Browse content similar to 25/02/2014. Check below for episodes and series from the same categories and more!
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hello and welcome to the One Show with Matt Baker. And yes, welcome | :00:18. | :00:23. | |
back to Alex, fresh from the Philippines, lovely to have you | :00:24. | :00:30. | |
back. It is likely to be back. I was therefore Sport Relief, looking at | :00:31. | :00:34. | |
the devastating... It has been a long day. Devastating type who that | :00:35. | :00:40. | |
swept through in last November. --typhoon. Next week you will have | :00:41. | :00:45. | |
the chance to help. Because thanks to you, we are a show that likes to | :00:46. | :00:50. | |
get things done and we have proof tonight, the dramatic updates on two | :00:51. | :00:54. | |
stories. One, a group of residents whose homes and futures were | :00:55. | :00:58. | |
blighted through no fault of their own. The other is a remarkable story | :00:59. | :01:03. | |
of a nun whose life might have been saved after a doctor who happen to | :01:04. | :01:07. | |
be watching her on the show realised something was wrong. It is an | :01:08. | :01:11. | |
incredible story. And joining us is a man who I am sure we'll have a lot | :01:12. | :01:16. | |
to say on those subjects and any subject, in fact, it is Simon | :01:17. | :01:23. | |
Callow! Nice to see you again. Thank you, lovely to be here on your new | :01:24. | :01:30. | |
premises. Yes, your first time here. You have a brand-new one-man | :01:31. | :01:32. | |
Shakespeare play which we will talk about later, but in her acceptance | :01:33. | :01:37. | |
speech, Dame Helen Mirren quoted from the Tempest, she said, in my | :01:38. | :01:41. | |
best Helen Mirren, "We are such stuff as dreams are made on." | :01:42. | :01:48. | |
Doesn't sound anything like her. It was good. Thank you. Which | :01:49. | :01:53. | |
Shakespeare line would sum up your life? I don't know if it sums up my | :01:54. | :01:58. | |
life but I would like people to talk about what Hamlet says about | :01:59. | :02:05. | |
Yorick, a man of infinite jest and excellent fancy. It would look good | :02:06. | :02:12. | |
on your tomb. And you are in the thespian vibe at the moment, you are | :02:13. | :02:16. | |
going between rehearsals. Later on, we are showing a film about the | :02:17. | :02:24. | |
history of men's underwear, so... I'm something of an authority. Are | :02:25. | :02:29. | |
you a boxer or a briefs man, and do you have lucky pants? I am a boxer | :02:30. | :02:34. | |
man but I have not located my lucky pants. I am hoping some kind of you | :02:35. | :02:40. | |
will be sending some informative. When you are in character, do you | :02:41. | :02:42. | |
wear characterful underwear as well? On the whole, I wear my own, | :02:43. | :02:49. | |
but sometimes you have to wear period underwear. In Shakespeare In | :02:50. | :02:56. | |
Love, I wore period underwear. How was that? Had someone else worn it | :02:57. | :03:01. | |
before you? They were freshly made and freshly laundered! On lucky | :03:02. | :03:07. | |
pants? If you have a pair stored away in a drawer, keep it clean and | :03:08. | :03:13. | |
send us a picture. Yes, please keep it clean and we do not want you | :03:14. | :03:19. | |
wearing your pants. Just holding them up tastefully. Spoilsport. Send | :03:20. | :03:24. | |
your pictures to [email protected] and we will | :03:25. | :03:29. | |
show the luckiest briefly later. Very good. Here we go, this is a | :03:30. | :03:34. | |
classic case of what happens next. Cast your minds back over three | :03:35. | :03:38. | |
years to an edition of the One Show when, I remember, as my first ever, | :03:39. | :03:42. | |
but for one contributor, it was a lot more important than that. | :03:43. | :03:49. | |
It is an enclosed content which doesn't normally mix with the | :03:50. | :03:56. | |
outside world. -- con vent. That was 2010, it was Alex's first | :03:57. | :04:01. | |
show, would be gold work was on the sofa and three of the sisters from | :04:02. | :04:07. | |
this convent had agreed to speak to us. One of the nuns we spoke to was | :04:08. | :04:15. | |
Sister Aelred. When you first -- we first came here come you didn't plan | :04:16. | :04:19. | |
to be interviewed. It wasn't on the cards at all. One of the people who | :04:20. | :04:23. | |
had come with you as if they could interview me as well and I said, | :04:24. | :04:26. | |
OK, as long as it is with the other two. The video greeting came on with | :04:27. | :04:34. | |
the three nuns and with Sister Aelred in a centre. I said to my | :04:35. | :04:39. | |
wife, I think the middle none is speaking as though her tongue was | :04:40. | :04:43. | |
too large for her mouth -- the middle nun. I noticed also that she | :04:44. | :04:47. | |
had thickening of the soft tissues of the face, the lips, the nose, the | :04:48. | :04:52. | |
forehead, all of which are fairly classical external signs of this | :04:53. | :04:56. | |
condition. Two days after the One Show had gone out, the producers | :04:57. | :05:01. | |
said they had been contacted by a doctor who says he is quite sure | :05:02. | :05:04. | |
that the middle of the three sisters has got a rare condition called | :05:05. | :05:13. | |
acrolegame. Speak quite how did you feel? I thought I should be sensible | :05:14. | :05:19. | |
and I e-mailed him and said I was the person, and would he get back to | :05:20. | :05:23. | |
me? He replied immediately with a very good email explaining what it | :05:24. | :05:31. | |
was. It is nearly always due to an overgrowth on the pituitary gland, | :05:32. | :05:36. | |
and this is a benign tumour of the pituitary which is producing too | :05:37. | :05:39. | |
much growth hormones, so the body is seeing an access growth hormone. So | :05:40. | :05:43. | |
it happens very, very slowly and often happens during the second half | :05:44. | :05:46. | |
of life and it is just very difficult for the individuals | :05:47. | :05:51. | |
themselves to up. In every 1 million of the population, there will | :05:52. | :05:57. | |
probably be three or four cases diagnosed every year, so it really | :05:58. | :06:03. | |
is very rare. As things progress, I was referred to a wonderful surgeon | :06:04. | :06:08. | |
in Southampton, and he saw the tumour and he said it was a big one, | :06:09. | :06:15. | |
and I said I felt well, I don't feel I need the surgery and he said that | :06:16. | :06:22. | |
if I don't have it, it will undoubtedly shorten your life, so I | :06:23. | :06:26. | |
said I would have it. I didn't want to die before I have two. When it | :06:27. | :06:34. | |
came to the celebration for my 50th anniversary, I said to the | :06:35. | :06:37. | |
community, wouldn't it be lovely to invite the doctor and his wife? When | :06:38. | :06:46. | |
I met Sister Aelred for the first time, I thought she looked | :06:47. | :06:49. | |
terrific, healthier and rather younger, I would say, and she just | :06:50. | :06:56. | |
looked very, very well. It seems to be extraordinary that a busy | :06:57. | :07:00. | |
consultant, whose speciality was endocrinology, should have been | :07:01. | :07:03. | |
watching the One Show when he came home from work. And should have | :07:04. | :07:09. | |
noticed and taken the trouble to do something about it. That still | :07:10. | :07:15. | |
amazes me. Is this all just a coincidence? I don't think there is | :07:16. | :07:27. | |
any such thing. What a story, and best wishes to Sister Aelred for | :07:28. | :07:30. | |
continued good health. I remember her well. Speak Roddy just goes to | :07:31. | :07:33. | |
show commune of a know who is watching and what will happen. So, | :07:34. | :07:41. | |
Simon, you are back on the stage in Being Shakespeare, a one-man play | :07:42. | :07:45. | |
but not written by the Bard himself. So can you give us a flavour of what | :07:46. | :07:50. | |
the play is about? It is about Shakespeare, obviously. It is an | :07:51. | :07:54. | |
attempt to get inside this man about whom we know so little. So it is his | :07:55. | :08:01. | |
life? It is a humorous life -- human life. His most famous quote is | :08:02. | :08:07. | |
perhaps" all the world is a stage..." And the person who speaks | :08:08. | :08:09. | |
that takes you through the seven ages of man and so we take you | :08:10. | :08:14. | |
through that and the first age is a baby. What was it like to be an | :08:15. | :08:20. | |
Elizabethan baby? If all of them were like this, Shakespeare must | :08:21. | :08:23. | |
have been like that and what are in the play is about the treatment of | :08:24. | :08:28. | |
babies? Lots. So bit by bit, like an echo chamber, you start to get an | :08:29. | :08:31. | |
impression of what it might have been like. Is it in the | :08:32. | :08:36. | |
Shakespearean verse? Not at all. It is me probing this question of what | :08:37. | :08:41. | |
the journey of William Shakespeare might have been. And of course, the | :08:42. | :08:45. | |
journey of William Shakespeare is the journey of all others, because | :08:46. | :08:48. | |
he is the one at all writers that we know best understood what it is to | :08:49. | :08:57. | |
be the human being. I was reading, one of the first book she connected | :08:58. | :09:03. | |
with were Shakespeare, and this year is the 450th anniversary of the | :09:04. | :09:08. | |
Bard's birth, and the RSC are saying children as young as five years old | :09:09. | :09:12. | |
should be exposed to his work. Is that too young? It is too young to | :09:13. | :09:17. | |
expose people to the actual texts, because they are difficult, | :09:18. | :09:20. | |
difficult for adults, even, but the stories are fantastic and I | :09:21. | :09:24. | |
passionately believe they should be exposed to the stories and the great | :09:25. | :09:28. | |
fact is that our great national genius, probably the greatest | :09:29. | :09:34. | |
writer, was a playwright, so they are plays and they are about the | :09:35. | :09:39. | |
relationship of people to each other. And great characters. | :09:40. | :09:43. | |
Wonderful characters in great situations exploring the emotions we | :09:44. | :09:48. | |
can have. Kids can relate to all of that very easily. Something like A | :09:49. | :09:53. | |
Midsummer Night's Dream is perfect for children. Absolutely. And as we | :09:54. | :09:56. | |
know from the movie of Romeo and Juliet, it is a story of action and | :09:57. | :10:00. | |
excitement and love and all of those things are very accessible. As an | :10:01. | :10:05. | |
actor, you have done an eclectic mix of characters and we hear, is this | :10:06. | :10:09. | |
right, that you would like to be in EastEnders? I long to be in | :10:10. | :10:15. | |
EastEnders. We nearly fell off our chairs when we heard that. My great | :10:16. | :10:20. | |
friend and Mitchell is in it and has been magnificent and I would love to | :10:21. | :10:25. | |
be in it. The great thing about EastEnders Coronation Street or | :10:26. | :10:27. | |
whatever come you get a character and you can go deeper and deeper and | :10:28. | :10:32. | |
deeper. In a play, you have two and a half hours of the character but in | :10:33. | :10:36. | |
EastEnders or Coronation Street, you have years of the full life story of | :10:37. | :10:41. | |
a person and can redefine something fantastic that people relate to. We | :10:42. | :10:46. | |
were banging our heads together. We thought you would have a stall in | :10:47. | :10:49. | |
the market, and this is what it would look like if you did. Selling | :10:50. | :10:54. | |
old-fashioned books. I will send that in, that will be my audition. I | :10:55. | :11:00. | |
would fancy playing a bookmaker. When I was young, as a young actor, | :11:01. | :11:05. | |
I played a character who was a bookie at the Derby, and I got a | :11:06. | :11:10. | |
review in the Sporting Life Sentence Case Which Said I Played It As If I | :11:11. | :11:13. | |
Had Been One All My Life, Said That Is The Best Review. -- as if I had | :11:14. | :11:23. | |
played it all my life, which is the best review. And you can see Being | :11:24. | :11:26. | |
Shakespeare from Harold Pinter Theatre Theatre tomorrow. George | :11:27. | :11:33. | |
Eustice today reveal details of the ?10 million fund to help farmers | :11:34. | :11:35. | |
affected by the floods and the Government says it is spending more | :11:36. | :11:40. | |
than ever before on flood defences. Anita has been to Holland to see | :11:41. | :11:45. | |
what serious investment can buy you. The Dutch spend over ?1 billion | :11:46. | :11:50. | |
every year on flood management and prevention, twice what we spend in | :11:51. | :11:55. | |
the UK, despite being a sixth of our size and having a tenth of our | :11:56. | :12:00. | |
population. I am in Rotterdam, in the Netherlands. Now, this is a city | :12:01. | :12:05. | |
under siege from water, because 80% of it is below sea level. If it | :12:06. | :12:09. | |
didn't have its defences, it would be under 1-2 metres of water, around | :12:10. | :12:15. | |
six feet. And in the worst areas, it could be under six metres of water, | :12:16. | :12:21. | |
the height of a two story house. In 1953, Rotterdam suffered | :12:22. | :12:24. | |
catastrophic flooding. Nearly 2,000 people were killed. As a result, the | :12:25. | :12:30. | |
Dutch decided to take action so a disaster like that could never | :12:31. | :12:36. | |
happen again. Rotterdam is at risk of flooding in four different | :12:37. | :12:39. | |
directions. Rainwater, ground water, but you have also got the sea in | :12:40. | :12:43. | |
that direction and rivers that flow in from Germany over there, so if it | :12:44. | :12:47. | |
wasn't for their flood defences, this place wouldn't stand a chance. | :12:48. | :12:52. | |
But there is a twist to how they deal with the flood threat. The | :12:53. | :12:56. | |
Dutch strategy is to keep their enemy close. It is not just a case | :12:57. | :13:00. | |
of fighting to keep the water at bay, they channel its power and work | :13:01. | :13:05. | |
with the water as well as against it. I am taking a trip around the | :13:06. | :13:09. | |
city to find out more. Let's start with this. It looks like a | :13:10. | :13:15. | |
playground. Here we try to combine a theatre and a basketball field with | :13:16. | :13:20. | |
water storage and this is what we call a water playground. It is built | :13:21. | :13:26. | |
and designed to cope with the excessive rainfall. Raindrops | :13:27. | :13:29. | |
falling on the roof and slowly, they will go through the gutter system | :13:30. | :13:34. | |
into these basins. With this, we are creating or regenerating and | :13:35. | :13:40. | |
actually, the sponge function of the city. Sponge function? I love that. | :13:41. | :13:45. | |
So because it is so concrete now, there is no sponge function. That is | :13:46. | :13:51. | |
what is happening, it is the combination of urbanisation and | :13:52. | :13:56. | |
climate change making a lack of water storage in cities. We want to | :13:57. | :14:01. | |
do it in a multifunctional way. This Plaza holds the same amount of water | :14:02. | :14:06. | |
as 8,500 bathtubs. There are two others like it in Rotterdam and | :14:07. | :14:11. | |
plans to build more. Not all of the rainwater they collect is in places | :14:12. | :14:14. | |
as obvious as this, though. I am being taken to the top of one of the | :14:15. | :14:18. | |
city's high-rise buildings, with a special kind of roof. This is a | :14:19. | :14:25. | |
green roof, no concrete. And this obviously has an important function? | :14:26. | :14:30. | |
Yes, it makes a sponge on the top of the roof, catching the rainwater. | :14:31. | :14:34. | |
This is a kind of mask that connects more water. The soil and the plans | :14:35. | :14:39. | |
collect the water and keep it inside and if there is an overflow of | :14:40. | :14:43. | |
water, it slowly goes down the roof, so we collect a lot of water. There | :14:44. | :14:48. | |
are quite a few, do people have an incentive to change their roots? | :14:49. | :14:53. | |
Yes, we pay a little money. Private people, 45 euros per square metre | :14:54. | :14:59. | |
and we subsidise it to 30 euros. So most part, we pay to get it started. | :15:00. | :15:05. | |
This is one of the easier assistance to implement because it can be built | :15:06. | :15:08. | |
on any flat roof that is strong enough. We are already building them | :15:09. | :15:13. | |
in the UK but unlike the Dutch, our government doesn't offer subsidies | :15:14. | :15:16. | |
to build them. So when was the last time Rotterdam flooded? And very, | :15:17. | :15:23. | |
very long time ago but only in small places have had problems in the last | :15:24. | :15:27. | |
year. Like in many urban areas, heavy rainfall in Rotterdam flows | :15:28. | :15:31. | |
into the sewage systems and as we have seen in the UK, the systems can | :15:32. | :15:35. | |
overflow. But this car park has been built with a giant basin underneath | :15:36. | :15:41. | |
that holds enough overflow sewage to fill four Olympic sized swimming | :15:42. | :15:48. | |
pools, keeping it off the streets. There is a big cheese, all the | :15:49. | :15:53. | |
sewage water comes through, we open the Volvo and all the sewage water | :15:54. | :16:00. | |
runs below this right. So it is basically a sewage overflow. We | :16:01. | :16:10. | |
flush it again like a toilet. Who would've thought you could do a | :16:11. | :16:16. | |
sewage overflow under a car park! Let's use it. The idea is free, use | :16:17. | :16:28. | |
it! I can't help but be seriously impressed with the creativity of the | :16:29. | :16:33. | |
Dutch. They have a long-term vision and a short-term action plan to make | :16:34. | :16:43. | |
it happen. I find that fascinating! I am not sure about going on the | :16:44. | :16:52. | |
tour! One British flood victim who build their own flood defence is Sam | :16:53. | :16:58. | |
Notaro. The good news is, the water is going down and his home-made | :16:59. | :17:04. | |
ramparts did their job. Tony is also here. Last week we spoke about the | :17:05. | :17:08. | |
residents of Plainfield, outside Glasgow, and told their terrifying | :17:09. | :17:17. | |
story. You have an update tonight? It's marvellous news. A week ago, I | :17:18. | :17:23. | |
went to see Fiona in her garden and various other residents, their | :17:24. | :17:26. | |
houses had been built on contaminated land. They had been | :17:27. | :17:29. | |
landed with a bill of ?600,000 to remove it. No way they could afford | :17:30. | :17:37. | |
it. I left them in absolute despair. On the programme that night, the | :17:38. | :17:42. | |
Chief Secretary of the Treasury announced that the UK Government | :17:43. | :17:46. | |
will give ?255,000 and asked the Scottish Government to match it. | :17:47. | :17:50. | |
Today the residents went to meet the Scottish finance secretary and he is | :17:51. | :17:59. | |
what he said after that meeting. The Scottish Government is going to make | :18:00. | :18:02. | |
available ?300,000 to undertake this work, it is important we get going | :18:03. | :18:09. | |
quickly to resolve this issue and the money will be available whenever | :18:10. | :18:14. | |
they require. Let's find out what they thought! It is just a lifeline | :18:15. | :18:21. | |
for us, not just the families involved but all the residents in | :18:22. | :18:24. | |
the whole area, it is magnificent news. Thanks to everyone who has | :18:25. | :18:29. | |
been involved and supportive of everything we have done. Thank you, | :18:30. | :18:40. | |
One Show. That is the people Power! Thank you very much indeed. As an | :18:41. | :18:47. | |
actor, Simon is used to playing countless characters. But the one | :18:48. | :18:53. | |
creature, being a master of disguise as a matter of life or death. Rock | :18:54. | :19:01. | |
pools are home to a surprising array of creatures, all struggling to | :19:02. | :19:07. | |
survive. But no two rock falls are the same and that can make them | :19:08. | :19:11. | |
tricky places to live. Some have dark, rocky surfaces, others have | :19:12. | :19:17. | |
pale, sandy bottoms. Scientists are discovering that these differences | :19:18. | :19:21. | |
can have a striking effect on the animals that live in them. This is a | :19:22. | :19:26. | |
sure crap but they are markedly different in colour. This one is | :19:27. | :19:32. | |
paler, this one is darker brown. Yet they are the same as beaches. This | :19:33. | :19:36. | |
colour different stored to be related to wear each crab grew up. | :19:37. | :19:44. | |
Scientists believe they take on the appearance of the environment so | :19:45. | :19:48. | |
once in sandy rock pools will be paler than those among black rock. | :19:49. | :19:53. | |
The more they blend in with their surroundings, the safer they will | :19:54. | :19:57. | |
be. If you can't change your own colour, there are other ways of | :19:58. | :20:02. | |
manipulating the way you look. This doctor from Plymouth University has | :20:03. | :20:05. | |
made remarkable discoveries about a different kind of crap, a hermit | :20:06. | :20:12. | |
crab. They don't have a shell over the abdomen. The act almost like | :20:13. | :20:22. | |
portable borrows. They are really quite fussy about what sort of shell | :20:23. | :20:26. | |
they want to go in, they want a shell big enough to protect them. We | :20:27. | :20:30. | |
found out that they are also fussy about the colour of the shell. We | :20:31. | :20:39. | |
are putting dark shelled crabs onto a yellow background. And giving each | :20:40. | :20:47. | |
one simulation tools to choose from. He's just investigating? Yes, | :20:48. | :20:56. | |
probably what he is trying to do is get a sense of the internal volume | :20:57. | :21:04. | |
of the shell. That's politics might -- that's brilliant! Once they have | :21:05. | :21:12. | |
decided they're going to move, they want it" play. So it could save your | :21:13. | :21:22. | |
life? It could maximise your chances of not being denied for someone | :21:23. | :21:31. | |
else. He has found that 75% of the crabs he has tested can switch | :21:32. | :21:36. | |
shells. Some new tests being carried out in Exeter have revealed another | :21:37. | :21:40. | |
British creature taking camouflaged or whole new level. These and | :21:41. | :21:45. | |
assuming fish spend their lives in rock pools. -- on assuming fish. Low | :21:46. | :21:53. | |
tide, you can be vulnerable to predators like birds and at high | :21:54. | :21:57. | |
tide commute can be attacked by live fish. But they have a trump card. | :21:58. | :22:09. | |
They can change colour. And in under a minute, Now it is time to be | :22:10. | :22:36. | |
released into the wild, to put their camouflage girls to good use who | :22:37. | :22:48. | |
knows what other clever adaptations there are on our shores. Still to | :22:49. | :22:59. | |
come, the history of if synthetic underwear to be banned | :23:00. | :23:13. | |
in Russia and Belarus? It is true! People are being arrested for this. | :23:14. | :23:21. | |
I would be in a state if they got rid of synthetic underwear! Rasputin | :23:22. | :23:26. | |
wore the same underwear for six months! True! They said he's not | :23:27. | :23:29. | |
like a goat. Here is the next film. My subject today is pants. No | :23:30. | :23:43. | |
sniggering at the back, please. I'm speaking of the history of male | :23:44. | :23:49. | |
underwear. It is 80 years since Jockey briefs revolutionised the | :23:50. | :23:54. | |
industry. Before that it was a rather long story, more of that in a | :23:55. | :23:59. | |
moment. First, I'm heading underground to see some very early | :24:00. | :24:05. | |
examples of man's creations. These look like flattened mice but in fact | :24:06. | :24:14. | |
they are codpieces. They are, they were the protective garment worn by | :24:15. | :24:17. | |
men in the late 15th century. It would have started off in much as a | :24:18. | :24:24. | |
practical form of protection but gradually became more and more | :24:25. | :24:28. | |
elaborate and ornamented, to the extent where they became a hugely | :24:29. | :24:34. | |
decorated protrusion. Underwear change for a little until the 18th | :24:35. | :24:42. | |
century. Men from the poorer classes went without. The length of the | :24:43. | :24:49. | |
shirt often operated as the protective layer between the body | :24:50. | :24:54. | |
and the trousers. Industrialisation in the 19th century saw the | :24:55. | :24:58. | |
development of new styles and sewing techniques. By now underwear was | :24:59. | :25:01. | |
closer fitting, often covering the whole body. Fabrics included linen, | :25:02. | :25:11. | |
silk, cotton and wool. A doctor proposed form of healthy living | :25:12. | :25:16. | |
which involved wearing wool mixed to the body, it was the healthy way for | :25:17. | :25:25. | |
the body to be. Explorers Scot Andy Jaeger wore wool. Winston Churchill | :25:26. | :25:32. | |
was very extravagant, he wore pink silk underwear. His wife told her | :25:33. | :25:39. | |
sister-in-law it was because he needed to expend money on scans of | :25:40. | :25:42. | |
undergarments because he had delicate skin. Then there were | :25:43. | :25:49. | |
jockeys in the 1930s. Their brief but supportive design was an | :25:50. | :25:55. | |
immediate hit. What was innovative about the white front was it was one | :25:56. | :25:59. | |
of the first times that men's underwear offered support. The other | :26:00. | :26:02. | |
innovation that was patented was the opening. And that design opened up | :26:03. | :26:10. | |
the marketplace. Suddenly, underwear was cool. A fertile ground for | :26:11. | :26:16. | |
marketing men everywhere. 1985 saw that famous Levi's commercial. | :26:17. | :26:22. | |
Boxers were first developed immunity and 30s to replace the belted shorts | :26:23. | :26:31. | |
worn by foxes. Two decades later, thanks to David Beckham, the tighter | :26:32. | :26:35. | |
fitting undergarment was back in vogue. So how did underwear become | :26:36. | :26:39. | |
such an important thing in the world of fashion? You have big superb | :26:40. | :26:45. | |
rounds, Armani, the Saatchi, all of them design underwear, it is a great | :26:46. | :26:52. | |
way for them to get a customer. People want to buy into a designer | :26:53. | :26:57. | |
or celebrity brand, they can get quite a cheap price point. A man of | :26:58. | :27:03. | |
sophistication is measured by the style of his pants! I think you can | :27:04. | :27:10. | |
tell men's personalities by their parents buying. Somebody who might | :27:11. | :27:13. | |
buy a boxer is more traditional, they have probably gone to | :27:14. | :27:18. | |
university, public school. Somebody like this, this is probably more | :27:19. | :27:26. | |
like an Essex lad. So you can see there are differences in different | :27:27. | :27:29. | |
styles and different people who wear them. I wonder how many pairs the | :27:30. | :27:38. | |
average man owns? I have probably about 30. I will buy about that many | :27:39. | :27:46. | |
every year. Is that bad? So when it comes to men's underwear, | :27:47. | :27:48. | |
unsurprisingly, it's a matter of choice. Some choose to lose, some | :27:49. | :27:54. | |
choose tight, some gopher comfort, some go for fashion. But most of us | :27:55. | :27:59. | |
just wear whatever we have been given by our partner or how mum. 30 | :28:00. | :28:12. | |
pairs of pants! That is excessive! We asked for pictures of your lucky | :28:13. | :28:19. | |
pants. We had loads. This is Antoinette, with her family's lucky | :28:20. | :28:23. | |
pants, they have been all around the world. She wears these for the six | :28:24. | :28:30. | |
Nations, it has brought good luck. Keep wearing them! These are from | :28:31. | :28:38. | |
Eugene in Brighton, he says they are so lucky, they got me on the One | :28:39. | :28:47. | |
Show! You can see Simon in Being Shakespeare at the Harold Pinter | :28:48. | :28:53. | |
Theatre from tomorrow. Tomorrow's guests are Jerry Springer and Gaby | :28:54. | :28:54. | |
Roslin. | :28:55. | :28:56. |