Browse content similar to 19/12/2012. Check below for episodes and series from the same categories and more!
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# Sleigh bells ring, are you listening | :00:17. | :00:24. | |
# In the lane, snow is glistening # A beautiful sight | :00:24. | :00:30. | |
# We're happy tonight # Walking in a winter wonderland | :00:30. | :00:34. | |
# Walking in a winter won deferred, oh, yeah | :00:34. | :00:44. | |
:00:44. | :00:59. | ||
Hello welcome to the One Show with Alex Jones. And Matt Baker. | :00:59. | :01:03. | |
Tonight's guests are two of sapbtda's finest Christmas helpers. | :01:03. | :01:08. | |
-- Santa. One will help you in the kitchen. The other will entertain | :01:08. | :01:11. | |
you in the lounge. Welcome Mary Berry and Jenny Agutter! | :01:11. | :01:18. | |
APPLAUSE How good were the Kaos Kigning | :01:18. | :01:21. | |
Chior for Deaf and Hearing Children and the orchestra. A lovely start. | :01:21. | :01:27. | |
A double whammy. I'm not sure the children were signing. Some of them | :01:28. | :01:32. | |
were. Jennie, audience at home will be excited because we have an | :01:32. | :01:39. | |
exclusive clip of Call the Midwif later. You did do that? Yes, | :01:39. | :01:43. | |
Christmas Day, my son was due on January 28. I woke up feeling a | :01:43. | :01:46. | |
little uncomfortable on Christmas morning. I called the obstetrician. | :01:46. | :01:53. | |
He asked if I was in labour. I said, "I don't know. I don't feel right." | :01:53. | :01:59. | |
So call the midwife we did. That could have been your mum. I was | :01:59. | :02:05. | |
born on the 23 rd. I'm not sure when I was due. More from that | :02:05. | :02:09. | |
wonderful choir and the Paraorchestra later on. There they | :02:09. | :02:13. | |
are, look, yes! Making their presence felt. They're in reception | :02:13. | :02:16. | |
and we can hear them from here, which is marvellous. It's not just | :02:16. | :02:23. | |
that. Also, we have Mary Berry's Christmas Cake Clinic coming up. If | :02:23. | :02:27. | |
you have a question for Mary about your Christmas cake, don't be shy | :02:27. | :02:32. | |
and e-mail it to us. Jennie, you have a question already. | :02:32. | :02:40. | |
I do. Lots of questions. As we look forward to the holidays, very easy | :02:40. | :02:44. | |
to forget that just a few weeks ago vast swathes of the UK were under | :02:44. | :02:48. | |
water after a deluge of rain and apparently there's more on the rain. | :02:48. | :02:53. | |
Malmesbury in Wiltshire walgz one of the -- was one of the worst hit | :02:53. | :03:00. | |
towns. The community of Malmesbury holds | :03:00. | :03:07. | |
the title of the oldest borough in Britain, created in 880AD by Alfred | :03:07. | :03:11. | |
the great. Recently this town has become famous for a less desirable | :03:11. | :03:15. | |
reason. After days of rain, the river Avon burst its banks and | :03:15. | :03:22. | |
caused the worst flooding this area has seen in 70 years. I'm now off | :03:22. | :03:25. | |
to meet Jennie, whose house was the most affected by the floods. She's | :03:25. | :03:30. | |
going to show me around and show me what devastation happened to her | :03:30. | :03:33. | |
home. It actually reached the top of the big and. It started then | :03:33. | :03:39. | |
coming over the wall. It's ruined everything out here. This is the | :03:39. | :03:43. | |
line on the wall where the water got to, here. We come in this door | :03:43. | :03:48. | |
and we have our dining room here. This is where we all sit at | :03:48. | :03:52. | |
Christmas. We decorate this and my children like it decorated in the | :03:52. | :03:56. | |
same fashion, so we hang things from the beams. They always want it | :03:56. | :04:00. | |
the same. We put the tree in the same place and make it really | :04:00. | :04:06. | |
Christmasy. It's absolutely ruined. Yes, it is. It has caused chaos in | :04:06. | :04:10. | |
our lives. Jennie is not the only one who had Christmas plans | :04:10. | :04:13. | |
disrupted. The local amateur dramatic society had a battle to | :04:13. | :04:17. | |
save this year's panto, an important event in the community. | :04:17. | :04:22. | |
Tell me a bit about what happened. It came so quickly, that was the | :04:22. | :04:28. | |
thing. And in the mid. Night. could see it was a torrent. I held | :04:28. | :04:32. | |
onto the rails along the side here and came through. It came up to top | :04:32. | :04:36. | |
of my thigh level. You don't know what you're stepping in. We didn't | :04:36. | :04:40. | |
know whether the man hole out there was a man hole. You could have gone | :04:40. | :04:45. | |
down the hole. I knew we had to get everything out of here, the set, | :04:45. | :04:49. | |
costumes, everything. Other-wise we'd have lost it and we wouldn't | :04:49. | :04:52. | |
have done pantomime. How much impact would that have had on the | :04:52. | :04:58. | |
community? It's part of the run up to Christmas. It would have been, I | :04:58. | :05:01. | |
think it would have been devastating. Just next door, the | :05:01. | :05:05. | |
local football club have not been so lucky. Phill and Julie, who run | :05:05. | :05:10. | |
it voluntarily were already struggling to keep it afloat. | :05:10. | :05:15. | |
the worst stage it was virtually up to your waist in the middle of the | :05:15. | :05:19. | |
pitch. The club hasn't got a lot of finances behind it. We just | :05:19. | :05:22. | |
couldn't afford to be shut. Tell us a bit about the damage that was | :05:22. | :05:28. | |
caused here. The doors are damaged. The walls are damaged. Will the | :05:28. | :05:31. | |
insurance cover it? No, there's no insurance, not for flooding. We | :05:31. | :05:36. | |
have to find the money for it. I don't know how. What does that | :05:36. | :05:41. | |
imply? The first team playing has to have showers working or else you | :05:41. | :05:49. | |
can't play the game. So we will not be open then. That means no money | :05:49. | :05:54. | |
coming in. I'm really worried. While the football club are left | :05:54. | :05:58. | |
saving themselves, Tom and Carol, who run the nearest pub to the | :05:58. | :06:02. | |
flooding, were helping save others. It came up to our front door. It | :06:02. | :06:06. | |
was coming across the road and it was coming out in waves and going | :06:06. | :06:12. | |
into the houses. They waded through the water and it was freezing. It's | :06:12. | :06:16. | |
not surprising that people were a bit shocked. We gave people teas | :06:16. | :06:19. | |
and coffee and anything they wanted to warm people up, put the heating | :06:19. | :06:23. | |
on. Do you think the floods coming so close to Christmas has affected | :06:23. | :06:26. | |
the mood in the town? It hasn't helped the people because they had | :06:26. | :06:30. | |
to move out of their homes. It's probably not a very good Christmas | :06:30. | :06:32. | |
for them. They've lost some property. At least they've still | :06:32. | :06:42. | |
:06:42. | :06:44. | ||
got their health, I suppose. Each other. And each other. That's | :06:44. | :06:48. | |
terrible isn't it. Jennie you were saying that you had problems in | :06:48. | :06:55. | |
Cornwall recently. Yes, I feel for them. There was water in a utility | :06:55. | :07:00. | |
room and started to move it up and I was thinking no it's getting more | :07:00. | :07:04. | |
and more. There was an open pipe had come into the room from outside, | :07:04. | :07:08. | |
which is a higher level. It was just pouring through. I looked at | :07:08. | :07:13. | |
it behind the boiler and then had to do like the little girl in the | :07:13. | :07:17. | |
dyke put the thumb in and stop it. When you're trying to fight nature | :07:17. | :07:21. | |
it's very scary. That's right. Fortunately it did stop the hole. | :07:21. | :07:24. | |
Then we found out where it was coming in the back of the house. If | :07:24. | :07:27. | |
we hadn't been there it would have been through the house, carpets, | :07:27. | :07:31. | |
everything. Poor people have been suffering a lot. As we saw there, | :07:31. | :07:38. | |
it has not been the best of build ups to Christmas in Malmesbury. | :07:38. | :07:42. | |
Angellica is there now. I'm here at Malmesbury Town Hall | :07:42. | :07:45. | |
where there's fun and excitement in the air, because through those | :07:45. | :07:49. | |
doors there, the good and great of Malmesbury community have come | :07:49. | :07:53. | |
together to get into the festive spirit. They've had three hard | :07:53. | :07:58. | |
weeks, but they felt it important that they come together. That's | :07:58. | :08:01. | |
correct. The community have been fantastic over the last three weeks. | :08:01. | :08:06. | |
The victims have been rehoused. Everybody has pulled together. | :08:06. | :08:10. | |
Through the help of the community, organisations and yourselves, we've | :08:10. | :08:14. | |
thrown a party for them this evening. Everybody is in great | :08:14. | :08:19. | |
festive cheer. Go and have a pince pie and save me one. Heather | :08:19. | :08:22. | |
Shepherd is here from the national flood forum. Some of the issues | :08:22. | :08:26. | |
that were faced here aren't unique. What can other communities do who | :08:26. | :08:29. | |
are at risk in the future? Best thing to do is form a flood action | :08:29. | :08:32. | |
group to work in partnership with agencies and authorities to reduce | :08:32. | :08:35. | |
your risk and the national flood forum can help support you do this. | :08:36. | :08:39. | |
If you're watching at home now and you think you live in an area at | :08:39. | :08:44. | |
high risk, what can you do? Look on the Environment Agency's website. | :08:44. | :08:48. | |
Check out if you have flood warnings directly available. Sign | :08:48. | :08:54. | |
up for them to get warnings on your mobile and your text. How can you | :08:54. | :08:59. | |
come up with a comprehensive flood plan? By the community getting | :08:59. | :09:04. | |
together. They can think about what volunteers there are in the | :09:04. | :09:07. | |
community, how sandbags could be stored... So there's lots of ways | :09:07. | :09:12. | |
that can be helped. Yes. Excellent. Thanks guys. Come back to us where | :09:12. | :09:16. | |
the party will be in full swing. We have a special guest who Mary might | :09:16. | :09:19. | |
recognise who has brought in a lovely cake. | :09:19. | :09:24. | |
Somebody Mary might recognise. exciting. Talking of lovely cakes, | :09:24. | :09:29. | |
Mary you've brought cake. I can't go anywhere without it. I had the | :09:29. | :09:33. | |
messages. It's lovely. What's this one? This is my mother's. It's a | :09:33. | :09:39. | |
treacle spiced sponge. It's a traybake, which is so easy to do. | :09:39. | :09:44. | |
It's easy to cut up and you're dying to taste. We are dying to | :09:44. | :09:49. | |
taste it. Shall I chop it. Mum used to make a lot of traybakes from | :09:49. | :09:57. | |
your book. Are you all right kneeling down there? I'm quite | :09:57. | :10:01. | |
happy. What other recipes that were your mother's are in the book? | :10:02. | :10:05. | |
slipped in her bread and butter pudding because I love it. It's not | :10:05. | :10:10. | |
one of the fancy chef ones you know lots of cream and brioche, it's as | :10:10. | :10:14. | |
it should be, just bread and enormous amount - don't mind my | :10:14. | :10:21. | |
fingers. This is like a Christmas party this. Perfect. And Matt has | :10:21. | :10:25. | |
actually been baking himself this morning. This is the thing, I got | :10:25. | :10:28. | |
lost in your baking Bible. That's where all these recipes are fro | :10:28. | :10:33. | |
from. I had a go this morning with my three-year-old daughter at | :10:33. | :10:35. | |
making the chocolate and vanilla making the chocolate and vanilla | :10:35. | :10:40. | |
marble cake. I wanted that moment on the Bake | :10:40. | :10:45. | |
Off when you cut it open. Doesn't that look professional. My wife | :10:45. | :10:50. | |
said to me, make sure you cut it into slices so Mary doesn't see how | :10:50. | :10:57. | |
much of a mess you've made of it. Shall I do a real Bake Off thing. I | :10:57. | :11:02. | |
must cut it across. I'm intrigued. It's cutting through. Will there be | :11:02. | :11:07. | |
a marble effect? Look at the top, the zig zagging. And he hasn't only | :11:07. | :11:13. | |
done it with milk chocolate, but plain chocolate. Then we look and... | :11:13. | :11:17. | |
I don't believe it. Is that ments to look like that? Skhactly. -- | :11:17. | :11:24. | |
skhractly. APPLAUSE | :11:24. | :11:30. | |
-- exactly. You managed it very well. That's very good. It's | :11:30. | :11:40. | |
beautifully baked. Shall I look underneath? No soggy bottom. Look | :11:40. | :11:43. | |
at. That brilliant. Your mum must have been relieved that you went | :11:44. | :11:47. | |
into baking because you were a bit of a naughty girl at school. | :11:47. | :11:52. | |
think she was very relieved because you know, Latin and maths weren't | :11:52. | :11:58. | |
very good. In fact they were non- existent. So when it came to, at | :11:58. | :12:05. | |
school you were divided, you either did Latin and maths or the dimmest | :12:05. | :12:10. | |
did domestic science. Then when I went to class, we had this | :12:10. | :12:16. | |
wonderful teacher, a little, short lady Miss Date. Instead of people, | :12:16. | :12:21. | |
you know my teachers always saying "You can do better. That was no | :12:21. | :12:29. | |
good." She was saying, "That was good. "I -- you took the things | :12:29. | :12:36. | |
home. Dad, when I brought treacle pudding home, he said "This is as | :12:36. | :12:40. | |
good as mum's." It all started like. That it's all to do with the | :12:40. | :12:45. | |
teacher. It is. You started in -- starred in your first film at 11 | :12:45. | :12:48. | |
years old. Did you ever think of doing anything else or was the | :12:48. | :12:54. | |
career path that you chose? then. I enjoyed it. By the time I | :12:54. | :12:58. | |
was 15, 16, I was having to make decisions because I couldn't really | :12:58. | :13:03. | |
study and do it, so I carried on with the career. Which is a stupid | :13:03. | :13:06. | |
move to make really. Because you don't know what's going to happen. | :13:06. | :13:10. | |
But it worked out. After school you did your exams and those | :13:10. | :13:15. | |
qualifications, but then you wents to people's houses and teached them | :13:15. | :13:20. | |
how to make Victoria sponges working for the electric board? | :13:20. | :13:24. | |
first job was with the electricity board. We were called home service | :13:24. | :13:27. | |
advisors. If you bought a cooker, you had the option of having | :13:27. | :13:33. | |
somebody like me come to your house in a little Ford Popular, that was | :13:33. | :13:37. | |
fun because I didn't have a car, you sat up and begged to drive. It | :13:37. | :13:40. | |
I would take the ingredients for the cake and I would make it in | :13:40. | :13:44. | |
front of them and tell them how to do it. It was a good thing. | :13:44. | :13:49. | |
long did you do that for? I was there three years. Then I made this, | :13:49. | :13:53. | |
I wasn't allowed to go to London until I was 21. I was dying to get | :13:53. | :13:58. | |
there. Then I moved on to a job in London. | :13:58. | :14:05. | |
That was good practice to do demos. We have to talk about the Bake Off. | :14:05. | :14:10. | |
It's a phenomenal success since it started in 2010. You and Paul have | :14:10. | :14:17. | |
distinctive styles when it comes to Just don't. Isn't he unkind. | :14:17. | :14:22. | |
That ginger cake is over baked. least there is no soggy bottoms. We | :14:22. | :14:26. | |
have lost the wine. Are you sure you didn't have a little tipple | :14:26. | :14:29. | |
before you started? I don't like that at all. | :14:29. | :14:32. | |
I think you have made something that looks wonderful and tempting | :14:32. | :14:42. | |
to eat... But taste disgusting. The taste is not very appealing. | :14:42. | :14:44. | |
APPLAUSE It seems you are never off the | :14:44. | :14:48. | |
telly. You have got a series of your own coming up next year I will | :14:48. | :14:54. | |
have. I am doing 2-1 off programmes on my life and then I am going to | :14:55. | :14:58. | |
do real cooking, the sort that I do for my family and that will be six | :14:58. | :15:03. | |
programmes and it will be Mary Berry Cooks so I can cook and bake. | :15:03. | :15:07. | |
And when can we expect to see that? I am not too sure. I think it will | :15:07. | :15:13. | |
be after the Bake Off, I hope. Indeed, something to look forward | :15:13. | :15:21. | |
to. You have to try my cake. Mary'sbible is out now. | :15:21. | :15:27. | |
Some people buy mince pies and party food. I mean I condition | :15:27. | :15:31. | |
believe it. I -- I can't believe it. I mean, I was shocked to hear the | :15:32. | :15:36. | |
news. Out of interest, if you did want to go out and try some of | :15:36. | :15:39. | |
those off-the-shelf Christmas goodies, how do you go about | :15:39. | :15:44. | |
knowing which ones to choose? Well, you could open the box in the | :15:44. | :15:49. | |
you could open the box in the supermarket and try one! | :15:49. | :15:54. | |
Ah, Christmas, all those delicious goodies waiting to be devoured. Of | :15:54. | :15:59. | |
course, Christmas can be expensive and times are tough, I want to find | :15:59. | :16:06. | |
out are the luxury ranges always best? I am setting out my own The | :16:06. | :16:10. | |
One Show stall with the help of the visitors here I am going to find | :16:10. | :16:15. | |
the best mince pie, the most glorious mulled wine and the | :16:15. | :16:18. | |
tastiest canape. There is a lot of mince pies here. | :16:18. | :16:22. | |
Only the best will make it on to my stall. So I have already | :16:22. | :16:27. | |
shortlisted what I think is the topic in three supermarket priced | :16:27. | :16:30. | |
categories, that's budget, mid- range and luxury. | :16:30. | :16:34. | |
I am not going to be giving the game away, we are going to be | :16:34. | :16:38. | |
asking people to judge things on taste and appearance. We We won't | :16:38. | :16:42. | |
tell them which is which and we will keep the score and by the end | :16:42. | :16:52. | |
:16:52. | :16:52. | ||
of the za, we might have -- day we might have winners. | :16:52. | :16:57. | |
I prefer the first one. You chose the Morrison value range. | :16:57. | :17:05. | |
You are a cheap date, mate! You went for the Lidl. There we go. | :17:05. | :17:08. | |
And it is German. It is probably more authentic. | :17:08. | :17:12. | |
This one. I suspect it is the cheaper one, is it? No, it is the | :17:12. | :17:16. | |
most expensive. A party is not a party without a | :17:16. | :17:23. | |
canape, so we have got posh M&S, mid-range Sainsbury's, and our | :17:23. | :17:30. | |
cheapest, Morrisons smoked salmon bites. Would you like a canape? | :17:30. | :17:33. | |
Nice but not as nice as the other ones. | :17:33. | :17:39. | |
So you have gone for the ones in the middle? Yes. | :17:39. | :17:44. | |
The mid-range, Sainsbury's. Bring on the mince pies, Britain's | :17:44. | :17:48. | |
biggest supermarket, Tesco expects to sell 39 million of them over the | :17:48. | :17:53. | |
festive period. My top three are going down well in Winchester. The | :17:53. | :17:58. | |
upper upper cust option is M&S, from Waitrose it is the cheaper | :17:58. | :18:06. | |
Christmas all butter mince pies and the least expensive, Aldi's. | :18:06. | :18:14. | |
You have gone for the luxury M&S mince pies and you have gone for | :18:14. | :18:24. | |
:18:24. | :18:25. | ||
the Aldi own brand. You went for the M&S luxury range. | :18:25. | :18:30. | |
Of course. I could see by your shopping bag, | :18:30. | :18:35. | |
you are that kind of woman. So to the moment of truth, which | :18:35. | :18:39. | |
will be crowned Winchester's favourites? | :18:39. | :18:47. | |
The winning mince pie was M&S's ultimate all butter. Winchester's | :18:47. | :18:51. | |
favourite mulled wine was Tesco Premium. | :18:51. | :18:57. | |
And our canape choice was M&S, Salmon and asparagus blanket. It | :18:57. | :19:00. | |
was close, but all three winners were from the premium ranges, so | :19:01. | :19:04. | |
for most people here today, you do get what you pay for. Merry | :19:04. | :19:12. | |
There we are, yes and we will pick up on that point that you finished | :19:12. | :19:17. | |
on Jake, because it was close almost disappointed that the | :19:17. | :19:21. | |
premium ranges did win out, but there was a strong showing for all | :19:21. | :19:25. | |
the products particularly for the value ranges and the med ranges, | :19:25. | :19:28. | |
more people chose the premium, but it was across-the-board. | :19:28. | :19:32. | |
And we have one more taste test. We are eat ago lot on this show, but | :19:32. | :19:36. | |
it is Christmas. Which Christmas cake is the best now. We have three | :19:36. | :19:41. | |
different Christmas cakes. We have three different Christmas | :19:41. | :19:51. | |
cakes from different price points. There is one at �6.99 and one at | :19:51. | :19:58. | |
�13.50 per per 2lbs. I don't want to say which is which. So we have | :19:58. | :20:03. | |
to pick the favourite? If you are shopping in cheaper places, does | :20:03. | :20:08. | |
that mean you will get a lower quality in ingredients? What you | :20:08. | :20:13. | |
are paying for is a range. When you go into one of the big supermarkets, | :20:13. | :20:18. | |
tell have 10 or 15 Christmas cakes and if you go go into the | :20:18. | :20:21. | |
discounters, there will be one. Less of the branding and the | :20:21. | :20:25. | |
marketing. A lot of what you pay for in supermarkets is branding and | :20:25. | :20:29. | |
marketing. Ladies, have you tried all three cakes. | :20:29. | :20:35. | |
I'm going for that one. Mary? going to agree with you. | :20:35. | :20:41. | |
That one. There will not be much left for me. | :20:41. | :20:48. | |
All four of you have gone for that one? I like the nuts. | :20:48. | :20:52. | |
As you cut through, there are proper big pieces of nut in there | :20:52. | :20:57. | |
which I enjoy and they will be be soft and big pieces of cherry. I am | :20:57. | :21:01. | |
interested in the hole in the middle. Perhaps it went down. | :21:01. | :21:06. | |
I think it is a design feature. We will get to which one that is. | :21:06. | :21:09. | |
You have got the sign nearest to you, Matt. | :21:09. | :21:18. | |
This is Aldi's holly veil, their own range, and it is �6.99 and | :21:18. | :21:23. | |
that's a good bit of cake. It is good value. | :21:23. | :21:30. | |
This is dear old Betty's and it is �13 for 2lbs. There is a lot of | :21:30. | :21:37. | |
marzipan and icing on that one. All of you went for the mid-range which | :21:37. | :21:43. | |
is Sainsbury's rich iced fruit cake. So what it has shown us, I tried | :21:43. | :21:47. | |
cakes from across the range, these were my favourites at all the price | :21:47. | :21:53. | |
points. You have gone for the the mid-range which shows what I know! | :21:53. | :21:58. | |
Jay, thank you. Have a very nice Christmas lunch. I am sure you will. | :21:58. | :22:03. | |
We have got Mary's Christmas Cake Clinic. The questions are coming in | :22:03. | :22:06. | |
thick and fast. The One Show has been behind the | :22:07. | :22:11. | |
scenes at one of the most important events taking place in year in the | :22:11. | :22:15. | |
build-up to Christmas. We are not talking about | :22:15. | :22:19. | |
preparation for the Queen's Christmas speech. This is even | :22:19. | :22:26. | |
bigger. We are talking - the school nativity play! | :22:26. | :22:29. | |
# It is beginning to look like Christmas # | :22:29. | :22:36. | |
We have selected a nativity play which is called It's A Baby. We are | :22:36. | :22:41. | |
excited to be doing that in Battlefield. Good afternoon, boys | :22:41. | :22:43. | |
and girls. Good afternoon. | :22:43. | :22:50. | |
Boys and girls, do you all know why we are here today? Yes. | :22:50. | :22:57. | |
We are here as the big first casting for our school nativity. I | :22:57. | :23:00. | |
wanted to be Mary when I was younger and never quite made the | :23:00. | :23:05. | |
part. I was too competitive. Which characters do we need to have | :23:05. | :23:11. | |
in our nativity play? The inn keeper. | :23:11. | :23:18. | |
We need an inn keeper. I could pick many of them to be Mary and Joseph | :23:18. | :23:23. | |
or the inn keeper King Herod. | :23:23. | :23:31. | |
Is he a nice man, Stella? No. he is not a nice man at all. It is | :23:31. | :23:38. | |
the first year that we have had the choir involved in it and I am | :23:38. | :23:45. | |
hoping they will get as much out of it being P6 and and P7 this year. | :23:45. | :23:47. | |
I want to show people that I can sing. | :23:47. | :23:51. | |
It will be brilliant to be able to be part of it. I would like to play | :23:51. | :23:55. | |
the nar rator. The last time I didn't get a good | :23:55. | :24:05. | |
role. I was a shepherd and I got to say, "Ba.". Most people know we are | :24:05. | :24:08. | |
brother and sister because we are talkative. | :24:08. | :24:12. | |
If I get to be a narrator, that would be cool. | :24:12. | :24:21. | |
The song choices are really, really hard. | :24:21. | :24:25. | |
All the children call me auntie, I'm Hazel's auntie and of course, | :24:25. | :24:31. | |
auntie has stuck ever since. When an angel came before, as she bowed | :24:31. | :24:37. | |
her head he said... I bring you good news. You are to have a baby | :24:37. | :24:47. | |
:24:47. | :24:47. | ||
boy. In your job as a teacher, you are a character and often you have | :24:47. | :24:57. | |
:24:57. | :24:59. | ||
to keep this character going within your teaching as well. We are going | :24:59. | :25:03. | |
to do the casting for the nativity. Ladies, who do we choose for the | :25:03. | :25:07. | |
inn keeper? We have decided on a few from each of the classes that | :25:07. | :25:12. | |
would be strong personalities and confident. I see Louis as the per | :25:12. | :25:15. | |
effect inn keeper. He is so confident and he would sing his | :25:15. | :25:19. | |
heart out for it and learn the lines. Absolutely. | :25:19. | :25:23. | |
Louis, would you like to stand up, please? | :25:23. | :25:33. | |
:25:33. | :25:38. | ||
Louis, we would like you to be our inn keeper. | :25:38. | :25:39. | |
APPLAUSE Mary and Joseph, we have got Louis | :25:39. | :25:42. | |
who is from my class for inn keeper. Ella in your class is really | :25:42. | :25:45. | |
confident and she would remember her lines and things like that, | :25:45. | :25:50. | |
wouldn't she? Mary needs to know what to do and when to do it. | :25:50. | :25:54. | |
I think Ella would be good. My mum knows about things because | :25:54. | :26:01. | |
she goes around the world a lot. Ella, would you like to be Mary? Up | :26:01. | :26:11. | |
:26:11. | :26:14. | ||
you stand then. APPLAUSE | :26:14. | :26:17. | |
Joseph, that's a big - well, I know Vicky can't be with us now, she | :26:17. | :26:20. | |
suggested from her class, Michael? I think I might be somebody that I | :26:20. | :26:24. | |
want to be. Joseph. Right, so the next thing we need to do is | :26:25. | :26:34. | |
organise our narrators and our soloists. The brother and sister, I | :26:34. | :26:37. | |
think there is a really nice bond and it would be really nice to see | :26:37. | :26:41. | |
them up there narrating. I just hope it is a huge success and the | :26:41. | :26:43. | |
children get up on stage and have a ball. | :26:44. | :26:48. | |
Ah, it is exciting stuff. It is a three parter this. We have | :26:48. | :26:50. | |
rehearsals tomorrow and the performance is Friday. I'm so | :26:50. | :26:52. | |
pleased. They are so excited. | :26:52. | :26:59. | |
I am chuffed for that lad with the long hair as he was the shepherd | :26:59. | :27:06. | |
last year and he got to say ba. Do you remember your first | :27:06. | :27:11. | |
nativity? We used to have the same nativity every year P. Did you have | :27:11. | :27:21. | |
to work your way up its roles? Everybody Wanted to be the angel | :27:21. | :27:23. | |
Gabriel. So you had to express through | :27:23. | :27:27. | |
movement. There was no speaking? Not too much flapping either, but | :27:27. | :27:34. | |
there was a lot of Allah lay lieuia. Now, if you were in a nativity play | :27:34. | :27:37. | |
back in the day, we want to see your photo and we would like to | :27:37. | :27:43. | |
though what your best line was or maybe your best dance or whatever. | :27:43. | :27:50. | |
My line was beguile, beguile, which means shepherd, shepherd. | :27:50. | :27:55. | |
Sen them in -- send them in. Millions Jenny, will be tuning in, | :27:55. | :28:00. | |
of course, Christmas night to see Call the Midwife the Christmas | :28:00. | :28:04. | |
Christmas Special and the birthing scenes are realistic so how then do | :28:04. | :28:09. | |
you go about filming them? How do you get babies that look brand-new? | :28:09. | :28:13. | |
It takes a day and you have lots of rehearsals before and for the | :28:13. | :28:17. | |
babies they have to book them in advance because you want them days | :28:17. | :28:23. | |
old... There is a booking service for mums Yes. Then they don't | :28:23. | :28:26. | |
arrive on time so you have got to book more than one and they might | :28:26. | :28:28. | |
arrive early and the baby is a month old. | :28:28. | :28:33. | |
I am guessing they are second babies. First time mums would they | :28:33. | :28:38. | |
be up for a day's filming? Some are first time mums, they must have | :28:38. | :28:42. | |
some association with the show or people on it so they feel relaxed | :28:42. | :28:46. | |
and twins, it is good if you can find twins because, of course, they | :28:46. | :28:49. | |
are smaller and plus the fact that you can actually exchange the | :28:49. | :28:51. | |
twins... LAUGHTER | :28:51. | :29:00. | |
Yeah, yeah. Exactly. Of course, you work with Miranda. She was saying | :29:00. | :29:04. | |
how nice it is for her to do something serious, I bet she is a | :29:04. | :29:09. | |
bit joky on the set set? You know what she is like. She is great fun | :29:09. | :29:12. | |
to be around. She has a nativity play in the special. | :29:12. | :29:16. | |
We showed that clip last week. There is some wonderful photographs | :29:17. | :29:20. | |
from it in the book that we have got as well which are really | :29:20. | :29:23. | |
terrific. There is lots of Christmas Christmas stuff in it. | :29:23. | :29:27. | |
We have got an early Christmas present for all the Call the | :29:27. | :29:30. | |
Midwife fans out there, this is a clip that hasn't been seen ever | :29:30. | :29:34. | |
before. Here it is. It is a hard time of year to spend | :29:34. | :29:40. | |
too much time alone. Can you tell me where you live? We can send | :29:40. | :29:48. | |
someone to look in on you to make sure you are you are being properly | :29:48. | :29:54. | |
taken care of. Shoe doesn't look well. Old age, | :29:54. | :30:02. | |
poverty. APPLAUSE | :30:02. | :30:04. | |
Many people are really excited about the episode on Christmas Day. | :30:04. | :30:06. | |
There was a familiar face there. Yes, Sheila Reid. | :30:06. | :30:11. | |
I am sure she loves that line. "she doesn't look well. She is very | :30:11. | :30:18. | |
old." She looks cleaner in Benidorm! | :30:18. | :30:22. | |
The new series is back in the New Year. Does it start in January? | :30:22. | :30:25. | |
Towards the end of January and there is eight of them this time | :30:25. | :30:27. | |
and there will be all sorts of issues. | :30:27. | :30:31. | |
Well, if you haven't already made a note, Call the Midwife is on BBC | :30:31. | :30:37. | |
One at 7.30pm on Christmas Day. Alex, you know what we need to do | :30:37. | :30:42. | |
now - Call the Midwife! In you come. It is the Big welcome | :30:42. | :30:51. | |
to Rebecca and Alice who are dressed in 50s midwifery gear. You | :30:51. | :30:55. | |
look modern even though it was 1950s. We don't usually dress like | :30:55. | :31:02. | |
this. We are both student midwives. You would see us in a set of scrubs | :31:02. | :31:06. | |
or our own clothes. Why are you are you dressed in | :31:06. | :31:11. | |
this? This is the second time we got to wore this. We organised a | :31:11. | :31:17. | |
big bike ride through Central London which was part of the RCM's | :31:17. | :31:21. | |
protect maternity services campaign. Midwifery has become a popular | :31:21. | :31:26. | |
subject for applicants to apply for at university and since Call the | :31:26. | :31:30. | |
Midwife aired we have seen a 17% increase in the number of | :31:30. | :31:39. | |
applicants to midwifery places. It is wonderful. We were told that | :31:39. | :31:44. | |
midwives weren't celebrated. Aalso, you were inspired by the series, | :31:44. | :31:47. | |
weren't you? It was so magical reading the book and really nice | :31:47. | :31:53. | |
seeing it brought to life on the screen. How does real life | :31:53. | :31:59. | |
midwifery compare? Less cycling, but just as magical. It has been | :31:59. | :32:03. | |
really, really good. Have you had the chance... Each | :32:03. | :32:07. | |
birth is very important. Sud Suddenly it happens to you and you | :32:07. | :32:11. | |
never had the experience. I really remembered that. I got to | :32:11. | :32:17. | |
see a breach birth a few months ago and watching the breach birth on | :32:17. | :32:20. | |
Call the Midwife really was very present in my head as I was | :32:21. | :32:26. | |
watching it. Wow, that's incredible. | :32:26. | :32:30. | |
So there is a shortage of midwives? It is around relationship between | :32:30. | :32:34. | |
the two. There is a baby boom happening at the moment. More | :32:34. | :32:38. | |
babies were born last year than in any year since 1971, but the | :32:38. | :32:41. | |
trouble is that is not the number of babies being born reason being | :32:41. | :32:46. | |
matched by the number of midwives who need to really safely deliver | :32:46. | :32:51. | |
them and provide the support and really care and advice that mothers | :32:51. | :32:56. | |
need during pregnancy and childbirth. We had a loss -- we | :32:56. | :33:02. | |
have a loss of 5,000 pid wid mifs. -- midwives. | :33:02. | :33:08. | |
When When will you qualify? Not until September 2014. | :33:08. | :33:13. | |
It is a wonderful career. Jenny, you will know this, going in and | :33:13. | :33:17. | |
out of maternity wards, the place is littered with thank you cards | :33:17. | :33:21. | |
and people are appreciative of the work that you do. You can see that | :33:21. | :33:25. | |
from the programme what a fantastic celebration of a profession that | :33:25. | :33:28. | |
has an important role in UK society and services that are provided for | :33:28. | :33:32. | |
women in the NHS. It is brilliant. Are you a fan, Mary of Call the | :33:32. | :33:38. | |
Midwife? I am. I know what I will be doing at 7.30pm on Christmas Day. | :33:38. | :33:44. | |
After the washing up! I'm del delegating it! | :33:44. | :33:48. | |
Thank you. Now it had a long glittering | :33:48. | :33:54. | |
history and at this time of year we go mad for it. | :33:54. | :34:03. | |
No, it is not Cliff Richard, it is tinsel! | :34:03. | :34:06. | |
There are six days left until Christmas, but if you are anything | :34:06. | :34:11. | |
like me there are a few things left on your festive to do list, not | :34:11. | :34:17. | |
least decorating your home with a little bit of seasonal bling. | :34:17. | :34:25. | |
From the Nordic style to 50s retro and winter wonderland. No scheme is | :34:25. | :34:29. | |
complete without this stuff. I am going to be taking you inside | :34:29. | :34:33. | |
a secret world of tinsel, revealing everything you ever wanted to know | :34:33. | :34:38. | |
about this glittering industry, but hadn't thought to ask! | :34:38. | :34:42. | |
Let's start at the beginning, tinsel has been around since the | :34:42. | :34:46. | |
17th century and that means to sparkle. | :34:46. | :34:53. | |
Fast forward a few hundred years and I am in Tinseltown, UK, also | :34:53. | :35:01. | |
known as South Wales at an unlikely looking Christmas grottoe. Festive | :35:01. | :35:06. | |
Productions limited is Britain's only only tinsel factory. They made | :35:07. | :35:16. | |
:35:17. | :35:17. | ||
enough of the stuff in 2012 to wrap First off, a lot of tinsel here. | :35:17. | :35:21. | |
Only a few days left to sell it. No-one's going to buy this stuff, | :35:21. | :35:26. | |
mate. We're manufacturing for 2013. We have gone into production. | :35:26. | :35:30. | |
You're living next Christmas. You are going to tell me, how does | :35:30. | :35:34. | |
it work, how do you make tinsel? You take the shiny material and | :35:34. | :35:37. | |
pass it through. It shreds the material, through the rollers, | :35:37. | :35:42. | |
where we add wires. We pass it down into the bin. The way I would | :35:42. | :35:48. | |
describe it then, if you think of a Kandy Floss machine, then it mixed | :35:48. | :35:54. | |
prot duct which gives you the -- the product which gives you the end | :35:54. | :35:58. | |
result. What colours go well together? Red and gold. Red and | :35:58. | :36:02. | |
green. A lot of colours don't work well, if you mix black-and-blue | :36:02. | :36:08. | |
together on a tree, it looks drab. I've gone for the most garish I can | :36:08. | :36:13. | |
think of. This is not bad. That is actually nicer than I thought. | :36:13. | :36:19. | |
That's quite tasteful. I've got enough tinsel now to last me a life | :36:19. | :36:25. | |
time. So the question is - how to hang it. | :36:25. | :36:30. | |
I've come to meet Maxine, a woman who has dedicated the last decade | :36:30. | :36:35. | |
of her life to making our Christmas windows sparkle. What are your top | :36:35. | :36:39. | |
tips for tinselling? Try and steer clear of more than two colours on | :36:39. | :36:47. | |
your tree. Always start at the back. Then you just lovely swags that you | :36:47. | :36:53. | |
can get. Swags? Get this lovely effect if you go up and down. | :36:53. | :36:56. | |
much would be too much tinsel? would say you wouldn't want more | :36:56. | :37:01. | |
than three layers. You'd want to finish around about this level. | :37:01. | :37:05. | |
last question - should tinsel stay on the tree? What about over the | :37:05. | :37:08. | |
picture frames, window frames, that kind of thing? You get the best | :37:08. | :37:12. | |
effect when you have it with lights. Wherever you have lights you could | :37:12. | :37:18. | |
put sin tell and I would say that should always be the tree. | :37:18. | :37:23. | |
We have a few picture frames with tinsel frame. You can do sin tell | :37:23. | :37:28. | |
overkill you know. Last time Justin was here, he was talking about the | :37:28. | :37:38. | |
:37:38. | :37:44. | ||
Leveson Inquiry. Tonight welcome Justin Tinsel Rowlatt. We have made | :37:44. | :37:51. | |
lovely tinsel broaches leaving the very fashionable ginghamment -- | :37:51. | :38:01. | |
:38:01. | :38:01. | ||
gang ham. I like that. Put it on the table if you like. That's | :38:01. | :38:09. | |
lovely. I made this myself. This is The One Show tinsel. Have a look. | :38:09. | :38:14. | |
You made this in couple Brawn. can't buy this in the shops. What | :38:14. | :38:18. | |
do you mean you make it sni, you choose the colours and you weave | :38:18. | :38:25. | |
them together. You can produce 25 metres every six minutes. I can't | :38:25. | :38:30. | |
wait to get home and get swagging. What did you find out then, are we | :38:30. | :38:35. | |
still a nation of tinsel lovers? put a crack investigative team on | :38:35. | :38:39. | |
this, spent two days. I'm not joking. He's trying too make it | :38:39. | :38:44. | |
serious. I'm serious. We looked at all the statistics we could find. | :38:44. | :38:50. | |
They reckon we spend �2 billion on decorations. We couldn't break it | :38:50. | :38:55. | |
down to tinsel. There's still a big market for it. There's a lot of | :38:55. | :39:02. | |
mystery surrounding it. You want the cliter. That's the origins of - | :39:02. | :39:10. | |
- Glitter. That's the origins of tinsel. Apparently, it was Germany | :39:10. | :39:17. | |
in about the 17th century they started hanging glittering metal to | :39:17. | :39:21. | |
reflect the candle light. There's speculation, we spoke to an expert | :39:21. | :39:29. | |
on 17th century, and she imagined it would come over then. Britain | :39:29. | :39:33. | |
was interested in German traditions. No evidence of it. We spoke to a | :39:33. | :39:37. | |
guy who knew about the Victorian Christmas at Windsor Castle. No | :39:38. | :39:43. | |
tinsel on the tree. I'm pleased we did this item. I know it's | :39:43. | :39:50. | |
fascinating. An expert on a 19th century home, he looked at hundreds | :39:50. | :39:54. | |
of Christmas cards. Speculation amongst scholars is that German | :39:54. | :39:57. | |
immigrants to America brought the tradition of hanging twinkling | :39:57. | :40:01. | |
stuff. Americans made it into ice kulz around the turn of the last | :40:01. | :40:09. | |
century and we imported that in 1930. So tinsel is very new. | :40:09. | :40:13. | |
intrigued. Mary is an expert at decorating a cake, but what is your | :40:13. | :40:16. | |
tree like? My tree is a real tree. We have them in the bottom field | :40:16. | :40:23. | |
and cut our own. It is, I'm afraid, in red and silver and my tinsel is | :40:23. | :40:30. | |
just silver. Just the thin strands? You'd love a bit of this wouldn't | :40:30. | :40:40. | |
:40:40. | :40:40. | ||
you? No, I wouldn't. I hate it. you want to take it home? It will | :40:40. | :40:45. | |
go on the mantelpiece and with the cards. My husband is Swedish and we | :40:45. | :40:48. | |
celebrate a Swedish Christmas. We have the straw decorations and they | :40:48. | :40:57. | |
do have little gingham dresses on, angels and made of straw. Tip is, | :40:57. | :41:02. | |
gingham for 2013 actually. That's the inside tip. The only concrete | :41:02. | :41:08. | |
faggot you've brought with you. fact you've brought with you. | :41:08. | :41:13. | |
Fashion forward. We'll see you the next time next year. With more | :41:13. | :41:19. | |
answers. For the people of Malmesbury, 2012 will be remembered | :41:19. | :41:22. | |
for the worst floods in 70 years, tonight, hopefully there's reason | :41:22. | :41:30. | |
to be a bit more cheerful. There's loads of reasons to be happy | :41:30. | :41:33. | |
tonight. Welcome back to the Town Hall. For the past month this has | :41:33. | :41:38. | |
been the headquarters of the flood rescue operation. Give us a kiss. | :41:38. | :41:40. | |
Right now, this is where the community Christmas party is being | :41:40. | :41:48. | |
held. We love party poppers. Now Jennie, | :41:48. | :41:52. | |
your home was worst hit and worst flooded here. Has this been good | :41:52. | :41:55. | |
for you tonight? It's been nice for everybody to get together and talk | :41:55. | :41:58. | |
about everything and see each other and see how we're getting on. | :41:58. | :42:02. | |
haven't had a chance to think about Christmas, have you? Not really. | :42:02. | :42:06. | |
We've only thought about sorting ourselves out, finding somewhere to | :42:06. | :42:11. | |
live and sortding things out in our new homes. Phill and Julie from the | :42:11. | :42:15. | |
football club, take a deep breath. You've been very stressed. It's | :42:15. | :42:18. | |
been good tonight. It's been great and it's nice to see the community | :42:18. | :42:21. | |
together. We've had the news that the mayor is going to give us | :42:21. | :42:24. | |
something from the flood appeal to help with the damages. That's great. | :42:24. | :42:29. | |
The football club lives on. Then Tom and Carol, it must be great to | :42:29. | :42:33. | |
be here. So many people have said you have been amazing. It's good to | :42:33. | :42:38. | |
hear. We open the doors early in the morning, tea and coffee and a | :42:38. | :42:44. | |
place to keep people warm. might recognise this fellow here, | :42:44. | :42:48. | |
it's Ryan from the Great British Bake Off. You've made a cake. | :42:48. | :42:55. | |
Mary. Today I made fruit berry genoise for the good people of | :42:55. | :43:01. | |
Malmesbury. Excellent. We have got the Fire & Rescue Service here who | :43:01. | :43:05. | |
did Stirling work. The Atherstone players too. The panto will go on. | :43:05. | :43:09. | |
And also, the Malmesbury school choir have said they will sing us | :43:09. | :43:12. | |
out tonight. That's all from us. Take care. | :43:12. | :43:22. | |
:43:22. | :43:24. | ||
# Hark, the herald angels sing # Glory to the newborn king | :43:24. | :43:34. | |
:43:34. | :43:35. | ||
# Peace on earth and mercy mild # God and sinners reconciled | :43:35. | :43:45. | |
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# Joyful all ye nations rise... # They're having a great time. Ryan | :43:49. | :43:53. | |
from the break off was there - break off? It's bake off. Mary | :43:53. | :43:59. | |
people want tips because people are pickled with Christmas cake | :43:59. | :44:02. | |
dilemmas. One thing we have always loved is | :44:02. | :44:06. | |
your consistence with good quality, fresh ingredients. For chilli, you | :44:06. | :44:12. | |
need a can of minced beef with onion. All the gravy is here. And a | :44:12. | :44:17. | |
can of beans. This will go down very well with young people. They | :44:17. | :44:23. | |
seem to like beans. So good grown up fathers, if he's my husband. | :44:23. | :44:29. | |
What was going on there, do you remember that? I do. It was when | :44:29. | :44:37. | |
there was a crisis and you had to do cheap meals. I was asked to use | :44:37. | :44:41. | |
canned things. That was a bean pot. I've never use aid can of mince | :44:41. | :44:45. | |
since. My dad uses those ingredients and the same saucepan | :44:45. | :44:50. | |
even today. I remember that saucepan with all the brown and the | :44:50. | :44:55. | |
stripes. I loved Judith's outfit, wasn't it nice. She's still lovely. | :44:56. | :45:05. | |
:45:06. | :45:11. | ||
Lots of people have E-mailed in asking for advice. It's time for... | :45:11. | :45:19. | |
Mary's Christmas Cake Clinic. Surgery's open. Casualty music is | :45:20. | :45:23. | |
slightly sin cull. First question from Jennie. I know a lot of people | :45:23. | :45:28. | |
pick off the icing and marzipan because they don't like it. How | :45:28. | :45:35. | |
else can you decorate a cake. don't like too dark a cake. Instead | :45:35. | :45:41. | |
of the Marsy pan and royal icing, just brush over the top with a | :45:41. | :45:44. | |
little apricot jam and you can little apricot jam and you can | :45:44. | :45:48. | |
sieve it if you want to. That makes fruit stick. I will put all sorts | :45:48. | :45:54. | |
of glace fruits. It's a quick finish. If you wanted a marzipan | :45:54. | :45:59. | |
layer you could have one there. Then you put fruit across the top. | :45:59. | :46:06. | |
While you're talking, let's have some questions. This is Denise from | :46:06. | :46:11. | |
Derbyshire. They say, "Our cake is dry and I've been feeding it since | :46:11. | :46:16. | |
October with brandy, how can I rescue it." How does she know it's | :46:16. | :46:20. | |
dry if she hasn't eaten it? That's a good point. If it's going to be | :46:20. | :46:27. | |
dry, you'll just have to go on feeding it. You can't start again. | :46:27. | :46:34. | |
It might be fine then. Don't worry Denise and Matthew. Saina would | :46:34. | :46:38. | |
like to know - how can you make a Christmas cake without alcohol, can | :46:38. | :46:42. | |
you replace it with anything? soak my fruit normally with alcohol | :46:42. | :46:47. | |
because everybody knows I do like a tipple. You can soak the fruit in | :46:47. | :46:52. | |
orange juice. Particularly if the fruit is dry. Soak it for 24 hours | :46:52. | :46:55. | |
in the same quantity as the recipe says for brandy or something and | :46:55. | :47:00. | |
that will plump up the fruit and it will be delicious. This one might | :47:00. | :47:04. | |
led on from that. It's from 13- year-old Ash. "I'm planning on | :47:04. | :47:07. | |
making my first Christmas cake ever, is there enough time to start | :47:07. | :47:14. | |
soaking my fruit? Absolutely. If you want to soak the fruit, if you | :47:14. | :47:19. | |
warm the alcohol and just put it over a low heat it will absorb it. | :47:19. | :47:24. | |
How late can do you it then? When is the last possible? I suppose two | :47:24. | :47:28. | |
days before Christmas. Remember, when you actually cut it, it is | :47:28. | :47:33. | |
going to crumble. The reason why we make it ahead is because it firms | :47:33. | :47:43. | |
:47:43. | :47:47. | ||
disaster, "I forgot to put my eggs in until it had been in the often | :47:47. | :47:52. | |
for 20 minutes. I beat the eggs and the cake has not risen. Mary, shall | :47:52. | :47:57. | |
I put it in the bin?" I wouldn't put it in the bin. It isn't the end | :47:57. | :48:00. | |
of the world. Once it is cooked, pour a little bit of alcohol over | :48:00. | :48:07. | |
the top, some brandy. Nobody will ever know! | :48:07. | :48:11. | |
This one comes from Dawn from Bristol. Her fruit in her cake | :48:11. | :48:14. | |
always sinks to the bottom every year, what can she do? The reason | :48:14. | :48:18. | |
for the fruit going to the bottom is that the mixture is too slack so | :48:18. | :48:22. | |
she needs a little more flour in it. You need the fruit to be supported | :48:22. | :48:27. | |
and if it is the mixture is runny, it will not be so good. | :48:27. | :48:33. | |
Look at that, Mary, you have done that incredibly well and then you | :48:33. | :48:38. | |
just put a glaze over the top and it is delicious and it is different. | :48:38. | :48:43. | |
You have one you made earlier under the kosh. | :48:43. | :48:47. | |
-- cloth. I didn't know it was under there. | :48:47. | :48:57. | |
:48:57. | :48:57. | ||
You have finished it. This reminds me of the Bake Off. | :48:57. | :49:00. | |
APPLAUSE That's perfect. Thank you very much, | :49:00. | :49:06. | |
Mary. People at home will be grit. Home grateful. | :49:06. | :49:14. | |
And Jenny, the next cake you eat is your birthday cake. We have a | :49:14. | :49:17. | |
your birthday cake. We have a special message for your birthday. | :49:17. | :49:23. | |
Happy birthday, Jenny Agutter, it is Chummy here. | :49:23. | :49:28. | |
# Happy birthday to you high pressure psh happy birthday to you, | :49:28. | :49:33. | |
Jenny Agutter # you don't look a day over 59. | :49:33. | :49:37. | |
Oh, cheeky! That's where we will leave it. | :49:37. | :49:43. | |
Anyway, many happy returns. Thank you Miranda. Wait until I see | :49:43. | :49:46. | |
you! The body language and everything. | :49:46. | :49:54. | |
We have sorted out Christmas cakes, now all we need is holly. | :49:54. | :49:58. | |
Luckily Ruth know as place where they have been growing it for | :49:58. | :50:01. | |
hundreds and hundreds of years. At Christmas we do love to bring | :50:01. | :50:06. | |
the outside idoors, a bit of hanging mistletoe, a tree for | :50:06. | :50:10. | |
decorating and there is one thing that really transforms a Christmas | :50:10. | :50:14. | |
pudding into a real Christmas pudding, a sprig of holly on top. | :50:14. | :50:19. | |
Traditionally used to symbolise the crown of thorns worn by Jesus. | :50:19. | :50:22. | |
Before the 18th century, holly trees were found in abundance | :50:22. | :50:27. | |
throughout Britain, but as agriculture changed, they started | :50:27. | :50:32. | |
to disappear. The one place that is truly the hollywood hills of | :50:32. | :50:40. | |
Britain is here at in in Shropshire. On these hills, there are around | :50:40. | :50:44. | |
500 ancient holly trees and most are thought to be three or four | :50:44. | :50:48. | |
centuries old. For hundreds of years, these trees served a vital | :50:48. | :50:52. | |
purpose for the people who worked and lived around the hills. John | :50:52. | :51:00. | |
Hughes is from the Shropshire Wildlife Trust. If you grab a holly | :51:00. | :51:05. | |
leave, it prickles you. The reason holly is prickly is it is trying to | :51:05. | :51:09. | |
protect itself from being eaten because it is so tasty and | :51:09. | :51:14. | |
nutritious. You look at a holly tree and what you you find is the | :51:14. | :51:17. | |
prickles start to disappear from about seven or eight feet up | :51:17. | :51:22. | |
because they don't need them up there because we don't have | :51:22. | :51:25. | |
giraffes to reach up and eat the leaves. | :51:25. | :51:32. | |
It was the tasty top leaves that were used to feed livestock during | :51:32. | :51:37. | |
the winter, but not all holly trees are the same. There is lovely red | :51:37. | :51:40. | |
berries on this one and some of the trees are covered in berries and | :51:40. | :51:44. | |
some don't seem to have any at all? That's one of the peculiar facts | :51:44. | :51:48. | |
about holly trees, you have male and female trees. Here we are by a | :51:48. | :51:53. | |
lady tree, a female tree, she has berries. If there aren't berries, | :51:53. | :51:59. | |
it is a male. Although bleak and wind swept, this | :51:59. | :52:04. | |
area had a hidden treasure in the 1800s that attracted people from | :52:04. | :52:07. | |
far and wide. 24 place was a hive of industrial | :52:07. | :52:11. | |
activity and people were drawn here for the led mining. | :52:11. | :52:18. | |
It was said this area had one of the richest sources of Lead ore in | :52:19. | :52:23. | |
Europe and a number of dwellings appeared. In the early 19th century, | :52:23. | :52:28. | |
miners were moving into this air ya a trying -- area and trying to fin | :52:28. | :52:33. | |
somewhere to -- find somewhere to live and little cottages started | :52:33. | :52:37. | |
springing up all over the place. The cottages were occupied as late | :52:37. | :52:43. | |
as the 1950s and over the past few years Simon from Natural England | :52:43. | :52:48. | |
has been leading the way to restore some of them. This is a fantastic | :52:48. | :52:53. | |
view, I should imagine it was bleak in the winter? It is it is bleak. | :52:53. | :52:59. | |
There are memories of the snow here on some of the bad winters being up | :52:59. | :53:07. | |
to the tor to the top floor windows. Yeah, people lived here because of | :53:07. | :53:12. | |
the mines. It was the largest mine in Europe at one time so they | :53:12. | :53:16. | |
spread up the hill where they could till a bit of land as well as | :53:16. | :53:18. | |
working the mines. And that involves a few animals | :53:18. | :53:22. | |
that you are trying to keep on next to nothing? Yes, it would have been | :53:22. | :53:26. | |
a few cows and sheep on the hill. And all of these you have got to | :53:26. | :53:31. | |
keep fed over the winter and and hence the need for the hollies? | :53:31. | :53:35. | |
it was part of using halfs around you -- what was around you. | :53:35. | :53:40. | |
Once other types of fodder were introduced the need for holly trees | :53:40. | :53:47. | |
to feed animals started to diminish, but these holly trees have survived, | :53:47. | :53:53. | |
thanks to being well looked after. A typical holly tree will live for | :53:53. | :53:58. | |
100 years and if you carry on cutting them, that might carry on | :53:58. | :54:02. | |
for 1,000 years and cutting the holly for Christmas is a way of | :54:02. | :54:07. | |
keeping it healthy. Locals still benefit from the holly | :54:07. | :54:12. | |
as it is sent to a nearby market to make wreaths and garlands and it | :54:12. | :54:16. | |
provides the perfect finishing touch for our traditional Christmas | :54:16. | :54:26. | |
:54:26. | :54:28. | ||
Oh, it started snowing already. We asked you to send in photos if you | :54:28. | :54:34. | |
were in your school nativity play. Louise Roberts proudly being an | :54:34. | :54:39. | |
angle aged four back in 1975. Ah, cute. Jenny, would you like to | :54:39. | :54:43. | |
go next? This is Richard as Joseph. It is over 20 years ago. He was | :54:43. | :54:47. | |
thrilled to get the part, but it was a non-speaking role. | :54:47. | :54:56. | |
Ah, you know how that feels. Mary? This is a junior school in | :54:56. | :55:02. | |
Norwich and it has been sent by Anthony Watson, he is in the centre | :55:02. | :55:06. | |
at the back. This is Claire as Mary and that was | :55:06. | :55:11. | |
This is Claire as Mary and that was 30 years ago. Shall we finish off | :55:11. | :55:16. | |
with Philippa? 1967. There she is in the school nativity and she is | :55:16. | :55:24. | |
the one next to Gabriil. Well, it is the Kaos Signing Choir for Deaf | :55:24. | :55:34. | |
:55:34. | :55:36. | ||
and Hearing Children and the British Paraorchestra. Well, things | :55:36. | :55:40. | |
have changed since we saw you last? They have. I was trying to get the | :55:40. | :55:45. | |
idea going. Now I have I have got a wonderful orchestra. | :55:45. | :55:54. | |
So you have played at the closing ceremony at the Paralympics? It was | :55:54. | :55:58. | |
beyond belief. Then this large audience around the world. | :55:58. | :56:04. | |
How did the collaboration with Coldplay come about? All credit to | :56:04. | :56:07. | |
Chris martening, he saw some YouTube footage of the orchestra | :56:07. | :56:11. | |
playing and he said, "We are playing in the choosing ceremony | :56:11. | :56:17. | |
and -- closing ceremony and you should be with us.". You left | :56:17. | :56:22. | |
Coldplay and you moved on to the choir. Hello. So you were in the | :56:22. | :56:28. | |
opening ceremony of the Olympics. How did all all 84 of your members | :56:28. | :56:31. | |
manage to keep that a surprise? Well, they did really, really well, | :56:31. | :56:35. | |
didn't you? Yes. They told their mums and grandmas, | :56:35. | :56:40. | |
but they kept it to themselves. You didn't realise that you were | :56:40. | :56:44. | |
going to be featured artists? when we opened the programme, we | :56:44. | :56:52. | |
were like wow, here we are in between Paul McCartney. | :56:52. | :56:56. | |
And singing for The Queen? We sang and sign the National Anthem. | :56:56. | :57:00. | |
Well, listen, you get yourself into position because you are about to | :57:00. | :57:04. | |
sing True Colours for us. You can download it now. | :57:04. | :57:12. | |
Thank you to our guests. Thanks to Mary. Thanks to Jenny. Mary's | :57:13. | :57:20. | |
Baking Bible is out soon. Call the Midwife is on Christmas Day. | :57:20. | :57:30. | |
:57:30. | :57:46. | ||
# You with the sad face # Don't be discouraged | :57:46. | :57:56. | |
:57:56. | :57:56. | ||
# The darkness inside you makes you feel so small | :57:56. | :58:01. | |
# Your colours and that's why I love you | :58:01. | :58:05. | |
# # So don't be afraid # To let that show | :58:05. | :58:11. | |
# Your true colours # True colours | :58:11. | :58:21. | |
:58:21. | :58:22. | ||
# Are are beautiful # I see your true colours shining | :58:22. | :58:24. | |
through # I see your true colours and | :58:25. | :58:30. | |
that's why I love you # So don't be afraid to let them | :58:30. | :58:35. | |
show # Your true colours | :58:35. | :58:43. |