Browse content similar to 18/12/2012. Check below for episodes and series from the same categories and more!
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Hello. Welcome to the One Show with Alex Jones. And Matt Baker. When | :00:19. | :00:23. | |
tonight's guest was a budding actor he called Robert De Niro his idol. | :00:23. | :00:27. | |
Now he's such a success in his own right, that he now just calls him | :00:27. | :00:31. | |
Bob. Please welcome a film star voted sexiest man alive, even with | :00:31. | :00:41. | |
:00:41. | :00:41. | ||
a hangover. It's Bradley Cooper. Thank you so much for stopping off! | :00:41. | :00:49. | |
We are your first port of call. Nice of you to pop in. You really | :00:49. | :00:59. | |
:00:59. | :00:59. | ||
did it up for Christmas. It is very comfy. It is a good time to be a | :00:59. | :01:05. | |
Bradley in this country at the moment because of Bradley Wiggins. | :01:05. | :01:12. | |
Congratulations. He won the Tour de France. Amazing. He also won Sports | :01:12. | :01:18. | |
Personality of the Year on Sunday. Was it a good night? Fantastic. | :01:18. | :01:27. | |
you have a hangover? World... have just handed over your title of | :01:27. | :01:33. | |
60s man alive to Channing Tatum. How did he get it? Will take a look. | :01:33. | :01:39. | |
The real question is how did I get it? I guess it takes the pressure | :01:39. | :01:47. | |
off. Year. The pressure is off! LAUGHTER. You can eat what you like | :01:47. | :01:52. | |
over Christmas without having to worry. Maybe I should have worried | :01:52. | :01:57. | |
a little bit more! We will be talking about your new film Silver | :01:57. | :02:02. | |
Linings Playbook. One of Bradley's huge film hits has been the | :02:02. | :02:07. | |
Hangover franchise. Did you overdo it at the Christmas party last | :02:07. | :02:13. | |
night? If you did, send us a picture of you nursing your | :02:13. | :02:21. | |
hangover. Also, we need a best man to get in touch, the film is about | :02:21. | :02:27. | |
stag do's. Bradley will arrange a stag do it live on the show | :02:27. | :02:36. | |
tonight! I am very excited! But before all that, Tony Livesey | :02:36. | :02:39. | |
has been finding out about a type of theft that only gets reported | :02:39. | :02:45. | |
10% of the time because the victims are too embarassed to talk about it. | :02:45. | :02:49. | |
No matter how busy our lives are, most of us have to get the weekly | :02:49. | :02:54. | |
shopping and it is usually quite a painless experience. Apart from the | :02:54. | :02:59. | |
woman that follows me around. My item is in the backing every year! | :02:59. | :03:08. | |
Stop going on about it! -- bag every year. Excuse me, I am trying | :03:08. | :03:13. | |
to find the Trafford Centre. Can you show me where I am now? Over | :03:13. | :03:19. | |
here. He seems like a nice bloke. Hang on! Where is my laptop? I | :03:19. | :03:25. | |
can't believe it! I have been a victim of destruction theft, or a | :03:25. | :03:32. | |
demonstration of this crime by Richard Taylor. They call it the | :03:32. | :03:36. | |
art of distraction. There is a slight act to it because you have | :03:36. | :03:40. | |
to work to distract people because it takes literally seconds to be | :03:40. | :03:45. | |
able to steal from somebody's vehicle. A why is a car-park | :03:45. | :03:51. | |
perfect? They are distracted already. Especially this time of | :03:51. | :03:56. | |
year. How easy is it? The One Show decided to put it to the test with | :03:56. | :04:01. | |
some expert help from Richard and done the watchful eye of a police | :04:01. | :04:05. | |
officer. Instead of stealing from them, we will place a Christmas | :04:05. | :04:11. | |
present in their car. We will let you know how the test went later. | :04:11. | :04:14. | |
It is not just in public places that people use distraction to | :04:14. | :04:21. | |
steal. They target our homes. Distraction burglary is any crime | :04:21. | :04:29. | |
where Patrick or distraction or falsehood is used to gain access to | :04:29. | :04:35. | |
our homes to commit burglary. Police believe the real figure is | :04:35. | :04:39. | |
much higher than reported. Seven months ago, a man came to this | :04:39. | :04:44. | |
house posing as a police officer. He said that he was sorry to | :04:44. | :04:49. | |
trouble me but that they had apprehended two youngsters and they | :04:49. | :04:54. | |
had been seen coming out of my garden gate. I said, look, my purse | :04:54. | :05:00. | |
is on the table, it hasn't been mute. He asked if I had any more | :05:00. | :05:05. | |
money in the house. I said yes. I have got some at the side of me. | :05:05. | :05:12. | |
How much was it? �700. Jean had the cash to pay some work on her house. | :05:12. | :05:19. | |
The man-made has feel uncomfortable but she asked him to leave -- the | :05:19. | :05:23. | |
man had made her feel uncomfortable. But not before he had stolen her | :05:23. | :05:28. | |
money. That man came to my home with the deliberate intention of | :05:28. | :05:34. | |
robbing me. I cannot trust anybody any more. I am he also to see the | :05:34. | :05:38. | |
head of Operation bomb a team of detectives that specialise in | :05:38. | :05:44. | |
crimes across the country that involved distraction burglary -- | :05:44. | :05:49. | |
Operation Bombay. Many people are too embarrassed to report this | :05:49. | :05:58. | |
crime. These red dots represent 20 distraction burglaries. Mary Kom | :05:58. | :06:05. | |
has claimed to be a social worker there to help the victims. That was | :06:05. | :06:13. | |
clearly working with somebody else. Mary was linked to all 20 offences, | :06:13. | :06:19. | |
William was linked to four of them. This is not a hobby, this is a | :06:19. | :06:25. | |
procession. This is serious organised crime. And it was CCTV | :06:25. | :06:29. | |
footage from different locations that gave them away. Let's look at | :06:29. | :06:34. | |
them in action. You can see that black vehicle, that is the car they | :06:34. | :06:41. | |
were using. A so you can place them there. They stole over �20,000 from | :06:41. | :06:46. | |
the victims before they were caught by police. There you have the link | :06:46. | :06:51. | |
between the two different offences. One of the victims was over 100 | :06:51. | :06:56. | |
years old. She had worked all her life. Meanwhile, back at the | :06:56. | :07:01. | |
supermarket, we have had an interesting day. The shoppers at | :07:01. | :07:06. | |
Manchester are a canny bunch. Some spotted us. And others locked their | :07:06. | :07:13. | |
car doors. You the first would today that has locked her car door. | :07:13. | :07:19. | |
But for every failed attempt, there was a success. Where are we on this | :07:19. | :07:26. | |
map, please? Can you show me? just shows how easy it is to | :07:26. | :07:31. | |
distract somebody and steal something! That is the message. | :07:31. | :07:36. | |
Remember this Christmas, keep your wits about you, because that is | :07:36. | :07:46. | |
:07:46. | :07:50. | ||
when thieves do their shopping, too. Charming! I don't think he will be | :07:51. | :07:57. | |
doing many more films for us. The gumption of some people. It is | :07:57. | :08:03. | |
ridiculous. What was the last thing you had stolen? I bought this | :08:03. | :08:06. | |
little house in California and the second week I was there I went to | :08:06. | :08:10. | |
get something to eat with my friend and somebody had stall and | :08:10. | :08:15. | |
everything in that short time. It must have been an inside job -- | :08:15. | :08:19. | |
somebody had stolen everything. My dogs were fine. But if they had | :08:19. | :08:23. | |
done something creepy, like put the fire on and left a half-eaten | :08:23. | :08:29. | |
sandwich in the fridge, I would have moved. But I am still there. | :08:29. | :08:36. | |
They just took everything. It is a horrible feeling. They prey on | :08:36. | :08:40. | |
people's goodwill. Especially with the distraction. Your film, Silver | :08:40. | :08:44. | |
Linings Playbook, is on nationally at cinemas and you have described | :08:44. | :08:48. | |
it as one of the most emotional films you have worked on. Why is | :08:48. | :08:54. | |
that? Basically, because it is that David Russell movie and all he | :08:54. | :08:59. | |
cares about its authenticity, and it is about these people, they are | :08:59. | :09:04. | |
not quite matters... But you recognise yourself in them. I play | :09:04. | :09:09. | |
a man who was recently diagnosed as bipolar and never knew it his whole | :09:09. | :09:15. | |
life and he is desperately trying to get his life back together and | :09:15. | :09:18. | |
he is living at home with his father and mother and then he meets | :09:18. | :09:22. | |
this woman, Jennifer Lawrence, who is grieving the loss of her husband | :09:22. | :09:26. | |
and it is about how these people come together. It is a heartfelt | :09:26. | :09:32. | |
movie with a lot of comedy. Why was it so tough? Because of the | :09:32. | :09:37. | |
directors. You cannot say anything. It is emotionally demanding. I was | :09:37. | :09:41. | |
terrified to be honest to play this guy because his emotions were on | :09:41. | :09:49. | |
the surface. He has no filter. You have to go from A to Z. Also you | :09:49. | :09:53. | |
are working with people like Robert de Niro and Jennifer Lawrence and | :09:53. | :09:59. | |
Jacki Weaver. It was intense. We shot it in 33 days. When I came | :09:59. | :10:04. | |
back from the cinema, that is how I described it. Intense. But it is | :10:04. | :10:14. | |
At I just want us to be friends! Don't let Tiffany get you in | :10:14. | :10:19. | |
trouble. Why would you say that? can only do my dance thing if I | :10:19. | :10:25. | |
have a partner. I am not going to dance with you. Is this the girl | :10:25. | :10:31. | |
you wrote about? You wrote about me? You have to pay attention. When | :10:31. | :10:35. | |
life reaches out at a moment like this, it is based in if you don't | :10:35. | :10:45. | |
:10:45. | :10:48. | ||
reach back, I'm telling you! -- it is as sin. I understand that some | :10:48. | :10:53. | |
of the scenes were so intense that you had to ditch them! We did not | :10:53. | :10:56. | |
ditch the scenes, but we just got rid of what I did. My character | :10:56. | :11:00. | |
comes back from a football game and you really messed up and got into a | :11:01. | :11:04. | |
fight and my father thinks the reason why the team lost was | :11:04. | :11:09. | |
because of this fight so he is screaming at me, but when we went | :11:09. | :11:14. | |
into it, I mean, it is very real, so I started crying right away, but | :11:15. | :11:20. | |
it was really awful, like at tackling sounding cry! When we were | :11:20. | :11:25. | |
editing the movie, it is so distracting! We actually had to | :11:25. | :11:30. | |
take out all of this sound! But if you watch the movie, you can hear | :11:31. | :11:36. | |
little moments of screams that we could not take out! Through all | :11:36. | :11:41. | |
this intensity, it is always in the comedy category is of any awards. | :11:41. | :11:47. | |
Yes. That is the tricky thing. We knew that when we were shooting it. | :11:47. | :11:52. | |
The music shifts quite a bit, like life. Any dramatic moment I have | :11:52. | :11:57. | |
been a part of has been comedic as well. The main thing I would say it | :11:57. | :12:03. | |
is it is hard and with heart comes drama and comedy. It is the second | :12:03. | :12:08. | |
film you have done with Robert De Niro. What is it like? Do you go | :12:09. | :12:14. | |
down to Bob's house? He is the greatest guy. For someone who has | :12:14. | :12:19. | |
been in the business for 40 years and done hundreds of movies, he is | :12:19. | :12:24. | |
just so normal. I can't believe that he is my friend but he is. He | :12:24. | :12:29. | |
was a big reason why I got this movie. He really champion to me. | :12:29. | :12:34. | |
And you didn't let him down. I hope not. We saw you in the trailer | :12:34. | :12:39. | |
doing a funny dance. The funny little dance! I wasn't a | :12:39. | :12:46. | |
leprechaun! When they came to you and said, there is some dancing in | :12:46. | :12:50. | |
this, or were you up for it? I was very excited because I do love to | :12:50. | :12:55. | |
dance. As an actor, or whenever you can do something physical, it takes | :12:55. | :13:00. | |
you out of your head. It is wonderful. So for dancing it was | :13:00. | :13:04. | |
great. It was also a great way to get to know Jennifer because we had | :13:05. | :13:10. | |
not met before. It is quite a complicated dance. It is a very | :13:10. | :13:14. | |
bipolar dance routine that shifts with music. Like a leprechaun! You | :13:15. | :13:22. | |
nailed it! I loved it. I ate it up. Lots of different genres of dance. | :13:22. | :13:29. | |
Stevie Wonder and Jack White, yeah. Do you think you will do more heavy | :13:29. | :13:34. | |
roles like this? You have obviously had an appetite for it? It is all | :13:34. | :13:38. | |
about the director, that is all I care about. You put a lot of trust | :13:38. | :13:44. | |
in them. You have to. They are the captain of the ship. You said it. | :13:44. | :13:48. | |
The main thing you want to do is think about the full make-up. | :13:48. | :13:53. | |
we are. Right. Now how many of you are holding onto a secret, itching | :13:53. | :13:56. | |
to tell the world, if only you could still keep it secret? If that | :13:56. | :14:00. | |
sounds like you, Phil Tufnell has just the thing. | :14:00. | :14:06. | |
A secret, not known to us Maxime or not meant to be known by others. A | :14:06. | :14:10. | |
secret. And if you want to get something of your chest, meet the | :14:10. | :14:20. | |
:14:20. | :14:22. | ||
My name is Frank and I collect secrets. In eight years, over | :14:23. | :14:26. | |
500,000 people from around the world have written down their | :14:26. | :14:31. | |
deepest confessions on postcards and mailed them to my home. | :14:32. | :14:36. | |
secrets Frank's collected are online. Frank, explain the concept | :14:36. | :14:40. | |
and how did it start? I printed up 3,000 self-addressed postcards and | :14:40. | :14:45. | |
handed them out to strangers, inviting them to write down a | :14:45. | :14:50. | |
secret and mail it to me anonymously from all around the | :14:50. | :14:55. | |
world. Have you got some examples? I do. This was handed to me if | :14:56. | :15:02. | |
Bristol not long ago. It says, "Being fat is my disguise." This is | :15:02. | :15:08. | |
one that has three Rush stickers and it says "You called me an idiot. | :15:08. | :15:13. | |
I guess you're right. I sent your bags to the wrong destination." So, | :15:13. | :15:17. | |
it pays to be kind to people who are helping you out like that. | :15:17. | :15:23. | |
That's for sure. Even vegetarians think of meat from time to time. I | :15:23. | :15:28. | |
received a postcard with the Twin Towers in New York City and the | :15:28. | :15:35. | |
secret was, "Everyone who knew me before 9/11 believes I'm dead." | :15:35. | :15:39. | |
you worry about the senders? If we have good news we tell our friends | :15:39. | :15:44. | |
or e-mail it, but the secrets can be dark. Going through the process, | :15:44. | :15:48. | |
the rich of putting a secret on a postcard and unburdening people, | :15:48. | :15:53. | |
that's my hope. With thousands around the world giving their | :15:53. | :15:59. | |
innermost secrets to Frank, it's inspired me to get a tiny amount of | :15:59. | :16:04. | |
the great British public to do the same. This should be fun. Our One | :16:04. | :16:08. | |
Show box is independent of Frank's work and all responses are | :16:08. | :16:15. | |
anonymous. Tell me a secret. Would you like to tell me a secret in our | :16:15. | :16:23. | |
room over there? Into the One Show booth. It's aun anonymous. -- it's | :16:23. | :16:29. | |
all anonymous. She'll be in there an hour! Hello. How are you? How | :16:29. | :16:34. | |
did that feel? All right. I hope no-one finds out. Of course not. | :16:34. | :16:42. | |
How long have you been keeping that secret in? A couple of years. | :16:42. | :16:46. | |
the many secrets we collected, here's a few we can share. "I once | :16:46. | :16:54. | |
pushed my sister down the stairs and blamed it on the dog." Then, "I | :16:54. | :16:57. | |
once told my friends I met Prince William and he asked me out. I kept | :16:57. | :17:02. | |
it going for three months and said I was seeing him secretly." Then, | :17:03. | :17:07. | |
"I've got no-one to talk to about the way I feel." All this opening | :17:07. | :17:14. | |
up can be infectious. We all have secrets. "Dear birth mother. I've | :17:14. | :17:19. | |
found love and I'm happy." Some of these secrets are almost like the | :17:19. | :17:23. | |
confessions of a journey through troubled times. If you can share | :17:23. | :17:27. | |
those secrets I think it cannot only help you, but help bring hope | :17:27. | :17:34. | |
to others too. This one said, "When I was young I believed the Queen of | :17:34. | :17:37. | |
England installed cameras in my bathroom and watched me on the | :17:37. | :17:40. | |
toilet, so I always smiled, sat up straight and folded the paper | :17:40. | :17:49. | |
neatly." Great. I can't believe people trusted Phil. I've got a | :17:49. | :17:55. | |
very trusting face. With the cameras too. There are so many | :17:55. | :18:00. | |
coincidences when we get our guests on, but you know Frank? Yeah, I | :18:01. | :18:05. | |
came across his show on Ted. Fascinating and how it started so | :18:05. | :18:10. | |
small. Millions now. Phil, we have to mention the England cricket team. | :18:10. | :18:16. | |
Wrapped up yesterday? First one for loung? 1984. Fantastic effort -- | :18:16. | :18:24. | |
for who loung? 1984. With -- for how long? 1984. It's great to come | :18:24. | :18:27. | |
back with a series win. Alastair Cook, the captain broke all the | :18:27. | :18:32. | |
records down there, so fn it's tick effort. Are you into cricket, | :18:32. | :18:38. | |
Bradley? -- so fantastic effort. Are you into cricket, Bradley? | :18:38. | :18:41. | |
loved it as a kid, but as an American you have to find the right | :18:41. | :18:46. | |
group of people to get into cricket. I loved it. Absolutely loved. It I | :18:46. | :18:50. | |
played it for one summer when I was 13. It goes on for a week, five | :18:51. | :18:55. | |
days. One game, that's a long time. How you're putting it down! Phil | :18:55. | :19:00. | |
used to play cricket. I know. Listen to what he did. Tell your | :19:00. | :19:06. | |
secret Phil. Announce to the nation. I put Deep Heat in Sir Ian Botham's | :19:06. | :19:11. | |
jock strap before he went out to bowl once for England. He bowled | :19:11. | :19:16. | |
very fast that morning. Did he do well? Then he ran off at lunchtime | :19:17. | :19:21. | |
and was anything everyone who put it in. Is that still a secret? | :19:21. | :19:28. | |
it's not any more! He's going to give me a smack. That's hardcore. | :19:28. | :19:32. | |
How did you feel, Phil, when people in the film, as we saw, some | :19:32. | :19:36. | |
secrets were pretty dark, how did you feel when they were confiding | :19:36. | :19:41. | |
in you? It was like a confession. Some of those secrets when they | :19:41. | :19:47. | |
came out, I asked them how long they had been holding on it it and | :19:47. | :19:51. | |
some said 25 years. They wrote it down. They sort of came out a | :19:51. | :19:55. | |
little bit sort of lifted. As though they've got something off | :19:55. | :20:00. | |
your chest. It was interesting. They said, "I really enjoyed that | :20:00. | :20:04. | |
and feel better." Do you find people tell you a lot of their | :20:04. | :20:12. | |
secrets? I do. I am the secret carrier. People do. I think it's | :20:12. | :20:16. | |
human nature. They do tell their stories and their secrets. That's | :20:16. | :20:21. | |
why most - at least in the States most police find out things by | :20:21. | :20:26. | |
people confessing more than anything else. Has Bob ever told | :20:26. | :20:30. | |
you any? No. Have you got anything you would like to get off your | :20:30. | :20:37. | |
chest? I'm so glad you asked me that!! In the Hangover, your | :20:37. | :20:42. | |
character and the boys are bad at keeping a secret. Here's the moment | :20:43. | :20:52. | |
:20:53. | :20:57. | ||
where it comes down to secrets from the bride. Tracey, it's Stu. Don't | :20:57. | :21:00. | |
listen to Phil he's completely out of his mind. He's probably still | :21:00. | :21:10. | |
:21:10. | :21:10. | ||
drunk. Where's Doug? He's paying the bifplt we are in a -- paying | :21:10. | :21:15. | |
the bill. We're in a big hurry to get back. How did you keep that | :21:15. | :21:20. | |
look going of being hungover for the whole length you were filming? | :21:20. | :21:23. | |
Were you actually hungover? there is no way we would have made | :21:23. | :21:30. | |
that schedule. There was a lot of memory. I don't know how we did it. | :21:30. | :21:36. | |
You have just finished the third one? Two days ago. It's all very | :21:36. | :21:39. | |
hush-hush and all the rest of it. On the first one, you had a baby in | :21:39. | :21:43. | |
a sling and the second one, a monkey on your back. What will be | :21:43. | :21:50. | |
on the third poster? Can you hint? You know, we are sworn to secrecy. | :21:50. | :22:00. | |
:22:00. | :22:00. | ||
Bradley?! They are serious about it. There could be a red dot somewhere. | :22:00. | :22:08. | |
You are hungover in it? I can't even say that. We shot it in Las | :22:08. | :22:14. | |
Vegas. We go back there. We shot it in Mexico and in LA. I can say that. | :22:14. | :22:20. | |
And Mr Chow's back, for anyone's who's a fan. We loved him. Very | :22:20. | :22:24. | |
kindly you agreed to arrange a stag do and we have been inundated with | :22:24. | :22:29. | |
people. We have chosen these two here. This is double trouble, two | :22:29. | :22:33. | |
ginger brothers, Phil and Tom are getting married to their | :22:33. | :22:38. | |
girlfriends next year. Both are each other's best man, so it's a | :22:38. | :22:45. | |
double stag do. Phil, you have got the Hangover generator just there. | :22:45. | :22:49. | |
If you put it between yourself and Bradley. You have got to pick one | :22:49. | :22:54. | |
from each category. Then we put them at the end. The first one, the | :22:54. | :23:04. | |
:23:04. | :23:04. | ||
groom will get a tattoo. The first one, "I'm better looking at Chang | :23:04. | :23:14. | |
Tatum.". Or number two there or number three? I think we go with | :23:14. | :23:24. | |
:23:24. | :23:27. | ||
number two. Now costumes. First, is it mankinis, Hobbits, figure feet | :23:27. | :23:31. | |
included, or reindeer with antlers? This is a tough one. I think | :23:31. | :23:36. | |
because it's a topical one, we'll go with the Hobbit. Combine all | :23:36. | :23:43. | |
three, quite an outfit! You don't want to take them apart! The third | :23:43. | :23:48. | |
one is things that can go wrong. First, your mum tags along and gets | :23:48. | :23:55. | |
on with wink, wink, nudge, nudge. Second I, you catch the norovirus. | :23:55. | :24:01. | |
Or third, one of you forgets your passport and you end up going to | :24:01. | :24:07. | |
Staines rather than Las Vegas. think this is a recipe for a bit of | :24:07. | :24:12. | |
fun. Finally, we are on to the activities. You end up in a three- | :24:12. | :24:18. | |
hour recording of Dancing on Ice. That is an ice version of Dancing | :24:18. | :24:23. | |
with Stars. You all undergo a full body wax. At the end of the night | :24:23. | :24:26. | |
you bump into Bradley Wiggins who insists you all cycle ten miles | :24:26. | :24:31. | |
home? This would be good for the hangover. I say that. Very sensible. | :24:31. | :24:39. | |
There, we are Tom and Phil, is your stag do. Any responsibility for | :24:39. | :24:45. | |
what happens and we are not paying for it. Now, then it's a lot easier | :24:45. | :24:50. | |
to turn your film into a block bus fer if you hire stars like Bradley | :24:51. | :24:56. | |
Cooper. But how do you make a book a best seller? Here is Arthur Smith | :24:56. | :25:05. | |
with the answer. They say you shouldn't judge a book by its cover, | :25:05. | :25:12. | |
but really you do. It might be the use of colour. Or a fearful | :25:12. | :25:21. | |
background. Or an intriguing looking figure. Powerful words or | :25:21. | :25:24. | |
images. Author recommendations, just what is it that makes that | :25:24. | :25:31. | |
book jump out at you? Graphic artist and book designer John Grey | :25:31. | :25:39. | |
faces these challenges every day. There are a lot of cliches, so with | :25:39. | :25:44. | |
a thriller you'll get a lone figure in a landscape, so you're basically | :25:44. | :25:49. | |
showing the reader the landscape, it's set in snow and it's set in | :25:49. | :25:53. | |
Venice and then this lop figure who is either kind of struggling -- | :25:54. | :25:57. | |
lone figure who is either kind of struggling against himself or the | :25:57. | :26:02. | |
elements. You want to leave that character as open to the readers' | :26:02. | :26:06. | |
interpretation as possible. What you are aiming for is not really to | :26:06. | :26:10. | |
impress anyone with the art, but to make people buy the book? Exactly. | :26:10. | :26:16. | |
You are designing the front door to the book inside. My job is to just | :26:16. | :26:20. | |
make an object that people want to pick up and take home. There are a | :26:20. | :26:25. | |
lot of colourful jackets. Like the JK Rowling is colourful and bold. | :26:25. | :26:30. | |
It will stand out against a sea of other colours because it's so bold. | :26:30. | :26:37. | |
Sometimes it's the big author so we need the Thame -- name to be huge. | :26:37. | :26:41. | |
Names sell, but sometimes it's a famous author's name that sells | :26:41. | :26:44. | |
someone else's book. You are looking for a become by best- | :26:45. | :26:54. | |
selling author John grish ham, but your eye is -- Grisham, but your | :26:54. | :27:00. | |
eye is Brawn to the new one by Arthur Smith. Quotes by other | :27:00. | :27:04. | |
authors work well. If another crime writer thinks this one is great, | :27:04. | :27:11. | |
quite often the quote will go on the cover. Strap lines, he then to | :27:11. | :27:15. | |
guide you. Originally, book covers were just words and very simple | :27:15. | :27:20. | |
designs. I think certain design trends come and go with development | :27:20. | :27:25. | |
in production and printing tech feebgz. Back in the 30s and 40s, -- | :27:25. | :27:32. | |
techniques. Back in the 30s and 40s, that is what was affordable, but | :27:32. | :27:36. | |
then full-colour imagary was able to be used later. As you get more | :27:36. | :27:40. | |
and more photographs, then someone wants to do the opposite and then | :27:40. | :27:48. | |
there is new illustration. That Clockwork Orange is there with the | :27:48. | :27:52. | |
boldness and colour and block graphic and it looks fresh again. | :27:52. | :27:57. | |
Maybe we evoking the bold graphics and colours. Some of the cores are | :27:57. | :28:01. | |
like that now. Some designs are crazy. They are looking for | :28:01. | :28:05. | |
something different and new avenue to take. We have just done a cover | :28:05. | :28:08. | |
looking for something fresh and it's just colour. No title and no | :28:08. | :28:12. | |
author on the front. Just to see how that would look and I think in | :28:12. | :28:16. | |
a shop it looks really brave and stands out. If it was my book I | :28:16. | :28:20. | |
would frankly be a little upset if it didn't have my name or the title | :28:20. | :28:25. | |
on it. The proof must be in the pudding. If it sold really well you | :28:25. | :28:30. | |
would be happy. That's true. Will the E book mean that there are no | :28:30. | :28:34. | |
physical book covers? No. Books will always be around and book | :28:34. | :28:40. | |
covers will always be around. You have movies and they are different | :28:41. | :28:47. | |
media. People thought in the 50s and 60s that TV would kill the book | :28:47. | :28:54. | |
and it didn't. No, it didn't. Earlier on we asked you for your | :28:55. | :29:00. | |
hangover pictures, or pictures of you nursing them. Look at this. | :29:00. | :29:06. |