Browse content similar to 09/01/2013. Check below for episodes and series from the same categories and more!
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Hello, and welcome to The One Show bid Gabby Logan and Matt Baker. | :00:22. | :00:28. | |
are delighted to welcome Ruth Jones, the start of Gavin & Stacey and the | :00:28. | :00:32. | |
brilliant Stella. Welcome back. We will be talking about the return to | :00:32. | :00:38. | |
the valleys in a few minutes. Our other guest tonight has already had | :00:38. | :00:42. | |
a big impact on Matt. He is the best guest we have ever had, a | :00:42. | :00:47. | |
phenomenal human being, an absolute legend. It is almost like you have | :00:47. | :00:54. | |
been hypnotised! Perhaps you have, it is Paul McCann! It is good to | :00:55. | :01:00. | |
see you again, we had a little meeting yesterday, it went on for | :01:00. | :01:05. | |
about two-and-a-half hours in the end. I was feeling very jet-lagged, | :01:05. | :01:10. | |
and when I hypnotised you I fell asleep myself. I should not admit | :01:10. | :01:15. | |
to bits. At one point I woke up and become a man was like, what are you | :01:15. | :01:21. | |
doing? I said, it is all part of the process! -- when I woke up, the | :01:21. | :01:25. | |
cameraman was like, what are you doing? | :01:26. | :01:35. | |
:01:36. | :01:37. | ||
If this is very dark. Emotionally? I don't know, it is how I feel. | :01:37. | :01:43. | |
You spend a lot of hours as Pablo Picasso? I was an artist, it was | :01:43. | :01:50. | |
very strange. He became quite a painter. The purpose of this | :01:50. | :01:54. | |
process, it is not like a stage show for entertainment, lots of | :01:55. | :01:59. | |
people use these techniques are where you step into or become that | :01:59. | :02:05. | |
person. When you do it using had noticed -- hypnosis it is very | :02:05. | :02:12. | |
intense. People who are not normally very outgoing suddenly | :02:12. | :02:15. | |
become very much like the person they want to be like and they get | :02:15. | :02:20. | |
all sorts of insights into how they think and behave. You said some | :02:20. | :02:24. | |
pretty deep things yesterday. look forward to seeing that later! | :02:24. | :02:29. | |
It all got surreal yesterday, and it is not getting better today. | :02:29. | :02:39. | |
:02:39. | :02:40. | ||
What is happening here? Gosh! That is dear old Nessa. She was at the | :02:40. | :02:44. | |
front of a St David's Day parade in Cardiff. Lots of people sent me | :02:45. | :02:49. | |
photographs of it, saying they have done a papier mache version of you. | :02:49. | :02:56. | |
I said, it is not me, it is Nessa. How tall is it? It is proper | :02:56. | :03:02. | |
massive, the size of a castle! Q J! And it is waiting in storage for | :03:02. | :03:10. | |
next year? Yes, in state, with Tom Jones, apparently? Richard Burton? | :03:10. | :03:15. | |
They are all there. Just being touched up with a bit more | :03:15. | :03:20. | |
newspaper. Nessa likes being touched up! It is three months | :03:21. | :03:24. | |
since private clampers were outlawed in the UK after complaints | :03:24. | :03:29. | |
about unscrupulous operators setting traps and demanding huge | :03:29. | :03:33. | |
fees. We asked Dan Donnelly to check out a Yorkshire firm | :03:33. | :03:40. | |
described by the RAC Foundation in 2003 as one of the worst. | :03:40. | :03:44. | |
In the pretty Yorkshire tourist town of Howarth, this car park has | :03:44. | :03:49. | |
been leading motorists fuming. But first the complaints were about to | :03:49. | :03:54. | |
wheel clamps. Cecilia was clamped at just minutes after going to get | :03:54. | :03:57. | |
changed for the machine. She felt intimidated by the behaviour of the | :03:57. | :04:03. | |
clampers. I felt quite scared. He was getting ready in the face, | :04:03. | :04:07. | |
talking over me, raising his voice, what do you want me to do, do you | :04:07. | :04:12. | |
want me to pay your time? Leaning forward and gesturing with his arms. | :04:12. | :04:17. | |
I felt I had to step backwards because he was quite in-your-face | :04:17. | :04:21. | |
and aggressive. The clamping company denied intimidating any one | :04:21. | :04:25. | |
and says staff are trained by the Security Industry Association, but | :04:25. | :04:34. | |
so feria -- so Celia felt she had no choice but to pay �90. The | :04:34. | :04:39. | |
experience left her badly shaken. We have seen dozens of complaints | :04:39. | :04:43. | |
about this car park and spoken to other drivers who say they felt | :04:43. | :04:47. | |
intimidated or frightened by the men running the clamping operation | :04:47. | :04:52. | |
here. On private land, clamping has been banned. So how do former | :04:52. | :04:57. | |
clamping companies enforce their rules? In many cases, by issuing | :04:57. | :05:02. | |
tickets, a perfectly legitimate way to control parking. But we have | :05:02. | :05:06. | |
been told that his company are still using unfair tactics to get | :05:06. | :05:10. | |
drivers to pay. We set up some secret filming to see how they | :05:10. | :05:17. | |
treat us. Our researcher drives into the car park on a Saturday | :05:17. | :05:21. | |
afternoon. He is watched by an attendant in an unmarked car. The | :05:21. | :05:24. | |
researcher pretends he has no change for the pay-and-display | :05:24. | :05:33. | |
machine, he fumbled in his pockets then heads off to get some. Just | :05:33. | :05:37. | |
after he leaves the car park, the attendant is out of his calf. It | :05:37. | :05:42. | |
takes just 45 seconds for him to start writing the tepid. Hello, | :05:42. | :05:48. | |
mate. I had to run to get some change. And less than two minutes | :05:48. | :05:51. | |
later, the researcher is back as the ticket goes on to the | :05:51. | :06:01. | |
windscreen. I have already ticketed it. I have been two minutes. You | :06:01. | :06:06. | |
did not see me arrive? I have just pulled up in the car, I got the | :06:06. | :06:11. | |
ticket out, photographed it and did The filming shows that is | :06:11. | :06:15. | |
completely untrue. This man is Tony Farnell, the boss of the company | :06:15. | :06:21. | |
who run the ticketing operation. The footage show as he watched as | :06:21. | :06:24. | |
park and spring into action as soon as the researcher left the car park | :06:24. | :06:30. | |
and was out of sight. What about the price of the ticket? If you pay | :06:30. | :06:37. | |
�60 now, it goes to �75 in a week then �150 after a week, then debt | :06:37. | :06:42. | |
recovery? What do you mean? If it is unpaid after seven days it goes | :06:42. | :06:47. | |
to debt recovery, they chase it to the registered keeper. At my | :06:47. | :06:53. | |
address? You can use the DVLA to find out where I live? I can't, | :06:53. | :06:59. | |
debt recovery can. That is how it works. It is not. Only members of | :06:59. | :07:03. | |
the British Parking Association and debt collectors approved by the | :07:03. | :07:07. | |
DVLA are able to access DVLA records. And to get permission to | :07:08. | :07:13. | |
do that, you need to abide by a code of practice. Tony Farnell's | :07:13. | :07:18. | |
company is not approved by the BPA, does not approved by its code -- | :07:18. | :07:27. | |
abide by its code of praxis and cannot access DVLA data. The debt- | :07:27. | :07:31. | |
collecting company have also told us they cannot access DVLA data for | :07:32. | :07:36. | |
the company and that they have been told this. You can track me through | :07:36. | :07:43. | |
the DVLA? That is how any company can track you. We showed our | :07:43. | :07:46. | |
footage to West Yorkshire Trading Standards, who said that motorists | :07:46. | :07:50. | |
could be unfairly influenced into paying up straight away because of | :07:50. | :07:55. | |
false claims made by the company. They are reinforcing the impression | :07:55. | :07:59. | |
that they can get the address of the registered keeper from the DVLA, | :07:59. | :08:03. | |
when clearly they cannot, nor should anybody operating on their | :08:03. | :08:09. | |
behalf. In fairness to them, their fines clearly so -- are there signs | :08:09. | :08:12. | |
clearly set out the parking rules, which do not allow time to get | :08:12. | :08:17. | |
changed. But they are breaking a host of other guidelines, they | :08:17. | :08:22. | |
should not use images of car clamps and tow trucks are my signs, nor | :08:22. | :08:27. | |
should they use words like penalty and prosecute. They reinforce the | :08:27. | :08:32. | |
impression that there are sanctions that can be applied which can't. | :08:32. | :08:37. | |
have heard how drivers have felt intimidated, we have seen the over- | :08:37. | :08:42. | |
zealous ticketing and her two false claims about being able to access | :08:42. | :08:47. | |
driver details from the DVLA. I wonder what they have to say for | :08:47. | :08:49. | |
themselves? We will find out what happened when | :08:49. | :08:54. | |
Dan Donnelly confronted the parking company later. Ruth, you said you | :08:54. | :08:59. | |
have good parking days and bad cop pink -- parking days? Yes, like | :09:00. | :09:05. | |
good hair days and bad hair days. But in cars they have the signals | :09:05. | :09:11. | |
which beep, you want to go, all right, calm down! I know! My mum | :09:11. | :09:16. | |
told me a brilliant tip, if you are parking on the High Street, use the | :09:16. | :09:21. | |
shop windows as a mirror. And often the beeping is wrong, you have | :09:21. | :09:26. | |
miles. If you use the likes of the car that is already parked, if you | :09:26. | :09:29. | |
are reverse parking, line your light with theirs, because they | :09:29. | :09:34. | |
have spent the time and the trouble lining up. I just use the car, and | :09:34. | :09:39. | |
when I hit it I know I am there! A brand-new series of stellar. For | :09:39. | :09:47. | |
those who did not see that there is serious, tell us about it. I placed | :09:47. | :09:53. | |
our, she is a woman in her early Forties with three kids. -- at I | :09:53. | :09:59. | |
played Stella. She has a chaotic life. A gorgeous man came into her | :09:59. | :10:03. | |
life 10 years younger in series one, everything looked great and then | :10:03. | :10:07. | |
her first love came back into her life and ruined everything, or did | :10:08. | :10:11. | |
he? We ended series one with her realising she was pregnant, but not | :10:12. | :10:19. | |
knowing who the father was. This is Friday's episode. | :10:19. | :10:28. | |
What are you doing here? My lovely boy! Come here! I heard you were | :10:28. | :10:35. | |
coming back so I got you shopping. Lovely! Isn't he lovely? Knight in | :10:36. | :10:41. | |
shining armour! I can see you -- see why are you married in! But you | :10:41. | :10:45. | |
know we have been divorced eight years? But it is just a little blip, | :10:46. | :10:50. | |
you will soon be back in the marital home. I have a new | :10:50. | :10:57. | |
boyfriend. Let's see what state my brothers have left this house in. | :10:57. | :11:04. | |
You are like a proud mum looking at all the actors. It is lovely. That | :11:04. | :11:12. | |
is my auntie Brenda, she is a new character. People so far have | :11:12. | :11:19. | |
absolutely loved her. She tells it as it is, very Welsh indeed. She is | :11:19. | :11:26. | |
fantastic. Lots of new characters this series. We have Paul K... Not | :11:26. | :11:36. | |
:11:36. | :11:40. | ||
Paul Kay! I am going mad! He is at home going, really?! We have a new | :11:40. | :11:49. | |
age... What do you call it? Russell Brand comes in, Alan's ex wife | :11:49. | :11:56. | |
comes in. It is really good, lots of new characters. -- Russell Grant | :11:56. | :12:04. | |
comes in. Friday night, 9pm, Sky1 HD. Be there... Or be square. The | :12:04. | :12:08. | |
series is set in Pontyberry, a made-up place, it is Ferndale in | :12:08. | :12:14. | |
the valleys. Why did you choose that? We knew we wanted to set it | :12:14. | :12:19. | |
in the South Wales valleys, partly because Gavin and Stacey... I | :12:19. | :12:23. | |
wanted to write something bulge. I wondered if I should move at a | :12:23. | :12:29. | |
Bristol but I don't know anything about Bristol. -- I wanted to write | :12:29. | :12:33. | |
something Welsh. I love the way people speak in the valleys, there | :12:33. | :12:37. | |
is a beautiful rhythm to the language. And the location is | :12:37. | :12:44. | |
beautiful. So myself and the series producer, David, we trawled the | :12:44. | :12:47. | |
South Wales valleys that thing for suitable locations and kept coming | :12:47. | :12:53. | |
back to Ferndale. We used it when we co-produced another programme in | :12:53. | :13:01. | |
Wales. He is my husband, indeed. Our production company, Tidy, makes | :13:01. | :13:07. | |
it. Gavin & Stacey did wonders for tourism in Barry Island. Residents | :13:07. | :13:11. | |
in Ferndale, compared to Tuscany by some, hope that Stella will have | :13:12. | :13:21. | |
:13:22. | :13:26. | ||
It is not as posh as Tuscany and what have you. But plenty of | :13:26. | :13:31. | |
beautiful places, the mountains, you can go for picnics on nice days. | :13:31. | :13:35. | |
You can step out of your house and walked into the green pastures of | :13:35. | :13:41. | |
the mountains in two minutes. is light rain, there is a three- | :13:41. | :13:48. | |
and-a-half mile walk, natural beauty in its own right. It has a | :13:48. | :13:54. | |
lovely pub with lots of real ales. I wander over there now and again! | :13:54. | :13:58. | |
People in Ferndale always have a good party. There have been quite a | :13:58. | :14:04. | |
few good ones recently. Just enjoying themselves. There are | :14:04. | :14:09. | |
quite a lot of characters in Ferndale. I think Stella has got | :14:09. | :14:12. | |
Valley life onto the screen, because it is on the whole how | :14:12. | :14:21. | |
Valley life is. We have sunny days, and when the sun shines there is no | :14:21. | :14:28. | |
-- no finer place to be. What lovely people back Art -- they are. | :14:28. | :14:34. | |
Alan looked a bit like Patrick mower. Is everybody in Ferndale | :14:34. | :14:44. | |
:14:44. | :14:44. | ||
called Alan? I know Alan Jones, he lives on Stella's Street. But hello | :14:44. | :14:52. | |
to all the Alans. It was Paul Kaye, I was right, I had a mental blip | :14:52. | :14:58. | |
earlier. Not Peter cave. I am sorry, I had a mental blip. I think | :14:58. | :15:03. | |
Ferndale looks beautiful. That is on a rainy day, but on a sunny day | :15:03. | :15:13. | |
:15:13. | :15:14. | ||
it is stunning. You can see Stella It's not often that the One Show | :15:14. | :15:19. | |
has two car park films in a row, but today we do. Yes. And for good | :15:19. | :15:22. | |
reason because this is probably the most talked-about car park in the | :15:22. | :15:28. | |
world. Certainly in the East Midlands. Dan Snow is looking into | :15:28. | :15:32. | |
how archaeologists are trying to prove that Richard III really did | :15:32. | :15:41. | |
end up being buried under a pay and display. Good job. Very good, sir! | :15:41. | :15:46. | |
Shakespeare's version of Richard III is that of a man deformed, his | :15:46. | :15:52. | |
character, a Machiavellian villain. 15th century England was a country | :15:52. | :15:55. | |
torn apart by a bitter civil war. The battle for the English throne | :15:55. | :16:00. | |
raged between Richard's House of York and the house of Lancaster. It | :16:00. | :16:05. | |
was known as the War of the Roses. The final climactic battle for the | :16:05. | :16:15. | |
:16:15. | :16:15. | ||
Crown took place at Bosworth Field in Lestershire. Having been king | :16:16. | :16:19. | |
for only two years Richard met his end at the hands of exiled Henry | :16:19. | :16:23. | |
Tudor and became the last King of England to be killed in battle, but | :16:24. | :16:30. | |
now more than 500 years later, Richard III might well be back. | :16:31. | :16:35. | |
After the battle, Richard was stripped of armour, carried to | :16:35. | :16:41. | |
nearby Leicester and buried at Grey fires are church. Last summer | :16:41. | :16:44. | |
archaeologist Richard Buckley and his team from the University of | :16:44. | :16:50. | |
Leicester embarked on a quest to locate the Grey fires are site deep | :16:50. | :16:56. | |
below the cities's streets first reliable map is the 1741 map | :16:56. | :17:06. | |
:17:06. | :17:06. | ||
by Roberts. That clearly shows the location of the Greyfryers precinct. | :17:06. | :17:10. | |
Before you started this, when you were at this early map stage, what | :17:10. | :17:14. | |
were the chances of you identifying this building? Pretty slim really. | :17:14. | :17:19. | |
A large proportion of the precinct is covered by two modern roads, | :17:19. | :17:22. | |
modern buildings, 18th century building, then there are two car | :17:22. | :17:27. | |
parks. The only available areas are the car parks. Warmed ground- | :17:27. | :17:31. | |
penetrating radar, diggers and trowels, over some months the team | :17:31. | :17:36. | |
slowly unearthed the walls of the church, then the central area - | :17:36. | :17:40. | |
they discovered human remains. Right. Here's the trench. Yes, | :17:40. | :17:44. | |
indeed. Where were the remains found? Down in that area where the | :17:44. | :17:48. | |
brick found days are. The yellow pin you can see in the ground marks | :17:48. | :17:53. | |
the position where the feet would be. What is your gut telling you? | :17:53. | :17:57. | |
Do you think these remains are those of Richard III? Historical | :17:57. | :18:00. | |
accounts suggest he was buried in the choir of the church, so it | :18:00. | :18:03. | |
looked like we were on the right trail. We have of course the | :18:04. | :18:09. | |
evidence of trauma to the burial. We have evidence of scoliosis, so | :18:09. | :18:11. | |
lo and behold there were certain characteristics that led us to | :18:11. | :18:14. | |
believe this might be the one we were looking for. The remains are | :18:14. | :18:19. | |
being kept in a sealed laboratory at the University of Leicester to | :18:19. | :18:22. | |
help preserve them during tests. This will be the first time carbon | :18:22. | :18:26. | |
dating and DNA testing will have been used to determine the identity | :18:26. | :18:33. | |
of a King of England. Today, I get to meet a man key to those tests - | :18:33. | :18:37. | |
Canadian Michael Igson whose lineage has been traced back to | :18:37. | :18:42. | |
Richard III's sister and of York. If his DNA sample matchs the | :18:42. | :18:47. | |
remains, it will confirm the body is that of the dead King. What will | :18:47. | :18:52. | |
it be like for you if they announce those remains are in fact Richard | :18:52. | :18:55. | |
III? It's something that is profoundly moving in a way to think | :18:55. | :19:00. | |
that you have a tangible link with somebody of the stature of Richard | :19:00. | :19:05. | |
III. What's it like standing here very near the battlefield where | :19:05. | :19:10. | |
your great, great, great, great, great uncle was killed and lost his | :19:10. | :19:14. | |
crown? Shivers up the back of the spine sort of thing to think that | :19:14. | :19:20. | |
500 years ago Richard lost his life here, and it's a small part of me | :19:20. | :19:24. | |
and my siblings that is in common with him. You can't pass on this | :19:24. | :19:28. | |
DNA, but your sister can. She can, but she has no children, so that's | :19:28. | :19:32. | |
the end of our particular line. Thank goodness we managed to get to | :19:32. | :19:41. | |
your family bast before it was too late. Indeed. In the final moments | :19:41. | :19:46. | |
of Shakespeare's play he has Richard exclaim, "I have set my | :19:46. | :19:51. | |
life upon a cast and I'll stand the hazard of the die." Luck's played | :19:51. | :19:56. | |
its part so far. Will it be Richard or not? | :19:56. | :20:01. | |
Dan is here with us now. When are we going to know if it is indeed | :20:01. | :20:06. | |
Richard III? We're going to know for sure when all the tests, the | :20:06. | :20:12. | |
DNA tests, the carbon dating, soil testing, DNA are in the beginning | :20:13. | :20:16. | |
of next month. Why doesn't he just go on the Jeremy Kyle show? You're | :20:16. | :20:21. | |
not the first person to say that. think your word is as good as | :20:21. | :20:26. | |
anybody's. Come on. Don't believe me, but the guys there yesterday | :20:26. | :20:31. | |
convinced me it was Richard III. I will eat my hat if it is not | :20:31. | :20:36. | |
Richard III lying under that car park. Where is the funeral going to | :20:36. | :20:40. | |
be? How is it going to be resolved People have already started to ask | :20:40. | :20:44. | |
questions. The people of York would quite like him to go up there. But | :20:44. | :20:48. | |
the people of Leicester are proud. This is great for Leicester | :20:48. | :20:53. | |
archaeology. The license under which they dug him up in the first | :20:53. | :20:56. | |
place said specifically if... have a right to keep him. They have | :20:56. | :21:00. | |
a right the Ministry of Justice are going to say if it is Richard III - | :21:00. | :21:04. | |
if it is - next week we'll know where it's decided he's going to be | :21:04. | :21:09. | |
buried. With a big ceremony? He was buried at the time, after all, late | :21:09. | :21:13. | |
15th century. A very controversial monarch. He is controversial, but | :21:13. | :21:21. | |
of course - it's bad PR. William II smashed his own brother on the | :21:21. | :21:28. | |
battlefield to secure the Crown. Henry IV invaded, captured and had | :21:28. | :21:32. | |
captured his own cousin, so yes, he may have had his two nephews killed, | :21:32. | :21:37. | |
but that was not that unusual. have had his nephews killed, but | :21:37. | :21:41. | |
you know! Had his nephew killed, had a claim to the throne, and | :21:41. | :21:46. | |
Henry Tudor - that guy - Henry she is enth, little claim to the throne, | :21:46. | :21:52. | |
came across, invaded, beat his distant cousin to it, then Henry | :21:52. | :21:55. | |
VIII had plenty of people killed in order to establish their claim to | :21:55. | :21:59. | |
the throne, so it's all about propaganda, trying to paint Richard | :21:59. | :22:03. | |
III as dark as they could. course, now we're going to wonder, | :22:03. | :22:10. | |
now is the winter of our discontent - was it said in a Leicester or | :22:10. | :22:15. | |
Yorkshire accent? The plot thickens. Pomp and ceremony is what he would | :22:15. | :22:19. | |
have wanted. What he would have wanted. But he was a Catholic. Now | :22:19. | :22:23. | |
if they bury him, it will be a Protestant service. Talking about | :22:23. | :22:26. | |
the Yorkshire accent, when most people think of Richard III, they | :22:26. | :22:32. | |
think of this performance. Now is the winter of our discontent made | :22:32. | :22:38. | |
glorious summer by this sun -- son of York, and all the clouds that | :22:38. | :22:43. | |
lowered upon our house in the deep bosom of the ocean buried. Well, | :22:43. | :22:53. | |
that, of course, was Sir Laurence Olivier, the RSC. I was in the RSC | :22:53. | :22:58. | |
once, only had one line, "Come, let us return again, let us suffice | :22:58. | :23:02. | |
ourselves with the report of it." Did you love doing Shakespeare | :23:02. | :23:06. | |
plays? When I did it then, yes, I did love it. I used to do an | :23:06. | :23:09. | |
audition piece when I was auditioning for drama schools and | :23:09. | :23:18. | |
auditions in general. I did Kate Hotspur from Henry IV, part 1. Did | :23:18. | :23:24. | |
he have her killed? He did die in battle. That was quite a... I can | :23:24. | :23:29. | |
still remember it, oh, my good lord. I also had to do a Shakespearean | :23:29. | :23:34. | |
voice, "Oh, my good lord. Why are you thus alone? So why this | :23:34. | :23:37. | |
fortnight am I banished from my Henry's bed?" | :23:37. | :23:43. | |
APPLAUSE I used to act like that. It is | :23:43. | :23:47. | |
lovely, all the rhythms. Rock hard to learn - Paul, you must have | :23:47. | :23:50. | |
helped people get into the rhythm a little bit? Do you know, I have | :23:50. | :23:54. | |
over the years because some actors try to just learn the lines as | :23:54. | :23:58. | |
they're written down, but I remember a few years ago helping a | :23:58. | :24:03. | |
friend of mine - instead of trying to think of it as one big go, you | :24:03. | :24:06. | |
break it down into chunks because then it's more doable. I would say, | :24:06. | :24:10. | |
tell me what this scene is actually about? You can hear the emotional | :24:10. | :24:17. | |
sort of underscore of it. He says, "He's feeling this, the King is | :24:17. | :24:20. | |
feeling that", blah, blah, blah, then the words go on top of it. You | :24:20. | :24:25. | |
do it one step at a time. Thank you very much. We'll await with news of | :24:25. | :24:27. | |
interest. All this week, Mike Dilger has been | :24:28. | :24:34. | |
on a very exciting whale watching venture for One Show. We promised a | :24:34. | :24:38. | |
trilogy, so here's part three. After my extraordinary encounter | :24:38. | :24:42. | |
with Killy whales after the Scottish coast... Oh, it just | :24:42. | :24:48. | |
doesn't get any better than that. My journey is continuing - this | :24:48. | :24:51. | |
time to Copenhagen in Denmark, home to one of the world's leading | :24:51. | :24:57. | |
experts on killer whales. I am keen to meet Dr Andrew Foote and show | :24:57. | :25:01. | |
him our film. How rare is this to see killer | :25:01. | :25:05. | |
whales in the wild in these conditions around Scotland - it's | :25:06. | :25:10. | |
really rare. This is fantastic footage. The two guys the big | :25:10. | :25:13. | |
dorsal fins will be full-grown males. | :25:13. | :25:18. | |
The male on the right you can see with that huge dorsal fin - it's | :25:18. | :25:26. | |
like two metres... It looks a lot like an animal we know as Comet, in | :25:26. | :25:31. | |
which case the female is likely to be W9 or puffin, which is a female | :25:31. | :25:36. | |
he's often seen with. She's quite a distinctive female. She's got a | :25:36. | :25:42. | |
short, stubby dorsal fin. I think the other male we have is probably | :25:42. | :25:46. | |
Acasius. Killer whales live in distinct family groups, so we now | :25:46. | :25:50. | |
know for certain that these individuals are from the west coast | :25:50. | :25:53. | |
community. What do we know about the life | :25:53. | :25:57. | |
historys of these animals? If we can identify them, we can tell a | :25:57. | :26:00. | |
little bit more about how long they have lived? That male with the | :26:00. | :26:05. | |
notch, for example, we have photographs of him from 1992 as a | :26:05. | :26:10. | |
full-grown adult male, so we know he must be 40 years on at least. | :26:10. | :26:13. | |
That's astonishing. How long can he live for? The males don't live as | :26:14. | :26:18. | |
long as the females, but they still live for 50, 60 years. He's got a | :26:18. | :26:22. | |
couple of decades left, but he's definitely in the twilight of his | :26:22. | :26:28. | |
life now, I would say. Andy's work involves analysing skulls and | :26:28. | :26:32. | |
sceltins of whale, and he's found their teeth are dramatically | :26:32. | :26:36. | |
different depending on their diet and where their ancestors | :26:36. | :26:40. | |
originally lived. This one you can see there is nowhere at all - | :26:40. | :26:43. | |
there's little bits chipped off, but it's not worn. If you can look | :26:43. | :26:47. | |
at that specimen... Just there? Yeah, those teeth are all worn down, | :26:47. | :26:52. | |
and if there was still flesh on that jawbone that would be worn | :26:52. | :26:55. | |
down all the way to the gum line. It would be completely smooth. | :26:55. | :26:58. | |
That's really interesting because I actually saw the mouth of one of | :26:58. | :27:02. | |
the killer whales open, and the teeth looked like this rather than | :27:02. | :27:06. | |
that. That's amazing because I kind of had some suspicion that the west | :27:06. | :27:09. | |
coast community might be these ones without these teeth, but we | :27:09. | :27:13. | |
followed it up with other studies, and one of the first ones we looked | :27:13. | :27:17. | |
for was the genetics and the family tree of killer whales. We found | :27:17. | :27:22. | |
this one fitted in with most of the other north-east Atlantic killer | :27:22. | :27:26. | |
whales, the ones we see feeding on herring around Norway, in Scotland | :27:26. | :27:30. | |
as well. These very few specimens we found with unworn teeth, we got | :27:30. | :27:35. | |
a big surprise when we looked at the DNA of those, and they were | :27:35. | :27:38. | |
more closely related to Antarctic killer wails than the north-east | :27:38. | :27:40. | |
killer whales. What you were telling me about the teeth of the | :27:40. | :27:46. | |
ones you saw, it joins me between these specimens and the ones in the | :27:46. | :27:51. | |
wild, useful information. It shows their ancestors probably swum | :27:51. | :27:55. | |
around the Antarctic rather than the Atlantic. We have evidence of | :27:55. | :28:01. | |
what our killer whales are eating. There's two killer whales here... | :28:01. | :28:05. | |
Converging, aren't they? They pop out in the middle with another | :28:05. | :28:10. | |
animal in front. Oh, look at that it's a harbour porpoise. This | :28:10. | :28:15. | |
adult... That's Aquarius there... Is pushing the harbour porpoise | :28:15. | :28:19. | |
under the water. Look at that you can just see the harbour porpoise | :28:19. | :28:26. | |
under the water. You can see the porpoise surfacing much higher than | :28:26. | :28:30. | |
he would normally. He's desperate to come up and have a breath. | :28:30. | :28:34. | |
you see this piece of meat floating in the water just there? Watch this. | :28:34. | :28:40. | |
Bang! That looks like the tale end of the porpoise, amazing. | :28:40. | :28:45. | |
unusual is this footage? There's only a few home movies of this | :28:45. | :28:51. | |
group of killer whales. To one has taken footage of it before. To get | :28:51. | :28:55. | |
it in these conditions is completely unique. Helps you with | :28:55. | :29:00. | |
your research? It does. It gives us an idea of what they're eating how | :29:01. | :29:05. | |
they're hunting. To see you were able to do this makes me think I'll | :29:05. | :29:09. | |
give it another go and do some more field work next year. I am very | :29:09. | :29:19. | |
jealous. You should have taken me In tribute to those killer whales, | :29:19. | :29:23. | |
an ice artist has made this fantastic creation. You can see | :29:23. | :29:27. | |
more of her work at the London Ice Sculpting Festival at Canary Wharf | :29:27. | :29:33. | |
this weekend. I hope it lasts, it is quite warm today. | :29:33. | :29:40. | |
The Hebridean Whale and Dolphin Trust say that Comet, Aquarius and | :29:40. | :29:46. | |
Lulu were last spotted filming at Cheesebay in South Uist. I was on | :29:46. | :29:51. | |
holiday in Scotland, I thought I saw a whale, but it was a rock. I | :29:51. | :29:56. | |
steadied it for about three hours, I used to drink then, I stared at | :29:56. | :30:02. | |
it for about three hours before I realised. Paul, you have another | :30:02. | :30:06. | |
book out. Your best selling book, How To Make You Thin, was a | :30:06. | :30:10. | |
bestseller, so why do you read is that the world of slimming? | :30:10. | :30:15. | |
publishers have asked me many times to revisit it, but I had not | :30:15. | :30:19. | |
discovered anything new that I thought was a breakthrough. Then I | :30:19. | :30:24. | |
met an expert in obesity and he said, we are fascinated with the | :30:24. | :30:27. | |
procedure to hypnotise somebody to think they have had a gastric band. | :30:28. | :30:32. | |
They know they have not, but their unconscious mind thinks their | :30:32. | :30:37. | |
stomach has shrunk from the size of Ray Mallon to a tennis ball. So the | :30:37. | :30:41. | |
full signal is amplified, you get full a faster and you leave food on | :30:41. | :30:47. | |
the plate without feeling you are missing out. I made a CD, I gave it | :30:47. | :30:52. | |
to a turn of people... For isn't most hunger in the mind? You only | :30:52. | :30:57. | |
need about 700 calories a day to survive. Most of our desire for | :30:57. | :31:03. | |
food is emotional as opposed to from the stomach? There is some | :31:03. | :31:06. | |
truth in that. Most of the time when people are hungry they are | :31:06. | :31:11. | |
thirsty. But it depends on your metabolism. I know we need more on | :31:12. | :31:15. | |
a daily basis generally, but most of what we eat comes from emotional | :31:15. | :31:21. | |
decisions? Emotional hunger is one of the biggest problems right now. | :31:21. | :31:25. | |
This book and CD, unlike the operation costing 8000 quid with | :31:25. | :31:32. | |
all kinds of potential dangers, that is also not really dealing | :31:32. | :31:35. | |
with the root cause of why people put on weight, and in this book I | :31:35. | :31:40. | |
have attempted to go to that at some stage as well. I did not have | :31:40. | :31:45. | |
anything new to bring to weight loss, this is a fantastic break -- | :31:45. | :31:50. | |
break through. The people who have done it had said, it does not feel | :31:50. | :31:55. | |
like I am doing anything, there is no effort, they are quite astounded | :31:55. | :32:00. | |
will stop it is almost like magic. It is not, but it is like it. | :32:00. | :32:05. | |
last time you were on, Alex became a window cleaner. We have gone more | :32:05. | :32:12. | |
highbrow this time. Matt has done something different. | :32:12. | :32:15. | |
Sometimes people ask me, they want an insight into something they are | :32:15. | :32:21. | |
fascinated with, a business leader, an artist or somebody. I hypnotise | :32:21. | :32:27. | |
them to become that person. It is a bit like Method acting, they can | :32:27. | :32:31. | |
speak a bit like them, they lose their sense of self and get | :32:31. | :32:37. | |
insights, sometimes very deep insights. I asked Matt, is there | :32:37. | :32:41. | |
anybody you would like to know more about? You said the great painter, | :32:41. | :32:47. | |
Picasso. You are nervous because you have not seen it. Look at my | :32:47. | :32:57. | |
:32:57. | :33:03. | ||
body language! Look at Matt are You see, I see... I see a very | :33:03. | :33:11. | |
natural plant, object, in a very a natural setting. Yes. -- very own | :33:11. | :33:16. | |
natural setting. With many people from all over the world, some not | :33:16. | :33:26. | |
:33:26. | :33:28. | ||
so natural. And I think of all the things that this plant has seen. | :33:28. | :33:36. | |
And it just grows. And grows and grows. And never changes, only in | :33:36. | :33:45. | |
height. LAUGHTER AND APPLAUSE. Your accent | :33:45. | :33:51. | |
was amazing! And your mannerisms. He was obviously a single-minded | :33:51. | :33:59. | |
guy, you were very friendly, you put your feet up on the couch. | :33:59. | :34:03. | |
that tell you anything about Matt? Because you felt uncomfortable | :34:03. | :34:07. | |
doing that because it was so out of character, but what was interesting | :34:07. | :34:12. | |
was that some of the things you said, it was deep. I said, what is | :34:12. | :34:20. | |
art? It was all about how it is freedom, it was beautiful, it was | :34:20. | :34:25. | |
poetic. But he explained abstract art very clearly to me. Shall we | :34:25. | :34:32. | |
have a look? At the painting? was created. This is the Green Room | :34:32. | :34:36. | |
on the left of screen, which is what you were talking about. That | :34:36. | :34:46. | |
:34:46. | :34:46. | ||
is unfinished, by the way. And this is me, I love it. There is a bit of | :34:46. | :34:53. | |
Picasso. There is a bit of a lot of other stuff as well! I remember | :34:53. | :34:58. | |
very clearly what was happening. I did, weirdly, feel like I was | :34:58. | :35:02. | |
channelling him. I could feel what he felt some thought about time. | :35:02. | :35:11. | |
But it was still my buddy -- body it was coming to. At one point I | :35:11. | :35:16. | |
said... You said, I feel so sad for you because you do not know the | :35:16. | :35:20. | |
beauty and the wonderful stop you were a sincere. It was weird. | :35:20. | :35:29. | |
has become very flamboyant. I love that I! I am going to keep it, I | :35:29. | :35:38. | |
like it. Hypnotic Gastric Band is out now. You can help some of our | :35:38. | :35:44. | |
viewers in a moment as well. There is nothing that since January | :35:44. | :35:48. | |
more than a brown Christmas tree dumped on the side of the road. -- | :35:49. | :35:54. | |
nothing that says January more. Merseyside, help is at hand. They | :35:54. | :36:03. | |
have come up with a stunning use. The sand dunes at Formby near | :36:03. | :36:08. | |
Merseyside, a beautiful landscape and a designated area of important | :36:08. | :36:11. | |
scientific interest. Every year, more than a quarter of a million | :36:11. | :36:16. | |
people come here to admire the sand dunes, and it is a combination of | :36:16. | :36:19. | |
this and the wind which is disrupting the landscape and the | :36:19. | :36:23. | |
natural habitat of the wildlife here. There is a lovely Seaview, | :36:23. | :36:26. | |
but 15 years ago that would not have been the case, because there | :36:26. | :36:30. | |
would have been a whole wall of sand across the up. This is a | :36:30. | :36:35. | |
really good example of just how fast this Sanders on the move, | :36:35. | :36:40. | |
because the wall of sound has now blown somewhere over there. -- how | :36:40. | :36:45. | |
fast this sound is on the move up. The National Trust has a project to | :36:45. | :36:50. | |
slow the shifting sands. Andrew Brock Bank is in charge. This is a | :36:50. | :36:55. | |
very beautiful place but there is a particular problem? We are on an | :36:55. | :37:02. | |
eroding coastline. We also have people. As people enjoy the sand- | :37:02. | :37:07. | |
dunes, they trample the grass, and that is one of the key things which | :37:07. | :37:12. | |
binds the sand dunes together. healthy system is important for | :37:12. | :37:17. | |
supporting wildlife. A good example can be seen further down the coast. | :37:17. | :37:21. | |
We have some really, really rare wildlife here founded not only very | :37:21. | :37:26. | |
rarely in the rest of Britain but the rest of Europe. The big one for | :37:26. | :37:31. | |
me is the natterjack toads, a very rare amphibian. You also get vernal | :37:31. | :37:36. | |
mining bees, solitary bees which go into the dunes, and a northern | :37:36. | :37:42. | |
tiger beetle, a very rare beetle. Do you have those species that the | :37:42. | :37:46. | |
other sand dunes? No, we have had them in the past but now the sand | :37:46. | :37:50. | |
dunes are to mobile, moving too fast, so these animals and the | :37:50. | :37:56. | |
plants they need to live off can't get a foothold. Without this all- | :37:56. | :38:01. | |
important grass, the sand dunes simply migrate, blown by the wind. | :38:01. | :38:04. | |
This pine forest is slowly being taken over, but it is nothing | :38:04. | :38:08. | |
compared to what can happen. could see a situation where the | :38:08. | :38:15. | |
sand would blow inland up to half a mile. What can be done? We have a | :38:15. | :38:25. | |
:38:25. | :38:30. | ||
particular seasonal short-term This is it, the Christmas tree. | :38:30. | :38:37. | |
does this work? It lowers the wind speed when it is made into a fence, | :38:37. | :38:41. | |
and then the sand builds up rather than blowing away. It traps the | :38:41. | :38:50. | |
sand? Yes. How many do you need? will use 5000 or 6000. We had | :38:50. | :38:56. | |
better get planting. Businesses donate leftover stock of Christmas | :38:56. | :38:59. | |
trees. Some are donated by the public and local volunteers help | :38:59. | :39:07. | |
plant them. Have you done this before? This is our second year. | :39:07. | :39:12. | |
Why do you feel compelled? It is nice to be able to give something | :39:12. | :39:16. | |
back to an area which we come to all the time. To protected for | :39:16. | :39:22. | |
future generations. How many did you do last year? We can do better | :39:23. | :39:32. | |
this year. I am sure we can. 30? 25 an hour, let go. That is a good | :39:32. | :39:38. | |
work-rate. This is what the Christmas trees | :39:38. | :39:42. | |
look like in position, but by next year they will have served their | :39:42. | :39:47. | |
purpose, helping to protect this precious environment. | :39:47. | :39:52. | |
What a brilliant system. You have done that? I did similar things | :39:53. | :39:57. | |
with reeds at St Andrews to protect the golf courses. My better | :39:57. | :40:04. | |
solution is not to buy one. I have not got one to get rid of. Humbug! | :40:04. | :40:10. | |
Paul, we have some viewers that have -- that you have kindly agreed | :40:11. | :40:16. | |
to help. I don't know much about it. We have a husband and wife, Chris | :40:16. | :40:22. | |
and Jude Gudgin, they are hoping to give up smoking, as are Amelia and | :40:22. | :40:28. | |
Victoria Downes. Elaine Lewis wants to get it and feel healthier. Lots | :40:28. | :40:33. | |
of issues that people at home will resonate with. The statistics are | :40:33. | :40:39. | |
that lots of people make New year's resolutions, not many stick to them. | :40:39. | :40:44. | |
One of the things his people go to the gym and get all excited at the | :40:44. | :40:48. | |
beginning of the year, then they do too much and by week three most of | :40:48. | :40:55. | |
stop. If you want to achieve any big task, my advice is to think | :40:55. | :40:59. | |
about the end point, where you want to be, think about what things | :40:59. | :41:04. | |
might get into the way, then break it down into small chunks. Anything | :41:04. | :41:10. | |
is achievable one tiny step at a time. I agreed. Don't have a new | :41:10. | :41:14. | |
year's resolution, have a daily resolution. This is what I am going | :41:14. | :41:24. | |
:41:24. | :41:25. | ||
to do today. Amanda Biggs is here, she will tell you her story. Hello. | :41:25. | :41:32. | |
Things are a little bit more serious. Give us an idea. I have | :41:32. | :41:36. | |
had the same New year's resolution as last year, I want to get in my | :41:36. | :41:40. | |
car and drive. I have held a licence for more than two years and | :41:40. | :41:46. | |
I don't go anywhere. What happened to stop you from wanting to drive? | :41:46. | :41:54. | |
Did anything occur or did you just get a feeling one day? I can't tell | :41:54. | :42:00. | |
you. When you get in the car, do you feel frightened? Nervous, sick. | :42:00. | :42:05. | |
You look upset talking about it. I didn't know anything about this. | :42:05. | :42:10. | |
This will be the fastest cure I have ever done if I am able to do | :42:10. | :42:20. | |
:42:20. | :42:20. | ||
it. I have about 10 minutes or something. I will do what I can. | :42:20. | :42:27. | |
Amanda, no pressure. If you don't get in that car and drive it today. | :42:27. | :42:34. | |
We will give you a bus pass! will literally kill a brand of I | :42:34. | :42:40. | |
don't do it. Thank you for coming, we appreciated. We will send you | :42:40. | :42:45. | |
both of, sit in the car, see how you feel. You can see that later in | :42:45. | :42:48. | |
the show. We have all heard about | :42:48. | :42:51. | |
environmental health officers finding rats and mice in kitchens. | :42:51. | :42:58. | |
What about rabbits? What?! Here is The Food Inspectors from tonight. | :42:58. | :43:06. | |
Clare, I have seen a rabbit. rabbit?! I have just seen a rabbit. | :43:06. | :43:16. | |
:43:16. | :43:17. | ||
Is it live? There is a rabbit. In their. The rabbit is thankfully not | :43:18. | :43:23. | |
destined for the pot, it belongs to the owner's daughter. You can't | :43:23. | :43:26. | |
have a rabbit when you are preparing food, it is not | :43:26. | :43:32. | |
acceptable. You need to take it out now. | :43:32. | :43:37. | |
That was quite something, extraordinary. Matt Allwright and | :43:37. | :43:42. | |
Chris Hollins join us. A rabbit?! Apparently it is not OK to have won | :43:42. | :43:46. | |
in the kitchen when you're cooking for other people. These are things | :43:46. | :43:52. | |
we have learned. Unless it is dead. Yes, you can eat them, no problem, | :43:52. | :43:57. | |
but a live one is more of a problem. The thing we discovered making the | :43:57. | :44:01. | |
programme is that the food inspectors are not just jobsworth | :44:01. | :44:06. | |
with clipboards, they go in and improve. The place we can see is | :44:06. | :44:12. | |
much better, the rabbit is gone, they have done a lot of hard work. | :44:12. | :44:16. | |
It is in the reception area of the restaurant now! But we have dogs | :44:16. | :44:21. | |
and cats walking through our kitchens. That is fine as you long | :44:21. | :44:31. | |
:44:31. | :44:33. | ||
as you are not preparing for other Chris, it goes a lot further, | :44:33. | :44:37. | |
doesn't it, than just kind of looking in kitchens? That's a | :44:37. | :44:39. | |
professional kitchen, right, and obviously, they have to be extra | :44:39. | :44:42. | |
careful and clean. But for this whole programme, we're also making | :44:42. | :44:47. | |
sure that everybody at home is aware of how to cook food properly. | :44:47. | :44:50. | |
I mean, how many food poisoning cases do you think happen every | :44:50. | :44:55. | |
year in the UK? 2,000? A million. No way. Yeah, and around half of | :44:55. | :44:59. | |
those are caused by our families, friends, cooking for ourselves | :45:00. | :45:04. | |
because we either don't buy properly, we don't store properly, | :45:04. | :45:07. | |
and we don't cook properly, so we go with a proper food inspector and | :45:07. | :45:12. | |
do raids in people's kitchens, and go, "Gabby, why have you got a dog | :45:12. | :45:17. | |
and a cat on your top when you're cooking?" Things like that. | :45:17. | :45:23. | |
there are sell-by dates and all that stuff. I will eat anything, | :45:24. | :45:31. | |
virtually, but when you get cases - go on. No, go on. I lived in jan, | :45:31. | :45:36. | |
so we -- Japan, so we ate anything during that period. Do you share | :45:36. | :45:41. | |
kind of hygiene expectations? Yes. He believes in the five-second | :45:41. | :45:46. | |
rule, which doesn't work, does it? Has your view changed a little bit? | :45:46. | :45:51. | |
When I first joined this lot on Watch Dog, I immediately became a | :45:51. | :45:54. | |
victim of fraud. I thought that was so embarrassing. I couldn't go and | :45:54. | :45:59. | |
tell Annie and Matt about this, and the last thing I want to do is get | :45:59. | :46:03. | |
food poisoning. I am very, very careful. On a serious point, I | :46:03. | :46:10. | |
interviewed in a series a guy who didn't cook a piece of pork | :46:10. | :46:17. | |
properly - much, much worse, lysteriosis. He nearly died and was | :46:17. | :46:21. | |
paralysed down the right-hand side. He's only getting better. I don't | :46:21. | :46:28. | |
want to panic people. They're rare case, but when they're bad, they | :46:28. | :46:35. | |
can be very bad. You're squirming a little bit, but Nessa was a big fan | :46:35. | :46:39. | |
of chicken. I don't know, but all I know is if I don't eat this now, I | :46:39. | :46:44. | |
am going to faint. Can't breathe. What have I told you about eating | :46:44. | :46:51. | |
at night? All that cholesterol. we got coleslaw. Well done, | :46:51. | :46:55. | |
darlings! Very good. Super job. After that, I am going to move the | :46:55. | :47:04. | |
fish into the hole... A special place... From that angle, Matt is | :47:04. | :47:08. | |
not trying to be the next Terry Wogan, just a slight... Just | :47:08. | :47:13. | |
showing up, aren't you? More Top Of The Pops than morguean. | :47:13. | :47:19. | |
It is on after BBC One after One Show and carries on for four weeks. | :47:19. | :47:23. | |
We sent Paul off to help Amanda overcome her fear of driving, | :47:23. | :47:27. | |
obviously doing a little bit of work there, but she passed the test | :47:27. | :47:31. | |
three years ago. She's absolutely terrified of driving. Hopefully, | :47:31. | :47:35. | |
she might get behind the wheel and drive a little bit. But you know, | :47:35. | :47:39. | |
better for the environment if she doesn't. Look at the bright side! | :47:39. | :47:43. | |
LAUGHTER Now, lots of little girls, and | :47:43. | :47:50. | |
grown-up ones dance around in tutus and dream of being ballerinas. | :47:50. | :47:57. | |
grown men for that matter but one has taken it a step further, to the | :47:57. | :48:04. | |
Bolshoi Ballet. I am a perfectionist. I'm willing to work | :48:04. | :48:08. | |
really hard at something to get perfect. There's always work to do. | :48:08. | :48:12. | |
That's what I love about ballet. This 16-year-old was one of | :48:12. | :48:16. | |
hundreds to audition for only a handful of places at one of the | :48:16. | :48:21. | |
world's best ballet schools. Very few British teenagers have been | :48:21. | :48:25. | |
talented or tough enough to get, in and only a few students will | :48:25. | :48:30. | |
progress to the professional company, the world-famous Bolshoi | :48:30. | :48:36. | |
Ballet. Tanya's keeping a video diary of her extraordinary journey. | :48:36. | :48:41. | |
I am really looking forward to going, and I just - I just want to | :48:41. | :48:51. | |
:48:51. | :48:52. | ||
improve, really. I want to work really hard and improve. Yuri is | :48:52. | :48:57. | |
Tala's teacher and knows how it is at the Bolshoi Ballet because he | :48:57. | :49:03. | |
trained there himself. One, two. Students start at 9.00am in the | :49:03. | :49:07. | |
morning and finish at 6.00pm in the evening. It's very difficult. Most | :49:07. | :49:13. | |
times, girls work on point all day, practise, practise, practise. | :49:13. | :49:17. | |
two. It's a week to go now until Tala flies to Russia, and there's | :49:17. | :49:26. | |
lots to do, clothes to buy, books to choose and goodbyes to be said. | :49:26. | :49:30. | |
That's lovely, isn't it? Miss you. All my friends and family - they're | :49:30. | :49:35. | |
all in Yorkshire. I spent all my life here, so definitely the | :49:35. | :49:39. | |
biggest thing I'm going to miss are all the people. And there's | :49:39. | :49:44. | |
homework to do. All her lessons will be in Russian, so she's having | :49:44. | :49:48. | |
to learn from scratch. I really like languages, so I'm really | :49:48. | :49:55. | |
enjoying learning it. (Speaking in Russian) | :49:55. | :49:59. | |
That's how are you. I'm sure my accent is rubbish, but I try hard. | :49:59. | :50:04. | |
It's a four-year course mixing school and dancing. It is expensive, | :50:04. | :50:09. | |
so she can only afford to come home twice a year. I probably miss the | :50:09. | :50:15. | |
kitchen the most. I love cooking, and I am interested in what food is | :50:15. | :50:21. | |
going to be like in Moscow, because I really like trying new things. | :50:21. | :50:27. | |
Fingers crossed it's OK - I can manage being a vegetarian. Tala and | :50:27. | :50:31. | |
her mum also have been frantically raising the �20,000 needed for her | :50:31. | :50:36. | |
first years fees, a sponsored zumba with family, friends and well- | :50:36. | :50:39. | |
wishers from the local sports centre gets them to their target. | :50:39. | :50:44. | |
It's time to go, and Tala's mum Sara is travelling to Moscow with | :50:44. | :50:54. | |
:50:54. | :51:05. | ||
Yeah, I can't believe it, that I'm here, actually. It's tomorrow. I am | :51:05. | :51:11. | |
looking forward to that. I can't wait to get started. Tradition is | :51:11. | :51:16. | |
at the heart of the Bolshoi School, which has been producing world- | :51:16. | :51:20. | |
class dancers since 1773. The annual opening ceremony is the most | :51:21. | :51:25. | |
important event of the year. Pupils dress up and bring flowers for | :51:25. | :51:29. | |
their teachers. Tala's found some British students in their final | :51:29. | :51:35. | |
year. Together, Tala, Natalie Carter and Hayley Stabo make up a | :51:35. | :51:40. | |
third of the Brits to ever train her. She's hoping they'll give her | :51:40. | :51:44. | |
some advice. I enjoy it. Otherwise, I wouldn't be here. You know the | :51:44. | :51:47. | |
teachers are the best. You really get into classes, and you really | :51:48. | :51:52. | |
get into doing things the same way, and you'll pick up things very | :51:52. | :51:56. | |
quickly, I promise. Just before her mum leaves and lessons believe, | :51:56. | :52:01. | |
Sara has a little surprise to show Tala. I brought a little photo. | :52:02. | :52:05. | |
Look. Oh, yeah. When was that? think that was probably when you | :52:05. | :52:15. | |
:52:15. | :52:17. | ||
were about seven or eight. Who would have thought it, from the | :52:17. | :52:22. | |
ballet school to the Bolshoi Ballet. Beautiful. You have gone all goose | :52:22. | :52:26. | |
pimpley! Our postures have changed because Tala is here with her mum. | :52:26. | :52:30. | |
It was a big ask, wasn't it, a vegetarian going over to Russia and | :52:30. | :52:34. | |
learning the language. How has Moscow life turned out for you? | :52:34. | :52:38. | |
really love it. I feel really settled. I don't get home sick, and | :52:38. | :52:44. | |
I'm really, really enjoying all of my classes. We do a ballet | :52:44. | :52:50. | |
technique class 9.00am every day. Is it rock hard? It's really | :52:50. | :52:53. | |
different. It's really different to anything I've - any of the training | :52:54. | :53:01. | |
I have had in Britain, and I feel myself improving so much faster, so | :53:01. | :53:05. | |
yeah, I couldn't ask for anything more. I really admire you as well, | :53:05. | :53:11. | |
Sara, because as a mother, you're going to miss her madly, but she's | :53:12. | :53:15. | |
so single-minded, and this is what she wants to do. You're helping her | :53:15. | :53:18. | |
pursue her dream. Absolutely. It was quite a tough decision to make | :53:18. | :53:23. | |
at the time, and I do miss her lots and lots, obviously, but we talk | :53:23. | :53:27. | |
every day or pretty much every day, and I get to see just how settled | :53:27. | :53:30. | |
she is and how much she loves it and just the value she's getting | :53:30. | :53:34. | |
out of the training, which is what she absolutely wanted, so I'm | :53:34. | :53:38. | |
really reassured by that. It proves it was absolutely the right | :53:38. | :53:42. | |
decision. The best of luck. Yeah, you're preparing to go. Have you | :53:42. | :53:47. | |
got a nice bunch of flowers for the teacher? Going to get one. Good | :53:47. | :53:53. | |
luck. Thank you for coming to see us. Lots of you have been getting | :53:53. | :53:57. | |
in contact. Dan Donnelly is on the trail of a parking company that | :53:57. | :54:01. | |
used sneaky methods to catch out drivers. Let's see what happened | :54:01. | :54:08. | |
when Dan confronted them. Earlier, we secretly filmed a | :54:08. | :54:14. | |
company called Carstoppers who issued ticket at the Changegate Car | :54:14. | :54:18. | |
Park in West Yorkshire. They ticketed our researcher's car just | :54:18. | :54:24. | |
45 seconds after he left his car to get some change for the pay-and- | :54:24. | :54:27. | |
display machine. Hi, mate. I just need to run up and get some change. | :54:27. | :54:32. | |
We want to find out why Carstoppers ticketed our car so quickly and why | :54:32. | :54:35. | |
they told us their debt collectors could access our details through | :54:35. | :54:39. | |
the DVLA when they can't. We have asked Carstoppers to answer | :54:39. | :54:42. | |
all our questions, and they haven't done, so it's time to catch up with | :54:43. | :54:49. | |
them. Unfortunately, Tony Farnel didn't | :54:49. | :54:55. | |
want to be caught up with. Mr Farnel, Dan Donnelly from the | :54:55. | :54:58. | |
One Show. Just got a couple of questions for you - a couple of | :54:58. | :55:01. | |
questions for you about the car park. Is it really fair just to | :55:01. | :55:05. | |
give someone 45 seconds to go and get some change before you give him | :55:05. | :55:13. | |
a ticket? Mr Farnel? Off like a whippet, faster than he could write | :55:13. | :55:19. | |
a ticket! Carstoppers later denied they pressurised anyone into paying | :55:19. | :55:23. | |
any amount, and they said some drivers do cheat. So what about our | :55:23. | :55:28. | |
ticket? Do we have to pay it? can't give carte blanche to | :55:28. | :55:32. | |
motorists to ignore car parking condition, but if you feel that you | :55:32. | :55:36. | |
have been badly treated or you've got a reasonable excuse for being | :55:36. | :55:40. | |
in the situation like that one - not having the right change and you | :55:40. | :55:45. | |
want to dispute it, you should dispute it. The owner and operator | :55:45. | :55:49. | |
of the car park is Ted Evans that subcontracted the ticketing | :55:49. | :55:53. | |
operation to Carstoppers. While he wouldn't do an interview, he told | :55:53. | :55:57. | |
us he'd instructed Carstoppers not to issue tickets until five minutes | :55:57. | :56:01. | |
had passed. He says he had been advised he could take court action | :56:01. | :56:07. | |
to try force the DVLA to hand over car owners' details, but the DVLA | :56:07. | :56:11. | |
says it wouldn't be practical to routinely enforce car parking | :56:11. | :56:16. | |
tickets this way, and no-one has ever done so since we contacted | :56:16. | :56:20. | |
Carstoppers, they have reduced the maximum parking charge from �150 to | :56:20. | :56:27. | |
�100, and they have covered up the car clamps and tow trucks on their | :56:27. | :56:31. | |
signs. They have cancelled our researcher's ticket, but there is | :56:31. | :56:37. | |
still no time to get change. One person who hasn't got many car | :56:37. | :56:39. | |
parking tickets is 29-year-old Amanda Briggs, who after passing | :56:39. | :56:42. | |
her test three years ago was terrified by driving. We're outside | :56:42. | :56:47. | |
for a good reason, Paul. What have you been up to? I have to say I did | :56:47. | :56:51. | |
what I could in the ten minutes, and I'm confident she's going to be | :56:51. | :56:54. | |
able to get in that car - it's going to take some courage. We have | :56:54. | :57:00. | |
done some techniques. What did you do? What I did is I did a psycho | :57:00. | :57:05. | |
sensory therapy. It involves tapping on various points, moving | :57:05. | :57:10. | |
your arms - this recodes the landscape of the brain chemistry, | :57:10. | :57:14. | |
but it allowed her to remember the time she felt really happy, the | :57:14. | :57:20. | |
time when she held one of her new- born babies in her arms, the time | :57:20. | :57:23. | |
when - and amplified those feelings and attached it... The children are | :57:23. | :57:27. | |
really important. This is what you really want to do, to take your | :57:27. | :57:33. | |
kids to swimming or... Yes. You're keen for this to work but were you | :57:33. | :57:38. | |
a little bit of a sceptic? Very sceptical, massive. How are you | :57:38. | :57:43. | |
feeling now? I'm OK. I'm OK. from this point, then, Paul, if you | :57:43. | :57:48. | |
feel she's only so far along in the process, what would you advise from | :57:48. | :57:52. | |
here? I would like to complete the job, because I only had ten minutes | :57:52. | :57:56. | |
tonight, but it encourages - you have a fear, but you do it anyway. | :57:56. | :58:02. | |
Your fear was ten out of ten, and right now it's not that. Do you | :58:02. | :58:06. | |
feel like driving? We should do it. Do you feel prepared to get in the | :58:06. | :58:11. | |
car? Don't push it, Amanda. If you don't want to do it, don't do it, | :58:11. | :58:17. | |
but Paul, if you could help her into the car... Even in this moment, | :58:17. | :58:21. | |
for her to be sitting in the driver's seat and all of those | :58:21. | :58:27. | |
thoughts going around in her mind... Seat belt. Yes, make sure you have | :58:27. | :58:32. | |
your seat belt on. Hand brake off. Paul, are you quite confident? | :58:32. | :58:39. | |
think so, yeah. Let's turn it on. Put it in - hand brake off. Put it | :58:39. | :58:45. | |
into first. Go for it, Ammanda. Our thoughts are with you. Go for it. | :58:45. | :58:51. | |
Come on, Amanda. Are you ready? If you can do it, go for it. Yes! Look | :58:51. | :58:55. |