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with Matt Baker and Alex Jones. Tonight's guest is an artist whose | :00:22. | :00:27. | |
work is so sought after that one of his paintings, here it is, sold for | :00:27. | :00:33. | |
$1 million. It did! He is also in a band that you might have heard of, | :00:33. | :00:36. | |
they are called the Rolling Stones. That is not why he is here to talk | :00:36. | :00:45. | |
about tonight? No. Please welcome, Mr Ronnie Wood. YES! Great to have | :00:46. | :00:54. | |
you. We are delighted you have come on to adjudicate our One Show | :00:54. | :00:58. | |
competition. It was a BBC art competition that kick-started your | :00:58. | :01:03. | |
confidence really as a painter, wasn't it? That is right. Back in | :01:03. | :01:10. | |
the da day the only thing we had on the telly art wise was Adrian Hill. | :01:10. | :01:17. | |
This is one of my entrants for his weekly television show. I actually | :01:17. | :01:22. | |
won the competition one week and then he had an exhibition up in High | :01:22. | :01:28. | |
Wycombe. I was asked to attend. My mum came along. It was like a big | :01:28. | :01:35. | |
deal. My friends used to say, "I saw your painting on the telly?" Were | :01:35. | :01:42. | |
you more into art or music then? was into both equally. Because there | :01:42. | :01:47. | |
was this bloke called Bert Weedoon as well - We have a film about him | :01:47. | :01:54. | |
later. He unfortunately died last year. We had Bert Weedoon's Easy Way | :01:54. | :02:03. | |
to Play Guitar, that I didn't pay notice of and Adrian Hill - How To | :02:03. | :02:08. | |
Paint. Which I did take notice of. It Let us look at some of your | :02:08. | :02:18. | |
:02:18. | :02:18. | ||
paintings. Here we go. That is not the Beggar's Banquet. Let us move | :02:18. | :02:28. | |
:02:28. | :02:31. | ||
on. That is an etching. That is a detail from - The Ivy.Then the | :02:31. | :02:36. | |
Beggar's Banquet. Were you surprised when it got to $1 million. I had a | :02:36. | :02:43. | |
dedicated doctor in Florida who has 60 of my originals. His wife said, | :02:43. | :02:47. | |
"please don't let him buy any more of your paintings there is no room | :02:47. | :02:53. | |
in the house." They have built an extension now. Phil is with our four | :02:53. | :03:00. | |
finalists of the One Show Art Competition. Give us an idea of how | :03:00. | :03:04. | |
this competition worked? We started in June. We had 700 entries which | :03:04. | :03:09. | |
the judges had to bring down to a shortlist of 24. Which can be seen | :03:09. | :03:19. | |
at the Open Centre Media Centre Salford Quays. We brought it down to | :03:19. | :03:22. | |
four finalists. They had a new challenge with the theme of summer | :03:22. | :03:29. | |
in Britain. Ronnie has to choose the winner. No pressure! Indeed an | :03:29. | :03:35. | |
honour. You haven't got long to choose your winner. Before all of | :03:35. | :03:39. | |
that, Lucy Seigle has been in Kirby to find out whether 18,000 people | :03:39. | :03:43. | |
have a case for compensation in what could be the biggest class action | :03:43. | :03:47. | |
that this country has ever seen. Imagine living next door to this. | :03:47. | :03:57. | |
:03:57. | :03:58. | ||
This is the wood chip factory in Kirby ablaze in June in 2011. | :03:58. | :04:03. | |
Firefighters got the blaze under control, for thousands of residents | :04:03. | :04:06. | |
who live nearby they say this is when their problems began. It's | :04:07. | :04:11. | |
understood up to 18,000 residents here in Kirby are claiming the | :04:11. | :04:15. | |
fallout from the fire has left them with long-term damage to their | :04:15. | :04:19. | |
health. Now, they are clubbing together to bring what could be one | :04:19. | :04:25. | |
of Britain's largest ever legal cases. One of those making a claim | :04:25. | :04:31. | |
is retired school teacher Antony Richards. He lives just 700 meters | :04:31. | :04:37. | |
from the factory in the Northwood area of Kirby. When it started to | :04:37. | :04:40. | |
get bad, it was impossible to get dressed because I didn't have the | :04:40. | :04:49. | |
energy. I was getting breathless. That is what I got scared about. | :04:49. | :04:53. | |
Although Antony struggled with asthma in the past, he lived an | :04:53. | :04:57. | |
active lifestyle. Since the fire he says it is significantly worse, | :04:57. | :05:03. | |
visiting hospital twice a week. How confident are you, Antony, that your | :05:03. | :05:09. | |
health problems are linked to the plant? So find yourself going from | :05:09. | :05:13. | |
one condition, prior to the fire, and feeling great, I think it's more | :05:13. | :05:18. | |
than a coincidence. And the other residents allege that during the | :05:18. | :05:24. | |
fire plumes of harmful smoke were discharged into the air directly | :05:24. | :05:28. | |
over their homes nearby. Some claims are for cancer, others for skin | :05:28. | :05:33. | |
rashes, eye problems and breathing difficulties. It felt like the air | :05:33. | :05:36. | |
was thick. When you took a breath you could taste different things in | :05:37. | :05:41. | |
your breath. The fire was uncomfortable. Few weeks after the | :05:41. | :05:47. | |
fire Paul went to hospital with a collapsed lung. Medically this can | :05:47. | :05:51. | |
occur at any time. Paul is convinced the fumes from the fire were behind | :05:51. | :05:56. | |
it. What point did you link the collapsed lung and the symptoms to | :05:56. | :06:01. | |
the fire? I had never had problems with my lungs ever. If you win | :06:01. | :06:06. | |
compensation, out of this lawsuit, people might say sinically you are | :06:06. | :06:11. | |
jumping on the bandwagon, what would you say to that? I'm not jumping on | :06:11. | :06:14. | |
to no bandwagon. I want my life back to normal. I want to run, play | :06:14. | :06:18. | |
football and go out with my kids, not have the fear of my lung popping | :06:18. | :06:22. | |
every minute. None of the official bodies who you think would know | :06:22. | :06:26. | |
could tell us if there had been an increase of health complaints | :06:26. | :06:32. | |
following the fire in 2011. The council say they have not had an | :06:32. | :06:37. | |
increase of breathing problems in the area. The representing the | :06:37. | :06:41. | |
18,000 residents is this solicitor. He is convinced he could establish | :06:41. | :06:47. | |
the fire was responsible for causing or exacerbating his clients' health | :06:47. | :06:51. | |
problems. How do you know whose cases are credible, whose are likely | :06:51. | :06:54. | |
and who is really affected by the fact they hated this place and | :06:54. | :06:58. | |
everyone is talking about it? Clearly, you are eluding to the | :06:58. | :07:03. | |
compensation culture. We have gone to great lengths to ensure that we | :07:03. | :07:08. | |
have verified the bona fide of our cohort of claimants. With due | :07:08. | :07:13. | |
respect, you stand to gain from it? It's not about what gain there is | :07:13. | :07:16. | |
for us or any other solicitors involved, it's about giving these | :07:16. | :07:23. | |
people access to justice and making sure they get the compensation | :07:23. | :07:28. | |
commensurate with the symptoms they experienced. Since it opened the | :07:28. | :07:32. | |
Sonae factory has had a chequered history. It has been find and | :07:32. | :07:35. | |
prosecuted by the Health and Safety Executive and the Environment | :07:35. | :07:41. | |
Agency. Sonae declined to be interviewed or comment. They have | :07:41. | :07:47. | |
denied any connection between the factory and ill health. Antony says | :07:48. | :07:51. | |
he is not doing it for money, he wants recognition that the fire was | :07:51. | :07:55. | |
behind his health problems and he wants to convince the court to find | :07:55. | :08:00. | |
in his favour. I'm not saying for one moment I wouldn't accept | :08:00. | :08:04. | |
compensation for a deterioration in my health. I would like the people | :08:04. | :08:09. | |
responsible to be taken to task, you know, people need to be held | :08:09. | :08:13. | |
responsible. Take ownership of the problem. Justice issue?Justice more | :08:13. | :08:19. | |
than anything. If there is no compensation, so be it. Give us an | :08:19. | :08:24. | |
update then, what is the latest on this case? The company in question | :08:24. | :08:26. | |
have admitted liability but not causation. They won't accept that | :08:26. | :08:30. | |
anything that happened at the factory affected anybody in the | :08:30. | :08:33. | |
surrounding area. So all the lawyers have asked for claimants to come | :08:33. | :08:37. | |
forward. They need to submit their claim by the end of November, sounds | :08:37. | :08:40. | |
like a long way off, that includes their medical records. It takes a | :08:40. | :08:44. | |
bit of time. Experts say we could look at a trial June to September | :08:44. | :08:49. | |
next year. This time next year could be a trial. We heard the statement | :08:49. | :08:53. | |
in the film this isn't a compensation culture gone mad. There | :08:53. | :08:56. | |
are a lot of people out there claiming at the moment, aren't | :08:56. | :09:01. | |
there? There are an awful lot. That is an interesting one, isn't it, the | :09:01. | :09:04. | |
phrase "compensation culture" I looked at a report last months | :09:04. | :09:07. | |
talking about compensation for injury in the workplace. That has | :09:07. | :09:12. | |
gone by 60% over the last 10 years. We tend to think every time we hear | :09:12. | :09:16. | |
of one of these cases, we are letting the genie out of the bottle, | :09:16. | :09:20. | |
are we? We have a different set up here to America. The legal system is | :09:20. | :09:24. | |
to different that it makes it quite hard to launch these compensation | :09:24. | :09:28. | |
suits and these class actions. The reason there are so many here, you | :09:28. | :09:32. | |
could argue, is because the way our laws configured, I won't go into, we | :09:32. | :09:37. | |
haven't all night, it means you have to individually become a claimant. | :09:37. | :09:41. | |
You have to come forward. You can't come forward and say - I live in | :09:41. | :09:45. | |
that general area. No, class actions aren't that common in the UK, are | :09:45. | :09:49. | |
they? No. I was thinking about it before. I can count on one hand the | :09:49. | :09:53. | |
number I can recall. One of which we did in 2008 on the show that was | :09:53. | :09:57. | |
about people taking nearly 5,000 people took furniture retailers to | :09:57. | :10:01. | |
court in a class action. They are quite rare. I think they were | :10:01. | :10:05. | |
popular in immediate evil times. Since then our gisties system is | :10:05. | :10:09. | |
about the individual. America is much more about class actions and | :10:09. | :10:14. | |
group litigations. Thank you, Lucy. Intl when you think of the world's | :10:14. | :10:23. | |
greatest guitarists you think of Ronnie, Jimi, Keith, Eric, Slash | :10:23. | :10:26. | |
Carrie found out there might not have been any of those who wasn't | :10:26. | :10:32. | |
first for a Bert. Good evening, ladies and gentlemen. I want to | :10:32. | :10:37. | |
begin my show by playing for you a tune that is over 1,000 years old. | :10:37. | :10:41. | |
There is nothing like being up-to-date, is there? He might not | :10:41. | :10:44. | |
look or even sound like a rock-and-roll legend, you may not | :10:44. | :10:49. | |
even know his name, but Bert Weedoon was the man who taught Britain how | :10:49. | :10:57. | |
to play guitar. Boy, did we learn to rock. Guitar went from being | :10:57. | :11:02. | |
something very much in the background in the dance band era, | :11:02. | :11:07. | |
somebody would be chomping away like that. Probably inoddibly, you know, | :11:07. | :11:16. | |
in rock-and-roll. It was turned on its head, guitar was at the front. | :11:16. | :11:20. | |
You know, wow this is really exciting. Bert realised that the | :11:20. | :11:25. | |
time was on the cusp of the old going into the new. He had the | :11:25. | :11:28. | |
vision to be able to get into the new and get you into the new as | :11:29. | :11:38. | |
well. In 1959 Bert became the first British solo guitarist to hit the | :11:38. | :11:44. | |
singles chart with Guitar Boogie Shuffle. Joe Brown is known in the | :11:44. | :11:54. | |
business as the musicians musician. He was a close friend of Bert's. | :11:54. | :11:59. | |
was an invole vative musician. You won't find a guitar player who | :12:00. | :12:09. | |
:12:10. | :12:12. | ||
hasn't a good word to say about him. He influenced everybody. His most | :12:12. | :12:18. | |
endure enduring thing to guitar music was this. It didn't treat you | :12:18. | :12:26. | |
like an idiot. Before then, you - the archetypal thing you went to a | :12:26. | :12:32. | |
piano teacher she was 90 years old, she was fearsome. You made a mistake | :12:32. | :12:36. | |
and she slapped you with a ruler. Bert said, you can do rock-and-roll | :12:36. | :12:42. | |
and it is really fun. He levelled the field. Brought the guitar | :12:42. | :12:48. | |
forward and knead available for everybody. A bit like how Pavarotti | :12:48. | :12:55. | |
made opera famous to the masses. It was Pavarotti. Sadly, Bert died last | :12:55. | :13:00. | |
year aged 916789 his manual is still in print. The question is, 50 years | :13:00. | :13:06. | |
on, can it continue to inspire a new generation of British musicians? -- | :13:06. | :13:11. | |
91. We have challenged 17-year-old singer-songwriter Flo to learn to | :13:11. | :13:18. | |
play in a day, the Weedon way. Do you play instruments at the moment? | :13:18. | :13:22. | |
A bit of piano, not really classically with a teacher or | :13:22. | :13:25. | |
anything. What difference would it make to you if you were able to play | :13:25. | :13:30. | |
guitar? So much difference. I have all these lyrics, but I need | :13:30. | :13:35. | |
something that is going to help me create a melody. And, it saves me | :13:35. | :13:40. | |
having to find someone who plays the guitar. It would save me explaining | :13:40. | :13:44. | |
to them, this is how I kind of want. It they never really get the vibe | :13:44. | :13:52. | |
I'm going for. Bert believed in hard work and learning to sight read | :13:52. | :13:56. | |
music. He also understood that the new generation was in a hurry. He | :13:56. | :14:04. | |
showed them a few basic chords to get them rocking. They learnt their | :14:04. | :14:10. | |
A chord out of playing the day. And the chord of D. If you are a | :14:10. | :14:16. | |
songwriter you can write song with those two chords. What they got from | :14:16. | :14:25. | |
Bert's book was an intro into doing what they ended up doing better than | :14:25. | :14:35. | |
:14:35. | :15:01. | ||
anybody did since. Let us see how but she has managed to play it in a | :15:02. | :15:08. | |
single afternoon. So perhaps there is something to be said for a little | :15:08. | :15:11. | |
bit of technique in doing it the Bert Weedon way. | :15:11. | :15:21. | |
Thank you, carry. You were saying, Ronnie, her fingers will be sore. I | :15:21. | :15:28. | |
had a look at it this afternoon, so let's have a little go now. I have | :15:28. | :15:37. | |
never played a guitar before. Here we go. This is apparently... | :15:37. | :15:47. | |
:15:47. | :16:24. | ||
Alex. I will unplug you. Loads of people go online to learn guitar, | :16:24. | :16:30. | |
and I have done that myself. But you have got this whole new channel on | :16:30. | :16:38. | |
YouTube. Yes, it is in infancy at the moment, but it is going to be | :16:38. | :16:46. | |
interesting. There is old Faces footage. And you have art stuff on | :16:46. | :16:53. | |
there as well? Loads of people won't know you as an artist. They don't. | :16:53. | :16:58. | |
All around the world, people say, I didn't know you painted. It is a | :16:58. | :17:04. | |
great thing to have up my sleeve. have some footage here of your | :17:04. | :17:13. | |
exhibition, how on earth to you decide what to hang? This was a | :17:13. | :17:18. | |
tribute to the Stones. There was a heavy emphasis on the boys as | :17:18. | :17:26. | |
subject matter. I thought I would really get into it, get my teeth | :17:26. | :17:29. | |
into many different ways of presenting the band, and there is | :17:29. | :17:35. | |
one painting their that we show with money, and I used real money as a | :17:35. | :17:40. | |
backdrop, a little tongue in cheek to the ticket prices. Have the other | :17:40. | :17:48. | |
members got pieces of your art in their houses? Yes, I have forced the | :17:48. | :17:55. | |
pieces on them. Did they pay you for them? | :17:55. | :18:00. | |
Is this about relaxing for you? What frame of mind are you in when you | :18:00. | :18:04. | |
are doing it? It is a great thing that I can do on my own, and there | :18:04. | :18:10. | |
is only me to blame. When you are doing a group effort in the music, | :18:10. | :18:16. | |
that is give and take, which is lovely, but with the art, it is | :18:16. | :18:21. | |
almost a meditation. Because the feel of the music that you have | :18:22. | :18:25. | |
their is very difficult to that of -- different to that of your | :18:25. | :18:33. | |
landscapes. That is true. I have a place in Ireland, my Irish studio. | :18:33. | :18:43. | |
And many views from hotel windows on tour. Various Prague. Pegasus, my | :18:43. | :18:50. | |
big horse, which is in Britain Street. I love animals, I love | :18:50. | :18:57. | |
drawing horses and people. All kinds of subject matter, all kinds of | :18:57. | :19:05. | |
materials. And what is your process when you go to paint? Have you got | :19:05. | :19:10. | |
more than one painting on the go at a time? Sometimes I have had ten | :19:10. | :19:16. | |
paintings on the go. You keep the flow going. And how does it fit in | :19:16. | :19:22. | |
with your music? Do you see yourself more as a musician? Have you got any | :19:22. | :19:30. | |
more gigs coming up? I often paint to music, and I often played to a | :19:30. | :19:36. | |
painting. Whatever comes up. I have been asked to do a blues Festival in | :19:36. | :19:43. | |
October, which is something I may get behind. There are lots of | :19:43. | :19:48. | |
exhibitions and lots of musical offers on the counter. But I have | :19:48. | :19:53. | |
got my new YouTube channel starting today, and you can always get me at | :19:53. | :20:00. | |
Ronnie Wood on the twitter. And if you would like to see any of Ronnie | :20:00. | :20:07. | |
Wood's exhibition in the flesh, you can. Ronnie's exhibition Raw | :20:07. | :20:10. | |
Instinct is currently on at the Bruton Street galleries. | :20:10. | :20:13. | |
Here in our studio we're having our own exhibition with the four | :20:13. | :20:16. | |
finalists in the One Show Summer Art Competition. Before Ronnie picks his | :20:16. | :20:20. | |
winner, here's Phil with the story of how they created their final | :20:20. | :20:23. | |
submissions. In June, we launched the One Show on | :20:23. | :20:28. | |
art competition 2013 for amateur artist. The theme was where I live, | :20:28. | :20:34. | |
and your response was amazing. Last week, we came one step closer to | :20:34. | :20:38. | |
finding our winner when the judges selected four finalists to go | :20:38. | :20:43. | |
through to the final round. They have now been set another challenge | :20:43. | :20:47. | |
to create a new drawing or painting on the theme of the dish summertime. | :20:47. | :20:52. | |
It is this work that will ultimately decide our winner, rather than their | :20:52. | :21:00. | |
original entries. Our first finalist is Lucy Howard. The judges loved | :21:00. | :21:10. | |
:21:10. | :21:12. | ||
humour in my paintings. I like to make people smile and see them | :21:13. | :21:17. | |
enjoying looking at my pictures. When I had the theme for Britain in | :21:17. | :21:23. | |
summertime, sat in the garden one night, it came to me, the idea being | :21:23. | :21:28. | |
outside in the garden, eating a cream tea. I have still got over | :21:29. | :21:34. | |
half of the painting to finish. Some of the plants in the background of | :21:34. | :21:39. | |
the picture have been really hard to do, and the picket fence has been | :21:39. | :21:46. | |
quite difficult as well. Our next finalist is Brian Kamau with a | :21:46. | :21:54. | |
portrait of his brother, Alexander. This was technically strong, and the | :21:54. | :22:00. | |
character shines through. Ever since I was a kid, I could draw. I was | :22:00. | :22:05. | |
obsessed with drawing cartoons. No one could ever believe how accurate | :22:05. | :22:09. | |
my drawings were. I wanted to make them the best I could, like | :22:09. | :22:16. | |
photorealism. I want to capture every single poor, every wrinkle. | :22:16. | :22:21. | |
British summer Time has a lot to do with people's moods. I have tried to | :22:21. | :22:27. | |
catch the happy mood that summer brings to everyone. Doing a piece in | :22:27. | :22:33. | |
one week is a lot of work. I am such a perfectionist. I think I will be | :22:33. | :22:41. | |
ready. Kerrigan Rennigade's portrait of Pappy is the next one to get | :22:41. | :22:49. | |
through. The judges loved it because it is loose and expressive. One of | :22:49. | :22:55. | |
the judges said that you could tell that you love someone very much by | :22:55. | :23:01. | |
looking at the portrait, and that is what I was hoping to do. When we got | :23:01. | :23:05. | |
the brief for Great Britain summer, the thinking cap was on | :23:05. | :23:10. | |
straightaway. My back garden was straight out onto the woods when I | :23:10. | :23:17. | |
was a little girl. I would put my wellingtons on and jump the back | :23:17. | :23:26. | |
fence. These days, a lot of kids don't go out and play any more, they | :23:26. | :23:32. | |
don't get dirty and get in the mud. They stay in all the time and don't | :23:32. | :23:38. | |
enjoy their summer the way I used to enjoy my summer. So I have decided | :23:38. | :23:44. | |
to put something in that is close to my family. Hannah Farley is a | :23:44. | :23:48. | |
textile student, and the judges liked afternoon sale because of its | :23:48. | :23:53. | |
delicacy, stitched on handmade paper. It is a different take on | :23:53. | :24:00. | |
drawing. I do a continuous line drawing most of the time, you can't | :24:00. | :24:04. | |
really stop a sewing machine and start again. So it has acted the | :24:04. | :24:08. | |
same for me as drawing with a pen. It is just more control with how | :24:08. | :24:16. | |
fast you are going. My new project is definitely influenced by a little | :24:16. | :24:22. | |
village up our road. I grew up there. This is somewhere where I | :24:22. | :24:27. | |
played when I was younger. It made sense to have it there for a British | :24:27. | :24:32. | |
summertime, as it is so close to home. I have done some sketches and | :24:32. | :24:35. | |
made the paper. It is ready to start going on the actual peace now, which | :24:35. | :24:41. | |
is exciting. There are people in this one, and I am not overconfident | :24:41. | :24:46. | |
with drawing people, so that is probably the only worry, really. | :24:46. | :24:52. | |
Oh, it is getting close to the moment! Just before the show began, | :24:52. | :24:55. | |
you all reviewed them and had a really good look. What were you | :24:55. | :25:01. | |
looking for? Ronnie was asked to judge on interpretation of the | :25:01. | :25:10. | |
theme, wow factor and technical skill. He gets the final vote. | :25:10. | :25:19. | |
Remind us where the winning image is going. At Salford Quays. | :25:19. | :25:24. | |
We are now going to have a closer look at them. First we've got Lucy | :25:24. | :25:34. | |
:25:34. | :25:34. | ||
Howard from Taunton. The models are imaginary people, but I did get my | :25:34. | :25:39. | |
husband and daughter to pose. really does convey British | :25:39. | :25:45. | |
summertime. It has really caught the essence. It has a sense of humour | :25:45. | :25:52. | |
and a very good application of technique. Are you a socks and | :25:52. | :26:02. | |
:26:02. | :26:13. | ||
sandals man? It is a very gentle Gloucester. You drew your brother | :26:13. | :26:18. | |
last time. Who is this lovely lady? This is a girl I used to go to | :26:18. | :26:26. | |
school with. Any history?No. which fairground is this behind us? | :26:26. | :26:32. | |
Gloucester fair, which comes around during my birthday. The eyes are | :26:32. | :26:37. | |
incredible. When I saw that from a distance, I thought it was a | :26:37. | :26:47. | |
:26:47. | :26:47. | ||
photograph. It is very technically well executed with the pencil, and | :26:47. | :26:56. | |
yes, it is very well done. Well done, Brian. Next we've got Hannah | :26:56. | :27:01. | |
Farley from Hindhead. This has all been done on a sewing machine. How'd | :27:01. | :27:09. | |
you get the colours? It has watercolours behind it, so it is | :27:09. | :27:13. | |
half watercolour painting and half sewing machine drawing. Have you | :27:13. | :27:18. | |
ever seen anything like this before, Ronnie? I love this. It is handmade | :27:18. | :27:23. | |
paper, isn't it? And a lot of the shading isn't watercolour, it is | :27:24. | :27:29. | |
actual material and fibre. It is very well done. This is a real hot | :27:29. | :27:34. | |
contender, and it shows a freedom and a feel of a real experienced | :27:34. | :27:42. | |
artist. We are sensing a love for this one. Finally we've got Kerrigan | :27:42. | :27:48. | |
Rennigade from North Lanarkshire. Last time we met you, you did a | :27:48. | :27:53. | |
lovely painting of your grandfather. Has he seen this new painting? | :27:53. | :28:00. | |
really likes it. And was this one more difficult? It was, because of | :28:00. | :28:05. | |
the size, but I managed, so I am happy. What you reckon, Ronnie? | :28:05. | :28:14. | |
it watercolour? I like it. Let's move back. A huge congratulations to | :28:14. | :28:17. | |
all of our finalists for getting here, they've beaten 700 other | :28:17. | :28:21. | |
entries to get here but it's not up to Phil, me or Alex who the winner | :28:21. | :28:30. | |
is, it's up to Ronnie. The time has come. I will take the blame, and | :28:30. | :28:38. | |
without any further messing about, I have to give it to Lucy. | :28:38. | :28:45. | |
Lucy, how do you feel? Very chuffed. Thank you. | :28:46. | :28:52. | |
Congratulations, well done. That's it for tonight. Thank you for our | :28:52. | :28:56. | |
judges. And thank you to Ronnie for judging the competition. If you want | :28:56. | :29:00. |