Browse content similar to 10/05/2013. Check below for episodes and series from the same categories and more!
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Cup Final with me, Olly Foster on Sportsday at 6. 30 on BBC News. | :00:02. | :00:12. | |
:00:12. | :00:30. | ||
News. To take us through this week's releases is Mark Kermode. What have | :00:30. | :00:35. | |
we got, you Trek fan you? We have Star Trek Into Darkness, the second | :00:35. | :00:42. | |
reboot from JJ Abrams who pretty much reinvented the franchise. We | :00:42. | :00:50. | |
have Dead Fall, a chilling neogothic thrill thriller and we have Mud | :00:50. | :00:58. | |
which demonstrates that he is more than a pretty face, does Matthew | :00:58. | :01:01. | |
McConnaghey. I've read all the stuff and Star | :01:01. | :01:07. | |
Trek is aimed at people who don't normally go to those movies? | :01:07. | :01:10. | |
franchiser didn't like it when he was kited and came to it very late. | :01:10. | :01:14. | |
They wanted to keep those fans on board but to bring in a whole new | :01:14. | :01:19. | |
generation of fans, people like you who never got it. So they invented | :01:19. | :01:22. | |
this interesting thing whereby the whole history exists but here is | :01:22. | :01:28. | |
another one. The two can coexist. Star Trek Into Darkness. You must | :01:28. | :01:33. | |
have seen some of the old Star Trekkers? They were a bit talky for | :01:33. | :01:39. | |
me. A bit of whizz (BANG) And a bit of Star Wars, that's going to cause | :01:39. | :01:45. | |
trouble. JJ Abrams is about to go and do the Star Wars movie and he | :01:45. | :01:50. | |
feels like you do, that it was a bit talky. In the case of the new movie, | :01:50. | :01:54. | |
there is discussion and colonialism versus pacifism and imperialism. In | :01:54. | :01:59. | |
the new movie, all the conversations are had in the middle of massive | :01:59. | :02:03. | |
explosions. This is a film that begins with Spock in the middle of a | :02:03. | :02:13. | |
:02:13. | :02:20. | ||
volcano and goes up from there. Here On the bridge... We still have | :02:20. | :02:30. | |
:02:30. | :02:30. | ||
contact. Spock? ! I've activated the device, Captain when the countdown | :02:30. | :02:34. | |
is complete, render the volcano inactive. I need to bring Spock back | :02:34. | :02:39. | |
to the ship. Give me one way to do it? Maybe if we could have a direct | :02:39. | :02:46. | |
line... You are talking about an active volcano. If that things | :02:46. | :02:55. | |
erupts, I can't guarantee... The enterprise is too large. Nobody | :02:55. | :03:02. | |
knows the rules except you but there has to be an exception? Uerks none. | :03:02. | :03:07. | |
The needs of the many outweigh the needs of the few. We are talking | :03:07. | :03:17. | |
:03:17. | :03:18. | ||
about your clief! -- life. Who 'd have thought those two in the same | :03:18. | :03:25. | |
clip. Fantastic. That's the tone of the movie. Obviously the original | :03:25. | :03:28. | |
series was constantly about current affairs, Vietnam and race relations | :03:29. | :03:33. | |
and class issues. This has a back throw which is about terrorism, but | :03:33. | :03:37. | |
all those debates are held in the middle of absolutely full on turned | :03:37. | :03:42. | |
up to 11 actions. When you were watching that clip you were laughing | :03:42. | :03:47. | |
but not dericively, you were enjoying it. Definitely.Scotty's | :03:47. | :03:54. | |
saying, we can't do it, you cannot change the law of physics, and the | :03:54. | :04:04. | |
:04:04. | :04:05. | ||
one thing that JJ Abrams knows how to do is to give you spectacle. In | :04:05. | :04:10. | |
The narratively slightly less satisfying, but for the most part, | :04:10. | :04:15. | |
Benedict Cumberbatch is fantastic and he holds the camera brilliantly. | :04:15. | :04:19. | |
He has a great deal of spookiness about him in his roles and you can | :04:19. | :04:22. | |
imagine this would come through and it would be perfect for him? But he | :04:22. | :04:27. | |
has to play with your sympathies. Half way through the movie, you | :04:27. | :04:31. | |
start thinking, I understand that and qst a question about | :04:31. | :04:35. | |
imperialism, colonialism and pacifism. All that's going on. | :04:35. | :04:39. | |
Buildings fall down and planets are blown up, nuclear reactors are | :04:39. | :04:43. | |
wuered together with bits of string, so you come out of it thinking it's | :04:44. | :04:49. | |
largely surface but what surface. JJ Abrams knows how to make things look | :04:49. | :04:53. | |
good and has an infch weighs with lens flair. This isn't a single shot | :04:53. | :05:03. | |
:05:03. | :05:11. | ||
that's not drenched with lens flair and it's been retro fitted into 3 D | :05:11. | :05:21. | |
:05:21. | :05:21. | ||
-- infatuation with lens flair. Dead kl fall? A strange concoction. | :05:21. | :05:28. | |
It's a neogothic chilling thriller starting off with a brother and | :05:28. | :05:32. | |
sister, they've come out of a job that's gone wrong, they are heading | :05:32. | :05:37. | |
towards the Canadian border and heading towards a cabin in which | :05:37. | :05:40. | |
Sissy Spacek and Kris Kristofferson, great acting where they are going | :05:40. | :05:45. | |
to, and in the course of their escape, all these weird plot threads | :05:45. | :05:49. | |
intertwine, there's violence, comedy, shock and essentially family | :05:49. | :05:55. | |
strangers. Any movie that features snow features dead bodies and a | :05:55. | :06:05. | |
:06:05. | :06:09. | ||
female policewoman. Fargo isn't like this, but this has the pulp pulpy | :06:09. | :06:14. | |
edge to it. Bana was very good and Spacek and Kris Kristofferson is | :06:14. | :06:20. | |
good. It's trashy but it knows why and it's enjoying itself. We talked | :06:20. | :06:24. | |
about Star Trek, this is super ripe and I enjoyed it a lot more than I | :06:24. | :06:28. | |
thought I would. It's not going to stay around for a long time but I | :06:28. | :06:38. | |
:06:38. | :06:39. | ||
thought it was really good fun. Talking about conversions. Matthew | :06:39. | :06:44. | |
McConaug He r I thought was an idiot, then I saw killer Joe and | :06:44. | :06:50. | |
thought it was great. Everyone thought the same, he did Magic Mike | :06:50. | :06:55. | |
and now Mud. Two boy boys that live on the river, they find this | :06:55. | :06:58. | |
deserted island where there is a boat up in a tree, been put there by | :06:58. | :07:03. | |
a storm years ago, they want to use it as a tree house but it's already | :07:03. | :07:13. | |
:07:13. | :07:16. | ||
being used by his Mud. Here is a clip. | :07:16. | :07:25. | |
I was going to see where that got me this afternoon. It never tasted so | :07:25. | :07:35. | |
:07:35. | :07:45. | ||
good! Why do you have that pistol? Protection. Don't need toe be afraid | :07:45. | :07:51. | |
of me. Got two ways to protect myself out here. This shirt and this | :07:51. | :08:01. | |
:08:01. | :08:04. | ||
pistol. There are fierce powers in the world, good, evil. Us men have | :08:04. | :08:09. | |
to take advantage when we can. You coming? | :08:09. | :08:14. | |
An interesting clip that. Set out the themes of the flil. It's about | :08:14. | :08:20. | |
manhood and about boys becoming men. It's a boy-type film. Huckleberry | :08:20. | :08:26. | |
Fin and Mississippi, maul boy. Actually, the director who did | :08:26. | :08:29. | |
shotgun stories and take shelter, he's great at location, you can feel | :08:30. | :08:33. | |
and hear the swamp and smell the trees and I love that about his | :08:33. | :08:39. | |
work. Those two kids are brilliant as well. There have been comparisons | :08:39. | :08:44. | |
made to Stand By Me because one of them looks like River Phoenix from | :08:44. | :08:53. | |
Stand By Me. It's performance-led. Matthew McConaughey's found his | :08:53. | :08:57. | |
second act and it's a film about atmosphere and relationships. It's | :08:57. | :09:01. | |
not perfect but is an interesting boys to men film with a strong sense | :09:01. | :09:09. | |
of setting and yet more proof that Matthew McConaughey's got a great | :09:10. | :09:16. | |
future ahead of him, after everyone was saying he was done. You loved | :09:16. | :09:21. | |
Killer Joe? Yes, he's the per son fifation of evil in that. Everyone | :09:21. | :09:27. | |
said is there a scene in which he takings his shirt off? Yes, but it's | :09:27. | :09:33. | |
not a taking his shirt off kind of film. Thank goodness for that. In | :09:33. | :09:41. | |
The Fog is the best of the week for you? Yes, set in Belarus. It has | :09:41. | :09:45. | |
echoes of loyalty and betrayal and what it means to collaborate and in | :09:45. | :09:51. | |
the way that all war movies do, it's about ideas and conflict and human | :09:51. | :09:56. | |
suffering. It's not an action movie, it's a tough watch, but a tough | :09:56. | :10:00. | |
watch that's fully rewarding and it has a haunting atmosphere. We were | :10:00. | :10:03. | |
talking about the atmosphere of that film. It has a strong sense of place | :10:03. | :10:07. | |
and you feel like it's dealing with weighty issueses, although it's a | :10:08. | :10:14. | |
personal drama. The fog is the moral fog of who's doing the right thing? | :10:14. | :10:24. | |
:10:24. | :10:24. | ||
Apology for the loss of subtitles for 42 seconds | :10:24. | :11:07. | |
The moral fog and literal fog. You can der spret the title in many ways | :11:07. | :11:10. | |
but it nods towards the fog of war -- interpret. The Impossible?Yes, | :11:10. | :11:20. | |
:11:20. | :11:24. | ||
extraordinary story, a real life story about this family. | :11:24. | :11:32. |