Browse content similar to 15/04/2013. Check below for episodes and series from the same categories and more!
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Show with Alex Jones. And Matt Baker, nice to have you back. We | :00:22. | :00:26. | |
thought we would keep our guest a secret, but it appears that word has | :00:26. | :00:35. | |
got out. So they are not here for us? No, they are here to see a man | :00:35. | :00:41. | |
who exude style and sophistication. And a fabulous voice, let's give a | :00:41. | :00:51. | |
:00:51. | :01:07. | ||
day for you today, the new album is out. How are you feeling? I feel | :01:07. | :01:11. | |
really good, and I thought I would celebrate by coming here with you, | :01:11. | :01:16. | |
but I also want to look like twins with my friend. I guess you do not | :01:16. | :01:24. | |
know how it is going with sales, but we have got some news. Come on!You | :01:24. | :01:28. | |
are already at number one in the download charts with the album! That | :01:28. | :01:35. | |
is all right, isn't it? Do you know family times I called and bought my | :01:35. | :01:41. | |
own song today?! We have set up this stage especially for you. This is | :01:41. | :01:45. | |
going to be so much fun. You are going to sing later, but can you | :01:45. | :01:51. | |
give them a taster? I will do it, can I get in the middle of you guys | :01:51. | :02:01. | |
:02:01. | :02:06. | ||
and be part of the group. What are # You make me feel so young. Eric's | :02:06. | :02:16. | |
:02:16. | :02:24. | ||
you make me feel that spring has # Man, I just feel so... | :02:24. | :02:33. | |
# You make me feel so young! #. We will have more from that later | :02:33. | :02:39. | |
on. That was wonderful. First, Declan Curry launches a new series | :02:39. | :02:42. | |
following British businesses trying to make a profit in times of | :02:42. | :02:47. | |
financial hardship. Is the start of a new holiday season | :02:47. | :02:50. | |
for the seaside resort of Cleethorpes, and for the Pleasure | :02:51. | :02:55. | |
Island theme park. This is my first stop on a journey through a year of | :02:55. | :02:59. | |
British business. I want to see for myself what it is like trying to | :02:59. | :03:06. | |
turn a profit in a faltering economy. Welcome to Pleasure Island. | :03:06. | :03:11. | |
The current boss is Melanie Wood. Tell me about the place. It opened | :03:11. | :03:16. | |
in 1993, my dad opened it then, and we are celebrate in our 20th | :03:16. | :03:19. | |
anniversary. That should be an enormous year for us, we are very | :03:20. | :03:24. | |
excited, we have got a lot planned. Yes, very much looking forward to | :03:24. | :03:29. | |
it. Today the park is closed, but tomorrow is the first day of the | :03:29. | :03:33. | |
season and the start of the Easter holidays. There is a lot to do, but | :03:33. | :03:38. | |
I'm keen to find out what it takes to keep this place going. My running | :03:38. | :03:44. | |
costs just under �2 million. awful lot of money, what do you | :03:44. | :03:52. | |
spend it on? �900,000 is wages, and the maintenance bill is almost | :03:52. | :03:57. | |
�300,000. �40,000 on paint alone, massive outgoings. How many people | :03:57. | :04:03. | |
do you need through the gates to cover those costs? I need a people | :04:03. | :04:10. | |
through the gates to cover my costs. Last year we got 135,000. | :04:10. | :04:14. | |
are you covering the shortfall? are personally funding the | :04:14. | :04:22. | |
shortfall. From your...Personal savings, yes. Melanie has a lot | :04:22. | :04:27. | |
invested in the business, and she is always looking for ways to bring in | :04:28. | :04:31. | |
extra customers. There is a new children's farm, brand-new this | :04:31. | :04:38. | |
year. �500,000 project, very nervous, because a lot of time and | :04:38. | :04:43. | |
money has gone into this, so you just hope and pray you have made the | :04:43. | :04:47. | |
right decision. A new attraction means new staff, and every year | :04:47. | :04:54. | |
Melanie employs around 200 seasonal workers. This is Rosie the Lamb, I | :04:54. | :05:00. | |
am Rebecca. What is it like working here? It is a great opportunity for | :05:00. | :05:05. | |
someone my age, there is nothing round here like this at all, so it | :05:05. | :05:08. | |
is perfect. With unemployment a real issue in the region, Pleasure Island | :05:08. | :05:16. | |
is a vital part of the economy. Without it, how would it affect the | :05:16. | :05:20. | |
amusement arcades, the caravan parks, the donkey man on the beach? | :05:20. | :05:26. | |
I do feel pressure! Melanie has invested �300,000 of her own money | :05:26. | :05:31. | |
into the miniature farm, but there is still a lot to do. Are you sure | :05:31. | :05:36. | |
this place is going to be ready? Last phone calls, guys still | :05:36. | :05:41. | |
working, you have only got 24 hours. I can see jobs as I am walking | :05:41. | :05:47. | |
around, but we will get there. The weather has not helped, I must be | :05:47. | :05:50. | |
honest. And the weather makes a huge difference as to whether people come | :05:50. | :05:56. | |
or not. People watch the forecast and plan accordingly, and if it is a | :05:56. | :06:04. | |
bad forecast, they do not come. Last year we opened on April the 1st, and | :06:04. | :06:07. | |
that is when the heavens opened, and they did not stop for seven months. | :06:07. | :06:10. | |
It was a massive blow to us. We have managed to survive one bad year. I | :06:10. | :06:14. | |
would not like to make any predictions at this point, but to | :06:14. | :06:18. | |
survive two years like that would be very difficult. There are clearly | :06:18. | :06:21. | |
tough Times editor for Pleasure Island, and the next 12 months could | :06:21. | :06:28. | |
be make or break for Melanie. It is 9am, the first day of the season, | :06:28. | :06:33. | |
Good Friday, there is only a handful of people waiting at the gates. | :06:33. | :06:37. | |
can always tell by your dues on the morning how busy it is going to be, | :06:37. | :06:47. | |
:06:47. | :06:49. | ||
and I know it is not going to be is the moment of truth for Melanie | :06:49. | :06:53. | |
as she finds out how many visitors turned up. She would normally expect | :06:53. | :06:59. | |
around 2000 people through the gates. The figure today was 323, | :06:59. | :07:04. | |
which is very disappointing. It is a long way from where it needed to | :07:04. | :07:09. | |
be, not a good start. Not getting too despondent at the moment, | :07:09. | :07:15. | |
because we still have time to make that up. But, you know, something | :07:15. | :07:19. | |
needs to change quickly. I will be back in Cleethorpes later in the | :07:19. | :07:24. | |
year to see if things improve for Pleasure Island. | :07:24. | :07:28. | |
We all need to get down and supported. Cleethorpes has a fond | :07:28. | :07:35. | |
place in my heart, I used to dance at the end of that year. In your 70s | :07:36. | :07:40. | |
group. He used to be in a 70s group. This is the thing, because | :07:40. | :07:44. | |
Cleethorpes is just along the road from a very big fishing port, and | :07:44. | :07:49. | |
your dad was a commercial fisherman. My father was, his father was, and | :07:49. | :07:54. | |
his father emigrated from Italy as a ship owner, so we came from a long | :07:54. | :07:59. | |
line of people in the fishing business. Were you going to follow | :07:59. | :08:05. | |
in his footsteps? Did you go to see yourself? I did, 13 was my first | :08:06. | :08:13. | |
half crew, I did it until I was 21. If you have ever seen shows like the | :08:13. | :08:20. | |
Deadliest Catch, it could be dangerous, all of these things. But | :08:20. | :08:24. | |
also rewarding, because you are learning camaraderie, respect, the | :08:24. | :08:28. | |
value of hard work and all that stuff. But when I turned 1920, my | :08:28. | :08:33. | |
father said, you want to be a singer, you should probably | :08:33. | :08:37. | |
concentrate on that full-time. Used to bake me and say, work with your | :08:37. | :08:43. | |
head, not your hands. -- he used to beg me. It is just as well you did | :08:43. | :08:47. | |
not become Michael Buble the fisherman, because we would have | :08:47. | :08:57. | |
:08:57. | :09:00. | ||
# let me go home. # I am just too far from where you | :09:00. | :09:10. | |
:09:10. | :09:47. | ||
are. That first clip, I looked sad, I was | :09:47. | :09:51. | |
like... Every time I hear that song, it's does it to me, that is my | :09:52. | :09:58. | |
favourite. That is a really good one, I like Lost, which was not in | :09:58. | :10:02. | |
there. The last one, It's A Beautiful Day, is the new single, | :10:02. | :10:09. | |
and that is kind of an anti-love song, isn't it? I wanted to pull a | :10:09. | :10:15. | |
trailer swift, you know. -- Taylor Swift. I thought it was fun to write | :10:15. | :10:19. | |
a song that was not about love and between us, I miss you, I love you. | :10:19. | :10:25. | |
I wanted to write a song that was a tribute and an anthem for all of | :10:25. | :10:29. | |
those people out there right now who have been with their boyfriend or | :10:29. | :10:32. | |
girlfriend, treated them badly, dumped them, and you have now | :10:32. | :10:42. | |
:10:42. | :10:43. | ||
realised that life is way better without that should mark. -- | :10:43. | :10:49. | |
schmuck. Can I ask and many of you have gone through that? Exactly! I | :10:49. | :10:52. | |
wanted to give people hope that it gets better, don't let yourself | :10:52. | :10:58. | |
down. Some interesting duet on this album as well. You have got Bryan | :10:58. | :11:03. | |
Adams on there, you are a big fan of him, that was your first album, | :11:03. | :11:09. | |
wasn't it? I bought Reckless when I was eight years old, I was from | :11:09. | :11:14. | |
Vancouver, and he was a Canadian kid who had made it, world-famous, and | :11:14. | :11:19. | |
it gave you hope as a Canadian boy from a small town, that if he did, | :11:19. | :11:25. | |
maybe you could, too. I loved his house, -- his voice. We became very | :11:25. | :11:30. | |
close, we have the same manager, we became like stepbrothers. This was | :11:30. | :11:35. | |
just might excuse to be able to work with him, I was thrilled to do that. | :11:35. | :11:42. | |
And Reese Witherspoon. That is random! Yeah, it seems like it's... | :11:42. | :11:51. | |
How do you really feel about it?! No, I loved that, I was a big Johnny | :11:51. | :11:55. | |
Cash fan, June Carter was just the best, and I thought that she had | :11:55. | :11:58. | |
this great voice, and I knew that as an actress she understood subtext, | :11:59. | :12:04. | |
and that song is all about the subtext. So it was a coup getting | :12:04. | :12:09. | |
her, and it was not easy, because she was a little bit nervous. I know | :12:09. | :12:15. | |
she said she was nervous when she did Walk The Line, but we were in | :12:15. | :12:19. | |
the studio for just 20 seconds, and I knew she was wonderful, very | :12:19. | :12:23. | |
natural. We do things in a very organic way on this record, and I | :12:23. | :12:29. | |
mean... It is a difficult way to make a record, but it is the reason | :12:29. | :12:34. | |
I loved the old Motown records and the old Reprise records, everyone in | :12:34. | :12:39. | |
one room, you just go for it. All the pitching, all the computers... | :12:39. | :12:43. | |
We went to take for a lot of it, which is really old school, but it | :12:43. | :12:49. | |
gave it that great feeling that I had missed so much. Back in 2003 US | :12:49. | :12:53. | |
out on a sofa with a certain Michael Parkinson, and we have got a little | :12:53. | :12:58. | |
surprise for you. He's not the worst looking man in the world, is he? I | :12:58. | :13:03. | |
must say. I thought, you are not just going to be a great recording | :13:03. | :13:06. | |
artist, you are going to be a great start, and that is what he has | :13:06. | :13:12. | |
become. And it is all down to me, apparently! I do not believe that | :13:12. | :13:21. | |
for a moment. A bit of recognition maybe? Poor, out of work... | :13:21. | :13:27. | |
Have you got a message for him? do, I do have a message back, where | :13:27. | :13:33. | |
is my camera? You know what? The truth is, he did have more to do | :13:33. | :13:37. | |
with it than anyone can imagine. I had come to London to do my first | :13:37. | :13:41. | |
showcase with a very few people, and I had this woman from the company | :13:41. | :13:46. | |
came running up to me, she was emotional, truly crying, and she | :13:46. | :13:51. | |
said you have got Parkinson's, I thought, I'm going to die for sure. | :13:51. | :13:54. | |
Little did I know that truly this gentleman, this wonderful man and | :13:54. | :13:58. | |
his wife would take me under their wing and truly, truly take me to a | :13:58. | :14:04. | |
place I never thought I would go, not just for me, but Jamie Cullum, | :14:04. | :14:08. | |
such a wonderful champion for us, and I love him to death. I'm so | :14:08. | :14:18. | |
:14:18. | :14:20. | ||
You never know. We might be doing recorded messages for you in a | :14:20. | :14:23. | |
couple of years. Don't forget, Michael, of course, will be | :14:23. | :14:28. | |
performing for you live at the end of the show. Without us, we might | :14:28. | :14:33. | |
add. Michael has sold 40 million albums... Woo! Sorry. That was me. | :14:33. | :14:37. | |
Extraordinary, isn't it? APPLAUSE | :14:37. | :14:40. | |
But a blockbuster in Victorian times could be a new book by | :14:40. | :14:45. | |
Charles Dickens or even the unveiling of a painting. Well, | :14:45. | :14:48. | |
Gyles has the story of one artist who had to hire security guards | :14:48. | :14:57. | |
when his latest work of art went on display. | :14:57. | :15:02. | |
Brunel's Paddington Station open for business since 1838 - if these | :15:02. | :15:06. | |
cast iron columns could speak, what tales they would tell. All human | :15:06. | :15:10. | |
life is here. This is the perfect place to come to observe people, | :15:10. | :15:20. | |
:15:20. | :15:29. | ||
On 28th August 1860, British artist William Powell Frith put paint to | :15:29. | :15:34. | |
canvas in an artwork that would stand the world of art on its head. | :15:34. | :15:37. | |
Frith's painting at Paddington Station would be mass produced like | :15:37. | :15:40. | |
no other work of art before and would allow anyone the opportunity | :15:40. | :15:45. | |
to own a masterpiece. It took two years to complete, and now it hangs | :15:45. | :15:49. | |
here in the beautiful picture gallery at Royal Holloway | :15:49. | :15:54. | |
University of London. And here it is. The railway station caused a | :15:54. | :15:57. | |
sensation when it was first exhibited, and thousands of people | :15:57. | :16:00. | |
were willing to part with their hard-earned shilling to see it. | :16:00. | :16:05. | |
Mark Bills is an expert in Victorian art. Well, it was really | :16:05. | :16:12. | |
the blockbuster of 1862. People flocked to see it. His last two big | :16:12. | :16:15. | |
blockbusters had been big sensations. In fact, it required a | :16:15. | :16:19. | |
policeman and a rail in front of the picture to keep the crowds back, | :16:19. | :16:22. | |
so of course, the participation - the press had built it up, then | :16:22. | :16:27. | |
when the doors opened, it was a big, big moment. Why did it cause such a | :16:27. | :16:31. | |
stir? People saw themselves in the picture and saw all of life | :16:31. | :16:35. | |
colliding at Paddington Station. This was a drama. Before the age of | :16:35. | :16:39. | |
cinema, people could go see a world laid out before them. So these are | :16:39. | :16:44. | |
real people. Who have you got in the centre? That's Frith. That's a | :16:44. | :16:47. | |
self-portrait and his wife Isabelle and his children. He had a large | :16:47. | :16:54. | |
family, didn't he? He did, and he also had a mistress, Mary. People - | :16:54. | :17:01. | |
it's rumoured it's the reason he didn't get a knighthood. To a | :17:01. | :17:04. | |
Victorian audience, there were familiar faces - they might have | :17:04. | :17:08. | |
spotted two popular police officers. Those are two sergeants of the City | :17:08. | :17:12. | |
of London police. These are real detectives? Real detectives, real | :17:12. | :17:15. | |
portraits. They're arresting a white collar criminal. If you look | :17:15. | :17:19. | |
closely you'll see the fashion at the time was to have mutton chop | :17:19. | :17:24. | |
whiskers. He shaved them off, trying to make a get-away. There he | :17:24. | :17:30. | |
is being collared. The Railway Station holds a pivotal place in | :17:30. | :17:35. | |
art history because unusually the painting was commissioned by an art | :17:35. | :17:39. | |
dealer. That's him appearing as a mysterious character in the | :17:39. | :17:45. | |
background. He was an art dealer but quite an entrepreneur. He was. | :17:45. | :17:50. | |
He paid �4,500 to Frith for this picture. But that included | :17:50. | :17:54. | |
copyright. He acquired the copyright? Yes, he did. He wanted | :17:54. | :17:58. | |
exclusive rights because where he made his money was not just people | :17:58. | :18:02. | |
visiting, but the subscription you bought - an engraving after the | :18:02. | :18:06. | |
painting. They sold huge numbers. It was estimated he made over | :18:06. | :18:11. | |
�40,000 on this picture - it's quite extraordinary. �40,000 in an | :18:11. | :18:16. | |
era when a teacher was earning �400 a year. Exactly. It's a vast amount. | :18:16. | :18:23. | |
So this picture, The Railway Station means everything. It does. | :18:23. | :18:30. | |
Her it is as painted by Frith. But Frith was also breaking new ground | :18:30. | :18:35. | |
with a pioneering technique to help him capture photography. It was | :18:35. | :18:39. | |
something he was very koi about but we know he did use photographers | :18:39. | :18:43. | |
for several pictures. For this picture he used a copy from Samuel | :18:43. | :18:48. | |
Frye. He copied the photograph?You could see the detail. You can see | :18:48. | :18:54. | |
how useful it was for him to recreate this amazing train shed. | :18:54. | :18:58. | |
If I can ask you to hold that - if photography was good enough to | :18:58. | :19:02. | |
assist him, I think photography is going to be OK for me to create my | :19:02. | :19:12. | |
:19:12. | :19:12. | ||
modern-day version of Frith's The Railway Station. So here it is - | :19:12. | :19:17. | |
with a little help of some television trickery, The Railway | :19:17. | :19:23. | |
Station, 2013. I think Mr Frith would be rather pleased, don't you? | :19:23. | :19:29. | |
And Gyles right in the middle. course. You're a photography | :19:29. | :19:35. | |
collector? It's art. There is a gentleman named Claxton. He used to | :19:35. | :19:40. | |
live near me. We're close. He's a wonderful gentleman. He's gone now | :19:40. | :19:45. | |
but he got many of the famous photographs of Steve McQueen and | :19:45. | :19:48. | |
Satchmo and all of these great people. You have his stuff in your | :19:49. | :19:53. | |
house. Where do you hang it? I have a bunch in different place - some | :19:53. | :19:57. | |
just in safes and places, but I loved him. That's yours?Yes, | :19:57. | :20:02. | |
that's Chet Baker, one of his great shots. He was a trumpeter?He was a | :20:02. | :20:05. | |
great jazz musician, a troubled soul, very cool - I am looking | :20:05. | :20:08. | |
forward to the movie they're going to make about his life one day. | :20:08. | :20:13. | |
Yeah. And you spent lots of your childhood in sort of swing clubs, | :20:13. | :20:16. | |
didn't you, because your grandad, he was sort of your inspiration is | :20:16. | :20:20. | |
that fair to say, for getting into the type of music you do now? | :20:20. | :20:24. | |
would say he was - I was at a young age drawn to it through Christmas | :20:24. | :20:29. | |
music and everything, Bing Crosby and all of that. Is that you? | :20:29. | :20:33. | |
That's me. You have changed loads. He's my best buddy still. What he | :20:33. | :20:38. | |
would do - he was a plumber and would go into different clubs - I | :20:38. | :20:43. | |
was only 16 when I started in the clubs - not drinking age, so he | :20:43. | :20:50. | |
would sneak me in and basically do plumbing work under the table so | :20:50. | :20:57. | |
they'd let me play. Love it.How does he feel about becoming a great | :20:57. | :21:00. | |
grandad? This is number five. I don't want to say I am the special | :21:00. | :21:05. | |
one, but I like to say I'm the special one. Are you going to start | :21:05. | :21:09. | |
singing lullabies now? I do. I sing - I thought about that many times - | :21:09. | :21:13. | |
would I make a nice record for the kids? It's funny - a lot of people | :21:13. | :21:20. | |
say to me their kids play my music in the car. You've Got a Friend in | :21:20. | :21:25. | |
Me. It's on this record. Great. Knowing how close he is to his | :21:25. | :21:29. | |
grandfather, we asked some of our viewers to share their stories with | :21:29. | :21:34. | |
us. I am Bill. This is Simon. his grandson. He's a very different | :21:34. | :21:37. | |
grandad to lots of other ones because he played the trumpet when | :21:38. | :21:42. | |
he was younger. He has played all over the country in the hugest | :21:42. | :21:45. | |
clubs, and I was lucky enough to have him inspire me to play the | :21:45. | :21:52. | |
trumpet. This was the first trumpet I played. As you can see now, it's | :21:52. | :21:57. | |
jolly old and disreputable. I gave it to Simon, so it was his first | :21:57. | :22:01. | |
trumpet. It was. This was the one grandad learnt on, and so for me to | :22:01. | :22:07. | |
play it, it was a fantastic thing. The family's old recording of me | :22:07. | :22:13. | |
playing when I was in the air force - I'd be about 18. I've never heard | :22:13. | :22:23. | |
:22:23. | :22:29. | ||
Take note of what you've got to get up to. MUSIC I'd been desperate to | :22:29. | :22:32. | |
impress him, desperate to have that approval from him, which I have got, | :22:32. | :22:41. | |
which is good. Lovely.I'm Ann, and this is Sophie. And I'm her | :22:41. | :22:45. | |
granddaughter. I have 13 grandchildren altogether. Sophie's | :22:45. | :22:49. | |
the oldest granddaughter and so was the first cherished one. | :22:49. | :22:51. | |
LAUGHTER I was a costume designer in the | :22:51. | :22:58. | |
'70s, early '80s. This was probably the strongest memory I have of nan, | :22:58. | :23:04. | |
her entertaining me. I would watch her for hours. I would sneak into | :23:04. | :23:10. | |
nan's studio and watch her. Girly time. Yeah, girly time. Which is | :23:10. | :23:15. | |
better than having Lego under your feet. I was so thrilled when Sophie | :23:15. | :23:19. | |
decided she wanted to be a designer. My nan has been a massive | :23:19. | :23:24. | |
inspiration to me. She's seen me through from when I first decided I | :23:24. | :23:31. | |
wanted to be a designer, ever since I can remember, to when I graduated | :23:31. | :23:38. | |
to my first job. This is my sketch book at college. It's a bit | :23:38. | :23:45. | |
battered. I only saw these recently. I used it as my next inspiration, | :23:45. | :23:52. | |
working it into something I do now. It's a bit faded. I like it though. | :23:52. | :23:58. | |
I am Fred. This is Ryan. I am his grandson. One of my memories of him, | :23:58. | :24:02. | |
when he was younger, when he started fishing when he was seven | :24:02. | :24:07. | |
and he actually fell in the canal... That out of 18 years is all you can | :24:07. | :24:12. | |
think of - are you serious? Yeah. You've got the memory span of a | :24:12. | :24:16. | |
goldfish, man. He ain't changed really. He's the same funny person | :24:16. | :24:21. | |
he used to be. I used to say to him, "Would you like to come fishing | :24:21. | :24:25. | |
with your grandad?" He said yeah, and away we went. We never looked | :24:25. | :24:29. | |
back since. That was a good day that first day. I still remember | :24:29. | :24:33. | |
the first day. I enjoyed gutting. I started to think about becoming | :24:33. | :24:37. | |
an electrician at the age of 15. He's inspired me to become what I | :24:37. | :24:40. | |
become, so he, like, sort of showed me the path and said, that's what | :24:40. | :24:46. | |
you can get if you want to do it. With a grandson, you can give them | :24:46. | :24:50. | |
advice. You can take them out for the day, help them and then you | :24:50. | :24:54. | |
don't have to live with them. The best part about being a grandparent | :24:54. | :24:58. | |
is you can give the grandkids back at the end of the day. Back on | :24:58. | :25:02. | |
stage, the three of us, Michael. It's like old times. We are not | :25:02. | :25:06. | |
singing this time. We're not. But Michael, what you are about to sing | :25:06. | :25:12. | |
has a bit of a connection, doesn't it, to your grandfather It does. I | :25:12. | :25:15. | |
started off the record with You Make Me Feel So Young then ended | :25:15. | :25:18. | |
with Young at Heart. I asked my grandfather what it felt like to be | :25:19. | :25:27. | |
85. He said, "Sunshine, I am 85 but up here I am still 17." It has been | :25:27. | :25:30. | |
absolutely wonderful to have you. Do you want to hear him sing? | :25:30. | :25:34. | |
APPLAUSE Thought so. We will leave it with | :25:34. | :25:38. | |
the wonderful Michael Buble. That's all we have time for. Thank you | :25:38. | :25:41. | |
very much. Tomorrow we'll be joined by Lisa Riley and Craig Revel- | :25:41. | :25:47. | |
Horwood. But now it's time for Michael to perform You Make Me Feel | :25:47. | :25:52. | |
So Young from his brand new album To Be Loved. Thank you, everybody. | :25:53. | :26:02. | |
:26:03. | :26:12. | ||
# You make me feel so young. # You make me feel like spring has | :26:12. | :26:14. | |
sprung. # And every time I see you grin | :26:14. | :26:18. | |
# I'm such a happy individual. # The moment that ya speak | :26:18. | :26:21. | |
# I wanna go play # Hide and seek. | :26:21. | :26:31. | |
:26:31. | :26:31. | ||
# I wanna go and # Bounce the moon. | :26:31. | :26:35. | |
# Just like a big balloon # You and I are just like a couple | :26:35. | :26:36. | |
of tots. # Running around the meadow | :26:36. | :26:38. | |
# Picking up all those forget me nots | :26:38. | :26:45. | |
# You make me feel so young. # You make me feel there are songs | :26:45. | :26:50. | |
to be sung. # Bells to be rung | :26:50. | :26:54. | |
# A wonderful fling to be flung. # And even when I'm old and grey | :26:54. | :27:03. | |
# I'm gonna feel the way I do today. # Cos you make me feel so young | :27:03. | :27:13. | |
:27:13. | :27:18. | ||
# You make me young. APPLAUSE | :27:18. | :27:24. | |
# You make me young # You make me feel that spring has | :27:24. | :27:26. | |
sprung # And every time I see you grin | :27:26. | :27:30. | |
# I'm such a happy individual. # The moment that you speak, hmm | :27:30. | :27:34. | |
# I wanna go play hide and seek.. # I wanna go and bounce the moon | :27:34. | :27:38. | |
# Like a big balloon # Because you and I are just like a | :27:38. | :27:40. | |
couple of tots # Running across the meadow | :27:40. | :27:50. | |
:27:50. | :27:57. | ||
# Grabbing up all. # You make me - | :27:57. | :28:03. | |
# You make me feel there are songs to be sung. | :28:03. | :28:07. | |
# Lots of bells to be rung and a wonderful fling to be flung. | :28:07. | :28:12. | |
# And even when I'm old and grey # I'm gonna feel the way I do today | :28:12. | :28:20. | |
# You make me feel so - # Man. I just feel so - | :28:20. | :28:30. | |
:28:30. | :28:34. | ||
# You make me feel so young. # You make me feel so young, babe. | :28:34. | :28:37. |