Browse content similar to 11/12/2012. Check below for episodes and series from the same categories and more!
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Hello and welcome to a very Christmassy edition of The One Show, | :00:18. | :00:28. | |
:00:28. | :00:31. | ||
live from Television Centre! APPLAUSE now, the reason we are all | :00:31. | :00:38. | |
here, apart from the reindeer, and the world-famous choir, and the | :00:38. | :00:43. | |
Christmas market, is because we are turning on some spectacular | :00:43. | :00:48. | |
Christmas lights. Yes, Television Centre is going all | :00:48. | :00:54. | |
Buckingham Palace later on, with something you will not want to miss. | :00:54. | :00:59. | |
Here to see the magic, from Strictly, please welcome Len and | :00:59. | :01:09. | |
:01:09. | :01:22. | ||
Bruno! And from EastEnders, Rudolf! Come on in! Thank you so much. | :01:22. | :01:26. | |
some mulled wine from the market. We will be talking all about the | :01:26. | :01:32. | |
secrets of Christmas television. But before all of that's, this | :01:32. | :01:37. | |
famous old building, Television Centre, has seen some fantastic | :01:37. | :01:41. | |
moments in television history. Tonight, prepare yourself for | :01:41. | :01:47. | |
another one. The Queen's Diamond Jubilee concert earlier this year | :01:47. | :01:51. | |
played to an audience of 20,000, plus 17 million on television | :01:52. | :01:58. | |
across the nation. One segment of the show which was a real talking | :01:58. | :02:04. | |
point for many people matched a series of stunning images on to | :02:04. | :02:07. | |
Buckingham Palace itself, allowing the facade to seemingly fall away | :02:07. | :02:11. | |
like a stage curtain, to transform the Palace into something | :02:11. | :02:17. | |
completely different. It is called projection mapping, and I am | :02:17. | :02:20. | |
getting a sneak preview into an extravagant or which is happening | :02:20. | :02:27. | |
later tonight on The One Show. This is BBC Television Centre, the | :02:27. | :02:34. | |
setting for tonight's show. To make it happen, you need to start with | :02:34. | :02:40. | |
an architectural surveyor, like Jonathan Fletcher. A projection | :02:41. | :02:44. | |
company needs a very accurate 3D model, and we get that through this | :02:44. | :02:50. | |
device. It will rotate 360 degrees, and it is like a laser. It is | :02:50. | :02:54. | |
measuring the amount of time it takes for that laser to leave the | :02:54. | :03:00. | |
instrument, hit the object and return, which gives us a distance. | :03:00. | :03:04. | |
Once the scanner has completed its work, it forms an image like this, | :03:04. | :03:10. | |
which, with some computer wizardry, creates a detailed, 3D model of the | :03:10. | :03:15. | |
building, which is then passed to the protection team. So, why is | :03:15. | :03:21. | |
having a 3D model so important? What we're trying to do is to make | :03:21. | :03:24. | |
the building looked like it is transforming into a seemingly | :03:24. | :03:28. | |
impossible things. Using the 3D model, we can create all of these | :03:28. | :03:32. | |
illusions, using animation and motion graphics in the computer. We | :03:32. | :03:38. | |
then render it out and go back on to cite, project the model back on | :03:38. | :03:43. | |
to the building and play it out to create the illusion. The success of | :03:43. | :03:46. | |
the illusion rests on the projection matching the building | :03:46. | :03:56. | |
:03:56. | :03:59. | ||
The result? A sense of wonder. So, tell us what you have got in store | :03:59. | :04:03. | |
for Television Centre in that we are going to celebrate the building, | :04:03. | :04:06. | |
and we are going to celebrate Christmas, but really, you will | :04:06. | :04:11. | |
have to wait and see. With a team of designers working around the | :04:11. | :04:18. | |
clock on this, the show will only become a reality once the high | :04:18. | :04:26. | |
powered projectors are put in place and precisely aligned. It has been | :04:27. | :04:31. | |
a massive technical undertaking, with weeks of planning. Fingers | :04:31. | :04:38. | |
crossed, it will pay off. Indeed. We will see in about 20 minutes' | :04:38. | :04:43. | |
time. We have been talking Christmas television, and of course, | :04:43. | :04:52. | |
one of the highlights will be the Strictly Christmas Special. Aren't | :04:52. | :04:58. | |
they in for a treat, Len?. I will tell you what, it is fantastic. We | :04:58. | :05:06. | |
have got sheila Hancock, Bobby Ball... We have got Fabrice Muamba, | :05:06. | :05:14. | |
and I tell you what, he has got a bionic arm, that boy. He is a | :05:14. | :05:18. | |
festive-inspired extravaganza. standard is great, you have got | :05:18. | :05:24. | |
some hot looking girls, some hunky guys... We have got plenty of | :05:24. | :05:34. | |
:05:34. | :05:39. | ||
laughter, and old star's number. Oh, yes! Look at that, it is really | :05:39. | :05:43. | |
spectacular. We cannot give too much away, because we want you to | :05:43. | :05:49. | |
watch it. Straight after that, Bruno, you are very excited about | :05:49. | :05:55. | |
the Dr Who Christmas Special. absolutely addicted. In fact, I | :05:55. | :05:58. | |
dedicated a chapter in my autobiography, which is out there, | :05:58. | :06:04. | |
but I forgot to bring it! When I first came to the UK, I did not | :06:04. | :06:08. | |
understand English at all, so the first show I watched on television | :06:08. | :06:11. | |
was Dr Who, because you could follow the story and understand it | :06:11. | :06:15. | |
without understanding the language. And I have been addicted ever since. | :06:15. | :06:25. | |
:06:25. | :06:26. | ||
It gets better and better. Unmissable. They are brilliant. | :06:26. | :06:31. | |
want to be one. I am desperate to beat in it. I will pay for it! It | :06:31. | :06:38. | |
is so good.. It is good, but I prefer the midwife thing... I would | :06:38. | :06:45. | |
like to be on that. I would have anything from the 1950s. I wish it | :06:45. | :06:48. | |
was in black-and-white, really. It would make me feel at home. And | :06:49. | :06:57. | |
everybody talks like that! They do. Would you do any acting, if the | :06:57. | :07:04. | |
call came? If I got asked, of course I would. Yes, I would love | :07:04. | :07:14. | |
:07:14. | :07:18. | ||
to. EastEnders! In Albert square! We will have a word with Rudolph | :07:18. | :07:23. | |
and Ricky. Before all of that, the Strictly Christmas Special is on | :07:23. | :07:33. | |
:07:33. | :07:33. | ||
Christmas Day at 6.15pm on BBC One. Now, during tonight's show we will | :07:33. | :07:37. | |
be turning on not one, but three sets of lights, building up to the | :07:37. | :07:41. | |
dazzling light show here at Television Centre. How are you | :07:41. | :07:47. | |
getting on with that?. At least they are wrong. They are slightly | :07:47. | :07:53. | |
tangled, but don't worry about it. Shall we move on to Carrie? Let's | :07:53. | :07:58. | |
do that. I have a total treat for you here. Welcome to Salford. | :07:58. | :08:03. | |
Tonight, we're going to perform a TV first. We are going to create a | :08:04. | :08:09. | |
piece of art which is 150ft, Horizontal Christmas tree, made | :08:09. | :08:17. | |
from light. The BBC boffins have developed the technology, taking a | :08:17. | :08:22. | |
simple torch and turning it into this special effect. Here on the | :08:22. | :08:26. | |
concourse at media city, we have whole load of volunteers ready with | :08:26. | :08:30. | |
their torches. At the top of the building, we have a camera ready to | :08:30. | :08:33. | |
match and captured a moment. I'm not sure that your lights will | :08:33. | :08:37. | |
match these, because these are pretty spectacular. Fingers crossed | :08:37. | :08:45. | |
it will work this time. Starring on the Christmas tree is blue Peter's | :08:45. | :08:55. | |
:08:55. | :08:55. | ||
Apology for the loss of subtitles for 47 seconds | :08:55. | :09:42. | |
very own Helen Skelton. Are you APPLAUSE AND CHEERING what about | :09:42. | :09:46. | |
that? ! Complete class. Of course, Helen | :09:46. | :09:51. | |
Skelton is not just starring on that Christmas tree. I am sure she | :09:51. | :09:59. | |
will do well. I am obsessed with Strictly. Now, it is a pretty good | :09:59. | :10:04. | |
year for Christmas television, as we have been saying. Even the | :10:04. | :10:10. | |
Queen's Speech is going to be filmed in 3D. Gyles Brandreth has | :10:10. | :10:20. | |
:10:20. | :10:26. | ||
been to find out all about Present opened! Glasses raised, | :10:26. | :10:32. | |
Christmas dinner is done. You are stuffed. What happens now? It is | :10:32. | :10:39. | |
time to turn on the telly. So, who decides what to watch and when? | :10:39. | :10:44. | |
Well, the complex art of Christmas TV scheduling is down to a few | :10:44. | :10:48. | |
mysterious people in suits. And you going to work as a Scheduler, what | :10:48. | :10:53. | |
is in your head? You maximise the audience and you please the | :10:53. | :11:00. | |
audience. Hopefully that is the same thing. My primary focus is BBC | :11:00. | :11:06. | |
One, and BBC One on Christmas Day is an institution. I play all the | :11:06. | :11:12. | |
right notes, but not necessarily in the right order. Back in the 1970s, | :11:12. | :11:16. | |
it seemed simple - brilliant entertainers, and more than 20 | :11:16. | :11:19. | |
million people watching them on Christmas Day. And so it came to | :11:19. | :11:24. | |
pass that topping the festive ratings by any means necessary was | :11:24. | :11:34. | |
:11:34. | :11:35. | ||
every Scheduler's dream. Is the aim to beat the opposition? Primary, it | :11:35. | :11:39. | |
is to get more people to watch your programme, and if it does down the | :11:39. | :11:45. | |
opposition, that is a bonus. Quite often we have children watching, as | :11:45. | :11:49. | |
part of a group. There is much more group viewing at Christmas time, | :11:49. | :11:53. | |
and we need to have broad appeal programmes, which can interest | :11:53. | :11:58. | |
anybody in the family. But as we know, family viewing may not be a | :11:58. | :12:05. | |
case of the more, the merrier. By the end of the 1980s, one thing was | :12:05. | :12:11. | |
clear - the battle lines between the channels had been drawn. This, | :12:11. | :12:17. | |
my sweet, is a letter from my solicitor, telling you that your | :12:17. | :12:25. | |
husband is filing for divorce. operas were ratings gold, but | :12:26. | :12:31. | |
things changed. Once upon a time, it was all very simple. The way to | :12:31. | :12:35. | |
divide up the Christmas pudding? Well, it was easy. There were only | :12:35. | :12:40. | |
a few channels, and only one television to watch your programmes | :12:40. | :12:45. | |
on. But then, as the years went by, the platforms began to multiply, | :12:45. | :12:51. | |
and the channels? There were hundreds, if not thousands! | :12:51. | :12:55. | |
explosion in the number of channels which happened from the late 1990s | :12:56. | :13:00. | |
onwards has meant that television viewing has fragmented so what. | :13:00. | :13:05. | |
remains important to try as hard as you can, even though the numbers | :13:05. | :13:09. | |
might be getting slightly smaller. We have to continue to invest in | :13:09. | :13:16. | |
the day. On BBC One on Christmas Day, the big new drama hit of the | :13:16. | :13:22. | |
year was Call The Midwife. Dr Who has a new assistant, and it is an | :13:22. | :13:25. | |
absolutely fantastic episode. A lot of the press have called it the | :13:25. | :13:35. | |
:13:35. | :13:36. | ||
best episode ever, so that is really strong. Stop thinking about | :13:36. | :13:41. | |
the I don't think and! We could all do the job of scheduling ourselves, | :13:41. | :13:47. | |
but this Christmas, how about getting together and watching in | :13:47. | :13:53. | |
the same place, with the same people, on the same channel? Listen, | :13:53. | :14:00. | |
Bruno... I have seen a few of these in my time. They have actually | :14:00. | :14:05. | |
succeeded in putting me in a cage. They have been trying for years! | :14:05. | :14:12. | |
Obviously, reindeers are incredibly talented, because they can fly all | :14:12. | :14:17. | |
over the world on Christmas Eve. All Santa Claus's reindeers, | :14:17. | :14:23. | |
believe it or not, are female. The males will drop their antlers in | :14:23. | :14:28. | |
the late autumn, but the females keep them all winter, to protect | :14:28. | :14:34. | |
their young in spring. So all of them, including Rudolph, they are | :14:34. | :14:42. | |
all girls! You learn something new every day. This is the thing, you | :14:42. | :14:48. | |
have got no antlers, so you're obviously a male. I have been | :14:48. | :14:52. | |
waiting for this moment all my life. I have found my match - and she has | :14:52. | :14:59. | |
got horns! Let's speak about their sense of smell. It is astonishing, | :14:59. | :15:09. | |
:15:09. | :15:11. | ||
seven or eight times better than ours. They eat lichens for a living. | :15:11. | :15:15. | |
This is it in a compressed form. But if they are flying around the | :15:15. | :15:21. | |
world, getting hungry, an occasional carrot would be good. | :15:21. | :15:31. | |
Mince pies, no. We will leave you with her. I always to use to leave | :15:31. | :15:36. | |
a carrot out for Rudolph. To make a special guest comfortable, we have | :15:37. | :15:43. | |
brought him down to the market, of course. But how does this compare | :15:43. | :15:53. | |
:15:53. | :15:58. | ||
A little bit more expensive. But good times. And in charge of the | :15:58. | :16:04. | |
mulled wine is Jay Rayner. I would love some. And you are on the TV | :16:04. | :16:10. | |
over the festive period. Yes, I am in the first edition of the special | :16:10. | :16:14. | |
series of University Challenge. Shock, I went to university! And | :16:15. | :16:19. | |
they allowed me to compete. I cannot reveal anything except to | :16:19. | :16:24. | |
say it was thrilling to sit on set and have Jeremy Paxman be rude and | :16:25. | :16:33. | |
sarcastic. Nice to see you. Cheers. I am just over here. Who has got | :16:33. | :16:40. | |
the mistletoe? Big surprise! Before you start kissing people, Christine, | :16:41. | :16:49. | |
let's hear about it. It is cheeky, it grows from dead trees and it is | :16:49. | :16:53. | |
that that gives it its fame and fortune that it lit up the winter | :16:53. | :16:57. | |
landscape when nothing else did. People say it is difficult to get | :16:57. | :17:02. | |
this year. Total bunkum! That is the story the press comes out with | :17:02. | :17:07. | |
every year. There is so much! Everybody can snog their way | :17:07. | :17:17. | |
:17:17. | :17:35. | ||
through Christmas! LAUGHTER. Come Mwah! Mwah! For a lot of people, | :17:35. | :17:40. | |
their Christmas lights are a very serious business. In a moment, we | :17:40. | :17:45. | |
will be live in one of Britain's most competitive streets. But first, | :17:45. | :17:55. | |
:17:55. | :17:57. | ||
and look at how they have been Good railings, very tidy. Pretty | :17:57. | :18:05. | |
nice neighbourhood, this. What on earth?! What is that? It is not | :18:05. | :18:11. | |
just this that will be lighting up the street. Runton Road take their | :18:11. | :18:16. | |
Christmas lights very seriously. For the last 20 years, this cul-de- | :18:16. | :18:21. | |
sac has tended to a Christmas grotto. 40 neighbours try to outdo | :18:21. | :18:26. | |
each other. Any community spirit existing in the year is put to the | :18:27. | :18:31. | |
test in the run-up to Christmas. This taxi driver raises money for a | :18:31. | :18:37. | |
local charity for his efforts. Have you got the best set-up? I would | :18:37. | :18:44. | |
like to think so. Quietly we tried to outdo each other. Any sabotage? | :18:44. | :18:50. | |
It is tempting. No. We would not do such beings. Maybe they won't go as | :18:50. | :18:53. | |
far as sabotaging their neighbours but there is no stopping them | :18:53. | :19:01. | |
spying. That is nice, with the Snowman. That is a new edition this | :19:01. | :19:10. | |
year. There is an item missing that I am sure he had last year. Is it | :19:11. | :19:16. | |
in your shed? You must have to rethink your tactics. Do you think | :19:16. | :19:22. | |
so? I turn a blind eye as Chris inspects his rivals displays. Over | :19:22. | :19:26. | |
the years, at the Runton Road rivalry has residence spending | :19:26. | :19:29. | |
hundreds of pounds on decorations and while Chris puts the finishing | :19:29. | :19:36. | |
touches, a rival neighbour reveals his secret weapon. We bought a snow | :19:36. | :19:43. | |
machine to try to outsmart the neighbours a bit. Do you look at | :19:43. | :19:51. | |
the opposition? Yes, and we say, we could do with something like that. | :19:51. | :19:57. | |
This over-the-top display might lobby to everybody's taste but the | :19:57. | :20:05. | |
residents of the Brompton -- of Runton Road are determined to make | :20:05. | :20:10. | |
the most of it. Lots of doom and gloom in the country at the moment | :20:10. | :20:15. | |
so it is nice to see a smile on people's faces. What do you say to | :20:15. | :20:22. | |
the people who say, I don't need Christmas lights? Bah humbug! | :20:22. | :20:27. | |
Welcome back to Runton Road. In one minute's time we will find out | :20:27. | :20:31. | |
which resident has the brightest balls and the biggest baubles. Easy | :20:31. | :20:37. | |
for you to say. The residents have turned out in full force! I am | :20:37. | :20:41. | |
joined by Nick, a local resident. His secret weapon is the snow | :20:41. | :20:47. | |
machine. You are hoping to outshine the opposition. Are you confident? | :20:47. | :20:52. | |
Yeah, we are going to do it this year, mate. Your electricity bill | :20:52. | :21:01. | |
goes up by �50. Is it worth it? Definitely. Let's find out if yours | :21:01. | :21:08. | |
is the brightest house on the street because across the road we | :21:08. | :21:13. | |
have Lucy Siegle with Chris, the opposition. We are not intimidated! | :21:13. | :21:19. | |
Not at all! We are hoping to be the best and the brightest in the cul- | :21:19. | :21:26. | |
de-sac. On this very spot. Nick can throw whatever he likes of. Wind, | :21:26. | :21:31. | |
rain and snow. He has only got a snow machine but I like you're | :21:31. | :21:35. | |
fighting talk. The proof of the Christmas pudding is in the | :21:35. | :21:43. | |
lighting! Let's get this started! Runton Road, are you ready? Here we | :21:43. | :21:53. | |
:21:53. | :22:07. | ||
It is lovely! Even the reindeer are nodding their | :22:07. | :22:16. | |
heads behind us! Brilliant. Also on over Christmas we have got | :22:16. | :22:20. | |
EastEnders, on Christmas Eve, Christmas Day and Boxing Day. The | :22:21. | :22:30. | |
:22:31. | :22:35. | ||
big deal is the Kat anad Alfie story. Who is the culprit? Me! You | :22:35. | :22:43. | |
are a cheeky one! Is it you? I am not allowed to say. I might have a | :22:43. | :22:47. | |
few scratches on my neck from someone but I am not allowed to say | :22:47. | :22:54. | |
who. It must have been so busy forming that many episodes? It is | :22:54. | :22:59. | |
crazy but it always is around Christmas. We try to stack up the | :22:59. | :23:04. | |
episode so we get to see our families. A how much time do you | :23:04. | :23:11. | |
get off? Two weeks. You must be filming is done now. We have just | :23:11. | :23:17. | |
passed a puree I think. We have just finished January -- we have | :23:17. | :23:25. | |
just passed February I think. cold. It is not Trinidad or Tobago, | :23:25. | :23:31. | |
it is it. Are you going there for Christmas? No, I will be with my | :23:31. | :23:37. | |
children and grandchildren. after EastEnders we have The Royle | :23:37. | :23:44. | |
Family. 9:45pm. You used to be in sitcoms as well, do you miss them, | :23:44. | :23:50. | |
Rudolf? They become classics, yes. Unfortunately you cannot show them | :23:50. | :23:55. | |
here, although they are in the Caribbean and Africa still. They | :23:55. | :24:01. | |
were great. And we had fun! what are you doing over Christmas, | :24:01. | :24:06. | |
Ricky? I am going to spend loads of time with my little sister. I have | :24:07. | :24:12. | |
not spent enough time with her because of work and madness. She is | :24:12. | :24:16. | |
13 and she plays guitar and she is awesome. I am looking forward to | :24:16. | :24:26. | |
:24:26. | :24:28. | ||
chilling out with her. I got an Aw! You used to sing carols before? | :24:28. | :24:32. | |
my first Christmas I was carol- singing for Dorothy, and this | :24:32. | :24:37. | |
Christmas I am in the middle of the madness, the big crux of the story. | :24:37. | :24:44. | |
It is really exciting. When we were filming I was like, wow! I am part | :24:44. | :24:51. | |
of this! They are doing a fantastic job. We should celebrate his | :24:51. | :25:00. | |
performance. Best newcomer and all that. Deservedly so. A bunch of | :25:00. | :25:07. | |
talented youngsters. Brings a nice energy, does it? Fantastic. And he | :25:08. | :25:13. | |
looks after us! Brilliant. Thank you so much, Rudolph and Ricky. | :25:13. | :25:18. | |
Noodles, we hear you have got a very good voice so feel free to | :25:18. | :25:25. | |
join in -- Rudolf. On Christmas Eve it is the TV tradition that the | :25:25. | :25:29. | |
choir of King's College Cambridge performs. This year, it will be on | :25:29. | :25:37. | |
BBC Two at 6:15pm. Before the light show, let's have a festive number | :25:37. | :25:40. | |
from their new album, A Festival Of Nine Lessons & Carols. This is Hark | :25:40. | :25:46. | |
The Herald Angels Sing. Join in at home! | :25:46. | :25:56. | |
:25:56. | :26:28. | ||
# Hark the herald angels sing. # Hark! The herald angels sing. | :26:28. | :26:38. | |
:26:38. | :26:46. | ||
CHEERING AND APPLAUSE Can it get any more Christmassy? | :26:46. | :26:52. |