Browse content similar to 19/08/2011. Check below for episodes and series from the same categories and more!
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Hello and welcome to the Friday One Show with a spongy Chris Evans. | :00:23. | :00:27. | |
a delight fully edible Alex Jones. Who has turned us into a cake? It | :00:27. | :00:36. | |
is our special guest, Jane Asher. Good evening. I think you look a | :00:36. | :00:43. | |
little lecture us. I am very happy with the cake version of me. It is | :00:43. | :00:47. | |
a thinner version of you. You look like Lynda Bellingham. That is not | :00:47. | :00:54. | |
a bad thing. We are going to talk cakes and six decades of acting | :00:54. | :00:57. | |
with Jane Asher, and Dom Littlewood takes the new pants to the street | :00:57. | :01:02. | |
to see if they can suck a man in as well as they claim. And Phil | :01:02. | :01:05. | |
Tufnell is back with some amazing little art you can get for free, if | :01:05. | :01:10. | |
you were only more observant. summer is a great time to be in the | :01:11. | :01:15. | |
garden, if you have one, but many people have to make do with a | :01:15. | :01:24. | |
window box. Help is at hand from Christine Walkden. | :01:24. | :01:29. | |
Something very odd is going on. I am getting my hands dirty, but not | :01:29. | :01:37. | |
in compost. I am trying a spot of matchmaking. Not that sort of love! | :01:37. | :01:47. | |
:01:47. | :01:48. | ||
Garden in love. John grew up with a big garden but living in a London | :01:48. | :01:53. | |
flat he has to make do with a few window-boxes. He is keen to garden | :01:53. | :01:58. | |
and he applied for an allotment, but the news was not good. How long | :01:58. | :02:02. | |
was the waiting list? Up to seven years. My partner was getting it | :02:03. | :02:09. | |
for my birthday. That is when the matchmaking started. 88-year-old | :02:09. | :02:13. | |
Ken has been caring for his garden since 1970 but a recent fall left | :02:13. | :02:16. | |
him struggling to look after a patch that he has taken so much | :02:16. | :02:22. | |
pride in over the last 40 years. How long is it since you were able | :02:22. | :02:28. | |
to guard and effectively yourself? Two or three years. I fell, and | :02:28. | :02:33. | |
that started it. It became difficult to bend. How did you meet | :02:33. | :02:38. | |
John? My daughter said, why don't you go to the council and ask if | :02:38. | :02:45. | |
you could be put on the list for a partner. A garden partner. That was | :02:45. | :02:49. | |
when Ken, needing help with his garden, found John, desperately | :02:49. | :02:55. | |
seeking one. Back in April, I went to give them a few tips at the | :02:56. | :02:59. | |
start of the season. If we have them that far apart and then you | :02:59. | :03:05. | |
cross them at the top... Come on, I need your help. We also have a | :03:05. | :03:10. | |
problem with slugs. I suppose everybody does. You can use things | :03:10. | :03:15. | |
like salt, but what I prefer is to come out later might, collect them | :03:15. | :03:22. | |
and stand on them. 12.5 stone on your head, that works. This unique | :03:23. | :03:27. | |
scheme is down to Sarah Jackson from Age Concern Wandsworth in | :03:27. | :03:31. | |
south west London, along with the support of the local NHS and | :03:31. | :03:35. | |
council. I think Garden sharing is taking off, but it works | :03:35. | :03:40. | |
particularly well with older people, helping to alleviate loneliness, | :03:40. | :03:44. | |
helping to prevent falls and accidents in the garden. Mostly, it | :03:44. | :03:48. | |
is just about the relationships that people build. People like | :03:48. | :03:52. | |
these, they have such a laugh together and that is as much what | :03:52. | :03:59. | |
the scheme is about. We will take this one down. Get cracking! | :03:59. | :04:06. | |
Sometimes, it will be the two of us in the garden for a couple of hours. | :04:06. | :04:12. | |
It is nice and a serene. Very good. We have a laugh and a joke. That is | :04:12. | :04:19. | |
what matters. Yes, it is nice to talk to him. Great fun. We have a | :04:19. | :04:25. | |
couple of dozen. Can we put them in the glass house? It is obvious that | :04:25. | :04:29. | |
they are having a great time. We will come back later in the season | :04:29. | :04:39. | |
:04:39. | :04:44. | ||
to see how productive they have This is looking fantastic. Look at | :04:44. | :04:50. | |
it! Broccoli, beetroot, all sorts of lovely stuff. And I must say, I | :04:50. | :04:57. | |
am impressed with this. Look at them. Yes, we have managed to get a | :04:57. | :05:01. | |
few. The key thing is to keep picking, pick regularly, every day | :05:01. | :05:10. | |
if necessary. I am beginning to look like a beam. Give them away to | :05:10. | :05:15. | |
the neighbours, whatever. But keep them well watered. If they get a | :05:15. | :05:19. | |
cheque, if they get dry, they will stop producing, so water, water, | :05:19. | :05:26. | |
water. We have grown a lot of vegetables. We have enjoyed doing | :05:26. | :05:34. | |
it. We have plans for next year already. Fantastic! I am very | :05:34. | :05:38. | |
impressed with these crops, but I am more impressed with the | :05:38. | :05:42. | |
relationship that has developed between 10 and John. Won't it be | :05:42. | :05:46. | |
fantastic if a scheme like this in Wandsworth can be taken right | :05:46. | :05:54. | |
across the country. He does everything. He does it, and I sit | :05:54. | :06:00. | |
and watch. Knockout those two cabbages and have cabbages for | :06:00. | :06:06. | |
dinner tonight. What a lovely story, and they are here this evening. | :06:06. | :06:11. | |
They have brought their families. And he has so many extra green | :06:11. | :06:15. | |
beans that he has given us some. With your permission, we will give | :06:15. | :06:24. | |
them to Jane, in return for the cake. Can we give them to her? | :06:24. | :06:31. | |
Are these really the ones that you grew? Yes, we picked them today. | :06:31. | :06:40. | |
Lovely. Can I give you a kiss? Thank you very much. What would | :06:40. | :06:45. | |
have happened if it was a bunch of cucumbers! Before we move away from | :06:45. | :06:51. | |
horticulture, how about a 23 ft sunflower. That is over four times | :06:51. | :06:57. | |
her height. There she goes. started growing it in a friendly | :06:57. | :07:01. | |
competition with her four-year-old granddaughter. We reckon there are | :07:01. | :07:05. | |
other sunflower competition is going on and please proved us right | :07:05. | :07:15. | |
:07:15. | :07:15. | ||
buyer snapping yours in picture Jane, you have brought this amazing | :07:15. | :07:22. | |
cake. We have been having a bit of a debate. What can you eat? You can | :07:22. | :07:26. | |
eat this and the sofa. It is fruitcake, because you have had so | :07:26. | :07:31. | |
many sponge cakes that I thought you might like fruit cake. Our | :07:31. | :07:35. | |
relationship has been entirely based on cakes. Yes, nice to meet | :07:35. | :07:40. | |
you finally. These characters have an uncanny resemblance. We can | :07:40. | :07:47. | |
recreate it. That is enough. I think you look a bit like Pam Ayers, | :07:47. | :07:55. | |
not Lynda Bellingham. Pam Ayres? you know who she is? You are so | :07:55. | :08:01. | |
young! When did you start loving cakes, which is now aged huge | :08:01. | :08:05. | |
industry for you? I don't know about a huge industry, but just one | :08:06. | :08:10. | |
shop. It started as a hobby when I was a little girl. I know you are | :08:10. | :08:14. | |
having an item about miniature things later. I always enjoyed | :08:14. | :08:20. | |
making tiny things, whether it was drawing flowers... Somehow it got | :08:20. | :08:24. | |
translated into cake decorating and I think my showbiz side came out, | :08:24. | :08:29. | |
definitely. I started to make the cake is a funny and personal. In | :08:29. | :08:34. | |
those days, cakes were straight forward. One friend suggested I | :08:34. | :08:37. | |
should write a book about it. Everybody laughed because actresses | :08:37. | :08:42. | |
did not write books in those days. I wrote to eight publishers and | :08:42. | :08:46. | |
finally one took me on. I took pictures of the cakes, and it | :08:47. | :08:50. | |
became a bestseller. I was astonished. That was when it | :08:50. | :08:55. | |
stopped being a hobby and became much more. You said you started | :08:55. | :08:59. | |
baking at an early age but you also started acting. Let's have a look | :08:59. | :09:09. | |
:09:09. | :09:10. | ||
at this clip. Hurry! You have lost me a pheasant. Nevermind that, I | :09:10. | :09:15. | |
think Oswald is dying. He has fallen in the pit. Please, he will | :09:15. | :09:24. | |
put on your boots whenever you want him to. Come quickly! "You lost me | :09:24. | :09:29. | |
a pheasant". You are doing two plays for the price of one. What is | :09:29. | :09:37. | |
going on? I am rehearsing to very different ways. -- two. None of | :09:37. | :09:41. | |
them is The Importance Of Being Earnest, which is very funny, and I | :09:41. | :09:45. | |
am Lady Bracknell. The other play is about the theatre. It is written | :09:46. | :09:49. | |
by somebody who in many ways is the father of modern theatre. He | :09:49. | :09:54. | |
changed everything. He wanted naturalism, realism, not posing and | :09:54. | :10:00. | |
overdoing everything. It is about an actress who is trying to do that. | :10:00. | :10:03. | |
But the difficulty of combining doing something for truth and | :10:03. | :10:07. | |
reality that she believes in, her art, combining that with | :10:07. | :10:11. | |
commerciality is very difficult. It is still something that we struggle | :10:11. | :10:15. | |
with today. And she has to schmooze millionairess to get money, and she | :10:15. | :10:18. | |
finds that awkward and difficult. It is an interesting area to | :10:19. | :10:24. | |
explore. They are both at the Rose Theatre. When is the matinee | :10:24. | :10:30. | |
performance? Is it all the same cast, or do you -- is it just you | :10:30. | :10:40. | |
crossing over? Farewell To The Theatre is just two people. We are | :10:40. | :10:44. | |
both in The Importance Of Being Earnest. But all of the others will | :10:44. | :10:48. | |
have some time off. So you have one player in the afternoon and a | :10:48. | :10:53. | |
different one at night every day? Not every day. And they vary. | :10:53. | :10:57. | |
Sometimes one is in the evening, sometimes the other. Which one | :10:57. | :11:03. | |
should we pay to see? Darling, you have to see both. And they do deals | :11:03. | :11:09. | |
if you see both. On the first night, what we have the first night of a | :11:09. | :11:12. | |
Farewell To The Theatre in the afternoon and the first night of | :11:12. | :11:15. | |
The Importance Of Being Earnest in the evening. If one of them is | :11:15. | :11:20. | |
rubbish, have a chance with the other. That is a very good way of | :11:20. | :11:25. | |
looking at it! I have a second chance in the evening. | :11:25. | :11:28. | |
Importance Of Being Earnest and Farewell To The Theatre start in | :11:28. | :11:33. | |
September at the Rose Theatre in Kingston. It is a lovely theatre, | :11:33. | :11:37. | |
too, an exciting open theatre. We have young people sitting on the | :11:37. | :11:42. | |
floor at the front. It has a wonderful feeling. Make sure you | :11:42. | :11:47. | |
are wearing the right thing when you go. We all remember the scene | :11:47. | :11:51. | |
in Bridget Jones when she gets lucky and then they go back to his | :11:51. | :11:56. | |
flat and he pulls up her dress and she is wearing the big knickers. We | :11:56. | :12:03. | |
all know, very embarrassing, and we feel for her. These new magic | :12:04. | :12:11. | |
pounds - I have just taken them off - they squeeze in your belly. -- | :12:11. | :12:19. | |
magic pants. But do they work? Well, only one way to find out. | :12:20. | :12:26. | |
Excuse me. What do you think of these? Oh, God, not to appealing. | :12:26. | :12:36. | |
:12:36. | :12:40. | ||
Silly. Not a good fashion accessory. Is it some but firming thing? | :12:41. | :12:48. | |
at your bottom, citing a bit. they to hold in your belly? No! I | :12:48. | :12:54. | |
would feel cheated. It is like granny pants on women, it is an | :12:54. | :13:04. | |
:13:04. | :13:04. | ||
instant turn-off. Can I talk you into trying them on? No. You are a | :13:04. | :13:14. | |
:13:14. | :13:16. | ||
good man. Come over here. Look at that! How are we doing? Good Lord! | :13:16. | :13:23. | |
Are you ready? Everybody! Look! Don't you think the girls are going | :13:23. | :13:31. | |
to like that? Look at that. What do you think? No. Definitely not? | :13:31. | :13:36. | |
There is nothing wrong with his bum. It has pulled in his love handles. | :13:36. | :13:42. | |
Look at that, a bit firmer. They are yours, a gift from us. I will | :13:42. | :13:48. | |
wear them all day. You can have them. I will hang them in my | :13:48. | :13:56. | |
bedroom. Goodbye. Wouldn't it be brilliant if Dom Littlewood was | :13:56. | :14:06. | |
:14:06. | :14:08. | ||
here, wearing just those pants. Oh, he is! Poor Jane. How are you | :14:08. | :14:12. | |
feeling? A little uncomfortable. There is something I feel I should | :14:12. | :14:20. | |
not be looking at. You Are Not the Only One, trust me. Is it working | :14:20. | :14:25. | |
for you? I have had more comfortable nights on the sofa. | :14:26. | :14:32. | |
would rather see him without them. You do not need them, you have a | :14:32. | :14:37. | |
great physique. That is right, it is cheating because you do not need | :14:37. | :14:44. | |
it. I like it with the black socks! You have tried other items like | :14:44. | :14:52. | |
this. These are not the only ones. I cannot take this seriously. | :14:53. | :14:57. | |
are going to show you some. These are meant to improve your waistline. | :14:57. | :15:02. | |
They are shaped enhancing. Marks & Spencer makes some which are | :15:02. | :15:09. | |
designed to visibly flatten your stomach and your profile. And then | :15:09. | :15:14. | |
we have these by Spanx, called an undershirt which is too firm the | :15:14. | :15:23. | |
chest and narrow the waistline. That has worked. I preferred the | :15:23. | :15:31. | |
black ones. What do you think of them? I do not like the idea at all. | :15:31. | :15:37. | |
But girls have been wearing corsets for ages. We want our men to look | :15:37. | :15:40. | |
lovely but we do not want to think they take trouble to do so. They | :15:40. | :15:44. | |
should not be worrying about their looks. Of course they do, and we | :15:44. | :15:49. | |
know that, but you want them to just walk out of the House of... | :15:49. | :15:55. | |
Men should be men, shouldn't they? A round of applause for Dom | :15:56. | :16:05. | |
:16:06. | :16:06. | ||
Now, a man who would not be seen dead in a pair of magic paths, Jay | :16:06. | :16:11. | |
Rayner. You are right, but it guys are worried about their waistlines, | :16:11. | :16:18. | |
Foody Friday will not do for them a top, because I am trying British | :16:18. | :16:24. | |
beers. Beer brewed with water, Bali, hops and used it was once the | :16:24. | :16:29. | |
undisputed tipple of the British masses. In the Middle Ages it was | :16:29. | :16:34. | |
preferable to water which could be contaminated by disease. The job of | :16:34. | :16:41. | |
brewing often fell to women. Idyllic notions of farm labourers | :16:41. | :16:45. | |
slaking their thirst on locally brewed beers has long been part of | :16:45. | :16:49. | |
the British brewing tradition, but mass production has started to take | :16:49. | :16:53. | |
British taste away from those local ales. British Beer has started to | :16:54. | :17:00. | |
taste like the past. In the early 1970s, there were probably only 40 | :17:00. | :17:05. | |
breweries left in Britain. It had a male image in recent history. It | :17:05. | :17:10. | |
has had a bad association with the lager louts or a real ale drinker | :17:10. | :17:16. | |
with a belly and sandals. When did we see a resurgence? That has come | :17:16. | :17:20. | |
from people getting very bored with the industrial products. We had | :17:20. | :17:23. | |
then seen a change in taxation with a reduction in duty for smaller | :17:23. | :17:29. | |
breweries. There are 800 breweries now it is reckoned in the UK. | :17:29. | :17:33. | |
with the return to local, small- scale Breweries, the historic | :17:33. | :17:39. | |
brewers of the ales, women, are also returning to the crack. Some | :17:39. | :17:44. | |
of the breweries are headed by women brewers. This brewery has | :17:44. | :17:51. | |
been run by a female in Leyton, east London, since 2008. It is a | :17:51. | :17:57. | |
small brewery. We can be much more flexible and produce the beers that | :17:57. | :18:02. | |
we won. The big, commercial breweries have to produce the same | :18:02. | :18:07. | |
staff with the press of a button. How many have you brewed here? | :18:07. | :18:15. | |
approximately 50. 50 different beers? Yes, fruit beers, Chile beer, | :18:15. | :18:21. | |
stout, Porter. It seems these small breweries can experiment with | :18:21. | :18:26. | |
almost any flavour, from vanilla to passion-fruit, to nuts and berries. | :18:26. | :18:36. | |
What is in this? It is a raspberry beer. You can taste the raspberries. | :18:36. | :18:43. | |
Yes. It seems to me that the micro- brewery culture has much more in | :18:43. | :18:48. | |
common with fine wine than hard boozing. Many at the bar see | :18:48. | :18:53. | |
themselves as beer connoisseurs and there are now up beer some early | :18:53. | :19:00. | |
years which specialise in which peers go with which food. There is | :19:00. | :19:04. | |
something for everyone. There are a wide range of different flavours. | :19:04. | :19:09. | |
My wife never drank beer until I opened this brewery. She thought it | :19:09. | :19:17. | |
was an old man's ring. Is it female-friendly? Massively. But can | :19:17. | :19:22. | |
be a really appealed to the ladies who lunch ensued well? What you | :19:22. | :19:32. | |
:19:32. | :19:32. | ||
think of that? Yes, that is nice. No. That has definitely got more | :19:32. | :19:42. | |
bite to it. Is this your first experience of beer? Yes. It's nice. | :19:42. | :19:48. | |
Did you like that? It is fruity. the end of a hard day's work it is | :19:48. | :19:56. | |
time to slake my own turf -- thirst. This bitter is cheery, with caramel, | :19:56. | :20:01. | |
deep flavours. With his plate of pub food it is the perfect | :20:01. | :20:06. | |
companion. It is easy to see how this stuff used to be called liquid | :20:06. | :20:15. | |
bread. I think the pub sign rivals the cake. Do not draw attention to | :20:15. | :20:24. | |
it. Welcome to the pub. I have some special beer to go with food. We | :20:24. | :20:28. | |
have got a Belgian, wheat beer which is meant to go well with fish. | :20:28. | :20:37. | |
If you want to try that. I thought we'd beers were rather light. | :20:37. | :20:41. | |
of them can be. All of the beer that we have here is widely | :20:41. | :20:47. | |
available. This was designed to go with fish at Rick Stein's | :20:47. | :20:54. | |
restaurant in Padstow. Beer enthusiasts are obsessed with | :20:54. | :20:58. | |
telling us you can use beer in the same way you can use wind. The who | :20:58. | :21:07. | |
is next? You are. You have got a curry and an Indian Pale Ale. | :21:07. | :21:11. | |
Originally they were exported. love the smell of curry, but | :21:11. | :21:18. | |
combined with the smell of Alex's fake tan, it puts me off. He's said | :21:18. | :21:25. | |
he was not going to mention it. you like the new, brown colour? | :21:25. | :21:33. | |
That is nice. It works. I have got something that is browner than you. | :21:33. | :21:38. | |
You have got a Double chocolate stout. There is chocolate in the | :21:38. | :21:45. | |
beer and chocolate in this doubt. The nation awaits your verdict. | :21:45. | :21:51. | |
That is really nice. It is so strong and bitter, it is | :21:51. | :21:56. | |
overwhelming for the fish. There is only one thing for a curry, a cold | :21:56. | :22:01. | |
lager. I make no pretence. I am clearly a wine drinker, look at | :22:01. | :22:07. | |
this shirt. I prefer wine with food. But I have been watching the social | :22:07. | :22:14. | |
media all day and the beer obsessive people are obsessed. They | :22:14. | :22:19. | |
knew we were doing this tonight. You know those really pale, white | :22:19. | :22:28. | |
and looking, beers? I am not a beer expert. Cheers, everybody. The | :22:28. | :22:35. | |
other food news. Any preservative, bisin, has been discovered and | :22:35. | :22:39. | |
scientists say it can preserve the shelf-life of certain food for | :22:39. | :22:44. | |
months, even years. Preservatives have been around for a very long | :22:44. | :22:48. | |
time. Obviously, a good preservative will cut down on food | :22:48. | :22:53. | |
waste. But it is also good for manufacturers to cut their losses. | :22:53. | :22:58. | |
The longer you can preserve food, the cheaper it is. They have always | :22:58. | :23:04. | |
said preservatives are bad for you. No, they have not. We pickle things. | :23:04. | :23:10. | |
Most of them are not bad for you. The we have run out of time. | :23:10. | :23:15. | |
have to mention the garlic Festival. I have got a garlic beer. I bet | :23:15. | :23:19. | |
Phil Tufnell would have loved to have been here tonight, but he is | :23:19. | :23:25. | |
at the Test match. But we have a film all about his other passion, | :23:25. | :23:33. | |
art, in this case many art. Cheers, Phil. Major art might now be | :23:33. | :23:37. | |
considered a small part of the art world, but its origins go back for | :23:37. | :23:47. | |
:23:47. | :23:47. | ||
millennia. In fact, these are over 35,000 years old and they are only | :23:47. | :23:53. | |
six centimetres told. From 3000 year-old Chinese sculptures to | :23:53. | :23:57. | |
miniature portraits of the court of Queen Elizabeth, the world of tiny | :23:57. | :24:02. | |
objects has continued to hold a fascination across the globe. Even | :24:02. | :24:06. | |
miniature Bibles and 19th century ships in bottles were highly prized | :24:06. | :24:10. | |
possessions. The discipline continues to reinvent itself and it | :24:10. | :24:15. | |
is still going strong today. Two British artists are taking | :24:15. | :24:21. | |
miniature art to new heights. Tessa Farmer uses nature as the | :24:21. | :24:28. | |
inspiration for her sinister world. These are fairies. I used dead | :24:28. | :24:34. | |
insects, bones, their animals, plant roots. That is pretty strange | :24:34. | :24:42. | |
stuff to make art from? I suppose so. I started at college and became | :24:42. | :24:47. | |
quite obsessed with skeletons. The skeleton ferries were born a few | :24:47. | :24:57. | |
:24:57. | :24:57. | ||
years later. What is that? Feathers are good. These can be good for | :24:57. | :25:05. | |
making the skeletons. What have we got there? AB. A good find. We have | :25:05. | :25:09. | |
found some materials, so it is time for me to try my hand at creating | :25:09. | :25:18. | |
some art. What have we got going on here?. There are beetles and | :25:19. | :25:23. | |
hornets to make it fly. There is only one fairy on the ship at the | :25:23. | :25:30. | |
moment, this one at the front. This is one that is half done. It has | :25:30. | :25:40. | |
:25:40. | :25:45. | ||
got one leg already. You need to put on... Another bit of his leg. | :25:45. | :25:51. | |
It looks like Jake the ferry with the extra leg. It is going to be a | :25:51. | :25:54. | |
three-legged fairy. The are really fed Lee, how long does it take you | :25:54. | :26:01. | |
to make one? A few hours. How many would be in a sculpture? About 20 | :26:01. | :26:10. | |
or 30. So there are a lot of ours. I am a bit of a workaholic. Whilst | :26:10. | :26:16. | |
this art is rooted in fantasy, for another artist, Slinkachu, it is | :26:16. | :26:20. | |
the gritty reality of city life that inspires him to create his own | :26:20. | :26:30. | |
:26:30. | :26:41. | ||
brand of street art, just like this I use miniature figures I place | :26:41. | :26:46. | |
around the streets and take photos of. I deal with real problems like | :26:46. | :26:53. | |
crime and litter and poverty. Today we are going to make this with a | :26:53. | :27:00. | |
dropped ice-cream. I have got the miniature figures in here. He is | :27:00. | :27:05. | |
going to be there sometimes sweeping that lot up. I put this in | :27:05. | :27:11. | |
the street and take photos of the figures and to leave them and it is | :27:11. | :27:15. | |
either a spotted or it gets abandoned and lost or destroyed. | :27:15. | :27:20. | |
All you are left with is the photo. Yes, I quite like that, to be | :27:20. | :27:26. | |
honest. I like the idea that someone might find it. Miniature | :27:26. | :27:31. | |
art can take you to a fantasy world or pose questions about your own. | :27:31. | :27:34. | |
The next time you are strolling through the countryside, stock and | :27:34. | :27:41. | |
have a look around. You never know what you might find. The ones in | :27:41. | :27:47. | |
the street are amazing. Stop it. We have been playing with our new toy, | :27:47. | :27:55. | |
the celebrity slo-mo camera. Earlier we got Jane to do this. | :27:55. | :28:02. | |
That is marvellous, that is magical. That is cool. It is very pretty. | :28:02. | :28:11. | |
You are very pretty. You are like a sunflower. Look, here is a | :28:11. | :28:17. | |
sunflower from viewers. This is from 1982. This is sent in from | :28:17. | :28:24. | |
Kate Morgan in Brecon. A competition at work. This is Judit | :28:24. | :28:30. | |
Burgess at home in Leamington Spa. Lucy, aged six from York. Thank you | :28:30. | :28:36. | |
so much for all your sunflowers. Jane's plays starred in Kingston at | :28:36. | :28:42. |