Browse content similar to 06/03/2013. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Matt Baker. | :00:20. | :00:24. | |
And Alex Jones. Our guests tonight are two singers who could hardly be | :00:24. | :00:27. | |
more different. But we think they would nestle together rather nicely | :00:27. | :00:37. | |
:00:37. | :00:54. | ||
in a fantasy record collection. He's the rough and ready poet from | :00:54. | :00:58. | |
Dagenham who actually does want to change the world. And she's someone | :00:58. | :01:00. | |
half the country would like to spend their summer nights with. | :01:00. | :01:02. | |
It's Olivia Newton-John and Billy Bragg. | :01:02. | :01:12. | |
:01:12. | :01:20. | ||
You've both been in the music industry for well over 30 years. Is | :01:20. | :01:30. | |
:01:30. | :01:34. | ||
this the first time you've ever met? This is the first time. It is | :01:34. | :01:42. | |
so easy stages pass like ships in the night at. | :01:42. | :01:45. | |
Olivia, you're here to start your first tour since 1978 for goodness | :01:45. | :01:55. | |
:01:55. | :01:55. | ||
sake, what kept you away so long? cannot believe that. Why so long? | :01:55. | :02:00. | |
don't like to rush. I have been coming back over here and singing | :02:00. | :02:04. | |
with Cliff Richard's, I did not realise it was so long. | :02:05. | :02:07. | |
Billy you've been touring the UK pretty much non-stop since the | :02:07. | :02:10. | |
early 80s, any advice for Olivia on the best venues, motorway service | :02:10. | :02:16. | |
stations? I have played a few, yes. I know | :02:16. | :02:24. | |
where to get a decent cup of tea at 2:00am and a bacon sandwich. Later | :02:24. | :02:27. | |
this evening we have a world exclusive, a musical premiere never | :02:27. | :02:30. | |
seen or heard before and probably never again. Billy Bragg will | :02:30. | :02:33. | |
perform an Olivia Newton-John song. Are you ready for it Billy? | :02:33. | :02:43. | |
:02:43. | :02:43. | ||
I am ready. Billy has always been known as a proud Dagenham and | :02:43. | :02:47. | |
Barking boy. So proud in fact he immortalised it in his take on | :02:47. | :02:50. | |
Route 66 called A13, Trunk Road to the Sea and Iwan Thomas is in | :02:50. | :02:53. | |
Dagenham for us tonight to spread a bit more Essex pride aren't you, | :02:53. | :02:58. | |
Iwan? Yes, I started in Wapping, ain't no | :02:58. | :03:00. | |
stopping, bypassed Barking and went straight through Dagenham to the | :03:00. | :03:03. | |
Civic Centre, why? Because tonight in Billy's honour I'll be | :03:03. | :03:06. | |
celebrating and meeting some of the finest people who live in this very | :03:06. | :03:08. | |
town and championing their great achievements. The film, Made in | :03:08. | :03:12. | |
Dagenham, is getting its TV premiere on the BBC this weekend | :03:12. | :03:14. | |
but there's more to this place than the Cortina, as we'll find out | :03:14. | :03:24. | |
later. The civic centre. I have been there | :03:24. | :03:30. | |
many times that. It is interesting with made in Dagenham being on as | :03:30. | :03:36. | |
well. I rode the theme song with David Donald. He got in touch with | :03:36. | :03:42. | |
me, I went to see it, and he asked me did I fancy writing some lyrics. | :03:42. | :03:52. | |
:03:52. | :03:53. | ||
We will talk more about your music been a bit. More is being spent | :03:53. | :04:03. | |
:04:03. | :04:03. | ||
online every year. For some people, shopping on the | :04:03. | :04:07. | |
High Street is not the easiest option. Take Chris from Essex, with | :04:07. | :04:13. | |
limited mobility, he prefers to buy online. But even on the most | :04:13. | :04:18. | |
reputable website, things are not always what they seem. We decided | :04:18. | :04:22. | |
to buy a new television because I had been having problems hearing | :04:22. | :04:27. | |
the other one. I found a television on Amazon and it was a reasonable | :04:27. | :04:32. | |
price. It was the free delivery that sold it to us. Chris decided | :04:32. | :04:37. | |
to shop on Amazon because of the Consumer Protection it offers | :04:37. | :04:44. | |
through its guaranteed. It means any purchase on Amazon is protected, | :04:44. | :04:49. | |
even if it is with another company or private seller. As long as you | :04:49. | :04:55. | |
do the deal through Amazon itself. Chris ordered his TV to a private | :04:55. | :05:01. | |
seller on Amazon, but the bill he received with the address of A-Z | :05:01. | :05:09. | |
Amazon .co.uk. It said services Amazon. It did not ring any alarm | :05:09. | :05:15. | |
bells because Amazon have their own a to Z service. Everything just | :05:15. | :05:20. | |
looked perfect. But this isn't the Amazon website and Chris is the | :05:20. | :05:26. | |
victim of an elaborate con. Despite paying �920, he has never received | :05:26. | :05:32. | |
his television. The fake website looks like Amazon, works like | :05:32. | :05:36. | |
Amazon and knows your personal Amazon details. This is Amazon | :05:36. | :05:44. | |
.co.uk. I am locked in. Now we go to the fake Amazon site. I am still | :05:44. | :05:51. | |
locked in. That is my account. How have they done that? It is such a | :05:51. | :05:55. | |
very clever scam. There is no reason to believe it is fake. | :05:55. | :06:01. | |
Everybody who has seen it has said the same thing. It is Amazon. | :06:01. | :06:05. | |
site was so convincing, Chris agreed to transfer his money | :06:05. | :06:10. | |
straight into what he thought was an Amazon bank account. It is a lot | :06:10. | :06:19. | |
of money to lose, �920? Yes, nobody can afford to lose it. Gutted and | :06:19. | :06:29. | |
annoyed, frustrated. Sick really. How has become man managed to | :06:29. | :06:35. | |
seemingly copy Amazon's website? Tony is a former police officer who | :06:35. | :06:39. | |
works as an internet security expert for the Government. Your | :06:39. | :06:44. | |
technical men had been looking at this website, what is going on? | :06:44. | :06:49. | |
What you see is the Amazon website. But they put something called a | :06:49. | :06:54. | |
wire frame over it, like a shell. You're looking at it through a | :06:54. | :07:00. | |
third party website. That the website was used by the scam | :07:00. | :07:04. | |
merchants during Chris away from the real site and duping him into | :07:04. | :07:08. | |
using a direct bank transfer instead of Amazon's protected card | :07:08. | :07:13. | |
payment system. Basically the conman has convinced Chris to go | :07:13. | :07:18. | |
off the Amazon website to deal with him through e-mail? Most of the big | :07:18. | :07:22. | |
companies lead deal with will say, don't go away from the main site. | :07:22. | :07:26. | |
The security features within the website will protect you. By taking | :07:26. | :07:31. | |
you away from it, the protection has gone. What about the command | :07:31. | :07:37. | |
behind it. We tried to contact him, but surprisingly we did not hear | :07:37. | :07:41. | |
back. Their business address happens to be the House of a | :07:41. | :07:46. | |
pensioner, who knew nothing about it. But Chris is hundreds of pounds | :07:46. | :07:49. | |
out of pocket and has been less than impressed with Amazon's | :07:49. | :07:55. | |
response. They cannot impose their guarantee because I did not to buy | :07:55. | :08:00. | |
it through Amazon, as it turns out. Even if you which wrecked? Even if | :08:00. | :08:04. | |
you are tricked. We asked Amazon if they were going to do something | :08:04. | :08:14. | |
:08:14. | :08:23. | ||
As for Chris, he has had to pay out another �1,000 to finally get the | :08:23. | :08:28. | |
television he wanted. This time from a legitimate salad. It is a | :08:28. | :08:38. | |
:08:38. | :08:50. | ||
Our consumer champion, Matt Allwright, is here. Matt, just how | :08:50. | :08:55. | |
did Tony get caught up in this because it's complicated isn't it? | :08:55. | :08:59. | |
He was re directed to what looked like an Amazon website, but it was | :08:59. | :09:09. | |
:09:09. | :09:13. | ||
not. The A-Z guaranteed they offer, it is recognisable but it is not | :09:13. | :09:20. | |
the same as the Amazon website. It is a wire frame and fits over the | :09:20. | :09:26. | |
top. The thing you're looking at the real thing. Did Chris get his | :09:26. | :09:33. | |
money back? No, and it is unlikely he will do. Amazon have taken the | :09:33. | :09:39. | |
person selling off the site, but the site is still alive. The fake | :09:39. | :09:43. | |
site is still there. They cannot track them down or get rid of it? | :09:43. | :09:47. | |
No, it is to the got to know whether it is alive and still | :09:47. | :09:51. | |
taking business. The best thing to do is play safe. I dread to think | :09:51. | :09:56. | |
how much money they have taken. What advice do you have about | :09:56. | :10:06. | |
:10:06. | :10:07. | ||
people who are concerned? Firstly, type the website address | :10:07. | :10:10. | |
in manually rather than clicking to it via a third-party website. Check | :10:10. | :10:14. | |
you've typed it correctly. Next, make sure the payment is secure. | :10:14. | :10:17. | |
You can tell this by looking out for two main things: | :10:17. | :10:20. | |
There should be a padlock symbol in the browser window frame, which | :10:20. | :10:23. | |
appears when you attempt to log in or register. Be sure that the | :10:23. | :10:27. | |
padlock is in the browser and not on the page itself. And second, the | :10:27. | :10:30. | |
web address should begin with https:// - the 'S' stands for | :10:30. | :10:33. | |
secure. Look at how it's asking you to pay. Asking to transfer money | :10:33. | :10:36. | |
into a bank account is unusual. And finally, remember as always that | :10:36. | :10:38. | |
paying by credit card offers greater protection against fraud | :10:38. | :10:47. | |
than with other methods. But online fraud isn't just | :10:47. | :10:54. | |
happening when you pay, is it Matt? Fraudulence reviews are being | :10:54. | :10:58. | |
posted on sites. There will be comments afterwards a weather has | :10:58. | :11:02. | |
been a survey and it is printed in one of the broadsheets that says | :11:02. | :11:06. | |
companies are getting people overseas to review their | :11:06. | :11:11. | |
competitors poorly and themselves well. It is estimated in a few | :11:11. | :11:15. | |
years, one in seven reviews on websites will be fraudulent. | :11:15. | :11:19. | |
when you are looking for a hotel or something, you cannot believe what | :11:19. | :11:26. | |
you read? You must know all about this? | :11:26. | :11:36. | |
:11:36. | :11:40. | ||
could name the names. When people are searching for something like a | :11:40. | :11:45. | |
television, so many on the market, you put the television you want in, | :11:45. | :11:50. | |
up come all the offers. You are looking at the cheapest. You trust | :11:50. | :11:54. | |
in the internet. Perhaps too much will stop you go to the cheapest | :11:54. | :11:59. | |
one, you don't look into the name of the website. That is the problem. | :11:59. | :12:06. | |
It is led by the price rather than security. We all love a bargain. | :12:06. | :12:16. | |
Chris, we do hope you are enjoying your television. The Duchess of | :12:16. | :12:19. | |
Cambridge visited Grimsby yesterday where she met a few locals and some | :12:19. | :12:22. | |
fire fighters. If she's got a soft spot for fire fighters, perhaps she | :12:22. | :12:25. | |
should trot off down to Sommerset with Alex Riley to meet their | :12:25. | :12:32. | |
latest recruit. Not Fireman Sam, but Fireman Ham. | :12:32. | :12:37. | |
As a fire fighter you need to be prepared. Flames, explosions, | :12:37. | :12:43. | |
saving lives. And then there is rescuing the animals. Rescuing | :12:43. | :12:47. | |
animals has become an increasing part of the firefighter's job. That | :12:47. | :12:52. | |
is why fire and rescue Service are running courses to train | :12:52. | :12:58. | |
firefighters to evacuate, save and catch the animals. We get about 150 | :12:58. | :13:03. | |
animal rescues a year. There have become a number of incidents of | :13:03. | :13:07. | |
animals becoming trapped and their owners trying to rescue them, I'm | :13:07. | :13:12. | |
getting injured or killed. With us doing it by the right training, it | :13:12. | :13:17. | |
makes it safer for the public and the animals. Part of this is for | :13:17. | :13:22. | |
them to get experience of working with the animals and understand | :13:22. | :13:25. | |
their behaviour and thinking, so when they go to an incident they | :13:25. | :13:30. | |
can remove an animal into a place of safety. In the training is some | :13:30. | :13:37. | |
sheep, a turkey called cranberry, a horse called James, and a 14 stone | :13:37. | :13:41. | |
pig. When you go to move your animals in the event of an | :13:41. | :13:45. | |
evacuation, always no way you will be putting these animals. Animal | :13:45. | :13:51. | |
rescue trainer, Dawn Watkins knows how to save an animal's bacon. You | :13:51. | :13:55. | |
deal with a different range of animals, how does a piggy behave | :13:55. | :14:00. | |
differently to a turkey? Most people would use pig boards and | :14:00. | :14:05. | |
sticks. The firefighters had used in the past, and riot shields. With | :14:05. | :14:10. | |
paltry, you are teaching them to use sticks because it gives them an | :14:10. | :14:14. | |
extension of their arms so it gives them a wider area to help guide the | :14:14. | :14:18. | |
animals. When the firefighters arrive they are usually worried | :14:18. | :14:23. | |
about getting up close to these animals. They are large. By the end | :14:23. | :14:28. | |
of the day, they know where they can position themselves to avoid | :14:28. | :14:38. | |
:14:38. | :14:40. | ||
getting injured and how to minimise Another pig $:/STARTFEED. | :14:40. | :14:44. | |
Successfully transferred to a place of safety. For many of the | :14:44. | :14:47. | |
firefighters, their job is the only place where they are in contact | :14:47. | :14:51. | |
with animals. Some of us have been around animals | :14:51. | :14:55. | |
before. Some of us haven't. The ones that haven't have never dealt | :14:55. | :15:01. | |
with a cow or a shop before and it gives them confidence when we have | :15:01. | :15:06. | |
got to approach it and go to it. Things like today will help us know | :15:06. | :15:11. | |
how to keep animals relaxed. Before, it was trial and error and standard | :15:11. | :15:14. | |
procedures we learned and now we have got official training to back | :15:14. | :15:17. | |
it up. What's the most difficult animal to | :15:17. | :15:22. | |
make relaxed? I would say horses because they are flighty. | :15:22. | :15:28. | |
How do you calm a horse? Catch him around the neck. | :15:28. | :15:36. | |
Understanding the way an animal behaves could make the difference | :15:36. | :15:41. | |
between a successful rescue and the rescue that descends into chaos. | :15:41. | :15:51. | |
:15:51. | :15:52. | ||
Anyway, as well as having to rescue for animals, Fire Brigades are | :15:52. | :15:58. | |
recruiting them. I have firefighterer Baz -- firefighter | :15:58. | :16:04. | |
Baz and firefighter, Kerry. How are the dogs helping? They are finding | :16:04. | :16:10. | |
liquids after a fire has occurred. We use it as part of the fire | :16:10. | :16:13. | |
investigation process to speed that process up and save us time and | :16:13. | :16:19. | |
money as well. What do they detect? Ignitable | :16:19. | :16:24. | |
liquids. Everything that comes out of a barrel of oil that's made into | :16:24. | :16:27. | |
petrol or diesel or white spirit, these dogs will find it. | :16:27. | :16:35. | |
You are going to give us a demo with Barley. Dogs are trained to | :16:35. | :16:41. | |
search for tennis balls and we swap the odour of the ball so they | :16:41. | :16:46. | |
search for the smell of the ignitable liquid. The dogs think it | :16:46. | :16:53. | |
is a great game. scen? The idea so to show you how | :16:54. | :16:57. | |
quickly the dogs work and how accurately the dogs work. The dog | :16:57. | :17:03. | |
will not only point to the corner of the tile that has the ignitable | :17:03. | :17:07. | |
liquid on it. There is an X on there. Look at | :17:07. | :17:13. | |
that! I am not talking about that huge X, | :17:13. | :17:17. | |
I am talking about that tiny one there. That's incredible. We will | :17:17. | :17:23. | |
have to have a talk about embers get up gear? The idea is to protect | :17:23. | :17:29. | |
her feet from sharps. The safety of the dogs is par mown and -- | :17:29. | :17:32. | |
paramount. With With Paul here, you are a | :17:32. | :17:37. | |
husband and wife team. Paul, how are the dogs affecting the arson | :17:37. | :17:44. | |
numbers? They have been reduced and the fire investigation team to | :17:44. | :17:51. | |
which we like in the Fire Service. Great. Well, keep up the good work | :17:51. | :17:58. | |
and Barley, you are a star! Dogs in boots, isn't that amazing? | :17:58. | :18:05. | |
You are both big dog lovers. You are having a new dog soon? Yes, we | :18:05. | :18:11. | |
are being given a puppy soon. We just lost mine to old age. You lost | :18:12. | :18:19. | |
yours too Yes, we lost Buster to old age. | :18:19. | :18:23. | |
Happy corner here! You are about to embark on your | :18:23. | :18:28. | |
nationwide tour starting in Cardiff on Sunday and then doing the tour | :18:28. | :18:38. | |
:18:38. | :18:46. | ||
you performing in that very town # Love is to care | :18:46. | :18:56. | |
:18:56. | :19:05. | ||
APPLAUSE It is such a warm and cosy voice | :19:05. | :19:10. | |
that you have there. APPLAUSE | :19:10. | :19:19. | |
places. It was No surprise. That was a great song and they sang | :19:19. | :19:22. | |
amazing. Wow. Are you doing anything from | :19:22. | :19:27. | |
Greece? Of course not. Of course not! | :19:27. | :19:32. | |
Of course, I am! Of course I am, yes. It wouldn't be | :19:32. | :19:40. | |
the most fun parts of the show. you tell us which tracks? Yes, I do | :19:40. | :19:46. | |
four songs. I do Youre The One That I Want. I do Summer Nights and We | :19:46. | :19:52. | |
Go Together. 40 years in the business. How do | :19:52. | :19:56. | |
you choose which songs you will do and are you going to change them | :19:56. | :20:02. | |
for each venue? For England I added in songs that were successful and | :20:02. | :20:08. | |
weren't successful anywhere else. And I do country music which is how | :20:08. | :20:16. | |
I started out. My first songs were recorded in England, through Xanadu, | :20:16. | :20:20. | |
through Greece and the different areas of my life and new things | :20:21. | :20:24. | |
that maybe people haven't heard before, healing songs. | :20:24. | :20:29. | |
And you did last year, record a record with John Travolta which we | :20:29. | :20:39. | |
:20:39. | :20:40. | ||
can see here. Is this a tribute to this Christmas record for our | :20:40. | :20:45. | |
charities, for my hospital and for John's son, Jett. John put it | :20:45. | :20:50. | |
fun to do a tip of the hat to Greece. | :20:50. | :20:55. | |
Are you expecting him on the tour? Is there any chance of you hooking | :20:55. | :20:59. | |
up? I doubt not. You and John in Brighton, I can see | :20:59. | :21:01. | |
it now? I don't think it will happen. | :21:02. | :21:05. | |
Speaking of a large catalogue, Billy, you have got the same | :21:06. | :21:09. | |
problem, when you are touring, which you do all the time, how do | :21:09. | :21:14. | |
you go about putting together a list? If I see someone before the | :21:14. | :21:19. | |
show and we mention a song, I have got it on my iPhone and now I have | :21:19. | :21:25. | |
got a band. The task is to take the new songs that the band play and | :21:25. | :21:33. | |
the old songs and get the band to well, we did a show in London and | :21:33. | :21:37. | |
it worked well. I woos woos please -- I was pleased with it. | :21:38. | :21:44. | |
Where is the most unusual place you played? The most unusual? I did a | :21:45. | :21:54. | |
:21:55. | :21:59. | ||
gig last year on Cony Island with Steve Erroll and we played in in | :21:59. | :22:05. | |
front of a big thing that tilts and whirls. The sun went down and we | :22:05. | :22:11. | |
had a hot dog with Woody's daughter. It was beautiful. Woody's great | :22:11. | :22:17. | |
grandchildren joined in. They are tiny kids and they joined in. | :22:17. | :22:26. | |
drinks and then start start writing a letter to a celebrity? No one! | :22:26. | :22:35. | |
# Return to sender # Return to sender. So you have had | :22:35. | :22:44. | |
a few drinks and you want to write to someone famous and why not? | :22:44. | :22:50. | |
The Royal Mail handles 15 billion items every year. And so it is not | :22:50. | :22:56. | |
surprise that many items just don't reach their intended destination. | :22:56. | :23:02. | |
Any mail which can't be delivered ends up here at the National Return | :23:02. | :23:06. | |
Centre in Belfast which handles an incredible number of undelivered | :23:06. | :23:13. | |
parcels and letters. Some items don't have the right | :23:13. | :23:17. | |
address. Sometimes they are addressed to people who have moved. | :23:17. | :23:23. | |
None of them have return addresses. So, decisions have to be made. Tara | :23:23. | :23:29. | |
Connor worked here for 12 years. 50,000 items are received every day. | :23:29. | :23:32. | |
Every day? And that includes parcels as well. | :23:32. | :23:40. | |
So we have got to hurry. We open return address and get the item | :23:40. | :23:41. | |
back to the sender. OK, let's open it then. | :23:41. | :23:47. | |
So unfortunately we can't send that back to the sender. What happens to | :23:47. | :23:53. | |
that then? We will dispose of it as we do with all our items that have | :23:53. | :23:56. | |
no return items. Thrown away? Confidentially | :23:56. | :24:00. | |
disposed of. That's a Christmas card, is it? | :24:00. | :24:08. | |
Dear onan that, wishing you a happy Christmas and New Year. What will | :24:08. | :24:12. | |
you do with that? There is a return address and we will send it back to | :24:12. | :24:15. | |
the sender. The variety of objects that come | :24:15. | :24:23. | |
into this office is astonishing. We receive locusts. | :24:23. | :24:30. | |
Locusts? People buy them for food for their animals or their snakes | :24:30. | :24:34. | |
or their reptiles. We have this person that keeps on sending milk. | :24:34. | :24:40. | |
Milk? Two litres of milk keep getting sent in the post. | :24:40. | :24:45. | |
That's a milk fanatic? Well, I would say it is something strange P. | :24:45. | :24:52. | |
This is Star Wars? Yes, that's Darf Vader's helmet. | :24:52. | :24:56. | |
May the force of the Royal Mail be with you. | :24:56. | :25:00. | |
Some of the items are worth considerable sums. One package | :25:00. | :25:06. | |
contained a Picasso sketch. Most mail is held for two months and | :25:06. | :25:11. | |
then disposed of, but anything believed to be valuable is held for | :25:11. | :25:15. | |
longer. If you think they are historically important? We will | :25:15. | :25:21. | |
hold them indefinitely. Why waste the money on this stuff? It does | :25:21. | :25:25. | |
cost for this operation to be run over �3 million a year, we manage | :25:25. | :25:35. | |
:25:35. | :25:41. | ||
for the parts that we can't find a How much do you make on that? | :25:41. | :25:49. | |
sender. If we can't find the sender Some of the most difficult items to | :25:49. | :25:53. | |
deal with are those with sentimental value. There is so much | :25:53. | :25:59. | |
stuff here hardly worth keeping. nothing to us, but to the family | :25:59. | :26:03. | |
involved they could be priceless. The staff say they are kept because | :26:03. | :26:09. | |
one day they might be returned to their rightful owners and who can | :26:09. | :26:15. | |
That's a good point. John has given us three items that | :26:15. | :26:23. | |
are stuck in postal limbo and have no home. We want you to help us | :26:23. | :26:30. | |
find the sender or the person they have been addressed to? This the | :26:30. | :26:40. | |
writing says, "Mummy before she married and it is dated 191. Yths - | :26:40. | :26:49. | |
- 1912." There are Pictures of family holidaying in Italy and in | :26:49. | :26:55. | |
the Bahamas in 1953. Ring any bells with anybody? If it | :26:55. | :27:01. | |
does, let us know. Olivia. Does anyone recognise this | :27:01. | :27:08. | |
little boy? The handwriting says John six-and-a-half months old | :27:08. | :27:16. | |
taken at Porthcawl. He would be nearly 64-and-a-half years old. | :27:16. | :27:25. | |
Wouldn't it be great to get in touch with the owners? | :27:25. | :27:31. | |
We have one last one. I am guessing somebody will claim this because it | :27:31. | :27:39. | |
is worth a few quid. This is the final draft script of | :27:39. | :27:44. | |
Jaws. So, Royal Mail says it is the | :27:44. | :27:48. | |
complete script. If you are thinking of claiming it, you have | :27:49. | :27:53. | |
to produce some ID. If you are the person mentioned in | :27:53. | :28:01. | |
the film, sending milk through the with yourself! | :28:01. | :28:11. | |
:28:11. | :28:12. | ||
get in touch with the Royal Mail or drop us an e-mail. | :28:12. | :28:22. | |
:28:22. | :28:24. | ||
Don't bother writing it probably won't get to us. | :28:24. | :28:34. | |
:28:34. | :28:36. | ||
Billy, you are waiting for something really important? I am | :28:36. | :28:46. | |
:28:46. | :28:54. | ||
It's been five years since you last recorded an album and this is | :28:54. | :28:58. | |
normally the point where we would play a clip from the album, but | :28:58. | :29:01. | |
you're going to go one better than that for us Billy. It has been five | :29:01. | :29:05. | |
years. A proper album that goes into the record shops. The you have | :29:05. | :29:13. | |
brought your guitar? I wrote a song called Handy man Blues, about a my | :29:13. | :29:21. | |
inability to do anything useful around the house. | :29:21. | :29:29. | |
# Don't be expecting me to put up shelves or build a garden shed. | :29:29. | :29:36. | |
# But I can write a song that holds the world how much I love you | :29:36. | :29:46. | |
instead. I am not any good at pottery, so | :29:46. | :29:56. | |
:29:56. | :29:58. | ||
let's shift the settee. # I will find a way to make my | :29:58. | :30:07. | |
poetry put a roof over our heads. # Aynho it looks I'm only reading | :30:07. | :30:17. | |
:30:17. | :30:27. | ||
the paper. A # But these ideas will You and my boyfriend would get on | :30:27. | :30:36. | |
great. There will be men who identify it. Women say to me, you | :30:36. | :30:41. | |
have written that about my husband. You've recorded the entire album in | :30:41. | :30:47. | |
just five days, why the rush? was recorded in five days of. I | :30:47. | :30:54. | |
went to South Carolina -- California. I normally take about | :30:54. | :30:59. | |
five weeks to make a record. But the record industry, the way it is | :30:59. | :31:05. | |
now, it has to be cost effective. It helped me get a focused, get at | :31:05. | :31:10. | |
them and get the songs I had into shape. That five days it was like | :31:10. | :31:17. | |
boot camp. We had 10 songs by the end of the week. I wrote a couple | :31:17. | :31:21. | |
more and we completed the album. When you are in the studio and the | :31:21. | :31:29. | |
clock is ticking, it is surprising. Bolivia, you know all too well? | :31:29. | :31:38. | |
quickest I did was a dance track album, we only had a date. But I | :31:38. | :31:44. | |
did not have to write them. It is very relaxing. It is a shame we | :31:44. | :31:51. | |
have not got any -- a little camp fire. Were you nervous about going | :31:51. | :31:56. | |
back into the studio? I was watching an interview on your | :31:56. | :31:59. | |
website this morning, and you seemed a bit nervous about bringing | :31:59. | :32:06. | |
a new album out? Yes, where do I fit in the record industry? Not the | :32:06. | :32:11. | |
music industry, the record industry. They have been topical songs and I | :32:11. | :32:15. | |
have put them on my website for a free download. As a result, apart | :32:15. | :32:19. | |
from the political songs people think I am famous for, there was | :32:19. | :32:26. | |
the love songs. Most of them I write on a songs. That struggle to | :32:26. | :32:29. | |
maintain relationships, particularly long-term | :32:29. | :32:32. | |
relationships is as worthy about writing about the struggle to | :32:32. | :32:37. | |
change the world. I have always tried to write about both. Gritty | :32:37. | :32:42. | |
stories, you came out and said he did not have a good voice. I once | :32:42. | :32:49. | |
lost my voice at a gig in Minneapolis. I said to my manager, | :32:49. | :32:58. | |
these people are coming to see me. He said, nobody comes to he using! | :32:58. | :33:03. | |
-- here you sing. I have never been technically a great songwriter. As | :33:03. | :33:09. | |
I have got older, my voice has dropped a little, and with a bit of | :33:09. | :33:14. | |
forethought, I am getting there. The people of Dagenham a luvvie of | :33:15. | :33:19. | |
ways, even if you think it is below par. They had come out in force to | :33:19. | :33:29. | |
:33:29. | :33:34. | ||
show how talented you are. All the culture you once is in | :33:34. | :33:44. | |
Dagenham. I'm joined by a gymnastics club. I want the Youth | :33:44. | :33:51. | |
Olympics. I got five medals. Coach, Lorraine, how talented is she? | :33:51. | :33:57. | |
is very talented. We have a Hungarian International, 1 GB | :33:57. | :34:07. | |
international, and everybody's goal is Rio. Lauren over here is a | :34:07. | :34:17. | |
:34:17. | :34:17. | ||
genius. Recently I achieved a 61 in an IQ test. That makes you cleverer | :34:17. | :34:22. | |
than Stephen Hawking, that is very good. She is very talented? We are | :34:22. | :34:32. | |
:34:32. | :34:38. | ||
very proud of her. Just keep it up. Everyone in Essex is clever, and | :34:38. | :34:45. | |
this is why. You have been nominated for a lifetime | :34:45. | :34:50. | |
achievement Award... A we have believed that, because of | :34:50. | :34:55. | |
the sound. My brother still lives there. I recently did some stuff | :34:55. | :35:02. | |
and made a programme. It is my home. We had the Dagenham Girl Pipers. | :35:02. | :35:08. | |
thought, how are they going to fit on the sofa? They are amazing. And | :35:08. | :35:13. | |
they were around when I was a kid. They must be getting a bit on -- on | :35:13. | :35:22. | |
a bit now. Used to see them sums Saturday nights in the Wimpy Bar by | :35:22. | :35:30. | |
Dagenham's stations. Our current affairs man is normally out and | :35:30. | :35:35. | |
about breaking news stories for The One Show. But tonight in the first | :35:35. | :35:42. | |
of two films, he discovers the secrets on his grandfather's plan | :35:42. | :35:46. | |
designed past and how he might have been a prototype to James Bond. | :35:47. | :35:49. | |
always renew my grandfather had served in the Second World War. | :35:50. | :35:54. | |
It is only three recently the family learned at the extraordinary | :35:54. | :35:58. | |
truth, that he was hand-picked to be part of a top-secret, | :35:58. | :36:02. | |
intelligence gathering commando units, runs from here in the heart | :36:02. | :36:09. | |
of Whitehall. I want to find out more. His daughter, my relative has | :36:09. | :36:14. | |
been researching of family history. What do you remember? He was an | :36:14. | :36:19. | |
entertainer. He was a life- enhancing. He was a Jo Good, a | :36:19. | :36:25. | |
wonderful sense of humour. You have this wonderful photo of him. That | :36:25. | :36:32. | |
is what you see in this. Twinkly eyes. The for the war he was a dry- | :36:32. | :36:37. | |
cleaner, so how did he end up in a frontline intelligence unit? He was | :36:37. | :36:46. | |
39, and he was too old. They wouldn't have him. He just badgered | :36:46. | :36:51. | |
and kept on. He was ecstatic when they heard he would be taken. They | :36:51. | :36:55. | |
took him into the Royal Naval Reserve. Do you know what he was | :36:55. | :37:02. | |
doing in the war? I knew he put on a diver's kit and went underneath | :37:02. | :37:07. | |
to defuse a magnetic mines. But he was more than a bomb disposal | :37:07. | :37:12. | |
expert, he had been recruited into a crack, covert unit run by a | :37:12. | :37:18. | |
visionary commander. The man was Ian Fleming. And the men he | :37:18. | :37:23. | |
recruited at whether real-life inspirations the James Bond. It | :37:23. | :37:28. | |
superior submarines, torpedoes and the Hon cracker ball and make no | :37:28. | :37:31. | |
code meant Germany had the upper hand in the early years of the war. | :37:31. | :37:40. | |
Commander Fleming proposed a simple solution - steal the technology. | :37:40. | :37:44. | |
This is where he spent six years of the second world war in this room, | :37:45. | :37:49. | |
the heart of naval intelligence. Where did the idea come for this | :37:49. | :37:55. | |
unit? It started when he wrote a memo on 20th March, 1942. We have | :37:55. | :38:01. | |
got the original memo. My tea is a proposal for the unit. He puts it | :38:01. | :38:11. | |
:38:11. | :38:11. | ||
up to his boss, Admiral Godfrey. He has written at the bottom, "yes". | :38:11. | :38:16. | |
With an invasion of France imminent, Fleming needed men with technical | :38:16. | :38:22. | |
know-how. My grandfather found himself summoned to the new | :38:22. | :38:28. | |
headquarters in Littlehampton. was selected because he had a great | :38:28. | :38:35. | |
record and gallantry. Unveiling minds and torpedoes. He was | :38:35. | :38:38. | |
recruited to lead the specialist team. He was going across to France | :38:38. | :38:43. | |
and the idea was he would catch a naval intelligence, has deservedly | :38:43. | :38:48. | |
targeting torpedos. And very important role. As a commando, my | :38:48. | :38:53. | |
grandfather would have to get fit. Lance Corporal Alan Royle is one of | :38:53. | :39:01. | |
only a handful of surviving veterans of 30 a youth. He was | :39:01. | :39:06. | |
always on speed marches, street fighting. Abseiling up and down the | :39:06. | :39:12. | |
local workhouse walls. Everybody knew D-Day was coming. Just a | :39:12. | :39:18. | |
question of when. D-Day, the greatest amphibious invasion in | :39:18. | :39:23. | |
history was about to begin and the unit was about to play a small but | :39:23. | :39:28. | |
important role. Their mission - to capture Secrets and signed his in | :39:28. | :39:31. | |
an effort to aid the battle to crush the matts seas. My | :39:31. | :39:37. | |
grandfather played his part in that. That is where my grandfather and | :39:37. | :39:42. | |
his troops would have headed? Tamara Clarke -- tomorrow will be | :39:42. | :39:45. | |
following his mission and discover what happened to him when he landed | :39:45. | :39:52. | |
in Normandy. Billy, you're saying your dad was | :39:52. | :39:58. | |
part of the tank regiment? He was in the 43rd Royal Tank regiments | :39:58. | :40:05. | |
and bake trained on a secret thing, the canal defence graft. That is a | :40:05. | :40:13. | |
picture of my dad. The turret is false, it was daylight to which | :40:13. | :40:18. | |
they deployed on battlefields to deploy at night. It was so secret, | :40:18. | :40:22. | |
nobody knew it existed so they never used it will stop my dad | :40:22. | :40:27. | |
ended up in India after the war. When there were riots in the | :40:27. | :40:31. | |
streets, these tanks were very valuable because they had such | :40:31. | :40:35. | |
powerful searchlights will stop that is the only place it saw | :40:35. | :40:41. | |
service. You were born in the UK to a Welsh father and he played a part | :40:41. | :40:44. | |
in the second world war? He was part of the team that crack the | :40:44. | :40:50. | |
code. It he was at Bletchley Park and he was a wing commander in the | :40:50. | :40:54. | |
air force and broke perfect -- spoke perfect German for some he | :40:54. | :41:02. | |
could not talk about it. Ian works at Bletchley Park and he is going | :41:02. | :41:10. | |
to fill the gaps in the EU and tell you more about your dad. Your | :41:10. | :41:14. | |
father worked in a place called huts three and was involved in | :41:14. | :41:18. | |
turning the decipher it messages into intelligence. We have a | :41:18. | :41:27. | |
picture of him here. They took these deciphered messages and saw | :41:27. | :41:31. | |
what was important and worked out which ones needed to be sent on to | :41:31. | :41:36. | |
the field urgently and which went on for routine work in London. | :41:36. | :41:44. | |
Yesterday was his 99th birthday. had quite an impact on the social | :41:44. | :41:52. | |
side of things as well? He was a major player in the amateur | :41:52. | :41:58. | |
dramatics and operatic Society. This is a programme from a | :41:58. | :42:01. | |
production called, by candlelight, and you can see the pictures with | :42:01. | :42:05. | |
your father performing. This was signed by all of the cast at the | :42:06. | :42:11. | |
end, November 1945, so they were about to depart to the civilian | :42:11. | :42:16. | |
jobs at the end of the war. There is your father's signature. He had | :42:16. | :42:23. | |
a beautiful voice, he was a Welshman. I thank him for some of | :42:23. | :42:30. | |
the genes he gave me. He was also quite a dashing chap. This is a | :42:30. | :42:36. | |
production of Pride and Prejudice. He actually played Mr Darcy. | :42:36. | :42:43. | |
Really?! I have never seen this before, thanks so much. You were | :42:43. | :42:48. | |
talking about his voice and being Welsh. We have one last surprise | :42:48. | :42:53. | |
for you. You will hear the performance of her the marriage of | :42:53. | :42:56. | |
Figaro which was done by the Bletchley Park operatic society, | :42:56. | :43:06. | |
:43:06. | :43:32. | ||
and your father performed the role That is very special. It is a | :43:32. | :43:37. | |
scratchy performance but used by the BBC on their workers' playtime. | :43:37. | :43:47. | |
:43:47. | :43:48. | ||
We will do a copy of those photos. That would be lovely. While we | :43:48. | :43:52. | |
share some more memories, we are marvelling at the memory of the | :43:52. | :44:02. | |
:44:02. | :44:06. | ||
$:/STARTFEED. I am hoping to show there is more going on behind those | :44:06. | :44:12. | |
eyes than most of us realise. There is one bug which has a very special | :44:12. | :44:15. | |
trait. The humming bird hawk moth has an | :44:15. | :44:19. | |
incredible memory. They can remember and learn which flower has | :44:20. | :44:25. | |
the best source of nectar and will return time and time again to feed | :44:25. | :44:30. | |
there. This unusual summer visitor to British gardens need a lot of | :44:30. | :44:35. | |
energy. They flap their wings at over 85 beats a second and live for | :44:35. | :44:44. | |
up to four months. All this flying uses up their energy resorves -- | :44:44. | :44:51. | |
reserves quickly. To demonstrate this impressive brain power, | :44:51. | :45:01. | |
:45:01. | :45:03. | ||
Alistair has raised and nurtured humming bird hawk moths for The One | :45:03. | :45:11. | |
Show. With a week of training using | :45:11. | :45:16. | |
artificial flowers and a sugary solution, Alistair has taught the | :45:16. | :45:23. | |
moths to ig ignore their preference for blue flowers by providing food | :45:23. | :45:28. | |
incentives only behind the yellow ones. I have been keen to find out | :45:28. | :45:35. | |
how they have been getting on. You are predicting this moth should | :45:35. | :45:41. | |
avoid the blue? It should go straight to yellow, but we are | :45:41. | :45:49. | |
looking at animals here. We will wait and see! | :45:49. | :45:55. | |
There you go. Alistair's training has worked. This moth ignores the | :45:55. | :46:00. | |
blue and heads to the yellow flower with the abundance of nectar. Many | :46:00. | :46:06. | |
insects waste time and energy by searching for food, but the humming | :46:06. | :46:13. | |
hawk moth's ability means their ability to remember which coloured | :46:13. | :46:18. | |
flower provides the best source of food sets them apart from other | :46:18. | :46:24. | |
insects. We have seen them feeding at the artificial flower, but will | :46:24. | :46:32. | |
they feed of a real flower the same colour? We will put one in and sees. | :46:32. | :46:38. | |
A simple switch from yellow yellow to a real flower and the moth | :46:38. | :46:43. | |
wastes no time in seeing this colour as a potential food source. | :46:44. | :46:49. | |
That is quite impressive, isn't it? They can learn on an artificial | :46:49. | :46:55. | |
flower or fake food source and then translate that into the real world. | :46:55. | :47:00. | |
It is not just colour that these amazing moths can remember. | :47:00. | :47:06. | |
Research has shown a flower's shape and size and smell can be learnt | :47:06. | :47:12. | |
and memorised by these fury flyers. Watching them in super slow motion, | :47:12. | :47:18. | |
it is easy to appreciate why they need to feed on such energy-rich | :47:18. | :47:22. | |
nectar, remembering where those vital flowers on allows them to | :47:23. | :47:26. | |
keep on flying. Although the experiment is simple, | :47:26. | :47:31. | |
it is the principle behind what we have shown today that is | :47:31. | :47:36. | |
extraordinary and experiments have shown that various moth can do the | :47:36. | :47:41. | |
same thing, but none are so clever or smart as the humming bird hawk | :47:42. | :47:46. | |
moth. There is a way of harnessing that | :47:46. | :47:50. | |
talent, but I haven't worked it out yet. | :47:50. | :48:00. | |
Billy, as it happens, you have had a run-in with a moth. A large moth! | :48:00. | :48:07. | |
Those moths were flying around me when I was was doing a gig in | :48:07. | :48:14. | |
Oklahoma and I am standing on the is 30 degrees hot and the lights | :48:14. | :48:19. | |
are on me and the moths are coming to where the light is and they were | :48:19. | :48:26. | |
flying around like sparrows. It was me shoulder for a um can have | :48:26. | :48:29. | |
songs! -- for a couple of songs. | :48:29. | :48:34. | |
When you took the picture of the moth, did you think, "This will be | :48:34. | :48:43. | |
handy when I go on The One Show?" We think Mike has identified the | :48:43. | :48:50. | |
family. Would it have killed me? On the wildlife wildlife theme, you | :48:50. | :48:57. | |
are doing a bit of tree planning? Yes, I am I am going to plant a | :48:57. | :49:01. | |
tree in Hyde Park. We are hoping the education department implement | :49:01. | :49:06. | |
that every child when they are at school, plant a tree. Did this in | :49:07. | :49:10. | |
Australia and we want to take it worldwide now. | :49:10. | :49:17. | |
Excellent. Right then, Bill Billy, it is time for you to get | :49:17. | :49:21. | |
the guitar out. They asked me if I could play a bit | :49:22. | :49:27. | |
on the programme. Do you remember this one? | :49:28. | :49:33. | |
# If not for you # I couldn't even findted door | :49:33. | :49:38. | |
-- find the door # I I couldn't even see the floor | :49:38. | :49:48. | |
:49:48. | :49:49. | ||
# I would be sad and blue # If not for you | :49:49. | :49:59. | |
:49:59. | :50:01. | ||
# There would be no spring # I couldn't hear a robin sing | :50:01. | :50:10. | |
# I will be sad and blue # If not for you | :50:10. | :50:20. | |
# If not for you my sky would fall # Rain would gather too | :50:20. | :50:27. | |
# Without you I would be nowhere at # I would be lost if not for you | :50:27. | :50:37. | |
:50:37. | :50:44. | ||
APPLAUSE Brilliant! | :50:44. | :50:51. | |
Once a star, always a star. Once a busker, always a busker! | :50:51. | :50:56. | |
That's my husband's favourite song. That's for you, honey! | :50:56. | :51:06. | |
Lovely. Last time you came on, we Greece, but we are not allowed! We | :51:06. | :51:11. | |
will have a look at Xanadu and we have a clip of you and Gene Kelly | :51:11. | :51:21. | |
:51:21. | :51:33. | ||
APPLAUSE Beautiful. Absolutely beautiful. | :51:33. | :51:36. | |
I called the original Dancing With The Stars! | :51:36. | :51:43. | |
I had to learn tap dancing. I had three months to learn and it was | :51:43. | :51:47. | |
pretty intimidating, but he was lovely and he made it easy. | :51:47. | :51:52. | |
Were you nervous on your first day? Very nervous. He did a lot in one | :51:52. | :51:56. | |
take so you couldn't do little bits, you had to do the hole thing and | :51:56. | :52:01. | |
not trip over your own feet! Was that a highlight for you? | :52:01. | :52:07. | |
yeah, very exciting. How lucky am I to have danced with Gene Kelly and | :52:07. | :52:10. | |
John Travolta? And you sang with Billy Bragg. | :52:11. | :52:16. | |
Well, it is the biggest dance festival in the UK this weekend and | :52:16. | :52:20. | |
we have got a performance from one of the groups taking part. There | :52:20. | :52:29. | |
they are. They are brilliant. First, Laura tells us us what it was like | :52:29. | :52:34. | |
to grow up with a famous mother mother. | :52:34. | :52:40. | |
My mother was Laura Ashley. My mother didn't like to be referred | :52:40. | :52:48. | |
asked if she had an official job tight until the company and -- job | :52:48. | :52:54. | |
title in the company and she said, "Yes, I was the secretary to the | :52:54. | :52:59. | |
chairman." They built up the company, Laura Ashley. In 1960, my | :52:59. | :53:09. | |
:53:09. | :53:10. | ||
family moved from Kent up to to mid-Wales and there was myself and | :53:10. | :53:19. | |
my brother and sister, Jane. My mother was Welsh and she said, | :53:19. | :53:25. | |
"let's forget England. Let's go to Wales." This was our first home in | :53:25. | :53:31. | |
Wales and it was only after we we lived in the house for a few months | :53:31. | :53:36. | |
that it became a shop and this was the first of all the Laura Ashley | :53:36. | :53:43. | |
shops around the world. I love your shop. It is fantastic. | :53:43. | :53:51. | |
My mother used to sell tea towels and rugs and fabric. Yeah, I heard | :53:51. | :53:57. | |
so many good things about your mother and the shop and how welcome | :53:57. | :54:04. | |
she was. She would make them cups of tea. Did she print the tea | :54:04. | :54:13. | |
towelss? My mother and father went to see a film with Audrey Hepburn | :54:13. | :54:19. | |
and my mother loved the silk scarf she was wearing. She went to the | :54:19. | :54:25. | |
library and got a book on how to do printing and started and that's how | :54:25. | :54:29. | |
it started. And behind this door that I haven't been through since I | :54:29. | :54:36. | |
was 12 years old was our bedroom. I would sleep there. I I can hardly | :54:36. | :54:43. | |
fit in it now. I remember standing here at about this height and | :54:43. | :54:53. | |
:54:53. | :54:53. | ||
looking out. Amazing. And this is where my father and | :54:53. | :54:58. | |
mother found their first factory in Wales. It doesn't look much to look | :54:58. | :55:03. | |
at now and it probably didn't look much then. This is where the whole | :55:03. | :55:07. | |
thing started, this little factory here. Mum and dad started off | :55:07. | :55:12. | |
printing materials for curtains and as the demand grew, they got more | :55:12. | :55:19. | |
and more into clothing. And then in about 1967 the station closed down | :55:19. | :55:24. | |
and it gave my mother and father an an opportunity to buy that station | :55:24. | :55:28. | |
and the land next to it. So we moved addross the road. | :55:28. | :55:34. | |
It is the centre of a �10 million business export to go Europe, North | :55:34. | :55:39. | |
America, Australia and Japan. We were very lucky because we | :55:39. | :55:48. | |
happened on this village in mid- Wales. They were always telling us | :55:48. | :55:55. | |
we helped them a lot, but they they helped us more. | :55:55. | :56:02. | |
NEWSREEL: Laura Ashley has died in hospital in Coventry. She was | :56:02. | :56:07. | |
injured nine days ago when she fell dawn the stairs -- down the stairs | :56:07. | :56:11. | |
at her daughter's home. She never regained consciousness. | :56:11. | :56:21. | |
:56:21. | :56:21. | ||
The press made it impossible for my to have had because they were just | :56:21. | :56:27. | |
outside the hospital and inside the hospital. Some of the disreputable | :56:27. | :56:32. | |
newspapers threatened to run a story about how my mother was | :56:32. | :56:36. | |
pushed down the stairs just the fact that the press was so awful | :56:36. | :56:41. | |
took me many more years to mourn my mother's death than it otherwise | :56:41. | :56:45. | |
would have taken. We, as a family, decided that the | :56:45. | :56:48. | |
village more than any other place that we have been in our lives | :56:49. | :56:54. | |
seemed to be the best place for mum and later for my father to be | :56:54. | :57:04. | |
:57:04. | :57:05. | ||
Thank you very much, David. It is time to meet Boy Blue | :57:05. | :57:11. | |
Entertainment and none of them are wearing Laura Ashley. You were | :57:11. | :57:18. | |
perform at the Olympics? That's right. How was that? We got to work | :57:18. | :57:21. | |
with thousands of volunteers as well as professionals. It was | :57:21. | :57:24. | |
working on that six months to a year. | :57:25. | :57:31. | |
This weekend you are part of a new dance festival called Move It? | :57:31. | :57:36. | |
is the UK's biggest dance festival and it show cases all of the | :57:37. | :57:42. | |
different styles at all levels of dance. So we do masterclasses and | :57:42. | :57:46. | |
there is taster classes and performances. It is at the London | :57:46. | :57:52. | |
Olympia. You were saying that street dancing | :57:52. | :57:56. | |
was in Xanadu? Yes. We had street dancing then. | :57:56. | :58:02. | |
We have got time to tell you that it is it is No Smoking Day next | :58:02. | :58:12. | |
If you are a smoker thinking about quitting, or if you would like help | :58:12. | :58:17. | |
to stop smoking, then e-mail us with smoking in the subject box. | :58:17. | :58:22. | |
That's it. Olivia's tour starts in Cardiff on Sunday night. Billy's | :58:23. | :58:27. |