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$:/STARTFEED. $:/STARTFEED. Hello and welcome to The One Show with | :00:21. | :00:25. | |
Matt Baker and Alex Jones. Tonight's guest is a comedian whose | :00:25. | :00:28. | |
comedy's become even more capital than usual. | :00:28. | :00:33. | |
I love all that stuff. I love all that with the cardinals, when they | :00:33. | :00:40. | |
need a new Pope, the big red things and they go in the room and black | :00:40. | :00:44. | |
smoke, new Pope white smoke and all the cardinals are there. From in | :00:44. | :00:52. | |
The Thick Of It and Mock The Week, it's Chris Addison. | :00:52. | :00:55. | |
APPLAUSE That was recorded a while back so | :00:55. | :01:00. | |
did you know something everybody else did? Well, I knew I was coming | :01:00. | :01:08. | |
on here. Sling your hook, I said to him. That's the story isn't it? | :01:08. | :01:13. | |
None of us have ever seen anything like it, nobody's under 60 years | :01:13. | :01:19. | |
old. That's the point -- 60 years old. You go on to say that the new | :01:19. | :01:25. | |
Pope would never be a black person or a wrom? It's not going to be a | :01:25. | :01:32. | |
woman and the front runner, according to the bookies, is a | :01:32. | :01:39. | |
black man, a Ghanaian guy called Peter Turtson. We may well see a | :01:39. | :01:47. | |
black Pope. I'm all for it. I don't think Popes should resign. I think | :01:47. | :01:55. | |
they should regenerate. That's what they do isn't it? Like Dr WHO, you | :01:55. | :01:59. | |
know, they should tell the Daleks, I've had enough now, one of you do | :01:59. | :02:09. | |
:02:09. | :02:15. | ||
it. Wouldn't it be weird. Popes do die. Significantly, this is very | :02:15. | :02:23. | |
significant. Nearly 600 years since this has happened. They almost | :02:23. | :02:31. | |
always die in the role. He says he's not capable of the admin side. | :02:32. | :02:37. | |
He feels he can't do it. It's interesting he's decided to do it. | :02:37. | :02:41. | |
There are no rules against doing it, it's always been allowed. He can do | :02:41. | :02:44. | |
what he wants, he's the Pope, completely infallible, that's the | :02:44. | :02:49. | |
whole point. The idea that he's going, I'm 85, can't be doing this | :02:49. | :02:52. | |
any more, I imagine that Prince Charles has spent most of the day | :02:52. | :02:57. | |
sending e-mail links of the story to his mum! | :02:58. | :03:01. | |
LAUGHTER How will they go about electing a | :03:01. | :03:07. | |
new Pope? He had it in the clip, they call together all the | :03:07. | :03:12. | |
cardinals under conclave under lock and key, they sweep the Vatican for | :03:12. | :03:15. | |
secret microphones and things. They are supposed to stay there until | :03:15. | :03:19. | |
they've decided so they eat, sleep and vote every day there. Then they | :03:19. | :03:24. | |
decide on a Pope. How long will this take? It can take - | :03:24. | :03:28. | |
traditionally, recently in the last 100 years - which is recent in | :03:29. | :03:34. | |
terms of the Vatican and Pope world, it's taken a few days, but hundreds | :03:34. | :03:38. | |
of years ago they've had weeks and months and they've had cardinals | :03:38. | :03:42. | |
die during the voting process. It can take quite a long time. Of | :03:42. | :03:45. | |
course, black smoke when they haven't decided, they burn the | :03:45. | :03:48. | |
ballot papers afterwards, black smoke when they haven't decided and | :03:48. | :03:52. | |
it's supposed to turn to white smoke when they have. Interesting | :03:52. | :03:57. | |
to see when that does happen. He's finishing on the 28th February. But | :03:57. | :04:00. | |
thank you very much indeed. much notice does a Pope have to | :04:00. | :04:09. | |
give? He's finishing on the 28th, but he's owed a month's holiday pay. | :04:09. | :04:13. | |
All will become very clear. It's the 50th anniversary of the | :04:13. | :04:16. | |
recording of the first Beatles album or LP as Gyles would have | :04:16. | :04:20. | |
called it. Back in the '60s, when Beatlemania | :04:20. | :04:25. | |
was at its height, I lived just down there and I used to come up | :04:25. | :04:30. | |
here to Abbey Road studios in the hope of catching a glimpse of the | :04:30. | :04:36. | |
Fab Four. Well, now I'm back, but this time I've got insider access. | :04:36. | :04:42. | |
In the years gone by, my access isn't the only thing that's changed. | :04:42. | :04:47. | |
Rewind to 196 3 and fallouts from Liverpool were about to -- four | :04:47. | :04:50. | |
lads from Liverpool were about to start their first ever recording | :04:50. | :04:55. | |
session. To capitalise on the huge success of their single, Please | :04:55. | :04:59. | |
Please Me, the Beatles decided to do an album with the same name. | :04:59. | :05:09. | |
:05:09. | :05:17. | ||
They did it in one session lasting The album's legacy endures. Today | :05:17. | :05:20. | |
Mick Hucknall, Joss Stone and Stereophonics have come to Abbey | :05:20. | :05:30. | |
:05:30. | :05:30. | ||
Road studios to recreate the album in the same 12 hours. The album | :05:30. | :05:37. | |
consisted of The Beatles' live set, plus two already released singles. | :05:37. | :05:40. | |
Sound engineer Richard Langham was there on the day. When they walked | :05:40. | :05:44. | |
through the door, you did not realise this was John, Paul, George | :05:44. | :05:49. | |
and Ringo? No, I had to ask who are they, what's who, what's their | :05:49. | :05:54. | |
names. By the end of the day you thought they were something | :05:54. | :05:58. | |
special? By the last track, yes, Twist And Shout with John, stripped | :05:58. | :06:02. | |
to the waist shouting and screaming. Stripped to the waist? Yes, I think | :06:02. | :06:07. | |
he took his shirt off at the very end. How amazing. They treated us | :06:07. | :06:13. | |
with great respect, they really did, they were really good. The album | :06:13. | :06:19. | |
hit the top of the charts in May 196 3 and stayed there until it was | :06:19. | :06:25. | |
replaced by the second Beatles album With The Beatles. | :06:25. | :06:34. | |
atmosphere in 63 exploded because of Please Please Me. They would get | :06:34. | :06:39. | |
a few hundred letters. They then started getting big bundles of | :06:39. | :06:42. | |
letters. They didn't have the address of the fan club. They would | :06:42. | :06:47. | |
just write to the Beatles, care of Liverpool. They would still get to | :06:47. | :06:52. | |
us because the postman knew where we were. It's amazing. I was all | :06:52. | :06:57. | |
showed out until we started talking about how the people served The | :06:57. | :07:02. | |
Beatles 50 years ago and I started crying. What is it like creating | :07:02. | :07:06. | |
against the clock? That was stressful in a good way, it was | :07:06. | :07:09. | |
good stress but it was hard sorting out the strings, I changed the key | :07:09. | :07:13. | |
two minutes before I decided I was going to do it so it was stressful. | :07:13. | :07:18. | |
I don't know how they did that in a day. I just finished my album after | :07:18. | :07:25. | |
a year. Is there something special about this? Does it say something | :07:25. | :07:30. | |
to you? It says something to the world. It's shaped our music, | :07:30. | :07:38. | |
shaped what we do today. Please Please Me - did you know the | :07:38. | :07:42. | |
album? I did, yes. I had two older brothers and we used to play a lot | :07:42. | :07:47. | |
of covers in working mens clubs when we were kids, so we useded to | :07:47. | :07:53. | |
play a few of their songs. I Saw Her Standing There - it suits our | :07:53. | :07:57. | |
band, it's a simple rock'n'roll song. The first albums were much | :07:57. | :08:03. | |
more about the energy captured. It's the same arrangement and same | :08:03. | :08:12. | |
set of instruments, so we are not taken that far away from it. Love | :08:12. | :08:16. | |
the Stereophonics and you can hear more of the sessions on Radio Two | :08:16. | :08:19. | |
this evening and the BBC Four documentary is on on Friday at 9 | :08:19. | :08:24. | |
o'clock. Have you got a favourite Beatles track, Chris? Mine is the B | :08:24. | :08:30. | |
side of Abbey Road, a big long medley, mo of it and runs for about | :08:30. | :08:33. | |
20 minutes. It's snatches of songs and you think it's great, then they | :08:34. | :08:37. | |
move on to something else, too much good stuff crammed in, it's great. | :08:37. | :08:41. | |
What about you at home? Do you have a special song? It doesn't have to | :08:41. | :08:44. | |
be by The Beatles, but if you have one, let us know. | :08:44. | :08:49. | |
This is all for a one show film so let us know what it is and why it's | :08:50. | :08:58. | |
important. Chris you are on tour? am. The time is now? Yes. I whoo is | :08:58. | :09:06. | |
it called that? The answer is really boring. There comes a point | :09:06. | :09:09. | |
you decide you are going to do a show and you have to get the | :09:09. | :09:12. | |
posters made and before you have written a word you have to think of | :09:12. | :09:16. | |
something. The phrase The Time Is Now, Again does come into my head | :09:16. | :09:22. | |
the day before and tickled me and I thought, I'll call it that. I | :09:22. | :09:28. | |
regret it. It's not great. I'm like, what does it mean. It's a silly | :09:28. | :09:35. | |
phrase. This is you reminiscing about travelling in the car when | :09:35. | :09:39. | |
you were a child. I don't know if you have got kids, or if you have | :09:39. | :09:44. | |
been one, but me and my brother and sister were a nightmare for my | :09:44. | :09:50. | |
parents, bedlam in the past of the car "Are we there yet", "Are we | :09:50. | :09:54. | |
there yet" no way they could have gone to sleep, my dad having to | :09:54. | :09:58. | |
constantly create games to shut us up. He was a genius at this, my dad. | :09:58. | :10:03. | |
There was the who can keep the Ping-Pong ball in the mouth longest, | :10:03. | :10:08. | |
then there was the can you wrap your brother's head in cling film, | :10:08. | :10:17. | |
then there was the don't speak until you see a man in a fez. | :10:17. | :10:19. | |
Interesting seeing your reaction to that because you were saying it was | :10:19. | :10:23. | |
boiling hot that day? It was boiling hot in July a couple of | :10:23. | :10:32. | |
years ago, the old show, and the theatre in London. There are cut | :10:32. | :10:35. | |
aways of the audience there with people going like that because of | :10:35. | :10:41. | |
the heat, rather than me I hope!. I started the show and within ten | :10:41. | :10:45. | |
minutes my hair is plastered over me. You are a self-confessed middle | :10:45. | :10:49. | |
class comedian, that's what it says on your website. What's the | :10:49. | :10:53. | |
funniest thing about that? You will have to pay to come and find that | :10:53. | :11:00. | |
sort of stuff out. Middle class - they are inherently funny - they | :11:01. | :11:05. | |
can be self-regarding and pleased with themselves so it's quite funny | :11:05. | :11:10. | |
to take the Mickey but I'm taking the Mickey out of myself. There was | :11:10. | :11:17. | |
this sense of should I be this or that, then you kind of do it that | :11:17. | :11:27. | |
:11:27. | :11:30. | ||
way? Yes, sometimes when I'm in posher company I sound a lot posher. | :11:30. | :11:35. | |
Sometimes when I'm in my own area I take normal. I thought I played up | :11:35. | :11:39. | |
the northern aspect of it. Because it was salt of the earth | :11:39. | :11:42. | |
credibility that I wanted, it's only later you realise, actually, | :11:42. | :11:45. | |
the funniest thing you can be is the thing that you are, that's all | :11:46. | :11:50. | |
the best jokes will come from that, so you have to be honest about | :11:50. | :11:56. | |
yourself. The truth is, I'm a middle class ponce. There was quite | :11:56. | :12:02. | |
a gap wasn't there, five year gap for you? Yes, that's true. I wrote | :12:02. | :12:05. | |
shows when I was doing the Edinburgh Festival and there were a | :12:05. | :12:08. | |
million comics and you had to do something to set yourself apart, I | :12:08. | :12:14. | |
used to write shows about big ideas and themes and silly jokes. I love | :12:14. | :12:17. | |
being silly about big things, I like that gap. When I came back, I | :12:17. | :12:22. | |
thought I've got to write something that's more personal which I've | :12:22. | :12:26. | |
done for the last two shows. I'm comfortable with doing that. I run | :12:26. | :12:36. | |
:12:36. | :12:36. | ||
out of other things to say too. jump in and out of the tour? It's | :12:37. | :12:41. | |
going Bury St Edmunds? Yes, I have friends that do like 100 dates and | :12:41. | :12:46. | |
the very idea makes me go, oh, no, I couldn't do that. This is the | :12:46. | :12:51. | |
third and final leg of this Tour of Doing 35 Tates at a time. That's | :12:51. | :12:56. | |
about as much as I can do without kind of falling over. Where are you | :12:56. | :13:05. | |
going to peak? At which venue? it's happened. Talking about Dara, | :13:05. | :13:10. | |
you are in a film with him, aren't you? It's a brilliant cast, Coogan | :13:11. | :13:18. | |
is in it? David Walliams, Stephen Fry, Matt Lucas. Is it a comedy? | :13:19. | :13:25. | |
sort of is and it sort of isn't. It's about Paul Raymond who was the | :13:25. | :13:28. | |
gentleman's magazine magnet who became a property millionaire. When | :13:28. | :13:33. | |
he died four years ago, he was worth �1.5 billion, the richest man | :13:33. | :13:40. | |
in England off mucky boots. And property. And there's a lot of | :13:40. | :13:45. | |
comedy in the film because Steve Coogan plays Paul Raymond. A lot of | :13:45. | :13:51. | |
improvising and a lot of fun happened. But it's a bleak story as | :13:51. | :13:56. | |
well. Everything about it sounds like it should be tremendous fun. | :13:56. | :13:59. | |
It's sex, drugs and rock'n'roll essentially and the more you go | :13:59. | :14:04. | |
into it, the more you realise, this is genuinely bleak, so lots of | :14:04. | :14:11. | |
funny people in it. What a great guy to improvise. | :14:11. | :14:15. | |
Yes. Mike Dilger is looking for geese now which might not sound | :14:16. | :14:21. | |
like the most difficult bird- spotting trip of all-time. There is | :14:21. | :14:29. | |
unusual behaviour. Norfolk has some of the best | :14:29. | :14:33. | |
wildlife spectacles in the UK with birds migrating here in their | :14:33. | :14:38. | |
thousands. Rather than visiting its vast beds | :14:38. | :14:43. | |
or mudflats, I've come to a farm because every year, thousands of | :14:43. | :14:51. | |
pink-footed geese decide to spend the winter right here. Pink-footed | :14:51. | :14:55. | |
geese fly into the UK each September to escape the cold winter | :14:55. | :15:00. | |
in Greenland and Iceland. Despite the name, they are recognised by | :15:00. | :15:04. | |
their short pink bill and chocolate brown head and form huge flocks | :15:04. | :15:09. | |
during the winter months. Farmer Edward Cross attracts | :15:09. | :15:15. | |
thousands of them to his sugar beet fields. We'd hope to have at least | :15:15. | :15:20. | |
10-20 days with at least 10,000 geesen't farm and the most we've | :15:20. | :15:30. | |
ever had is 20,000. This is incredibly rich in sugar, this | :15:30. | :15:36. | |
beet? 18% sugar. Making it ideal winter fuel for hungry geese. This | :15:36. | :15:42. | |
machine harvests the sugar beet roots. Wildlife friendly farmers | :15:42. | :15:48. | |
like Edward leave feed for the geese. It's obviously working. The | :15:48. | :15:54. | |
20,000 geese at Edward's farm are about 6% of the world's population | :15:54. | :15:59. | |
of them. Rather than tractor spotting, I'm | :15:59. | :16:09. | |
:16:09. | :16:09. | ||
here to spot an incredible bit of bird behaviour, called wifling when | :16:09. | :16:16. | |
geese fall out of the sky. Getting closer to them is difficult because | :16:16. | :16:20. | |
they're skittish. They are so nervous, Edward's built a well- | :16:20. | :16:30. | |
:16:30. | :16:31. | ||
camouflaged hide especially to try and see the geese wiffle. We will | :16:31. | :16:36. | |
wait three hours. Eventually the fog is lifting so this is looking | :16:36. | :16:43. | |
promising. We might get wiffling yet. Here come some more. This is | :16:43. | :16:50. | |
good. Oh, this you go. There are some. A bit of wiffling there. | :16:50. | :16:56. | |
Smashing. That's the best view so far. Slowed down four times, you | :16:56. | :17:00. | |
can see the birds rolling around on to their backs with their wings | :17:00. | :17:10. | |
:17:10. | :17:15. | ||
facing the wrong way. They drop Also backward wiffling. The shape | :17:15. | :17:19. | |
of birds' wings mean they generate lift and this is what helps keep | :17:19. | :17:24. | |
them airborne. When they wiffl oh, the geese turn so their wings are | :17:24. | :17:28. | |
upside down, creating the opposite of lift and causing them to drop | :17:28. | :17:32. | |
down fast. It's thought these unpredictable movements help avoid | :17:32. | :17:39. | |
predators. It's great fun for them. Once the | :17:39. | :17:42. | |
geese have finished feeding, they'll fly back to their roost for | :17:42. | :17:48. | |
the night and that's another spectacle that I don't want to miss. | :17:48. | :17:52. | |
There were several routes on the Norfolk coast and the birds fly | :17:52. | :17:57. | |
back to the same locations each day every winter. I know exactly where | :17:57. | :18:05. | |
the nearest one is. Just 12 miles north I'm here at the RSPB reserve. | :18:05. | :18:11. | |
With dusk approaching, the geese should fly right over here to roost | :18:11. | :18:19. | |
on the mudflats overnight. These coastal flats are safe from | :18:19. | :18:23. | |
predators such as foxes. This is gorgeous. The sky is full of the | :18:23. | :18:27. | |
sight of pink-footed geese coming into roost in long lines. | :18:27. | :18:33. | |
That's got to be one of the biggest wildlife spectacles of the winter - | :18:33. | :18:43. | |
:18:43. | :18:46. | ||
beautiful. There's even time for one last wiffle before sun down. | :18:46. | :18:50. | |
A wonderful thing that sight. There are some more birds flocking to our | :18:50. | :19:00. | |
:19:00. | :19:00. | ||
shores as well? Indeed. It's been Australian unprecedented year for | :19:00. | :19:05. | |
the waxwings. We have had a good breeding season. It's very early in | :19:05. | :19:08. | |
Scandinavia and they move over to the north-east of Britain and | :19:08. | :19:14. | |
pretty much if they get a lot over, they start to spread south-west, | :19:14. | :19:19. | |
south-west, south-west. There is a sign there are huge numbers in the | :19:19. | :19:23. | |
country if you get them in Bristol. It's a beautiful bird. A beautiful | :19:24. | :19:29. | |
bird. You look like a waxwing with that shirt. Thank you, Matthew! | :19:29. | :19:32. | |
You mentioned foxs in the film there. We have to talk about the | :19:32. | :19:36. | |
terrible attack over the weekend and the four week old boy, Denny. | :19:36. | :19:41. | |
Were you surprised by this attack? Is it unprecedented? It's not | :19:41. | :19:44. | |
unprecedented. There have been one or two situations like that, two | :19:44. | :19:49. | |
that I've heard of. The RSPB described it as highly unusual and | :19:49. | :19:56. | |
whilst it's not unprecedented, it's still incredibly rare. Boris | :19:56. | :20:02. | |
Johnson's weighed into the argument saying the council should tackle | :20:02. | :20:07. | |
urban foxes. Requests this should serve as a wake-up call for the | :20:07. | :20:11. | |
sown sill to get in the pest control." it's believed a cull | :20:11. | :20:15. | |
would be highly controversial and would take years. Since 1980s, the | :20:15. | :20:18. | |
urban foxes haven't gone up in population, we are talking about | :20:19. | :20:26. | |
33,000 and 86% of all foxs in Britain are still rural. What's | :20:26. | :20:31. | |
interesting is that some animal behaviourists are saying there may | :20:31. | :20:37. | |
be behavioural change where they're brazen, they're fed and come close | :20:37. | :20:42. | |
to people to get photographed. There are a lot of people who will | :20:42. | :20:47. | |
be concerned. What is your advice? A few straightforward things. | :20:47. | :20:52. | |
Dispose of food responsibly if you live in areas of urban foxes. If | :20:52. | :20:59. | |
you have black plastic bags with chicken carcasses, that's not good. | :20:59. | :21:03. | |
Block the holes to shed and things like that, use repellants. If you | :21:03. | :21:08. | |
are in an area where you have a lot of foxes, please close doors if you | :21:08. | :21:12. | |
have youngsters inside. Recently, we talked to Miranda, she | :21:12. | :21:16. | |
left us with a bit of jeopardy whether the wildlife crime unit | :21:16. | :21:20. | |
would get funding and we have had news on that? Good news, Matthew. | :21:20. | :21:24. | |
On 23rd January, the Government finally decided to commit to | :21:24. | :21:29. | |
funding a dedicated effort by the wildlife crime unit. They've | :21:29. | :21:37. | |
stumped up some cash in two pots, the Department of Environment, Food | :21:37. | :21:42. | |
and Rural Affairs and another unit. It will run from this March to next | :21:42. | :21:46. | |
March. As wildlife crime, particularly bird persecution, is | :21:46. | :21:51. | |
on the increase, it's a great thing. Wildlife experts are delighted. | :21:51. | :21:57. | |
Time for a look around the home of a curious creature now called the | :21:57. | :22:02. | |
perry Fenwick. Yes, it's often referred to as a | :22:02. | :22:09. | |
Billy Mitchell, a nerd of EastEnder who far flew from the nest. | :22:09. | :22:16. | |
I'm Perry Fenwick and I'm going back to the street where I grew up. | :22:16. | :22:23. | |
Ripley Road. East London. Here we are. My old manor. I used to play | :22:23. | :22:27. | |
football there. Every time you scored a goal, we'd hit the Gates | :22:27. | :22:34. | |
and they would rattle. We used to annoy a guy who lived in that flat | :22:34. | :22:40. | |
there. I bumped into him 30 years ago and reminded him of it and he | :22:40. | :22:48. | |
said "Oh, it was you, you little so-and-so". This is it. I think | :22:48. | :22:52. | |
this was our old house. Pretty much the same. Didn't have double | :22:52. | :23:01. | |
glazing. It's a bit posh. 1975, May. Big day for the residents of Ripley | :23:01. | :23:05. | |
Road. West Ham won the FA Cup and we had a massive street party here. | :23:05. | :23:13. | |
All the adults getting drunk and all the kids singing I'm Forever | :23:13. | :23:22. | |
Blow Bubbles. Fantastic day. BEL. That's what everyone calls me, so | :23:22. | :23:32. | |
:23:32. | :23:37. | ||
that must have been done about 1970 This is the hallway. The passageway, | :23:37. | :23:46. | |
as we used to call it. This was mum and dad's bedroom. It's tiny. This | :23:46. | :23:55. | |
was our master bedroom. I thought in my mind's eye that this was the | :23:55. | :24:03. | |
big room. Unbelievable. I remember that window, people would knock on | :24:03. | :24:10. | |
the window. My mum and sister would hide from the window from the rent | :24:10. | :24:13. | |
man when we couldn't afford the rent that week. My mum was a | :24:13. | :24:18. | |
chamber maid and my dad was a welder. They worked really hard to | :24:18. | :24:24. | |
keep us. We definitely weren't well off. As a kid, you just get on with | :24:24. | :24:33. | |
it, what you are born with, you get on with. This is the room that used | :24:33. | :24:40. | |
to be our bedroom. Me, my sister, my brother. At Christmas, nanny and | :24:40. | :24:43. | |
grandad used to come and stay here as well and stay in this room with | :24:43. | :24:48. | |
us. He used to snore really loudly. I think one day I went out to the | :24:48. | :24:53. | |
kids on the street and charged them a penny to come and see my grandad | :24:53. | :24:59. | |
Bill snoring. When my mum was pregnant with me, it was a tossup | :24:59. | :25:05. | |
that my name was either going to be Elvis, Dwayne or Perry all after | :25:05. | :25:09. | |
well-known singers and grandad Bill offered her money to call me Billy | :25:09. | :25:15. | |
after him. She was like "No, no, that's an old man's name". Then 14 | :25:15. | :25:21. | |
years ago, I landed the part of Billy Mitchell in EastEnders and | :25:21. | :25:25. | |
now wherever I go everyone calls me Billy so he kind of got his old way | :25:25. | :25:34. | |
in the end and he didn't is have to lay out any money. So God rest him. | :25:34. | :25:43. | |
Blimey. Memories screaming at me down here. Here was our outside | :25:43. | :25:49. | |
convenience and we used to have a tin bath hanging on the door of it. | :25:49. | :25:54. | |
Every Sunday night the tin bath would come into the kitchen and | :25:54. | :25:58. | |
we'd boil up the kettle. Sounds like Dickensian London here. I'm | :25:58. | :26:04. | |
not trying to make it sound like we were poor but happy but yeah, | :26:04. | :26:11. | |
humble beginnings. I'll never get posh, you will never get me playing | :26:11. | :26:16. | |
Hamlet! West Hamlet maybe but... I love the fact I was born round here | :26:16. | :26:26. | |
:26:26. | :26:43. | ||
One of my favourite ones of those. Imagine the owner of that house | :26:43. | :26:47. | |
saying which so-and-so's carved their name in that brick. Now they | :26:47. | :26:51. | |
could put a plaque on it. What a week for Mock The Week to be off | :26:51. | :26:57. | |
air? We are always off air on the best weeks. We go off over the | :26:57. | :27:01. | |
summer when there's no news. We always think, why are we on now. | :27:01. | :27:05. | |
Are you forever ringing each other up doing your own Mock The Week? | :27:05. | :27:10. | |
Yes, we have a conference call every week which ends up which us | :27:10. | :27:16. | |
talking to Dara about the size of his head. It's the three Bs isn't | :27:16. | :27:23. | |
it, Benedict, burgers and the BAFTAS? Yes. What's been your | :27:23. | :27:29. | |
favourite week to mock though on Mock The Week? I always like it | :27:29. | :27:33. | |
when you read the papers and you have ideas for funny jokes, various | :27:33. | :27:37. | |
jokes to say when you are there, but the best weeks are always the | :27:37. | :27:41. | |
ones where something happens in the studio that you weren't expecting, | :27:41. | :27:45. | |
you know, where you build on somebody else's idea or they pick | :27:45. | :27:49. | |
up yours and everybody keeps in ball in the air and it becomes | :27:49. | :27:54. | |
great. Rory Bremner came out recently and said... Rory Bremner | :27:54. | :27:59. | |
came out?! No! It was a bit competitive on there? It certainly | :27:59. | :28:04. | |
used to be. Mock The Week had a reputation amongst comics as being | :28:04. | :28:09. | |
a real bear pin, you had to put your proper game face going in | :28:09. | :28:13. | |
there. When I did it first three years ago, I was absolutely | :28:13. | :28:16. | |
terrified of it because I don't really thrive in a competitive | :28:16. | :28:20. | |
environment, that's not my gig. I came out and they were going, I | :28:20. | :28:26. | |
love that. You came out? I came out as well, yeah! A breeding ground | :28:26. | :28:32. | |
for that kind of thing, yes! But no, I don't think it's as competitive | :28:32. | :28:36. | |
now. It's a lot more collaborative. A every week something happens in | :28:36. | :28:42. | |
the studio that we weren't expecting and jokes get kind of run | :28:42. | :28:46. | |
over the course of a series and stuff in a way they neefr used to | :28:46. | :28:50. | |
before when it was people standing in the last man standing pointing | :28:50. | :28:56. |