Browse content similar to 03/10/2013. Check below for episodes and series from the same categories and more!
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Hello and welcome to the programme. Earlier on, we popped down the shops | :00:17. | :00:25. | |
to pick up the guests for tonight. But when we got there, there was a | :00:25. | :00:31. | |
"buy one, get one free" deal on the national treasures. It is Felicity | :00:31. | :00:42. | |
Kendal and Simon Callow! Obviously, we have not just randomly got you in | :00:43. | :00:46. | |
together, you are starring in a play together, and you have been in | :00:46. | :00:50. | |
rehearsals today. What is your overriding memory of today, how were | :00:50. | :00:52. | |
rehearsals today. What is your the rehearsals? Well, what we talked | :00:52. | :00:55. | |
rehearsals today. What is your about a lot was alcohol. We do that | :00:55. | :01:00. | |
anyway, but the play is about that, and so we have a particular problem, | :01:00. | :01:04. | |
which is that we drink all the way through the show. As you can | :01:04. | :01:07. | |
imagine, we do not streak real alcohol, so we had this bizarre | :01:07. | :01:12. | |
cocktail party of nonalcoholic alcohol, stuff that looks like red | :01:12. | :01:16. | |
wine, which we have to drink a great deal of. It was terrible. They were | :01:16. | :01:26. | |
all lined up like this. And you are going, that is too sweet... It will | :01:26. | :01:32. | |
look a bit more like wine if you add in some Coca-Cola. In display, Simon | :01:32. | :01:38. | |
especially has to drink a lot of it. So it is not like, let's pretend it | :01:38. | :01:41. | |
is great juice. It is really tricky. And is it right that you are | :01:41. | :01:54. | |
Italian in this? How is his Italian? Perfect. Can you give us a | :01:54. | :01:57. | |
Italian in this? How is his quick blast? Oh, lovely. But you do | :01:57. | :02:03. | |
have a big repertoire of European accents, we hear. I do, it is true, | :02:03. | :02:12. | |
I am a master of accents. I am the master of none. Can we use that | :02:12. | :02:18. | |
later? Well, the play is about finding love in unusual | :02:18. | :02:22. | |
circumstances, which got us thinking - have you met the love of your life | :02:22. | :02:27. | |
in an extraordinary way? If so can send us your story, and even | :02:27. | :02:31. | |
better, if you have got a picture of both of you, and maybe Simon will | :02:31. | :02:34. | |
read them out in your chosen European accent. Was that a yes? | :02:34. | :02:43. | |
That's fabulous. We have stitched you up! Either that or he will just | :02:43. | :02:48. | |
laugh his way through it. Last week, new figures showed that 24% of | :02:48. | :02:53. | |
us have been victims of identity fraud, the highest figure in | :02:53. | :02:56. | |
Europe. You would've thought we would have got the message by now, | :02:56. | :03:00. | |
but as Dan Donnelly discovers, people are making themselves easy | :03:00. | :03:01. | |
targets. All of us have things we would | :03:01. | :03:11. | |
prefer to keep to ourselves, and in these folders, we have got some very | :03:11. | :03:14. | |
personal information which we are about to return to its rightful | :03:15. | :03:18. | |
owners. This man has no idea what we are about to reveal. All we have | :03:18. | :03:23. | |
told him is to meet us here. I think I have found something of yours. Do | :03:23. | :03:28. | |
you recognise that? Yes, yes I do. It is your bank statement, isn't | :03:28. | :03:34. | |
it? Yes. Our dossiers have other secrets to reveal. Would you | :03:34. | :03:42. | |
recognise that? Oh, yes, that is my payslip, isn't it? My God, that is a | :03:42. | :03:49. | |
bit scary. I am about to hand back one-woman's expenses claim. What is | :03:49. | :03:53. | |
that? That is my signature, that is my date of birth. OK, yes... That is | :03:53. | :03:58. | |
a bit odd. None of those people would ever have dreamt of sharing | :03:58. | :04:02. | |
such private information, but they all unwittingly made it public when | :04:02. | :04:06. | |
they walked into a place like this one, and Internet cafe. A lot of | :04:06. | :04:13. | |
cafes like this one in Reading make customers' privacy a priority, but | :04:13. | :04:17. | |
there is no law which says they have to. We wanted to find out how easy | :04:17. | :04:21. | |
it would need to get our hands on people's private information. We | :04:21. | :04:26. | |
visited 12 Internet cafes in four towns and cities to see what we | :04:26. | :04:28. | |
could find. In seven of the cafes, towns and cities to see what we | :04:28. | :04:32. | |
we found scores of personal documents on the computers within | :04:32. | :04:36. | |
minutes, and it was not just stuff from that day which they have not | :04:36. | :04:41. | |
had time to delete. Some of it went back months. A lot of what we found | :04:41. | :04:44. | |
was pretty harmless, but we also found a large number of confidential | :04:44. | :04:49. | |
documents, some passports, insurance documents, even someone's divorce | :04:49. | :04:57. | |
papers. This is proper personal information which you would not want | :04:57. | :04:59. | |
to be getting into the hands of anyone else. So, what do our | :04:59. | :05:02. | |
surprise cafe users think when we reveal all? How do you have this? We | :05:02. | :05:07. | |
got it from this document was left on a computer in an Internet cafe. | :05:07. | :05:14. | |
Oh, really guess that is shocking. Maybe I stupidly put it into the | :05:14. | :05:18. | |
recycling bin, which is not really deleting it, is it? I actually got | :05:18. | :05:23. | |
this from a computer in an Internet cafe. Really? Yes. That is | :05:23. | :05:32. | |
absolutely terrifying. Clearly I did not delete it, I was in a rush to | :05:32. | :05:35. | |
get out of there. That is really not good. And you thought it was safe at | :05:35. | :05:41. | |
the time? I did, yes. Who do you think should be responsible for the | :05:41. | :05:44. | |
security of personal information in an Internet cafe? I suppose it is | :05:44. | :05:49. | |
the responsibility of the person, they should not leave stuff flying | :05:49. | :05:54. | |
around. On just one computer, we found more than 70 private documents | :05:54. | :05:58. | |
and hundreds of photographs. Remember, we did not use any | :05:58. | :06:02. | |
high-tech devices or could located trickery to find them, just some | :06:02. | :06:07. | |
basic computer know-how. So, if the cafe is not keeping your data | :06:07. | :06:09. | |
basic computer know-how. So, if the secure, what can you do to keep your | :06:09. | :06:13. | |
personal information safe as we showed the results of our | :06:13. | :06:17. | |
experiments to a computer security expert. If you are opening up | :06:17. | :06:19. | |
experiments to a computer security documents on a public computer, make | :06:19. | :06:23. | |
sure they are deleted, and make sure they are deleted from the recycle | :06:23. | :06:27. | |
bin, or the trash. If you do not have access to those, ask the owner | :06:27. | :06:32. | |
of the Internet cafe to do it. And cafes can do more to help. This one | :06:32. | :06:36. | |
uses special computer programmes to keep customers' data secure. When | :06:36. | :06:42. | |
you log off, we have a script in the background which simply removes any | :06:42. | :06:46. | |
trace of your being on that computer, what we call your | :06:46. | :06:49. | |
footprint, browser history, documents, any temporary files. No | :06:49. | :06:55. | |
trace you were ever hear. No trace at all, it completely removes your | :06:55. | :07:02. | |
history. Only two said they had basic security, while a third said | :07:02. | :07:06. | |
he would now warn users to delete personal information properly. We | :07:06. | :07:11. | |
he would now warn users to delete need to wake up as consumers. If we | :07:11. | :07:15. | |
are going to leave personal information on public computers, we | :07:15. | :07:18. | |
will become a target. Just so you know, all of the private information | :07:18. | :07:22. | |
we got hold of, we made sure we deleted for good. Dan is here now. | :07:22. | :07:29. | |
Just a reminder for people who may have used a computer in a public | :07:29. | :07:32. | |
place - how do you delete personal information? Delete any temporary | :07:32. | :07:37. | |
files or documents you have been working on, then go to the recycle | :07:37. | :07:41. | |
bin and delete them from there as well. So you are deleting it twice | :07:41. | :07:47. | |
how else are we leaving ourselves open to identity fraud? If you have | :07:47. | :07:52. | |
got weak privacy settings on something like Facebook, people can | :07:52. | :07:56. | |
figure out your mum's maiden name, because your cousins have got the | :07:56. | :08:00. | |
same name as you, they can figure out which school you went to... Even | :08:00. | :08:06. | |
your date of birth... Exactly. They can big build up a profile and then | :08:06. | :08:13. | |
they can impersonate you. The DVLA are saying that people are so | :08:13. | :08:16. | |
chuffed with passing their driving test for the first time, they are | :08:16. | :08:19. | |
showing their driving licence online. This was a pretend one, just | :08:19. | :08:28. | |
to point out! The worry is that if you are in a hotel or something, and | :08:28. | :08:30. | |
to point out! The worry is that if you need access to a printer, it | :08:30. | :08:34. | |
must have happened to you on tour, send it through to the hotel and we | :08:34. | :08:38. | |
will print it out, and suddenly, your details are up there. Yes, it | :08:38. | :08:43. | |
is easily done. It is quite prevalent these days. What are the | :08:43. | :08:48. | |
most common ways that criminals using the information? They are | :08:48. | :08:52. | |
using it to apply for loans in your name or get credit, big purchases | :08:52. | :08:58. | |
online, or even get mobile phone contracts. And in the film, most | :08:58. | :09:02. | |
people did not even realise that they were victims of identity fraud, | :09:02. | :09:11. | |
so how long on average does it take? Recent research has been | :09:11. | :09:17. | |
saying that it takes seven months on average for someone to realise, hang | :09:17. | :09:21. | |
on, there is something wrong, and to set about putting it right. Once you | :09:21. | :09:25. | |
decide to put it right, it can take three months or more on average to | :09:25. | :09:30. | |
go about unpicking the damage. It was like putting your credit record | :09:30. | :09:34. | |
right and maybe getting stolen money back, if you ever get it back. It | :09:34. | :09:39. | |
happened to me. That is the problem, the credit rating, you have to work | :09:39. | :09:44. | |
so hard to get it clean again. Thanks for that, Dan. As U2 are here | :09:44. | :09:52. | |
talking about your new play, which is set in Paris, we decided to send | :09:52. | :09:54. | |
Cerys off to find the inspiration is set in Paris, we decided to send | :09:54. | :09:56. | |
for the book The French Lieutenant's is set in Paris, we decided to send | :09:56. | :10:02. | |
Woman. When she heard the title, she packed her beret and everything, | :10:02. | :10:06. | |
phrase book, everything. No idea why, she was off to Lyme Regis! The | :10:06. | :10:12. | |
Dorset town of Lyme Regis is celebrated for its ancient harbour | :10:12. | :10:17. | |
and dramatic cliffs. For 40 years, it was also home to one of the | :10:17. | :10:21. | |
giants of 20th-century literature, John Fowles. It is here that he | :10:22. | :10:26. | |
wrote his successful book, The French Lieutenant's Woman, a tale of | :10:26. | :10:30. | |
passion and romance set in the Victorian era. John Fowles writes | :10:30. | :10:35. | |
about Sarah Woodruff, a woman with a past, who embarks on a doomed | :10:35. | :10:40. | |
relationship with an uptight geologist, who is already engaged to | :10:40. | :10:46. | |
an heiress. He started the book in 1965, the same year as he moved to | :10:46. | :10:50. | |
town. After four years writing the book, he moved to this house, and | :10:50. | :10:53. | |
stayed here for the rest of his life. This is the room where John | :10:53. | :10:59. | |
Fowles did most of his writing, and life. This is the room where John | :10:59. | :11:03. | |
you can just about see the end of the harbour from here. It is where | :11:03. | :11:04. | |
the novel begins, and he writes - an the harbour from here. It is where | :11:04. | :11:08. | |
easterly is the most disagreeable wind in Lyme Bay... He then goes on | :11:08. | :11:14. | |
to describe the character who stands on The Cobb and stares out to sea... | :11:14. | :11:18. | |
And here she is, Sarah Woodruff, played by Meryl Streep in the 1981 | :11:18. | :11:27. | |
film adaptation. More than a few literary classics have been placed | :11:27. | :11:31. | |
here. If it is good enough for Jane Austen, with Persuasion, it is good | :11:31. | :11:36. | |
enough for John. His widow still lives in the area, and when I met | :11:36. | :11:40. | |
her, she was wearing a very special coat. It is John's old Burberry, | :11:40. | :11:48. | |
made a little smaller. It is my cop macro code. Towards the end of his | :11:48. | :11:51. | |
life, I drove him down here all the time, and he would just sit with his | :11:52. | :11:58. | |
binoculars, four hours. -- it is his coat for The Cobb. Nobody knew who | :11:58. | :12:08. | |
he was. John Fowles was fascinated by the geology of Lyme Regis, and | :12:08. | :12:12. | |
the book is full of references to the fossils hidden in the cliffs. | :12:12. | :12:14. | |
the book is full of references to The hero, Charles, played by Jeremy | :12:14. | :12:19. | |
Irons in the film, is a keen fossil hunter, just like the author. He was | :12:19. | :12:25. | |
a great collector. His pockets were always full of seeds and stones and | :12:25. | :12:31. | |
fossils, half bird's egg, just really like a small boy. So | :12:31. | :12:37. | |
passionate was John Fowles about the area that when the local museum was | :12:37. | :12:41. | |
under threat in 1978, he was outraged. John did not want the | :12:41. | :12:47. | |
history of Lyme Regis to leave town, so he thought he had better get on | :12:47. | :12:54. | |
and save it, so he did. Some people are surprised to find this | :12:54. | :12:59. | |
world-famous novelist here. I do not think they knew it was John. Whereas | :12:59. | :13:06. | |
The Cobb was open to the prying eyes of Lyme Regis, the woods are dark, | :13:06. | :13:11. | |
secluded, and have a hint of magic. These are the woods where the author | :13:11. | :13:17. | |
sets the seduction scenes. Sarah challenges Charles' 19th-century | :13:17. | :13:23. | |
principles. Fowles writes... It was The French Lieutenant's Woman, part | :13:23. | :13:28. | |
of her hair had become loose and half covered her cheek. On The | :13:28. | :13:32. | |
Cobb, it had seems to him dark brown, but now he saw that it had | :13:32. | :13:42. | |
read tints. Fowles was one of the first post-modern writers, and a bit | :13:42. | :13:47. | |
of a rebel. The book jumps between the 19th and 20th-century. He even | :13:47. | :13:52. | |
writes himself into the novel, as a character, speculating on the fate | :13:52. | :13:55. | |
of the luckless Charles. This came as a surprise to many of his | :13:55. | :14:00. | |
friends. I was shocked, almost horrified, I think, because people | :14:00. | :14:04. | |
did not do that kind of thing. He just looked at me and said, I | :14:04. | :14:07. | |
thought it would make my friends laugh. The French Lieutenant's Woman | :14:07. | :14:11. | |
was an instant success, and this landscape became forever linked with | :14:11. | :14:17. | |
Fowles's novel. But it was a bittersweet success. Right up until | :14:17. | :14:21. | |
his death, Fowles felt guilty about the hordes of tourists who would | :14:21. | :14:26. | |
overwhelm the town each summer in search of its literary past. | :14:26. | :14:36. | |
You both spoke very highly there of John as an author. Yes, wonderful | :14:36. | :14:45. | |
novel and an amazing writer. Chin Chin, we've established it has a | :14:45. | :14:48. | |
complex plot. We know you play an Italian man. And drink a lot of | :14:49. | :14:57. | |
alcohol. Can you give us a summary of the plot? It's very simple. The | :14:57. | :15:01. | |
premise is simple. The plot is complex. A man and a woman meet. Her | :15:01. | :15:08. | |
husband has had an affair with his wife. So they get together. For what | :15:08. | :15:13. | |
purpose exactly, even they don't know. They just need to talk about | :15:13. | :15:17. | |
it. Bit by bit the relationship forms between them, with many | :15:17. | :15:20. | |
publications of stage and on stage. forms between them, with many | :15:20. | :15:27. | |
Slowly, they begin to establish an extraordinary chemistry between | :15:27. | :15:31. | |
themselves, and extraordinary partnership, which isn't by any | :15:31. | :15:35. | |
means necessarily amorous or even sexual, it's to do with a chemistry | :15:35. | :15:38. | |
between them. It is bonded, above all, over alcohol. It is very | :15:38. | :15:45. | |
funny, it's very tender, very moving and romantic. But this element of | :15:45. | :15:50. | |
alcohol bans all the way through. As they drink more and more, their | :15:50. | :15:57. | |
lives fall apart. He gets rid of his factory, her apartment runs down. | :15:57. | :16:00. | |
They become street people factory, her apartment runs down. | :16:00. | :16:03. | |
eventually, but they seem to be happy. With a huge hangover! | :16:03. | :16:13. | |
Felicity, you can draw on some kind of experience within this. Excuse | :16:13. | :16:23. | |
me? ! Your ex-husband, who is directing this, you are still | :16:23. | :16:28. | |
together. This must be something you can draw on from your past. Yes and | :16:28. | :16:35. | |
no. We have a conjugated relationship. It isn't that | :16:35. | :16:38. | |
complicated in rehearsal, except that he is much stricter with me | :16:38. | :16:44. | |
than anyone else. I say, why can't I? He says, no. He is usually right, | :16:44. | :16:55. | |
so I put up with it. One of the things that is so wonderful about | :16:55. | :16:59. | |
this particular play is that they get together because they have a | :16:59. | :17:00. | |
bond of pain. They really do get together because they have a | :17:00. | :17:04. | |
understand what the other person is going through. Nobody else that they | :17:04. | :17:11. | |
can talk to quite about those two people. I think it's a really | :17:11. | :17:19. | |
interesting play because it's very unusual. That you get a couple that | :17:19. | :17:23. | |
isn't having an affair or not in love. Especially a man and a woman. | :17:23. | :17:32. | |
Yes, but it is this sort of partnership through their | :17:32. | :17:38. | |
experiences. It's very funny and very deep, because it deals with | :17:38. | :17:43. | |
fundamental things like loneliness, comradeship, how you deal with the | :17:43. | :17:51. | |
past. And drink. You've worked together before. We are dealing with | :17:51. | :18:05. | |
it. This is in 1978. What a couple! It's a bit Sasha Baron Cohen, Simon. | :18:05. | :18:13. | |
I'm not quite sure how to take that! That's Amadeus. I did a play on | :18:13. | :18:23. | |
stage, and I maintained the same part when the show was done on | :18:23. | :18:28. | |
television. Nobody else had played it on stage. I was absolutely | :18:28. | :18:31. | |
surrounded by extremely famous actors, among whom the most famous | :18:31. | :18:37. | |
was you. I'd only been acting for a few years. The fantastic thing was | :18:37. | :18:43. | |
you especially, were just so kind to me. In those days, yes. I can | :18:43. | :18:52. | |
imagine it works so well on stage. We were reading, Simon, that you buy | :18:52. | :18:57. | |
a new teapot every time you start a new production. In case you haven't | :18:58. | :19:00. | |
had time to go to the shops, we thought we would help you out. We've | :19:00. | :19:08. | |
got you a special Chin Chin teapot. Keep it safe. Thank you for this | :19:08. | :19:16. | |
beautiful box, I will cherish this box! You can see Simon and Felicity | :19:16. | :19:26. | |
in Chin Chin, starting in Windsor on October the 14th, before it goes all | :19:26. | :19:29. | |
around the country to December and hopefully ends up in the West End. | :19:29. | :19:34. | |
Last week, Andy showcased his extreme diving skills on a very | :19:34. | :19:39. | |
complicated dive. This wiki is back to take on a colossal coastal | :19:39. | :19:43. | |
challenge that defeated him once before. A proper action man never | :19:43. | :19:52. | |
gives up. This colossal explosion of water is a geological phenomenon | :19:52. | :19:56. | |
known as a blowhole. They found all over the world, in Samoa, Mexico and | :19:56. | :20:03. | |
Australia. Today I'm going to attempt it died inside one of these | :20:04. | :20:09. | |
blowholes. It's behind me here, in Pembrokeshire. As an extreme | :20:09. | :20:14. | |
Explorer, I've travelled the world seeking out adventure. From climbing | :20:14. | :20:17. | |
treacherous rock stacks, to diving underneath Arctic icebergs. | :20:17. | :20:23. | |
treacherous rock stacks, to diving Blowholes are found all along the | :20:23. | :20:27. | |
British coastline but remain relatively unexplored. In 2011, I | :20:27. | :20:32. | |
made my first attempt died inside this blowhole. The treacherous | :20:32. | :20:35. | |
winter swell made it impossible to get close. Each time I tried to swim | :20:35. | :20:41. | |
into the submerged tunnel, I was blasted out by the force of the | :20:41. | :20:47. | |
waves. The attempt was aborted. More than a year later, I've come back to | :20:47. | :20:53. | |
try again. This is our headland here. The cliff face is plunging | :20:53. | :20:58. | |
into the sea. There will be weaknesses and fractures in the main | :20:58. | :21:03. | |
cliff face. Over thousands of years, the sea is bashing against these | :21:04. | :21:07. | |
fractures. It opens them up and make you rode away a seat tunnel. | :21:07. | :21:11. | |
Eventually they will hit a vertical fracture, which means that erosion | :21:11. | :21:17. | |
process starts heading upwards. Again, the waves are pounding in | :21:17. | :21:21. | |
here and eventually erode a tunnel all the way to the top and out the | :21:21. | :21:27. | |
top of the cliff. That allows the surging waves to pour in through | :21:27. | :21:33. | |
here and bore out the top. This blowhole only erupts in stormy | :21:33. | :21:37. | |
conditions, but that doesn't mean it's a tranquil environment. Sue | :21:37. | :21:42. | |
Burton is a marine conservation officer for this stretch of | :21:42. | :21:45. | |
coastline. Although you are quite shallow, you are almost simulating a | :21:45. | :21:50. | |
deeper environment because you haven't got the light there. All of | :21:50. | :21:53. | |
the kelp and the seaweed growing outside, they can't grow inside. The | :21:53. | :21:57. | |
other thing that is unique is the fact you've got a real wave surge | :21:57. | :22:01. | |
going in and out there. You can't live in there and less you can cling | :22:01. | :22:05. | |
on tight or hide away in a Moog and cranny. First I have to reach the | :22:05. | :22:16. | |
headland. The blowhole tunnel entrance lies six metres below the | :22:16. | :22:17. | |
headland. The blowhole tunnel surface. I just need to find it. | :22:17. | :22:25. | |
The narrow entrance is just big enough for me to squeeze through. | :22:26. | :22:36. | |
Blowholes are a true geological wonder. Few people know these | :22:36. | :22:42. | |
formations exist, let alone get inside them. | :22:42. | :22:59. | |
This is the chamber where the water surges up and explode out to the | :22:59. | :23:11. | |
surface. Having made it inside, I'm now hoping to see what marine life | :23:11. | :23:16. | |
lives here... If any. At first sight the bare walls aren't looking | :23:16. | :23:20. | |
promising. Just as I was told, in the cracks and crevices is a variety | :23:20. | :23:22. | |
promising. Just as I was told, in of life. Spider crabs, feeding on | :23:22. | :23:28. | |
food particles washed in in the current. There's also velvet | :23:28. | :23:33. | |
swimming crabs, named because of their fine, downy hair and the | :23:33. | :23:37. | |
speedy swimming ability. There's prawns with a distinctive red and | :23:37. | :23:44. | |
blue markings. And moon jellyfish, three swimming in the waters here. | :23:44. | :23:49. | |
I've finally achieved what I set out to do. But to take a look from a | :23:49. | :23:53. | |
different perspective and going top side, where the blowhole | :23:53. | :23:56. | |
breakthrough to the headland. Looking down at this deep, dark | :23:56. | :24:00. | |
blowhole, it's surprising that life survives here but it does, as you've | :24:00. | :24:07. | |
seen. I've weighed up the pros and cons against living somewhere that | :24:07. | :24:09. | |
gets battered by the storms, but somewhere that offers detection and | :24:10. | :24:14. | |
unique habitat. It just goes to show that even the wildest places on our | :24:14. | :24:20. | |
coastline, life survives. Felicity, you are an adventurous woman. Yes, | :24:20. | :24:27. | |
I'm opening with him! He's very frightening. There's nothing in the | :24:27. | :24:33. | |
world that would get me down or up a blowhole. Very claustrophobic. You | :24:33. | :24:43. | |
do practice a lot of yoga, Felicity. Not underwater! Have you been | :24:43. | :24:49. | |
teaching Simon? He's wonderful, downward dog - no problem. The | :24:49. | :24:57. | |
Cobra. We haven't got time for your downward dog. Time is marching on, | :24:57. | :25:02. | |
so let's go to Leeds, where Carrie is standing by to tell us about an | :25:02. | :25:08. | |
amazing transformation. I'm here at the Millennium Sqaure. It is a | :25:08. | :25:16. | |
celebration of the art and culture of Leeds. For the next three | :25:16. | :25:19. | |
nights, this amazing projection is being put onto the building behind | :25:19. | :25:24. | |
us, the Civic Hall. Every 15 minutes the people of Leeds bring it to | :25:24. | :25:27. | |
life, and this is what we saw earlier. | :25:27. | :25:51. | |
You are the inspiration behind this. What was the idea? It comes from | :25:51. | :26:00. | |
public clockmakers of Leeds. We wanted to do a giant video | :26:00. | :26:03. | |
projection of that, whether people of Leeds came together. We use them | :26:03. | :26:08. | |
as automatons in the building. What a great idea. One of those people | :26:08. | :26:16. | |
was Kizzy. What was it like seeing yourself? It's not everyday you see | :26:16. | :26:27. | |
yourself on a building. Morin, line dancing at 8:15pm. How does it feel? | :26:27. | :26:31. | |
It was amazing to see line dancing on the roof of the Civic Hall. I've | :26:31. | :26:37. | |
got a job for you. You are going to come and work the crank. The crank | :26:37. | :26:43. | |
controls this behind us. As we turn these dials, believers go once the | :26:43. | :26:45. | |
cogs move. We start seeing these dials, believers go once the | :26:45. | :26:54. | |
speed up and change. We are winding that clock ready for the 15 minutes. | :26:54. | :26:59. | |
This is here until 10:30pm tonight, that clock ready for the 15 minutes. | :26:59. | :27:04. | |
it's on for the next three nights as well. We are loving it. Let's give | :27:04. | :27:09. | |
everyone a big wave! According to that clock we've got one minute and | :27:09. | :27:13. | |
45 seconds until the end of the programme. Earlier, we asked if you | :27:13. | :27:19. | |
found the love of your life in an unusual circumstance. It all stems | :27:19. | :27:23. | |
from the plot of Felicity and Simon's new plague. You haven't | :27:23. | :27:27. | |
disappointed us. Simon is going to read them in a variety of European | :27:27. | :27:34. | |
accents. What do you reckon with the first one, Felicity? This is what | :27:34. | :27:45. | |
I'm like in rehearsal! Scottish! Fiona met Billy while she was out | :27:45. | :27:52. | |
cycling and had a puncture. Billy was on a run and run all the way to | :27:52. | :27:57. | |
Halfords, bought a kit and repaired it for her. Isn't that beautiful? | :27:57. | :28:13. | |
The next one. Serbian something. Serbo-Croatian. Fran Evans met her | :28:13. | :28:19. | |
husband in the baked bean aisle in Tesco's. Ironically, he was tanned, | :28:19. | :28:24. | |
bald and actually looked like a baked bean. Thank you both so much. | :28:25. | :28:35. | |
You can see Felicity and Simon performing in changing from next | :28:35. | :28:39. | |
month in Windsor, before it tours around the whole country and | :28:39. | :28:40. | |
hopefully ends up in the West End. around the whole country and | :28:40. | :28:45. | |
Are you doing more drinking tomorrow, what have rehearsals got | :28:45. | :28:49. | |
in store for you? Absolutely, morning till night. Alex will be | :28:49. | :28:54. | |
here tomorrow with Chris and John Bishop. | :28:54. | :28:56. |