Browse content similar to 19/09/2011. Check below for episodes and series from the same categories and more!
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Welcome to The One Show with Alex Jones. And Matt Baker. There is | :00:21. | :00:24. | |
sorcery in the studio at this evening as one of the stars of | :00:24. | :00:29. | |
mileage is here. I have got a brilliant trick. If you said the | :00:29. | :00:35. | |
magic words, the guest will appear. I do not believe Ed. Well done, it | :00:35. | :00:45. | |
:00:45. | :00:45. | ||
is Richard Wilson. Good to see you. Merlin is a massive hit. There are | :00:45. | :00:49. | |
events action figures. Would you have thought in Europe more mature | :00:49. | :00:55. | |
years you would be an action figure? No, I never thought I would | :00:55. | :01:01. | |
be an action figures. Have you got action figures? No, we have not. | :01:01. | :01:08. | |
be fair, it is not a great likeness. Let's have a look at the close-up. | :01:08. | :01:15. | |
Oh, goodness. What do you mean it is not a great lightless, it looks | :01:15. | :01:25. | |
nothing like me. If I looked like that, I would shoot myself. You do | :01:25. | :01:31. | |
not, thank goodness. It is not just Matt and I asking the questions. We | :01:31. | :01:37. | |
have got some big fans of Merlin in the studio. One little fellow at | :01:37. | :01:42. | |
the back is John Sergeant. He will be celebrating a very special 75th | :01:42. | :01:47. | |
birthday. And Christine Walkden takes to the skies to see the most | :01:47. | :01:53. | |
colourful field in Britain. High a pity is that? Do not attempt to | :01:53. | :01:57. | |
resuscitate or a DNAR is the ominous note nobody wants to read | :01:57. | :02:02. | |
above a loved one's hospital bed. It is what doctors used to indicate | :02:02. | :02:06. | |
a patient should not be resuscitated if their heart stops. | :02:06. | :02:11. | |
Simon Boazman explores why doctors come to this decision. A starts by | :02:11. | :02:16. | |
meeting a woman who has taken the power out of the doctor's hands. | :02:16. | :02:21. | |
Few of us are prepared to be so candid about how we would like to | :02:21. | :02:27. | |
meet our mater -- maker. Joy Tomkins has taken the extraordinary | :02:27. | :02:33. | |
step of having these words tattooed across her chest. Some people might | :02:33. | :02:39. | |
think you are a bit crazy having this tattooed. Yes, I agree, I | :02:39. | :02:45. | |
probably am, but I am crazy for a good reason. What is the reason? | :02:45. | :02:51. | |
The reason is I do not want to be half-dead. I am worried about lying | :02:51. | :02:55. | |
down opening my eyes gazing at nothing and my children come and | :02:55. | :03:02. | |
look at me as a vegetable. But the tattoo is extreme step? No, it is | :03:02. | :03:07. | |
immediate. If I am able to speak, I can speak for myself, but this is | :03:07. | :03:13. | |
speaking to meet -- for me when I cannot speak. If you want to refuse | :03:13. | :03:18. | |
medical treatment, you should let relatives know through an advanced | :03:18. | :03:23. | |
decision notice. It is easy enough to make a decision. It does not | :03:23. | :03:29. | |
have to be on a form. It can be on a Post-it note. The doctors have to | :03:29. | :03:34. | |
legally abide by that? A few have the legal right to refuse medical | :03:34. | :03:38. | |
treatment and you can refuse it in advance as long as you have made | :03:38. | :03:42. | |
the advanced decision and you are an adult and are mentally competent. | :03:42. | :03:46. | |
But what about those who want their doctors to try everything they can | :03:46. | :03:52. | |
to resuscitate them? What rights do they have? The family of Janet's | :03:52. | :03:58. | |
Tracey recently began legal action against Cambridge NHS Trust. They | :03:58. | :04:03. | |
led medical staff at Addenbrooke's Hospital enter its a DNAR decision | :04:03. | :04:07. | |
into her medical notes despite a clear wish that they tried to | :04:07. | :04:12. | |
revive her. However, the hospital disputes the family's accounts. It | :04:12. | :04:16. | |
is a fact of life that most of us are going to die in a hospital and | :04:17. | :04:22. | |
of those it is thought around 80% will have a DNAR decision on them. | :04:22. | :04:28. | |
These things are not rare. Making tough calls on the front line is | :04:28. | :04:34. | |
Professor Gavin Perkins. There are three reasons why we would not | :04:34. | :04:37. | |
resuscitate. The first is the person has expressed the wish that | :04:37. | :04:42. | |
they do not wish to receive resuscitation. The second is that | :04:42. | :04:47. | |
where the judgment of the treating is that the act of the | :04:47. | :04:52. | |
resuscitation would be unsuccessful. The third scenario is where one has | :04:52. | :04:57. | |
to balance the potential benefits of the resuscitation attempts | :04:57. | :05:00. | |
against the burdens of somebody going through an attempt and what | :05:00. | :05:07. | |
that might mean in terms of quality of life. Do you think the public | :05:07. | :05:12. | |
have realistic expectations of what can be achieved by resuscitation? | :05:12. | :05:17. | |
If you watch TV programmes, they tend to be relatively short lived. | :05:17. | :05:22. | |
Eight out of 10 times their results in a successful outcome and that is | :05:22. | :05:29. | |
far from reality. It is a traumatic, invasive events that can last 20 or | :05:29. | :05:35. | |
30 minutes on occasion. Only one or two times out of 10 is that | :05:35. | :05:40. | |
successful. You might think a decision as important whether or | :05:40. | :05:44. | |
not to attempt resuscitation would at least be discussed with you. | :05:44. | :05:52. | |
Sadly, it is not always the case. When this 90 year-old man died in | :05:52. | :05:56. | |
hospital in August his daughter was upset. Her grief was compounded | :05:56. | :06:01. | |
when she only learnt afterwards that ADN are decision was place in | :06:02. | :06:07. | |
her dad's medical notes. I asked specific questions like, what | :06:07. | :06:13. | |
happened? I said, did you do CPR? They kept avoiding the question, | :06:13. | :06:17. | |
but eventually adopt a had to admit he had had orders not to | :06:17. | :06:25. | |
resuscitate. How did you feel when you found that out? I was angry, I | :06:25. | :06:31. | |
was upset. I just could not believe it. Letting her dad died without | :06:31. | :06:36. | |
trying to revive him might have been the correct clinical decision, | :06:36. | :06:40. | |
but Maddy is still upset she was not consulted. The hospital have | :06:40. | :06:45. | |
since apologised. But what right do we have its doctors refuse to | :06:45. | :06:49. | |
attempt to resuscitate? You have the legal right to refuse medical | :06:49. | :06:53. | |
treatment, but you do not have the right to request it. If you | :06:54. | :06:57. | |
disagree with the doctor, the doctor should have an open and | :06:57. | :07:01. | |
sensitive discussion with you about why they think treatment is futile. | :07:01. | :07:05. | |
But for the patient it would be best to ask for a second opinion. | :07:05. | :07:08. | |
The medical profession believe doctors cannot be required to give | :07:09. | :07:13. | |
treatment against their judgment. Not that Choi is worried, she has | :07:13. | :07:18. | |
made her own choice. If I changed my mind, I would have a line | :07:18. | :07:26. | |
through it, saying changed my mind. I had to go to the library to find | :07:26. | :07:32. | |
out how to spell resuscitate. Mark Porter is here. In Maddy's | :07:32. | :07:39. | |
situation, what do the Government's say about it and not having their | :07:39. | :07:43. | |
conversation? The Department of Health pointed out that there had | :07:43. | :07:47. | |
been guidelines in place to say most cases discussions take place, | :07:47. | :07:53. | |
you should talk to the person you are considering putting a DNAR | :07:53. | :07:57. | |
order on, and all their family. If you do not, and there are reasons | :07:57. | :08:02. | |
why you might not want to, you should record the reason why you | :08:02. | :08:07. | |
have not done that in the notes. Most of these problems originate | :08:07. | :08:12. | |
from a communication problem. how can the family find out if they | :08:12. | :08:16. | |
do not know if there is a DNAR decision is the patient gets ill? | :08:16. | :08:21. | |
This is about the patient and if they are in a fit mental state, the | :08:21. | :08:26. | |
family do not have the right to know anything. Realistically you | :08:26. | :08:29. | |
can ask the relative themselves or you can approach the sister on the | :08:29. | :08:35. | |
ward or the doctor. But they might need your relative's permission to | :08:35. | :08:41. | |
talk to them. You would think going to hospital is to be resuscitated. | :08:41. | :08:46. | |
The default situation is everybody is resuscitated. There should be an | :08:46. | :08:50. | |
assessment of each individual case to decide whether or not that will | :08:50. | :08:55. | |
apply. If you go into hospital it is the norm, unless someone decides | :08:55. | :08:58. | |
the problems outweighed the benefits. If the family does not | :08:58. | :09:03. | |
agree, is there anything they can do? There is no legal right to | :09:03. | :09:07. | |
force a doctor to do something they do not think is right, but you can | :09:07. | :09:12. | |
lobby them. You can ask for a second opinion poll stop if you are | :09:12. | :09:17. | |
not happy, you must express it. What are your thoughts, Richard? | :09:17. | :09:23. | |
think I have got it in my will. can have an advance notice. I have | :09:23. | :09:28. | |
put an advance notice in my will not to be resuscitated. That is the | :09:28. | :09:33. | |
thing we find, a lot of people do that. There is not like a group of | :09:33. | :09:39. | |
society that is tagged with this? It is not an age thing, as certain | :09:39. | :09:43. | |
illness then, it is all nonsense. It all should be done on a case-by- | :09:43. | :09:49. | |
case basis, that is why you cannot legislate for it. We are always | :09:49. | :09:53. | |
looking for a unique angle on The One Show, which is why it is handy | :09:53. | :09:57. | |
to have our very own hot air balloon. On all week we will be | :09:57. | :10:02. | |
telling stories that are best stored from above and we start by | :10:02. | :10:05. | |
sending Christine Walkden up into the Norfolk sky to look down on a | :10:05. | :10:13. | |
field of rainbows. # Would you like to ride in my beautiful balloon? | :10:13. | :10:18. | |
This line of sheds is hiding the bare bulbs of a great British | :10:18. | :10:23. | |
spectacle. Forget the Notting Hill Carnival, this is the Spalding | :10:23. | :10:29. | |
tulip parade. It takes more than 100 and 1000 petals to decorate | :10:29. | :10:35. | |
each float and it all started back in the 1950s to celebrate the | :10:35. | :10:40. | |
booming, British tulip in the street. But this is a long way away | :10:40. | :10:44. | |
from the natural habitat of wild tulips which are native to cool, | :10:45. | :10:49. | |
mountainous regions, especially from Iran to north-west China. | :10:49. | :10:54. | |
Their name comes from a Persian word meaning turban and they were | :10:54. | :10:58. | |
first cultivated in the Turkish Ottoman Empire. But it was the | :10:58. | :11:03. | |
Dutch who became obsessed with breeding them and in the 16th 30s, | :11:03. | :11:08. | |
they succumbed to tulip mania. The value of bulbs soared and it is | :11:08. | :11:12. | |
believed at one time a single specimen could buy you an entire | :11:12. | :11:21. | |
town house. The British tulip industry only began in 1907 with | :11:21. | :11:26. | |
100 bulbs brought to Spalding from the Netherlands. Since the 1980s, | :11:26. | :11:34. | |
it has been in decline. The Dutch have developed a massive production | :11:34. | :11:40. | |
line to replied --. One nursery grows millions of tulips for | :11:41. | :11:44. | |
British supermarkets every year and they go too surprising lengths to | :11:44. | :11:51. | |
get their blooms right. He none of these will be picked for the flower. | :11:51. | :11:58. | |
We will take their heads off. All of the energy goes back down | :11:58. | :12:04. | |
into the bulb to produce a far better, stronger bulb to use in the | :12:04. | :12:10. | |
glass houses to produce a better flower. By blocking up the bobs out | :12:10. | :12:14. | |
doors, they can guarantee the consistent quality of flowers at | :12:14. | :12:20. | |
the supermarkets demand and his tulips will flower for years on end. | :12:20. | :12:24. | |
The other plus side of removing the flower heads is it is providing the | :12:24. | :12:30. | |
raw materials for the parade. The reason our very last commercial | :12:30. | :12:34. | |
grower is thriving is the scale they can grow on. To see that you | :12:34. | :12:44. | |
:12:44. | :12:46. | ||
really have to be up in the air. You have been growing for 11 years. | :12:46. | :12:51. | |
What does it feel like to be up here seeing it from this angle? | :12:51. | :12:55. | |
is amazing to see the colours and to see them all intermingling | :12:55. | :13:00. | |
together. We get the RAF pilots and they come over and have a good look | :13:00. | :13:10. | |
:13:10. | :13:10. | ||
as well. It looks like a giant deck chair. How do you get the stripes? | :13:10. | :13:16. | |
We use the latest equipment to get as much in the field as we can. We | :13:16. | :13:21. | |
want to utilise the field to its utmost and all the input of | :13:21. | :13:25. | |
fertilisers and everything else. have been to Holland hundreds of | :13:25. | :13:30. | |
times and this is enormous. The Dutch field are tiny. We are lucky | :13:30. | :13:36. | |
we have got lard, arable fields, and we are doing horticulture on | :13:36. | :13:40. | |
and arable scale, trying to do it the most economic way we can. | :13:40. | :13:47. | |
many flowers are down there? Millions. We will probably produce | :13:47. | :13:51. | |
20 million bulbs from these feels. Although Britain is down to his | :13:51. | :13:55. | |
very last commercially viable, outdoor tulip grower, with | :13:55. | :14:00. | |
production on this scale, its future should be secure for a few | :14:00. | :14:05. | |
years more. Incredible. The view from that | :14:05. | :14:10. | |
balloon was incredible. It looked like the studio from above. | :14:10. | :14:15. | |
Christine said whatever you do, do not plant your tulips and on | :14:15. | :14:25. | |
:14:25. | :14:26. | ||
November. After the first frost. Speaking of fire, Merlin is back | :14:26. | :14:31. | |
for a fourth season next month. By the looks of this, things are not | :14:31. | :14:34. | |
well in Camelot. Somewhere in the books there must | :14:34. | :14:39. | |
be something? I'm asking for something to fight them? If I am | :14:39. | :14:44. | |
right, the worlds are torn, there is only one path open to us. To | :14:44. | :14:51. | |
travel to the Isle of the Blest and repair it. | :14:51. | :15:00. | |
How-do I do that? I'm not sure, but it may require a blood sack ifies | :15:00. | :15:07. | |
since it used one to seal it. My word! How long did it take you | :15:07. | :15:13. | |
to grow the hair for that?! I just shaved it off on Saturday! | :15:13. | :15:17. | |
course! What can we expect from the new series? Well, I'm not allowed | :15:17. | :15:24. | |
to tell you, really. The one thing that I can tell you is it is in 35 | :15:25. | :15:29. | |
ml now. So it will look even better. But you can't tell us anything | :15:29. | :15:34. | |
about the plot? Just the format? Yes. | :15:34. | :15:39. | |
Is there drama? Romance? Oh, yes, there is lots of romance. | :15:39. | :15:46. | |
You really can't tell us anything?! Well, I could get in trouble. This | :15:46. | :15:49. | |
is going to spoil it for the fans here. | :15:49. | :15:53. | |
We have lovely shots it does look like a Hollywood block buster, | :15:53. | :15:57. | |
comparing it to some of the things you have done in the past. What is | :15:57. | :16:02. | |
it like to work on? It is very different from One Foot In The | :16:02. | :16:08. | |
Grave! It is much longer, the shooting time. We do 13 episodes at | :16:08. | :16:13. | |
a time. That is a long time. Are you aware of how epic it is | :16:13. | :16:18. | |
going to look when you do it? Obviously there are lots of special | :16:18. | :16:23. | |
effects? That is the reason for the success of Merlin. The post | :16:23. | :16:27. | |
production is brilliant. They put in a lot of CGI, the music, all of | :16:27. | :16:32. | |
that is very special. As you say it is incredibly | :16:32. | :16:36. | |
successful, there are big fans of Merlin with us to ask some | :16:36. | :16:43. | |
questions. Here is Kip, aged six. Who do you like to make disappear? | :16:43. | :16:48. | |
Oh, dear! That is difficult. It is difficult! I tell you who I | :16:49. | :16:54. | |
would like to make disappear, the person who is in charge of the | :16:54. | :17:00. | |
railway ticketing system! I thought we had gotten away with One Foot In | :17:00. | :17:06. | |
The Grave! I did a Dispatches about railways. The ticketing system is | :17:06. | :17:10. | |
crazy. You cannot go to the station to buy a ticket. You have to book | :17:10. | :17:16. | |
weeks in advance, unless you want to pay a fortune. It is crazy. | :17:16. | :17:22. | |
Now, moving on to Jamie Allen, aged six. | :17:22. | :17:30. | |
If you wanted to be somebody for a day, who would it be? Somebody who | :17:30. | :17:36. | |
does not work on trains! Oh, dear, gosh. That is difficult. I would | :17:36. | :17:40. | |
like to be somebody who own as beautiful yacht in the | :17:40. | :17:44. | |
Mediterranean. Good answer. All of these people | :17:44. | :17:49. | |
over there are in the audience, they have asked questions. Now we | :17:49. | :17:53. | |
have a different question, have a look at this. | :17:53. | :18:00. | |
Why did Uther destroy all of the dragons and only leave one? Well, I | :18:00. | :18:04. | |
think he was thinking in terms that maybe one day there would abtheme | :18:04. | :18:12. | |
park, so they had to keep one dragon to show what they were like. | :18:12. | :18:17. | |
He has imprisoned this dragon. I can't think of a better answer. | :18:17. | :18:22. | |
Raffie does that answer your question? Yes! I thought they would | :18:22. | :18:28. | |
be easy questions! They were tough! A hard audience. Thankfullys to the | :18:28. | :18:32. | |
children of Stephenson School for all of their questions. You look | :18:32. | :18:37. | |
fantastic! Well done. The new series of Merlin begins on BBC One | :18:37. | :18:41. | |
in October. Now, it is a symbol of victory in the Second World War. It | :18:42. | :18:48. | |
holds a special place in our memory. This year it celebrates its 75th | :18:48. | :18:54. | |
anniversary. A new BBC documentary with John Sergeant plays tribute to | :18:54. | :19:00. | |
the Spitfire and her pilots. I have come -- here to meet a | :19:00. | :19:05. | |
legend, a British dream machine, built by a golden generation. It's | :19:05. | :19:10. | |
the Spitfire. It is 75 years since the first one flew. Surely the most | :19:10. | :19:17. | |
beautiful British plane ever built? First you hear it, then you feel it. | :19:17. | :19:27. | |
:19:27. | :19:28. | ||
It is so exciting! Its top speed was over 400 miles an hour. It's | :19:28. | :19:35. | |
two 20 mill metres canons were fierce enough to bring down the | :19:35. | :19:39. | |
Luftwaffe. The pilots flew several missions a day. During the darkest | :19:39. | :19:46. | |
days in the war one in five of them did not make it back. | :19:46. | :19:55. | |
The most important Spitfire factory in the country was here at | :19:55. | :20:03. | |
CastleBromwich. When ML407 was built in August, 19 543 it was one | :20:03. | :20:07. | |
of three built that month. What was it like when you saw the | :20:07. | :20:11. | |
first one. It went through the hanger doors, | :20:11. | :20:17. | |
we all cheered and patted ourselves on the book -- back, we had gotten | :20:17. | :20:21. | |
one off It was such a delicate thing to put the bits together to | :20:21. | :20:25. | |
see what comes at the end of it. We were very proud. | :20:25. | :20:28. | |
The pilots who fly them say that there is nothing better. | :20:28. | :20:33. | |
You've got to love it. You went into combat daily with it, together. | :20:33. | :20:37. | |
You and that plane. It saved the country in the Battle of Britain. I | :20:37. | :20:42. | |
was allowed to fly it I don't think that I could do anything that would | :20:42. | :20:52. | |
:20:52. | :20:52. | ||
make me prouder than that. It's time for former cadet, | :20:52. | :20:58. | |
sergeant, sergeant, to have a go. We had the best planes in the world. | :20:58. | :21:01. | |
It's time for Cadet Flight Sergeant Sergeant to have a go. | :21:01. | :21:06. | |
We had the best planes in the world. You can't expect a chap to fly a | :21:06. | :21:13. | |
Spitfire rand forget about it, it is imprinted in your mind forever. | :21:13. | :21:17. | |
And Cadet Flight Sergeant Sergeant is in the studio. | :21:17. | :21:19. | |
You don't salute a sergeant, you should know that. | :21:20. | :21:29. | |
:21:30. | :21:30. | ||
I know that. Were you honestly known as Sergeant | :21:30. | :21:33. | |
Sergeant. As a cadet. It was impressive. | :21:34. | :21:39. | |
You did learn to fly as a cadet? did. It was a great moment. I | :21:39. | :21:43. | |
didn't think that I would. The nice pilot who was supervising me said | :21:43. | :21:49. | |
that this was it, to take it over. How did it feel? I thought it was | :21:49. | :21:54. | |
fantastic, but I was nervous, I have known flown a plane for 50 | :21:54. | :22:00. | |
years. So to suddenly start flying in a pit fire, you have to be | :22:00. | :22:03. | |
careful one slip and the Spitfire goes down. Tricky. | :22:03. | :22:11. | |
The other Spitfire we saw in the film has had a colourful past? | :22:11. | :22:16. | |
it did. This made the series soing from. We saw it being built. We met | :22:16. | :22:20. | |
one of the people that built it we met a woman who delivered the | :22:20. | :22:24. | |
Spitfire. Then, an extraordinary scene, we | :22:24. | :22:30. | |
met the son of the man who flew it and with him we went through all of | :22:30. | :22:35. | |
his equipment. So we see him sitting there with his father's | :22:35. | :22:39. | |
uniform on. It was so emotional. There was his log book, the whole | :22:39. | :22:43. | |
thing. Is it right that the father did not | :22:43. | :22:48. | |
speak much to his son when he way alive? That's right. They had not | :22:48. | :22:54. | |
had those sort of conversations. He was just 14 when the father died. | :22:54. | :22:59. | |
It is only now that Martin, the son, that in this year that Martin | :22:59. | :23:03. | |
realises what an amazing man his father was. The fact that we tell | :23:03. | :23:07. | |
that story and all of the various people... It is not just about the | :23:07. | :23:11. | |
plane, but about all of the people's lives affected by | :23:11. | :23:17. | |
Spitfires, with the amazingly dramatic stories. | :23:17. | :23:23. | |
How do you deliver a Spitfire? you were a woman, the women did it. | :23:23. | :23:28. | |
They had teams of pilots they would fly it from Castlebomb which, that | :23:28. | :23:34. | |
is where it would be, and that is how they delivered it. | :23:34. | :23:44. | |
:23:44. | :23:47. | ||
You were right to pick up on that. Well, the spit fire -- well, The | :23:47. | :23:52. | |
Spitfire: Britain's Flying Past is on BBC Two. | :23:52. | :23:57. | |
Over the next month Miranda Krestovnikov is looking at why the | :23:57. | :24:00. | |
Wildlife and Countryside Act 1981 is needed, starting with a case | :24:00. | :24:04. | |
that led to its creation. Britain's wildlife has been | :24:04. | :24:09. | |
protected by law for more than 50 years. Yet it was only in 2006 that | :24:09. | :24:13. | |
a dedicated national unit was formed to investigate wildlife | :24:13. | :24:17. | |
crime. Before then, many prosecutions came | :24:17. | :24:21. | |
through individual Police Forces, often working with conservation | :24:21. | :24:27. | |
bodies. Especially the RSPB, the threat to British bird life is very | :24:27. | :24:34. | |
real. There are criminals that trade in rare birds, dead or alive. | :24:34. | :24:41. | |
Michael Bartley is the millionaire owner of Hamworth Hall in Norfolk. | :24:41. | :24:47. | |
He was imprisoned for buying eggs and stuffed birds, but he was | :24:47. | :24:53. | |
supplied by John Metcalfe, a taxidermist and a former magistrate. | :24:53. | :24:59. | |
We had had some tip-offs, but in May 2004, the police got a search | :24:59. | :25:05. | |
warrant and we paid a visit to Mr Barclay's impressive country | :25:06. | :25:12. | |
mansion. What did you find there? It was an | :25:12. | :25:15. | |
Aladdin's cave of taxidermy and animals. | :25:15. | :25:21. | |
Most of this collection had been legally akier -- acquired, but not | :25:21. | :25:25. | |
all of it. It was clear that many of the eggs | :25:25. | :25:29. | |
and birds were illegal taken from the wild. He himself had taken | :25:29. | :25:33. | |
6,000 birds out. Did you find the 6,000 in the | :25:33. | :25:39. | |
house? No, just 300 of his own egg, but we went back on a second raid. | :25:39. | :25:46. | |
It was like a scene from Narnia. We went into a secret hidden room, | :25:46. | :25:49. | |
full of egg cabinets. But unfortunately many were not | :25:49. | :25:53. | |
there. What about some of the wildlife | :25:53. | :25:57. | |
caught? There were nesting seabirds that had been collected and removed | :25:57. | :26:04. | |
from their nests that we think were then used for taxidermy. | :26:04. | :26:12. | |
The legality of the tax determiney was key to the case. Specimens | :26:12. | :26:19. | |
dated before 1947, back then, many birds were deliberately killed, but | :26:19. | :26:23. | |
modern taxidermist should deal with birds from lawful sources such as | :26:23. | :26:31. | |
natural or accidental death. Taxidermist Kim McDonald was called | :26:31. | :26:38. | |
in to help to determine if any birds had been sourced illegal. | :26:38. | :26:43. | |
This is a modern mount. We found chipping in the wing feathers and | :26:43. | :26:49. | |
the prime Aries. Something of high velocity has gone through the wing. | :26:49. | :26:55. | |
We found a piece of led shot in the ball of the foot. Obviously it was | :26:55. | :27:01. | |
not trodden on, so it got there somehow. That was taken for X-ray. | :27:01. | :27:08. | |
And even more led shot showed up. Alan Roberts is now an investigator | :27:08. | :27:11. | |
for the National Wildlife Crime Unit. Back in 2004, he was serving | :27:12. | :27:16. | |
with the Norfolk Police when this landmark case turned up on his | :27:16. | :27:21. | |
patch. What can you tell from the X-rays | :27:21. | :27:27. | |
about Metcalfe himself? If the bird has got shot in it, he should be | :27:27. | :27:32. | |
saying he should not taxi determine it as it has been killed illegal. | :27:32. | :27:36. | |
What we found with John Metcalfe, there was shot in the birds and | :27:36. | :27:41. | |
there were broken wings. He should have noticed that. | :27:41. | :27:46. | |
It became clear that this was one of the most serious wildlife crimes | :27:46. | :27:51. | |
in 20 years it was said in sentencing that the legislation was | :27:51. | :27:55. | |
designed to protect endangered species, as these were serious | :27:55. | :27:59. | |
offences that it would worpbt that Barclay and Metcalfe were dealt | :27:59. | :28:04. | |
with. Barclay was sentenced to four | :28:04. | :28:11. | |
months in prison and Metcalfe two months and suspended for a year. | :28:11. | :28:15. | |
October, 2006 was an important landmark in wildlife crime. Not | :28:15. | :28:20. | |
only were the men convicted in one of the most significant cases in | :28:20. | :28:25. | |
trading in endangered species, but also that month, a single national | :28:25. | :28:31. | |
while life crime unit was launched for the whole of the UK. Alan | :28:31. | :28:35. | |
Roberts became one of its first investigators. Extraordinary story. | :28:35. | :28:41. | |
Richard, there is no taxidermy in the new film you are directing? | :28:41. | :28:49. | |
a new play. I am directing a play called Lungs it is about pregnancy. | :28:49. | :28:54. |