:28. | |
-- pioneering. Another groundbreaking documentary is The | :06:29. | :06:41. | |
13th. It covers the 13th Amendment to the US Constitution. The | :06:42. | :06:46. | |
documentary maker says that slavery still exists. The 13th Amendment | :06:47. | :06:55. | |
abolishing it, but not for those who committed crimes. It has been | :06:56. | :06:59. | |
politically and deliberately exploited for profit. This has been | :07:00. | :07:04. | |
used for everyone but black people for along time. How is -- household | :07:05. | :07:12. | |
goods, guidance systems for weapons are being put together by inmates | :07:13. | :07:16. | |
and convicted people, who are not being paid for it. That is very | :07:17. | :07:22. | |
labour, and is slavery. Race is also as central theme in I Am Not Your | :07:23. | :07:36. | |
Negro. The film is based on the work of a Northern who died 30 years ago. | :07:37. | :07:40. | |
What your role is and what your future is in this country... His | :07:41. | :07:45. | |
voice is quite important today. I think it is at a time where we have | :07:46. | :07:49. | |
huge black clouds in front of us. His guidance and his wisdom is | :07:50. | :08:03. | |
really important. Fire At Sea, and attained a matter, is also in the | :08:04. | :08:07. | |
running. It is a cinematography profile of an island that becomes an | :08:08. | :08:13. | |
entry point for African refugees seeking a home in Europe. If Volkers | :08:14. | :08:18. | |
is not just on refugees, but also the islanders, some affected by the | :08:19. | :08:24. | |
influx, and others not. -- it focuses not just on. And Life, | :08:25. | :08:34. | |
Animated is the last document to nominated, about an autistic boy | :08:35. | :08:39. | |
that was able to communicate with his parents by using the lines of | :08:40. | :08:46. | |
the difficulty loves. The family realised they could draw when out of | :08:47. | :08:50. | |
his autism, and he learned not only to talk, but to connect with the | :08:51. | :08:54. | |
world through these classic Disney animated cells. With a host of | :08:55. | :08:59. | |
clinical awards already under its belt, O.J. Simpson: Made in America, | :09:00. | :09:15. | |
appears to be at the front runner. It still resonates with audience | :09:16. | :09:23. | |
today. The Academy Awards are the most sought after it is in industry. | :09:24. | :09:30. | |
Not only for actors. It is a priser can enhance career prospects. So | :09:31. | :09:35. | |
with that in mind, let's take a look at who is in the running the best | :09:36. | :09:38. | |
actor and actress categories this year. The best actor prize is | :09:39. | :09:51. | |
looking like it could go to Denzel Washington. He also directed the | :09:52. | :09:59. | |
film. It is based on the prize-winning play at the same name. | :10:00. | :10:07. | |
Fences. It is an honour and a privilege to be part of it. First as | :10:08. | :10:13. | |
Troy is an actor, and now to be given the responsibility if you will | :10:14. | :10:19. | |
of interpreting it. I think the idea was that you would relocate. The | :10:20. | :10:23. | |
Best Actor trophy can also go to 41 your old Casey Affleck, who is | :10:24. | :10:27. | |
running neck and neck with Denzel Washington, for his betrayal of a | :10:28. | :10:33. | |
handyman haunted by his past in Manchester by the Sea. A complete | :10:34. | :10:39. | |
character. You was so difficult. I really felt like I learnt a lot. The | :10:40. | :10:44. | |
next I might do a movie, I will take all that stuff that I learnt on to | :10:45. | :10:52. | |
the next movie. Ryan Gosling is in the running for playing a passionate | :10:53. | :10:56. | |
jazz musician who dances and Singsin La La Land. Britain's Andrew | :10:57. | :11:01. | |
Garfield is also up for a Best Actor opera for his role in Hacksaw Ridge. | :11:02. | :11:08. | |
-- Oscar. And then there is Viggo Mortensen who wants his children to | :11:09. | :11:14. | |
grow up off the grid in Captain Fantastic. The best actor category | :11:15. | :11:17. | |
is seen as almost a dead heat between Casey Affleck and descent | :11:18. | :11:27. | |
Washington. -- Denzel Washington. With best actress, Emma Stone seems | :11:28. | :11:32. | |
to be the clear favourite for playing an aspiring actress in La La | :11:33. | :11:37. | |
Land. There is something special about this grand, larger-than-life | :11:38. | :11:44. | |
musical also being something that is relatively small and heartbreaking | :11:45. | :11:46. | |
about love and dreamers in a relationship. It kind of | :11:47. | :11:53. | |
encapsulates both of those. In recent times, it has been uncommon | :11:54. | :11:58. | |
for the best actress prize to go to someone who isn't a non-native | :11:59. | :12:03. | |
English speaker, but it could go to Isabelle Huppert for a woman who | :12:04. | :12:08. | |
behaves in an unusual manner after being raped in the psychological | :12:09. | :12:14. | |
thriller, Elle. Was attractive to me was that I did not have to choose | :12:15. | :12:18. | |
one side of her persona rather than the other. She is so complete and | :12:19. | :12:24. | |
that is what makes us so worthwhile, being an actor. Natalie Portman, who | :12:25. | :12:33. | |
has won an actor at -- and Oscar before has been nominated one more | :12:34. | :12:42. | |
time for her role in Jackie. Ruth Negga has also been nominated for | :12:43. | :12:50. | |
her role in the film Loving. This covered the story that led to the | :12:51. | :12:56. | |
ban of interracial marriage being lifted. And finally, there is Meryl | :12:57. | :13:00. | |
Streep, for her record 20th nomination for playing tone deaf | :13:01. | :13:05. | |
opera singer for playing Florence Foster Jenkins in the film the same | :13:06. | :13:12. | |
name. If she went, it will be her fourth, matching the wings of Audrey | :13:13. | :13:17. | |
Hepburn. The prize is widely expected, however, to go to Emma | :13:18. | :13:20. | |
Stone. One often overlooked Oscars | :13:21. | :13:33. | |
category, at least by the inward looking American media, is that of | :13:34. | :13:36. | |
best foreign-language film. All five this year as strong candidates. If | :13:37. | :13:46. | |
cinema is, as the late critic Roger Ebert put it, energy generating | :13:47. | :13:55. | |
machines, foreign films often do the most heavy lifting. Of the five | :13:56. | :14:00. | |
films up for a foreign language film Oscar, the Australian entry takes | :14:01. | :14:09. | |
place in a monster location. It is a Romeo and Juliet style story and the | :14:10. | :14:13. | |
cast is made up of locals. The dialogue is in a distinct native | :14:14. | :14:19. | |
language. Sweden is represented in the Oscars sweepstakes, the story | :14:20. | :14:30. | |
that blossoms as a result of the relationship he forms with his newly | :14:31. | :14:36. | |
arrived Persian neighbour. In this Trump era it does have a certain | :14:37. | :14:43. | |
appeal in that it's a -- about a Conservative in and who initially | :14:44. | :14:47. | |
presents and does not like his middle eastern neighbours, but then | :14:48. | :14:51. | |
grows to find they are good people. This could be one that people choose | :14:52. | :14:54. | |
for political reasons as well settled -- sentimental ones. One of | :14:55. | :15:04. | |
the strongest Oscar contention is in the foreign film race may be the | :15:05. | :15:14. | |
German picture macro -- Toni Erdmann. It is a funny film that | :15:15. | :15:19. | |
serves as a critique of modern corporatism. Although when I make a | :15:20. | :15:23. | |
film I don't say, yes, I want to be critical about this or that, I don't | :15:24. | :15:25. | |
like to judge people or things. Another contender is Land of Mine, | :15:26. | :15:44. | |
which comes from Denmark and is set in the aftermath of World War Two. A | :15:45. | :15:47. | |
key element is the relationship between a tough Danish sergeant and | :15:48. | :15:49. | |
German teens. The fifth foreign language entry is | :15:50. | :16:05. | |
a film called The Salesman, from Iran, which observes the | :16:06. | :16:09. | |
relationship between a couple after the wife is attacked. The director | :16:10. | :16:14. | |
sees the film as both drama and social criticism. TRANSLATION: It's | :16:15. | :16:22. | |
a realism drama, so the audience follows the story and tries to | :16:23. | :16:25. | |
understand what will happen, but at the same time there is another angle | :16:26. | :16:31. | |
because it's a family in society, set it can talk about society as | :16:32. | :16:39. | |
well. He was planning to go to the Oscars but criticised the Trump's | :16:40. | :16:43. | |
travel ban and has decided not to attend the ceremony. This could if | :16:44. | :16:48. | |
humanitarian chief in EU when the left-leaning Academy descender | :16:49. | :16:52. | |
message to the president. As Oscar nominees, all of these films will | :16:53. | :16:57. | |
benefit from more public city and -- increased exposure. Their message | :16:58. | :17:02. | |
will be received by a larger audience than those that failed to | :17:03. | :17:06. | |
make the cut. In this case it really is an honour just to be nominated. | :17:07. | :17:17. | |
The Best Picture award is the most coveted trophy of all and this year | :17:18. | :17:24. | |
there are nine films in the running. It seems that La La Land is the | :17:25. | :17:27. | |
favourite to win, but there are several other deserving candidates. | :17:28. | :17:34. | |
I remember the last time I saw you. Moonlight, seen as a low-budget | :17:35. | :17:38. | |
wonder, one of the most praised films of recent times, has eight | :17:39. | :17:41. | |
nominations. It was put together on a shoestring and shot in 25 days. It | :17:42. | :17:47. | |
begins in a neighbourhood in Miami, the story of a young, gay, black | :17:48. | :17:54. | |
man. It is the journey of a boy becoming a man, finding himself in | :17:55. | :18:00. | |
the process. Arrival, also with eight nominations, is an alien | :18:01. | :18:04. | |
invasion movie with a twist. It chronicles what happens to a | :18:05. | :18:09. | |
linguist who learns the aliens' language. Through this encounter, | :18:10. | :18:14. | |
learning the language, this particular language will change her | :18:15. | :18:20. | |
life and I should maybe not say that on camera, was it is one of the keys | :18:21. | :18:25. | |
of the movie, but it is really a film about our relationship with | :18:26. | :18:30. | |
nature also. I've dreamt about being a doctor... With six nominations, | :18:31. | :18:35. | |
Hacksaw Ridge is also up for Best Picture. Lyon also has six | :18:36. | :18:43. | |
nominations. It is the feelgood tale of a young Australian man of Indian | :18:44. | :18:47. | |
heritage who uses his Google Earth to find his birth mother in India. | :18:48. | :19:00. | |
The boy gets very lost. This is a boy who was struggling for survival | :19:01. | :19:04. | |
on the streets of India. He is torn away by his family and the first | :19:05. | :19:08. | |
half of the film is about him using his instincts to escape danger and | :19:09. | :19:13. | |
predators in the city. Manchester by the Sea also has six nominations. | :19:14. | :19:18. | |
The story is emotionally powerful and some would say brilliant cinema. | :19:19. | :19:28. | |
Other Best Picture include Fences, an adaptation of a play. And Hell or | :19:29. | :19:33. | |
High Water which could be described as a modern Western, as two bank | :19:34. | :19:39. | |
robbing brothers Robert bank. One of the most liked Best Picture | :19:40. | :19:42. | |
nominees, with three and nominations, is Hidden Figures, the | :19:43. | :19:47. | |
story of three African American women who battled sexism at NASA in | :19:48. | :19:52. | |
the 1960s. Their mathematical tabulation is played a pivotal role | :19:53. | :19:58. | |
in a manned space programme. And back to our Best Picture | :19:59. | :20:03. | |
frontrunner, La La Land, for each filmmaker who is very likely to win | :20:04. | :20:07. | |
for best director. It is a personal story. In a young artist trying to | :20:08. | :20:11. | |
make it today and trying to deal with how do you balance streams with | :20:12. | :20:15. | |
reality? That was the story I wanted to tell the story that I felt was | :20:16. | :20:20. | |
rooted for a musical and I just hope it will connect with other people. | :20:21. | :20:24. | |
You've never seen it! I've never seen it. Odd makers predict it will | :20:25. | :20:30. | |
take the Best Picture trophy. If not, the prize will go to Moonlight | :20:31. | :20:34. | |
or Manchester by the Sea, but it seems it will be a big night for La | :20:35. | :20:44. | |
La Land. SINGS: Here's to the fuss we made... Now, let's look into the | :20:45. | :20:54. | |
Talking Movies crystal ball and come up with the guesses for who will win | :20:55. | :21:04. | |
the best prizes. It seems the prize for best supporting actor will go to | :21:05. | :21:08. | |
Mahershala Ali for playing a tenderhearted drug dealer in | :21:09. | :21:13. | |
Moonlight. He is kind, gentle, why is. Loving. He is also someone who | :21:14. | :21:19. | |
comes from really challenging circumstances and so in some anyway | :21:20. | :21:24. | |
is he reflects a lot of people that I knew growing up and it's why I am | :21:25. | :21:28. | |
attracted to it, why I was so attracted to playing the part. | :21:29. | :21:33. | |
Moving onto Best Supporting Actress, nominees Michelle Williams, Octavia | :21:34. | :21:36. | |
Spencer, Nicole Kidman and Naomie Harris or give excellent | :21:37. | :21:40. | |
performances. But it is expected the sky will most definitely go to buy | :21:41. | :21:45. | |
all Davies, who portrays the matriarch in Fences, opposite Denzel | :21:46. | :21:50. | |
Washington in some powerful things. I think the script was perfect and I | :21:51. | :21:54. | |
think he broke a role that is absolutely completely in her | :21:55. | :21:59. | |
narrative. Her journey is complete, her journey can't be any more | :22:00. | :22:04. | |
specific, so all I did was I was courageous enough to just dive into | :22:05. | :22:09. | |
her life. In a major best actor, best actress prizes, expect both to | :22:10. | :22:12. | |
go to Denzel Washington and Emma Stone. Best director, that of La La | :22:13. | :22:20. | |
Land, will take that one. The best film could be a salesman or Toni | :22:21. | :22:27. | |
Erdmann. Best adapted screenplay will be awarded to Moonlight and | :22:28. | :22:30. | |
Manchester by the Sea will and up with best original screenplay. Best | :22:31. | :22:40. | |
documentary feature will go to OJ Simpson: Made in America. And | :22:41. | :22:43. | |
finally we think Best Picture will go to La La Land, the film as a | :22:44. | :22:53. | |
whole getting ten statuettes. That brings our special Oscars preview | :22:54. | :22:56. | |
edition of talking movies statuettes. A close. We hope you've | :22:57. | :23:00. | |
enjoyed the show. Remember you can always reach us online. And you can | :23:01. | :23:06. | |
find us on Facebook as well. From me and the rest of the talking movies | :23:07. | :23:12. | |
macro production crew, goodbye. But remember you can catch me reporting | :23:13. | :23:16. | |
live from the red carpet on Oscars night. | :23:17. | :23:24. |