Browse content similar to 24/02/2014. Check below for episodes and series from the same categories and more!
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to be attempting to broadcast live on both BBC One And Radio 2. I'm not | :00:10. | :00:16. | |
sure we have thought it through. It is this way! Come on! | :00:17. | :00:30. | |
Well, hello and welcome to the One Show. For the first time ever, we | :00:31. | :00:39. | |
are live on BBC One And Radio 2. For the next in it or so. There is a | :00:40. | :00:46. | |
good reason, Augustine at's guest is still doing his day job... It is | :00:47. | :00:53. | |
Simon Mayo! I can't tell you how excited he was just coming in the | :00:54. | :00:57. | |
lift. Complete indifference normally. What have you got around | :00:58. | :01:07. | |
you hear? A load of rubbish. Dust bins, paperwork telling me what I'm | :01:08. | :01:14. | |
supposed to do. The music is on the hard drive. Here it is. It used to | :01:15. | :01:21. | |
be seven inch vinyl, then it was cartridges, then it was CDs. It is | :01:22. | :01:30. | |
colour-coded? Speaking of which, it is good that you have got the One | :01:31. | :01:37. | |
Show sofa green here. Now, Simon is going to say goodbye shortly. Year | :01:38. | :01:41. | |
macro for those of you watching on BBC One, we are staying with music. | :01:42. | :01:45. | |
Richard Mannering has been to see what makes the perfect drivetime | :01:46. | :01:46. | |
tune. There are 35mm vehicles on the road | :01:47. | :02:11. | |
in the UK. At some time in your car, I bid you crank up the music N Sync | :02:12. | :02:14. | |
loudly. -- I've set. What makes great driving music? Can | :02:15. | :02:31. | |
you think of any fantastic driving songs? Ocean Drive. It takes me back | :02:32. | :02:39. | |
to San Francisco. Joy riding home to Christmas, I'm driving back home and | :02:40. | :02:51. | |
I hear that was -- driving home. AC/DC! I love that. I have come to | :02:52. | :03:03. | |
the Academy of considering using to find out what makes these songs are | :03:04. | :03:09. | |
wine you sing along to -- the ones you sing along to. I am eating | :03:10. | :03:17. | |
Fraser. What makes a great driving song? Usually make up of movement, | :03:18. | :03:24. | |
something positive, usually something quite uplifting. They all | :03:25. | :03:29. | |
seem to have an uplifting tempo. It is a lovely, clappy kind of thing. | :03:30. | :03:38. | |
And massive hook. Something where everybody knows the words. I was | :03:39. | :03:45. | |
thinking of Whitney Houston, I want to be with somebody. But | :03:46. | :03:53. | |
actually... The courts don't change. What keeps it going is because | :03:54. | :04:04. | |
underneath. -- the chords. They tend to be quite high, vocally. Then you | :04:05. | :04:10. | |
have to shut them out. Like Bon Jovi. In terms of tempo, you can | :04:11. | :04:16. | |
also have the downbeat. So, power ballads. It is difficult for blokes | :04:17. | :04:31. | |
to sing. Richard Park is the head of global radio, the largest commercial | :04:32. | :04:36. | |
radio group in Europe, which runs national stations, including gold, | :04:37. | :04:43. | |
heart and F M. Are you at the back of your head thinking, that is a | :04:44. | :04:46. | |
great driving song? Is that one of the ideas? Absolutely. You are | :04:47. | :04:53. | |
always looking for that great driving song. You are looking to | :04:54. | :04:59. | |
make sure they stay tuned. When the playlist is put together, you are | :05:00. | :05:03. | |
always looking for those songs that are going to trigger in motion. What | :05:04. | :05:07. | |
makes listening to music in a car so special? If you are looking for a | :05:08. | :05:18. | |
really good song to set the car journey off well, go for Bruno Mars. | :05:19. | :05:26. | |
In the main, the old classics go down a storm. It is the end of your | :05:27. | :05:31. | |
working day, you have had enough, suddenly on comes one of those real | :05:32. | :05:43. | |
gems. We have done it! We have got to the studio. Go and take a seat | :05:44. | :06:00. | |
over there. So, Simon, did we have different voices on the radio? Yes. | :06:01. | :06:09. | |
We went up, and you smiled more. My voice has gone into a strange TV | :06:10. | :06:14. | |
mode. I walk past here every day, having finished on the radio, and I | :06:15. | :06:19. | |
always wave, and nobody pays any attention. Do need to get a | :06:20. | :06:28. | |
loud-hailer. In that film, it was all about the ability to sing along. | :06:29. | :06:33. | |
In the 30 years you have been a DJ mates do you have a clue of the most | :06:34. | :06:41. | |
requested song? What about your requests on a Friday? It depends. If | :06:42. | :06:46. | |
the rugby is on, Tom Jones and Delilah. It just comes on every | :06:47. | :06:52. | |
single time. It is great because not only is it a fantastic song from | :06:53. | :06:57. | |
1965 or wherever, but it does a whole life to it. Tom is on the | :06:58. | :07:05. | |
telly every Saturday. -- it has a whole new life to it. We have lots | :07:06. | :07:17. | |
of Cyndi Lauper, lots of ABBA. Wow, they are on it! And are these the | :07:18. | :07:26. | |
kind of songs on the new arm? The idea of this CD was just put a whole | :07:27. | :07:33. | |
bunch of fantastic Radio 2 records on there. We have live bands. What | :07:34. | :07:39. | |
are we doing here that is different? Taylor Swift has come on | :07:40. | :07:43. | |
a couple of times and played live, and she is fantastic. Squeeze have | :07:44. | :07:48. | |
done a live track. Paul Weller has them alive track. That is what will | :07:49. | :07:52. | |
make it different. The rest is weak, singalong, wind it up... Was it a | :07:53. | :08:03. | |
big decision about what to have put on first? It might well have been. I | :08:04. | :08:07. | |
would love to have been the sequencer. For viewers of a | :08:08. | :08:12. | |
particular age, the sequencing of tracks is important. If you listen | :08:13. | :08:17. | |
to it on shuffle, nobody cares. I think it matters. The Lumineers | :08:18. | :08:30. | |
first. -- are first. There they are. Simon, your love affair with the | :08:31. | :08:34. | |
radio, is it fair to say it started in the back of your dad's are? I was | :08:35. | :08:44. | |
in the front, actually. -- your dad's are? | :08:45. | :08:51. | |
My mother would always say how exciting it was to work at the BBC, | :08:52. | :08:56. | |
so that is what I thought I would do. The thing you are referring to | :08:57. | :09:03. | |
is Tony Blackburn doing the radio show. I was insistent that I would | :09:04. | :09:08. | |
stay in the car. I would want to stay until I found out what number | :09:09. | :09:11. | |
one was because the charts really mattered. I knew he was itching to | :09:12. | :09:16. | |
put Radio 4 on. He was desperate to get this stuff off. I wanted to hear | :09:17. | :09:25. | |
that rundown of the chart. I would say Simon is one of the voices that | :09:26. | :09:31. | |
has carried me through my life. I would agree. I drive home with you | :09:32. | :09:36. | |
in the evening. You have been with me for a long time. Thanks very | :09:37. | :09:43. | |
much. Let's move on. Tomorrow, the Director of Public Prosecutions for | :09:44. | :09:48. | |
England and Wales makes a speech tomorrow on criminals hiding assets | :09:49. | :09:52. | |
aboard. Tony Livesey has been to the Costa Del Sol to meet a Spanish | :09:53. | :09:55. | |
policewoman who already has British, nor is running scared. | :09:56. | :10:01. | |
-- British criminals. This is the head of the Spanish police fugitives | :10:02. | :10:07. | |
unit. Last year she brought 300 criminals | :10:08. | :10:11. | |
to justice. This year she promises more. Right now we are close to a | :10:12. | :10:23. | |
few of them that we have been working for for along time. It is | :10:24. | :10:27. | |
going to be a good year for us, a bad year for them. 2013 was a bad | :10:28. | :10:33. | |
year for this British villain. The team pay him a surprise village -- | :10:34. | :10:41. | |
visit. Mark Lilly was the mastermind behind a ?1 million drug dealing | :10:42. | :10:45. | |
racket. He had been on the run for 13 years after skipping bail during | :10:46. | :10:50. | |
his trial in the UK. It took us 45 minutes. He was taking a shower when | :10:51. | :10:57. | |
he heard something. He moved into the panic room. He had retreated to | :10:58. | :11:04. | |
a heavily fortified secret room. But he was eventually flushed out. You | :11:05. | :11:11. | |
are armed today. Is that normal? Yes, always. You never know how they | :11:12. | :11:22. | |
are going to react. Olga and her team worked with the National Crime | :11:23. | :11:26. | |
Agency in the UK. Every time they suspect the criminal is headed the | :11:27. | :11:31. | |
Spain, they tipped her off. With such a large British community, it | :11:32. | :11:34. | |
can be easier for them to disappear, which means there's a lot of | :11:35. | :11:39. | |
legwork. Right now I am in Malaga, and I don't know when I am going to | :11:40. | :11:44. | |
be back in Madrid. I understand that if you have got a husband or | :11:45. | :11:48. | |
boyfriend and kids, that this is not the place to be. And you have none | :11:49. | :11:57. | |
of those. Now, just work. How do you feel about that? I am happy. Gerard | :11:58. | :12:03. | |
is a British journalist based in Marbella. They want to be with | :12:04. | :12:09. | |
people who look and sound the same. They like that there is a criminal | :12:10. | :12:13. | |
support structure for them. If they want to be protected by their own, | :12:14. | :12:18. | |
so to speak, and work in murky areas, they can carry on doing so. | :12:19. | :12:25. | |
What about Olga? Has she made a difference? I think so. Andrew | :12:26. | :12:31. | |
Mullen was one of Britain's most wanted criminals, a convicted armed | :12:32. | :12:36. | |
robber from Salford University on the run for four years. Until | :12:37. | :12:40. | |
Olga's team pounced as he was relaxing by the pool at his villa. | :12:41. | :12:44. | |
It was one of the most satisfying arrests of her career. That was | :12:45. | :12:51. | |
personal business. When I try to get him in 2012, he hid the car and | :12:52. | :12:57. | |
almost killed one of my guys. He ran away. We thought we had lost him. We | :12:58. | :13:05. | |
found him in May, 2013. That was great! He is now serving 6.5 years | :13:06. | :13:11. | |
in a jury jail for offences he committed on the run. Once he has | :13:12. | :13:16. | |
done his time in Spain, he will be deported to be sentenced for his UK | :13:17. | :13:20. | |
crimes. You are not looking for nice guys. The message is, choose another | :13:21. | :13:27. | |
place. If you come to Spain, we are going to find you, that is for sure. | :13:28. | :13:37. | |
Wow. Tony has made it safely back. She is a remarkable woman. Is it | :13:38. | :13:43. | |
right that she has a screensaver? Yes, those two guys were her | :13:44. | :13:49. | |
screensaver until she called them. She is absolutely dedicated. She is | :13:50. | :13:57. | |
formidable. And the sacrifices she has made... There is news on that. | :13:58. | :14:00. | |
The Director of Public Prosecutions tomorrow will announce tomorrow even | :14:01. | :14:07. | |
tougher measures going into this. Olga is going to get help. There are | :14:08. | :14:12. | |
six more specialist lawyers going into this field. The first two will | :14:13. | :14:17. | |
be specialists in asset recovery. This is a phenomenal statistic. 60% | :14:18. | :14:21. | |
of the acid recovery officer's work is related to Britain. -- asset. | :14:22. | :14:30. | |
What will happen to that money? We would like it to go back to the | :14:31. | :14:34. | |
victims but in some cases they cannot be found, they must make sure | :14:35. | :14:37. | |
they take the money off the criminals because they pump it back | :14:38. | :14:41. | |
into the criminal world. Just this weekend there was a large arrest. | :14:42. | :14:48. | |
Yes, David Madder. Sentenced to 18 year, he was caught near the border | :14:49. | :14:52. | |
of Spain, he will be extradited and this is part of the scheme Olga is | :14:53. | :14:57. | |
involved with. The Crimestoppers charity as well and they have | :14:58. | :15:03. | |
targeted 76 people since 2006. 76 targeted. They have 58 of them. | :15:04. | :15:09. | |
It shows they mean business. It's a great deterrent, to see Olga is out | :15:10. | :15:13. | |
there doing what she is. She does that, walks up and down the streets, | :15:14. | :15:17. | |
looking in bar, she is armed and ready. I said what do you do if we | :15:18. | :15:22. | |
see someone. She said I'll be in there. I said I won't. | :15:23. | :15:28. | |
You did go all Ross Kemp on us there. I was one scared man. | :15:29. | :15:35. | |
Thank you Tony. Last week Dan Snow shared the story of his family | :15:36. | :15:39. | |
heirloom from World War I, which just happened to be the Treaty of | :15:40. | :15:42. | |
Versailles. Tonight he meets three One Show | :15:43. | :15:47. | |
viewers with theirs. For those who fought on the front | :15:48. | :15:51. | |
line, to the family they left at home, the great war had an immense | :15:52. | :15:56. | |
and unforgettable impact on the lives of millions of people. Now, | :15:57. | :16:02. | |
100 years on, individual stories are being kept alive, by the very | :16:03. | :16:07. | |
personal, precious mementoes and keep sakes they give us a memory of | :16:08. | :16:11. | |
the dark days. From letters and diaries to | :16:12. | :16:15. | |
decorated artillery shells, over the coming months, we will uncover the | :16:16. | :16:22. | |
hidden history behind them. My name is Simon. My great war | :16:23. | :16:30. | |
heirloom belonged to my great uncle. It was a small green army issue book | :16:31. | :16:37. | |
he kept in his breast pocket. Pierced. | :16:38. | :16:41. | |
Patrick and three other men were sent out on night watch, the sentry | :16:42. | :16:45. | |
wasn't made wear there was a patrol out there and they opened fire, and | :16:46. | :16:52. | |
as you can see, the bullet pierced the book. Patrick was killed and he | :16:53. | :16:58. | |
was one of the last casualties of the war. Two days later it was | :16:59. | :17:05. | |
finished. To realise he was that close to the end of the war, to be | :17:06. | :17:09. | |
killed by his own side, it brings home the futility of the war. To | :17:10. | :17:14. | |
hold the book where you see he has written notes and prayer, it means a | :17:15. | :17:18. | |
lot to our family, to have this, it is the last kind of thing we have, | :17:19. | :17:24. | |
to remember Patrick by. Every night when I am in bed, I have | :17:25. | :17:30. | |
such awful dream, in fact, the neighbours grumble. I wake them with | :17:31. | :17:34. | |
my screams. But when I got to hush a bye I dream | :17:35. | :17:43. | |
I was back home. Last artefact I remember Patrick by. It is very | :17:44. | :17:45. | |
personal to him and very important to our family. The fact I have this | :17:46. | :17:51. | |
in my hand, I mean, it is incredible really. | :17:52. | :18:03. | |
My Great War heirloom is my grandfather's 21st birthday card. | :18:04. | :18:08. | |
My dad passed away, and in the bottom of his wardrobe we found a | :18:09. | :18:13. | |
21st birthday card that was hand made. It was given to my grandad in | :18:14. | :18:18. | |
world war one, he would have been a volunteer and given the job to | :18:19. | :18:24. | |
contact people who had lost people, either missing in action, or had | :18:25. | :18:30. | |
been killed. Someone had sat down and they have | :18:31. | :18:36. | |
scrolled and lined and drawn and got all these signatures on it, for my | :18:37. | :18:41. | |
grandad. It was given to my grandad and | :18:42. | :18:46. | |
passed down to my father, and now, I have got the honour of having it. I | :18:47. | :18:53. | |
feel that I am privileged to have it and see it. My name is Stephen Bull | :18:54. | :19:03. | |
and my great war heirloom is a sweetheart brooch of the royal | :19:04. | :19:07. | |
flying corps that came from my grandmother. She was born in 1900 so | :19:08. | :19:14. | |
she was 14 when the war started. It had a very big impact on her life, | :19:15. | :19:20. | |
really. For her time, she was quite a modern thinking sort of girl, she | :19:21. | :19:26. | |
rode a motorcycle as a young age, she was keen on dancing and there is | :19:27. | :19:30. | |
a lot of photographs. Perhaps one of the most interesting ones to me, is | :19:31. | :19:35. | |
a patriotic shot where she is wearing the flags of the allies and | :19:36. | :19:39. | |
doing a dance. It is so much of its period, really. | :19:40. | :19:45. | |
The sweetheart brooch was given to my grandmother by a Scottish airman, | :19:46. | :19:51. | |
about 1916 or 1917. My grandmother gave me to believe that he was a | :19:52. | :19:55. | |
prospective boyfriend, so where he went and what happened to him, sadly | :19:56. | :20:01. | |
I don't know. But it was something that she hung on to for more than | :20:02. | :20:06. | |
half a century, so it did have a meaning to her, and equally it has a | :20:07. | :20:12. | |
meaning to me. That is why it is my Great War heirloom. | :20:13. | :20:16. | |
Incredible to still have hold of these heirlooms and wonderful for | :20:17. | :20:20. | |
Stephen to share in his grandmother's life and the brooches | :20:21. | :20:25. | |
were not common, but they there were a lot of them. 19th century, things | :20:26. | :20:29. | |
like the brooches, or this badge here, became more normal for average | :20:30. | :20:33. | |
people. People who didn't have a lot of money could afford things like | :20:34. | :20:39. | |
this, and here is one celebrating Gallipoli day, a couple of years | :20:40. | :20:42. | |
after Gallipoli. A picture of the king. A badge, so these things | :20:43. | :20:46. | |
normal people could afford these and have them in their families. Where, | :20:47. | :20:53. | |
would those be available back sheer Probably here, for chart tab causes | :20:54. | :20:58. | |
to help the service people. I know Simon will like this. This is called | :20:59. | :21:02. | |
trench art. Those are mass produced. This is the tip of a bullet, | :21:03. | :21:08. | |
probably wasn't fired, and you would, people would make sort of you | :21:09. | :21:12. | |
know, jewellery out of it and send it home or send it to loved ones or | :21:13. | :21:17. | |
family. So look at that. That is is a bullet brooch. It has Woolwich on | :21:18. | :21:28. | |
it. I am amaze amazed everyone showed you their heirlooms, where do | :21:29. | :21:32. | |
you go with the Treaty of Versailles? I have the Magna Carta | :21:33. | :21:38. | |
here? ! This was made probably in France, so it is a French Frank | :21:39. | :21:47. | |
here, on the reverse it -- franc. It has the guy's name, his unit. They | :21:48. | :21:51. | |
would send that back and the person at home knows they are thinking of | :21:52. | :21:56. | |
them and they are safe, and it is a memento. For the person in the | :21:57. | :22:01. | |
etrenches doing this, it is a great bit of escapism. There is a lot of | :22:02. | :22:05. | |
metal lying round, so you scoop it up. This is a blade of a shell | :22:06. | :22:10. | |
casing, so you can polish it and turn it into something. It is a nice | :22:11. | :22:14. | |
thing for them to do. And people at home lovely to get the sense they | :22:15. | :22:18. | |
are OK, they have time to snake something. We would love to hear | :22:19. | :22:23. | |
from other viewers about their personal heirlooms so send your | :22:24. | :22:26. | |
stories and a picture of the heirloom to the usual address. It is | :22:27. | :22:33. | |
on the screen. Now, you mention the Treaty of | :22:34. | :22:39. | |
Versailles, and... How could you not? Viewers have been in contact | :22:40. | :22:43. | |
since your film went out. You said in that piece you didn't have any | :22:44. | :22:48. | |
photos from the Conference of 199. Someone has been in touch -- 1919. A | :22:49. | :22:54. | |
guy called David Hawkin, his ancestor was there and he has some | :22:55. | :22:59. | |
pictures so I will check them out. Now, time for something even older. | :23:00. | :23:05. | |
A scroll so ancient its contents have remay main add mystery, that | :23:06. | :23:11. | |
was until Marty got his hands on it P -- remained a mystery. Ancient | :23:12. | :23:17. | |
documents are a historian's best friend when it comes to piecing | :23:18. | :23:25. | |
together the lives of our ancestor, the most famous are the Dead Sea | :23:26. | :23:30. | |
scrolls. When they were discovered in 1947 historians were amazed but | :23:31. | :23:37. | |
how well presevered they seemed. But opening documents is risky. | :23:38. | :23:43. | |
Ancient scrolls are often so delicate, and damaged, if you try | :23:44. | :23:47. | |
and unroll them they just fall apart if your hands and the information | :23:48. | :23:51. | |
contained in them be lost forever. But, a new innovation means it may | :23:52. | :23:57. | |
soon be possible to read the pages of history without ever opening | :23:58. | :24:02. | |
them. Gary from the Norfolk record office | :24:03. | :24:06. | |
has a passion for piecing together the daily lives of our ancestors. | :24:07. | :24:14. | |
Show me what you have got Take it down a bit. So this is from about | :24:15. | :24:21. | |
1409, 1410. It is 600 years old. Yes. So can you unroll it any | :24:22. | :24:26. | |
further? We can't go any further I am afraid. Why not? In the past, | :24:27. | :24:32. | |
this document has got wet, and the parchment has fused together. So if | :24:33. | :24:37. | |
pull it any further it will disintegrate and we won't be able to | :24:38. | :24:42. | |
find out what was written in it. 600 years ago pressing Hamann nor was | :24:43. | :24:48. | |
home to 400 people. Gary hopes this scroll will give him a glimpse in | :24:49. | :24:52. | |
their day-to-day lives. The scroll is the first to undergo a new | :24:53. | :24:57. | |
technique, pioneered here at Queen Mary university in London. But they | :24:58. | :25:01. | |
aren't specialists in record keeping, or art history, it is a | :25:02. | :25:08. | |
dental school. Dr Graeme Dey advice has developed a | :25:09. | :25:13. | |
super sensitive x-ray machine that looks inside teeth. It can | :25:14. | :25:17. | |
distinguish between two materials just one 50th of a millimetre apart. | :25:18. | :25:22. | |
That is a fraction of a human hair. But now, he has turned the | :25:23. | :25:25. | |
technology to looking inside ancient scrolls too. | :25:26. | :25:31. | |
The ink that was used in medieval times contains iron, so in the so we | :25:32. | :25:38. | |
can see iron in the ink because it a heavy element. It shows up more | :25:39. | :25:42. | |
compared with the parchment it is written on. | :25:43. | :25:47. | |
The machine scans very fine slices of the scroll and builds them into a | :25:48. | :25:53. | |
digital model made up from 11 billion 3-D pixels. | :25:54. | :25:59. | |
The scanned scroll is still rolled up, but Dr Paul from the University | :26:00. | :26:05. | |
of Cardiff has worked out a way to unwrap it digitally. What is this | :26:06. | :26:08. | |
image here and what do you do with it? So we get 10,000 x-ray cross | :26:09. | :26:13. | |
sections which are showing a cross section as we go along the length of | :26:14. | :26:18. | |
the scroll, and they have this bright outline, which is the | :26:19. | :26:23. | |
parchment and the bright points core spend to ink. So you have a slice | :26:24. | :26:29. | |
through the role. Yes And these little splotches, that is the ink. | :26:30. | :26:34. | |
Yes, so we have to extract out the parchment, we have to do the | :26:35. | :26:38. | |
unrolling, we have take the intensities and stick them all | :26:39. | :26:40. | |
together, to form the resulting image. | :26:41. | :26:44. | |
It has taken months to carefully line up thousands of these tiny | :26:45. | :26:51. | |
slices. Today, Paul is going to show archivist Gary the result. If it is | :26:52. | :26:55. | |
readable it will be a world first. Let us look. It has been 600 years | :26:56. | :27:02. | |
since this has been read. This is what we can see. Now, we we have | :27:03. | :27:09. | |
uncovered all this. That is really good. It is better than I | :27:10. | :27:15. | |
anticipated. Can you read any of this? This is dealing with the sale | :27:16. | :27:22. | |
of fishing rights. Someone called William Skeet. He is the Reeve. The | :27:23. | :27:28. | |
manager who these accounts are being made for. So he sold himself the | :27:29. | :27:32. | |
fishing rights? Yes, that is the That is the way it works. The scroll | :27:33. | :27:36. | |
is only the begin, in the near future it is hoped this technique | :27:37. | :27:40. | |
will be able to unravel more of history's hidden secrets. | :27:41. | :27:46. | |
Wow. On the writing theme, Simon you were saying you have written three | :27:47. | :27:54. | |
kids's science novels. Yes the first was Rich. Then Itch Rock, so yes, | :27:55. | :28:00. | |
and then Itch Craft comes out in September. Your incentive for | :28:01. | :28:05. | |
writing them? I just have a blast. It's the most thrilling visceral | :28:06. | :28:10. | |
thing, so I am a radio presenter, you are a TV presenter, if you, you | :28:11. | :28:15. | |
work with teams, you have to work with very good people. If you are a | :28:16. | :28:19. | |
writer you do it on you own. Didn't you initially, you have this | :28:20. | :28:22. | |
inspiration for your son, because you wanted your son to have books... | :28:23. | :28:27. | |
He was ten at the time. He came from school not interested in sport, only | :28:28. | :28:31. | |
in science so I thought I would write him a short story. It became a | :28:32. | :28:38. | |
big story. I came across this phrase element hunter which is someone who | :28:39. | :28:43. | |
collects the periodic table. He discovers dangerous rocks. They are | :28:44. | :28:47. | |
great reads. We have run out of time. Thank you for coming in. It | :28:48. | :28:54. | |
was fantastic, come over any time. I will be back tomorrow with Simon | :28:55. | :28:55. | |
Callow. | :28:56. | :28:58. |