Browse content similar to 06/05/2013. Check below for episodes and series from the same categories and more!
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One Show with Alex Jones. And Matt Baker. Hang on a minute. We are on | :00:24. | :00:34. | |
:00:34. | :00:45. | ||
air half an hour early. Lovely Dave. Brewer Dave. No swearing. We are on | :00:45. | :00:50. | |
a bank holiday and I am glad you can join us. Let's find out how our | :00:50. | :00:55. | |
guest would have dealt with noisy grammars. Is Caroline Quentin. | :00:55. | :01:04. | |
Hello, everybody. Lovely to see you. Have you heard about this drumming? | :01:04. | :01:09. | |
Yes, I heard it on the news when I woke up this morning. This is the | :01:09. | :01:14. | |
moment a furious Helen Mirren silenced streets drummers after the | :01:14. | :01:21. | |
first act of her play. She is there with the wig and the cardigan as the | :01:21. | :01:25. | |
Queen and giving the conductor some hassle. She did not use polite | :01:25. | :01:32. | |
language. In fairness to Dame Helen Mirren, when you come offstage you | :01:32. | :01:36. | |
tend to be full of adrenaline and she was probably getting angrier on | :01:36. | :01:41. | |
behalf of the audience throughout the entire show and I understand it. | :01:41. | :01:45. | |
I have had that feeling on stage myself when there is constant noise | :01:45. | :01:52. | |
going on. I remember once in the west end at the end of the show the | :01:52. | :01:59. | |
ghosts have to walk forward and you have to sing without any music. You | :01:59. | :02:09. | |
:02:09. | :02:09. | ||
take your note from one tiny note played. I wanted you to carry on. I | :02:09. | :02:14. | |
thought you would never ask, but behind the theatre is a fire | :02:14. | :02:21. | |
station. Suddenly the fire engine went. All the ghosts went forward | :02:21. | :02:31. | |
:02:31. | :02:31. | ||
screaming, do you hear the people saying? Your voice is brilliant. | :02:31. | :02:35. | |
Another time my dog ran onstage during the show. I had him in the | :02:35. | :02:40. | |
dressing room and he ran on. I freaked out completely. I was | :02:40. | :02:48. | |
hopeless. I yanked him off. These things happen. We are sure Helen | :02:48. | :02:53. | |
Mirren is not the only one to lose her rag this bank holiday weekend, | :02:53. | :02:58. | |
so if you were passed breaking point, we would like to hear about | :02:58. | :03:04. | |
it. If you would like to apologise, why don't we do it on behalf of you. | :03:04. | :03:10. | |
If you have got a photo, all the better. We may have our own apology | :03:10. | :03:17. | |
to make. Today at Kempton Park Mascot Grand National took place. | :03:17. | :03:22. | |
There is our entry, Onsie, the squirrel. He may have been a bit too | :03:22. | :03:29. | |
competitive. He threw his not away. We will find out how he gets on a | :03:29. | :03:33. | |
little bit later on. This weekend, many lifeguards were back on duty | :03:33. | :03:39. | |
for the first time this year. speedboat accident in Cornwall is a | :03:39. | :03:44. | |
reminder about what can go on in the water and it is a good time to | :03:44. | :03:49. | |
salute the men and women who keep us safe at the seaside. They have got | :03:49. | :03:59. | |
:03:59. | :04:01. | ||
plenty of stories to tell. It is not like Baywatch. Some days it is a | :04:01. | :04:05. | |
roaring gale coming in, there is nobody on the beach, but we have | :04:05. | :04:12. | |
still got to be here just in case. Growing up in Cornwall there is not | :04:12. | :04:17. | |
much to do apart from having fun in the beach or the sea. I am pretty | :04:17. | :04:24. | |
much a beach bum and lived on the beach. All your friends are working | :04:24. | :04:27. | |
9-to-5 and they are itching to get on the beach and you are living the | :04:27. | :04:35. | |
dream. We have got to concentrate and be on the ball from the minute | :04:35. | :04:42. | |
we start work at ten o'clock until the minute we finish at six. Being a | :04:42. | :04:47. | |
bank holiday weekend we are going to be busy. This is when the lifeguards | :04:47. | :04:51. | |
get onto the beach and the season has started. We are always | :04:51. | :05:01. | |
:05:01. | :05:04. | ||
monitoring the sea. We can keep an eye on the bigger picture. I tend to | :05:04. | :05:10. | |
use a paddle boards to rescue people. The adrenaline kicks in and | :05:10. | :05:16. | |
all the training takes over. We do have too literally run straight in | :05:16. | :05:26. | |
:05:26. | :05:28. | ||
wearing Speedo's, but that is not that often. There are a couple out | :05:28. | :05:35. | |
there, please keep an eye on them. I am a schoolteacher, I have never had | :05:35. | :05:42. | |
to rescue one of the schoolkids. So, come out and rescue me. I do not | :05:42. | :05:47. | |
know how that would go down. A lot of people who get rescued are | :05:47. | :05:53. | |
embarrassed. Some of the guys are shouting and screaming and you get | :05:53. | :05:57. | |
to them and they say, thanks. They get to the side and their families | :05:57. | :06:02. | |
are embarrassed, I cannot believe you did that. They are crying | :06:02. | :06:09. | |
almost. You need to come into the sure and go between the red and the | :06:09. | :06:13. | |
yellow flags. You get people doing stupid things which is annoying | :06:13. | :06:16. | |
because if they listened to you in the first place, they would not be | :06:16. | :06:21. | |
in that situation. My biggest fear is potentially dealing with children | :06:21. | :06:28. | |
and babies. Having never dealt with a young child, perhaps that is why | :06:28. | :06:33. | |
for me it is something I am particularly worried about. | :06:33. | :06:37. | |
fiance hates me being on the beach all day because I cannot switch off | :06:37. | :06:43. | |
completely when we sit in the sand. She says I started looking at the | :06:43. | :06:52. | |
water and scanning it and saying is everybody OK. And a chief lifeguard, | :06:52. | :06:58. | |
Philip Goodeve-Docker, it is here with us today. A fantastic name. The | :06:58. | :07:02. | |
speedboat interdict yesterday was on your patch. It was, I covered the | :07:02. | :07:08. | |
south-west. It was a tragic incident. All of our thoughts are | :07:08. | :07:13. | |
with the family for their terrible loss at this time. And what a great | :07:13. | :07:19. | |
job the emergency services did, but tragic nonetheless. Putting that | :07:19. | :07:24. | |
instance to the side, how many of your lifeguards have been into the | :07:24. | :07:29. | |
water this weekend? We have had 34 beaches covered, so it is a gradual | :07:29. | :07:37. | |
start. We will have 234 by the end of the season. We have had three | :07:37. | :07:45. | |
good rescues, two at constant time. You know it well, Caroline. I love | :07:45. | :07:52. | |
it, it is a fabulous beach. surfers were rescued on Saturday and | :07:52. | :07:59. | |
another yesterday. And a young child on an inflatable at Weymouth. | :07:59. | :08:05. | |
of your work is about prevention. is, mostly, trying to stop people | :08:05. | :08:10. | |
from getting into difficulty and into the wrong place. That is the | :08:10. | :08:13. | |
bulk of our work, but when things go wrong, we are there to pull them | :08:13. | :08:23. | |
:08:23. | :08:23. | ||
out. This is how people know when it is safe to go into the water. | :08:23. | :08:29. | |
most important either red flag and the yellow flag. If you see those, | :08:29. | :08:33. | |
stay in between the red and the yellow flags. The red flag indicates | :08:33. | :08:43. | |
:08:43. | :08:43. | ||
danger. The black and white flag is for surf craft area. The orange one | :08:43. | :08:47. | |
indicates the wind strength. That would have been flying at Weymouth | :08:47. | :08:53. | |
yesterday. Is it right your husband was a lifeguard. No, I would love it | :08:53. | :08:59. | |
to be, but he was a lifesaver at a swimming pool in Leicester. He did | :08:59. | :09:04. | |
save someone's life. He saved a little boy's life, but he spent most | :09:04. | :09:14. | |
of his time going like this. Preventative measures. But he was | :09:14. | :09:20. | |
never wearing Speedo is on a sandy beach. It was a shame. Now, for | :09:20. | :09:24. | |
those who think we are already living in a Big Brother society, it | :09:24. | :09:30. | |
is time for you to look away now. Anita Rani has been test driving a | :09:30. | :09:36. | |
new camera that records all your moves on the road. It has already | :09:36. | :09:41. | |
caught some shocking footage. Nowadays there are cameras watching | :09:41. | :09:46. | |
as pretty much everywhere and it is no different on our roads, but our | :09:46. | :09:51. | |
driving could soon be under closer scrutiny thanks to this advice. It | :09:51. | :09:54. | |
is basically a camera that records everything that is happening out | :09:54. | :10:00. | |
there constantly on loop. It is very clever and it knows the speed I am | :10:00. | :10:06. | |
going out and the location I am in and even my GeForce. If I were to | :10:06. | :10:12. | |
witness an accident, the information recorded on that could prove vital. | :10:12. | :10:18. | |
One costs around �100. This man has had one in his car for the past | :10:18. | :10:22. | |
three years. Some people might think it is strange you decided to have a | :10:22. | :10:27. | |
camera on your car to follow and snoop on other people's driving. | :10:27. | :10:33. | |
This is not to do that, it is the fact I can protect my own licence. | :10:33. | :10:36. | |
Should anything ever happen, at least I can present my side and say | :10:36. | :10:43. | |
it was not me. Just a few months after fitting his camera, he spotted | :10:43. | :10:48. | |
a motorist driving dangerously. As he followed, the driver began to | :10:48. | :10:54. | |
speed up. What happened next is distressing. Within moments the | :10:54. | :11:04. | |
:11:04. | :11:04. | ||
camera captured a shocking hit and run. There was a 75-year-old man... | :11:04. | :11:09. | |
She'd just knocked him over, a completely insane manoeuvre. You | :11:09. | :11:14. | |
would never do that if you were a rational, sensible person. | :11:14. | :11:18. | |
After making sure the man was getting help, he caught up with the | :11:18. | :11:28. | |
:11:28. | :11:29. | ||
driver. You do not realise, you have just run over a person. Shocking | :11:29. | :11:35. | |
behaviour. It is absolutely terrible. Luckily the pedestrian | :11:35. | :11:39. | |
suffered only minor injuries. The footage was given to the place and | :11:39. | :11:44. | |
the driver was convicted of dangerous driving and given a 12 | :11:44. | :11:47. | |
month suspended prison sentence. So this camera was vital in all of | :11:47. | :11:52. | |
this. Absolutely, if the evidence had not been on camera, she would | :11:52. | :11:57. | |
have got away with that. These cameras are widely used in Russia | :11:58. | :12:01. | |
where they even captured footage of the meatier that hurtled to Earth in | :12:01. | :12:11. | |
:12:11. | :12:31. | ||
February. Drivers have posted hours closer to home in fake accidents. | :12:31. | :12:34. | |
These so-called cash for a crash collisions are caused by criminals | :12:34. | :12:39. | |
looking to make money from an insurance claim. They cost the | :12:39. | :12:44. | |
insurance industry nearly �400 million last year. They can help | :12:44. | :12:49. | |
identify what are the genuine claims and that can mean savings for the | :12:49. | :12:54. | |
customer and a smoother claims process and it is a for everybody. | :12:54. | :13:04. | |
:13:04. | :13:04. | ||
This road haulage firm in Somerset had cameras fitted in all of its 65 | :13:04. | :13:07. | |
trucks. The main reason we have done it is to protect ourselves from | :13:07. | :13:12. | |
spurious claims. Drivers are a little bit apprehensive, and some of | :13:12. | :13:17. | |
them saw it as a spy in the cab and maybe we could listen in to what | :13:17. | :13:20. | |
they were saying. But now they realise they are there to protect | :13:20. | :13:26. | |
them and they can be a beneficial tool. And it has also helped the | :13:26. | :13:32. | |
insurance premium. Our policy has been reduced by 10%. That is over | :13:32. | :13:39. | |
�10,000 in savings straightaway this year. So would this appealed to the | :13:39. | :13:43. | |
rest of us? It is definitely investigating if it is going to work | :13:43. | :13:49. | |
for you. If you could save 10% or 15% on your premium, it could pay | :13:49. | :13:58. | |
off in years to come. With these cameras becoming more common on the | :13:58. | :14:01. | |
roads of Britain, drivers beware, because you never know who might be | :14:01. | :14:11. | |
:14:11. | :14:13. | ||
watching. That was terrifying! That Big | :14:13. | :14:16. | |
Brother argument is interesting, but when you see what a difference it | :14:16. | :14:22. | |
can make, it makes you think. does. There are, one feels, too many | :14:22. | :14:26. | |
cameras watching us all the time. You can't even be Dame Helen mirror | :14:26. | :14:31. | |
and without someone filming you all the time. But when you look at that, | :14:31. | :14:35. | |
and you see someone being knocked over like that and then the girl | :14:35. | :14:39. | |
completely denying it, it does make you think it is not a bad idea. | :14:39. | :14:43. | |
Caroline is one of the growing band of famous faces who go off around | :14:43. | :14:51. | |
the country to infuse about famous -- about popular places. | :14:51. | :14:54. | |
however, send our hairdresser, Michael Douglas around. People will | :14:54. | :14:58. | |
tell a man with a pair of scissors anything he asks! | :14:58. | :15:03. | |
I am in the beautiful city of Edinburgh for my latest assignment. | :15:03. | :15:11. | |
This has to be one of the hottest tickets I've had today. I'm at | :15:11. | :15:17. | |
Edinburgh's other festival, a pageant of colour, drums, dance and | :15:17. | :15:24. | |
flames, welcoming the start of summer. This is Angus and he founded | :15:24. | :15:31. | |
the Fire Festival. 26 years ago to the day. I've grown up here in | :15:31. | :15:36. | |
Scotland, and found out that the big hill behind us, Arthur's seat, from | :15:36. | :15:43. | |
medieval times had been the home of this amazing Fire Festival called | :15:43. | :15:49. | |
Beltane. It means sacred fire, from gay lick, and the coming of summer | :15:49. | :15:56. | |
was thought to be the most important day. When we started it, it hadn't | :15:56. | :16:03. | |
happened so 96 years. We started something that was more than 1000 | :16:03. | :16:10. | |
-year-old tradition. What is the black mark? It is a smudge from wood | :16:10. | :16:19. | |
that was burnt in the fire last year. Take a look.That taken at | :16:19. | :16:24. | |
least six months off me! I've noticed a few of them have bald | :16:24. | :16:29. | |
patches. Have you noticed that? Why'd you think that is? This is | :16:29. | :16:32. | |
Richard, one of the photographers who will capture the spectacle | :16:32. | :16:40. | |
tonight. When did you last go to the salon for a haircut? I think it was | :16:40. | :16:50. | |
:16:50. | :16:51. | ||
about 1986. So, what ever I feel is appropriate? Yes. I will be painted | :16:51. | :16:57. | |
up so I don't feel like an official photographer. At the festival, we | :16:57. | :17:02. | |
have a group called the remnants of winter. They confronted the May | :17:03. | :17:08. | |
Queen, but they can't stop her coming through. You look completely | :17:08. | :17:16. | |
different. I can't quite believe it! Take a look. Yeah, nice and short | :17:16. | :17:26. | |
:17:26. | :17:32. | ||
here. You get the extremes of people who are really into this, and then | :17:32. | :17:36. | |
people who are here in a kind voyeristic mode. Where have you come | :17:36. | :17:46. | |
:17:46. | :17:47. | ||
from? Florence, Italy. Just for this? Just for this.Can you talk me | :17:47. | :17:54. | |
through your outfits? It's supposed to be a crescent moon. It's got gel | :17:54. | :18:04. | |
on it! Is it not flammable?No, the gel is water-based. What do I know | :18:04. | :18:14. | |
:18:14. | :18:19. | ||
about gel? So, you met here. Are you still in love? We are engaged!So, | :18:19. | :18:24. | |
this is the lovely Robin. In the spirit of this evening, we are going | :18:24. | :18:31. | |
to give you a sort of pagan triangle hairdo. I have just come to this | :18:31. | :18:37. | |
place. I would recommend anyone to come again. It is very friendly. | :18:37. | :18:44. | |
Probably more naked people by the end of the night! Naked people?I'm | :18:44. | :18:48. | |
told that's what people actually come here for, the naked people. | :18:48. | :18:52. | |
have done a little fish tail plat through here, with a bit of height | :18:52. | :19:02. | |
:19:02. | :19:04. | ||
on top. Take a look! I love it! Thank you very much. It's a | :19:04. | :19:11. | |
pleasure. That's it. Only one thing left to do. Toast! | :19:11. | :19:14. | |
If you are going to take your clothes off in Edinburgh, you might | :19:14. | :19:18. | |
as well do it by a bonfire. Especially with the spring we've | :19:18. | :19:28. | |
:19:28. | :19:28. | ||
just had! You didn't do that, Caroline, for your new documentary? | :19:28. | :19:34. | |
Strip off? I did a couple of things that I wasn't entirely keen on. I | :19:34. | :19:38. | |
went up a tree with a tree surgeon. I'm not mad keen on heights. I bet | :19:38. | :19:46. | |
you love all that, don't you? don't mind heights. I tried to be | :19:46. | :19:53. | |
brave, but I was really shaky and my mile -- my mouth was really dry. I | :19:53. | :20:03. | |
:20:03. | :20:04. | ||
did a sort of gazelle leap. You jump through the trees. I did all right. | :20:04. | :20:09. | |
You had a bit of a go of the toss of the caber as well, didn't you? | :20:09. | :20:19. | |
Please do let go of it! I don't like it! I really don't like it! I could | :20:19. | :20:26. | |
kill people! I could kill you! Please don't do it. Its at salute | :20:26. | :20:32. | |
the terrifying. I'm going to try and lift this. -- it is absolutely | :20:32. | :20:40. | |
terrifying. If I had a sports bra on, I would have that up by now! I | :20:40. | :20:48. | |
didn't like it! You can tell. It was really terrifying. You can't get any | :20:48. | :20:53. | |
sense of what that is really like, but it seems to go on forever. Of | :20:53. | :20:58. | |
course, the balance is so... It has no balance and it is massively | :20:58. | :21:05. | |
heavy. You can't lift it. I don't know how heavy they are, but it's | :21:05. | :21:09. | |
ludicrously heavy. Steve and there is world champion caber toss, and | :21:09. | :21:17. | |
they make it look easy. But it's virtually impossible. This is part | :21:17. | :21:20. | |
of your new series where you look at National Parks throughout the | :21:20. | :21:26. | |
country. You've got three. You've got Loch Lomond, Snowdonia and the | :21:26. | :21:28. | |
new Forest. How do the Parks compare? What were the main | :21:28. | :21:37. | |
differences? It's extraordinary. For me, it's not just the location, but | :21:37. | :21:43. | |
the countryside, the people, the food, the music... We are so | :21:43. | :21:48. | |
diverse. These islands are so diverse, and it's thrilling. I was | :21:48. | :21:53. | |
literally a week somewhere, Scotland, and then the next week I | :21:53. | :21:58. | |
was in the new Forest. The next minute I'm on you to fall hills and | :21:58. | :22:06. | |
then I am in dry heathland. And how can it be so different? How can | :22:06. | :22:12. | |
everything sound so different. The accents are different, and the food. | :22:12. | :22:17. | |
It's really exciting. How can you compare documentaries with all the | :22:17. | :22:24. | |
drama? As long as I'm showing off, I just don't care! I like all of it. | :22:24. | :22:31. | |
It's nice to have... I'm doing a play next. Isn't Rory Bremner in it? | :22:31. | :22:40. | |
Yes, and Patricia Hodge. As long as I can do a bit of everything. | :22:40. | :22:43. | |
can see Caroline in her National Parks. It begins tomorrow night on | :22:43. | :22:50. | |
ITV. As we have seen many times, our wildlife man, Mike Dilger, can sit | :22:50. | :22:56. | |
for hours on end is to see spectacular displays of nature. | :22:56. | :23:00. | |
There are some sites that even Mike's ironclad can't wait for, so | :23:00. | :23:06. | |
he found a way of speeding things up a bit. | :23:06. | :23:08. | |
The brilliant yellow of the lesser celandines heralds the arrival of | :23:09. | :23:14. | |
spring. You can find them in Woodlands, graveyards or on sunny | :23:14. | :23:19. | |
banks. These tiny wildflowers close up at night to protect their pollen | :23:19. | :23:23. | |
and nectar. As the temperature rises in the morning, the petals slowly | :23:24. | :23:29. | |
unfurl, and a flower opens. This is a process you wouldn't normally CMS | :23:29. | :23:36. | |
you were staring at the flowers for hours on end. Tim Shepherd is an | :23:36. | :23:42. | |
award-winning wildlife cameraman. For the last 25 years, he has been | :23:42. | :23:48. | |
specialising in the complicated craft of timelapse. You will have to | :23:48. | :23:52. | |
explain to the uninitiated. It is speeding up time by running the | :23:52. | :23:56. | |
camera more slowly than you normally would, and then playing it back the | :23:56. | :24:02. | |
same speed as you normally would. You can make a day into a second, an | :24:02. | :24:07. | |
hour into a second. Tim's work is to see the beauty of nature are | :24:07. | :24:12. | |
unfolding, and capture sites that would normally be too slow to be | :24:12. | :24:16. | |
seen. Give him a carpet of celandines opening in all their | :24:16. | :24:22. | |
glory, and he's really in his element. Celandines are woodland | :24:22. | :24:26. | |
edge species. They are common, but in places like these, where there is | :24:26. | :24:36. | |
:24:36. | :24:36. | ||
a bit less disturbance, some trees and some shade, they do really well. | :24:36. | :24:39. | |
Tim's tripod runs along on skateboard wheels. For this shot, | :24:39. | :24:46. | |
the rig will move just two centimetres between photos, taking a | :24:46. | :24:50. | |
picture every ten seconds, so there shouldn't be any jolts or jumps in | :24:50. | :24:58. | |
the action when it is played back. It will take a while to get from one | :24:58. | :25:02. | |
end of the ladder to the other. camera should track along the | :25:02. | :25:07. | |
flowers, with them opening as it comes to a halt. For a perfect | :25:07. | :25:12. | |
timelapse, we would have a windless day and a cloudless sky. We've got | :25:12. | :25:18. | |
neither, so fingers crossed. On a day like today, the sun is going in | :25:18. | :25:24. | |
and out all the time, which affects the exposure and gives a flickering | :25:24. | :25:29. | |
effect on the final shot. It makes the shot looks spectacular. We won't | :25:29. | :25:36. | |
know for certain until the shot finishes. The celandines are merging | :25:36. | :25:40. | |
much later this year because it's been such a cold spring, and they | :25:40. | :25:46. | |
are still out far earlier than most of our woodland flowers. This means | :25:46. | :25:51. | |
they supply a vital nectar source for all manner of emerging insects. | :25:51. | :25:54. | |
This honey bee and a small tortoiseshell butterfly are the | :25:54. | :25:59. | |
first I've seen this year. After two hours, the lesser celandines are | :25:59. | :26:05. | |
finally fully open. Time to check the camera. I sequenced it all on | :26:05. | :26:13. | |
the computer, so here we go. There is a bit of wind movement, and as | :26:13. | :26:18. | |
Tim predicted, the sun coming in and out has caused some flickering. | :26:18. | :26:26. | |
happens is, the sun comes out, and you get a bit of a pain. There! They | :26:26. | :26:32. | |
only opened once, and that's it. It is your only chance a day to get a | :26:32. | :26:37. | |
little sequence. You need to do it several times. And when he does, he | :26:37. | :26:47. | |
:26:47. | :27:11. | ||
favourite flowers, and today, I know kind and took a picture of her lying | :27:11. | :27:16. | |
in her celandines over the weekend. My husband took that. It's a | :27:16. | :27:25. | |
gorgeous picture. There are six dogs around my feet. You can't see them. | :27:25. | :27:31. | |
I said feet because it is a family show! Miranda, you've been looking | :27:31. | :27:34. | |
at some more timelapse is for us. Time lapses have revealed some | :27:34. | :27:40. | |
amazing things in the animal world, and this is an amazing one. This is | :27:40. | :27:45. | |
filmed in Malaysia. Somebody's cat had filmed in a dead gecko -- had | :27:45. | :27:51. | |
brought in a dead gecko. They had a bit of problem with ants, and the | :27:51. | :27:59. | |
ants are coming in and literally stripping the gecko. That's like a | :27:59. | :28:05. | |
Tim Burton film! They are taking away the bones, even. It shows what | :28:05. | :28:10. | |
effective scavengers they are. you know how quick that was? | :28:10. | :28:13. | |
Interesting that the head went one way and the body the other. | :28:13. | :28:20. | |
other one you've got... This is one of my all-time favourites. This was | :28:20. | :28:24. | |
filmed in the Sahara, one of the David Attenborough films. They've | :28:24. | :28:29. | |
condensed a years worth of movement into just 14 seconds. You can see by | :28:29. | :28:33. | |
the background that it really is the sound that's moving. I remember | :28:33. | :28:38. | |
learning about this in geography at school, and sand movement not making | :28:38. | :28:48. | |
:28:48. | :28:51. | ||
any sense. But this footage really make sense of it. We don't do much | :28:51. | :29:01. | |
tweeting on the show. I don't tweet. On Radio 4 we are basically | :29:01. | :29:05. | |
showcasing British birdsong and every day before the news you can | :29:05. | :29:10. | |
hear a different type of British birdsong. You get a little | :29:10. | :29:15. | |
description and a caricature of the bird, followed by its song. | :29:15. | :29:20. | |
Caroline, we understand you were a bird watcher. I was a member of the | :29:20. | :29:25. | |
young ornithologists club. I tend to do it more from the kitchen now when | :29:25. | :29:31. | |
I am cooking, but I still love them. It is a lovely thing to do for | :29:31. | :29:35. | |
children. If you have children at home who need to be told Martha's is | :29:35. | :29:39. | |
a good part of the world because you need to get them around the | :29:39. | :29:45. | |
television now. Marty Jopson demonstrates how equations and a | :29:45. | :29:53. | |
slide rule devastated Hitler's greatest weapon. In 1944, and Nazi | :29:53. | :29:58. | |
inventors launched the feed two. It was the stuff of science fiction, a | :29:58. | :30:04. | |
supersonic rocket of mass destruction that hurtled through the | :30:04. | :30:12. | |
air at four times the speed of sound. The unstoppable missiles | :30:12. | :30:16. | |
carried one-time warheads and could be fired from mobile launchpad is | :30:16. | :30:20. | |
way behind enemy lines. Five minutes later they brought death and | :30:20. | :30:26. | |
destruction on London. Unlike the doodlebug which could be shot out of | :30:26. | :30:32. | |
the sky, this flew 50 miles up in the air, above the atmosphere, where | :30:32. | :30:37. | |
conventional weapons could not touch it. But it did have a weakness and | :30:37. | :30:45. | |
that was to do with mathematics. During the war Eileen served in | :30:45. | :30:50. | |
fighter command 's filtered room where aircraft and missiles were | :30:50. | :30:56. | |
tracked by radar. That is me.How long ago was this? This is 70 years | :30:56. | :31:03. | |
ago? That is right.Tell me when you thought something strange was coming | :31:03. | :31:08. | |
in. We had been warned there was going to be another vengeance | :31:08. | :31:17. | |
weapon, codeword Big Ben and the first officer to hear this must get | :31:17. | :31:22. | |
on a chair and yell it out three times. And guess what? It was me and | :31:22. | :31:28. | |
it was that terrible time when the very first V2 landed on Chiswick and | :31:28. | :31:35. | |
it killed a top people and generated a fear. Hitler had developed | :31:35. | :31:41. | |
something terrifying. After D-Day the Germans trained them on Antwerp, | :31:41. | :31:46. | |
killing more than 800 people. The only way of stopping them was by | :31:46. | :31:51. | |
destroying their mobile launchpad. Using little more than a slide rule, | :31:51. | :31:56. | |
Eileen had to track them down. Because a rocket was a projectile, | :31:56. | :32:02. | |
it went on a predictable path. We knew a rocket would go in the form | :32:02. | :32:11. | |
of a parabola. It accelerates up and then gravity takes over and pulled | :32:11. | :32:17. | |
it back down. Once the rocket was launched, it stayed to that certain | :32:17. | :32:23. | |
path. It is a mathematically defined curve and it is symmetrical as well | :32:23. | :32:29. | |
and allows you to do the maths. that we could work out the launch | :32:29. | :32:37. | |
site. Eileen, let's see a parabola in action. We have got a model | :32:37. | :32:47. | |
:32:47. | :32:53. | ||
rocket. Three, two, one. Fantastic. Gosh, that is high. In fact, so high | :32:53. | :32:57. | |
that most of the parabola was hidden in the clouds, so you will have to | :32:57. | :33:03. | |
take my word for it. This is our rocket. It has landed in the ground. | :33:03. | :33:09. | |
How did you work out where you were taking off from? We needed another | :33:09. | :33:13. | |
piece of information which we got from the radar stations and it would | :33:13. | :33:18. | |
be someone on the parabola and with those two bits of information we | :33:18. | :33:22. | |
could extrapolate that curve right the way back. You have got a point | :33:22. | :33:26. | |
up here and you have got a point to stand there and you join them | :33:26. | :33:32. | |
together with a curve. Processing the rocket's height and speed on a | :33:32. | :33:40. | |
parabolic trajectory, Eileen made some complicated calculations. | :33:40. | :33:45. | |
went straight up to start with before it entered into the curb. All | :33:45. | :33:50. | |
this was taken into consideration. We would calculate the position | :33:50. | :33:57. | |
right over there of the launch site. Eileen had just six minutes to | :33:57. | :34:00. | |
make her calculations. Any longer and the mobile launchers would | :34:00. | :34:05. | |
escape before they could be bombed. It was a ferocious calculation you | :34:05. | :34:08. | |
had to do and they could be bombed. It was a ferocious calculation you | :34:08. | :34:10. | |
had to do at this blight -- slide rule. You must have felt the | :34:11. | :34:17. | |
responsibility. It was a terrific killing people and finally by the | :34:17. | :34:25. | |
end of March we despite killing thousands of people the missile | :34:25. | :34:30. | |
failed to change the course of the war. Mathematics helped beat the | :34:30. | :34:36. | |
world's most sophisticated weapon. We hope you are having a lovely bank | :34:36. | :34:41. | |
holiday, Eileen. You did not have a successful mammoth job. Marcus has | :34:41. | :34:47. | |
always been a big weakness and I stopped learning it at 13. I once | :34:47. | :34:51. | |
worked for a security firm and I got a job as a temp and they said they | :34:51. | :34:56. | |
were going to put me in a room with an adding machine and it had a roll | :34:56. | :35:02. | |
of paper and I was up to their in paper and I had not done any maths. | :35:02. | :35:07. | |
They said, you are delightful, but you must go now. Earlier on we | :35:07. | :35:10. | |
showed you the line-up for the biggest sporting event at the | :35:11. | :35:16. | |
weekend, the Mascot Grand National from Kempton Park. Our mascot, | :35:16. | :35:24. | |
Onesie, was involved for the first time. He was a late entry. We have | :35:24. | :35:30. | |
no idea who one. We have had a sweepstake in the office and I got | :35:30. | :35:36. | |
Lily the panda. I unbelievably got Onesie. Someone has drawn this for | :35:36. | :35:44. | |
me. I have got the swift. Let's see how we all got on and how Onesie | :35:44. | :35:54. | |
:35:54. | :35:54. | ||
Apology for the loss of subtitles for 46 seconds | :35:54. | :36:40. | |
second this year. He was fourth. Come on in, Onesie. Shake hands with | :36:40. | :36:49. | |
the builder. Have you ever seen such a determined squirrel? Sit yourself | :36:49. | :36:59. | |
:36:59. | :37:00. | ||
down quickly and reveal yourself. Who could it be? Well done. It was | :37:00. | :37:05. | |
so hot, but I loved it. competitive were you, going down on | :37:05. | :37:11. | |
the outside. A few of them were wearing trainers and I started right | :37:11. | :37:19. | |
at the back. It was brilliant, I loved it. Very quickly, your bank | :37:19. | :37:27. | |
holiday apologies. Tom says, sorry for soaking you with water, dad. | :37:27. | :37:32. | |
Louise would like to apologise to her boyfriend Lee for the rant she | :37:32. | :37:36. | |
had because of him not putting the pees in the steamer. She says she | :37:36. | :37:42. | |
loves you very much. Hardly the dog would like to apologise for doing | :37:42. | :37:50. |