Browse content similar to 11/05/2012. Check below for episodes and series from the same categories and more!
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Hello, friends. Welcome to another fascinating, fabulous Friday 1 our | :00:24. | :00:29. | |
One Show with Alex Jones and Chris Evans. Tonight, we meet a man who | :00:29. | :00:33. | |
used magic to survive the Second World War, a fascinating story from | :00:33. | :00:38. | |
Fergus. Che goes cock-a-hoop over the tastiest chicken curry in the | :00:38. | :00:44. | |
UK. -- Jay. And Miranda and might find out what the rain has been | :00:44. | :00:52. | |
doing to our wildlife. Very cute. And we have two guests that span | :00:52. | :00:55. | |
the generations of entertainment. The wild-haired comedian and | :00:55. | :01:00. | |
composer responsible for the smash hit musical Matilda. And an | :01:00. | :01:04. | |
entertainment legend who has just landed not one but three roles and | :01:04. | :01:14. | |
:01:14. | :01:25. | ||
the Wizard of Oz. It is Tim Minchin First of all, Des O'Connor, on the | :01:25. | :01:29. | |
way tonight we have curry and hair. Which is most important in your | :01:30. | :01:36. | |
life? I thought you meant being bald. I am more than egg and chips | :01:36. | :01:46. | |
:01:46. | :01:47. | ||
man. I do like a curry, but not too hot. Tim, curry or hair? Curry. If | :01:47. | :01:52. | |
you give me two options and one of them is curry, it is always curry. | :01:52. | :01:57. | |
Coming up tonight, a growing up a theme going on. Tim will be singing | :01:57. | :02:03. | |
about growing up later. We have someone who has grown up on TV, for | :02:03. | :02:07. | |
56 years. And we are asking you to show how grown-up you are by | :02:07. | :02:15. | |
sending pictures of you Ben Ansen now. We will demonstrate. This is a | :02:15. | :02:22. | |
picture of Ben. And this is him now. I think both of them work. He is | :02:22. | :02:28. | |
still nice. We had a go as well. Here we go. This was Chris back | :02:28. | :02:38. | |
:02:38. | :02:41. | ||
then. And this is Chris now. This was Alex back then. And this is | :02:41. | :02:51. | |
:02:51. | :02:51. | ||
Alex now. As far as the Olympics are concerned, we are off the | :02:51. | :02:56. | |
starting blocks. The flame has been lit, and it went out again, and it | :02:56. | :03:03. | |
is on its way over here. Let's go for our first medals. Here we are. | :03:04. | :03:08. | |
These are some of the 4700 and Olympic and Paralympic medals. They | :03:08. | :03:14. | |
are so important that we are not allowed to touch them. I don't know | :03:14. | :03:22. | |
what will happen if we do. Touched one and see what happens. Can I go | :03:22. | :03:27. | |
for gold? He touched them and nothing happened. My Finger dropped | :03:27. | :03:35. | |
off! Where have they come from? Wales, of course. That is where all | :03:35. | :03:40. | |
the best things come from! We had better check. | :03:40. | :03:43. | |
The gold medals for the Games will be the largest and most valuable | :03:43. | :03:48. | |
ever handed out, but when the middle tradition began in 1896, the | :03:48. | :03:53. | |
winners actually got Silva, the second place got bronze and third | :03:53. | :03:58. | |
place got precisely nothing. These days, the prices are more glitzy. | :03:58. | :04:02. | |
In the middle of the Welsh valleys, why would you want a building that | :04:02. | :04:07. | |
looks like a prison but is not a prison? There must be something in | :04:07. | :04:16. | |
there that needs protecting. Olympic gold. I said, no Spandau | :04:16. | :04:22. | |
Ballet. We will have enough of that in a couple of months. For the past | :04:22. | :04:25. | |
six months, a specially selected team of Royal Mint designers, | :04:25. | :04:30. | |
technicians and craftsmen have been working behind heavily locked doors, | :04:30. | :04:36. | |
ensuring every medal produced meets highly exacting specifications. | :04:36. | :04:40. | |
This is where it all happens. In terms of the metal going into this, | :04:40. | :04:45. | |
what are we talking about, what is in there? This is the gold | :04:45. | :04:50. | |
Paralympic medal, with six grams of gold actually in the alloy. | :04:50. | :04:55. | |
then they are painted. They are not painted! They are electro pleated | :04:55. | :05:05. | |
to give them the gold colour. Why are they not solid gold? The cost. | :05:05. | :05:10. | |
First strike, 600 tons, and the last squeeze, 750 tonnes. Look at | :05:10. | :05:18. | |
that. That is a Paralympic gold. It is silver, but it is a gold. It is | :05:18. | :05:23. | |
the heaviest Olympic medal ever. Heavy metal. Talk me through the | :05:23. | :05:26. | |
idea behind them. How do you turn the idea into something we can | :05:27. | :05:32. | |
hold? There were two different processes. For this side, which is | :05:32. | :05:35. | |
the wings, we modelled it on a computer. The other side is | :05:35. | :05:40. | |
different. For this, we took a texture of the original sculpture | :05:40. | :05:44. | |
of Naik that appeared above the stadium in Athens, and we combined | :05:45. | :05:49. | |
it with a hand-made plaster model to produce this side. The idea is | :05:49. | :05:56. | |
that it is the heart of the Olympic Games. Usain Bolt has just won his | :05:56. | :06:00. | |
gold medal. They go to put it round his neck, and at that point, guess | :06:00. | :06:08. | |
what happens? It is my worst nightmare as well. Is it? That it | :06:08. | :06:13. | |
drops straight off the ribbon onto the floor. I double checked and | :06:13. | :06:16. | |
double-checked a bit more on the stitching and I make sure it is not | :06:16. | :06:21. | |
going anywhere. This is what you get for a lifetime of complete | :06:21. | :06:26. | |
devotion and commitment. It has got care instructions. Do not use any | :06:26. | :06:30. | |
liquid, chemicals or abrasive substances when cleaning it. | :06:30. | :06:40. | |
:06:40. | :06:41. | ||
the proud owner of London 2012 gold medal. But it is not just precious | :06:41. | :06:48. | |
metal. Rio Tinto has provided the gold, silver and bronze in order to | :06:48. | :06:52. | |
make the medals from mines in Mongolia. Rio Tinto is accused of | :06:52. | :06:55. | |
environmental damage, ignoring workers' rights and trampling on | :06:55. | :07:00. | |
local tribes the world over. Have you got concrete examples? The Rio | :07:00. | :07:05. | |
Tinto mine is in an area of the Gobi desert which is very dry, and | :07:05. | :07:09. | |
the water they are taking is likely to lead to problems down the line | :07:09. | :07:13. | |
for local tribespeople. Rio Tinto say that being ethically | :07:13. | :07:17. | |
responsible runs through everything that it does. These are the same | :07:17. | :07:20. | |
old claims that have been dismissed by an independent body. The water | :07:20. | :07:24. | |
that we use for our mining process is sourced from a completely | :07:24. | :07:29. | |
different supplied to the water used by the local people. Wherever | :07:29. | :07:33. | |
the metal comes from, the end product is the result of hours of | :07:33. | :07:40. | |
care and attention. Time for some awards, One Show-style, with a nod | :07:40. | :07:49. | |
to the ancient Greeks. Actually, my back garden. You have done very | :07:49. | :07:59. | |
:07:59. | :08:00. | ||
well. Thank you very much. Well done, well done. | :08:00. | :08:05. | |
Good work. Well done, Wales. Next week, live from RNAS Culdrose in | :08:05. | :08:10. | |
Cornwall. The show his life from their next Friday as we welcome the | :08:10. | :08:13. | |
Olympic flame to the shores of Great Britain. -- the show is | :08:13. | :08:19. | |
coming live from there. Other exciting news, it has been | :08:19. | :08:23. | |
announced that Des O'Connor is going to be starring as the wizard | :08:23. | :08:28. | |
in the Wizard of Oz. Have you been told? Yes, somebody sent me a | :08:29. | :08:36. | |
letter. We are not revealing it to you. You are taking over on the | :08:36. | :08:41. | |
22nd. I met the cast for the first time today and did a few lines with | :08:41. | :08:48. | |
the Straw man and the lion. They are wonderful, and she is gorgeous. | :08:48. | :08:54. | |
The lovely Sophie. I am looking forward to it. Eight shows a week | :08:54. | :09:00. | |
for 100 years! Was it an accident will return to the theatre? What is | :09:00. | :09:09. | |
this word "accidental"? You were our Tikrit 6. Dreamboats And | :09:10. | :09:19. | |
:09:20. | :09:20. | ||
They thought, he is not going to sing, is he? I got to sing Everly | :09:20. | :09:23. | |
Brothers songs and a cliff Richard's song and it was so great. | :09:23. | :09:31. | |
Since then, Bill Kenwright and his Lordship, Andrew Lloyd Webber, said, | :09:31. | :09:37. | |
he would be all right. I am so excited. You go backstage in the | :09:37. | :09:41. | |
Palladium, there is something about it. All of the sets and the scenery. | :09:41. | :09:47. | |
You realise it is like a movie. Have you seen it? I had seen it | :09:47. | :09:54. | |
twice. It is brilliant. She saw it for both of us. You are playing | :09:54. | :09:58. | |
three parts. In dreamboat and petticoats, played a 61-year-old | :09:59. | :10:03. | |
and a 41-year-old, and I got away with that. And I have to wear a wig | :10:03. | :10:08. | |
in this. The blizzard wears a wig. He plays a professor, and a doorman, | :10:08. | :10:15. | |
and then he plays the Wizard. will yours differ from Russell | :10:15. | :10:25. | |
:10:25. | :10:32. | ||
Grant? Have a different want. -- I Matilda the musical, | :10:32. | :10:36. | |
congratulations. You cannot read music and you play by ear, so how | :10:36. | :10:43. | |
can you write a musical? People confuse a lack of formal training | :10:43. | :10:46. | |
with the lack of understanding. They have Mozart on one end and | :10:46. | :10:52. | |
Hendrix on the other, just feeling it. There is a middle area, where | :10:52. | :10:59. | |
most songwriters are, I think. I understand music through many hours | :10:59. | :11:03. | |
of writing simple songs and slightly more complex songs. I know | :11:03. | :11:08. | |
a lot about songwriting just through experience. What I have is | :11:08. | :11:13. | |
a freedom from the history. I have never gone through Stephen Sondheim | :11:13. | :11:17. | |
scores and tried to figure out what he does. I know nothing about | :11:17. | :11:22. | |
classical music. I tend to start with lyrics and I go, how should | :11:22. | :11:28. | |
this sound? I understand it, I just cannot read the dots. Added you | :11:29. | :11:37. | |
feel the first time you saw it on stage? -- how did you feel? It is | :11:37. | :11:41. | |
just the most satisfying thing. I have done a lot of solo performance | :11:41. | :11:45. | |
as a comedian and musician, and it is always fraught with your own | :11:45. | :11:48. | |
obsession with the details. But being a part of something with | :11:48. | :11:55. | |
these incredible Co creators and directors and designers and staff, | :11:55. | :12:01. | |
and to watch everybody nail their bets. But probably the best day, | :12:02. | :12:08. | |
perhaps of my career in any field, was hearing the cast and the band | :12:08. | :12:12. | |
play it at the first run-through. Not with the stage, set and | :12:12. | :12:16. | |
choreography, no audience, just people on microphones singing with | :12:16. | :12:20. | |
the band the stuff that I had done in my head and Done Bad demos of. | :12:20. | :12:27. | |
Hearing it come alive, I was like a child. Des, you were a punchline | :12:27. | :12:32. | |
for many performers very long time, weren't you? Even Carol Vorderman | :12:32. | :12:39. | |
had ago. You have probably often wondered what you can do with a Des | :12:39. | :12:44. | |
O'Connor record. Well, a sensible thing to do is make a static | :12:44. | :12:49. | |
electricity generator out of one. As I turn the handle, sparks fly | :12:49. | :12:53. | |
across the gap. Remember, you need a Des O'Connor record. No other | :12:53. | :13:01. | |
record will do. I have never seen that before. Wait until I see her! | :13:01. | :13:06. | |
It is something I learned to live with. I remember once at the | :13:06. | :13:09. | |
Palladium signing autographs and a lady called me close and said, | :13:09. | :13:13. | |
there is an envelope and in there is my address and a five pound note. | :13:13. | :13:18. | |
Send me your new album. I said, it will not cost a fiver in the shops. | :13:18. | :13:23. | |
She said, I am not going to go in and ask for it. I learned to live | :13:23. | :13:30. | |
with it. You will be back at the Palladium on 22nd May. Now, to a | :13:30. | :13:34. | |
marvellous magician. He used magicked out with his captors | :13:34. | :13:39. | |
during the Second World War. -- he used magic to outwit his | :13:39. | :13:42. | |
captors. I am on my way to the Magic Circle, | :13:42. | :13:49. | |
the club for magicians, to meet its longest serving member. Fergus, | :13:49. | :13:57. | |
nice to meet you. 93-year-old Fergus joined the Magic Circle in | :13:57. | :14:07. | |
:14:07. | :14:12. | ||
1936, aged 18. He was its youngest In October 1939, Fergus was called | :14:12. | :14:21. | |
up. He had no idea what lay ahead. I did not want to be alone at the | :14:21. | :14:28. | |
end of it. Life was awful. People just didn't know what to depths you | :14:28. | :14:33. | |
had been in. In order to survive, he would cheat death and danger and | :14:33. | :14:38. | |
charm his way to freedom. And throughout all, he would be reliant | :14:38. | :14:44. | |
on his magic hands. For the first two years, he was stationed in | :14:44. | :14:52. | |
England, performing magic for the troops. But then, on 7th December | :14:52. | :14:58. | |
1941, Pearl Harbor was attacked. Fergus was posted to Singapore, and | :14:58. | :15:05. | |
within days of arriving, was bombed by the Japanese. My wristband was | :15:05. | :15:10. | |
blown out. My hand was in shreds, and there was nothing for it at the | :15:10. | :15:14. | |
time but to cut it off. The but his magical reputation would come to | :15:14. | :15:19. | |
his rescue. The orderly said, aren't you the magician? I said yes. | :15:19. | :15:24. | |
He turned to the surgeon and said, you can't cut his hand off, he is a | :15:24. | :15:29. | |
conjuror. Hours later, Fergus's hospital came under attack from | :15:29. | :15:34. | |
Japanese soldiers. Badly injured and with no sign of movement, | :15:34. | :15:40. | |
Fergus created the ultimate illusion. My hand was on my chest, | :15:40. | :15:50. | |
pouring with blood. And when they saw the blood, they thought I had | :15:50. | :15:54. | |
died, and walked on. I was the only one left alive out of the 71. | :15:54. | :16:00. | |
all those on your ward were killed that day? All dead. Nurses, doctors, | :16:00. | :16:07. | |
everybody. Fergus evaded death, but not capture, and soon found himself | :16:07. | :16:13. | |
a prisoner of war working on the Burma railway nicknamed the railway | :16:13. | :16:17. | |
of death. It was here that he again tricked his way to survival. His | :16:17. | :16:22. | |
break time magic shows so impressed the guards that they forgot about | :16:22. | :16:28. | |
time. Sometimes I could work it so that I had 45 minutes of rest, | :16:28. | :16:33. | |
which was vital. His Japanese captors demanded a magic show. | :16:33. | :16:38. | |
Fergus wanted an egg as a prop, and made the most of his access to the | :16:38. | :16:44. | |
cookhouse. When I got there, the Jap asked me what I wanted. So I | :16:44. | :16:51. | |
said, 50 eggs. So I shot off with this lot into our hut, and we made | :16:51. | :16:59. | |
a 50 egg omelette. And we ate it. After his performance, he was | :16:59. | :17:06. | |
summoned by the commandant. He said, you do trick with one leg. Where 49 | :17:06. | :17:13. | |
eggs? That was when I said, I am dead. And then out of my mouth came | :17:13. | :17:20. | |
these words - your show was so important, I was rehearsing all day. | :17:20. | :17:30. | |
And I remember walking back to the heart, saying to myself, you fool! | :17:30. | :17:34. | |
Then on 2nd September 1945, the Japanese surrendered. After three- | :17:34. | :17:40. | |
and a-half years in captivity, Fergus went home to his fiancee, | :17:40. | :17:48. | |
Lucille. There she was, waiting. We were married 35 wonderful years. | :17:48. | :17:54. | |
People often say to me, someone up there is looking after me. My view | :17:54. | :18:01. | |
is, you are born, you live, you die. Everything that happened to me, it | :18:01. | :18:11. | |
:18:11. | :18:14. | ||
is the way the cookie crumbles. I survived it. A round of applause. | :18:14. | :18:19. | |
Fergus, thank you for coming on. Welcome to The One Show. Lovely to | :18:19. | :18:25. | |
be here. Incredible story, but I am a bit of a romantic. What struck me | :18:25. | :18:30. | |
was the story between you and the lovely UCU. So she said no to five | :18:30. | :18:35. | |
proposals while you were away? She knew you would come back. How | :18:35. | :18:40. | |
was the first meeting between you? It was strange, because my brother | :18:40. | :18:45. | |
and his wife and Lucille met me at Charing Cross station. And we sat | :18:45. | :18:50. | |
in a train going home, and no one said much. You didn't want your | :18:50. | :18:57. | |
brother and his wife there? really. I want Lucille on my own! | :18:57. | :19:01. | |
It was an anti-climax to see her for the first time. But you made up | :19:01. | :19:05. | |
for it. Did they know you were alive because of a secret message | :19:05. | :19:11. | |
on this postcard that you sent home? Yes. We had been prisoners | :19:11. | :19:17. | |
for about two and a half years, and we got this card that we could send | :19:17. | :19:22. | |
home. They would not allow us to write anything on it in case of | :19:22. | :19:27. | |
codes and that sort of thing, so we were just allowed to sign it. When | :19:27. | :19:36. | |
I was a baby, they called me smiler. And when I went off to the army, my | :19:36. | :19:42. | |
mother said, whatever happens to you, keep smiling. They had been | :19:42. | :19:47. | |
told that I had been killed in action. But my mother said, | :19:47. | :19:51. | |
nevertheless, I will send a card every week, just in case. We got | :19:51. | :19:58. | |
this card, and I sent it. And when it got home nine months later, my | :19:58. | :20:05. | |
mother said, he really is dead. That is not my son's signature. And | :20:05. | :20:09. | |
she took herself off, and no one was to mention my name. And then | :20:09. | :20:14. | |
suddenly, she started screeching of a place down - he is alive! She had | :20:14. | :20:22. | |
spotted my little toad. Tell us how the code works? To start with, that | :20:22. | :20:25. | |
is not the normal signature. It is slightly different, because there | :20:25. | :20:34. | |
is a curve at the top of the letter F. And insured hand, that reads | :20:34. | :20:40. | |
"still". And then the little flick at the end of the liturgy means | :20:40. | :20:48. | |
"smiling". And in the crossings out, I wrote, don't worry. So learn | :20:48. | :20:52. | |
shorthand in case there is another war! Now, we have to ask you about | :20:52. | :21:00. | |
the Olympics. Obviously, it is round the corner. But you actually | :21:00. | :21:03. | |
watched the 1948 Olympics here. He went to the stadium every day? | :21:03. | :21:07. | |
Every day, I paid half a crown and went in and sat by the finishing | :21:07. | :21:13. | |
line. No corporate boxes Comer no queuing up for tickets. Got on the | :21:13. | :21:19. | |
bus, half a crown, and in. These are White City studios, so the | :21:19. | :21:23. | |
Olympic Stadium was here? Yes, they told me just now that the finishing | :21:23. | :21:28. | |
line is just the other side of this window. There is a memorial to all | :21:28. | :21:35. | |
the people who won the medals. you ran here as a boy? I ran in the | :21:35. | :21:39. | |
public schools mile. I did not know anything about running. I just knew | :21:39. | :21:49. | |
I could run. And I led all the way. When we came up the finishing | :21:49. | :21:55. | |
straight, they all passed me! think the Olympic Committee should | :21:55. | :22:00. | |
invite Fergus to the Olympics. Before you go, have you got a | :22:00. | :22:07. | |
little trick for us? I did bring a little trick. I have a penknife. It | :22:07. | :22:12. | |
is a Woolworths penknife that I got when I was young. If I push it | :22:12. | :22:18. | |
through my hand, it is quite simple. If I were, fingers when I am doing | :22:18. | :22:28. | |
:22:28. | :22:28. | ||
it, it changes colour. Now it is But if I were, fingers, it goes | :22:28. | :22:38. | |
:22:38. | :22:43. | ||
They don't make them like Fergus any more. If they did, we would all | :22:43. | :22:47. | |
be out of a job. Thank you for coming. | :22:47. | :22:51. | |
On Wednesday, the hairdressing world lost one of its legends. | :22:51. | :22:56. | |
Vidal Sassoon was lost to the great salon in the sky. Here is our | :22:56. | :23:00. | |
street barber Michael Douglas' tribute to one of his heroes. | :23:00. | :23:03. | |
In the 1960s, Vidal Sassoon became one of the most famous hairdressers | :23:03. | :23:07. | |
in the world, creating hair stars you can still see on the streets | :23:07. | :23:16. | |
today. It is fair to say I would not be here without him. This is | :23:16. | :23:22. | |
Becky. I am going to give her a 1950s inspired haircut based on the | :23:22. | :23:25. | |
kinds of things Vidal Sassoon would have been doing at the beginning of | :23:25. | :23:30. | |
his career. Becky, Vidal Sassoon was born in Hammersmith, around | :23:30. | :23:34. | |
here. And he was raised in Shepherds Bush, just up the road. | :23:34. | :23:39. | |
His mum was from the Ukraine. His dad was an immigrant from grace | :23:39. | :23:42. | |
called Nathan. His dad left when Vidal Sassoon was about five years | :23:42. | :23:48. | |
old, due to the stresses and strains of being a single parent, | :23:48. | :23:52. | |
of the Dow and his brothers were put into an orphanage. Then his | :23:52. | :24:01. | |
mother insisted that he became a hairdresser. Vidal completely | :24:01. | :24:04. | |
revolutionised hairstyles like this so that you did not have to go to | :24:04. | :24:08. | |
the salon once a week. You could go once every eight weeks, which | :24:08. | :24:15. | |
people found liberating. There you have it. How is that? Brilliant. | :24:15. | :24:18. | |
Lurgy everybody would have had back combing in their hair, and | :24:18. | :24:23. | |
everybody's hair used to be cut with razors, which Vidal Sassoon | :24:23. | :24:28. | |
changed forever. His creative cuts helped define the Swinging '60s. | :24:28. | :24:33. | |
His client list included Twiggy, Mia Farrow and one of his best | :24:33. | :24:38. | |
known clients, Mary Quant, who called Vidal Sassoon de Chanel of | :24:38. | :24:42. | |
hair. It was here on the fashionable New Bond Street at a | :24:42. | :24:46. | |
26-year-old Vidal Sassoon opened his first salon. It has changed | :24:46. | :24:50. | |
hands many times, but I will give the new owner a Vidal Sassoon | :24:50. | :24:58. | |
inspired job. So these are the original premises, the first salon. | :24:58. | :25:04. | |
Yes, he was an artist. A hairstyle can make or break. It is part of | :25:04. | :25:09. | |
your personality. What was great about these flat, geometric | :25:09. | :25:13. | |
hairstyles, is that they were designed to accentuate different | :25:13. | :25:18. | |
parts of the face. He would expose the cheekbones, bring out the eyes | :25:18. | :25:23. | |
with these short fringes. He revolutionised hairdressing. I met | :25:23. | :25:29. | |
Vidal Sassoon in about 2004. I was working at London fashion Week and | :25:29. | :25:33. | |
he came back stage to say it was the best hair he had seen in any | :25:33. | :25:39. | |
show that season. I can't tell you how happy I was. For 24 years, I | :25:39. | :25:42. | |
have been doing people's hair. There has not been a working day go | :25:42. | :25:47. | |
by when I do not use one of Vidal Sassoon's techniques, the way I use | :25:47. | :25:53. | |
my scissors or even copied the styles he created. His legacy will | :25:53. | :26:03. | |
:26:03. | :26:05. | ||
live on probably pretty much forever. I love it. It is great. | :26:05. | :26:15. | |
:26:15. | :26:15. | ||
Thank you. Don't thank me, thank the man himself. | :26:15. | :26:20. | |
We were just getting ready for something there. Now, today's show | :26:20. | :26:26. | |
is all about growing up. We wanted your photographs of you "then and | :26:26. | :26:36. | |
:26:36. | :26:37. | ||
now". Here, these are worse, rich, Ray and Rob. 25 years between the | :26:37. | :26:46. | |
two photos. Here they are now. I change my round? I want to do now | :26:46. | :26:53. | |
and then. It will work better. This is Verity, Ellen and Alex. That is | :26:53. | :27:03. | |
:27:03. | :27:06. | ||
them now. But that was then. See? And here we have now and now. Tim | :27:06. | :27:13. | |
Minchin is here. You wrote Matilda, but you are about to star in Jesus | :27:13. | :27:19. | |
Christ Superstar. Yeah. This is the show Andrew Lloyd Webber is putting | :27:19. | :27:23. | |
together on ITV. He is looking for Jesus, but he has already got you | :27:23. | :27:31. | |
as Judas Iscariot. Yes, I am Judas. It is very new news to me. It is | :27:31. | :27:35. | |
hard to explain, because people know me here as a comedian and | :27:35. | :27:39. | |
composer, but this has been my obsession. It is the only role I | :27:39. | :27:43. | |
have ever cared about in musical theatre. Not Jesus are any other | :27:43. | :27:49. | |
show, but this role in this show. How come? It is just awesome. It is | :27:49. | :27:56. | |
a rock show and I am a rock singer. And it is an incredible story, a | :27:56. | :28:03. | |
dramatic story told in a unique way. And Judas's journey from his | :28:03. | :28:09. | |
frustration through to his suicide and total breakdown, all the while | :28:09. | :28:17. | |
singing be flats and Ds, the version I was obsessed with was in | :28:17. | :28:21. | |
from deep purple singing Jesus, and the singer playing Judas, it | :28:21. | :28:26. | |
sounded like his throat was bleeding. You are genuinely excited. | :28:26. | :28:30. | |
But you are excited about everything you do. I have ended up | :28:30. | :28:34. | |
with an amazing life. I get to do these things. It took me to lie was | :28:34. | :28:39. | |
30 before I even managed to kick the first door down. I was | :28:39. | :28:45. | |
struggling away in Australia. And now I keep getting what I want. I | :28:45. | :28:50. | |
am lucky. You are a busy boy, because you have lots of concerts | :28:50. | :28:53. | |
over the summer in different places. You are doing more serious stuff | :28:53. | :29:01. | |
now. Are you moving away from comedy? No. I am doing comedy songs, | :29:01. | :29:05. | |
it is just that because of Matilda and all these other projects, I | :29:05. | :29:11. | |
have not written a new batch of comic material. I did this thing | :29:11. | :29:15. | |
with Symphony Orchestra's over the last couple of years, so I am | :29:15. | :29:19. | |
finding ways to reinvent my music. People who don't know my stuff will | :29:19. | :29:22. | |
still get comedy out of my gigs, but people who have followed me | :29:22. | :29:27. | |
will get new versions of things. I am playing a lot of festivals with | :29:27. | :29:33. | |
a four piece band. Sometimes a 12 piece band. It depends on digging. | :29:33. | :29:41. | |
But it will still be mostly Have you ever played Glastonbury? | :29:41. | :29:50. | |
They invite the old guys. Watch it! If you do Sweet Caroline and YMCA, | :29:50. | :29:57. | |
they love it. I would love to do that. I am available. Not until | :29:57. | :30:03. | |
September. Tim, where can we see you over the summer? It is all | :30:03. | :30:10. | |
festivals. A couple of national houses. We are on to Des now. | :30:10. | :30:19. | |
we did not get to where we can see him. It is on my website. Back to | :30:19. | :30:27. | |
Des. Your big chat show. 8:00pm, ITV. It is a family show. You have | :30:27. | :30:33. | |
a campaign for the family chat show making a return. Somebody asked me, | :30:33. | :30:38. | |
what do you think of the new chat show hosts? We have a remote and we | :30:38. | :30:42. | |
can turnover, all we can stick with someone. If I have one little Winch, | :30:42. | :30:47. | |
a lot of the young comics started their first shows with us, the | :30:47. | :30:52. | |
first masterclass, mainstream stuff. I look at a couple of them these | :30:52. | :30:57. | |
days and I think, the language. I curl up a bit, and I do not think | :30:57. | :31:00. | |
they need it because they were funny without it and they would be | :31:00. | :31:05. | |
just as funny today without it. Have we got time for his Les Dawson | :31:05. | :31:12. | |
clip? We have not. What have we got time for? Jay Rayner. He is back | :31:12. | :31:20. | |
with more spice than ever. I asked for your recipe for the | :31:20. | :31:23. | |
favourite home style chicken curry. The competition was as hot as the | :31:23. | :31:33. | |
:31:33. | :31:34. | ||
At the end of a hard week, there is nothing as comforting as a big bowl | :31:34. | :31:39. | |
of chicken curry, whether you like it mild or fiery. A good one can be | :31:39. | :31:43. | |
a wake-up call for the taste buds. Currie is said to have come from | :31:43. | :31:49. | |
the Tamil word for a spice sauce. In the UK, we have been devouring | :31:49. | :31:55. | |
it for centuries. 40% of us eat curry every week. We sifted through | :31:55. | :31:59. | |
your applications, looking for taste and originality, and these | :31:59. | :32:03. | |
three finalists think that they should win the grand title of the | :32:03. | :32:08. | |
nation's favourite. Julia from Chester. I have the best recipe - | :32:08. | :32:14. | |
simple and easy but I am on to a winner. Mandeep from Surbiton. | :32:14. | :32:19. | |
going to win and crush the competition. And Symon from London. | :32:19. | :32:24. | |
Mine is the best and I am going to win. They have to impress me and | :32:25. | :32:28. | |
Angela Gray. We have asked for an Indian style chicken curry. What | :32:28. | :32:34. | |
are you looking for? A balance of aromatic spice, clever flavour | :32:34. | :32:39. | |
building, forlorn but with a nice kick. And not swimming in too much | :32:39. | :32:44. | |
oil. The chicken should be succulent. I sense deep enthusiasm | :32:44. | :32:49. | |
in you. I cannot get through the week without my curry fix. Let the | :32:49. | :32:56. | |
competition begin. Julia blends and aromatic marinade including chilli, | :32:56. | :33:00. | |
coriander, ginger and garlic. It is a family favourite. Where does it | :33:00. | :33:05. | |
come from? My mother in law is of Indian origin. Originally, it was | :33:05. | :33:10. | |
one of her marinade recipes that she taught me many years ago. Over | :33:10. | :33:16. | |
the years, I have adapted it and it is now my own. Have you eaten | :33:16. | :33:23. | |
Indian food all your life? until I was 21. 21! She finishes | :33:23. | :33:28. | |
off with spinach and a slug of cream. Next, Mandeep with her | :33:29. | :33:33. | |
grandmother's recipe. She is using a home-made spice blend Gara | :33:33. | :33:39. | |
Marsala, and another traditional ingredient which is all fat. What | :33:39. | :33:43. | |
is this? It is not very good for the diet. It is clarified butter, | :33:43. | :33:50. | |
and lashings of it. But her old school curry is getting a makeover | :33:50. | :33:55. | |
with a coriander emotion. That sounds rather posh. It is coriander | :33:55. | :34:00. | |
which is blitzed with olive oil. It will be drizzled on the top. I have | :34:00. | :34:05. | |
some shallots, which are going to be fried and tossed in a | :34:05. | :34:09. | |
combination of mango powder and black salt. It is not entirely | :34:09. | :34:18. | |
black, is it. Black sorts, that his attention to detail. There is an | :34:18. | :34:22. | |
aromatic kick. Symon is a self-proclaimed | :34:22. | :34:26. | |
connoisseur, and to him, precision is everything. What are you doing? | :34:26. | :34:34. | |
I am worrying the onions, 1.5 grams. It is incredibly precise. It has to | :34:34. | :34:39. | |
be perfect. Are you the ultimate Curry nerd? Something along those | :34:39. | :34:44. | |
lines. There is a long list of spices, at least nine, all blended | :34:45. | :34:48. | |
together in a coffee grinder. If I ever said to you, why not buy curry | :34:48. | :34:53. | |
powder from the supermarket, would you laugh in my face? Yes. As soon | :34:54. | :34:59. | |
as it is ground, the flavour is gone. Time is up, and now for the | :34:59. | :35:03. | |
best bit, the tasting. Shall we start with Julia's quick chicken | :35:03. | :35:10. | |
tikka with spinach and cream? creamy. There is still fire there. | :35:10. | :35:14. | |
I would struggle to eat a large portion. The flavour is there but | :35:15. | :35:20. | |
under a blanket of cream. Let's move on to Mandy's inherited | :35:20. | :35:28. | |
recipe. -- Mandeep's. You have the Spice. Full-on chicken, but lots of | :35:28. | :35:33. | |
spice and the heat comes in waves. Garnish can sometimes be for show, | :35:33. | :35:36. | |
but this plays a part in the flavour. | :35:36. | :35:41. | |
Let's move on to Symon's precision curry. Beautiful sauce and a nice | :35:41. | :35:46. | |
balance of spice. One thing which is not a favourite, the chunks of | :35:46. | :35:50. | |
green pepper. It is a very serious bit of curry. All of that measuring | :35:51. | :35:57. | |
paid off. This is a tough job. Three great dishes, but there can | :35:57. | :36:02. | |
only be one winner. The winner of the One Show chicken curry | :36:02. | :36:11. | |
challenges... Mandeep. We agreed that her curry was the clear | :36:11. | :36:19. | |
favourite because of its depth of flavour and scrumptious garnish. | :36:19. | :36:23. | |
Congratulations. And you have brought the curry in, which is | :36:23. | :36:31. | |
brilliant news. Before that, Jay, you have something to give to her. | :36:31. | :36:41. | |
:36:41. | :36:43. | ||
All expense has been spared to give you this second to none... And Des | :36:43. | :36:53. | |
:36:53. | :37:00. | ||
has brought something a little more I was hoping for a Des O'Connor C D. | :37:00. | :37:07. | |
We have got a few 1000 round the back! Is this the winning curry? | :37:07. | :37:17. | |
:37:17. | :37:20. | ||
Is there going to be steam coming out of my ears? Can you reach it | :37:20. | :37:25. | |
from there, because I can't! What sets us apart from the others? All | :37:26. | :37:32. | |
of them looked lovely. They were lovely. Tim wants to throw himself | :37:32. | :37:37. | |
into it as well. People talk about curry having layers of flavour, but | :37:37. | :37:41. | |
too often they are just a stew which tastes of salt and heat but | :37:41. | :37:46. | |
not much else. This one has lots of layers, lots of character. It is | :37:46. | :37:53. | |
not just salt and heat, but it is rich, deep and dark. And the meat | :37:53. | :37:58. | |
melts in your mouth. Pre-it does interesting things. When you are | :37:58. | :38:04. | |
walking to a curry house and you get the smell, what is it? What is | :38:04. | :38:14. | |
:38:14. | :38:14. | ||
the overwhelming smell that comes down the street? Lots of butter. | :38:14. | :38:21. | |
What is the key to a good samosa? My mum cooking it. We are all | :38:21. | :38:26. | |
coming round later! Yours has a modern twist because you have a | :38:26. | :38:33. | |
coriander emotion. And shallots on the top. -- are coriander emotion. | :38:33. | :38:39. | |
What would your grandmother had said? She would have thought it was | :38:39. | :38:47. | |
silly but I think she would have enjoyed it as well. Tim, are you | :38:47. | :38:54. | |
having some? I am so hungry. Some of the entries did suggest | :38:54. | :38:58. | |
chocolate, which is not as crazy as you might think. In South American, | :38:59. | :39:04. | |
Mexican food there is a lot of chocolate in those stews. So I can | :39:04. | :39:09. | |
imagine chocolate working in this style of curry, except that you do | :39:09. | :39:12. | |
not associate the cocoa plant growing in the Indian sub-continent, | :39:12. | :39:22. | |
so it is a bit strange. And about curries, is it Indian? The Indian | :39:22. | :39:25. | |
sub-continent is huge. There's packets buck Pakistan, Bangladesh, | :39:25. | :39:30. | |
Sri Lanka. It is like talking about one European food. There are lots | :39:30. | :39:35. | |
of different regions. Your family is from the Punjab, which has its | :39:35. | :39:41. | |
own style. The Indian curry on the High Street is mostly Bengali. | :39:41. | :39:48. | |
more question. Can you come back every week? And the curry has gone | :39:48. | :39:55. | |
down a storm, and she has brought an extra dish, Saag Paneer. Oh, my | :39:55. | :40:02. | |
goodness! I have tried that while you were chatting. That is nice, | :40:02. | :40:10. | |
dark spinach. Can we go on a break so I can eat? If you want to eat | :40:10. | :40:17. | |
any of the Curry, the recipes are on the website right now. Last week | :40:17. | :40:20. | |
we sent Lucy Siegle out to explain why we had droughts and floods at | :40:21. | :40:26. | |
the same time. Since then, however, because of the continuing rain, 19 | :40:26. | :40:34. | |
areas have dropped their drought status this afternoon. But what of | :40:34. | :40:38. | |
the phrase, nice weather for ducks. What about the rest of the | :40:38. | :40:48. | |
I am in the heart of the Fens that the Ouse Washes, one of the most | :40:48. | :40:51. | |
important breeding habitats in the country for ground-nesting birds | :40:51. | :40:57. | |
like lapwing, redshank and snipe. Conditions for those birds are | :40:57. | :41:01. | |
absolutely ideal on this side, but over here, it is a very different | :41:01. | :41:07. | |
story. The Ouse Washes are large areas of pasture land purposely | :41:07. | :41:11. | |
flooded to prevent the river bursting its banks. Normally, this | :41:11. | :41:16. | |
only happens in winter, but last week the Environment Agency had no | :41:16. | :41:19. | |
choice but to open the sluice gates to prevent the flooding of | :41:19. | :41:25. | |
thousands of people's homes. This move has had dire consequences for | :41:25. | :41:29. | |
this internationally important wildlife reserve. This lapwing | :41:29. | :41:38. | |
footage captured by a viewer shows one of many nests being submerged. | :41:38. | :41:42. | |
John is the RSPB site manager for the Ouse Washes and has seen at | :41:42. | :41:48. | |
first hand the after effects of the flooding. Just to reiterate, this | :41:48. | :41:53. | |
lake over here really should look like that over there. Absolutely. | :41:53. | :41:57. | |
It is a disaster for this time of year. We would expect at the moment | :41:57. | :42:02. | |
to have 600 pairs of breeding waders, 800 pairs of ducks. Instead, | :42:02. | :42:10. | |
we have 1.5 metres of water. This is 22 miles long. It is hard to | :42:10. | :42:16. | |
envisage. It is about 6000 football pitches. To be honest, I am gutted. | :42:16. | :42:21. | |
I adore birds. Is there any light at the end of this tunnel? There is | :42:21. | :42:26. | |
a glimmer, still. End of June-July, if we can get rid of the water by | :42:26. | :42:30. | |
then, there is the chance that lapwing and snipe might make a | :42:30. | :42:35. | |
nesting attempt. But realistically, the chances are very slim. This | :42:35. | :42:39. | |
might have a knock-on effect for years. The biggest irony is that | :42:39. | :42:47. | |
this entire region is technically in drought. It is not just the east | :42:47. | :42:51. | |
of the country that has been badly affected. Miranda has been in the | :42:51. | :42:55. | |
south-west to see how the recent deluge has hit wildlife in this | :42:55. | :42:59. | |
critical season. It is a time when young birds and | :42:59. | :43:02. | |
mammals should be with their parents but sadly many are becoming | :43:02. | :43:06. | |
separated due to the horrendous weather we have been having. Recent | :43:06. | :43:12. | |
flooding has swamped dens, Burroughs and nests. Last week, | :43:12. | :43:15. | |
these kingfishers were filmed struggling to feed their young in | :43:15. | :43:24. | |
the flooded conditions. This is just one drama in a catalogue of | :43:24. | :43:31. | |
incidents. Somerset is one of the worst-hit areas, and wildlife | :43:31. | :43:37. | |
rescue centres have been inundated with refugees. Care manager Sarah | :43:37. | :43:44. | |
Cowen is working round the clock. Look at them! They are just | :43:44. | :43:50. | |
gorgeous. These cubs were saved by good-natured members of the public. | :43:50. | :43:57. | |
What happened? He was seen in Bude in Cornwall. The road in the town | :43:57. | :44:01. | |
was flooded and a member of the public watched the fox cub drowning | :44:01. | :44:06. | |
and they managed to grab him. condition was he in? He was | :44:06. | :44:10. | |
absolutely drenched, soaking wet and very distressed and cold. And | :44:10. | :44:16. | |
quite hungry. But he has settled in. Looking good now. These are the | :44:16. | :44:20. | |
lucky ones. Their chances of survival are excellent and they | :44:20. | :44:24. | |
will be released once they are big enough. But other animals are not | :44:24. | :44:29. | |
faring so well. They were flooded out of their badger set a couple of | :44:29. | :44:34. | |
days ago. But unfortunately this little one, we are having to feed | :44:35. | :44:38. | |
with a syringe because he is not taking food and has lost weight. | :44:38. | :44:43. | |
This is the downside of the flooding. Unfortunately, yes. | :44:43. | :44:48. | |
Badger cubs do not know where they are, where to go. You cannot put | :44:48. | :44:53. | |
them back until it subsides. Can I give him something to eat? Gently | :44:54. | :45:00. | |
poppet into the side of his mouth. It is quite a disgusting, sickly | :45:00. | :45:10. | |
:45:10. | :45:12. | ||
Sara and the team hoped to release these back into the wild, but when | :45:12. | :45:18. | |
depends on when the floodwaters subside. | :45:18. | :45:23. | |
The baby foxes were lovely. We have an update. We spoke to the Secret | :45:23. | :45:26. | |
World Wildlife rescue Centre this morning, and the baby foxes and | :45:26. | :45:34. | |
badgers are well on the way to recovery and release. And began to | :45:34. | :45:38. | |
ban is over! Now, Monday sees the latest | :45:38. | :45:42. | |
instalment of the extraordinary documentary about growing up. We | :45:42. | :45:52. | |
:45:52. | :45:54. | ||
have more of your photographs. This is Gavin and see them, and now. | :45:54. | :46:01. | |
am going to go with now and then. These are them now, Denise, Lynn | :46:01. | :46:06. | |
and run from Stoke. 59 years previously, this was how they | :46:06. | :46:16. | |
:46:16. | :46:24. | ||
looked. This is Sam, 40 years ago, from West Yorkshire. And now! | :46:24. | :46:32. | |
is then, Ian, at seven years old. Look at him now. It is all about | :46:32. | :46:36. | |
growing up. Monday sees the latest instalment of the extraordinary | :46:36. | :46:39. | |
series that has followed the lives of 14 people from different | :46:39. | :46:44. | |
backgrounds since 1964. In many ways, this was the first reality | :46:44. | :46:48. | |
showed. We have seen them living in care, get married, split up, get | :46:48. | :46:53. | |
back together, become parents, and move abroad. And nobody was voted | :46:53. | :46:58. | |
out. Between them, they have dealt with homelessness, infidelity, | :46:58. | :47:01. | |
bereavement and even a career in local politics. Her one of them, | :47:02. | :47:11. | |
:47:12. | :47:12. | ||
Symon, is here. First, let's have a sneak preview of what he is up to. | :47:12. | :47:16. | |
Before I am old enough to get a job, I will walk around and see what I | :47:16. | :47:21. | |
can find. I was going to be a film star. Now I am going to be an | :47:21. | :47:27. | |
electrical engineer. There is more to reality. By 21, Symon was | :47:27. | :47:30. | |
working in the freezer room of Wall's sausages in London. I know I | :47:30. | :47:35. | |
can't stay here forever. I could not stay there for that long. My | :47:35. | :47:39. | |
mind would go dead. Do you never feel you should be doing better | :47:39. | :47:47. | |
jobs? Aren't you worth more? No. I suppose are just like hard work. I | :47:47. | :47:52. | |
am the proof that you need to push yourself. If you want things in | :47:52. | :47:58. | |
life, you have to push yourself to keep going. I think that programme | :47:58. | :48:02. | |
is extraordinary, and you are part of it, Symon. It is possibly the | :48:02. | :48:05. | |
most extraordinary series television has ever seen. How has | :48:05. | :48:11. | |
it been? Easy. How do you feel when you look back at some of that | :48:11. | :48:16. | |
footage? Is it's nice to have a record, or do you feel embarrassed | :48:16. | :48:21. | |
by some of it? I used to feel bad. I used to get tensed up when the | :48:21. | :48:26. | |
programme was coming, and 10 stop when the filming was going to be | :48:26. | :48:31. | |
shown. But now I am too old to worry about it. And you and your | :48:31. | :48:35. | |
wife over the years have fostered 65 children? Will they be featured | :48:35. | :48:45. | |
:48:45. | :48:47. | ||
in the film? We will talk about it, but we are not allowed to reveal | :48:48. | :48:56. | |
that. You have already seen the programme. Is it any good? It is | :48:56. | :49:00. | |
fantastic. That is not just me saying it. Everybody that has been | :49:00. | :49:04. | |
in the programme and been part of the programme has thought it was | :49:04. | :49:10. | |
fantastic. I heard this was going to be the last one? We need enough | :49:10. | :49:16. | |
survivors to do the next one. you are only 56. I am just a kid. | :49:16. | :49:23. | |
You are next to Des O'Connor. only 27! Symon, when you look back | :49:23. | :49:26. | |
over the different documentaries every seven years, which was your | :49:26. | :49:36. | |
:49:36. | :49:37. | ||
favourite period? This one now. have to say that. No, actually, | :49:37. | :49:41. | |
this one now. People always say those were the days. But actually, | :49:42. | :49:47. | |
these are the days. Des O'Connor, you must come across that all the | :49:47. | :49:55. | |
time. Whichever moment you are in, that is what you should be enjoying. | :49:55. | :50:00. | |
Are you friends with some of the others in the documentary? I see | :50:00. | :50:04. | |
them more as family. I do not see them at all, but when I do meet up | :50:04. | :50:09. | |
with them, it is like we have known each other all our lives. It is | :50:09. | :50:13. | |
extraordinary seen the footage from different years. The footage of you | :50:13. | :50:18. | |
as a young man could have been filmed yesterday. You think so? | :50:18. | :50:24. | |
Very handsome as a young man, if you don't mind me saying. 56 Up is | :50:24. | :50:30. | |
on ITV1 on Monday night at 9pm. Now, it is inevitable that was | :50:30. | :50:34. | |
growing up, we have warm patch that we have all warned things we later | :50:34. | :50:44. | |
:50:44. | :50:49. | ||
Ruth Goodman has been looking at the fashion that went from flash to | :50:49. | :50:55. | |
trash in a blink of a knife. There was a time when sport and | :50:55. | :51:01. | |
fashion kept a healthy distance. Sport was all about practicality, | :51:01. | :51:05. | |
and fashion it was different. But in the 1980s, all that changed when | :51:05. | :51:11. | |
a new type of clothing emerged - the shellsuit. Cotton to peace | :51:11. | :51:15. | |
tracksuits had been around for ages, but in the nylon age, they really | :51:15. | :51:20. | |
came into their own. Out of place in a modern sports store, these | :51:20. | :51:25. | |
vintage '80s shell-suits were once the height of fashion. This is why | :51:25. | :51:30. | |
it is called a shellsuit, this micro fibre nylon shell, quite | :51:30. | :51:35. | |
unlike the heavy cotton track suits that were available at the time. A | :51:35. | :51:40. | |
true shellsuit is also tapered in at the cuffs and down again at the | :51:40. | :51:44. | |
ankle. These man-made fibres were also much easier to print on and | :51:44. | :51:47. | |
could be produced in a range of colours and patterns. Shell-suits | :51:47. | :51:50. | |
first caught the eye of British people when Liverpool fans were | :51:50. | :51:53. | |
travelling to watch their team dominate European football in the | :51:53. | :51:57. | |
'80s. This exposed them to continental fashions, and they | :51:57. | :52:01. | |
wanted a piece of the action, which is how this garish garment made the | :52:01. | :52:08. | |
transition from Milan to Merseyside. Sports retailers seized the | :52:08. | :52:17. | |
opportunity and started to import container loads. A shellsuit would | :52:17. | :52:27. | |
be �120. And I suppose that is part of its aura, that if you spend �120 | :52:27. | :52:32. | |
on a tracksuit, you look as though you are wearing �120 worth of | :52:32. | :52:41. | |
tracksuit. It is when it is a fiver in a barrel somewhere in a market | :52:41. | :52:46. | |
that it loses a lot of its appeal. With high street shops and market | :52:46. | :52:50. | |
stalls stocking them, prices tumbled, and so did the shellsuit's | :52:50. | :52:54. | |
reputation. What started as a functional garment for honed and | :52:54. | :52:58. | |
focused athletes now came to represent the opposite. And thanks | :52:58. | :53:02. | |
to the likes of Harry Enfield's Scousers, they came to stereotype a | :53:02. | :53:08. | |
workshy underclass. Not only had they become laughable, but BBC's | :53:08. | :53:13. | |
Watchdog had noticed a moor burning issue. Welcome to watchdog. In | :53:13. | :53:18. | |
tonight's programme, startling news. Shell suits are made of flimsy | :53:18. | :53:25. | |
polyester or nylon. Look how quickly they go if near a fire. | :53:25. | :53:29. | |
Once Watchdog ignited a debate, the heat was on for the shellsuit. But | :53:29. | :53:33. | |
you don't have to hold a naked flame to a shellsuit to raise the | :53:33. | :53:39. | |
temperature of everyone around you. It has such an inflammatory | :53:39. | :53:44. | |
reputation that you merely have to wear one. What does the shellsuit | :53:44. | :53:49. | |
say today to shoppers on fashionable Bond Street? It is for | :53:49. | :53:55. | |
chavs. Shopping centres. It is not the most glamourous think. Hideous. | :53:55. | :53:59. | |
Not many people dress like that around here. They don't do you any | :53:59. | :54:04. | |
favours. But while some are glad to see the back of the shellsuit, | :54:04. | :54:08. | |
there still seems to be some residual affection for it. Vintage | :54:08. | :54:12. | |
shellsuit still a roaring trade online, and there are some who | :54:12. | :54:16. | |
think they may be about to enjoy a mainstream fashion renaissance. One | :54:16. | :54:23. | |
young designer has taken fashion's most sneered at two peace and we | :54:23. | :54:30. | |
launched it during London fashion Week to wide acclaim. I wanted to | :54:30. | :54:36. | |
bring two opposites together and create something new. I hope it | :54:36. | :54:40. | |
will be something that becomes an identifiable thing you would like | :54:40. | :54:44. | |
to wear. The shellsuit may have gone back to its aspirational roots, | :54:44. | :54:51. | |
but for the moment, its place is the slip-on uniform of the high | :54:51. | :54:55. | |
street has passed. Whether it went out of vogue due to public opinion | :54:55. | :55:01. | |
is debatable, but they don't half keep the wind out. | :55:01. | :55:08. | |
But anything against a cool brick wall looks good. Matt Baker would | :55:08. | :55:15. | |
call that practical and cool. is here. You have a little one | :55:15. | :55:21. | |
growing up. Seven and a half? Fantastic little guy. I went to | :55:21. | :55:27. | |
school and a headmistress said how sporting of you to volunteer for | :55:27. | :55:33. | |
the fathers' race. I had to run against Linford Christie! Imagine | :55:33. | :55:38. | |
me at 72. I let him win. I did not want to spoil it. Speaking of | :55:38. | :55:43. | |
growing up, let's have a little song from Tim Minchin. | :55:43. | :55:50. | |
# When I grow up. # I will be tall enough to reach | :55:50. | :55:53. | |
the branches. # That I need to reach to climb the | :55:53. | :55:56. | |
trees. # You get to climb when you're | :55:56. | :56:05. | |
grown up. # And when I grow up. | :56:05. | :56:08. | |
# I will be smart enough to answer all. | :56:08. | :56:12. | |
# The questions that you need to know. | :56:12. | :56:19. | |
# The answers to before you're grown up. | :56:19. | :56:23. | |
# And when I grow up. # I will eat sweets every day. | :56:23. | :56:31. | |
# On the way to work, and I will. # Go to bed late every night. | :56:31. | :56:35. | |
# And I will wake up. # When the sun comes up, and I. | :56:35. | :56:37. | |
# Will watch cartoons until my eyes go square. | :56:37. | :56:45. | |
# And I won't care 'cause I'll be all grown up. | :56:45. | :56:53. | |
# When I grow up. # I will be strong enough to carry | :56:53. | :57:01. | |
all. # The heavy things you have to haul. | :57:01. | :57:08. | |
# Around with you when you're a grown up. | :57:08. | :57:11. | |
# And when I grow up. # I will be brave enough to fight | :57:11. | :57:18. | |
the creatures. # That you have to fight beneath | :57:18. | :57:24. | |
the bed. # Each night to be a grown up. | :57:24. | :57:30. | |
# And when I grow up. # I will have treats every day. | :57:30. | :57:33. | |
# And I'll play with things that mum pretends. | :57:33. | :57:39. | |
# That mums don't think are fun. # And I will wake up. | :57:39. | :57:44. | |
# When the sun comes up and I. # Will spend all day just lying in | :57:44. | :57:47. | |
the sun. # And I won't burn 'cause I'll be | :57:47. | :57:57. | |
:57:57. | :58:14. | ||
all grown up. From the musical Matilda. Thank you | :58:14. | :58:19. | |
for being here. Good luck with all your festivals, and with Matilda. | :58:19. | :58:28. | |
And Des, we can see you on 22nd May. You can. You have seen both shows. | :58:28. | :58:38. | |
:58:38. | :58:39. | ||
Don't ask me. What? For a favourite! They are both great. | :58:39. | :58:43. | |
Have a great weekend. Have a lovely weekend, and we will see you on | :58:43. | :58:50. |