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also genic —— Jessica Ennis—Hill talking about injury and avoiding | :00:00. | :00:05. | |
surgery. And now, it is time for the film review. | :00:05. | :00:26. | |
Welcome. To take us through the cinema releases his Mark Kermode. | :00:26. | :00:29. | |
It is a diverse week with Formula 1 It is a diverse week with Formula 1 | :00:29. | :00:36. | |
race drivers Niki Lauda and James Hunt in the Rush. We have Jackie | :00:36. | :00:40. | |
Robinson breaking the colour bar in Robinson breaking the colour bar in | :00:40. | :00:45. | |
42. And Olympus Has Fallen again in 42. And Olympus Has Fallen again in | :00:45. | :00:54. | |
White House Down. Rush. I have seen it. I thought it was amazing, | :00:54. | :01:01. | |
wonderful. In case people do not know, although frankly, there has | :01:01. | :01:06. | |
been so much publicity, it is a drama directed by Ron Howard, | :01:06. | :01:10. | |
personality clash and rivalry personality clash and | :01:10. | :01:14. | |
cheese. One is cold, the other hot, between James | :01:14. | :01:23. | |
cheese. One is cold, the other hot, totally different personalities and | :01:23. | :01:30. | |
different on and off the track. I never understood what that means. I | :01:30. | :01:35. | |
love my job and competing. Maybe you should ask Niki Lauda, the | :01:35. | :01:39. | |
world champion has everything to lose. Are you feeling pressure? Do | :01:39. | :01:47. | |
I look like I am feeling pressure? I am world champion on the verge to | :01:47. | :01:51. | |
become champion again. It is not easy to become a champion, you have | :01:51. | :01:56. | |
to really believe it to make it possible. If Nicky is being tricky | :01:56. | :02:04. | |
mind games, I am flattered. mind games, I am flattered. | :02:04. | :02:08. | |
Momentum is with me. I have never felt better. I expect to be world | :02:08. | :02:19. | |
champion. When you start to talk about Formula 1 movies and chalk | :02:19. | :02:23. | |
and cheese characters, you think about Ayrton Senna. The brilliant | :02:23. | :02:29. | |
documentary I loved. I know very little about Formula 1. What has | :02:29. | :02:33. | |
happened is they have happened is they have taken a | :02:33. | :02:34. | |
similar story, with competing similar story, with competing | :02:34. | :02:40. | |
personalities and played it broadly, specifically to what people who do | :02:40. | :02:44. | |
not understand Formula 1... Here, people have a knowledge but in | :02:44. | :02:50. | |
country. This is a British country. This is a British | :02:50. | :02:54. | |
production but Ron Howard is a Hollywood director. It is played in | :02:54. | :03:04. | |
broad brush strokes. The actor playing James Hunt, he is like | :03:04. | :03:04. | |
stewards. Niki Lauda wanting to go Austin | :03:04. | :03:13. | |
to bed early, he is the most interesting character will stop you | :03:14. | :03:17. | |
have the stuff on the track. I thought it was gripping, partly | :03:18. | :03:20. | |
amazing. Also, I knew what happened. because of the sound. The it was | :03:20. | :03:26. | |
amazing. Also, I knew what happened. I remember | :03:26. | :03:30. | |
That is unusual, when you know the even though I knew | :03:30. | :03:36. | |
That is unusual, when you know the ending. Ron Howard did something | :03:36. | :03:41. | |
similar with Apollo 13. That is a talent of his. If I have a | :03:41. | :03:46. | |
criticism, it is the need to spell out everything as if it is speaking | :03:46. | :03:50. | |
to an audience who have no idea about the sport. The characters are | :03:50. | :03:56. | |
played with broad straight but I think it will play to a mainstream | :03:56. | :04:00. | |
audience, an audience that would not go to see a Formula 1 film. I | :04:00. | :04:05. | |
know people who know nothing about the sport really like it. Ron | :04:05. | :04:10. | |
criticism. If you can do it, it is criticism. If you can do it, it is | :04:11. | :04:18. | |
a talent. 42. Jackie Robinson. The problem for British viewers is | :04:18. | :04:21. | |
understanding the iconic status of understanding the iconic status of | :04:21. | :04:25. | |
a black man playing in the major leagues in American baseball. It is | :04:25. | :04:34. | |
good the story is being told. What you have is the story playing out | :04:34. | :04:39. | |
with Chadwick Boseman and Harrison Ford. It is about how radical it | :04:39. | :04:45. | |
was to bring an African American into the major league. It is played | :04:45. | :04:49. | |
very straight. Brian Helgeland directed it. He does not want to | :04:49. | :04:54. | |
mess around with the story. It is moving. Chadwick Boseman is very | :04:54. | :05:02. | |
very like a growl. My only very like a growl. My | :05:02. | :05:07. | |
criticism is it is such an criticism is it is such an | :05:07. | :05:09. | |
extraordinary story I would have liked the movie to be less ordinary. | :05:09. | :05:12. | |
remarkable story. It is quite It is firm be | :05:12. | :05:19. | |
remarkable story. It is quite difficult to get your head around | :05:19. | :05:25. | |
this time when this happened. If you were an African—American you | :05:26. | :05:27. | |
could not play a major league could not play a major league | :05:27. | :05:32. | |
baseball. The really terrifying stuff is the institutional thing | :05:32. | :05:34. | |
where they come to a coach stop and where they come to a coach stop and | :05:34. | :05:37. | |
he is not allowed to use the same bathroom, and this is in the recent | :05:37. | :05:44. | |
up the White House? As the up | :05:44. | :05:50. | |
beginning, there is a joke that that is the building they blew | :05:50. | :05:56. | |
is a cut price Bruce Willis. is a cut price Bruce Willis. | :05:56. | :06:04. | |
Channing Tatum is a aspiring secret service agent. He is saving the | :06:04. | :06:09. | |
President who has got a rocket launcher. | :06:09. | :06:16. | |
We have to punch a hole in the fence. The weapon is in the back. | :06:16. | :06:21. | |
What have you got? That is what I What have you got? That is what I | :06:21. | :06:31. | |
am talking about. You have to stick that out there and go to work. Here | :06:31. | :06:48. | |
it comes. This is a buddy movie where one of the bodies is the | :06:48. | :06:50. | |
President! —— buddies. It President! —— buddies. It is | :06:50. | :07:03. | |
something that you see in a Roland Emmerich film. It flopped in | :07:03. | :07:09. | |
America. I started laughing, not at the movie, I think I was laughing | :07:09. | :07:13. | |
with it. I think Roland Emmerich was finding it far me. It is a lot | :07:13. | :07:18. | |
of money to spend if you are making an extended joke. But if you want | :07:18. | :07:23. | |
this is not a criticism. It is not an extended joke. But if you want | :07:23. | :07:38. | |
this is not a criticism. It is not good, but it is a fun movie. We can | :07:38. | :07:42. | |
move on to your pick of the week. The | :07:42. | :07:50. | |
the best thing out, it is a small movie and the reason I really like | :07:50. | :07:54. | |
sound, for example, in films where fascinating. If you like the use | :07:54. | :08:02. | |
sound, for example, in films where profound effect. | :08:02. | :08:10. | |
terrific. The title is a misheard song lyric. I have a slight | :08:10. | :08:11. | |
criticism. Casey Affleck, the criticism. Casey Affleck, the | :08:12. | :08:16. | |
delivery would put a fossil to sleep. It is set in the early | :08:16. | :08:23. | |
seventies and it is a very seventies and it is a very | :08:23. | :08:27. | |
Seventies movie. If you look at them that is exactly... Dancing | :08:27. | :08:33. | |
with walls! That was much later. Our I am thinking in terms of a | :08:34. | :08:39. | |
very slow voice over. This is edited in the way people used to | :08:40. | :08:44. | |
edit movies where you hold the shot and I like that, but I am 50. It is | :08:44. | :08:51. | |
interesting. It does something more than just quote Terence Malik. | :08:51. | :08:58. | |
Ironman three. This is now the single biggest Super Hero franchise. | :08:58. | :09:07. | |
More of the same. I like it. Robert Downey Junior is very funny. He | :09:07. | :09:12. | |
does a good job balancing action and comedy sequences. It has a | :09:12. | :09:17. | |
comic—book sensibility, but it is very knowing. I went into these | :09:17. | :09:22. | |
movies not expecting much, but I think the trilogy works well. With | :09:22. | :09:29. | |
these movies, how would you know about this whole thing with nobody | :09:29. | :09:34. | |
it is the biggest. You would not it is the biggest. You would not | :09:34. | :09:39. | |
think that the numbers would add up. When Robert Downey Jnr was cast, | :09:39. | :09:43. | |
you thought about it, he is not that kind of actor, but he does a | :09:43. | :09:52. | |
very good job. Thanks. That is it. A reminder before we go is that you | :09:52. | :09:58. | |
will find more film news and reviews on the website and that | :09:58. | :10:00. | |
includes previous shows. | :10:00. | :10:04. |