Browse content similar to 21/12/2012. Check below for episodes and series from the same categories and more!
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Hello. Ho, ho. Ho. Welcome to the One Show before Santa comes down | :00:30. | :00:35. | |
the chimney. She's Alex Jones. Chris Evans. Tonight our primary | :00:35. | :00:38. | |
school nativity stars go live. Phil Tufnell and Sister Wendy give | :00:38. | :00:42. | |
us a festive feast for the eyes. And our guest is the top chap of | :00:42. | :00:44. | |
Top Gear, James May. James May is here. | :00:44. | :00:50. | |
Plus, that music you hear - it's being whistled live by this man. | :00:50. | :00:57. | |
David Morris, world champion whistler. He's so cool, isn't he? | :00:57. | :01:02. | |
He's incredible. He's the best. James, Christmas shopping, how is | :01:02. | :01:07. | |
it going for you? I haven't done it yet. Petrol stations are open | :01:07. | :01:11. | |
Christmas eve. Oh, no. I'll do it tomorrow. It's going to be a quiet | :01:11. | :01:15. | |
one, isn't it? Yes, I am staying home for the first time in quite a | :01:15. | :01:18. | |
long time. It's just me and the missus - sorry, I shouldn't say | :01:18. | :01:23. | |
that in this day and age, durky, Christmas carols around the piano. | :01:24. | :01:28. | |
From tonight? Yes, Tiny Tim and all of that stuff. Very nice. | :01:28. | :01:38. | |
Traditional, sweet and charming. Very Mayish. Very Mayish. The | :01:38. | :01:41. | |
Christmas special you usually give us is the Top Gear Christmas | :01:41. | :01:45. | |
Special. We have news - it's not in dear, is it? We have done a | :01:45. | :01:49. | |
Christmas special technically. It's not very Christmasy because it's | :01:49. | :01:54. | |
fairly well known it takes place in Africa, where it's hot and it's not | :01:54. | :01:59. | |
in December, but March. Apart from that... It was February, but you | :01:59. | :02:04. | |
moved it back even further from Christmas. Yes, we moved it further | :02:04. | :02:07. | |
back because we thought people might mistake it as something | :02:07. | :02:10. | |
festive for Christmas. It's March. In Somerset celebrating Christmas | :02:10. | :02:14. | |
200 feet below the earth in Frozen Deep, the cave we proved was the | :02:14. | :02:17. | |
biggest in Britain earlier this year. Yes. The question is, can you | :02:17. | :02:19. | |
beat it? Send us photos of you celebrating | :02:19. | :02:22. | |
Christmas in a strange place please. We'll show some later, when James | :02:22. | :02:27. | |
will also tell us about playing with his new big toy. | :02:27. | :02:32. | |
After our Christmas, the Paper Plane Superstars challenge on Toy | :02:32. | :02:35. | |
Stories. Now, our first film is all about | :02:35. | :02:41. | |
the story behind this Christmas classic. | :02:41. | :02:51. | |
:02:51. | :03:03. | ||
If you let it, Christmas can become the season of stress and traffic | :03:03. | :03:07. | |
jams. Suddenly, it can lift and you see the festive way ahead when a | :03:07. | :03:13. | |
song comes on, and it sums up what it's really all about. It's about | :03:13. | :03:20. | |
dropping everything for two weeks and doing Christmas. Chris Rea's | :03:20. | :03:23. | |
Driving Home For Christmas is a seasonal standard, but it could | :03:23. | :03:29. | |
almost have been his swan song. He began writing the track whilst he | :03:29. | :03:38. | |
was working here at Abbey Road Studios trying to emulate the | :03:38. | :03:48. | |
success of the song You're a Fool If You Think It's Over. | :03:48. | :03:51. | |
His wife Joan drove down from Middlesbrough to pick him up for | :03:51. | :03:56. | |
the Christmas break. My career at that point was really on the floor. | :03:56. | :04:00. | |
I'd ceased to become the popstar that the record companies wanted me | :04:00. | :04:05. | |
to be, and I was about to be dropped, so it was pretty ropey | :04:05. | :04:15. | |
:04:15. | :04:16. | ||
when we left Abbey Road that night. We had been discussing opening an | :04:16. | :04:19. | |
Italian restaurant and leaving the music business. We started to drive | :04:19. | :04:23. | |
hope. It was snowing when we left Abbey Road. And we were young. We | :04:23. | :04:28. | |
were in love. I just felt happy. I felt stuff the stuff that's | :04:28. | :04:31. | |
happening in my career. It's Christmas. There was a little tune | :04:31. | :04:40. | |
I had in my head which was Christmasy, you know? Mukhachyov | :04:40. | :04:47. | |
# I'm driving home for Christmas # Oh, I can't wait to see those | :04:47. | :04:51. | |
faces # We're all driving home for | :04:51. | :04:56. | |
Christmas, and I do silly things like wind the window down, wish | :04:56. | :05:01. | |
this person a happy Christmas. I just scribbled the lyrics down, | :05:01. | :05:06. | |
just so I don't forget. I always do that, back of a fag packet, that | :05:06. | :05:12. | |
kind of thing. We eventually got home 5.30am. What I always remember | :05:12. | :05:17. | |
is when we opened the house that we - just about to lose the mortgage | :05:18. | :05:24. | |
on - the snow fell in the hall and didn't melt. | :05:24. | :05:26. | |
LAUGHTER It was that cold, and there was one | :05:26. | :05:30. | |
letter on the floor, and I opened it, and it was the PRS statement | :05:30. | :05:38. | |
for Fool If You Think It's Over in America. Those were your writing | :05:38. | :05:44. | |
royaltys? Yeah. She was having to check the notes, and it was just a | :05:44. | :05:47. | |
Christmas story, you know? It was like I just said to her, well, | :05:47. | :05:55. | |
we're going to have the big tree. # Well, a thousand memories... That | :05:55. | :06:00. | |
part of the leer ic I love is "a thousand memories". Why is coming | :06:00. | :06:05. | |
home so important for you? At that point in time it was huge because I | :06:05. | :06:08. | |
was very happy personally in Middlesbrough. We were Irish | :06:09. | :06:12. | |
Italians. The total family - there was nine of us. Christmas was huge. | :06:12. | :06:16. | |
Christmas was more special then. I always loved coming down about | :06:16. | :06:24. | |
4.00am in the morning, and it would be icy waste or snow outside, and | :06:24. | :06:30. | |
the final was still on. It's magic. It is magical. The unexpected | :06:30. | :06:33. | |
royalty cheque helped turn things around for Chris, and a few years | :06:33. | :06:37. | |
later with his career on the rise again, he came back here to Abbey | :06:37. | :06:41. | |
Road to record his Christmas classic. The wonderful magic of | :06:41. | :06:46. | |
this song is, this was where I got the first idea, and also, years | :06:46. | :06:50. | |
later when you became successful, this is where the strengths were. | :06:50. | :06:54. | |
How do you feel about that song now when you hear it? I went through a | :06:54. | :06:59. | |
period of being cynical. I went through - with all of my illnesses, | :06:59. | :07:04. | |
I didn't - I couldn't go there. It used to make me depressed, you | :07:04. | :07:07. | |
know? I would think of a time when I wasn't ill. I quite like it now. | :07:08. | :07:11. | |
# Though you can't hear me when I get through # | :07:11. | :07:16. | |
It's one of those silly moments, and I think we all - we all get | :07:16. | :07:21. | |
silly at Christmas. # I'm driving home for Christmas # | :07:21. | :07:25. | |
It's got to be in your top five... It's a brilliant song. What about | :07:25. | :07:31. | |
Flying Home for Christmas - look at this picture! The boys and girls in | :07:31. | :07:34. | |
Afghanistan flying home for Christmas. What a touching sight. | :07:34. | :07:38. | |
That is a good picture. James, there may not be a Top Gear | :07:38. | :07:42. | |
Christmas Special, well, there is in March, but there is a James May | :07:42. | :07:47. | |
Toy Stories special. There is. is where you relive your childhood | :07:47. | :07:57. | |
:07:57. | :07:59. | ||
making toys bigger and better. it's an attempt to discover science | :07:59. | :08:04. | |
through toys. Which toy are you obsessed with for Christmas? Flying | :08:04. | :08:09. | |
toys but particularly those toys they would have made in the '70s at | :08:09. | :08:15. | |
Christmas - balsa wood - toys you spent ages, days sticking together | :08:15. | :08:20. | |
for Christmas. We supersized it and gone for a record. We're | :08:20. | :08:23. | |
celebrating the magic of flight which grips people at a really | :08:23. | :08:29. | |
early age. We explain it's not magic because it's simple physics. | :08:29. | :08:32. | |
It's easy to understand basic air row dynamics but then when you fly | :08:32. | :08:36. | |
something, it's completely magic. When you talk of a free flight, | :08:36. | :08:40. | |
which we'll see in a moment or two - you urge it to keep going, and | :08:40. | :08:45. | |
you tend to get more excited the further and further it goes. Model | :08:45. | :08:50. | |
aeroplanes are basically sustained by hope rather than anything that | :08:50. | :08:54. | |
happens in the world of physics. Shall we see a little bit of that | :08:54. | :09:04. | |
:09:04. | :09:16. | ||
hope? Look at that. That's better! Oh! Oh! It's still flying. Go, baby. | :09:16. | :09:20. | |
That is best model aeroplane I have ever been involved with. Every | :09:20. | :09:25. | |
other one I built ever got only as far as that bush there. Look at | :09:25. | :09:27. | |
that. It's almost out of sight. APPLAUSE | :09:27. | :09:32. | |
I mean, it did work out in the end. We won't give away the ending | :09:32. | :09:35. | |
completely, but some things did go wrong? Oh, yeah, virtually | :09:35. | :09:40. | |
everything went wrong. It's a simple idea - build a balsa wood | :09:40. | :09:45. | |
glider and fly it. In some ways the bigger you build it, the better it | :09:45. | :09:53. | |
is. But yeah, we had problems with logistics, problems with | :09:53. | :09:56. | |
international politics, probables with... Problems with the French? | :09:57. | :10:04. | |
How much can you tell us about that. I do give a little soliloquy on the | :10:04. | :10:07. | |
white cliffs of Dover which makes the problem quite clear, I think. | :10:07. | :10:10. | |
LAUGHTER It's to do with the world record | :10:10. | :10:13. | |
attempt, wasn't it? Yes. We did want a world record. There is one | :10:13. | :10:18. | |
that exists for a free flight distance by a toy glider, by a | :10:18. | :10:24. | |
basic balsa wood glider, but things like the weather - this has been a | :10:24. | :10:28. | |
very bad year for filming things outdoors in Britain. It has, James. | :10:28. | :10:34. | |
Just like a Sheffield. A bit dreary. Everybody watches thinking at least | :10:34. | :10:38. | |
we can see something nice on television - it's not. It's rain | :10:38. | :10:42. | |
and gales. You were going to launch this from a Baloon, but in the end | :10:42. | :10:46. | |
you had to do it from beneath a helicopter. Yeah. That gave us a | :10:46. | :10:48. | |
problem as well because theoretically when you launch from | :10:48. | :10:53. | |
a bool on, it is stationary with the air. The balloon moves with the | :10:53. | :10:58. | |
air, so it's like throwing it out the window, but if you do it from a | :10:58. | :11:01. | |
helicopter, you have this massive downdraft from the rotars. There's | :11:02. | :11:06. | |
various risks of the glider flying into the helicopter. So we had to | :11:06. | :11:12. | |
run it the last minute - a day-and- a-half before, I had to get my | :11:12. | :11:16. | |
chief engineer working on a system to launch it. If it hadn't worked, | :11:16. | :11:21. | |
I wouldn't be here talk to you now. It's very exciting. Any show that | :11:21. | :11:27. | |
involves you having your own chief engineer is amazing. He actually | :11:27. | :11:32. | |
lives in my house. James May's Toy Stories Kung Foo Fighting is Sunday | :11:32. | :11:38. | |
at 9.30pm on BBC Two. Don't miss it. It's a great hour of TV. For the | :11:38. | :11:40. | |
past two days we've been following rehearsals for Battlefield | :11:40. | :11:43. | |
Primary's nativity, and tonight it's time to find out whether the | :11:43. | :11:46. | |
play was all right on the night. And Carrie's on double duty tonight | :11:46. | :11:49. | |
as she's in Glasgow with some very proud parents and teachers. | :11:49. | :11:51. | |
It is the actual proper nativity performance for all your mummies | :11:51. | :12:01. | |
:12:01. | :12:07. | ||
and daddies. How excited are you? Yeah! Yeah. He has to wear tensile | :12:07. | :12:17. | |
:12:17. | :12:22. | ||
We have 246 seats today. We're hoping that'll be enough. This way. | :12:22. | :12:26. | |
I think we'll get a bit scared when we're on stage, but I think we'll | :12:26. | :12:33. | |
do really well. # Little town of Bethlehem | :12:33. | :12:40. | |
# What a starry sky # You will see amazing things | :12:40. | :12:49. | |
# On the special night # Tonight, tonight | :12:49. | :12:59. | |
:12:59. | :13:02. | ||
# On the way you'll see # It's exciting because we're going | :13:02. | :13:10. | |
to be good. # My house is very, very - | :13:11. | :13:17. | |
# We've all been getting in a tizzy # We've not got any room at all # | :13:17. | :13:24. | |
Please, sir, can you help us? David Weirry and need sleep. I suppose I | :13:24. | :13:27. | |
can squeeze you into the stables. It's a bit smelly, but you'll have | :13:27. | :13:32. | |
to mind the animals, and you're welcome. Usually something goes a | :13:32. | :13:36. | |
bit wrong, but it adds - adds to the flavour. | :13:36. | :13:41. | |
CRASH I am going to be a wee bit nervous, | :13:41. | :13:46. | |
but I think I can do it. There in the stable before it was dawn, a | :13:46. | :13:56. | |
:13:56. | :13:58. | ||
# It's amazing # It's a wee little baby boy | :13:58. | :14:02. | |
# It's amazing # There is no mistaking | :14:02. | :14:05. | |
# It's a baby # We're going to enjoy # | :14:05. | :14:10. | |
Have you packed the camels? Yes, they're all ready. Let's follow | :14:10. | :14:19. | |
that star. A very special baby boy has just been born in Bethlehem. | :14:19. | :14:24. | |
All those angels, we must go and see this baby. He must be very | :14:24. | :14:29. | |
special. Let's take him a little lamb for a present. Now it's time | :14:29. | :14:33. | |
to say goodbye. It's time we must be stopping. | :14:33. | :14:41. | |
ALL: So hurry up and grab your bags and do that Christmas shopping. | :14:41. | :14:44. | |
# Hallelujah, sing hallelujah # The children really rose to the | :14:44. | :14:49. | |
occasion. # Hallelujah | :14:49. | :14:58. | |
# Sing hallelujah # Christ is born today # | :14:58. | :15:05. | |
ALL SPEAK AT ONCE All of my friends did a really, | :15:05. | :15:14. | |
really good job. # And stamp your feet | :15:14. | :15:18. | |
# Swing your heads around to the beat # | :15:18. | :15:26. | |
Just - it's done. I've done it! # Hallelujah | :15:26. | :15:28. | |
# Sing hallelujah # Christ is born today # | :15:28. | :15:38. | |
:15:38. | :15:38. | ||
APPLAUSE Ah, aren't they lovely? Beautiful, | :15:38. | :15:46. | |
and that's why YOU should have children. Right. Carrie is on | :15:46. | :15:50. | |
double duty tonight, as she's in Glasgow with some very proud | :15:50. | :15:54. | |
parents and teachers. Welcome to Glasgow. | :15:54. | :15:56. | |
APPLAUSE How cute are the children of | :15:56. | :15:59. | |
Battlefield Primary? They're so cute, and they're here with us live. | :15:59. | :16:02. | |
It's great to have you with us. Hazel, you were taking that ever so | :16:02. | :16:05. | |
seriously. How have they done? have been brilliant, absolutely | :16:05. | :16:08. | |
fabulous. I can't be prouder of them. | :16:08. | :16:12. | |
You do at a timeic seriously. What are the plans for the next | :16:12. | :16:20. | |
production? How do you top it? like to do Oliver. I don't know. | :16:20. | :16:26. | |
What do you reckon? ALL: Yes. How would you like to get | :16:26. | :16:36. | |
:16:36. | :16:37. | ||
on the stage yourself? Absolutely. Daniel, who do you play? King Heard. | :16:37. | :16:43. | |
What do you do? Wa-ha, ha, ha! That's your evilla. Where does he | :16:43. | :16:50. | |
get that from, dad? Me. How has he been this week? He has been stack, | :16:50. | :16:56. | |
very proud of him. What are you doing? I am a soloist | :16:56. | :17:00. | |
in the choir. What was her performance like, mum? It was very | :17:00. | :17:03. | |
good. The teachers did a great job in Battlefield. Did you feel | :17:03. | :17:10. | |
nervous for her tonight? I do, but she doesn't. How about you guys, | :17:10. | :17:14. | |
nervous? ALL: No. Are you ready to take it | :17:14. | :17:18. | |
away? ALL: Yes. | :17:18. | :17:23. | |
Off you go. The stable was hushed. Not a sound | :17:23. | :17:28. | |
met the sheep. Everyone looked at the baby asleep While he slept on. | :17:28. | :17:37. | |
Not a soul made a sound. The stable was filled with love all around. | :17:37. | :17:47. | |
:17:47. | :18:03. | ||
# Away in a manger # No crib for his head | :18:03. | :18:08. | |
# The little Lord Jesus # Laid down his sweet head # | :18:08. | :18:14. | |
Let's hear it for the kids. They have been amazing. James, tell us | :18:14. | :18:18. | |
about you falling in love doing your own nativity play? Oh, I told | :18:18. | :18:24. | |
you that in complete confidence. Sorry! No, I had a brown dressing | :18:24. | :18:29. | |
gown which was the passport to stardom in the '70s. I was a | :18:29. | :18:34. | |
shepherd, then promoted to non- speaking Joseph, where I was | :18:34. | :18:38. | |
allowed to stand with my arm around Jane Young, who was Mary. You said | :18:38. | :18:42. | |
you fell in love with her. I was six, Chris. But it was a lovely | :18:42. | :18:52. | |
:18:52. | :18:53. | ||
moment, yes. Time now to see how others have interpreted the | :18:53. | :18:56. | |
nativity story through the eyes of our favourite pair of art lovers, | :18:56. | :18:59. | |
Sister Wendy and Phil Tufnell. The scene of the wise men following | :18:59. | :19:02. | |
the star to the birth of baby Jesus is probably one of the most popular | :19:02. | :19:05. | |
scenes on our Christmas card, but what was their significance? Sister | :19:05. | :19:09. | |
Wendy has picked out two paintings from the National Gallery in London | :19:09. | :19:17. | |
to tell us more. Sister Wendy, good to see you again. You too, dear sir. | :19:17. | :19:22. | |
A beautiful picture you have chosen. It is beautiful. It's an unusual | :19:22. | :19:26. | |
shape. It's a round picture, so everything has to be perfectly | :19:27. | :19:31. | |
balanced, and he's got it. Now, dear Phil, what do you think you | :19:31. | :19:39. | |
are looking at? Well, uh, the three kings... Ah ha, ha! You think | :19:39. | :19:44. | |
you're looking at the three kings? I do. Well, in actual fact, | :19:44. | :19:51. | |
although there's clearly a crown there... Yes, that's the give-away | :19:51. | :19:56. | |
for me! Kings is clearly in the imagination. Because they brought | :19:56. | :20:01. | |
such rich presents, all the scriptures say wise men came from | :20:01. | :20:05. | |
the east. They were astrologers and astronomers because they saw the | :20:05. | :20:09. | |
star. There were three? No there, could have been platoons of kings. | :20:09. | :20:14. | |
We just know they were wise men from the east. OK. When they found | :20:14. | :20:22. | |
the infantries, they worshipped him, an event known as "the Adoration." | :20:22. | :20:28. | |
And it meant so much, they were called to come worship the new-born | :20:28. | :20:33. | |
Christ because up until then it was thought he was theirs, just for the | :20:33. | :20:38. | |
Jews. Everyone. Yes, and this shows it, you see? Another thing - I | :20:38. | :20:42. | |
always thought it was in a stable. That's not a stable. It looks like | :20:42. | :20:47. | |
an old ruin. It is a ruined temple. Botticelli wanted to show us the | :20:47. | :20:53. | |
pagan religion had gone. The coming of Jesus had ruined it, so he's | :20:53. | :20:57. | |
ensconced there high up. You'll notice that because everybody's | :20:57. | :21:02. | |
looking up. Yes, it's all painted - you can only see the back of the | :21:02. | :21:06. | |
heads. And the backs of the horses, et cetera. Yes, there is the huge | :21:06. | :21:10. | |
back side of a horse there. I think that's meant to show us this is the | :21:10. | :21:13. | |
real world. This wonderful thing is happening in a world where there | :21:13. | :21:20. | |
are back sides. LAUGHTER | :21:20. | :21:24. | |
Sister Wendy's next choice shows us the second part of the story. | :21:24. | :21:29. | |
What's this got to do with the wise men? It's the unexpected political | :21:29. | :21:35. | |
fallout of a very innocent mistake by the wise men. Right. They went | :21:35. | :21:42. | |
to king Herod, the king of the Jews, to ask, "Where was the new-born | :21:42. | :21:46. | |
king?" Which terrified him because he hadn't got a new-born son, so he | :21:46. | :21:52. | |
decided to kill all small children in the immediate vicinity, so an | :21:52. | :21:57. | |
angel warned Joseph, "Take Mary and the child and flee into Egypt." And | :21:57. | :22:00. | |
this shows they're safe now - or relatively safe, though they - on | :22:00. | :22:05. | |
their way to Egypt - though I must admit this doesn't look very much | :22:05. | :22:10. | |
like Egypt, but this is how the Renaissance artists who had never | :22:10. | :22:13. | |
seen Egypt imagined it. They're looking a bit more relaxed, aren't | :22:13. | :22:23. | |
:22:23. | :22:25. | ||
they? They're having a rest. They feel they're safe. Mary is holding | :22:25. | :22:30. | |
the child. At their feet you can see the possessions they could tai, | :22:30. | :22:34. | |
not much, and Joseph, who is absolutely worn out. | :22:34. | :22:39. | |
I know how he feels. He's got his staff, and he's looking up, | :22:39. | :22:43. | |
spotting that they've got an angelic protection. Three little | :22:43. | :22:48. | |
angels. Yes, little cherubs, so it's a pleasing picture. Why have | :22:48. | :22:52. | |
people been interested in this story? I think partly because it | :22:52. | :22:57. | |
shows us how hard the human life of Jesus was. We think of him in a | :22:57. | :23:01. | |
kind of bubble of holiness, but no, he lived in a political world, and | :23:01. | :23:07. | |
here, he's a refugee, like many other people are. Well, thanks | :23:07. | :23:11. | |
again,siessy, for showing us these lovely paintings, and every time I | :23:11. | :23:15. | |
see the three wise men on a Christmas card, it will mean a bit | :23:15. | :23:21. | |
more to me. Thank you, Phil. Phil couldn't be | :23:21. | :23:29. | |
here tonight, but luckily our other fellow sportsman could, welcome Un | :23:29. | :23:32. | |
Certain Regard un. Tell us about a blast from the past. Superstars is | :23:32. | :23:38. | |
coming back, so the top 16 Olympians - mow Pharaoh, Nicola | :23:39. | :23:44. | |
Adams, all of our great sports men and women who were still fit - | :23:44. | :23:48. | |
that's key - this is people at the height of their fitness right now. | :23:49. | :23:56. | |
Lots of events they're not used to, thes like of kayaking, archery, the | :23:56. | :24:04. | |
dreaded gym test - it's worth to it see Mo in a kayak. Unlike archery... | :24:04. | :24:09. | |
He showed his everybody in there. He shows his nerve where it matters. | :24:09. | :24:13. | |
I doubt he trained for it. There was so much pressure. All the crowd | :24:13. | :24:17. | |
were watching. He above everybody kept his nerve. I can't tell you | :24:17. | :24:22. | |
who won overall. Come on. I can't. What about the Brownly brothers? | :24:22. | :24:28. | |
Casezy boys. The night before filming I turn up, they're off on a | :24:28. | :24:35. | |
15-mile run. Everybody is going, where is the bus? Take me back to | :24:35. | :24:40. | |
the hotel - he ran 12 miles to meet us at the bar. That's spirit of | :24:40. | :24:43. | |
superstars. Everybody wanted to win. Although they pretended it was a | :24:43. | :24:51. | |
bit of fun, "Oh, I have never done kayaking", as soon as the starters' | :24:51. | :24:59. | |
whistle went, everybody wanted to win. We decided to combine James's | :24:59. | :25:03. | |
obsession with planes and Superstars. Here's what happened. | :25:03. | :25:09. | |
There's our planes. James and I made ours. There's mine. It was | :25:09. | :25:15. | |
further than I thought. More of a dart than a plane. Did I show a | :25:15. | :25:21. | |
little bit of belly then? A little bit. Oh, no. Yours was better than | :25:21. | :25:25. | |
most occasion he tried. But look at this! It's still going! | :25:25. | :25:35. | |
:25:35. | :25:47. | ||
APPLAUSE Hang on a minute! Well done, James. | :25:47. | :25:53. | |
Are you relieved, James? Yes. have a Paper Plane Superstars | :25:53. | :25:57. | |
trophy for you. Thank you. I have been working on it for 40 years, | :25:57. | :26:05. | |
but thank you. Wonderful. This is Milly, the ocelot keeping Melissa | :26:05. | :26:15. | |
:26:15. | :26:22. | ||
top of Penovaen. Where is that? Wales. Whereabouts in Wales? | :26:22. | :26:25. | |
Somewhere. Back to the guys and gals in the | :26:25. | :26:26. | |
forces! APPLAUSE | :26:27. | :26:31. | |
This is Claire 20 metres underwater in Egypt. | :26:31. | :26:38. | |
When is Superstars on? Saturday the 29th on BBC One. That isn't your | :26:38. | :26:43. | |
last one, is it? No, that scares me that picture because I am going to | :26:43. | :26:48. | |
be in the sea in Exmouth. Live? every Christmas they run into the | :26:48. | :26:55. | |
water - in Speedos - I apologise, mum, for that, and I'll be cooking | :26:55. | :27:00. | |
for all the lifeguards as part of Gordon Ramsay's programme. Live on | :27:00. | :27:04. | |
Christmas Day? Yes. Happy Christmas. Nice to see you both. Thanks for | :27:04. | :27:10. | |
coming in. Dast David Morris, where will you be celebrating Christmas? | :27:10. | :27:20. | |
:27:20. | :27:22. | ||
- wife Helen, my son and daughter. Any tips for whistling? High notes, | :27:22. | :27:28. | |
tongue high in the mouth, low notes, tongue down. Excellent. Thank you | :27:28. | :27:38. | |
for coming in. This is our last show before Christmas. So we'd like | :27:38. | :27:41. | |
to wish all of you a Merry Christmas and a Happy New Year. | :27:41. | :27:44. | |
Watch out for the One Show On Ice on Friday, 28th December at 7.30pm | :27:44. | :27:48. | |
on BBC One - basically Matt, Chris and I trying to stay upright whilst | :27:48. | :27:49. |