Browse content similar to 22/01/2013. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Alex Jones. And Matt Baker. On | :00:22. | :00:25. | |
these cold winter evenings, what could be better than the company of | :00:26. | :00:30. | |
a good storyteller? Tonight we have the best in the business. With 25 | :00:30. | :00:36. | |
years of Jackanory under his belt, he is back on our screens. So, if | :00:36. | :00:39. | |
we are all sitting comfortably, please welcome Bernard Cribbins! | :00:40. | :00:47. | |
Bernard, we are on! I am sorry, I dropped off then. It is the warm | :00:47. | :00:51. | |
environment of the studio. How have you been finding it? I do not | :00:51. | :00:58. | |
really like Quinn to any more. you over the snow? I do not like it. | :00:59. | :01:03. | |
I have stopped a sledging and skiing. I never did skiing, what am | :01:03. | :01:08. | |
I talking about? Sledging used to be fun. When you get older it | :01:08. | :01:13. | |
becomes a bit of a pain. To be honest, with us as well. We have | :01:13. | :01:20. | |
had a few problems with guests. was surprised to see you here! | :01:20. | :01:25. | |
did have the idea of having a stand-in Bernard. We hope you don't | :01:25. | :01:33. | |
mind, no disrespect. This is Tia, a St Bernard. I see! She is with her | :01:34. | :01:41. | |
owner, Kathy. Let's bring her over. Hello, Tia, let's have a little | :01:41. | :01:49. | |
wonder. Come on over. Hello! goodness! She wants a drink of my | :01:49. | :01:56. | |
water, first. Sit down. We will remove the goods around her,. | :01:56. | :02:06. | |
:02:06. | :02:07. | ||
that genuine in there? Yes, four star. Have we got the pliers, it is | :02:07. | :02:13. | |
a bit stiff. He you can have mine, I do not drink any more. I will | :02:13. | :02:22. | |
toast you in this. You would wait for a drink from that, with new?! | :02:22. | :02:32. | |
think that will be enough. A bit of a winter warmer. Yes, you are going | :02:32. | :02:38. | |
to be... It is still dripping. Later on, we are going to try and | :02:38. | :02:43. | |
prove whether dogs have a sixth sense and they know their own is | :02:43. | :02:47. | |
coming home. What do you think? think that is quite true. We have | :02:47. | :02:56. | |
had beagles and with our beagles we had three of them. They used to | :02:56. | :03:00. | |
know when people were coming. The best thing they did, it was not | :03:00. | :03:04. | |
really psychic, but if my wife was in the garden, at 4:30pm, when they | :03:04. | :03:09. | |
were normally fed and if she forgot, the dogs would go out and say, have | :03:09. | :03:19. | |
:03:19. | :03:19. | ||
you seen the time? On the dot of 4:30pm. What about Tia? Certainly | :03:19. | :03:23. | |
dinner-time, as Bernard said. She always seems to know when my | :03:23. | :03:28. | |
husband is coming home from work. She is all is that the door. That | :03:28. | :03:33. | |
his habitual. But to be honest, you did not realise Bernard was | :03:33. | :03:39. | |
teetotal. He must have had a few, he collapsed then! It is a slippery | :03:39. | :03:44. | |
floor! Later on we will give you all the advice you need if you are | :03:44. | :03:48. | |
looking after pets in these conditions. If you have pictures of | :03:48. | :03:54. | |
your furry friends in the snow, send them into us. Later, Tia will | :03:54. | :04:00. | |
be awarded best in snow. I like it! When it comes to driving in the | :04:00. | :04:05. | |
snow, most of us, let's face it, should still have our L-plates on. | :04:05. | :04:10. | |
Armed with a flask of hot tea and driving gloves, Lucy headed to | :04:10. | :04:14. | |
snowbound County Durham for a less than. | :04:14. | :04:18. | |
Did you wake up this morning to something like this? I think it is | :04:18. | :04:22. | |
fair to say that many of us are not confident about driving in these | :04:22. | :04:27. | |
challenging conditions. I'm here to take the bull by the horns and | :04:27. | :04:32. | |
learn from an expert how to drive safely in the snow. Good luck, | :04:32. | :04:36. | |
everybody. Peter Atkinson of the Institute of Advanced motorists has | :04:36. | :04:42. | |
been advising drivers for over 20 years. Boots full of our emergency | :04:42. | :04:47. | |
kit and I am ready to go. Harsh winters are few and far between in | :04:48. | :04:52. | |
the UK so many drivers have never experienced conditions quite like | :04:52. | :04:56. | |
this. Would it help if we were all more advanced drivers? Visibility | :04:57. | :05:02. | |
is not brilliant. It is deteriorating, I am afraid. I am | :05:02. | :05:05. | |
not as confident in these conditions because I am not used to | :05:05. | :05:10. | |
them. That is true. Advanced driving is all about observation. | :05:10. | :05:15. | |
If you have never seen something you cannot act on it. We have to | :05:15. | :05:19. | |
watch the mirror. You do not want to be going any faster. Keep the | :05:19. | :05:25. | |
momentum going. I should not have slowed down. He is a four wheel | :05:25. | :05:29. | |
drive and he is going downhill so he should have given way to you, | :05:29. | :05:34. | |
which he did. A going up the hill I have to keep my speed up because I | :05:34. | :05:40. | |
do not want to stop. That is right. Nothing is routine. When Did You | :05:40. | :05:47. | |
Look in Your Mirror last? Probably about an hour ago! That is a while. | :05:47. | :05:53. | |
A situation like this, we can really do all the breaking with the | :05:53. | :06:00. | |
engine and almost forget about the brakes. There is a person very | :06:00. | :06:06. | |
close behind a. What is the speed limit? It is 30. Shall I give them | :06:06. | :06:14. | |
a piece of my mind? Well... I will not! We do not encourage road rage! | :06:14. | :06:19. | |
Under Peter's guidance I'd completed a circuit of local roads. | :06:19. | :06:24. | |
There were a few hairy moments but the emergency shovel stage in the | :06:24. | :06:28. | |
boot. I have always found snow magical. Driving it is about | :06:28. | :06:33. | |
experience, understand what you're doing, commonsense and building up | :06:33. | :06:39. | |
skills. There is no magic about it. It is terrifying driving in the | :06:39. | :06:44. | |
snow. Minnie Mouse is very good in the snow. Just a bit further north | :06:44. | :06:52. | |
from where you were filming your new series? Yes, indeed. We were 12 | :06:52. | :06:56. | |
miles north of Whitby. I had never been to that part of Yorkshire | :06:56. | :07:00. | |
before and the North Yorkshire National Park is absolutely | :07:00. | :07:08. | |
stunning. It sweeps down to the sea. There is a 25 degree slope. I would | :07:08. | :07:15. | |
not want to try it in this weather! It is Old Jack's Boat that you are | :07:15. | :07:20. | |
back on TV with. It is a beautiful production. Thank you very much. | :07:20. | :07:25. | |
When it was being set-up, I was chatting with the producer, Dominic | :07:25. | :07:31. | |
McDonald, good evening! We were agreeing that the nice thing about | :07:31. | :07:37. | |
it is it harks back to Jackanory days where you talk to a child in | :07:37. | :07:41. | |
the lens. What age would you say this is aimed at? It is pre-school | :07:41. | :07:48. | |
children, 4-6, something like that. It reminds us of the programmes we | :07:48. | :07:52. | |
used to watch as children. How been said it is for children, I have had | :07:52. | :07:56. | |
four adults ring me this morning saying they enjoyed the first one | :07:56. | :08:01. | |
yesterday. Two of them have been written by Russell T Davies. When I | :08:01. | :08:04. | |
knew I was doing there were still stories to be written and I rang | :08:04. | :08:09. | |
Russell to ask him what he thought and he produced two beauties. They | :08:09. | :08:13. | |
are lovely. I am not sure which order they are being sent out in. I | :08:13. | :08:18. | |
am looking forward to them. Even though we enjoyed it, we are a bit | :08:18. | :08:22. | |
old to review it so it over breakfast... My children watch it | :08:22. | :08:26. | |
and this is what they had to save. Morley was a bit concerned about | :08:26. | :08:34. | |
the state of your boat. So are we. It is a Nessie inside the boat. | :08:34. | :08:41. | |
They need to tidy up. -- it is a bit messy inside the boat. On a | :08:41. | :08:47. | |
scale of 1 to 10, how Goodwood you say the programme is? Really good. | :08:47. | :08:54. | |
For fabulous! Massively good. The day will go by in a blink of an | :08:54. | :09:04. | |
:09:04. | :09:04. | ||
I... Have you got a question for old Jack? Why is the dog called | :09:04. | :09:14. | |
:09:14. | :09:15. | ||
Salty? A very good question. That is not | :09:15. | :09:21. | |
her real name. For the play she is good Salty because she is always in | :09:21. | :09:26. | |
and out of the Sikh moaning about and she comes out and she is all | :09:26. | :09:36. | |
:09:36. | :09:37. | ||
salty! -- she is always in and out of the sea. It is a great show of | :09:37. | :09:43. | |
peace to do, Jackanory. The idea of the clutter in your boat is you use | :09:43. | :09:48. | |
the props to tell the story. He is an old fisherman who has collected | :09:48. | :09:51. | |
things for years and a lot of things in the boat are used in the | :09:51. | :09:57. | |
story. He says, whereas that pot of paint? There it is. I remember... | :09:57. | :10:03. | |
And he is of telling a story about a pot of paint or whatever. It is a | :10:03. | :10:06. | |
lovely series but recently spoke out about the state of children's | :10:06. | :10:12. | |
television. Yes, I did. I think that an awful lot of children's | :10:12. | :10:19. | |
television is, for me, far too noisy. Many flashing images, very | :10:19. | :10:24. | |
fast editing. This one has gone back to the gentle story telling | :10:24. | :10:30. | |
thing which we wanted to produce any way. And it works. Your two | :10:30. | :10:35. | |
children. Yes, and if anybody wants to see it, it is just before | :10:35. | :10:40. | |
bathtime. That is the old magic roundabouts lot, if you remember, | :10:40. | :10:46. | |
just before the old -- the early evening news. Mum was getting dad's | :10:46. | :10:50. | |
tea ready, I suppose, the kids were in front of the television and | :10:50. | :10:54. | |
totally absorbed. A brilliant spot. Lovely programme. | :10:54. | :10:58. | |
For the younger viewers and those who want to seek Bernard, Old | :10:58. | :11:04. | |
Jack's Boat is on the CBeebies channel on weekdays at 5:40pm. | :11:04. | :11:09. | |
is not just TV that you have done, you have been in some huge films, | :11:09. | :11:12. | |
including one directed by Alfred Hitchcock. We will talk about that | :11:12. | :11:17. | |
shortly. First, Larry Lamb has taken a look at the great | :11:17. | :11:27. | |
:11:27. | :11:29. | ||
director's early beginnings here in They are coming, they are coming! | :11:29. | :11:35. | |
A master of his craft, Hitchcock's film's famously toyed with our | :11:35. | :11:45. | |
:11:45. | :11:50. | ||
emotions through suspense and Without him, the Mob movie | :11:50. | :11:56. | |
landscape would be very different. -- that more than movie landscape | :11:56. | :12:01. | |
would be very different. Cinematographer and friend, Nick | :12:01. | :12:11. | |
:12:11. | :12:16. | ||
Beal Taylor worked on Frenzy. knew everything about it. The cast, | :12:16. | :12:25. | |
everything that went on, he used it. Hitch was a most inventive director. | :12:25. | :12:31. | |
He was always looking to impress. Always something a bit big. He was | :12:31. | :12:41. | |
very much alive into everything which was going. Back projection. | :12:41. | :12:46. | |
Every kind of special effect that you could think of. Possibly | :12:46. | :12:51. | |
Hitchcock's greatest gift was he could generate and cultivate eight | :12:51. | :12:58. | |
basic, irrational fear, which will could begin as something harmless | :12:58. | :13:04. | |
and innocuous. He seems could last four minutes without dialogue. The | :13:04. | :13:13. | |
pictures and music alone build tension in the viewer. Where and | :13:13. | :13:18. | |
when did these techniques begin? Long before the Hollywood glitz and | :13:18. | :13:24. | |
glamour, as there was London grit. Pitch made 23 films right here in | :13:24. | :13:29. | |
Britain before leaving our shores in 1939. What you might not know it | :13:29. | :13:36. | |
is it was hitch's nine silent films that laid the foundations for his | :13:36. | :13:42. | |
remarkable career, a career which may well have founded after just | :13:42. | :13:51. | |
three features. The Llodra is about a murderer on the loose in London - | :13:51. | :13:59. | |
- and the lodger. They felt they had an investment and it was | :13:59. | :14:04. | |
acclaimed as the greatest -- greatest British picture ever made | :14:04. | :14:10. | |
to that date. There is a slim red line between failure and success. | :14:10. | :14:16. | |
Originally, Hitchcock shot 10 silent films but all reels of one | :14:16. | :14:21. | |
of them have sadly been lost. Since 2010, the remaining films have been | :14:21. | :14:25. | |
lovingly restored by the British Film Institute who have made some | :14:25. | :14:30. | |
fascinating discoveries. When one film was shown around the world, | :14:31. | :14:36. | |
regional editors cut it to suit them. Now the BFI have added 19 | :14:36. | :14:40. | |
minutes of new material thought lost for 88 years, which have | :14:40. | :14:45. | |
transformed the film's rhythm, pace and structure. I am one of the | :14:45. | :14:50. | |
lucky first few to see it. What have you put back in? We have put | :14:50. | :14:54. | |
back a lot of performances of some of the secondary characters and | :14:54. | :14:58. | |
some of their scenes are vital to the understanding of the movie. We | :14:58. | :15:03. | |
have a couple of characters, the landlord and Lady of our leading | :15:03. | :15:07. | |
lady. They help us to understand that the character on the right, | :15:07. | :15:12. | |
Gill, is a little stuck-up say the least. We do not need to hear a | :15:12. | :15:15. | |
word from her, we know precisely what she thinks of the new woman | :15:15. | :15:22. | |
who has moved into her house. is the purpose of the dog? What is | :15:22. | :15:25. | |
fantastic about his performance is he is the moral compass of the film. | :15:25. | :15:29. | |
If you watch him and you know what to think. You know who the goodies | :15:29. | :15:34. | |
and baddies are. Unless you have seen the silent films, you cannot | :15:34. | :15:37. | |
understand Hitchcock's career. Everything that was to come later, | :15:38. | :15:47. | |
if you can see here right from day Time may have marched on, but who | :15:47. | :15:50. | |
moments free of language remained at the heart of his ideals and | :15:51. | :15:56. | |
global appeal. The power of cinema, in its purest form, is so vast. It | :15:56. | :16:01. | |
can go over the whole world, on a given night a film could play in | :16:01. | :16:06. | |
Tokyo, West Berlin, London, New York. The same audience is | :16:06. | :16:11. | |
responding, emotionally, to the same things. Thank you, Mr | :16:11. | :16:21. | |
Hitchcock. Is there anything you Gets me every time! | :16:21. | :16:29. | |
Antonia Quirke is here from Film 2013. You start being Frenzy. He is | :16:29. | :16:32. | |
portrayed in lots of different ways, what was your lasting impression | :16:32. | :16:38. | |
when he directed you? At that time, he was becoming a tired old | :16:38. | :16:43. | |
gentleman. He sat down, the whole time. I sat beside him one day and | :16:43. | :16:49. | |
we were chatting about the scene that I was going to play. We were | :16:49. | :16:54. | |
just going on talking and I made the mistake of quoting a limerick | :16:54. | :16:57. | |
or something like that. The next day, he brought in a book of | :16:57. | :17:05. | |
limericks. Apparently he is a nut for them. He loved little jokes. | :17:05. | :17:09. | |
many people said that he knew everything? That's right. Doing | :17:09. | :17:13. | |
that scene was very strange. He was sitting here. We came towards | :17:13. | :17:18. | |
camera, we went around the corner, up a flight of stairs. He didn't | :17:18. | :17:26. | |
actually see the scene finish. It got to the end, cut, he said. Sound, | :17:26. | :17:31. | |
absolutely fine. Lighting? That is fine. Camera? Nothing wrong there, | :17:31. | :17:41. | |
sir. OK, print it. He trusted his grip so much. You as well, I guess? | :17:41. | :17:49. | |
Buy stocks have been down, this past month. Watch what you're | :17:49. | :17:57. | |
saying? To which he? Our friend says I have been stealing his booze. | :17:57. | :18:03. | |
He always pays. I work with him. Keep Out Of This! Outside, you are | :18:03. | :18:10. | |
fired. He never stole anything in his life, he always put the money | :18:10. | :18:16. | |
in the tail. A thief or a drunk, it doesn't matter to me, I don't need | :18:16. | :18:23. | |
either of them. There were lots of moustaches! Antonia Hitchcock, he | :18:23. | :18:26. | |
spent a lot of time in Hollywood, but he returned to his roots? | :18:26. | :18:31. | |
Literally, it was filmed in Covent Garden fruit and veg market. | :18:31. | :18:36. | |
pub is still there, yes. His father had been a grocer. He spent a lot | :18:36. | :18:43. | |
of time at that market, so he did go home. There is a brand new film, | :18:43. | :18:47. | |
based on Hitchcock, out next month. It stars Anthony Hopkins, who looks | :18:47. | :18:53. | |
brilliant. And Scarlett Johansson. I think we have a clip. We are | :18:53. | :18:59. | |
going to have to go it alone, finance it ourselves. Anthoney | :18:59. | :19:04. | |
Perkins, the rage lurking beneath that grin. Think of the shock value, | :19:04. | :19:08. | |
killing off your leading lady, halfway through. You shouldn't wait | :19:08. | :19:18. | |
until halfway through, kill her off This film is all about his | :19:18. | :19:24. | |
relationship with his wife, whom he married when they were both 27. | :19:24. | :19:30. | |
Wasn't she an editor? A brilliant editor. He depended on her a great | :19:30. | :19:35. | |
deal. Bear in mind, if you see this film, entertaining in its own right, | :19:35. | :19:39. | |
and if you saw the movie about The Birds, with Sienna Miller on Boxing | :19:39. | :19:45. | |
Day, neither film portrays him in a flattering light. However | :19:45. | :19:48. | |
entertaining they might be in their own right, he was a genius. | :19:48. | :19:52. | |
Therefore, there is nothing we like more than to tear geniuses down. | :19:52. | :19:58. | |
Also, he was rather secretive and private in real life, a little | :19:58. | :20:02. | |
strange. That has left him open to all sorts of interpretations. | :20:02. | :20:11. | |
Speculation. Speculation about his motivation. I am reading a book | :20:11. | :20:17. | |
about Ingrid Bergman, he is portrayed as a real father figure? | :20:17. | :20:21. | |
He was a gentleman, depending on who you listen to, exactly. It's | :20:21. | :20:26. | |
interesting how he used animals and all of that. To build suspense. | :20:26. | :20:32. | |
Fancy training all of those birds! Incredibly talented! Now it is time | :20:32. | :20:42. | |
:20:42. | :20:54. | ||
We did ask him who would present Trials, Lucy and Mike. There is a | :20:54. | :20:59. | |
biscuit in front of each one of them. Tia is going to pick one. She | :20:59. | :21:06. | |
has gone for Mike. It is remarkable how she senses the animal magnetism. | :21:06. | :21:11. | |
Unfortunately, Gyles Brandreth was the only one available. | :21:11. | :21:19. | |
It is well-established that dogs have senses far superior to ours. | :21:19. | :21:26. | |
His nose has more sense receptors than our own. His ear can detect | :21:26. | :21:30. | |
frequencies far higher than us. What is less well-known is the | :21:30. | :21:39. | |
suggestion that they have a mysterious canine 6. -- 6NC. A | :21:39. | :21:42. | |
survey of dog owners, more than half said that their friends and | :21:42. | :21:45. | |
family reported that their pets relatively sat at the front door, | :21:45. | :21:53. | |
anticipating a return, long before they arrived. Meet our dog owners | :21:53. | :22:00. | |
and their dogs, Saxon and Sophie and Felix. They have agreed to take | :22:00. | :22:04. | |
part in a One Show experiment, with cameras placed in each of their | :22:04. | :22:07. | |
homes. We will be trying to tell exactly when they go to the front | :22:07. | :22:14. | |
door to wait for them. The experiment we have set up was | :22:14. | :22:21. | |
originally devised by Dr Rupert children. What are the obvious | :22:21. | :22:27. | |
explanations? Its routine, hearing a familiar car, smelling somebody | :22:27. | :22:32. | |
approaching, there is looking at clues from people at home. Once the | :22:32. | :22:36. | |
obvious has been eliminated, what are we left with? Not much apart | :22:36. | :22:42. | |
from telepathy. I think they are picking up the attention to go home. | :22:42. | :22:52. | |
It's a theory that many dispute, but it goes back to 1995. Pam Smart | :22:52. | :22:54. | |
claimed her dog had an uncanny ability to tell when she would be | :22:54. | :22:59. | |
coming home. A film crew made a documentary about her. The evidence | :22:59. | :23:04. | |
on tape is certainly compelling. Here she is, getting up to go home. | :23:04. | :23:10. | |
At the same time, her dog get up to wait by the window. That's 20 | :23:10. | :23:14. | |
minutes before she gets home. Dr Rupert stands by his controversial | :23:14. | :23:19. | |
claims. My research has shown me that when we have people go at | :23:19. | :23:26. | |
least five miles away, come home at random times that are not arranged | :23:26. | :23:29. | |
in advance, when they are travelling by unfamiliar vehicles | :23:29. | :23:33. | |
and there is no possibility of them being smelled from five miles away, | :23:33. | :23:38. | |
the dog can no, over and over again. We have done this hundreds of times | :23:38. | :23:45. | |
with dogs that reliably do this. Our cameras took shots every 15 | :23:45. | :23:48. | |
seconds. After running the experiment for three days, have we | :23:48. | :23:54. | |
captured similar, otherwise unexplained behaviour? Here he is, | :23:55. | :24:02. | |
waiting at the top of the stairs. It's possible he might have heard | :24:02. | :24:07. | |
hair coming, it was just before she came home. At Jenny's house, it was | :24:07. | :24:11. | |
different. One evening, she went to the door 40 minutes before her | :24:11. | :24:17. | |
owner came back from work. But on a day when she was early, Sophie was | :24:17. | :24:21. | |
nowhere to be seen until she opened the door. Sophie might not be | :24:21. | :24:25. | |
psychic, but she does appear to know her owner's routine. At Mary's | :24:25. | :24:31. | |
House, little sign of Felix. But these results were intriguing. | :24:31. | :24:35. | |
Whatever time Mary left work, the dog seemed to know about it. Day | :24:35. | :24:40. | |
one, 25 minutes before she came home. He got up and appeared more | :24:40. | :24:46. | |
alert. They two, he exhibited similar behaviour, becoming more | :24:46. | :24:50. | |
alert 20 minutes before the owner came home through the door, even | :24:50. | :24:55. | |
though it was a different time of evening. Day three. He gets up 50 | :24:55. | :25:03. | |
minutes before Mary's return. Too early? Perhaps not. She got up at | :25:03. | :25:07. | |
the moment that Mary left work. What she didn't appear to know was | :25:07. | :25:11. | |
that the journey time would take longer. She arrives, shopping bags | :25:11. | :25:17. | |
in hand, after stopping at the supermarket. Coincidence or is she | :25:17. | :25:20. | |
psychic? It will take a good deal more research before the sceptics | :25:20. | :25:25. | |
think there is paranormal forces at work. I know what I think. | :25:25. | :25:33. | |
The most in coppiced experiment we have ever conducted! Tia was | :25:33. | :25:36. | |
absolutely gripped. We are now joined by Lisa Richards from the | :25:36. | :25:43. | |
RSPCA. What are your thoughts? an interesting one, yes. I think it | :25:43. | :25:47. | |
needs a little bit more research. But they are incredible. They are | :25:47. | :25:52. | |
really sensitive to subtle environmental cues. It is probably | :25:52. | :25:56. | |
more routine? They form associations with things. They like | :25:56. | :26:01. | |
predictable routines. I think there is definitely something there. You | :26:01. | :26:05. | |
have been inundated over the last few days with calls from worried | :26:05. | :26:10. | |
pet-owners? We have, we have had over 500 calls in the last five | :26:10. | :26:14. | |
days, mostly from people being concerned about dogs outside in the | :26:14. | :26:18. | |
snow. Not having access to somewhere warm and dry to escape | :26:18. | :26:22. | |
from the weather, really. How can people keep their pets womb? There | :26:22. | :26:27. | |
are lots of simple things they can do. Just providing a dry, warm | :26:28. | :26:32. | |
place for them to sleep. Somewhere for them to escape away from the | :26:32. | :26:37. | |
cold weather. Summer dogs are more susceptible to the cold, if they | :26:37. | :26:41. | |
are slightly underweight, old or young, they might need more | :26:41. | :26:46. | |
protection. They will benefit from wearing a coat. It's important to | :26:46. | :26:54. | |
make it well-fitting. Cats are very independent, but should you be | :26:54. | :26:59. | |
cautious if it is predicted to be really cold, shut the cat flap? | :26:59. | :27:03. | |
It's just about being aware. The most important thing is to provide | :27:03. | :27:06. | |
somewhere warm and dry they can go to. If they outside and they get | :27:06. | :27:10. | |
caught in a snowstorm they have somewhere warm and try to escape to. | :27:10. | :27:14. | |
We were talking about them gritting the pavements. For humans, that is | :27:14. | :27:20. | |
a brilliant thing. Not so much for a dog? It can cause problems. It | :27:20. | :27:24. | |
contains rock salt. If the dog eats it, it can be poisonous. It can | :27:25. | :27:28. | |
cause vomiting, lethargy and in severe cases it can cause kidney | :27:28. | :27:38. | |
:27:38. | :27:41. | ||
damage. Prevention is key. And its blitz their pants? -- splits their | :27:41. | :27:47. | |
pads. We used to cut their feet in warm water. They like the attention. | :27:47. | :27:52. | |
Like a little foot spa! Just a little bucket with warm water. | :27:52. | :28:02. | |
Tia, you are looking fabulous, considering all of the snow. There | :28:02. | :28:06. | |
are lots of beautiful pets out there. We are talking about cats | :28:06. | :28:14. | |
going outside, this is from Katie, aged 12. Her kitten, taking his | :28:14. | :28:23. | |
first adventure in the snow. On a leash! But at that. Relaxing in the | :28:23. | :28:30. | |
snow, thanks to her Grant. Sup from Dunbar has sent in a picture of her | :28:30. | :28:40. | |
:28:40. | :28:43. | ||
Looks a bit like yours? It does. And before we go... And you might | :28:43. | :28:51. |