Browse content similar to 07/08/2013. Check below for episodes and series from the same categories and more!
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Well, the One Nation show is on the beach and everyone is here. That is | :00:31. | :00:34. | |
apart from everyone except one special guest who is arriving on | :00:34. | :00:44. | |
:00:44. | :00:45. | ||
this! Yes, hello, hello, we have pitched | :00:45. | :00:49. | |
our tents here at the seaside on the north Somerset coast. Thousands | :00:49. | :00:56. | |
of people have been coming to our very first One Show festival. | :00:56. | :01:01. | |
a hands-on One Show, so Larry Lamb has been headlining our history | :01:01. | :01:07. | |
tent, and singing sea shan'ties. And Shariah has a warm time beach | :01:07. | :01:11. | |
hero bringing a tear to your eye. Justin Rowlett is our white and | :01:11. | :01:17. | |
Redcoat, a camp compere this guy, look out for the nobbly knee | :01:17. | :01:21. | |
competition. Of course we are on the beach so we are building | :01:21. | :01:26. | |
sandcastles, not just any sandcastles, we are building giant | :01:26. | :01:30. | |
ones. We have ways of making your sandcastle extra special. Can you | :01:30. | :01:35. | |
hear something in the distance? can hear something sounding | :01:35. | :01:39. | |
remarkably like a hovercraft. joining us is a man whose days of | :01:39. | :01:44. | |
simply walking on the set are behind him. It is tonight's guest, | :01:44. | :01:48. | |
Mr Rhod Gilbert. Look at this. We have to say a very big thank you to | :01:49. | :01:54. | |
the Avon Fire and Rescue and the RNLI for getting Rhod here in | :01:54. | :02:00. | |
spectacular style. A few Rhod flags, he has a flaming battenberg tattoo | :02:00. | :02:05. | |
on his shoulder. He usually does his stand-up gigs in kaerm matter | :02:05. | :02:10. | |
than but not in front of his family. He suffers sea sickness, which is | :02:10. | :02:20. | |
:02:20. | :02:22. | ||
ironic. Here he is, arriving very health and safety conscious. Good | :02:22. | :02:28. | |
to see you Rhod. He's almost there. Look at this, he's like a Welsh | :02:28. | :02:38. | |
:02:38. | :02:39. | ||
James Bond coming up there. Hang about. Good to see you. | :02:39. | :02:42. | |
Welcome. How are you, lovely to have you | :02:42. | :02:47. | |
here. Looking very western! They told me I would look like James | :02:47. | :02:52. | |
Bond. That was the thing they persuaded me. You look like James | :02:52. | :02:59. | |
Bond, then they stick me in a high vis jacket and ear defenders, | :02:59. | :03:07. | |
looking like a budget milk tray man. Nothing can dissuade me from | :03:07. | :03:12. | |
wearing the hat, it is a mid-life crisis. It looks good?Don't | :03:12. | :03:16. | |
pretend. We have a bone to pick with you, you have been enjoying | :03:16. | :03:20. | |
the One Show festival, you were in the art tent and this is what Rhod | :03:20. | :03:23. | |
has created. You have made us chunky? I had a few minutes to kill. | :03:23. | :03:31. | |
It didn't have fine detail brushes. What is this waistline? That was | :03:31. | :03:35. | |
going back a couple of years ago. Let's not go too much into detail | :03:35. | :03:45. | |
on some of the bits you have put on there? Are those your pantsHow did | :03:45. | :03:48. | |
you get them so accurate! Are beach holidays your thing, are you going | :03:48. | :03:54. | |
to stay the night? I'm mildly traumatised by beach holidays. When | :03:54. | :03:58. | |
I was, one of my first memories of a beach holiday, I was in France | :03:58. | :04:02. | |
and my parents took me to France and dumped me with a French family, | :04:02. | :04:06. | |
they thought it would be good for me to learn French. But the more, I | :04:06. | :04:11. | |
was with a kid of my age, about 12, 13 years old. Early teens, but then | :04:11. | :04:18. | |
the mother was a newedist! And -- nudist, I didn't know that until we | :04:18. | :04:25. | |
went to a beach, and I was sat on a picnic blanket and she came stark | :04:25. | :04:35. | |
:04:35. | :04:40. | ||
naked. There are understones?She came over with the "tu voudrais un | :04:40. | :04:44. | |
baguette"! I was like I have French fancies in front of me. | :04:44. | :04:49. | |
Everyone has been very, very friendly, especially the Rosser | :04:49. | :04:52. | |
family, we nominated them to become our festival family, then we | :04:52. | :04:57. | |
followed them around with a little camera. | :04:57. | :05:06. | |
Meet the Rossers, this is dad Steven, mum Julia and their kids | :05:06. | :05:16. | |
:05:16. | :05:16. | ||
all fee and Charlie. Do you want to go out? The family were over the | :05:16. | :05:21. | |
moon when they found out that the One Nation Summer Festival was down | :05:21. | :05:25. | |
the road from -- the One Nation Summer Festival was down the road | :05:25. | :05:35. | |
:05:35. | :05:38. | ||
from where they live. I want to see you being beaten at football. | :05:38. | :05:47. | |
like a challenge. Anybody fancy an ice-cream? Shall | :05:47. | :05:55. | |
we eat it, daddy make it and you eat it. As fast as you can. Not | :05:55. | :06:04. | |
quite. Probably three more big shakes for daddy. Nice, can I try | :06:04. | :06:08. | |
some? Wonderful idea, good for kids parties. The next party we will get | :06:09. | :06:18. | |
:06:19. | :06:22. | ||
them makes ice-cream. I hope I can beat them! I nearly | :06:23. | :06:27. | |
missed! Fairly pleased with 50 mile an house I beat all fee, that was | :06:27. | :06:32. | |
good. How many did you get? miles per hour. Half my speed | :06:32. | :06:42. | |
:06:42. | :06:43. | ||
almost! Yes!Finally! I want to go digging for skeletons. What you are | :06:43. | :06:49. | |
going to do is pretend you are real archaeologists, I want you to very | :06:49. | :06:57. | |
gently move your spade and the sand aside until you find something. | :06:57. | :07:07. | |
:07:07. | :07:13. | ||
Number seven, I found the bones?! Hurray. | :07:13. | :07:19. | |
# One # One. Hello. We will be on stage | :07:19. | :07:23. | |
all day letting you know about the great things we have going on. | :07:23. | :07:31. | |
Charlie. I'm all fee. Welcome to The One Show Summer Festival. | :07:31. | :07:35. | |
The one thing I have been waiting to do all day that is to meet Larry | :07:35. | :07:40. | |
Lamb, I have to try not to giggle too much. I apologise now for | :07:40. | :07:45. | |
anything I may do. I'm Julia, can I give you a kiss. Of course.I wish | :07:46. | :07:55. | |
:07:56. | :07:57. | ||
I could take him home with me. That was an amazing day, we're exhausted. | :07:58. | :08:01. | |
Lovely family the Rossers. We will meet them later on. | :08:01. | :08:07. | |
Lots to try out at the festival. That is the essence of this scene | :08:07. | :08:14. | |
and the series you have been doing. The fourth one your Work Experience | :08:14. | :08:19. | |
Series. It is going on for years. She came up off camera and said are | :08:19. | :08:25. | |
you still doing the jobs thing, the binman one was about five years ago. | :08:25. | :08:29. | |
I said that was series one and this is series four. We have had a ball | :08:30. | :08:35. | |
of fun so keep coming back. It must be hard to come back with more | :08:35. | :08:39. | |
jobs! It is hard coming up with jobs that will make half an hour of | :08:39. | :08:45. | |
fun TV. The first one is good with the wedding planner. We know how | :08:45. | :08:50. | |
hard it is to make half an hour of television, we see you struggle | :08:50. | :08:53. | |
every night. You are a wedding planner tomorrow. Did it come | :08:53. | :08:57. | |
naturally or a struggle? It was a struggle, like a lot of blokes I | :08:57. | :09:02. | |
couldn't give up -- I couldn't give a monkeys about weddings, for me it | :09:02. | :09:06. | |
is a total waste of �20,000 down the drain or whatever people spend. | :09:07. | :09:11. | |
I had to turn that round and learn to care. We have to say you do look | :09:11. | :09:18. | |
quite at home in the wedding fair! The smell of icing sugar and | :09:18. | :09:21. | |
diminishing freedom took me to a wedding fair. | :09:21. | :09:25. | |
This is where it gets real, I don't think I have ever felt as out of | :09:25. | :09:31. | |
place in my life. I knew less about perfect romantic environments than | :09:31. | :09:41. | |
:09:41. | :09:42. | ||
Ross Kemp's toilet brush, but I had to learn fast. How much for that? | :09:42. | :09:47. | |
�450? What! Asda do them for �3. The thing is, obviously you are | :09:47. | :09:51. | |
doing a funny take on these things, but you do it for real, you have a | :09:51. | :09:56. | |
proper go at these jobs, obviously that is somebody's wedding you are | :09:56. | :09:59. | |
doing? I'm always trying to do two things, I'm trying to do the job, | :09:59. | :10:04. | |
but I'm also trying to make a TV show and muck about and have a | :10:04. | :10:09. | |
laugh and be a bit sarcastic, and be me. Equally you are right it is | :10:09. | :10:13. | |
a TV show for me, but it is their wedding. But the bride had been | :10:13. | :10:17. | |
thinking about that, as she said, for 25 years, not the groom so much. | :10:17. | :10:21. | |
Why they let me get involved in the first place I have no idea. I would | :10:21. | :10:24. | |
never have depil Gilbert organise my wedding. Are you going to | :10:24. | :10:29. | |
organise your own now? Of course not. I'm not an idiot. Let's talk | :10:29. | :10:33. | |
about when you tried to be a male model. You weren't accepted were | :10:33. | :10:39. | |
you by Julian McDonald? I wasn't accepted by anyone. Why not?The | :10:39. | :10:42. | |
series teaches me that I'm lucky in the job I do. Anything else is | :10:42. | :10:46. | |
pretty hard work. The male model seems to be largely about rejection, | :10:46. | :10:50. | |
you just, it was for me, maybe it is just me. Had you not been voted | :10:50. | :10:54. | |
Wales's sexiest man or something? Leave it, leave it, you are getting | :10:54. | :11:03. | |
me back! Julian McDonald sat me down and said, even if you sorted | :11:03. | :11:08. | |
your hair out, got a nutritionist, went to the gym, lost 20 years, | :11:08. | :11:12. | |
went back 20 years in time, he said you still wouldn't have a chance of | :11:12. | :11:16. | |
being a male model. He pretty much told me I was physically repulsive. | :11:16. | :11:21. | |
You have pretty eyes? He didn't even say that. That hat is really | :11:21. | :11:24. | |
good though? That is what it is all about. Can you give us a male model | :11:24. | :11:28. | |
pose? I can't, I'm very shy and self-conscious. That is why it was | :11:28. | :11:31. | |
such a challenge for me. He told me I had no chance, so I went and | :11:32. | :11:38. | |
tried to do the catwalk, he gave me one go at a fashion show in Merthyr | :11:38. | :11:41. | |
Tydfil. If they don't take you there they won't take you anywhere? | :11:41. | :11:44. | |
They didn't take me there. You are very shy, it is amazing for a lot | :11:44. | :11:51. | |
of people that you do the job you do? I'm an inspiration for a lot of | :11:51. | :11:57. | |
kids man! Believe it or not, it sounds daft, but a lot of | :11:57. | :12:01. | |
performers, a lot of stand-up comedians are shy and laterally | :12:01. | :12:06. | |
self-conscious people. I found being on a catwalk as a model being | :12:06. | :12:09. | |
incredibly self-conscious. All I could do was put my head down and | :12:09. | :12:12. | |
run for it. Then I tried to be a character MoD, they told me I was | :12:12. | :12:15. | |
too bland, I didn't have an interesting enough face. Life | :12:15. | :12:20. | |
modelling I tried, I tried to take all my clothes off in front of a | :12:20. | :12:25. | |
group of art students. People can watch you doing all this work | :12:25. | :12:28. | |
experience on BBC Two, 10.00 tomorrow. Going for five years, | :12:28. | :12:32. | |
still good. Must be doing something right. Speaking of modelling | :12:32. | :12:37. | |
something snazzy, it is time to go to Justin who made himself a jacket | :12:37. | :12:41. | |
for the leftover material from the sof FA it is our white and Redcoat. | :12:41. | :12:47. | |
Is everyone getting into the spirit of things | :12:47. | :12:54. | |
Of course, I have classic beach competitions tonight, starting with | :12:54. | :12:57. | |
everybody's favourite. Nobbly knees, what a collection we have here. | :12:57. | :13:01. | |
Isn't it good and great. So come on Phil, why do you think the best | :13:01. | :13:11. | |
knees are nobbly. People should take a look for themselves. | :13:11. | :13:16. | |
have lovely knees there, tell us about the history? I acquired these | :13:16. | :13:21. | |
through my mother who used to be a scrubber in a work house. Directly | :13:21. | :13:26. | |
from your mother? Hereditary.Let's have another little look at the | :13:26. | :13:32. | |
knees, we have to judge them now? Do you know what, I don't think | :13:32. | :13:36. | |
there is much question at all about this, there is an absolutely stand- | :13:36. | :13:41. | |
out winner and I think it is it's you Dan! Step forward, show us the | :13:41. | :13:47. | |
knees? It is a big moment isn't it? Oh yes. You can come out and show | :13:47. | :13:54. | |
us the knees, give us a spin. Look at those knees, nobbly as you like! | :13:54. | :13:57. | |
The winner, Dan here. And later I have got another competition, more | :13:57. | :14:01. | |
classic beach games, and this is one that you can all take part in. | :14:01. | :14:05. | |
I want you to send in your picture of your Bonnie beach babes, we will | :14:05. | :14:10. | |
show them on the programme later. We also have an attempt to break a | :14:10. | :14:20. | |
world record. Bonny beach babies we are looking for and an attempt to | :14:20. | :14:24. | |
break a world record with a teaspoon. They were lovely, very | :14:24. | :14:30. | |
good, great knees. I didn't get the chance to go over there. Come on | :14:30. | :14:39. | |
Rhod where are yours? I have legs like a chicken whose meat has been | :14:39. | :14:44. | |
mechanically recovered. It is the cowboy hat? Stop going on about my | :14:44. | :14:48. | |
hat. Rhod Gilbert is not the only one on work experience, our | :14:48. | :14:52. | |
festival family, the Rossers are giving TV a bit of a go. Come on | :14:52. | :14:56. | |
family, this is the moment, straight down camera four. As I dad | :14:56. | :14:59. | |
I know the importance of a good sandcastle, I didn't know how much | :14:59. | :15:04. | |
science there is behind making them. So here is Marty to explain the | :15:05. | :15:14. | |
:15:15. | :15:16. | ||
science of sandcastles. Run VT. When we're on the beach we love to | :15:16. | :15:21. | |
build things with buckets and spades. Most of us make sandcastles | :15:21. | :15:24. | |
that look something like this. But some people set their sites a whole | :15:25. | :15:30. | |
lot higher. -- sights a whole lot higher. This | :15:30. | :15:35. | |
was build by sand sculpture Jamie Ward low and his team to celebrate | :15:35. | :15:37. | |
the 100th anniversary of Edinburgh Zoo. | :15:37. | :15:42. | |
How does it compare to your sandcastles? Nothing like them. | :15:42. | :15:46. | |
doesn't. Mine is rubbish and that isn't. Jamie's creation is miles | :15:46. | :15:50. | |
apart from the sort of thing you and I make down the beach. What is | :15:50. | :15:55. | |
the secret of making the perfect sandcastle? To find out we need to | :15:55. | :16:01. | |
make our own. Jamie when I build my sandcastles I build them nice and | :16:01. | :16:05. | |
tall, an hour later it all just falls apart, what am I doing wrong? | :16:05. | :16:09. | |
You are using the wrong sandment when I build a sandcastle in the | :16:09. | :16:13. | |
professional world we use construction sand. Wrong sand. | :16:13. | :16:19. | |
Silly me! So see why the type of sand matters we need to take a | :16:19. | :16:24. | |
closer look at the individual grains. This is construction sand, | :16:24. | :16:34. | |
if you look these grains areage later, triangular with sharp edges. | :16:34. | :16:37. | |
Angular grains stick together. Beach sand has been rolled for | :16:37. | :16:42. | |
centuries and they are round. grains will never interlook, it is | :16:42. | :16:47. | |
like building with snucker balls. There are clever tips to ensure | :16:47. | :16:51. | |
sandcastle success, they are all to do with water. Water is key because | :16:51. | :16:56. | |
of the way it sticks sand together. It has remarkable glue-properties, | :16:56. | :17:00. | |
we have all seen this when you have a glass sitting on a coaster. The | :17:00. | :17:05. | |
molecules in water are attracted to each other and to other solids they | :17:05. | :17:08. | |
come into contact with. Exactly the same thing happens when you put | :17:08. | :17:13. | |
your finger in some water. The water molecules stick to your | :17:13. | :17:18. | |
fingertip first. If I pull my finger out slowly, I pull up a | :17:18. | :17:22. | |
chain of water molecules, all stuck to each other, that makes a bridge | :17:22. | :17:30. | |
of water between my finger step and the main body of water. Inside | :17:30. | :17:34. | |
sandcastles the warlter forms bridges between the -- water forms | :17:34. | :17:38. | |
bridges between the sand grains pushing them together. Jamie last a | :17:38. | :17:42. | |
special method to make sure the water gets between the grains. | :17:42. | :17:46. | |
you pour water straight on to it goes to the side. We have made a | :17:46. | :17:50. | |
flat top and edge. Now the water will go through the sand. Jamie's | :17:51. | :17:58. | |
next tip is all about compacting the sand. We are going to vibrate | :17:58. | :17:59. | |
it as though we are playing the piano. Tapping the surface | :17:59. | :18:03. | |
encourages the grains to move closer together. This simple and | :18:03. | :18:08. | |
clever technique works because dense sand is far less likely to | :18:08. | :18:13. | |
collapse. To make the castle taller Jamie uses cylinders, they hold the | :18:13. | :18:17. | |
sand in place while he pours plenty of water through it. The water | :18:17. | :18:21. | |
forms those important bridges and any excess drains away through the | :18:21. | :18:27. | |
bottom. Beautiful. Our sandcastle is coming | :18:27. | :18:33. | |
along nicely. It's already bigger than my usual sandcastles, but it's | :18:33. | :18:37. | |
child's play compared to the cullpure at the zoo. How did they | :18:37. | :18:40. | |
make that one -- sculpture at the zoo, how did they make that one? | :18:40. | :18:44. | |
the first day of the week-long adventure the team compacted 60 | :18:44. | :18:49. | |
tonnes of sand, they used wooden blocks to hold it into place. When | :18:49. | :18:55. | |
the sand was dense they started to carve. Jamie's other secret for | :18:55. | :19:00. | |
sandcastle success is work from the top down, so as not to disturb the | :19:00. | :19:03. | |
work already done. To guard it against the British weather he | :19:03. | :19:13. | |
:19:13. | :19:15. | ||
sprays on a layer of PVA glue. This sculpture was made from | :19:15. | :19:22. | |
construction sand, but with Jamie's techniques it is easy to make great | :19:22. | :19:26. | |
sandcastles here. A ruler cuts the sand and lolipop stick for the | :19:26. | :19:31. | |
details. After some hard graft our castle is finished. I'm dead | :19:31. | :19:35. | |
chuffed with this, it has to be the best sandcastle I have ever made, | :19:35. | :19:41. | |
without a shadow of a doubt. Jamie is here with his bucket and | :19:41. | :19:46. | |
spade, what a talented bucket and spade they are indeed. This is a | :19:47. | :19:52. | |
phenomenal sandcastle here, except that you have chosen to call it The | :19:52. | :19:55. | |
Baker Manor, as soon as the programme is over I will jump on it. | :19:55. | :19:59. | |
I don't think so! I'm joking, we will set a competition in a bit, | :19:59. | :20:05. | |
before that we need tips from you. This sand is particularly good in | :20:05. | :20:10. | |
Weston-super-Mare? It is very good, it is esturial sand, it is young | :20:10. | :20:16. | |
and comes out so the grains are angular and not rounded by the sea. | :20:16. | :20:20. | |
They stick together like bricks. On other beaches the sand rolls for | :20:20. | :20:23. | |
centuries and they are round and the grains of sand roll off each | :20:23. | :20:28. | |
other and the castles fall down. much science. If there are people | :20:28. | :20:33. | |
out there who love making a good sandcastle, are there specific | :20:33. | :20:38. | |
beaches that have good sand like here? I would say Scarborough in | :20:38. | :20:45. | |
lovely Yorkshire is fantastic. Blackpool is all right, Down in | :20:45. | :20:49. | |
Cornwall beautiful beaches too. tips for building the masterpiece, | :20:49. | :20:54. | |
what about a good wall? Here you have a main feature, if you pull | :20:54. | :20:58. | |
out a few walls it makes this castle look massive straight away. | :20:59. | :21:04. | |
That is fantastic. Asymmetry is good a wonky castle is a good | :21:04. | :21:07. | |
castle? Symmetry is great if you can do it, if something falls down | :21:07. | :21:11. | |
it is ruined. Go for asymmetry, bits here and there it will look | :21:11. | :21:16. | |
more creative I think. You have even small cottages in the ground | :21:16. | :21:23. | |
here. You can have the cottage there. The ideal kit then for a | :21:23. | :21:26. | |
good sandcastle maker? We discussed some things already, but a little | :21:27. | :21:31. | |
one is just have a little sprayer. What do you do with that? It keeps | :21:31. | :21:38. | |
the sand nice and wet, if the sand is dry it doesn't work. Happy sand | :21:38. | :21:42. | |
is wet sand. OK, there is a competition between the Rosser | :21:42. | :21:46. | |
family and The One Show family. So we will start with the Rosser | :21:46. | :21:52. | |
family. Hello guys, how are you. We want you to build a sandcastle to | :21:52. | :21:55. | |
represent where you live which is here in Weston-super-Mare, we would | :21:55. | :22:00. | |
like you to recreate the pier. We have a picture to help you. Oh my | :22:00. | :22:05. | |
goodness, look at that. How do you feel about that? We will have a | :22:05. | :22:11. | |
good go. Try our best. What do you reckon all fee? We're gonna win! | :22:11. | :22:15. | |
will give you a hand. We will leave you with the picture with | :22:15. | :22:19. | |
inspiration, and if you give that to them. You can crack on with that. | :22:19. | :22:26. | |
And then we will go over to the One Show family here. Girlies, | :22:26. | :22:34. | |
Angellica and carry, we want you to build the Sage Gateshead. Look at | :22:34. | :22:38. | |
all those beautiful windows. That will take a lot of work. You have | :22:38. | :22:43. | |
half an hour I think. Our next roadshow will come from Gateshead. | :22:43. | :22:47. | |
It is Gateshead versus Weston. There is your picture. Jamie will | :22:47. | :22:53. | |
be on hand to help both. 3-2-1, off you go. If you are wondering where | :22:53. | :22:58. | |
dad is he's over there with Matt. Surely your family get loads of | :22:58. | :23:02. | |
practice with this? Loads of practice, it should be good. It is | :23:02. | :23:05. | |
great you live so close to where we are broadcasting today, and doing | :23:05. | :23:09. | |
all the filming. This particular area has rather romantic | :23:09. | :23:13. | |
conotations for you and Julia. This is the place where Steven showed | :23:13. | :23:17. | |
off his skill and effectively won Julia's heart. This is quite | :23:17. | :23:21. | |
remarkable, on the teddy bear grabber, how many teddies did you | :23:21. | :23:29. | |
win? About 30, we didn't keep count. What is the secret? Lots of | :23:29. | :23:35. | |
practice. We have graded that game up. Start your engine, this is the | :23:35. | :23:40. | |
Western SuperClaw. What we will try to do for Steven is get him to win | :23:40. | :23:45. | |
Julia the biggest teddy she has ever seen by lifting it up and | :23:45. | :23:49. | |
dropping it there, what are your thoughts? Simple, we will have a go. | :23:49. | :23:55. | |
Have you had a go on a mini-digger? No. Good luck, turn your engine off | :23:55. | :24:00. | |
and give him the practice he will need, we will find out what happens | :24:00. | :24:05. | |
in a few minutes? Any good at the grabber Rhod? I have learned not to | :24:05. | :24:10. | |
grab things that aren't yours, it gets you into trouble. Larry Lamb | :24:10. | :24:13. | |
has been headlining the history stage at the Summer Festival, here | :24:13. | :24:20. | |
he is with the son of a remarkable war hero, keeping the memory of his | :24:20. | :24:26. | |
dad very much alive. D-Day the 6th June 1944. More than | :24:26. | :24:30. | |
6,000 vessels crossed the channel to France, over 158,000 soldiers | :24:30. | :24:38. | |
landed on the beaches of Normanity. -- Normandy. Some 4,400 allied | :24:38. | :24:41. | |
servicemen lost their lives that day. Amongst the bloodshed and | :24:41. | :24:45. | |
chaos, one man typified the determination and spirit to stand | :24:45. | :24:53. | |
up against the Nazis. Private Bill Mline, private in the commandos. | :24:53. | :24:58. | |
This rare photograph captures the moment he went ashore, clutching | :24:58. | :25:02. | |
his bagpipes for the deadliest performance of his life. Here on | :25:02. | :25:07. | |
the beach he played his pipes for a huge barrage of shell urging his | :25:07. | :25:13. | |
comrades on in their fight for freedom. | :25:13. | :25:18. | |
Born in 1922 Bill joined the TA aged just 17. He then played the | :25:18. | :25:21. | |
pipes for several Scottish battalions before joining the | :25:21. | :25:26. | |
commandos. His son John remembers a unique man. My father was | :25:26. | :25:31. | |
essentially two different people, he was my dad, and he was a D-Day | :25:31. | :25:37. | |
bagpipeer. My father was a fairly quiet, modest, even self-effacing | :25:37. | :25:43. | |
man, but when asked to play the bagpipes he became this animated | :25:43. | :25:47. | |
man. Bill joined a long tradition of pipers in the British Army, | :25:47. | :25:52. | |
their role was to inspire advancing troops with tunes from historic | :25:52. | :25:57. | |
battles. They presented an easy target for the enemy, so many were | :25:57. | :26:01. | |
killed in World War I they were banned from the frontline. But | :26:01. | :26:03. | |
commanding officers refused the military ruling and told Bill to | :26:03. | :26:08. | |
strike up his pipes in the face of enemy fire. That is the English war | :26:08. | :26:13. | |
office, you and I are both Scots, I would like you to play the pipes | :26:13. | :26:21. | |
when we land in France. My father was 21 in June 1944, he was | :26:21. | :26:30. | |
frightened, but he had a job to do. As the commemorative photographs | :26:30. | :26:35. | |
show he piped them through the hail of gunfire, the only man in a kilt | :26:35. | :26:38. | |
and playing music while around him hundreds fell. He marched up and | :26:38. | :26:42. | |
down the beach urging them forward with the sound of his pipes. Every | :26:42. | :26:45. | |
year he could Bill returned to Normandy to join in the remembrance | :26:45. | :26:52. | |
of those who fought and fell that day. This year he was to attend a | :26:52. | :26:55. | |
special ceremony to commemorate the role he played. He hoped to be | :26:55. | :27:00. | |
there to see a statue of himself unveiled at the beach side. Dad had | :27:00. | :27:08. | |
an idea that he wouldn't not get to see the unveiling of the statue. He | :27:08. | :27:11. | |
asked would there be pipers there. I said of course hundreds of them. | :27:11. | :27:17. | |
There won't be a Milne piper there will there. As he feared Bill | :27:17. | :27:20. | |
didn't live to make the return visit for his special ceremony, | :27:20. | :27:24. | |
leaving it to John to fulfil a promise he had made to his father. | :27:24. | :27:30. | |
I will learn at least one tune, one of your favourite, I will learn | :27:30. | :27:35. | |
that for the day. When Bill Milne came ashore that day playing his | :27:35. | :27:39. | |
pipes he helped his comrades get through one of the bloodiest | :27:39. | :27:42. | |
battles of the Second World War. Today on that same stretch of beach, | :27:42. | :27:46. | |
in memory of his dad, John will be playing in public for the first | :27:46. | :27:52. | |
time. I have tried to wear and carry as much of my father's | :27:52. | :27:56. | |
possessions as I possibly can today. In some way he's here. | :27:56. | :28:01. | |
Just as they do every year, the pipers join the parade. But this | :28:01. | :28:07. | |
year there is a new member in the ranks, John Milne, son of the man | :28:07. | :28:12. | |
whose heroic story they all know so well. Now hundreds of pipers from | :28:12. | :28:18. | |
21 different countries are represented in that parade. They | :28:18. | :28:25. | |
are playing for him and in remembrance of my dad. | :28:25. | :28:31. | |
overlooking the beach, the statue to Bill Milne, the brave lone piper | :28:31. | :28:41. | |
:28:41. | :28:43. | ||
is unveiled. APPLAUSE A permanent reminder of his courage | :28:43. | :28:47. | |
and bravery that has come to symbolise the spirit of all who | :28:47. | :28:57. | |
:28:57. | :29:25. | ||
fought and fell in the D-Day landings. Major James Scott from | :29:25. | :29:29. | |
the Royal Signals. It is a remarkable story, how was John | :29:29. | :29:32. | |
feeling, he was nervous about the unveiling because of what he had to | :29:32. | :29:36. | |
do. When it all died down, what was it like for him? When it all died | :29:36. | :29:39. | |
down finally, the whole thing had been terribly moving for him and | :29:39. | :29:42. | |
his family after all this wait for it. The real problem was the | :29:42. | :29:47. | |
following day he went back to look at it and when he left it was as | :29:47. | :29:50. | |
though, he said, he was leaving his father behind. That was the real | :29:50. | :29:54. | |
problem. You can't think of the bravery that it must have took for | :29:54. | :29:58. | |
Bill to do. Imagine where we are now, standing on a beach similar to | :29:58. | :30:03. | |
the one in Normandy, and flying through the air, thousands of | :30:03. | :30:07. | |
tonnes of projectiles, red hot, and this guy is marching up and down in | :30:07. | :30:11. | |
his kilt playing the bagpipes trying to encourage everybody to | :30:11. | :30:14. | |
come ashore. He didn't want a statue? No, he was a very modest | :30:15. | :30:22. | |
man. In the end they managed to persuade him. They said we want to | :30:22. | :30:25. | |
commemorate what went on and you represent the bravery of these | :30:25. | :30:29. | |
people. And he said as long as the detail is right and as long as the | :30:29. | :30:32. | |
statue is dressed in detail the same way I was, in the right kilt, | :30:32. | :30:36. | |
in the right fittings, the right belts, everything else, right down | :30:36. | :30:41. | |
to the final detail that is fine. It was very much the right kilt, | :30:41. | :30:45. | |
that kilt itself had some incredible history, family history. | :30:45. | :30:52. | |
Bill's father, John was the man who is the subject of the film. Bill | :30:52. | :30:56. | |
his father wore -- Bill's father wore the kilt in World War I, he | :30:57. | :31:00. | |
was a piper himself. That is in the museum at Dawlish. The remarkable | :31:00. | :31:05. | |
thing is you can see the bagpipes, although he came off unscathed the | :31:05. | :31:08. | |
pipes didn't? The pipes took a hit a little while later, they are in | :31:08. | :31:13. | |
the museum at Dawlish and then the replacement pipes that he had to | :31:13. | :31:16. | |
use after they were damaged were subsequently put back together and | :31:16. | :31:20. | |
they are now over in Normandy near to the site where the statue stands. | :31:20. | :31:23. | |
There is another project you have been casting your eye over involved | :31:23. | :31:27. | |
in this, and also Jamie who is our incredible sandcastle builder, Alex | :31:27. | :31:31. | |
is up there with him and has all the details. In another | :31:31. | :31:37. | |
commemoration to mark the D-Day landings our sand sculpture Jamie | :31:37. | :31:41. | |
needs 900 volunteers to make a sand silhouette for over life lost. We | :31:41. | :31:47. | |
have a link on the web page to find out how to get involved in The Fall | :31:47. | :31:52. | |
project. On a dwifrpb -- the Fallen project. Whatever you think about | :31:52. | :31:59. | |
seagulls they have a number one fan, that is Mr Mike Dilger, he couldn't | :31:59. | :32:02. | |
wait to spend his entire day surrounded by the gull, they live | :32:03. | :32:07. | |
on an island over there, to be honest, the best place for them. | :32:08. | :32:10. | |
There is nothing better than strolling along the prom at the | :32:10. | :32:14. | |
seaside with a bag of chips or ice- cream. Where there is food by the | :32:14. | :32:23. | |
seaside, there is usually one of nature's top scavangers, the | :32:23. | :32:27. | |
seagull. Although the town has many gulls it | :32:28. | :32:32. | |
doesn't get the incessant town at dawn and dusk during the seaside | :32:32. | :32:35. | |
months, many of the gulls are day visitors. These tourists don't | :32:35. | :32:41. | |
travel very far, they come across from their very own island, just | :32:41. | :32:47. | |
over there. It lies five miles off the coast of Weston, in the middle | :32:47. | :32:52. | |
of the Bristol Channel, which has the second highest tidal range in | :32:52. | :32:56. | |
the world. The tide comes in twice daily, with high times moving | :32:56. | :32:59. | |
forward an hour each day. There are few opportunities when boats can | :32:59. | :33:06. | |
safely get to the island and back in daylight hours. Today's tide | :33:06. | :33:11. | |
times mean I can travel out on the boat in the morning but I'm | :33:12. | :33:16. | |
marooned in the island for 12 hours until the tide turns and I can be | :33:16. | :33:20. | |
brought back to Weston. It is just three-quarters of a mile | :33:20. | :33:24. | |
long-and-a-quarter of a mile wide. It is a nature reserve open to the | :33:24. | :33:29. | |
public. Also a Site of Special Scientific Interest. I can feel | :33:29. | :33:35. | |
hundreds of pairs of beady eyes watching me! We are talking herring | :33:35. | :33:43. | |
gull, lesser black back gull, the black back gull, it is a gull fest. | :33:43. | :33:47. | |
The first thing you notice when you land on the island is not the gulls, | :33:47. | :33:52. | |
it is the guns. The position in the Bristol Channel made it an | :33:52. | :33:57. | |
important military outpost. Andrew Wilson is the island's historian. | :33:57. | :34:01. | |
Such a small island, it doesn't half have a lot of these things, | :34:01. | :34:08. | |
very large guns? These were brought over in 1869. The whole idea was to | :34:08. | :34:12. | |
counter the threat by the French but the threat receded soon after. | :34:12. | :34:17. | |
The island was decommissioned as a military base in 1901. The guns | :34:17. | :34:22. | |
were sold to a scrap metal dealer, they were so heavy he wasn't able | :34:22. | :34:27. | |
to get them off the island. island's top guns are the gulls, | :34:27. | :34:32. | |
with over 2,000 breeding pairs, who defend their patch so vigorously | :34:32. | :34:37. | |
that every visitor needs some unusual protection. Paul text ter | :34:37. | :34:41. | |
is one of the island's wardens. Everywhere you walk on the island | :34:41. | :34:45. | |
people have sticks or pieces of vegetation above their heads? | :34:46. | :34:50. | |
gulls this time of year are vicious, we will go for the highest point, | :34:50. | :34:54. | |
they do hurt if they hit you. Anyone with a gull-related injury? | :34:54. | :34:57. | |
I have seen people with blood running down their heads, I have | :34:57. | :35:01. | |
been hit a few times, it hurts. They will do anything to protect | :35:01. | :35:05. | |
those chicks? Anything, yes.Gulls are ground nesting birds and lay up | :35:05. | :35:10. | |
to three eggs. You have to be careful where you step on the | :35:10. | :35:13. | |
island because there are nests everywhere. This one is right by | :35:13. | :35:17. | |
the path. With a couple of chicks that could be no more than a day | :35:18. | :35:25. | |
old. The third one is just hatching out as we speak, I can even see the | :35:25. | :35:29. | |
tiny egg tooth on top of the bill which the bird used to break out of | :35:30. | :35:38. | |
the egg for its first view of the world. These island gulls come to | :35:38. | :35:42. | |
forage in Weston where there is an easily available food source, that | :35:42. | :35:48. | |
red spot on the break service a useful purpose when they -- on the | :35:48. | :35:54. | |
beak serves as a useful purpose. What kind of food are they bringing | :35:54. | :35:56. | |
back, historically it would have been fish and discards from the | :35:56. | :36:02. | |
sea? Now it is discards from fast food outlets. It is mainly chicken. | :36:02. | :36:08. | |
You can find bones with a saw cut on them. It is a discarded fast | :36:08. | :36:13. | |
food outlet meal. When it comes to Beveridges they can drink sea water, | :36:13. | :36:18. | |
they have a special gland that removes excess salt from their | :36:18. | :36:22. | |
bodies. Admittedly gulls can be pesky, but they are also one of the | :36:22. | :36:26. | |
few large wild birds that you can get really close up to in Britain. | :36:26. | :36:33. | |
You could say it is a wonderful Weston wildlife spectacle. | :36:33. | :36:38. | |
Thanks so much for the advice there. I am taking no chances, whatsoever! | :36:38. | :36:42. | |
Can I point something out. One of the guys in your film had that | :36:42. | :36:46. | |
above his head to ward over seagull attacks, he was absolutely covered | :36:46. | :36:52. | |
in bird dropings though. So this is no protection. They have other ways | :36:52. | :36:58. | |
these seagulls. They have other ways through. We did need somebody | :36:58. | :37:01. | |
to tell us more about sea gulls, but we thought long and hard, we | :37:01. | :37:08. | |
couldn't think of anybody. So we just settled for Lucy Seagull. | :37:08. | :37:14. | |
your surname really Seagull? It is not spelled as the bird but it is | :37:14. | :37:18. | |
dam close. We have been waiting a long time for this. One of your | :37:18. | :37:22. | |
ancestors get involved with a seagull in some way. I couldn't | :37:22. | :37:28. | |
possibly comment! That is what they do in Wales. No is isn't. | :37:28. | :37:32. | |
That's the thing, basically up and down Britain there has been quite a | :37:32. | :37:36. | |
lot of seagull incidents. Even the related injuries. There really have, | :37:36. | :37:40. | |
I have a map here, of course I have a seagull pointer which I will show | :37:40. | :37:44. | |
you, there has been a spate of attacks this summer. Starting we | :37:44. | :37:53. | |
have had them in Newquay, Bath, moving up to Hull, fleetwood, | :37:53. | :37:59. | |
Carlyle, reaching Fife. A lot of serious injuries. Somebody snapped | :37:59. | :38:03. | |
their Achilles tendon? They were running away, most has been caused | :38:03. | :38:09. | |
by running away not the seagull themselves. A big problem in Wales, | :38:09. | :38:14. | |
in Cardiff, if you look on Google Earth, there is a street in Cardiff | :38:14. | :38:21. | |
if you zone on it, it is me pretty much being attacked by a seagull. | :38:21. | :38:25. | |
Did you have food with you at the time? I'm joking.But you have been | :38:26. | :38:33. | |
attacked in the past though Rhod? I'm with Miss Seagull on this. I'm | :38:33. | :38:36. | |
glad that was a pointer I thought it was your hand. We have a picture | :38:36. | :38:42. | |
of somebody being attacked by a seagull on that street. I had a | :38:42. | :38:45. | |
model lesson delivered by a seagull. Let's have a look at this, this is | :38:45. | :38:50. | |
a young man in Newquay earlier in the month, on a road called Seagull | :38:50. | :38:56. | |
Alley. He was eating an ice-cream. The seagull decided to eat the ice | :38:56. | :39:01. | |
scream at the same time and they collided. Look at that. Also Mark, | :39:01. | :39:05. | |
in Tinmouth, he decided to take matters into his own hands, he | :39:05. | :39:09. | |
polices the outdoor bit of his calfify with water pistols. | :39:09. | :39:17. | |
Sometimes you just have to take a stand. He is focused. What are the | :39:17. | :39:21. | |
signs when a seagull is about to attack? This is important, because | :39:21. | :39:25. | |
you do get some warning signals. The first thing is that the gag | :39:25. | :39:30. | |
call, their call will become low and serious and repeated. They are | :39:30. | :39:33. | |
basically telling you to go away. After that they will start swooping | :39:33. | :39:37. | |
quite low, maybe a meeter away from your head, then things really | :39:37. | :39:43. | |
escalate. That doesn't make any sense. This is what happens.Why | :39:43. | :39:53. | |
:39:53. | :39:53. | ||
would it tell you to go away, it is attacking you. I can't say go away | :39:53. | :39:59. | |
and then attack you. It escalated and then it vomits on you. Are you | :39:59. | :40:02. | |
threatening me. There is a slight threatening tone. You do get a | :40:02. | :40:09. | |
warning. If in doubt put up a brolly or wear a cowboy hat. That's | :40:09. | :40:12. | |
According to a survey by the British Psychological Society, a | :40:12. | :40:16. | |
trip to the seaside is supposed to have a more positive effect on you | :40:16. | :40:21. | |
than a walk in the countryside. they saying, but Justin Rowlett may | :40:21. | :40:31. | |
:40:31. | :40:31. | ||
beg to differ. We're bored. To be fair it is the | :40:31. | :40:36. | |
summer holidays, but I have a plan. One where I can relax and the | :40:36. | :40:41. | |
children can have fun. My idea, head to the beach. This is my | :40:41. | :40:49. | |
daughter Zola, this is my daughter Elsa, and this is their friend | :40:49. | :40:59. | |
Gracie. And they are off school so we are going to the beach. This | :40:59. | :41:02. | |
should be one of the highlight of the summer, but a day out at the | :41:02. | :41:06. | |
beach can be more stressful than you imagined. Starting with getting | :41:06. | :41:10. | |
there on time. If you live far from the sea you have to leave early | :41:10. | :41:15. | |
because if you don't parking at the seaside can be very difficult. | :41:15. | :41:21. | |
Girls shall we go? You can't park here. Then, there is the cost of | :41:21. | :41:24. | |
parking, day in Brighton for example will set you back as much | :41:24. | :41:29. | |
as �15 for the day. Here at Broadstairs it is �7.50 for a day's | :41:29. | :41:39. | |
:41:39. | :41:39. | ||
parking, but it has to be in coins. Guys have you change for the metre? | :41:39. | :41:43. | |
After 15 minutes success. So I got a ticket, now we can go to the | :41:43. | :41:47. | |
beach. Come on girls. But I wanted it to be perfect. Right girls, | :41:47. | :41:51. | |
first thing we need to find a nice spot on the beach, let's have a | :41:51. | :41:57. | |
look. What do you do to find the perfect spot. The best spot on the | :41:57. | :42:01. | |
beach down there, only a ten-minute walk. Take a long walk or make do | :42:01. | :42:04. | |
with sitting with the masses, however on a day like this, that is | :42:04. | :42:08. | |
not too much of a problem. I know it is raining but we have driven 60 | :42:08. | :42:12. | |
miles to get here we will have a good time now. It is not far now | :42:12. | :42:17. | |
girls. It is always good to get a good spot. This spot isn't perfect, | :42:17. | :42:22. | |
still a few people around and I don't like the look of that green | :42:22. | :42:28. | |
seaweed stuff in the water. We want icecream. We want icecream. We have | :42:28. | :42:33. | |
only just sat down! We want icecream! We want icecream! | :42:33. | :42:38. | |
other question is do you take your own food and risk sand in the | :42:38. | :42:42. | |
sandwiches or do you go for local seaside grub, which can sometimes | :42:42. | :42:52. | |
be a bit trashy! Oh! The seagulls pinched our lunch. Really?Took it | :42:52. | :42:56. | |
out of your hand didn't he. Yeah. Was that quite frightening? Yeah. | :42:56. | :43:01. | |
Come down to the beach overall? Did you find it easy to park? We came | :43:01. | :43:05. | |
on the train. You planned really well. Finally it was time for a | :43:05. | :43:09. | |
snooze and I could relax in the knowledge that the children were | :43:09. | :43:19. | |
:43:19. | :43:21. | ||
safeen joying themselves playing on the beach. Zola? Gracie? Elsa? Show | :43:21. | :43:25. | |
me parent who hasn't had anxiety about losing their child on the | :43:25. | :43:31. | |
beach. You have to be watching them all the time, you are on the go. | :43:31. | :43:35. | |
You can't sit down and put your feet up. One last headache that has | :43:35. | :43:39. | |
puzzled generations of dads, is how do you get the sand off your feet | :43:39. | :43:45. | |
before putting your shoes on. I have got sand on it again. There is | :43:45. | :43:49. | |
a tap right. To wash your feet? Yeah. Why didn't you say, come on | :43:49. | :43:58. | |
guys, let's go to the tap, come on. Gracie come on. The reluctance to | :43:58. | :44:04. | |
leave the sea, I know it all too well. Justin will try to break a | :44:04. | :44:11. | |
pointless world record in a moment with a teaspoon. With the help of | :44:11. | :44:14. | |
Rhod. You don't know that at the moment. We were talking that you | :44:14. | :44:18. | |
are in the process of writing a sitcom? I'm trying to write a | :44:18. | :44:24. | |
sitcom, yes. What's the story?I'm finding the "process" quite hard. | :44:24. | :44:29. | |
Based on what? Based on sort of based on a person called Rhod | :44:29. | :44:35. | |
Gilbert in a little imaginary village called Clanbobble in Wales, | :44:35. | :44:41. | |
which I talked about in my stand huff up over the years and DVDs, it | :44:41. | :44:44. | |
is going back to the world and trying to make a sitcom out of it. | :44:44. | :44:49. | |
It is the real Rhod Gilbert in an imaginary world? It is a sort of | :44:49. | :44:53. | |
imaginary Rhod Gilbert in an imaginary world. Will you play | :44:53. | :44:59. | |
yourself being Rhod Gilbert or get an actor to do it t you have not | :44:59. | :45:04. | |
acted before? I haven't, and I have a phobia of it, it comes back to | :45:04. | :45:08. | |
the self-conscious thing, even though I do stand-up. I don't know | :45:08. | :45:13. | |
how to act I'm hopeless at it. The people I'm developing with it are | :45:13. | :45:17. | |
saying you have to play you, and I'm saying I would rather have an | :45:17. | :45:23. | |
audition and try to find somebody else to play me. Matt you could? | :45:23. | :45:28. | |
will have a go. You could play me Alex? I have the accent. | :45:28. | :45:32. | |
You have this thing of facing your fears, you are going up Kilimanjaro | :45:32. | :45:36. | |
aren't you soon? I don't know how you went from one end to the other, | :45:36. | :45:42. | |
but yes I'm facing my fears, all I'm facing them in one minute. I'm | :45:42. | :45:47. | |
supposed to be climbing Kilimanjaro, I find the training very tough. | :45:47. | :45:52. | |
have been for two walks? I have been for two walks up the Brecon | :45:52. | :45:56. | |
Beacons last week, if you go walking anywhere you bump into | :45:56. | :46:05. | |
rambler, you have a ramble had-off, they are competitive with a lot of | :46:05. | :46:09. | |
oneupmanship, they were asking about the back pack and the water | :46:09. | :46:14. | |
bladder, I didn't know I had one. The guy said do you find the straps | :46:14. | :46:18. | |
are in the wrong place, I find them an inch too far back. I said to be | :46:18. | :46:22. | |
honest mine are full of jelly babies, that's all I had. Eat what | :46:22. | :46:27. | |
you like that is the key. Eat what you enjoy. If you can't have a | :46:27. | :46:31. | |
treat at the top of Kilimanjaro what can you do. We have dishes to | :46:31. | :46:39. | |
help you along the way. This apparently is a seaweed ban nof fee | :46:39. | :46:43. | |
pie. Why are you shoving that in my face. This is the weirdest | :46:43. | :46:49. | |
programme in the world. Are you going up in Kilimanjaro, have some | :46:49. | :46:53. | |
seaweed pie. This is live telly gone berserk, can't we talk about | :46:53. | :47:02. | |
one thing for a minute. A seaweed banoffi pie. It is time to | :47:02. | :47:07. | |
pointlessly break a world record with Justin. Are you confident? | :47:07. | :47:13. | |
Very. We haveen utterly pointless world record, the most -- we have | :47:13. | :47:19. | |
an utterly pointless world record moving the most amount of sand | :47:19. | :47:23. | |
using a teaspoon. It is 194mls the record, as with all these things | :47:23. | :47:27. | |
there are rules, Kirsty from the Guinness Book of Records, what are | :47:27. | :47:30. | |
the rules? They are that the measuring cylinder and the sand | :47:30. | :47:34. | |
needs to be 30cms apart, I have checked that, the sand needs to be | :47:34. | :47:41. | |
dry. That's all right too, Rhod has to do it with one hand behind his | :47:41. | :47:50. | |
back. I will do it with both hands behind my back. Not remotely | :47:50. | :47:57. | |
pointless? I haven't tried the banoffi pie here. Are you really | :47:57. | :48:01. | |
from the Guinness book of world records? Let's move on, this is the | :48:01. | :48:04. | |
special sand used Ford this record, we have a couple of record breakers | :48:04. | :48:08. | |
already, introduce me to them, tell me what they have done. Amy, today | :48:08. | :48:13. | |
she tried this record and she got 170mls, close to the ror, and | :48:14. | :48:22. | |
Justin was a little bit ahead with 173mls. They are the Weston record | :48:22. | :48:27. | |
breakers, now Rhod. What do I have to do. Scoop the sand in there in | :48:27. | :48:35. | |
30 seconds. Ready, steady go. Come on, it is a good technique. | :48:35. | :48:40. | |
it looks good he has a lot of spillage. 20 seconds to go. | :48:40. | :48:49. | |
Come on, we want precision here. That seaweed pie waiting for you. | :48:49. | :48:53. | |
Somebody shouting keep on going, like I will give up five seconds | :48:53. | :49:03. | |
:49:03. | :49:05. | ||
from the end. How has he done? Really bad! Has he beaten the world | :49:05. | :49:10. | |
record, it was a good effort, fine for a first timeer. Fantastic | :49:10. | :49:16. | |
effort, but unfortunately it was only 120mls so not quite. Sorry | :49:16. | :49:20. | |
Rhod that leaves you Justin as the Weston record holder shifting sand | :49:20. | :49:29. | |
with a teaspoon! If only Rhod had beaten the bin nof fee with spinach | :49:29. | :49:32. | |
in it, he would have nailed it. Just off the beach there is a | :49:32. | :49:36. | |
derelict lido that used to be the pride of this area, some people | :49:36. | :49:39. | |
wanted to knock it down, there is a chance it could be making a | :49:39. | :49:49. | |
:49:49. | :49:50. | ||
comeback. Long before the package holiday and | :49:50. | :49:56. | |
the Playstation this is what a proper summer holiday looked like, | :49:56. | :50:01. | |
the Tropicana, what name and what a pool. Now the sunshine and water | :50:01. | :50:04. | |
has gone and its fate hangs in the balance. Nobody has splashed, | :50:04. | :50:10. | |
bombed or petted in this pool for 13 years. Not a problem for north | :50:10. | :50:16. | |
Somerset council who say they have no choice but to flatten it. | :50:16. | :50:20. | |
Businessman Derek Mead who played in the pool as a child said he can | :50:20. | :50:25. | |
save it. Is he taking the council for a bit of a ride. What are your | :50:25. | :50:32. | |
memories of the Tropicana? We used to go after a hard day hey making | :50:32. | :50:36. | |
and go swimming. Is that enough for you to want to save it? I was | :50:36. | :50:41. | |
approached by the The Hoteliers association and the Chamber of | :50:41. | :50:45. | |
Commerce and asked is there any way to save it. And I said let's have a | :50:45. | :50:50. | |
look at it. We are in the tourist industry here, they should have | :50:50. | :50:57. | |
never closed it. This is what he wants to build, a �five million | :50:57. | :51:02. | |
entertainment and swimming -- �5 million entertainment and swimming | :51:02. | :51:05. | |
pool complix. You are confident that you -- complex. You are | :51:05. | :51:10. | |
confident you could make a commercial success of Tropicana? | :51:10. | :51:15. | |
Yes, I have had a lifetime of taking risks, and if there is a | :51:15. | :51:21. | |
will there is a way of sorting it out. There is more than a planners' | :51:21. | :51:25. | |
argument, Derek is trying to get round the objections by using the | :51:25. | :51:29. | |
Localism Act. That is designed to help communities in England and | :51:29. | :51:34. | |
Wales save precious local landmarks. How does Derek whose business | :51:34. | :51:37. | |
interests range from pubs to farming qualify as a community | :51:37. | :51:40. | |
group. One of the council's beefs is it is not really a community | :51:40. | :51:44. | |
group. You are not really a community group are you? I think | :51:44. | :51:48. | |
that is a complete misunderstanding, what is a community group? It is a | :51:48. | :51:51. | |
bunch of people getting together and want to do something for their | :51:51. | :51:54. | |
legal community. That is exactly what we are doing. Meanwhile back | :51:54. | :52:00. | |
up the N4 in the sweltering city I'm here to meet the only group so | :52:00. | :52:06. | |
far who have managed to use these powers to protect a much-loved and | :52:06. | :52:12. | |
cherished community asset, their local boozer. | :52:12. | :52:20. | |
The Ivy Pub in south London. This is the stage...has a history of | :52:20. | :52:25. | |
rock groups like Elvis Costello who have performed on the stage. Leo | :52:25. | :52:29. | |
and his buddies argued that the Ivy was an asset to the community and | :52:29. | :52:32. | |
prevented it being sold and converted into flats. Under the | :52:32. | :52:36. | |
localism powers they had six months to raise the cash to buy and run it | :52:36. | :52:46. | |
:52:46. | :52:48. | ||
as a community benefit society. had �320 donations from �200 to | :52:48. | :52:54. | |
�10,000. We raised over �400,000, more than we were looking to raise. | :52:54. | :52:58. | |
It seemed reasonable that a pub this side could definitely do the | :52:58. | :53:03. | |
numbers they are talking about. So you never know for sure, but with | :53:03. | :53:06. | |
the sense of community there is here and the goodwill that does | :53:06. | :53:11. | |
exist to this project I'm expecting great things from this pub. Back in | :53:11. | :53:16. | |
Weston-super-Mare and a local poll found that 81% of people in the | :53:16. | :53:21. | |
town want to save the Tropicana. is such a shame, they are | :53:21. | :53:25. | |
demolishing everything now, this type of building needs to be kept. | :53:25. | :53:28. | |
I really think they should redevelop it. When my family were | :53:28. | :53:32. | |
younger I used to go every week, it has gone to rack and ruin, no good | :53:32. | :53:36. | |
to nobody. It should have been rebuilt. North Somerset council is | :53:36. | :53:41. | |
adamant the plans are not financially viable. The town wants | :53:41. | :53:47. | |
it back, why don't you? The reality is it is too expensive to run and | :53:47. | :53:51. | |
it is really not practical to rebuild in its present state. We | :53:51. | :53:54. | |
would love to resolve it. You would love to flatten it? Either by | :53:54. | :53:58. | |
someone coming along with a viable scheme and we don't think there is | :53:58. | :54:01. | |
one, or we do actually clear the site. What's the problem, if you | :54:01. | :54:04. | |
have a group of people saying we can do this, we know we have the | :54:05. | :54:09. | |
support, we know we can do this, surely that is a win-win situation | :54:09. | :54:12. | |
isn't it? The reality is and we have had the business plan gone | :54:12. | :54:16. | |
over with a fine tooth comb and the figures just don't stack up. | :54:16. | :54:25. | |
Nostalgia doesn't pay the bills. Nostalgia doesn't pay the bills, | :54:25. | :54:32. | |
but it is great in this weather them lidos. It is time to work out | :54:32. | :54:37. | |
who won the sandcastle competition, we had Gateshead versus Weston. The | :54:37. | :54:43. | |
One Show family versus the Rosser family. How were they? They are all | :54:43. | :54:49. | |
right, this one over here, the Gateshead one it has nice flags | :54:49. | :54:53. | |
claiplt claim --! I like the flags. But look at this, this is | :54:53. | :55:01. | |
beautiful? What the one you did!I didn't do it! This is all Julia and | :55:01. | :55:06. | |
her kid. Charlie I think jumped on their sand sculpture, I'm not sure | :55:06. | :55:13. | |
it is fair play. He didn't! I have the proiz in my hand, I have played | :55:13. | :55:17. | |
this stage the building in Gateshead, and it is like being | :55:17. | :55:27. | |
:55:27. | :55:28. | ||
back there. It is that good. The size of it as well. It is very | :55:28. | :55:34. | |
good. What you are saying is the golden sandcastle goes to? Which | :55:34. | :55:43. | |
one did kids make. This one! Well done well done. To the Rosser | :55:43. | :55:47. | |
family, absolutely incredible. excited to even take the award. | :55:47. | :55:52. | |
Come and get the award. There you go, congratulations. I'm a sure dad | :55:52. | :56:00. | |
is a proud man indeed. He's saddled to go on this, the Weston SuperClaw. | :56:00. | :56:05. | |
Now then Steven, how is the very brief training session gone? We got | :56:05. | :56:09. | |
a bit of training, we will have a go. Thumb up from Glenn, are we | :56:09. | :56:13. | |
ready. We will stand back. Which one have you got your eye on? | :56:13. | :56:17. | |
one. Anything that comes. The big question is if you can start her up, | :56:17. | :56:25. | |
that is a very good start. Can he win Julia's heart once again. He's | :56:25. | :56:32. | |
going for the biggest teddy that Julia has seen. Come over here? Not | :56:32. | :56:38. | |
too close, let's give him room. He's opening it up. Stand back and | :56:38. | :56:43. | |
give daddy lots of room. I want that one. It is a good grab, he has | :56:43. | :56:48. | |
it, can he get it in into the container, this is good stuff | :56:48. | :56:52. | |
Steven. What do you make of your man at the moment. What a hero! | :56:52. | :56:58. | |
Takes me back 24 years it does. It was remarkable he managed to win | :56:58. | :57:05. | |
you 30 teddies I'm sure this one is 30 teddies big. Yes! It's there. | :57:05. | :57:13. | |
Well done Steven, and he has bust the box, shut her off and come down. | :57:13. | :57:17. | |
Let's get the family back. Let me run around and grab that big teddy. | :57:17. | :57:27. | |
:57:27. | :57:27. | ||
There you go. Look at that, it is as big as you are. What a time we | :57:27. | :57:31. | |
have had on the beach, hasn't it been wonderful? Fabulous, thank you. | :57:31. | :57:36. | |
Can I say thank you for being our One Show family. One more time for | :57:36. | :57:42. | |
the Rossers. You could win a bear like that if you had a go at the | :57:42. | :57:46. | |
grabber? I know, but I told you earlier you can't grab what's not | :57:46. | :57:52. | |
yours you get into trouble. have enjoyed the competitions and | :57:52. | :57:57. | |
you have sent pictures of bonny babies. This is Harm Monday knee, | :57:58. | :58:04. | |
she is, as you can -- Harmony and she is falling over. This is Reuben | :58:04. | :58:12. | |
on the beach. This is Callum aged six months on the beach. We have to | :58:12. | :58:18. | |
decide. It is a weird beauty contest like in America. Rhod go | :58:18. | :58:24. | |
on? I think they are all first prize winners. All babies around | :58:24. | :58:31. | |
the world too, hurray! Are you going back to Wales on that | :58:31. | :58:37. | |
hovercraft, that is hazy Wales. always come back and forth on that. | :58:37. | :58:41. | |
Rhod Bond innit. Thank you very much to everyone today, a huge | :58:41. | :58:47. | |
thanks to Rhod Gilbert, Rhod's Work Experience is on tomorrow night at | :58:47. | :58:51. | |
10.00pm. The wedding planner is tomorrow. The next One Show Summer | :58:51. | :58:56. |