Browse content similar to 11/08/2011. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Alex Jones and Matt Baker. | :00:47. | :00:51. | |
Tonight's guest is the actress who caused a storm on Albert Square | :00:51. | :00:54. | |
earlier this year with the controversial baby swap story line. | :00:54. | :00:58. | |
Now she is swapping Walford four sons and sunshine in the South | :00:58. | :01:08. | |
Pacific. It is Samantha Womack. Love lead to see you. -- lovely to | :01:08. | :01:18. | |
:01:18. | :01:24. | ||
see you. We are both wearing lace. Sorry about that. We are wearing | :01:24. | :01:30. | |
lace underneath. The nobody got that! Things seem to have calmed | :01:30. | :01:35. | |
down with the riots. But you had a taste of it. Like everybody that | :01:35. | :01:40. | |
lives in London, I was passing through an area, Camden, which was | :01:40. | :01:44. | |
starting to head towards trouble. I went down to Regent Street and | :01:44. | :01:48. | |
Oxford Street, where there was heavy police presence. I am staying | :01:48. | :01:53. | |
in a hotel in the City, so I was feeling nervous, like everybody. | :01:53. | :01:57. | |
was definitely quite scary. Do you think we have seen the last of the | :01:57. | :02:02. | |
riots? I don't know. I know that the police presence has been up to. | :02:03. | :02:07. | |
Everybody that is available is now patrolling the streets. I hope that | :02:07. | :02:11. | |
will be an end to it but you don't know. It is so erratic, which is | :02:11. | :02:15. | |
what is so nerve-racking. There does not seem to be any pattern. It | :02:16. | :02:19. | |
is springing up all over the place and the minute you think it has | :02:19. | :02:23. | |
died down, it is back. We will talk to you about South Pacific a moment | :02:24. | :02:29. | |
later. We have a surprise for you. Oh, God. It is always bad when | :02:29. | :02:34. | |
people say that on television. Is it a bunny? It is a mystery guest | :02:34. | :02:39. | |
but we will not get you guessing. You might actually guess he who it | :02:39. | :02:45. | |
is! And Dom Littlewood will be opening up some case files. | :02:45. | :02:49. | |
emergency recall of Parliament today, David Cameron admitted that | :02:49. | :02:55. | |
far too few police were used during the riots at their tactics were not | :02:55. | :03:02. | |
working. He has now said that baton rounds and water cannon can be used | :03:02. | :03:08. | |
if the need arises. We look at the options that the police have and do | :03:08. | :03:12. | |
some things that will never be used. Every bobby has been disgusted by | :03:12. | :03:15. | |
the scenes on the streets of England this week. There was a | :03:15. | :03:19. | |
feeling that the police could have used more force. People asked why | :03:19. | :03:24. | |
they did not take measures such as water cannons against the rioters. | :03:24. | :03:27. | |
Yesterday David Cameron said that if the police want to use water | :03:27. | :03:31. | |
cannons, they can request them. But do we really want them on our | :03:31. | :03:36. | |
streets? I think David Cameron is right to bring in water cannons as | :03:36. | :03:40. | |
an option available to the police. Water cannons are most effective | :03:40. | :03:45. | |
when used against a large crowds rioting against a particular target. | :03:45. | :03:50. | |
We saw in Nottingham in the last few days attacks on police stations, | :03:50. | :03:54. | |
which we have not seen elsewhere. In that situation, a water cannon | :03:54. | :04:00. | |
could certainly help to drive away the crowd if they are intent on | :04:00. | :04:04. | |
attacking a particular target. They are quite frightening. They can | :04:04. | :04:07. | |
make you think you are drowning. They can knock you over and they | :04:07. | :04:12. | |
can make you feel very wet and cold. They would work. Add in plastic | :04:12. | :04:18. | |
bullets would be more useful. -- I think plastic bullets would be more | :04:18. | :04:22. | |
useful and I have seen cases when they could have worked. Plastic | :04:22. | :04:25. | |
bullets and water cannons can seem tame compared to what is on offer | :04:25. | :04:29. | |
elsewhere in the world. In the Philippines, you might expect to | :04:29. | :04:33. | |
get a face full of gas, which would leave you struggling to breathe and | :04:33. | :04:40. | |
your eyes and throat burning. In America, and tasers might get you | :04:40. | :04:45. | |
and sound deterrents as well. They Blast Lab 149 decibels and can | :04:45. | :04:53. | |
clear the street faster than a rock concert. Not everyone believes that | :04:53. | :04:57. | |
the police should have more gadgets. I don't think that militarisation | :04:57. | :05:01. | |
is the solution that we are looking for. The water cannon is developed | :05:01. | :05:05. | |
to control a crowd. With this new public disorder we are seeing the | :05:05. | :05:09. | |
group dispersing, moving down side streets into small groups of | :05:09. | :05:13. | |
individuals, which is not traditional crowd control. Another | :05:13. | :05:16. | |
security challenge facing the police is just around the corner, | :05:16. | :05:21. | |
the Olympics. As well as putting in an order for javelins and shop | :05:21. | :05:28. | |
Purves, should we also be buying plastic bullets and water cannon? - | :05:28. | :05:37. | |
- shot put. We have seen a lot of damage to our reputation as the | :05:37. | :05:41. | |
police should do everything they can to knock this kind of situation | :05:41. | :05:44. | |
on the head, particularly in the run-up to the Olympics. If it | :05:44. | :05:49. | |
flares up, it should be dealt with more robustly. The public wants | :05:49. | :05:53. | |
something done now, but the reality is that what we also want is these | :05:53. | :05:57. | |
things prevented in the future. Debates around things like rubber | :05:57. | :06:01. | |
bullets take us no closer to prevention in the future. Obviously | :06:01. | :06:06. | |
in the future we all want to keep the streets safe. We hope that | :06:06. | :06:10. | |
anti-riot measures such as plastic bullets and water cannon will not | :06:10. | :06:14. | |
actually need to be deployed. Just the threat of them could be enough | :06:14. | :06:21. | |
to keep the peace. Water cannon, have they been used before on the | :06:21. | :06:28. | |
mainland? No. They have been used in Northern Ireland. In the | :06:28. | :06:30. | |
Northern Ireland police service they have six, which they say can | :06:30. | :06:35. | |
now be deployed at 24 hours' notice to the mainland, but that would be | :06:35. | :06:39. | |
a new thing for us. David Cameron said that police tactics did not | :06:39. | :06:49. | |
work. Yes. Any idea what they will do now? He said he had had a frank | :06:49. | :06:52. | |
exchange of views with police chiefs. It seems to be about the | :06:52. | :06:56. | |
emphasis. They were treating it as a public order situation, when they | :06:56. | :07:01. | |
should have been treating it as a criminal situation. It is really | :07:01. | :07:05. | |
about a change of emphasis. He also stressed that this is a new and | :07:05. | :07:09. | |
unique challenge for the police, because of the focus on looting and | :07:09. | :07:13. | |
the speed at which the rioters were travelling. And the way they were | :07:13. | :07:18. | |
communicating. It is uncharted territory and it needs a change of | :07:18. | :07:21. | |
and this is, so now they are looking at different things. They | :07:21. | :07:26. | |
are talking about new powers to impose curfews. And also about | :07:26. | :07:31. | |
removing face masks, which has been a big thing. This is incredible, | :07:31. | :07:35. | |
isn't it? I found it extraordinary that the police did not have these | :07:35. | :07:39. | |
powers until today. Previously they were only allowed to remove face | :07:39. | :07:44. | |
masks from rioters if there were actually engaged in violent conduct. | :07:44. | :07:47. | |
Was it to do with religious denomination and women having their | :07:47. | :07:52. | |
faces covered? Yes, there is a lot of complexity. Now they have the | :07:52. | :07:56. | |
authority to remove them if they suspect that person is about to | :07:56. | :08:00. | |
engage in criminal conduct. There is a change of emphasis there. | :08:00. | :08:06. | |
Thank you. There is also news of a man in intensive care who was | :08:06. | :08:10. | |
attacked while heroically trying to put out fires in Ealing on Monday | :08:10. | :08:14. | |
night. We have this picture here. He had their identification on him | :08:14. | :08:18. | |
but he has been named as 68 year old Richard Mannington Bowes. | :08:18. | :08:22. | |
Police are eager to trace his next of kin and anybody that knows him | :08:22. | :08:25. | |
at all. They also want any information on his suspected | :08:25. | :08:30. | |
attacker. He is described as black, of big build, wearing a white T- | :08:30. | :08:35. | |
shirt with writing on, and a dark jumper over his shoulders. Anybody | :08:35. | :08:41. | |
with any information should contact Crimestoppers. As we said, Dom | :08:41. | :08:45. | |
Littlewood is also here, and he has been delving into his filing | :08:45. | :08:52. | |
cabinet again. It gets fatter every week! I had a woman on my left and | :08:52. | :09:00. | |
suddenly! First up, compensation for the damage that was caused by | :09:00. | :09:04. | |
the riot. The Prime Minister has spoken about this in the Commons | :09:05. | :09:09. | |
today. Yes. To put it into perspective, 48,000 businesses have | :09:10. | :09:15. | |
been affected. The bill is running at �200,000. As far as compensation | :09:15. | :09:18. | |
is concerned, if you are insured, try to put in a claim with your | :09:18. | :09:22. | |
insurance company first, but you only have seven days and they will | :09:22. | :09:26. | |
only be looking at the Department why it claims. A lot of these why | :09:26. | :09:35. | |
it's happened in poorer areas of the country. -- riots. Some people | :09:35. | :09:43. | |
might not have insurance. In 1986, claims were put in against police | :09:43. | :09:47. | |
forces. Saying that they did not respond? Not saying they did | :09:47. | :09:51. | |
anything wrong, there is just a fund there so that people can claim | :09:51. | :09:57. | |
against that. So they are not left homeless or something. With some | :09:57. | :10:01. | |
insurance, with car damage, if you have got your own insurance and it | :10:01. | :10:06. | |
is third-party, fire and theft, you will only get it back if it is | :10:06. | :10:10. | |
burnt out, not if the windows are smashed. You should go back to your | :10:10. | :10:16. | |
own insurance company first but there is that all back there. | :10:16. | :10:21. | |
have also got an interesting news on train tickets. Yes, David wrote | :10:21. | :10:31. | |
:10:31. | :10:33. | ||
in. He said that he had a complaint We decided to have a family get | :10:33. | :10:38. | |
together in May this year. I bought train tickets for my mother in-law | :10:38. | :10:42. | |
and sister in law. Neither of them have access to the internet. I | :10:42. | :10:47. | |
printed the tickets myself, and I posted them to them. When David's | :10:47. | :10:50. | |
relatives travelled, they were shocked when the inspector said the | :10:50. | :10:53. | |
tickets were not valid as they could not produce the credit card | :10:53. | :10:58. | |
they were bought with. They were asked to pay the standard walk-on | :10:58. | :11:02. | |
fare of �154 each but they did not have the money and had to hand over | :11:02. | :11:07. | |
their contact details. The women were upset and David was furious. | :11:07. | :11:11. | |
We spoke to the station staff. They told us about the appeals process, | :11:11. | :11:15. | |
which I followed up, but that appeal was rejected. David did not | :11:15. | :11:18. | |
think this was fair because he could prove the tickets had been | :11:18. | :11:22. | |
used honestly. While he tried to prove his case, more administration | :11:22. | :11:29. | |
costs were added and the bill went up to �418. That is on top of the | :11:29. | :11:37. | |
�87.50 he had already paid for the tickets online. Eventually, and as | :11:37. | :11:41. | |
they got more strident and began to upset my mother, I decided to pay | :11:41. | :11:46. | |
it myself. I am fighting to get the system changed because it really is | :11:46. | :11:56. | |
:11:56. | :11:57. | ||
not fair. That is a bit heart. have to give the train company they | :11:57. | :12:01. | |
do. -- that is a bit harsh. It is not hidden in the small print, it | :12:01. | :12:06. | |
is written on the tickets and on the website. But I take David's | :12:06. | :12:10. | |
side. The company could make it much easier. In fairness to them, | :12:10. | :12:14. | |
we have contacted them and they will get back their additional | :12:14. | :12:17. | |
costs. With electronic tickets, remember they are not good if you | :12:17. | :12:21. | |
are not travelling with the person that you are buying them for. If | :12:21. | :12:25. | |
you want to get tickets for somebody else, go down to the | :12:25. | :12:29. | |
station the old-fashioned way. Simple as that. You are harbouring | :12:29. | :12:36. | |
train anger, Samantha? I am just fuming. It is entrapment. It has | :12:36. | :12:40. | |
become so complicated. You have to buy a certain ticket at a certain | :12:40. | :12:44. | |
time if you stand on one leg, shaking the guy's hand at a certain | :12:44. | :12:54. | |
:12:54. | :12:54. | ||
time, before 3 o'clock. They make it so complicated for you. And you | :12:54. | :12:59. | |
buy a ticket, you pay your money, you then want to travel and you | :12:59. | :13:07. | |
change your train time, God forbid, and all of a sudden you have to pay | :13:07. | :13:13. | |
an extra �100 for the ticket. Surely I have still paid my money? | :13:13. | :13:18. | |
You can get flights for less than that. For me it is all about | :13:18. | :13:22. | |
revenue. It is all about entrapment. They set you up to fail because | :13:22. | :13:27. | |
somebody is making a pretty penny on the other end. We should send | :13:27. | :13:32. | |
you on a train journey! You want people to get in touch if they need | :13:32. | :13:40. | |
your help. If people need any help, they should write to us. On Sunday, | :13:40. | :13:44. | |
a memorial service will be held to remember the victims of a school | :13:44. | :13:48. | |
trip to Scandinavia which ended in tragedy 50 years ago this week. | :13:48. | :13:52. | |
Someone Samantha knows quite well, Larry Lamb, has the sad story of | :13:52. | :14:01. | |
the Croydon schoolboys his Heads you win, tails you lose. | :14:01. | :14:06. | |
Sometimes a life can turn on the flip of a penny. Two boys wanted | :14:06. | :14:11. | |
the last seat on the plane and a coin was tossed for it. My brother | :14:11. | :14:17. | |
called heads and won - but he didn't. He lost. All of a sudden | :14:17. | :14:20. | |
eight good friends weren't there, weren't there to share whatever | :14:20. | :14:25. | |
your life was going to be after that. All the boys came from here, | :14:25. | :14:30. | |
the Lanfranc School. For many it was their first time on a plane, | :14:30. | :14:35. | |
for many their first trip abroad, so the excitement must have been at | :14:36. | :14:41. | |
fever pitch as they set off on an alternative trip to Stavanger in | :14:42. | :14:51. | |
:14:52. | :14:52. | ||
Norway. Quentin won the toss and grotto last seat. 1961. A good year | :14:52. | :14:58. | |
to be young. Beatlemania was round the corner, Ricky Nelson would do | :14:58. | :15:04. | |
meantime. Happy days. The Lanfranc school for boys was in Croydon. 34 | :15:04. | :15:14. | |
:15:14. | :15:18. | ||
of them got on the plane. None of Rosalind Jones was Quentin's sister. | :15:18. | :15:23. | |
She was 15 when he left on that summer day in the '60s. When he | :15:23. | :15:27. | |
came to say goodbye to me that morning, for some crazy reason a | :15:27. | :15:31. | |
voice came into my head which wanted me to say, look, I will | :15:31. | :15:36. | |
never see you again, give me a kiss goodbye. I never couldn't believe | :15:36. | :15:42. | |
it, so changed it to, "I may never see you again." He gav me a peck on | :15:42. | :15:48. | |
the cheek and was gone. What was happening in Norway? The plane was | :15:48. | :15:52. | |
flying to Sola airport. Everything was going to schedule. It was being | :15:52. | :15:56. | |
talked down by traffic control. It should have turned round and come | :15:56. | :16:01. | |
back on a normal approach, but it didn't. It flee eastwards instead | :16:01. | :16:05. | |
into the mountains, where it crashed. | :16:05. | :16:09. | |
The rest cue effort was led by the Norwegian Red Cross. It was them | :16:09. | :16:15. | |
who set about the grim task of combing the scene. Back in Croydon, | :16:15. | :16:20. | |
desperate families waited anxiously for news. When it came, their worst | :16:20. | :16:25. | |
fears were confirmed - there were no survivors. Grieving families | :16:25. | :16:31. | |
demanded answers, but none came. look to some parents like a | :16:31. | :16:35. | |
whitewash. It wasn't a whitewash but they couldn't say what caused | :16:35. | :16:40. | |
it. The official cause of the accident - deviation from the | :16:40. | :16:46. | |
prescribed flight path for reasons unknown. | :16:46. | :16:52. | |
The boys were brought back here a few days later. Dozens of coffins | :16:52. | :16:56. | |
all made of Norwegian wood. They were laid out here, in the school | :16:56. | :17:04. | |
Assembly hall. Even now half a century on, some of their | :17:04. | :17:08. | |
classmates still live with the guilt of escaping events on that | :17:08. | :17:12. | |
mountainside. You were the head boy, yes? I was head boy in that last | :17:12. | :17:17. | |
year, yes, before the crash happened. How come, wouldn't it | :17:17. | :17:20. | |
have been normal thaw would have gone on the trip? He been on the | :17:20. | :17:25. | |
trip to Switzerland the year before. My parents really couldn't afford | :17:25. | :17:30. | |
it. We did debate that, so I didn't go. I was pretty lucky, looking | :17:30. | :17:33. | |
back. A mass grave was laid nowt the cemetery near the school, and | :17:33. | :17:38. | |
in the weeks that followed, tens of thousands of people paid their | :17:38. | :17:44. | |
respects. As for the aircraft, the Vickers Vikings' days were numbered. | :17:44. | :17:50. | |
Within a few years they were history. 50 years later and two | :17:50. | :17:54. | |
communities a on either side of the North Sea are united in their grief | :17:54. | :17:58. | |
at what happened. At the time it was Norway's worst aviation | :17:58. | :18:03. | |
disaster. Their memory became one of the drivers many nigh life. I've | :18:03. | :18:08. | |
gone on to lead a very full life. I'm very lucky for that. Looking | :18:08. | :18:13. | |
back, it is something that I had that the Lanfranc Boys didn't. | :18:13. | :18:16. | |
On Sunday the official civic service of remembrance will be held | :18:16. | :18:19. | |
in Croydon Minster at 3.00pm. And there's also an exhibition in the | :18:19. | :18:26. | |
Museum of Croydon until 17th September. The story there | :18:26. | :18:31. | |
beautifully told by Larry, who you have worked with for white a while. | :18:31. | :18:35. | |
The lovely Larry Lamb. Do you miss him? He was such a wonderful person | :18:35. | :18:41. | |
to work with. I know the scenes that we did weren't particularly | :18:41. | :18:45. | |
joyful, but we had a very good time making them. She a wonderful, | :18:45. | :18:50. | |
gorgeous man, and very attractive, dare I say? And your character, | :18:50. | :18:55. | |
Ronnie, was right at the centre. Yes, he's not really my father, it | :18:55. | :19:00. | |
is OK for me the like him! Your character was at the centre to | :19:00. | :19:05. | |
which baby swap story line. 13,000 complaints were made to the BBC. | :19:05. | :19:11. | |
Yes! How did people react to you on the street? People sometimes can't | :19:11. | :19:15. | |
decipher between the argumentor and the character. The people's | :19:15. | :19:20. | |
representation of that whole thing, as usual they whipped it up into a | :19:20. | :19:26. | |
frenzy. They had pictures of me lives at 5 o'clock in the morning | :19:26. | :19:29. | |
looking tired. There were complaints and they had to be | :19:29. | :19:33. | |
addressed. Certainly the story in the way we told it, we tried to | :19:33. | :19:37. | |
address it. I wanted to make sure that everything I did, me myself | :19:37. | :19:42. | |
Sam playing that character, was based in truth, so I embarked on a | :19:42. | :19:48. | |
fuet meetings with my producer, Brian Kirkwood, which was lovely, | :19:48. | :19:53. | |
very open. Continued to work out a story line we felt was specific to | :19:53. | :19:57. | |
that character. It certainly wasn't a situation that was representing a | :19:57. | :20:02. | |
group of people. This is a soap character. A soap character has to | :20:02. | :20:08. | |
sustain an incredible amount of tragedy, if you are a playing a | :20:08. | :20:12. | |
tragic heroine. The genre is heightened, and viewing figures | :20:12. | :20:17. | |
come into play. The figures go through the roof when you have | :20:17. | :20:20. | |
tragic circumstances and harrowing story lines, so the BBC is trying | :20:20. | :20:25. | |
to hit those targets. It is a bigger conversation. It must have | :20:25. | :20:30. | |
been very hard for you as an actor having to do that. Now you are | :20:30. | :20:34. | |
moving far from that with South Pacific. Is that a conscious | :20:34. | :20:42. | |
decision? Yeah, and I regret ate little. Just because I have these | :20:42. | :20:48. | |
ticks in my eyes. It looks nice.. I've just came offstage literally. | :20:48. | :20:54. | |
We open in two or three days. On Monday. She is joyous and wonderful | :20:54. | :20:58. | |
but it's a pretty tragic piece. It is about racial tension and foreign | :20:58. | :21:05. | |
occupation. It was based on the Pulitzer-winning book, Tales of the | :21:05. | :21:11. | |
South Pacific, a very harrowing tale. The beautiful music cut | :21:11. | :21:15. | |
across this strange, beautiful, tale of people who were isolated | :21:15. | :21:19. | |
and trying to deal with where they come from and their own prejudices. | :21:19. | :21:26. | |
You are starting at the Barbican. On Monday. It is gorgeous. It is | :21:26. | :21:32. | |
for seven weeks, and then we start the tour. You've put me on the spot | :21:32. | :21:37. | |
now. I'm a mummy, I don't retain... It is everywhere, look at the | :21:37. | :21:44. | |
website. And we've still got this lovely surprise for you. It is | :21:44. | :21:48. | |
South Pacific-related. A palm tree? Wait and see. | :21:48. | :21:53. | |
Now we go to great lengths to get incredible wildlife shots on One | :21:53. | :21:59. | |
Show. Kate Bevan chucking herself off a hillside to soar alongside | :21:59. | :22:05. | |
birds of prey shows real dedication. Over the hills and valleys of Wales, | :22:05. | :22:13. | |
red kites once almost extinct in Britain are now a familiar sight. | :22:13. | :22:18. | |
At our farm if Abergavenny I've often seen red kites soaring and | :22:18. | :22:22. | |
circumstance until the skies above. They glide effortletsly at great | :22:22. | :22:27. | |
height, seeming to defy the laws of gravity. And today I'm going to | :22:27. | :22:37. | |
:22:37. | :22:39. | ||
join them. Parawalking combines paragliding | :22:39. | :22:43. | |
and falconry. Paragliders are always looking for ways to stay in | :22:43. | :22:49. | |
the air longer, something red kites do naturally. Who better to learn | :22:49. | :22:55. | |
from than the true masters of the sky? This is Mr Black. He's a six- | :22:55. | :22:59. | |
year-old hand-reared red kite. Together, we are going to share a | :22:59. | :23:07. | |
very special flying experience. Martin Kray is a paraHawker. He's | :23:07. | :23:12. | |
been flying with trained red kites for ten years. So Mr Black is a red | :23:12. | :23:17. | |
kite. What makes them so special? In the wild a red kite spends a lot | :23:17. | :23:24. | |
of its time soaring. They don't flap hardly. They've got a big | :23:24. | :23:30. | |
wingspan, they are very light. Its tail, a long, forked tail, which | :23:30. | :23:35. | |
means he can stay completely flat. He uses his tail like a rudder. He | :23:35. | :23:41. | |
is much more efficient in a thermal than I am. It is thermals that are | :23:41. | :23:48. | |
key to paraglide and the red kite's aerial talent. A thermal is created | :23:48. | :23:53. | |
as the sun heats the ground unevenly. Where the ground is | :23:53. | :23:59. | |
hotter, columns of warm air rise, which act like an everything, lator | :23:59. | :24:03. | |
for birds of pray, and hopefully for birds of pray, and hopefully | :24:03. | :24:06. | |
for us too. Red kites have got it easy. We need | :24:06. | :24:10. | |
a lot of equipment before we can get airborne. And over here is the | :24:10. | :24:15. | |
hill we are about to jump off. I've never done this sort of thing | :24:15. | :24:25. | |
:24:25. | :24:26. | ||
before and I've got to say, I'm a little bit nervous. | :24:26. | :24:36. | |
:24:36. | :24:37. | ||
Oh, wow! The sheep look tiny. Once we are safely airborne Mr Black is | :24:37. | :24:46. | |
released and will hopefully guide us to the thermals. There he is! | :24:46. | :24:53. | |
However, it seems that Mr Black has other ideas. He's just sitting on | :24:53. | :25:01. | |
the edge there. That's no good to us. I know. Mr Black! After taking | :25:01. | :25:06. | |
in the view for a moment, it wasn't long before Mr Black was back in | :25:06. | :25:14. | |
action. Whoa! Nice one. Hopping from thermal to thermal Mr Black is | :25:14. | :25:19. | |
cushioned by parcels of warm air isn't can soar to a great height. | :25:19. | :25:26. | |
And we are right on his tail. she blows! This may be a thrill- | :25:26. | :25:31. | |
seeking ride for me, but for many birds of prey it serve as very | :25:31. | :25:36. | |
useful purpose. They spend most of their time hunting from the air. | :25:36. | :25:40. | |
Flapping their wings would burn a lot of energy. But hitching a ride | :25:40. | :25:47. | |
on a thermal dramatically reduces their calorie consumption. | :25:47. | :25:50. | |
Primarily scavengers, red kites feed on small mammals. They harness | :25:50. | :25:57. | |
the power of this thermals to scour a vast area for food. Mr Black may | :25:57. | :26:02. | |
be able to stay up here for hours on end, but with the wind picking | :26:02. | :26:08. | |
up, we can't, so it is back to Earth for us, with a bump. That was | :26:08. | :26:11. | |
amazing. You could really feel the thermals when you were going into | :26:12. | :26:16. | |
them. And to share the flying space with that red kite, I feel very | :26:16. | :26:21. | |
with that red kite, I feel very privileged. | :26:21. | :26:25. | |
Good on you, Kate. Samantha, we were talking about | :26:25. | :26:30. | |
your new role in south south. Did you know when the film was released | :26:30. | :26:36. | |
in 1958, it was so popular that one cinema in London showed it | :26:36. | :26:40. | |
constantly for four-and-a-half years. I don't know about | :26:40. | :26:46. | |
constantly. I'm going to wash that man right out of my hair | :26:46. | :26:49. | |
# I'm going to wash that man right out of my hair | :26:49. | :26:57. | |
# And send him on his way # Wonderful. I've literally just been | :26:57. | :27:01. | |
doing that number. Here is your surprise. Live from Hollywood, the | :27:02. | :27:07. | |
lady who starred in the role that you are about to play, the fabulous | :27:07. | :27:17. | |
:27:17. | :27:18. | ||
Ms Mitzi Gaynor! Oh, my God! APPLAUSE You are there now? You're | :27:18. | :27:23. | |
real. Wow! We just saw you play the scene that Samantha's been | :27:23. | :27:27. | |
rehearsing all day, Wash That Man Right Out Of My Hair. Can you tell | :27:27. | :27:30. | |
us what you remember about filming that scene for the film? Well, | :27:30. | :27:36. | |
first of all hi, Samantha. Hello Mitzi. How gorgeous to see you. | :27:36. | :27:40. | |
lovely to be with you. I'm so excited for you. You must be over | :27:41. | :27:44. | |
the Moon. I'm absolutely thrilled. We've literally just come from | :27:44. | :27:48. | |
rehearsing that number on stage, and just practising the shower, | :27:48. | :27:53. | |
getting the shower working and getting up enough lather. Can I | :27:53. | :28:00. | |
tell awe story? Yep. OK. We were out on location and we were | :28:00. | :28:06. | |
rehearsing and everything was fine. Josh said, we are going to roll, so | :28:06. | :28:10. | |
we were all ready and I'm in that little hut where I do my washing. I | :28:10. | :28:19. | |
pull on the thing and the water starts... And the shampoo gets in | :28:19. | :28:27. | |
my eye. LAUGHTER And so, my make-up man says, "Take | :28:27. | :28:34. | |
off the lashes" Josh says, "What have you done?" I said (Inaudible) | :28:34. | :28:41. | |
so on the way to the set there was a story on the island of Kaui. | :28:41. | :28:46. |