Browse content similar to 07/10/2013. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker... And Alex Jones. | :00:18. | :00:25. | |
Keeping us company is the Bolton boy who went from Phoenix Nights to | :00:25. | :00:28. | |
become Mr Saturday night. As he might say, let the guest see this so | :00:28. | :00:40. | |
far. It is Paddy McGuinness! I am not very good at accents. Sit | :00:40. | :00:46. | |
down, sit down. You don't have to stand. This is what the BBC look | :00:46. | :00:54. | |
like. It is nice and cosy. I it. Your cameraman is the cameraman of | :00:54. | :01:03. | |
taking me out. -- I like it. Let's get him on there. There he is! Give | :01:03. | :01:12. | |
us a wave! When he started, he had black hair. That is what the show | :01:12. | :01:24. | |
has done for him. You are known for your catchphrases. | :01:24. | :01:27. | |
There are loads of them on the show that I. -- that I like. When I came | :01:27. | :01:36. | |
up with those ideas, they came off the cuff. It sort of stark. -- it | :01:36. | :01:48. | |
sort of stuck. The guy I write with, we will decide what we can use. We | :01:48. | :01:55. | |
have a whiteboard in the studio. The audience right and down when we are | :01:55. | :01:59. | |
going out. 90% of them you can't use. The ones you can, we keep them. | :01:59. | :02:09. | |
Well, clean ones tonight only. That is a given. | :02:09. | :02:20. | |
You are taking Take Me Out out of the studio. We will talk about that | :02:20. | :02:25. | |
later. First, with money being so tight in the NHS, if it's right for | :02:25. | :02:28. | |
your hospital to gamble tens of tight in the NHS, if it's right for | :02:28. | :02:31. | |
thousands of pounds by going into the beauty business? -- is it right. | :02:31. | :02:43. | |
Alex Riley has been investigating. Paddy, lavender? | :02:43. | :02:48. | |
In a place like this, you are going to hope you will feel better. In | :02:48. | :02:53. | |
this hospital, there is a chance you might look better, too. It is the | :02:53. | :02:57. | |
first hospital to develop and sell brew tea products on the open | :02:57. | :03:03. | |
market. -- beauty products. 25 years ago, the hospital developed a cream | :03:03. | :03:10. | |
for burns and scars. The moisturiser attracted fans including the staff, | :03:10. | :03:12. | |
who loved it so much they suggested attracted fans including the staff, | :03:12. | :03:16. | |
turning it into a moneymaking brand. After numerous prototypes, | :03:16. | :03:23. | |
the cream was born this year. The trust has already invested £80,000 | :03:23. | :03:28. | |
in the product. Was it money well spent? At a factory in Hampshire, | :03:28. | :03:32. | |
the cream is rolling off the production line. How many staff were | :03:32. | :03:38. | |
involved? We have had 65 product testing staff. They are trying it | :03:38. | :03:45. | |
out on themselves. They are happy to do it. They are doing it in their | :03:46. | :03:49. | |
own time. They are filling in questionnaires. They are sending | :03:49. | :03:54. | |
them back to me. We are proud this has come from Salisbury Hospital. So | :03:54. | :04:03. | |
who is looking after the patient's? They are being looked after by the | :04:03. | :04:09. | |
many nurses who are doing a great job. So it is never that somebody is | :04:09. | :04:16. | |
laying on a bed feeling terrible and the doctor has to go to a focus | :04:16. | :04:22. | |
group? Know, everybody is doing it in their own time! They think it is | :04:22. | :04:27. | |
fantastic. The trust's finance director is also at the factory | :04:27. | :04:32. | |
today. He is going to deliver the first products to a local supplier. | :04:32. | :04:38. | |
Is this a gamble with public money? We don't believe so. We are careful | :04:38. | :04:44. | |
about how we use public money, and clearly we have responsibilities | :04:44. | :04:49. | |
with that. We take this seriously. We would invest in any initiative of | :04:49. | :04:54. | |
this type unless we could see clearly that it was going to make a | :04:54. | :05:01. | |
good return. We have already sold over 10,000 of the tubes. We know | :05:01. | :05:05. | |
that when we get to 20,000, we are well into profit. So far you have | :05:05. | :05:09. | |
invested £80,000. How money operations could you do for | :05:10. | :05:15. | |
£80,000? Converting it into hip operations, | :05:15. | :05:21. | |
you could say that is 11 operations. NHS England say the trust is one of | :05:21. | :05:27. | |
the most innovative in the country, and it certainly seems that is the | :05:27. | :05:31. | |
case. Today knowledge, no other hospital as ever developed, produced | :05:31. | :05:34. | |
and sold a non-medical product purely to make money. -- to their | :05:34. | :05:40. | |
knowledge. The cream is already being stocked into two other | :05:40. | :05:45. | |
hospitals and a local business. This is the first one with the | :05:45. | :05:52. | |
dispenser. Let's see what it looks like. | :05:52. | :05:59. | |
But the UK's largest trade union, Unison, is concerned about the | :05:59. | :06:03. | |
impact on patient care and public funds. | :06:03. | :06:09. | |
There is a different between the type of products that have come out | :06:09. | :06:13. | |
of medical need. That is different from investing public money in | :06:13. | :06:16. | |
trying to market ties a moisturising cream. What next? Her fume peels -- | :06:16. | :06:27. | |
perfume? Tablets? It is diverging staff time away from what should be | :06:27. | :06:31. | |
their primary function, which is patient care. | :06:31. | :06:35. | |
We would never put the hospital at risk. We would never jeopardise our | :06:35. | :06:40. | |
prime function, to treat patients and treat them well. We are all | :06:40. | :06:49. | |
struggling. We have a savings target of 5% this year. That means, for us | :06:49. | :06:53. | |
can we have to save about £9 million. What the sales of sunflower | :06:53. | :07:00. | |
cream will do is that it will support areas that might otherwise | :07:00. | :07:05. | |
be subject to more cuts. If the product is successful, it | :07:05. | :07:09. | |
could be on sale in shops and hospitals all over the country. It | :07:09. | :07:13. | |
will pave the way for other trusts to create their own commercial | :07:13. | :07:16. | |
brands. But we will have to wait and see if others will follow their | :07:16. | :07:21. | |
lead. Paddy, how do you feel about this? | :07:21. | :07:28. | |
If the money is going back to the NHS, it can only be a good thing. It | :07:28. | :07:35. | |
is when companies, they will go, 70% is going to such a thing... If the | :07:35. | :07:40. | |
profits are reinvested, you can't go wrong. All right! He is keen! He | :07:40. | :07:52. | |
would like to put it on my back. In the supermarket, the only thing is, | :07:52. | :07:58. | |
you are going down, it is expensive products and then the NHS. Go on. | :07:58. | :08:06. | |
Oh, look at this! Women will know that the moisturising field is a | :08:06. | :08:12. | |
minefield. You can spend a bomb, up to £135. Or you can spend £2. Is | :08:12. | :08:20. | |
there any difference? At the end of the day, no. They have oil and | :08:20. | :08:24. | |
water, which traps moisture in your skin. It gets rid of wrinkles. Then | :08:24. | :08:29. | |
you have something like this role, which holds the cream onto the skin. | :08:29. | :08:40. | |
-- like an agent. Strangers in the night, exchanging glances... ! | :08:40. | :08:45. | |
Scientifically, there is very little evidence. But it is nice when | :08:45. | :08:53. | |
somebody rubs it into your skin. He has got to give us some facts | :08:53. | :08:58. | |
here! We got some health news today. You will be interested in this. Look | :08:58. | :09:09. | |
at those guns. These old things? Walking can save people's lives. | :09:09. | :09:17. | |
Research has shown that if everybody did 20 minutes of exercise a day, | :09:17. | :09:23. | |
and that is walking, it could be gardening, whatever, it would cut | :09:23. | :09:28. | |
the numbers of deaths by 37,000, which is a big figure. I did an | :09:28. | :09:33. | |
experiment where I ate a full fat in this breakfast. A couple of hours | :09:33. | :09:37. | |
later, they drag out my blood. You could see the lay-off at. -- delay | :09:37. | :09:48. | |
of fat. The next day I did it again and there was a third of the fact. | :09:48. | :09:54. | |
of fat. The next day I did it again -- the fact. I used to work in a | :09:54. | :10:03. | |
gym. People don't realise that. They think they have got to do exercise, | :10:04. | :10:09. | |
go for a run. If you walk every day come it does you a world of good. | :10:09. | :10:14. | |
And quickly, Michael, you are back on TV on Thursday, covering a whole | :10:14. | :10:18. | |
range of issues. Give us a flavour. on TV on Thursday, covering a whole | :10:18. | :10:25. | |
We did a random survey on the street and down horrible things on the | :10:25. | :10:28. | |
hands of the British public. We looked at things like aspirin. We | :10:29. | :10:33. | |
know that it cuts the risk of heart disease and some cancers. So who | :10:33. | :10:38. | |
should be doing it and when? How much water should you drink every | :10:38. | :10:45. | |
day? Also, an interesting one... And this link thing. Yes, we did a study | :10:45. | :10:57. | |
where we cut down people's sleep and it had to Matic Fx on their health. | :10:57. | :11:04. | |
-- pneumatic impact on the health. Trust Me I'm a Doctor starts on | :11:04. | :11:19. | |
Thursday at 8pm. This week the Royal Mills will | :11:19. | :11:25. | |
produce a special 50p piece. -- Royal Mint. Here it is. This is an | :11:25. | :11:28. | |
early collectors' addition. It Royal Mint. Here it is. This is an | :11:28. | :11:32. | |
features I previously unreleased design. Angelica has been to find | :11:32. | :11:39. | |
out more. She met the woman we have had in our pockets for years. | :11:39. | :11:45. | |
The campaign to get more women on our currency celebrated the Bank of | :11:45. | :11:49. | |
England's decision this year to put Jane Austin on the £10 note. 40 | :11:49. | :11:56. | |
years ago, a very secret mission of curd to get the original woman onto | :11:56. | :12:03. | |
our currency. -- curd. In the 60s, Britain was facing a monetary | :12:03. | :12:06. | |
revolution. Decimalisation would mean the end of shillings and | :12:06. | :12:10. | |
farthings, and inward come newly designed five, ten and 50p pieces. | :12:10. | :12:16. | |
Until the policy was announced, any new designs were shrouded in | :12:16. | :12:21. | |
secrecy. While gossiping surrounded the new | :12:21. | :12:30. | |
coins, the Royal Mint was charged with getting them designed. Graham | :12:30. | :12:35. | |
Dyer was an office assistant at the Royal Mint went decimalisation was | :12:35. | :12:41. | |
first mooted. It was a great time to be around. You thought it was part | :12:41. | :12:45. | |
of something important. It was such a huge change to the British | :12:45. | :12:49. | |
coinage, changing 1000 years of history overnight. It seemed better | :12:49. | :12:57. | |
to proceed on a confidential basis. While the public remain oblivious, | :12:57. | :13:01. | |
SC could competition was held to design the new decimal coins. -- a | :13:01. | :13:03. | |
SC could competition was held to secret competition. Critical | :13:03. | :13:10. | |
Ironside, an artist who previously designed modern -- medals for the | :13:10. | :13:17. | |
Mint, was one of the entrance. If anybody came to the house, | :13:17. | :13:22. | |
everything had to be covered up. We had people for dinner once. We went | :13:22. | :13:27. | |
to make copy, and suddenly we had a shriek. You are designing the | :13:27. | :13:35. | |
decimals! He said, you mustn't say a word to anybody. | :13:35. | :13:41. | |
After months of subterfuge, Christopher was told in 1953 that is | :13:41. | :13:48. | |
designed had one. This is the original series. This is a familiar | :13:48. | :13:53. | |
figure of battalion. This is St George. -- Britannia. But these | :13:53. | :13:59. | |
coins would never be used by the public. When the government | :13:59. | :14:02. | |
announced the move to decimalisation, James Callaghan | :14:02. | :14:08. | |
scrapped Christopher's coins and called for a second design | :14:08. | :14:13. | |
competition. This time it was open to the public. | :14:13. | :14:16. | |
He received a telephone call and was asked to come in. The deputy master | :14:16. | :14:24. | |
sat him down in a chair and porting the most enormous gin and tonic. He | :14:24. | :14:30. | |
said, I am sorry but I'm afraid you haven't won after all. It must have | :14:30. | :14:37. | |
been disappointing. It was, it was quite a knock. Within 24 hours, he | :14:37. | :14:43. | |
decided that he would enter the open competition, and he said I am going | :14:43. | :14:45. | |
to do even better. He entered the public competition | :14:45. | :15:01. | |
anonymously. His first design was Britannia. There was one job | :15:01. | :15:06. | |
Christopher could not do himself. To get the perfect design, he | :15:06. | :15:10. | |
needed a model to play the role of Britannia. Jean Ironside was about | :15:10. | :15:20. | |
to play a pivotal role. She was to be Britannia. This is where | :15:20. | :15:28. | |
Christopher would say, could you spare a minute, I am working on a | :15:28. | :15:33. | |
new design for Britannia? I would sit down. He would find a ruler, | :15:33. | :15:40. | |
something for me to hold as the Trident. He would say hold out your | :15:40. | :15:50. | |
left hand. He would -- he would put paper into my hand and say turn | :15:50. | :15:55. | |
your head, sometimes lean backwards, sometimes lean forwards. In 1968 a | :15:55. | :16:00. | |
nightmare came to an end for Christopher when, six years after | :16:00. | :16:04. | |
starting the design, he was announced the winner of the decimal | :16:04. | :16:08. | |
design competition for the second time. I can see one of 50 pence | :16:08. | :16:17. | |
piece. You could be Britannia. I was! | :16:17. | :16:28. | |
I recognise there now. We will not leave Jean there. She is at the | :16:28. | :16:35. | |
Royal Mint. They are going to produce one of the original designs | :16:35. | :16:40. | |
by Christopher for the 50 pence piece. Live on the show, Jean will | :16:40. | :16:46. | |
receive the first coin to come off the press. We will join her later. | :16:46. | :16:53. | |
Let's talk about taking Take Me Out out. You have a live version. We | :16:53. | :17:00. | |
are doing four nights at the Birmingham NEC. It is like on | :17:00. | :17:06. | |
television with 30 goals. A guy comes down -- women. We are | :17:06. | :17:13. | |
bringing back 15 women from the past series. On the day, they can | :17:13. | :17:18. | |
come with friends, to audition to past series. On the day, they can | :17:18. | :17:22. | |
come on the stage that night with me. Everybody in the audience will | :17:22. | :17:29. | |
have a light. When it gets to the last two, he picks one of them live, | :17:29. | :17:35. | |
and I will say all, you can pick somebody from the audience and take | :17:35. | :17:38. | |
and I will say all, you can pick a chance. We have made a massive | :17:38. | :17:44. | |
club in the arena. There will be a big party. It is a Christmas show. | :17:44. | :17:51. | |
For groups to come down and have a laugh. | :17:51. | :17:58. | |
You know how this feels. I have done it. Have you got it? We | :17:58. | :18:09. | |
could not afford it. You could not afford God's gift! I know times are | :18:09. | :18:17. | |
hard at the BBC! I was a Life Guard and in the staff room, I was 20 | :18:17. | :18:25. | |
years old. Lifeguards were wanted for the television show. Eight of | :18:25. | :18:30. | |
us went down. Only I got on. At the time, I was going yes, now, I am | :18:30. | :18:37. | |
like this. I had black silk boxer shorts and spiral curly hair. Every | :18:37. | :18:49. | |
girl's dream. That is the beauty. Now we are doing Take Me Out. When | :18:49. | :18:55. | |
the guy is nervous. I say trust me, silk boxer shorts, I have been | :18:55. | :19:00. | |
there. It is mad I am doing the show now. The beauty of the show | :19:00. | :19:12. | |
for me is the ad-lib side of it. 80%. When I am doing it live in | :19:12. | :19:18. | |
Birmingham, that is going to be tricky. Sometimes I come out with | :19:18. | :19:23. | |
something that will not make Saturday-night television. I will | :19:23. | :19:29. | |
have to be on my toes. It is a certain age range. In the past, we | :19:29. | :19:38. | |
have had men of 60 years old. And ladies in their Sixties. I like | :19:38. | :19:45. | |
that. We are talking about doing a special for pensioners. Our viewers, | :19:45. | :19:54. | |
not that you are all old... Back pedalling! There will be older | :19:54. | :20:00. | |
single people wanting to have a go. You even have lavender all the | :20:00. | :20:02. | |
show! Wether's! With doing a special for elderly | :20:02. | :20:18. | |
people, I think they have a bad press. People think they have | :20:18. | :20:23. | |
always been old but they have had a life and been around the world and | :20:23. | :20:27. | |
had amazing arrears and done more than we have done. It is great to | :20:27. | :20:33. | |
get them on. They are still looking for love. The entertainment at the | :20:33. | :20:40. | |
end will be brilliant. I am looking forward to doing that. I used to | :20:40. | :20:45. | |
like to watch Blind Date back in the day. They would do the OAP | :20:45. | :20:52. | |
special. What we will have to do is to put a stair lift on for when | :20:52. | :20:57. | |
they come down. Take it too far. I have gone too far. Take Me Out live | :20:57. | :21:08. | |
is at Birmingham NEC from 6th December until 9th December. In has | :21:08. | :21:14. | |
produced two engagements and a baby, but there are stranger places to | :21:14. | :21:19. | |
meet the love of your life than a TV show. We are asked you to tell | :21:19. | :21:24. | |
us about how you met your partner. -- we asked you. Here are some of | :21:24. | :21:30. | |
the couples who have found love in a hopeless place. A I and Nicola. I | :21:30. | :21:39. | |
am Richard. 12 years ago we found love by sending an incorrect test - | :21:39. | :21:46. | |
- text message. We exchanged numbers. I sent a text message. | :21:46. | :21:53. | |
There was a reply saying, text somebody who gives a damn. The | :21:53. | :22:00. | |
numbers were identical. Except the last two with the other way round. | :22:00. | :22:06. | |
I sent a text message back and we were back and forth all afternoon. | :22:06. | :22:11. | |
He described himself... Tall and blonde! At the time, he was. I | :22:11. | :22:17. | |
looked forward to hearing the beeping on the mobile phone. It was | :22:18. | :22:23. | |
nice. It would make my heart jump. We arranged to meet. I borrowed my | :22:23. | :22:26. | |
Rebecca -- I borrowed my mother's car. I | :22:26. | :22:37. | |
felt comfortable with him. We went for a drink and that was it. And | :22:37. | :22:45. | |
now these years later, beautiful children. I am Susan. I | :22:45. | :22:54. | |
unexpectedly found love with my husband 41 years ago. The night I | :22:54. | :22:59. | |
met my husband my sister and I went to a tennis club dance. She paid to | :22:59. | :23:04. | |
go in and went to the ladies' lavatory to open the windows so I | :23:04. | :23:08. | |
could climb in and save on the ticket price. Unfortunately, they | :23:08. | :23:13. | |
had bouncers on the door that evening and my husband was one of | :23:13. | :23:18. | |
them. A couple of us went to the car park to make sure nothing was | :23:18. | :23:23. | |
going on. We asked her to come back out through the window. We | :23:23. | :23:28. | |
suggested that she left. Fortunately, two weeks later, we | :23:28. | :23:32. | |
went to the local pub and there he was. He offered to buy a drink. By | :23:32. | :23:34. | |
the end of the evening I gave you was. He offered to buy a drink. By | :23:34. | :23:38. | |
my telephone number and you offered to take me to the dance legitimate | :23:38. | :23:46. | |
Lee. I am Nicky. I am magic Martin. We found love unexpectedly. When | :23:46. | :23:56. | |
magic Martin put a spell on me. I was doing a magic show. A woman was | :23:56. | :24:01. | |
batting in and organising the children. I went to see if he was | :24:01. | :24:05. | |
appropriate to have at the Brownie pack. He was friendly. And good | :24:06. | :24:16. | |
looks. Of course. My wit and personality. When I finished, I put | :24:16. | :24:21. | |
the rabbit in her lap which meant she had to stay around. The first | :24:21. | :24:30. | |
date, we were taking the rabbit for a walk. It was a bizarre first date. | :24:30. | :24:37. | |
Soon after that, Nicky became my glamorous assistant. We got married | :24:37. | :24:42. | |
and ten years later the magic is still in our relationship. We asked | :24:42. | :24:51. | |
for extraordinary circumstances. How did you propose to Christine? | :24:51. | :24:56. | |
It was Christmas Eve. We open our presents. I said open the car last. | :24:56. | :25:02. | |
She opened the card and it said, to my fiancee. She said I am not your | :25:02. | :25:05. | |
fiancee. I said you are now, you my fiancee. She said I am not your | :25:05. | :25:14. | |
lucky creature! It was brilliant. It was so nice. We had the fire and | :25:14. | :25:18. | |
the Christmas tree and the family came on Christmas Day and the -- | :25:18. | :25:29. | |
and we told them. It was fantastic. Earlier, we met Britannia, also | :25:29. | :25:35. | |
known as Jean Ironside. She is at the Royal Mint. She is waiting for | :25:35. | :25:40. | |
the presses to print her late husband's design for the 50 pence | :25:40. | :25:47. | |
piece. Are you ready to make money? We are going to make lots of money. | :25:47. | :25:53. | |
This is made in Cardiff at the Royal Mint. We are almost ready to | :25:53. | :25:59. | |
press a new 50 pence piece to commemorate Christopher, really, | :25:59. | :26:03. | |
and how are you feeling? It is wonderful. Christopher would be | :26:03. | :26:08. | |
amazed. I wish he was here to see what was going on. What would he | :26:08. | :26:16. | |
have said? I do not know. He always felt that when the job was done, | :26:16. | :26:20. | |
that was the end of it and nothing else would happen in that direction, | :26:20. | :26:25. | |
but he would be so bad. This is a big moment for you, and emotional. | :26:25. | :26:31. | |
You work at the Royal Mint. What happens? This is the press room. | :26:31. | :26:37. | |
This is where we put the head and tail on the coin. You make coins | :26:37. | :26:44. | |
for all over the world? About 65 countries. How many 50 pence pieces | :26:44. | :26:53. | |
will we press? 5 million. When will it go into circulation? We have in | :26:53. | :27:02. | |
the next few weeks. -- within. You have a special coin being printed | :27:02. | :27:06. | |
tomorrow. It is the christening of Prince George. It will be revealed | :27:06. | :27:12. | |
this week. The Queen and the Duke and Duchess of Cambridge love the | :27:12. | :27:19. | |
design. One of the coins is were -- is worth £5,000 because it is made | :27:19. | :27:25. | |
from gold. And now, you are going to see the first 50 pence piece | :27:25. | :27:39. | |
press. Wonderful, wonderful. This is a special day because it is your | :27:39. | :27:45. | |
birthday. You will have that coin. We also have this for you. Oh, no! | :27:45. | :27:58. | |
That is because you are the original Britannia. And this is | :27:58. | :28:02. | |
your coin. Make sure you look out for the new 50 pence piece. It will | :28:02. | :28:05. | |
be their very soon. We have for the new 50 pence piece. It will | :28:05. | :28:16. | |
4,999,999 left press. We will handover. Ready. | :28:16. | :28:27. | |
That is wonderful. Paddy, so that you do not feel left out. We | :28:27. | :28:41. | |
pressed this. Are we done? We are nearly done. It has been nice. Good | :28:41. | :28:48. | |
luck with everything happening with Take Me Out live. Only the one side, | :28:48. | :28:57. | |
typical BBC! Tomorrow, Downton Abbey writer Julian Fellowes will | :28:57. | :28:58. | |
be hair. | :28:58. | :28:59. |