Browse content similar to 20/09/2013. Check below for episodes and series from the same categories and more!
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The find out who the mystery chef is on the last barbecue weekend of the | :00:20. | :00:24. | |
year. Just put the shirt away. My special | :00:24. | :00:40. | |
barbecue shirt. You actually need to barbecue the shirt! Now I have let | :00:40. | :00:46. | |
my hair go back to its natural colour after dyeing it grave for ten | :00:46. | :00:53. | |
years. Unfortunately, the eyebrows tell a very different story! Welcome | :00:53. | :00:59. | |
to the one show with Alex Jones. And more ginger than ever, Chris Evans. | :00:59. | :01:07. | |
Let's revealed the identity of the mystery king of the barbecue! Its | :01:07. | :01:16. | |
handsome James Martin! Hello, James. How are you, my friend? A pleasure | :01:16. | :01:23. | |
to be here. We know you like our dining because | :01:23. | :01:29. | |
you have a big pizza oven in your garden. There has been a lot of talk | :01:29. | :01:34. | |
about a possible Indian summer this weekend so it could be last chance | :01:34. | :01:39. | |
saloon? Fingers crossed. The pizza oven takes half of the new Forest to | :01:39. | :01:43. | |
heat up so I will stick with the barbecue this weekend. It is looking | :01:43. | :01:48. | |
good. Better for Sunday than Saturday is what we are hearing. We | :01:49. | :01:52. | |
are talking about your new food show, you are back in the middle of | :01:52. | :01:58. | |
it. You fly over Britain. It is not just an excuse to show people you | :01:58. | :02:03. | |
can fly. But I bet you have never done this? | :02:03. | :02:11. | |
Look at this! With the microphone is still on, Alex! | :02:11. | :02:36. | |
You two are like a married couple! That was Paul Bond in the plane. He | :02:36. | :02:51. | |
is also a pilot for British Airways. What is the most impressive thing | :02:51. | :02:52. | |
is also a pilot for British Airways. you have done in your name? Landing! | :02:52. | :02:59. | |
You have done your pilot license. It is so nerve wracking when you go up | :02:59. | :03:04. | |
for the first time for the first solo. That stunt footage has been | :03:04. | :03:11. | |
taken as the blueprint for an impressive new sculpture. Here is | :03:11. | :03:13. | |
taken as the blueprint for an Lucy watching it being built and | :03:13. | :03:19. | |
delivered. This rather ordinary looking | :03:19. | :03:23. | |
warehouse on the outskirts of Hull is hiding a spectacular secret. A | :03:23. | :03:27. | |
team of artists has been toiling away in there on a work of art which | :03:27. | :03:31. | |
will be the longest permanent skull chair in Europe. -- sculpture. It is | :03:31. | :03:38. | |
not far off the length of a football pitch. The man behind this colossus | :03:38. | :03:43. | |
is Richard Wilson, one of the UK's most daring sculptors. He is famous | :03:43. | :03:51. | |
for cutting a huge chunk out of the building in Liverpool for the 2007 | :03:51. | :03:56. | |
arts festival. Oh, my God! That is brilliant! Now he has focused his | :03:56. | :04:04. | |
attention on stunt planes to create a sculpture for the new Heathrow | :04:04. | :04:09. | |
terminal two. How does it feel that your work is going into one of the | :04:09. | :04:14. | |
biggest airports in the world? Obviously, extremely excited. Very | :04:14. | :04:18. | |
proud of the whole team who have helped put this together and looking | :04:18. | :04:25. | |
forward to the launch next year. What is Slipstream about? It is | :04:25. | :04:31. | |
about a journey. Richard developed his work called Slipstream from | :04:31. | :04:37. | |
footage of stunt planes. It is talking about the conundrum in a | :04:37. | :04:41. | |
space that we make as passengers moving from a to B. Have you thought | :04:41. | :04:47. | |
about how many people will see it? Not until I was given a statistic | :04:47. | :04:52. | |
which is they who are expecting 20 million visitors both arriving and | :04:52. | :04:56. | |
departing per year. We have a purpose made audience. Albeit they | :04:56. | :05:01. | |
are not all versed in the grammar of sculpture, but everybody will share | :05:01. | :05:05. | |
in viewing this work and that is a great audience to have. To build | :05:06. | :05:11. | |
structure of this size, Richard turned to a whole -based company, | :05:11. | :05:20. | |
CSI. The sculpture is made of wood and aluminium and will be positioned | :05:20. | :05:26. | |
20 metres above the ground. Was it a hard structure to build? Slipstream | :05:26. | :05:31. | |
is a hard structure to build. It is a very complex form. You have to | :05:31. | :05:40. | |
work from the outside in. Only with computer aided design can you | :05:40. | :05:42. | |
achieve this. Can you explain to me, just give me some sense of the | :05:42. | :05:48. | |
scale? It is eight or nine double-decker buses, if you look at | :05:48. | :05:54. | |
it from that point of view. One of the main challenges is how we are | :05:54. | :05:58. | |
going to transport it. It is in Hull, how will we get it to the | :05:58. | :06:02. | |
site? Ultimately, it comes down to the idea of slicing. We are slicing | :06:02. | :06:08. | |
this beautiful shape going across the four corners. Transporting these | :06:08. | :06:13. | |
huge pieces of sculpture is no easy feat. This is the 15th chunk of | :06:13. | :06:21. | |
Slipstream. It has taken five guys just get it on the back of the truck | :06:21. | :06:25. | |
and now it will take six hours to drive it from hold to Heathrow. -- | :06:26. | :06:34. | |
from hole-macro to Heathrow. The schedule has been planned with | :06:34. | :06:39. | |
military precision. Finally, the Heathrow gates are pinning. Here it | :06:39. | :06:44. | |
is, the next bit of the slipstream jigsaw and I get to wave it in. | :06:45. | :06:54. | |
Standing here, you really get a sense of the enormous scale of this | :06:54. | :06:58. | |
project when it is finished and all the pieces are slotted together, it | :06:58. | :07:02. | |
will reach right down there. Slipstream will dominate this entire | :07:02. | :07:09. | |
space. I cannot wait to see it. 2014, it will be in situ on display | :07:09. | :07:14. | |
for the whole world to see. 20 million passengers a year will see | :07:14. | :07:20. | |
it. Fantastic sculpture. Lots of people might have seen you on BBC | :07:20. | :07:25. | |
Two because Food Map Of Britain, maybe not 20 million. What are you | :07:25. | :07:30. | |
trying to say? ! She is on fire tonight! It is a brand new series, | :07:30. | :07:37. | |
ten episodes, we are halfway through. It is you in your plane, is | :07:37. | :07:46. | |
it your plane? It is not my plane because it has an amazing camera | :07:46. | :07:51. | |
underneath it. If you have seen this series Planet Earth it is the same | :07:51. | :07:58. | |
camera. It produces amazing images all over the British Isles. It is | :07:58. | :08:02. | |
all about the topography of the land and linking back together and why | :08:02. | :08:07. | |
certain things grow in certain areas. It is linked to the weather. | :08:07. | :08:11. | |
You can only see that from above. It is affected either soil and the | :08:11. | :08:17. | |
climate. In certain areas of the UK you only get a specific arrangement | :08:17. | :08:22. | |
of food. So it is more than just a jolly. I was flying a lot but it was | :08:22. | :08:29. | |
long days flying and we were trying to do pieces to camera and use this | :08:29. | :08:35. | |
amazing camera at the same time. It produces these amazing images. 20 | :08:35. | :08:41. | |
million viewers, who knows? Lets see what you might have seen or might be | :08:41. | :08:47. | |
missing. The first ingredient you would be more likely to associate | :08:47. | :08:50. | |
missing. The first ingredient you with Italy. Hampshire is Britain's | :08:50. | :08:55. | |
most heavily wooded region with 20% of the county covered in woodland. | :08:55. | :09:00. | |
And it is home to a real gem, the truffle. The truffle. So truffles in | :09:00. | :09:09. | |
And it is home to a real gem, the Great Britain, you cannot get white | :09:09. | :09:13. | |
truffles, can you? You cannot get white ones. You can get rid of | :09:13. | :09:18. | |
summer truffles. Where we were filming this was literally miles | :09:18. | :09:21. | |
away from a house and I never knew they were existed -- I never knew | :09:21. | :09:27. | |
they existed. But each trees in this particular woodland were perfect for | :09:27. | :09:32. | |
it. They go hunting with these dogs. The lady tried to train my dog but | :09:32. | :09:38. | |
it did not really work. That is my dog on the right. He is not paying | :09:38. | :09:47. | |
any interest. Nice looking. You cook with all the ingredients that you | :09:47. | :09:52. | |
talk about. The key is linking in what goes on from the air to the | :09:52. | :09:55. | |
land and the fascinating mixture between the two and why certain | :09:55. | :09:59. | |
things are only produced in that area. We have only got one tea | :09:59. | :10:03. | |
plantation in the whole of the UK and that is just in one area of | :10:03. | :10:07. | |
Cornwall. The microclimate is very similar to the Himalayas because it | :10:07. | :10:11. | |
sits in a valley. When we went over there, flying, you can see the area | :10:11. | :10:16. | |
of that area of Cornwall. Literally when you are in that area it is very | :10:16. | :10:24. | |
damp, very musky and murky, perfect for tea. Really unusual. They | :10:24. | :10:28. | |
actually export that tea to China next Mac no way! Next week, if I was | :10:28. | :10:33. | |
going to what should one side of your show, and of course I will be | :10:33. | :10:38. | |
watching all of them, Wednesday's is a pretty good one? Highland cattle, | :10:38. | :10:45. | |
I am a big fan of them. All along the West Coast of Scotland, you go | :10:45. | :10:53. | |
right up there, we went up to lock fine where they produce amazing | :10:53. | :10:58. | |
langoustines. Most of them are exported to France and Spain. They | :10:58. | :11:03. | |
used to use them as scampi. When you venture inland you have the Highland | :11:03. | :11:06. | |
cattle and they were beautiful. Very slow mature and cattle, take about | :11:06. | :11:13. | |
three years to produce amazing meat. We go and see them. But what else | :11:13. | :11:20. | |
happens? We nearly get gored by a cow. We have the footage. It was | :11:21. | :11:31. | |
very close. I have the scars to prove it. We are in the middle, five | :11:31. | :11:38. | |
down and five to go. Monday we will look at the new Forest and | :11:38. | :11:41. | |
particularly the Isle of Wight. The best tomatoes in the world come from | :11:41. | :11:46. | |
the Isle of Wight. It is all to do with the double hit of the sunshine | :11:46. | :11:50. | |
and it produces a microclimate like nowhere else. While James is led | :11:50. | :11:57. | |
around Britain are his stomach, Cerys is a woman who is inspired by | :11:57. | :12:04. | |
music and poetry. She was recently in the Scottish capital. | :12:04. | :12:11. | |
I am here in Edinburgh, a city steeped in literature and culture. | :12:11. | :12:20. | |
Even the railway station is named after a novel, that is the Waverley, | :12:20. | :12:27. | |
by Sir Walter Scott. I'm here to walk in the footsteps of another | :12:27. | :12:30. | |
writer who created one of the most famous schoolteachers in Britain, | :12:30. | :12:36. | |
that is Muriel Spark and the prime of Miss Jean Brodie. Maggie Smith | :12:36. | :12:44. | |
immortalised the character in the film. I am in the business of | :12:44. | :12:51. | |
putting old head on young shoulders and all of my pupils are the creme | :12:51. | :12:57. | |
de la creme. She is a schoolmistress with unconventional teaching methods | :12:57. | :13:00. | |
and this puts her at odds with her colleagues. She says, give me a girl | :13:00. | :13:07. | |
at an impressionable age and she is mine for life. Miss Brodie's methods | :13:07. | :13:12. | |
were unusual. She prefers to talk about art, travel and her amorous | :13:12. | :13:24. | |
liaison is. iamb dedicated to you in my prime, and my summer in Italy has | :13:24. | :13:33. | |
convinced me that I am in my prime. They had travelled to Italy in the | :13:33. | :13:37. | |
1920s, and her adventures were detailed in young Muriel Price and | :13:37. | :13:42. | |
classroom, stories the writer would later exploit in her novel. How | :13:42. | :13:48. | |
similar was she to the character? She was glamorous, she liked | :13:48. | :13:51. | |
clothes, she liked foreign travel and art, she liked Italy. She taking | :13:51. | :13:59. | |
the children to sit under a tree, talking about her love life, her | :13:59. | :14:06. | |
travels around Italy... Yes, I think Muriel said at the time that lots of | :14:06. | :14:10. | |
women in those days were turned on by the uniform, in a sense. Before | :14:10. | :14:17. | |
the Second World War, fascism was sweeping Europe. 30 years later, | :14:17. | :14:23. | |
Muriel Spark uses Brodie's infatuation with teachers to show | :14:23. | :14:27. | |
that her judgment was far from perfect. Tell us about the Scottish | :14:27. | :14:32. | |
aspect of the novel. The fascinating aspect of that is that it is a very | :14:32. | :14:38. | |
Calvinist, dull country, and here was this ray of sunshine of this | :14:38. | :14:42. | |
person, Jean Brodie, who was determined not to be all of these | :14:42. | :14:47. | |
things. Mary tried to keep up with her. They were crossing the meadows, | :14:47. | :14:52. | |
a gusty expanse of common land, glaring green under the sky. Their | :14:52. | :14:57. | |
destination was the old town, for Jean Brodie had said they should see | :14:57. | :15:02. | |
where history had been lived. Edinburgh's most famous landmark | :15:02. | :15:05. | |
also features in the book. Now, they were in the great square, with the | :15:05. | :15:09. | |
castle, which in any case was everywhere, rearing up between the | :15:09. | :15:14. | |
big gap in the houses where the aristocracy used to live. Brodie | :15:14. | :15:18. | |
encourages the young people to pursue adventure and freedom, but | :15:18. | :15:22. | |
Muriel Spark shows us this is reckless. You have brought me down | :15:22. | :15:25. | |
to the river, which plays an important part in the book. Yes, one | :15:25. | :15:31. | |
of the girls comes down here for a walk, Jenny, and experiences | :15:31. | :15:33. | |
something extraordinarily unpleasant, a man flashing at her. | :15:33. | :15:44. | |
But when the news of this gets out, the other girls are told, do not go | :15:44. | :15:49. | |
off walking on your own, to places where you might fall into danger. Of | :15:49. | :15:52. | |
course, this is contrary to what they are being taught by Jean | :15:53. | :15:58. | |
Brodie. Yes, she wants them to go out and experience places where they | :15:58. | :16:04. | |
have never been. Jean Brodie was influential in many bad ways. But | :16:04. | :16:09. | |
the city plays a very influential part in the book. Yes, you could not | :16:09. | :16:19. | |
have the novel without Edinburgh. The novel was published in 1961, and | :16:19. | :16:24. | |
50 years on, it has become a modern classic. Edinburgh, like Miss | :16:24. | :16:29. | |
Brodie, and the teacher who inspired her, have this elegant, composed | :16:29. | :16:37. | |
persona, which fits in with the city itself. And Cerys Matthews is with | :16:37. | :16:50. | |
us now. Nice to see you. It I do not know about that hat I liked it. | :16:50. | :16:59. | |
Where you are from, in North Yorkshire, that has got a literary | :16:59. | :17:02. | |
connection as well. And you have the book in your restaurant. We have | :17:02. | :17:06. | |
made a little book to share with you about the connection. He made with | :17:06. | :17:12. | |
-- he made friends with a guy from Malton, and he moved back to Malton | :17:12. | :17:16. | |
and invited Charles Dickens to come back and visit him in his house, | :17:16. | :17:21. | |
called Eastthorpe. Yorkshire was so excited about the visit of Charles | :17:21. | :17:24. | |
Dickens, that it made the Yorkshire Gazette, in honour of his visit. And | :17:24. | :17:30. | |
then, so, he stayed with him there in the house, and that is his | :17:30. | :17:36. | |
friend, Charles Smithson's, house. He said, come on, Charles, come and | :17:36. | :17:40. | |
have a look at the family lawyer business in Chancery Lane. It was a | :17:40. | :17:48. | |
lawyer's business, and Charles was so enamoured by this place that he | :17:48. | :17:52. | |
modelled Scrooge's counting office on this business. And the office is | :17:52. | :17:58. | |
in a little alleyway, isn't it? It is. Do you live that way? No, not | :17:58. | :18:06. | |
there, I normally park my car near there and go down the restaurant. | :18:06. | :18:14. | |
You recognise it? It has got a specific curve, and then the bells, | :18:14. | :18:21. | |
the bells of St Leonard's Church, apparently, they herald the arrival | :18:21. | :18:24. | |
of the ghosts in the novel, A Christmas Carol. Can you confirm | :18:24. | :18:29. | |
that isn't St Leonard's Church? It is, yes, I went to school in | :18:29. | :18:34. | |
Wellington... It is not about you, this. Sorry, you are on BBC One | :18:34. | :18:42. | |
tomorrow morning. There is a connection with this book, which | :18:42. | :18:46. | |
James has had in his rest want. This book came up for auction recently in | :18:46. | :18:48. | |
James has had in his rest want. This New York, and it was a group of | :18:48. | :18:54. | |
local businessmen, in a campaign spearheaded by none other than | :18:54. | :18:56. | |
Selina Scott, another auction, and they made enough money to buy that | :18:56. | :19:00. | |
at auction. Yes how much it went for. If it is in Yorkshire... Ready | :19:00. | :19:09. | |
7000. And they succeeded in winning that bid, and they brought it back | :19:09. | :19:13. | |
to the University of your. -- 27,000. Why York, and not Malton? | :19:13. | :19:22. | |
Because they do not have a university in Malton. This could be | :19:22. | :19:29. | |
your last chance to have a barbecue this year, over the weekend. Do you, | :19:29. | :19:34. | |
James Martin, take this lady, Cerys Matthews, to be your barbecue Queen | :19:34. | :19:39. | |
for the end of the show? Yes, I do. To you, Cerys Matthews, take James | :19:39. | :19:45. | |
Martin to be your barbecue king at the end of the show? I guess so. Get | :19:45. | :19:53. | |
to Europe rather do, then. We have had e-mails, by the way, about your | :19:53. | :19:59. | |
hair. -- get to your barbecue. Anyway, every year, the National | :19:59. | :20:04. | |
portrait Gallery hangs up a picture of a Great Briton who has changed | :20:04. | :20:08. | |
people's lives, called the People's Portrait. For the first time this | :20:08. | :20:12. | |
year, it was decided by One Show viewers, from a choice of 12 amazing | :20:12. | :20:17. | |
individuals, such as Michael Palin, Doreen Lawrence, Clive Stafford | :20:17. | :20:21. | |
Smith, Esther Rantzen, the list goes on. So who did you vote for? Reveal | :20:21. | :20:25. | |
yourself, the People's Portrait winner... | :20:25. | :20:39. | |
Hello. I just wanted to say a very big thank you to all of The One Show | :20:39. | :20:48. | |
viewers who voted for me. I am very, very flattered. I was up | :20:48. | :20:53. | |
against some very iconic people, and for me, and ordinary lad from a | :20:53. | :20:57. | |
council estate, to be hanging in the National portrait Gallery, this is | :20:57. | :21:01. | |
something very special. Thank you so very much from the bottom of my | :21:01. | :21:06. | |
heart. I really am truly, very, very flattered. Thank you. | :21:06. | :21:15. | |
Congratulations to Simon Weston. We will be following Simon, as he has | :21:15. | :21:18. | |
his portrait painted, and we will show it to you when it is done. Now, | :21:19. | :21:23. | |
how often do you do something because you want to do it? How often | :21:23. | :21:26. | |
how often do you do something do you do it just because everybody | :21:26. | :21:30. | |
else is doing it? Here is Michael Mosley to explain. We like to think | :21:30. | :21:37. | |
of ourselves of individuals, but are we aware of when we are and when we | :21:37. | :21:40. | |
are not act king of our own free will? New research is investigating | :21:40. | :21:46. | |
this matter of peer group pressure. Back in the 1950s, social | :21:46. | :21:52. | |
psychologist Solomon Ash did some ground-breaking work on the power of | :21:52. | :21:57. | |
conformity. He wanted to understand why ceremony people in Germany had | :21:57. | :22:03. | |
conformed to Nazi ideology, and his experiments revealed just how | :22:03. | :22:04. | |
powerful a force peer pressure can experiments revealed just how | :22:04. | :22:09. | |
be. What he showed is that can take few as three people to exert enough | :22:09. | :22:14. | |
social pressure to change the pressure of one unwitting person, | :22:14. | :22:18. | |
even if what they are doing is frankly ridiculous. We are going to | :22:18. | :22:22. | |
test that idea. I have got my four stooges, and we are going to try and | :22:22. | :22:25. | |
find our unwitting member of the public. | :22:25. | :22:33. | |
We are doing a cognitive test. We are asking numbers of the public to | :22:33. | :22:41. | |
do the experiment, as it was carried out many decades ago. This film from | :22:41. | :22:48. | |
the 1970s shows how the test works. The experiment involves a perception | :22:48. | :22:51. | |
of line length. The test will be to look at the line on the left and | :22:51. | :22:55. | |
indicate which of the three lines on the right is equal to it in | :22:55. | :23:00. | |
length... The subject was not told that his fellow participants were | :23:00. | :23:03. | |
stooges, who were all going to give the wrong answer. One. One. One. | :23:03. | :23:13. | |
Two. Amazingly, in the original test, up to three quarters of | :23:13. | :23:17. | |
subjects ignored the obviously correct answer and copied the | :23:17. | :23:27. | |
stooges. Three. Three. But what will happen when our subject take the | :23:27. | :23:42. | |
same line test? A. A... It seems this man is not so easily | :23:42. | :23:49. | |
influenced. This interest could give psychologist has studied the results | :23:49. | :23:54. | |
and thinks we are now less conformist. I think we are more | :23:54. | :24:00. | |
selective these days about the groups or the group memberships that | :24:00. | :24:05. | |
we used to define ourselves. Over the course of the day, we conducted | :24:05. | :24:11. | |
the test with five subjects, and not a single participant gave a wrong | :24:11. | :24:23. | |
answer. The results suggest we have become less conformist, which seems | :24:23. | :24:29. | |
significant. We decided to try the test again in the more informal | :24:29. | :24:35. | |
setting of a shopping centre, again on a question which had been agreed | :24:35. | :24:39. | |
beforehand, without stooges once again primed. C. C. C. C. Over the | :24:39. | :24:56. | |
day, more than half of those who took part conformed, following the | :24:56. | :24:59. | |
stooges, and giving the wrong answer. I just followed everyone, | :24:59. | :25:07. | |
really. We have carried out one more secret test on our original | :25:07. | :25:10. | |
subjects. Before they entered the building, our team rigged the lift, | :25:10. | :25:16. | |
and then as they got in, are stooges all faced in the same direction. | :25:16. | :25:20. | |
Would our subject to the same, when secretly filmed? So, they are | :25:20. | :25:27. | |
getting in the lift. Now, you are all staring at the same direction, | :25:27. | :25:31. | |
at this war. Were you aware of doing that? No, I was not aware of what | :25:31. | :25:40. | |
everybody else was doing. You are facing the same way as all of the | :25:40. | :25:44. | |
other people in the lift. I was not really aware of that. I suspect that | :25:44. | :25:51. | |
we are less conformist than we were in the 1950s, but nonetheless, we | :25:51. | :25:56. | |
are still subject to subtle social pressures. So, if you find yourself | :25:56. | :25:59. | |
doing something unexpected, ask yourself why. Going up! Why indeed. | :25:59. | :26:07. | |
Next week, Ronnie Corbett is here, and we want to know your favourite | :26:08. | :26:12. | |
sketches, so you can e-mail them to us. I presume they are sketches by | :26:12. | :26:28. | |
The Two Ronnies. Yes, indeed. What are we cooking up? We have got | :26:28. | :26:35. | |
langoustines, these are the best langoustines, in the world, I think, | :26:35. | :26:39. | |
and they come from Northern Ireland and Scotland, particularly the West | :26:39. | :26:48. | |
side of Scotland. These ones come from Loch Fyne. Amazing creatures. | :26:48. | :26:55. | |
We export most of them, but we should be eating a lot more of them. | :26:55. | :27:00. | |
If you carry on cooking them, they go tender again, is that right? No. | :27:00. | :27:08. | |
I am going to have to go for the Welsh Lamb. Welsh Lamb is fantastic | :27:08. | :27:15. | |
on the barbecue as well. Ideally, marinate it beforehand, and do not | :27:15. | :27:20. | |
overcook it. Lamb like this you only want to cook for ten minutes, no | :27:20. | :27:23. | |
more than that. Season it afterwards, like the beef. Tell me | :27:23. | :27:29. | |
what you think. I fancy a bit of beef, British beef, but not from | :27:29. | :27:36. | |
England, Scotland or Wales... This is dexter beef, the size of the fill | :27:36. | :27:43. | |
it is much smaller. These are featured in your series? They are, | :27:43. | :27:52. | |
these are the short leaded cattle. -- short leaded cattle. This dexter | :27:52. | :28:00. | |
beef is amazing, it is slightly gamey. Short-legged. One of the | :28:00. | :28:12. | |
first things we finished on the barbecue was the pork, tell us about | :28:12. | :28:17. | |
that. It is Lincolnshire pork, it is all to do with the it is quite sandy | :28:17. | :28:24. | |
there, perfect weather conditions for outdoor pork, but not for arable | :28:24. | :28:28. | |
crops. Certain arable crops to grow well in Lincoln, but this one, in | :28:28. | :28:33. | |
particular, it is a fantastic outdoor crop. Yes, we are back on | :28:33. | :28:35. | |
air tomorrow, with Saturday Kachin. outdoor crop. Yes, we are back on | :28:35. | :28:43. | |
That is at ten o'clock tomorrow. That is it for tonight. Enjoy the | :28:43. | :28:48. | |
last barbecue weekend, or what could be, the last of 2013. James's new | :28:48. | :28:57. | |
series is on every night, BBC Two, six .30pm. | :28:57. | :28:57. |