15/04/2013 The One Show


15/04/2013

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Show with Alex Jones. And Matt Baker, nice to have you back. We

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thought we would keep our guest a secret, but it appears that word has

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got out. So they are not here for us? No, they are here to see a man

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who exude style and sophistication. And a fabulous voice, let's give a

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day for you today, the new album is out. How are you feeling? I feel

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really good, and I thought I would celebrate by coming here with you,

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but I also want to look like twins with my friend. I guess you do not

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know how it is going with sales, but we have got some news. Come on!You

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are already at number one in the download charts with the album! That

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is all right, isn't it? Do you know family times I called and bought my

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own song today?! We have set up this stage especially for you. This is

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going to be so much fun. You are going to sing later, but can you

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give them a taster? I will do it, can I get in the middle of you guys

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and be part of the group. What are # You make me feel so young. Eric's

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you make me feel that spring has # Man, I just feel so...

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# You make me feel so young! #. We will have more from that later

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on. That was wonderful. First, Declan Curry launches a new series

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following British businesses trying to make a profit in times of

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financial hardship. Is the start of a new holiday season

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for the seaside resort of Cleethorpes, and for the Pleasure

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Island theme park. This is my first stop on a journey through a year of

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British business. I want to see for myself what it is like trying to

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turn a profit in a faltering economy. Welcome to Pleasure Island.

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The current boss is Melanie Wood. Tell me about the place. It opened

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in 1993, my dad opened it then, and we are celebrate in our 20th

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anniversary. That should be an enormous year for us, we are very

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excited, we have got a lot planned. Yes, very much looking forward to

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it. Today the park is closed, but tomorrow is the first day of the

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season and the start of the Easter holidays. There is a lot to do, but

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I'm keen to find out what it takes to keep this place going. My running

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costs just under �2 million. awful lot of money, what do you

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spend it on? �900,000 is wages, and the maintenance bill is almost

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�300,000. �40,000 on paint alone, massive outgoings. How many people

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do you need through the gates to cover those costs? I need a people

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through the gates to cover my costs. Last year we got 135,000.

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are you covering the shortfall? are personally funding the

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shortfall. From your...Personal savings, yes. Melanie has a lot

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invested in the business, and she is always looking for ways to bring in

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extra customers. There is a new children's farm, brand-new this

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year. �500,000 project, very nervous, because a lot of time and

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money has gone into this, so you just hope and pray you have made the

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right decision. A new attraction means new staff, and every year

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Melanie employs around 200 seasonal workers. This is Rosie the Lamb, I

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am Rebecca. What is it like working here? It is a great opportunity for

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someone my age, there is nothing round here like this at all, so it

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is perfect. With unemployment a real issue in the region, Pleasure Island

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is a vital part of the economy. Without it, how would it affect the

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amusement arcades, the caravan parks, the donkey man on the beach?

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I do feel pressure! Melanie has invested �300,000 of her own money

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into the miniature farm, but there is still a lot to do. Are you sure

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this place is going to be ready? Last phone calls, guys still

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working, you have only got 24 hours. I can see jobs as I am walking

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around, but we will get there. The weather has not helped, I must be

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honest. And the weather makes a huge difference as to whether people come

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or not. People watch the forecast and plan accordingly, and if it is a

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bad forecast, they do not come. Last year we opened on April the 1st, and

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that is when the heavens opened, and they did not stop for seven months.

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It was a massive blow to us. We have managed to survive one bad year. I

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would not like to make any predictions at this point, but to

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survive two years like that would be very difficult. There are clearly

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tough Times editor for Pleasure Island, and the next 12 months could

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be make or break for Melanie. It is 9am, the first day of the season,

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Good Friday, there is only a handful of people waiting at the gates.

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can always tell by your dues on the morning how busy it is going to be,

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and I know it is not going to be is the moment of truth for Melanie

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as she finds out how many visitors turned up. She would normally expect

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around 2000 people through the gates. The figure today was 323,

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which is very disappointing. It is a long way from where it needed to

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be, not a good start. Not getting too despondent at the moment,

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because we still have time to make that up. But, you know, something

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needs to change quickly. I will be back in Cleethorpes later in the

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year to see if things improve for Pleasure Island.

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We all need to get down and supported. Cleethorpes has a fond

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place in my heart, I used to dance at the end of that year. In your 70s

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group. He used to be in a 70s group. This is the thing, because

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Cleethorpes is just along the road from a very big fishing port, and

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your dad was a commercial fisherman. My father was, his father was, and

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his father emigrated from Italy as a ship owner, so we came from a long

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line of people in the fishing business. Were you going to follow

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in his footsteps? Did you go to see yourself? I did, 13 was my first

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half crew, I did it until I was 21. If you have ever seen shows like the

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Deadliest Catch, it could be dangerous, all of these things. But

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also rewarding, because you are learning camaraderie, respect, the

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value of hard work and all that stuff. But when I turned 1920, my

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father said, you want to be a singer, you should probably

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concentrate on that full-time. Used to bake me and say, work with your

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head, not your hands. -- he used to beg me. It is just as well you did

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not become Michael Buble the fisherman, because we would have

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# let me go home. # I am just too far from where you

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are. That first clip, I looked sad, I was

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like... Every time I hear that song, it's does it to me, that is my

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favourite. That is a really good one, I like Lost, which was not in

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there. The last one, It's A Beautiful Day, is the new single,

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and that is kind of an anti-love song, isn't it? I wanted to pull a

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trailer swift, you know. -- Taylor Swift. I thought it was fun to write

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a song that was not about love and between us, I miss you, I love you.

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I wanted to write a song that was a tribute and an anthem for all of

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those people out there right now who have been with their boyfriend or

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girlfriend, treated them badly, dumped them, and you have now

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realised that life is way better without that should mark. --

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schmuck. Can I ask and many of you have gone through that? Exactly! I

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wanted to give people hope that it gets better, don't let yourself

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down. Some interesting duet on this album as well. You have got Bryan

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Adams on there, you are a big fan of him, that was your first album,

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wasn't it? I bought Reckless when I was eight years old, I was from

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Vancouver, and he was a Canadian kid who had made it, world-famous, and

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it gave you hope as a Canadian boy from a small town, that if he did,

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maybe you could, too. I loved his house, -- his voice. We became very

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close, we have the same manager, we became like stepbrothers. This was

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just might excuse to be able to work with him, I was thrilled to do that.

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And Reese Witherspoon. That is random! Yeah, it seems like it's...

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How do you really feel about it?! No, I loved that, I was a big Johnny

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Cash fan, June Carter was just the best, and I thought that she had

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this great voice, and I knew that as an actress she understood subtext,

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and that song is all about the subtext. So it was a coup getting

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her, and it was not easy, because she was a little bit nervous. I know

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she said she was nervous when she did Walk The Line, but we were in

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the studio for just 20 seconds, and I knew she was wonderful, very

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natural. We do things in a very organic way on this record, and I

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mean... It is a difficult way to make a record, but it is the reason

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I loved the old Motown records and the old Reprise records, everyone in

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one room, you just go for it. All the pitching, all the computers...

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We went to take for a lot of it, which is really old school, but it

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gave it that great feeling that I had missed so much. Back in 2003 US

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out on a sofa with a certain Michael Parkinson, and we have got a little

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surprise for you. He's not the worst looking man in the world, is he? I

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must say. I thought, you are not just going to be a great recording

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artist, you are going to be a great start, and that is what he has

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become. And it is all down to me, apparently! I do not believe that

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for a moment. A bit of recognition maybe? Poor, out of work...

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Have you got a message for him? do, I do have a message back, where

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is my camera? You know what? The truth is, he did have more to do

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with it than anyone can imagine. I had come to London to do my first

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showcase with a very few people, and I had this woman from the company

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came running up to me, she was emotional, truly crying, and she

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said you have got Parkinson's, I thought, I'm going to die for sure.

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Little did I know that truly this gentleman, this wonderful man and

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his wife would take me under their wing and truly, truly take me to a

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place I never thought I would go, not just for me, but Jamie Cullum,

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such a wonderful champion for us, and I love him to death. I'm so

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You never know. We might be doing recorded messages for you in a

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couple of years. Don't forget, Michael, of course, will be

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performing for you live at the end of the show. Without us, we might

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add. Michael has sold 40 million albums... Woo! Sorry. That was me.

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Extraordinary, isn't it? APPLAUSE

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But a blockbuster in Victorian times could be a new book by

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Charles Dickens or even the unveiling of a painting. Well,

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Gyles has the story of one artist who had to hire security guards

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when his latest work of art went on display.

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Brunel's Paddington Station open for business since 1838 - if these

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cast iron columns could speak, what tales they would tell. All human

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life is here. This is the perfect place to come to observe people,

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On 28th August 1860, British artist William Powell Frith put paint to

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canvas in an artwork that would stand the world of art on its head.

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Frith's painting at Paddington Station would be mass produced like

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no other work of art before and would allow anyone the opportunity

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to own a masterpiece. It took two years to complete, and now it hangs

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here in the beautiful picture gallery at Royal Holloway

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University of London. And here it is. The railway station caused a

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sensation when it was first exhibited, and thousands of people

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were willing to part with their hard-earned shilling to see it.

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Mark Bills is an expert in Victorian art. Well, it was really

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the blockbuster of 1862. People flocked to see it. His last two big

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blockbusters had been big sensations. In fact, it required a

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policeman and a rail in front of the picture to keep the crowds back,

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so of course, the participation - the press had built it up, then

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when the doors opened, it was a big, big moment. Why did it cause such a

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stir? People saw themselves in the picture and saw all of life

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colliding at Paddington Station. This was a drama. Before the age of

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cinema, people could go see a world laid out before them. So these are

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real people. Who have you got in the centre? That's Frith. That's a

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self-portrait and his wife Isabelle and his children. He had a large

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family, didn't he? He did, and he also had a mistress, Mary. People -

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it's rumoured it's the reason he didn't get a knighthood. To a

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Victorian audience, there were familiar faces - they might have

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spotted two popular police officers. Those are two sergeants of the City

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of London police. These are real detectives? Real detectives, real

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portraits. They're arresting a white collar criminal. If you look

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closely you'll see the fashion at the time was to have mutton chop

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whiskers. He shaved them off, trying to make a get-away. There he

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is being collared. The Railway Station holds a pivotal place in

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art history because unusually the painting was commissioned by an art

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dealer. That's him appearing as a mysterious character in the

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background. He was an art dealer but quite an entrepreneur. He was.

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He paid �4,500 to Frith for this picture. But that included

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copyright. He acquired the copyright? Yes, he did. He wanted

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exclusive rights because where he made his money was not just people

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visiting, but the subscription you bought - an engraving after the

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painting. They sold huge numbers. It was estimated he made over

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�40,000 on this picture - it's quite extraordinary. �40,000 in an

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era when a teacher was earning �400 a year. Exactly. It's a vast amount.

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So this picture, The Railway Station means everything. It does.

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Her it is as painted by Frith. But Frith was also breaking new ground

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with a pioneering technique to help him capture photography. It was

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something he was very koi about but we know he did use photographers

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for several pictures. For this picture he used a copy from Samuel

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Frye. He copied the photograph?You could see the detail. You can see

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how useful it was for him to recreate this amazing train shed.

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If I can ask you to hold that - if photography was good enough to

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assist him, I think photography is going to be OK for me to create my

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modern-day version of Frith's The Railway Station. So here it is -

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with a little help of some television trickery, The Railway

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Station, 2013. I think Mr Frith would be rather pleased, don't you?

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And Gyles right in the middle. course. You're a photography

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collector? It's art. There is a gentleman named Claxton. He used to

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live near me. We're close. He's a wonderful gentleman. He's gone now

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but he got many of the famous photographs of Steve McQueen and

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Satchmo and all of these great people. You have his stuff in your

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house. Where do you hang it? I have a bunch in different place - some

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just in safes and places, but I loved him. That's yours?Yes,

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that's Chet Baker, one of his great shots. He was a trumpeter?He was a

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great jazz musician, a troubled soul, very cool - I am looking

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forward to the movie they're going to make about his life one day.

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Yeah. And you spent lots of your childhood in sort of swing clubs,

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didn't you, because your grandad, he was sort of your inspiration is

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that fair to say, for getting into the type of music you do now?

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would say he was - I was at a young age drawn to it through Christmas

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music and everything, Bing Crosby and all of that. Is that you?

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That's me. You have changed loads. He's my best buddy still. What he

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would do - he was a plumber and would go into different clubs - I

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was only 16 when I started in the clubs - not drinking age, so he

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would sneak me in and basically do plumbing work under the table so

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they'd let me play. Love it.How does he feel about becoming a great

:20:57.:21:00.

grandad? This is number five. I don't want to say I am the special

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one, but I like to say I'm the special one. Are you going to start

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singing lullabies now? I do. I sing - I thought about that many times -

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would I make a nice record for the kids? It's funny - a lot of people

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say to me their kids play my music in the car. You've Got a Friend in

:21:20.:21:25.

Me. It's on this record. Great. Knowing how close he is to his

:21:25.:21:29.

grandfather, we asked some of our viewers to share their stories with

:21:29.:21:34.

us. I am Bill. This is Simon. his grandson. He's a very different

:21:34.:21:37.

grandad to lots of other ones because he played the trumpet when

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he was younger. He has played all over the country in the hugest

:21:42.:21:45.

clubs, and I was lucky enough to have him inspire me to play the

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trumpet. This was the first trumpet I played. As you can see now, it's

:21:52.:21:57.

jolly old and disreputable. I gave it to Simon, so it was his first

:21:57.:22:01.

trumpet. It was. This was the one grandad learnt on, and so for me to

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play it, it was a fantastic thing. The family's old recording of me

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playing when I was in the air force - I'd be about 18. I've never heard

:22:13.:22:23.
:22:23.:22:29.

Take note of what you've got to get up to. MUSIC I'd been desperate to

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impress him, desperate to have that approval from him, which I have got,

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which is good. Lovely.I'm Ann, and this is Sophie. And I'm her

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granddaughter. I have 13 grandchildren altogether. Sophie's

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the oldest granddaughter and so was the first cherished one.

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LAUGHTER I was a costume designer in the

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'70s, early '80s. This was probably the strongest memory I have of nan,

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her entertaining me. I would watch her for hours. I would sneak into

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nan's studio and watch her. Girly time. Yeah, girly time. Which is

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better than having Lego under your feet. I was so thrilled when Sophie

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decided she wanted to be a designer. My nan has been a massive

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inspiration to me. She's seen me through from when I first decided I

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wanted to be a designer, ever since I can remember, to when I graduated

:23:31.:23:38.

to my first job. This is my sketch book at college. It's a bit

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battered. I only saw these recently. I used it as my next inspiration,

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working it into something I do now. It's a bit faded. I like it though.

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I am Fred. This is Ryan. I am his grandson. One of my memories of him,

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when he was younger, when he started fishing when he was seven

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and he actually fell in the canal... That out of 18 years is all you can

:24:07.:24:12.

think of - are you serious? Yeah. You've got the memory span of a

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goldfish, man. He ain't changed really. He's the same funny person

:24:16.:24:21.

he used to be. I used to say to him, "Would you like to come fishing

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with your grandad?" He said yeah, and away we went. We never looked

:24:25.:24:29.

back since. That was a good day that first day. I still remember

:24:29.:24:33.

the first day. I enjoyed gutting. I started to think about becoming

:24:33.:24:37.

an electrician at the age of 15. He's inspired me to become what I

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become, so he, like, sort of showed me the path and said, that's what

:24:40.:24:46.

you can get if you want to do it. With a grandson, you can give them

:24:46.:24:50.

advice. You can take them out for the day, help them and then you

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don't have to live with them. The best part about being a grandparent

:24:54.:24:58.

is you can give the grandkids back at the end of the day. Back on

:24:58.:25:02.

stage, the three of us, Michael. It's like old times. We are not

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singing this time. We're not. But Michael, what you are about to sing

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has a bit of a connection, doesn't it, to your grandfather It does. I

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started off the record with You Make Me Feel So Young then ended

:25:15.:25:18.

with Young at Heart. I asked my grandfather what it felt like to be

:25:19.:25:27.

85. He said, "Sunshine, I am 85 but up here I am still 17." It has been

:25:27.:25:30.

absolutely wonderful to have you. Do you want to hear him sing?

:25:30.:25:34.

APPLAUSE Thought so. We will leave it with

:25:34.:25:38.

the wonderful Michael Buble. That's all we have time for. Thank you

:25:38.:25:41.

very much. Tomorrow we'll be joined by Lisa Riley and Craig Revel-

:25:41.:25:47.

Horwood. But now it's time for Michael to perform You Make Me Feel

:25:47.:25:52.

So Young from his brand new album To Be Loved. Thank you, everybody.

:25:53.:26:02.
:26:03.:26:12.

# You make me feel so young. # You make me feel like spring has

:26:12.:26:14.

sprung. # And every time I see you grin

:26:14.:26:18.

# I'm such a happy individual. # The moment that ya speak

:26:18.:26:21.

# I wanna go play # Hide and seek.

:26:21.:26:31.
:26:31.:26:31.

# I wanna go and # Bounce the moon.

:26:31.:26:35.

# Just like a big balloon # You and I are just like a couple

:26:35.:26:36.

of tots. # Running around the meadow

:26:36.:26:38.

# Picking up all those forget me nots

:26:38.:26:45.

# You make me feel so young. # You make me feel there are songs

:26:45.:26:50.

to be sung. # Bells to be rung

:26:50.:26:54.

# A wonderful fling to be flung. # And even when I'm old and grey

:26:54.:27:03.

# I'm gonna feel the way I do today. # Cos you make me feel so young

:27:03.:27:13.
:27:13.:27:18.

# You make me young. APPLAUSE

:27:18.:27:24.

# You make me young # You make me feel that spring has

:27:24.:27:26.

sprung # And every time I see you grin

:27:26.:27:30.

# I'm such a happy individual. # The moment that you speak, hmm

:27:30.:27:34.

# I wanna go play hide and seek.. # I wanna go and bounce the moon

:27:34.:27:38.

# Like a big balloon # Because you and I are just like a

:27:38.:27:40.

couple of tots # Running across the meadow

:27:40.:27:50.
:27:50.:27:57.

# Grabbing up all. # You make me -

:27:57.:28:03.

# You make me feel there are songs to be sung.

:28:03.:28:07.

# Lots of bells to be rung and a wonderful fling to be flung.

:28:07.:28:12.

# And even when I'm old and grey # I'm gonna feel the way I do today

:28:12.:28:20.

# You make me feel so - # Man. I just feel so -

:28:20.:28:30.
:28:30.:28:34.

# You make me feel so young. # You make me feel so young, babe.

:28:34.:28:37.

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