Browse content similar to 04/04/2012. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker. And Alex Jones. | :00:23. | :00:26. | |
Tonight's guest is no stranger to award ceremonies. He loves them so | :00:26. | :00:31. | |
much that he has decided to host his own. But tonight, we have got | :00:31. | :00:35. | |
some just for him. The award for the largest drumming baby known to | :00:35. | :00:40. | |
man. The award for worse sauna companion in history. And the award | :00:40. | :00:45. | |
for the best impersonation of a massive green bird. Please welcome | :00:45. | :00:53. | |
to receive all three, Matt Lucas! Unfortunately, we have not got | :00:53. | :00:59. | |
anything for you. But on your show, they win this lovely Lucas award. | :00:59. | :01:06. | |
Yes, it is like a fat Oscar. It is very tactile. And sadly, | :01:06. | :01:14. | |
anatomically correct. Is your bum that pert? I wish! There is a whole | :01:14. | :01:20. | |
line of merchandise. You could do bubble bath. We could. The way my | :01:20. | :01:24. | |
weight is at the moment, that is actually quite complimentary. | :01:24. | :01:28. | |
see truckers with them on their wing mirrors. You have got your | :01:28. | :01:34. | |
money involved in the show. Yes, I wanted to keep this one quite clean. | :01:34. | :01:37. | |
And I thought, when my mum is around, I do not want to say | :01:37. | :01:42. | |
anything stronger than cobblers. Good job we brought her tonight. | :01:42. | :01:52. | |
She's making herself at home. Speaking of awards, if you at home | :01:52. | :01:55. | |
have won something you are proud of, send us a picture of you and your | :01:55. | :01:59. | |
trophy. Then Mr Lucas will award an award for his favourite award. Got | :01:59. | :02:06. | |
that? Send them in to the usual address. Maybe Best's no man over | :02:06. | :02:09. | |
the Easter holiday. We are always hearing about how | :02:09. | :02:13. | |
many CCTV cameras we have in this country. These days, they are even | :02:13. | :02:19. | |
becoming popular as home security, but do they deter burglars? We sent | :02:19. | :02:27. | |
Dom Littlewood to put CCTV in the home under surveillance. | :02:27. | :02:34. | |
These days, you are never far from a CCTV camera. Increasingly, we are | :02:34. | :02:38. | |
bringing that technology into our homes. It is becoming a lot more | :02:38. | :02:43. | |
affordable. Whereas a system would have cost hundreds if not thousands, | :02:43. | :02:48. | |
nowadays you can pick up a CCTV camera for as little as 25 quid. | :02:48. | :02:55. | |
But is it worth it? Tony from Nottingham bought his CCTV system | :02:55. | :02:59. | |
following two berberis. I would open my front door to find the | :02:59. | :03:05. | |
living room empty of content, like television, surround-sound, DVD | :03:05. | :03:09. | |
recorder, Sky box had gone. Everything in the living room had | :03:09. | :03:14. | |
been taken. After that, I have fitted a CCTV system, and that was | :03:14. | :03:18. | |
on every time I left the house. Tony's cameras work using motion | :03:18. | :03:23. | |
sensors. After installing them, they were called into action. The | :03:23. | :03:29. | |
footage proved invaluable. You can see them picking the TV up. Then he | :03:29. | :03:33. | |
decides to go out of the window because the TV would not fit | :03:33. | :03:37. | |
through the front door. There was a camera in a box in the window, and | :03:37. | :03:41. | |
as he went out of the window, he knocked the box over and it caught | :03:41. | :03:46. | |
his face as he went backwards. Without the CCTV footage, there | :03:46. | :03:50. | |
would have been no conviction. this case, the burglar was arrested. | :03:50. | :03:55. | |
But having footage of a crime does not guarantee a successful result. | :03:55. | :03:59. | |
This recording shows a burglary that took place in Gloucestershire | :03:59. | :04:04. | |
in September 2010. The burglar made away with more than �10,000 in cash | :04:04. | :04:08. | |
and two expensive watches, but despite kneeling in front of the | :04:08. | :04:13. | |
camera, there have been no arrests to date. The Association of Chief | :04:13. | :04:18. | |
Police Officers say they consider the contribution of CCTV to the | :04:18. | :04:22. | |
detection of crime to be comparable to that of DNA and fingerprints. | :04:22. | :04:27. | |
The police frequently made use of it in their investigations. They | :04:27. | :04:30. | |
also thing visible CCTV may act as a deterrent to intruders or | :04:30. | :04:35. | |
burglars. But with few statistics available, some experts question | :04:35. | :04:41. | |
the value of domestic CCTV. I do not think there is any reliable | :04:41. | :04:44. | |
evidence that domestic CCTV will make people safer. People are | :04:44. | :04:48. | |
better off spending money on stopping people coming into the | :04:48. | :04:52. | |
house at all, rather than recording them while they are there. | :04:52. | :04:56. | |
installing a camera will not impact on your home insurance. Insurance | :04:56. | :05:00. | |
companies will not give you a discount if you have CCTV. Alarms, | :05:00. | :05:03. | |
decent door locks and a neighbourhood watch scheme will | :05:03. | :05:08. | |
reduce your premiums. CCTV cameras will not. If you are a homeowner | :05:08. | :05:12. | |
and you want to put up a CCTV system, do you need to tell the | :05:12. | :05:17. | |
council or have a licence? You do not need permission or a licence. | :05:17. | :05:22. | |
As long as you put up the CCTV on your land to protect your property, | :05:22. | :05:27. | |
in the majority of cases, you are safe. What if one of your | :05:27. | :05:30. | |
neighbours put say come up and you don't like it? It is all very well | :05:30. | :05:32. | |
if you live in the country and you do not have any immediate | :05:33. | :05:38. | |
neighbours. Difficulties arise when people live in terraced houses or | :05:38. | :05:42. | |
in the States, when you're CCTV camera points on to their property | :05:42. | :05:48. | |
and potentially looks into it. That is likely to be an area where there | :05:48. | :05:52. | |
will be disputes between neighbours. In certain circumstances, it may | :05:52. | :05:58. | |
mean the courts have to intervene. If you want to make your property | :05:58. | :06:04. | |
more secure, the advice is that looking at lights and locks is also | :06:04. | :06:07. | |
important. Visible cameras may be more of a deterrent than hidden | :06:07. | :06:11. | |
ones. If you are going to get one, I recommend having it installed by | :06:11. | :06:15. | |
a professional. Make sure it is recording good quality images. A | :06:15. | :06:21. | |
fuzzy picture is no use to anybody. Most of all, make sure the video | :06:21. | :06:25. | |
recorder is locked away securely, because that is the first in a | :06:25. | :06:35. | |
:06:35. | :06:36. | ||
burglar will go for. Simon Boazman is here. The police | :06:36. | :06:40. | |
still have not caught the burka we saw in the CCTV footage, have they? | :06:40. | :06:45. | |
Know, and tonight we want The One Show viewers to turn crime fighter. | :06:45. | :06:50. | |
As we saw in the film, the person got away with �10,000 in cash and | :06:50. | :06:57. | |
two designer watches in a burglary in Discovery Road in Abbey Mead on | :06:57. | :07:01. | |
Wednesday September 15th, 2010. Any One Show viewer that might | :07:01. | :07:08. | |
recognise that person, compact Crimestoppers anonymously on | :07:08. | :07:11. | |
0800555111 and quote Gloucestershire police instant | :07:11. | :07:21. | |
:07:21. | :07:22. | ||
number 475. Give us a two shot. Look! It is Grant and Phil off | :07:22. | :07:29. | |
EastEnders! As Dom was mentioning in the film, it is a good idea to | :07:29. | :07:35. | |
keep things simple with locks and security. Yes, when looking at home | :07:35. | :07:40. | |
security, the advice is to approach your home like a burglar. Get into | :07:40. | :07:46. | |
a burglar's mindset. These things are called burka strips. They go on | :07:46. | :07:51. | |
top of walls, gates and fences. They obviously deter burglars. | :07:51. | :07:56. | |
There are motion sensor lights. A well lit house will put people off. | :07:56. | :08:01. | |
CCTV cameras are good, but if you can't afford the real one, get a | :08:01. | :08:08. | |
fake one. That is much cheaper. Last, but not least, a good, solid | :08:08. | :08:13. | |
block. This is called a five lever mortise lock. If you have locks on | :08:13. | :08:18. | |
your doors and windows, you are six times less likely to be burgled. | :08:18. | :08:26. | |
Let's have a word about this. is an ingenious bit of kit. There | :08:26. | :08:31. | |
is a radar within six metres of your home. If you move your hand | :08:31. | :08:38. | |
towards it, you hear this. DOG BARKING. | :08:38. | :08:43. | |
That is the wrong sound. It should say "free chocolate at the corner | :08:43. | :08:51. | |
shop now!". Now, this is incredible technology. | :08:51. | :08:57. | |
It has been installed into somebody famous's house. No idea who's. | :08:57. | :09:01. | |
There is the coveted Lucas award. Any burglar would want to get their | :09:01. | :09:11. | |
:09:11. | :09:12. | ||
hands on that. In he comes, going for the award. Look what happens. | :09:12. | :09:16. | |
This is actual technology out there right now. You did not just make | :09:16. | :09:21. | |
this up. It is called a fog cannon. They have it in galleries and | :09:22. | :09:25. | |
supermarkets. You can't have them installed in your home, you have to | :09:25. | :09:30. | |
get an approved company to install it. It is ingenious. You could do | :09:30. | :09:35. | |
what you like in house parties. sit under the telly? I would want | :09:35. | :09:39. | |
to be in the room with the burglar to see his face. If you thought | :09:39. | :09:43. | |
that was extraordinary, now for a story about a man who wants to jump | :09:43. | :09:48. | |
out of a helicopter without a parachute. Yes, Lucy Siegle meets | :09:48. | :09:58. | |
:09:58. | :09:59. | ||
Gary Connery, no relation of Sean, who plans to make aviation history. | :09:59. | :10:04. | |
With 450 base jumps and around 880 skydives to his name, 42-year-old | :10:04. | :10:09. | |
Gary Connery is accustomed to extreme danger. He is, after all, a | :10:09. | :10:14. | |
professional stuntman for film and TV, seen falling from great heights. | :10:14. | :10:18. | |
Now this adrenaline junkie is about to attempt a world first. Weather | :10:19. | :10:24. | |
permitting, he will jump from a helicopter at 2400 feet. Although | :10:24. | :10:28. | |
he will be wearing a parachute, his intention is not to deploy it. The | :10:28. | :10:32. | |
jump is completely his own idea and not something The One Show has | :10:32. | :10:35. | |
asked him to do and clearly not something we advise anybody | :10:35. | :10:42. | |
watching to do. But Gary is adamant that he can land this jump safely. | :10:42. | :10:46. | |
Lovely to meet you. Is this the helicopter you will be throwing | :10:46. | :10:52. | |
yourself out of? Yes. I will be purged on the edge here. I will | :10:52. | :10:57. | |
stand up, check everything is good, and off I go. So the parachute is | :10:57. | :11:03. | |
in here? Can we have a look? This is my parachute. These are the | :11:03. | :11:10. | |
wings. And my feet end up in these. This is the back. And try to get my | :11:10. | :11:17. | |
head around the fact that this suit is all you have? Yes. There is my | :11:17. | :11:22. | |
magic carpet. The air rushes in to hear. This will inflate so that the | :11:22. | :11:30. | |
depth of it will be here. The fact that it is the size it it is what | :11:30. | :11:35. | |
allows me to fly. In terms of hitting the target, I know I can | :11:35. | :11:39. | |
position myself to be where I want to be. A helicopter will carry Gary | :11:39. | :11:44. | |
to a height of 2400 ft and will hover there. The distance from the | :11:44. | :11:49. | |
chopper to the landing spot will be 1.4 kilometres. Once out, part of | :11:49. | :11:54. | |
his wing suit will inflate to begin to slow him down. As he nears the | :11:54. | :11:57. | |
ground, Gary will slow to a horizontal speed of 50 miles an | :11:57. | :12:02. | |
hour. And 15 miles an hour downwards, which will be his | :12:02. | :12:12. | |
:12:12. | :12:13. | ||
landing speed. So you will land on boxes? Yes. 18,600 of them. The | :12:13. | :12:19. | |
area that is my target will be 350 ft long, 40 ft wide and 12 ft deep. | :12:19. | :12:24. | |
When I am 5 ft to six feet off the boxes, I will scrunch up into a | :12:24. | :12:28. | |
ball, and that will allow me to protect myself to some extent, as I | :12:28. | :12:33. | |
would in any high fall. How do they break your fall? The box will | :12:33. | :12:36. | |
collapse under my weight, and the air dissipates. It provides a | :12:36. | :12:41. | |
lovely cushion. What do your family think of this? They are probably | :12:41. | :12:48. | |
proud that they can say, that was my dad. Her low, Lydia. So you are | :12:48. | :12:52. | |
Gary's stepdaughter. How do you feel about it? For me, it is normal | :12:52. | :12:58. | |
for him to do this because I have seen it for 16 years of my life. | :12:58. | :13:05. | |
Will you be there? Yes. How will you feel? Nervous, but hoping it | :13:05. | :13:10. | |
goes well. What makes you think this is a good idea? It is pushing | :13:10. | :13:15. | |
the boundaries. It is part of my make-up. I am now sticking my post | :13:15. | :13:19. | |
in the runway by being the first person to intentionally get out of | :13:19. | :13:23. | |
an aircraft and land without a parachute. | :13:23. | :13:28. | |
Remarkable. But due to the bad weather, it looks like Gary will | :13:28. | :13:35. | |
not be jumping until early next week. And on the weather, if you | :13:35. | :13:39. | |
have had the power restored to your house, lovely to have you with us. | :13:39. | :13:43. | |
Matt, we have an awards the going with our show today. But is the | :13:43. | :13:49. | |
heart of your programme? Yes. The Matt Lucas Awards starts on Tuesday | :13:49. | :13:55. | |
at 10:35pm on BBC One. There are lots of awards shows on TV, but we | :13:55. | :14:01. | |
give awards the other shows don't give. We don't give best actor or | :14:01. | :14:05. | |
best director, we give awards for things like this modest nation of | :14:05. | :14:12. | |
people, the most moreish foods. What won that? That would be | :14:12. | :14:17. | |
telling. And the most dreadful football song ever sung. We give | :14:17. | :14:21. | |
strange awards. We have three guests, and they each give their | :14:21. | :14:26. | |
nominations, and I decide what wins. The idea started on Radio 2 three | :14:26. | :14:31. | |
years ago. Like Little Britain, which also started on Radio, it has | :14:31. | :14:37. | |
transferred to TV. An integral part of the E24 your mum, who is sitting | :14:37. | :14:43. | |
comfortably over there. In he tell you he would have to dress up as | :14:43. | :14:48. | |
Jimmy Savile? He didn't. The whole thing was ad-libbed. He didn't tell | :14:48. | :14:53. | |
me anything. I had to do it off the top of my head. Be due endure it? | :14:53. | :15:00. | |
Her I had the greatest fun. It was great to work with Matt. And the | :15:00. | :15:10. | |
:15:10. | :15:12. | ||
She is putting on a posh voice. put her in a kitchen? Yeah, because | :15:12. | :15:16. | |
people used to say, I like Little Britain, but it's a bit rude. Mum | :15:16. | :15:21. | |
was one of those, so I thought if she's there I won't be too rude. | :15:21. | :15:25. | |
You didn't swear. It's different, because there's no costumes or | :15:25. | :15:31. | |
make-up. It's me as myself. David's doing brilliantly, doing the show | :15:31. | :15:37. | |
that isn't the Voy and -- voice and writing his books and swimming | :15:37. | :15:41. | |
through poo and his wonderful things. This is my chance. We'll | :15:41. | :15:47. | |
have a little clip. Here's Richard Madeley. He was trying to win the | :15:47. | :15:53. | |
award for most comprehensive but most utterlyly useless knowledge, | :15:53. | :15:58. | |
singing every word to the Chattanooga Choo Choo. Keep | :15:58. | :16:05. | |
concentrating. Don't allow yourself to be distracted. Just, trifle | :16:05. | :16:15. | |
:16:15. | :16:17. | ||
stare. You whistle, eight bar, then, no, not far. Shuttle, Cole, rolling, | :16:17. | :16:19. | |
you are. Keep going. APPLAUSE | :16:19. | :16:27. | |
. That was very difficult. It's like a chat show, but I wanted to | :16:27. | :16:31. | |
get people up doing things, so we have guests with the most useless | :16:31. | :16:38. | |
talent, or we did, because I'm a huge Beatles fan, so we had a | :16:38. | :16:43. | |
crapiest Beatles' song, so we all dressed at sergeant pepper. You've | :16:43. | :16:47. | |
had a lot of practice for being yourself. Was it different coming | :16:47. | :16:52. | |
from that side of things? It is weird. I put it in the flat to make | :16:53. | :16:56. | |
it feel as intimate and relaxed as possible. We are asking questions | :16:57. | :17:04. | |
to the audience. It was interesting for me not to have all the make-up | :17:04. | :17:13. | |
and things. It's nice sittinging on the sofa. -- it's nice sitting on | :17:13. | :17:19. | |
the sofa. It's next Tuesday, 10.35pm on BBC One. The next film | :17:19. | :17:23. | |
is about Dick Emery and we wondered if you would say the catchphrase. | :17:23. | :17:32. | |
On this camera. Oh, you are awful, but I like you. Dick's son, Nick | :17:32. | :17:36. | |
reminisces on what it was like growing up with the man whose | :17:36. | :17:43. | |
catchphrases entertained a generation. Throughout my childhood | :17:43. | :17:47. | |
my father was seldom off the television. He was doing comedy | :17:47. | :17:53. | |
sketches based on characters, which were slightly larger than life. | :17:53. | :18:03. | |
:18:03. | :18:04. | ||
are awful, but I like you. James Maynard Kitchener Lampwick. | :18:04. | :18:11. | |
about one for the road. There was Hettie. You seem like a nice, young | :18:11. | :18:16. | |
man. If he was like any of them, he was like the tramp. Worldly wise, | :18:16. | :18:21. | |
he liked to think, slightly breaking the rules, and I think he | :18:21. | :18:26. | |
rather liked the idea of that, rules were made to be somewhat | :18:26. | :18:35. | |
broken. Dad loved anything with an engine. Motorbikes, aeroplanes, | :18:35. | :18:41. | |
boats. He had a go at anything that made a noise and went quickly. | :18:41. | :18:48. | |
mustn't forget our helmet. Being in this takes me right back to some of | :18:48. | :18:55. | |
the cars he had. So different to everybody else's mum and dad's Ford | :18:55. | :19:00. | |
Popular. Before all the cars, my earliest memories were of growing | :19:00. | :19:04. | |
up in the centre of London, around Shaftsbury Avenue and Cambridge | :19:04. | :19:09. | |
Circus. Over there is my old school. We had a playground on the roof. We | :19:09. | :19:15. | |
are coming up to the church I was taken to, and for some reason my | :19:15. | :19:22. | |
mother decided I ought to be vaguely religious, so I was taken | :19:22. | :19:26. | |
to Sunday school here. Behind it is the site of the flat where I grew | :19:26. | :19:32. | |
up. We moved to Thames dit on in 1960 and by that time by father's | :19:32. | :19:36. | |
career was really going places. The move was supposed to be the spark | :19:36. | :19:41. | |
of a new beginning for us, but after two years the marriage had | :19:41. | :19:45. | |
broken down completely and divorce was in the air, so it was a bit sad | :19:45. | :19:55. | |
:19:55. | :19:56. | ||
really. Gosh, this brings back memories. I haven't been back here | :19:56. | :20:06. | |
:20:06. | :20:12. | ||
for an awful long time. Goodness. I'm very nervous. Wow. Goodness me. | :20:12. | :20:22. | |
:20:22. | :20:24. | ||
I'm filling up now. Oh, dear, blimey. I can still see as it was. | :20:24. | :20:28. | |
I remember the Christmas when we first came here. It was a lovely | :20:28. | :20:33. | |
time. The few photographs that I have got of us together as a family | :20:33. | :20:40. | |
were taken in this house. In that room. I never thought I would stand | :20:40. | :20:47. | |
in this house again. Ever. My parents divorced in 1962. The | :20:47. | :20:49. | |
school was difficult around the time of the divorce. A lot of | :20:49. | :20:57. | |
people were not as understanding in those days about a couple divorcing. | :20:57. | :21:04. | |
I certainly experienced quite a lot of bullying. You are marked out of | :21:04. | :21:08. | |
being different because of what your father does, so you become | :21:08. | :21:14. | |
isolated again because of another facet of their lives. My mother was | :21:14. | :21:18. | |
his third wife, it has to be remembered. He was a bit of a | :21:18. | :21:21. | |
serial husband. She never stopped him visiting. She encouraged me to | :21:21. | :21:30. | |
go and see him. Towards the end of his life we became closer. When he | :21:30. | :21:40. | |
:21:40. | :21:41. | ||
died he was 67. The aftermath of the funeral was strange and in a | :21:41. | :21:47. | |
way quite hurtful. I got given a watch, which subsequently expired | :21:47. | :21:53. | |
and a tape recorder which I can hardly lift, but I've been carrying | :21:53. | :21:57. | |
it around rather like an albatross around my neck for years and years. | :21:57. | :22:01. | |
Every time I've moved it's come with me, because I can't bear to | :22:01. | :22:09. | |
get rid of it. It was his. Thank you so much to Nick for sharing his | :22:09. | :22:13. | |
memories with us. Matt, we were talking there. So many comedy | :22:13. | :22:18. | |
characters that you've come up with. Where do you start when you create | :22:18. | :22:24. | |
them? David and I, we often start with a kind of kernel of an idea, | :22:24. | :22:30. | |
something really small, like I can remember David saying that he was | :22:30. | :22:36. | |
at university and stuck for money and he went to the bank to ask for | :22:36. | :22:40. | |
a loan and the woman typed his details into the computer and then | :22:40. | :22:46. | |
said, "Let's see what the computer's got to say. ." The idea | :22:46. | :22:48. | |
that a woman deferred judgment to the computer was something that | :22:48. | :22:54. | |
really made David laugh and he told me this idea and told me, "I like | :22:54. | :22:58. | |
the idea of computer says no." It sometimes starts with the smallest | :22:58. | :23:02. | |
thing which you take and exaggerate. That has become a really successful | :23:02. | :23:08. | |
sketch. One of my favourites. Now, a new exhibition of the work of | :23:08. | :23:13. | |
Damien Hurst opened today. It featured dead insects, multi- | :23:13. | :23:22. | |
coloured spots and pickled animals. Our rez dent art -- our resident | :23:22. | :23:29. | |
artist Phil was not up for it, so we looked at nice paintings of Mary | :23:29. | :23:32. | |
Magdelyn instead. The Bible tells us she was present at two of the | :23:32. | :23:39. | |
most important moments in the story of Jesus. The cues the crucifixion | :23:39. | :23:46. | |
and the resurrection. Sister Wendy has searched through the art and | :23:46. | :23:51. | |
found two works that she feels shed light on the mysterious figure of | :23:51. | :23:58. | |
Mary Magdelyn. Good to see you again, Wendy. And you dear, Phil. | :23:58. | :24:02. | |
I've always loved this particular painting, partly because she is so | :24:02. | :24:07. | |
intense and serious. She knows what she's looking at, of course, which | :24:07. | :24:12. | |
is Jesus, but I also love the colour. I love her golden hair | :24:12. | :24:17. | |
cascading over her shoulders, which shows she is a young girl still. | :24:17. | :24:23. | |
She carried the vase of ointment to anoint Jesus and I love the pink. | :24:23. | :24:28. | |
The kind of avalanche of beautiful pink, which is the line of her | :24:28. | :24:33. | |
garment and the sleeves, which fit so well with her very fair skin and | :24:33. | :24:42. | |
golden hair. It looks a very posh robe. I think that's the artist | :24:42. | :24:46. | |
thinking it's one of her sinful women modes. It's the most | :24:47. | :24:50. | |
difficult of All Saints to speak about. In the gospels there are a | :24:50. | :24:55. | |
number of mentions of different women anointing Jesus, one of which | :24:55. | :24:59. | |
is described as a sinner. When this -- when this was painted all the | :24:59. | :25:08. | |
women were mistakenly thought to be Mary Magdelyn. The gospel of St | :25:08. | :25:12. | |
John gives us her fullest account. It was to Mary that Jesus first | :25:12. | :25:17. | |
chose to appear after his death, a pivotol moment in Christianity. | :25:17. | :25:25. | |
was the first one to see him and to tell the apos ills that she has | :25:25. | :25:29. | |
always been -- aposels that she was always important and then she was | :25:29. | :25:36. | |
important as a good image of how you can repent. She looks | :25:36. | :25:41. | |
enchanting. As very few saints do actually. Why not? It makes | :25:41. | :25:47. | |
holiness all the more attractive. I love it visually and I love it for | :25:47. | :25:54. | |
her spiritual earnestness. According to the Bible, Mary | :25:54. | :25:59. | |
Magdelyn was also present at the crucifixion of Jesus and it's a | :25:59. | :26:03. | |
depiction of this scene that is Sister Wendy's second choice. | :26:03. | :26:09. | |
you see why Mary Magdelyn mattered. Can you see there are only three | :26:09. | :26:15. | |
people there? Loyal to Jesus at the end. There's his mother, the virgin, | :26:15. | :26:24. | |
looking up at him. There is St John, the only apostle who stayed with | :26:24. | :26:27. | |
him and there at the foot, clutching the cross is Mary | :26:27. | :26:33. | |
Magdelyn, in that red robe, absolutely distraught with grief. | :26:33. | :26:38. | |
Jesus was dying and she wanted to be with him. Where are all the | :26:38. | :26:43. | |
others? They had runaway. They were frightened. They hid. Done a runner. | :26:43. | :26:49. | |
Yes. When, after the resurrection, Mary went and told them he had | :26:49. | :26:53. | |
risen, they didn't want to come out of their secret cave, as it were. | :26:53. | :26:59. | |
They didn't want to run the risk, but she did. She really, truly | :26:59. | :27:04. | |
loved him and sought him. Those three people there are the sort of | :27:04. | :27:09. | |
hardcore. Yes. They stayed. Yes. While everyone else has left. | :27:09. | :27:11. | |
Without them there probably wouldn't be a church, because they | :27:11. | :27:16. | |
stayed and they believed enough to stay. It's very moving how faithful | :27:16. | :27:22. | |
she was and I'm sure that's why she was the first person to whom Jesus | :27:22. | :27:27. | |
appeared when she rose. She is an inspiration to me. Is she one of | :27:27. | :27:30. | |
your favourites? Yes, because she was so brave and I feel I'm a | :27:30. | :27:35. | |
coward, you know. She was so brave and true. I would like to be like | :27:35. | :27:42. | |
that. I love her. She is a character. I want her to be my | :27:42. | :27:49. | |
sister. Brilliant. Thank you. Thanks for sending in all of your | :27:49. | :27:52. | |
wonderful pictures of you with your awards. We'll start with yours. | :27:52. | :28:00. | |
This is Willie King. That's from Scotland with his curling trophy, | :28:00. | :28:05. | |
after many, many years of trying. Well done, Willie. It's quite a | :28:05. | :28:09. | |
trophy. This is Karen McDonald. She won this at ballet and that's from | :28:09. | :28:14. | |
a very proud dad called Mark from Fife. You are judging these. This | :28:14. | :28:19. | |
is Robin with her star of the week from school. Love from proud dad | :28:19. | :28:23. | |
Rich, from Wigan. This is Harvey Johnson from Lincolnshire. Best | :28:23. | :28:33. | |
puppy in the class. Lovely. Anne Noble dancers. All the girls with | :28:33. | :28:40. | |
their winning trophies. I think we are going to have to give a Lucas | :28:40. | :28:44. | |
to Harvey Johnson the most adorable puppy. | :28:44. | :28:46. | |
APPLAUSE Genius. Thank you so much for | :28:46. | :28:52. |