Browse content similar to 26/02/2014. Check below for episodes and series from the same categories and more!
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Tonight on Jerry Springer, clash of the co-presenters. Matt, what is | :00:08. | :00:13. | |
your story? She makes fun of me, really bad. She calls me Barmy | :00:14. | :00:21. | |
Farmer Baker. Today, she left an inflatable sheep in my dressing | :00:22. | :00:28. | |
room! Lets meet this dreadful woman. Hang on! It is you that makes fun of | :00:29. | :00:33. | |
me. Why do I find this in my dressing room? Aleeks? Aleeks Jones! | :00:34. | :00:45. | |
This could be a long show... Don't worry, we buried the hatchet. | :00:46. | :01:00. | |
Welcome to The One Show with my best buddy, Matt Baker. And Aleeks Jones! | :01:01. | :01:08. | |
And the man that has brought us together, TV's most notorious | :01:09. | :01:16. | |
ringmaster, Jerry Springer! Jerry! Jerry! Jerry! | :01:17. | :01:22. | |
I'm glad you guys are back together again and all of the fighting is | :01:23. | :01:28. | |
over, I was getting so upset. I got his name wrong, can you believe it? | :01:29. | :01:35. | |
Let's not go there, we'll start arguing again. Happy 70th birthday | :01:36. | :01:39. | |
for a couple weeks ago. That's why they chant, Jerry! Jerry! They have | :01:40. | :01:46. | |
to repeat it so I remember my name. Now I hope they start yelling out my | :01:47. | :01:51. | |
address, so I know how to get home. It hasn't been a good week for a | :01:52. | :01:56. | |
British talk show host in the States. Piers Morgan, his show on | :01:57. | :02:01. | |
CNN has been canned due to, they say, poor ratings. Would you take | :02:02. | :02:07. | |
over that show? No. First of all, it is a different network. You know, | :02:08. | :02:13. | |
so... That is not even an issue. But beyond that, I think he did a really | :02:14. | :02:19. | |
good job. Why do you think he didn't work out, then? Why does any show | :02:20. | :02:27. | |
work or not? We don't know. There is no formula to a successful show, if | :02:28. | :02:30. | |
there was, there would be no failures. Everybody would follow | :02:31. | :02:34. | |
that formula. You never know. Television is changing. The format | :02:35. | :02:41. | |
may be much more difficult now. People are used to television being | :02:42. | :02:46. | |
very quick. Images, quick. You know? Now, all of a sudden, you are | :02:47. | :02:51. | |
sitting down and talking to somebody for an extended period and it's hard | :02:52. | :02:53. | |
to keep people's attention. Everything has to be within 30 | :02:54. | :02:57. | |
seconds. On that very note, we have to move on to keep the energy going! | :02:58. | :03:05. | |
Are you serious? Can I stay? We've got an hour! Really? Jerry! Jerry! | :03:06. | :03:14. | |
It's a rowdy over there, also in the studio are members of what could be | :03:15. | :03:17. | |
one of the worst foot all teams in Britain. Tunstall Town FC are with | :03:18. | :03:18. | |
us! They are very nice, but they have | :03:19. | :03:28. | |
battled on for six and a half years without winning. This week, things | :03:29. | :03:32. | |
are different, eventually. What a week it has been. If you know of a | :03:33. | :03:38. | |
sporting try hard to put in the effort but never quite gets the | :03:39. | :03:42. | |
result, please send a photo of them and we will celebrate them, as best | :03:43. | :03:46. | |
we can, later in the show. We also have something you are going to | :03:47. | :03:51. | |
love, and probably won't have seen in 30 years of broadcasting. Phil | :03:52. | :04:00. | |
Tufnell has more details. Or is it Phil Shadow? I am with a dance group | :04:01. | :04:07. | |
that are true pioneers. They are called Pilobolus and they have wowed | :04:08. | :04:14. | |
audiences for four decades with mesmerising performances. They have | :04:15. | :04:18. | |
put together something special and exclusive just for The One Show and, | :04:19. | :04:22. | |
apparently, I am going to be in it. Without a shadow of a doubt, I think | :04:23. | :04:26. | |
we are going to enjoy this. I like the way he was reading as he went | :04:27. | :04:32. | |
backwards and got carried off. We also have Gaby Roslin here, with | :04:33. | :04:37. | |
some stars of her new show. Wonderful to have her in. We don't | :04:38. | :04:46. | |
want to frighten the dogs. Are they being well-behaved at the moment? | :04:47. | :04:50. | |
Very well behaved, look at the size of this dog. That is Monty, we will | :04:51. | :04:57. | |
get introduced soon. According to the latest official figures, the | :04:58. | :05:01. | |
average house price in the UK has hit two than ?50,000 for the first | :05:02. | :05:04. | |
time ever. Across the country, what you get for your money varies | :05:05. | :05:11. | |
hugely. -- ?250,000. To find out how big the gap is, we sent Anita Rani | :05:12. | :05:15. | |
and Simon Boazman to different parts of the country to tell a tale of two | :05:16. | :05:18. | |
houses. It is ten o'clock on Saturday | :05:19. | :05:21. | |
morning. If you are selling your house, this is the day you pin your | :05:22. | :05:25. | |
hopes on four viewings. In London, prices are soaring. Elsewhere in the | :05:26. | :05:31. | |
North of England, the Midlands and Wales, it is a very different story. | :05:32. | :05:35. | |
House prices have dropped or remained stagnant. I am in | :05:36. | :05:41. | |
Blackburn, an area that had a big drop in house prices, falling 19% in | :05:42. | :05:45. | |
the last six years. This three-bedroom semidetached behind me | :05:46. | :05:53. | |
is on the market for ?125,000. I am in West Norwood, the deaths of | :05:54. | :05:57. | |
south-east London. Like the rest of the capital, property prices are | :05:58. | :06:00. | |
booming. In the last year alone, they have gone up 20%. This | :06:01. | :06:07. | |
three-bedroom end of terrace is on at ?575,000. Roy and Julie have | :06:08. | :06:16. | |
lived here for seven years, but now wants to move so they can be nearer | :06:17. | :06:20. | |
their grandchildren. How long has it been on the market for? Six months. | :06:21. | :06:27. | |
No offers yet. How much did you buy this for? 118. It is on the market | :06:28. | :06:35. | |
for? 125. Did anybody suggest robbing the price? We did, we put it | :06:36. | :06:43. | |
on at 130, it's quiet at the moment. This house in London is getting 20 | :06:44. | :06:46. | |
viewings in one day. You have an open day happening, what's that? It | :06:47. | :06:51. | |
is an up and coming area because there are some in the people | :06:52. | :06:54. | |
looking. The most efficient and effective way of getting everybody | :06:55. | :06:57. | |
to see it is all in one go. It means anybody interested can stay to see | :06:58. | :07:00. | |
it is all in one go. Is anybody interested can state their interest | :07:01. | :07:03. | |
right away. What is the most over the asking price a property has sold | :07:04. | :07:08. | |
for? In my experience, 15%. Like this going for 630. Is that normal | :07:09. | :07:16. | |
in London? Usually. Nine out of ten, we get asking price offers or | :07:17. | :07:21. | |
multiple offers. Are you, the estate agents, pushing values up by causing | :07:22. | :07:26. | |
this open day scenario, where you have loads of people coming, getting | :07:27. | :07:30. | |
people into bidding wars? I don't think we are the problem at all. We | :07:31. | :07:34. | |
have no control over the amount of demand varies. In Blackburn, Roy and | :07:35. | :07:38. | |
Julie have their first viewing of three months. This is the living | :07:39. | :07:46. | |
room. It's been decorated, to try and attract people. Dining room. | :07:47. | :07:52. | |
Nice size. He's not a salesman, but he's giving it a pretty good girl. | :07:53. | :07:57. | |
Plenty of space outside, it's all right. -- good go. Come back any | :07:58. | :08:05. | |
time you like. It is nerve wracking showing a stranger around your | :08:06. | :08:08. | |
house, trying to sell them something you want them to buy. Have you | :08:09. | :08:12. | |
stopped daydreaming about the next place yet? I looked at one and then | :08:13. | :08:19. | |
it was sold. I thought, rather than suck my heart on one, I'll wait till | :08:20. | :08:22. | |
I get an offer on mine. -- set my heart on one. | :08:23. | :08:31. | |
We had 70 around one last weekend. It's just too small. But the | :08:32. | :08:37. | |
location... Six more viewings in one day? Not | :08:38. | :08:48. | |
that many properties, lots of people that want to buy them. It's very | :08:49. | :08:52. | |
much different since I last looked for a property five years ago. Now | :08:53. | :08:59. | |
it is all about open day Best, a two our window, smashed through as much | :09:00. | :09:01. | |
as you can, the whole thing takes two days. Hoping you win the com | :09:02. | :09:06. | |
petition, that is what it feels like, quite pressured. Kate is a | :09:07. | :09:12. | |
property analyst. Why is there such a flat market in the North? Part of | :09:13. | :09:17. | |
it is wages. In this area, wages have hardly moved in the last ten | :09:18. | :09:21. | |
years. There is then the ability to get a mortgage. If wages are not | :09:22. | :09:25. | |
going up, if the lenders are not willing to lend, you can't have | :09:26. | :09:31. | |
house prices rising as well. After spending the day with Roy and | :09:32. | :09:34. | |
Julie, you can see it as a completely different world appear. | :09:35. | :09:39. | |
From what Kate says, these guys are going to have a house on the market | :09:40. | :09:44. | |
for a little bit longer yet. You might be asking, is this property | :09:45. | :09:49. | |
really worth ?575,000? Well, if somebody is prepared to pay that | :09:50. | :09:54. | |
much, yes, it is. In London, it is definitely a seller's market. | :09:55. | :10:01. | |
Well, Anita wasn't that far away from our studio. Has it been snapped | :10:02. | :10:06. | |
up? It has had three of us, we don't know what they are. The good news | :10:07. | :10:10. | |
is, in Blackburn, Simon wants to take his wife back to have a second | :10:11. | :10:16. | |
viewing. Fingers crossed! If anybody is looking for a house in | :10:17. | :10:22. | |
Blackburn... We know that prices do vary between North and South. Has | :10:23. | :10:27. | |
that disparity always been there? Why don't we take a look back to | :10:28. | :10:31. | |
what the housing market was like? A fantastic One Show graphic. 1974, a | :10:32. | :10:38. | |
house in the north-west, ?8,000 would buy you one! On average, yes. | :10:39. | :10:46. | |
In London, ?13,000. I know, ?13,000 for a house! That's the interesting | :10:47. | :10:52. | |
thing, the difference in the middle. Let's fast forward to 2013. The | :10:53. | :10:58. | |
average house in the North West would cost you ?140,000. | :10:59. | :11:05. | |
In London, just over 2.5 times more. ?345,000. There has always been a | :11:06. | :11:15. | |
disparity. I often find London is almost like a | :11:16. | :11:26. | |
different planet. Mortgage news is out today, what does this tell us? | :11:27. | :11:32. | |
The good news for everybody is that more mortgages were approved last | :11:33. | :11:36. | |
year, ?8 billion with more by January of this year, up 50% on the | :11:37. | :11:41. | |
same time of the previous year. That is reflecting across the country. | :11:42. | :11:46. | |
There is movement everywhere. Why the interest rates are really low, I | :11:47. | :11:50. | |
suppose. Well, thank you for that. Jerry, you were born in London, but | :11:51. | :11:55. | |
not in a posh Mayfair house? Your life started in... I was born in the | :11:56. | :12:01. | |
subway station, Highgate station. How did you end up being born there? | :12:02. | :12:07. | |
What were your parents doing? They were making love! When you were | :12:08. | :12:14. | |
born? What happened, it was during the war. Often times, women in the | :12:15. | :12:20. | |
ninth month would spend an evening in the subway because those were the | :12:21. | :12:29. | |
bomb shelters. I was born at 11:45. Every time I hear a train go by, | :12:30. | :12:34. | |
even at this time, I go... You would think they would a little plaque | :12:35. | :12:39. | |
there, something that would say, Gerald was born here. We have a | :12:40. | :12:45. | |
great props department. We will get Dave to go and mail one in. We can | :12:46. | :12:50. | |
have a formal ceremony, and we can compare. I haven't changed. We'll | :12:51. | :12:55. | |
hold you to that. Jerry is not the only person to start their life in | :12:56. | :12:59. | |
an unusual location. Here are some One Show viewers that work born in | :13:00. | :13:04. | |
very strange places indeed. I was born in 1956 and a small aircraft | :13:05. | :13:10. | |
flying over East Africa. We were missionaries in Africa. We were | :13:11. | :13:13. | |
opening this place, a hospital for maternity work. We had four | :13:14. | :13:20. | |
children, expecting the fifth. Things went wrong and I was | :13:21. | :13:25. | |
haemorrhaging badly. We needed to get to the hospital as quickly as we | :13:26. | :13:33. | |
could. After 24 hours in labour, the plane arrived. It was a little | :13:34. | :13:39. | |
plane. There was a pilot, doctor and nurse, then they have a stretcher, | :13:40. | :13:43. | |
where I was on. I can remember having a big cylinder for oxygen. I | :13:44. | :13:51. | |
was pretty well... Didn't care what happened. You get to the stage | :13:52. | :13:56. | |
where... Am I a live one I not? You know? Halfway there, and our's | :13:57. | :14:02. | |
flight, I was born over the river or Fiji. It says I was born in an | :14:03. | :14:09. | |
aircraft in my passport. In my birth certificate, it says born in an | :14:10. | :14:12. | |
aircraft. I was born in the ball with police station, here. September | :14:13. | :14:20. | |
the 24th, 1991. She was saying, I need to go to the hospital, I think. | :14:21. | :14:26. | |
We left, going down the road, I got down Gateshead Road, halfway. She | :14:27. | :14:29. | |
said, were not going to make it. We went to the police station. I was on | :14:30. | :14:34. | |
my break and I was told there was a car, with a lady that was in the | :14:35. | :14:39. | |
car, downstairs, about to have a baby. I wasn't panicking at that | :14:40. | :14:44. | |
stage. Your body takes over and you go with the flow. I was at the | :14:45. | :14:50. | |
receiving end. Maybe being a cricketer, being a wicketkeeper, I | :14:51. | :14:55. | |
did the right things! You were panicking, his face was white. I | :14:56. | :15:01. | |
could see Jade, just the top part of her head was showing. So, I knew I | :15:02. | :15:06. | |
didn't have much time. Within 12 minutes, Jade, as we now know Jade, | :15:07. | :15:14. | |
was born. I was thinking to myself, do the right things. Make sure this | :15:15. | :15:20. | |
baby is all right. Well, I'm all right! Thank you. Thanks for helping | :15:21. | :15:25. | |
dad. And you are special to us. You are very special, you are a | :15:26. | :15:29. | |
wonderful direct. We don't have another one, thank you! This is a | :15:30. | :15:37. | |
black ruby, she was born on the A370, on a roundabout. I woke up at | :15:38. | :15:42. | |
2am and started getting contractions. My sister wanted to be | :15:43. | :15:47. | |
involved in the birth, because she wanted to be a midwife. I wanted to | :15:48. | :15:55. | |
be in hospital to ask midwives questions. We started driving to the | :15:56. | :16:02. | |
hospital. She started screaming, the baby is coming. The first time, I | :16:03. | :16:08. | |
didn't really believe her. I told her, can you check and see what's | :16:09. | :16:13. | |
going on? Just the head between her legs, looking at me. By the time we | :16:14. | :16:18. | |
got to the roundabout, I stopped the car and quickly just jumped into the | :16:19. | :16:21. | |
back. The first thing I thought was, OK, I've got to do it. This is it, | :16:22. | :16:26. | |
it's going to happen. She just came out. It was really exciting, just to | :16:27. | :16:34. | |
be the first to hold my little one. She is gorgeous. That film came from | :16:35. | :16:40. | |
a call-out that we did when we knew you were coming on. We said, "If you | :16:41. | :16:47. | |
have been born in unusual places..." Great idea to do that. You were | :16:48. | :16:51. | |
saying you were born in London. Your parents took you to the States in | :16:52. | :16:56. | |
1949? I left when I was five. I found out I couldn't be King! I was | :16:57. | :17:01. | |
ticked off. So I said, "I'm out of here!" Now I can't be President! | :17:02. | :17:07. | |
From an early age, they encouraged you to get into politics? Well, | :17:08. | :17:13. | |
politics - public issues were very much a part of our family's life. | :17:14. | :17:19. | |
Most of my family was exterminated in the concentration camps during | :17:20. | :17:24. | |
World War Two. It wasn't something we once in a while talked about. I | :17:25. | :17:29. | |
think out of that I developed this interest of politics. This is | :17:30. | :17:34. | |
exactly when we came over. I read this story - was it your dad that | :17:35. | :17:39. | |
encouraged you to talk about one story that you had read in a | :17:40. | :17:42. | |
newspaper? Everyone in the family had to talk about one story they | :17:43. | :17:45. | |
read in the newspaper. That is a great idea. Of course, when I was a | :17:46. | :17:51. | |
little boy, I used to talk about sports, baseball and stuff like | :17:52. | :17:54. | |
that. Then, eventually, I started moving up to the earlier pages of | :17:55. | :17:58. | |
the newspaper and started talking about political things. Then you | :17:59. | :18:02. | |
became - was it the Mayor of Cincinnati? Yeah. That was in the | :18:03. | :18:10. | |
'70s. I was very young. I was "the Boy Mayor". They used to run a crawl | :18:11. | :18:17. | |
at the bottom of the screen - "It is 11.00pm, do you know where your | :18:18. | :18:22. | |
Mayor is?" What an achievement. I think people voted for me because | :18:23. | :18:27. | |
they wanted to know where I was! LAUGHTER I don't know. Yeah, the | :18:28. | :18:31. | |
people were really nice. They voted for me. It was the best job I had | :18:32. | :18:37. | |
ever had, being a Mayor. Really? Why do you say that? It is important. | :18:38. | :18:41. | |
Secondly, of any political job, at least in America, except for the | :18:42. | :18:46. | |
presidency, it is the one job that is hands on. You are not debating | :18:47. | :18:52. | |
issues, you are not talking just about philosophy, you are running a | :18:53. | :18:56. | |
Police Department, a Fire Department, schools. You are really | :18:57. | :18:59. | |
hands on. That was the top of the tree for you. You couldn't run for | :19:00. | :19:03. | |
President because you were born here? What happens? I wind up doing | :19:04. | :19:10. | |
this uplifting show(!) But the best Mayor story we love is in 1981 when, | :19:11. | :19:17. | |
apparently, you wrestled a bear? LAUGHTER Please explain. It was a | :19:18. | :19:25. | |
fundraiser. OK. Maybe it is the same thing in television - your assistant | :19:26. | :19:30. | |
says, "We got a call, they want you to do this. It is four months from | :19:31. | :19:35. | |
now." I say, "Put it on the calendar!" It was to raise money for | :19:36. | :19:39. | |
a char tit. Every minute I could stay in the ring with this bear -- | :19:40. | :19:46. | |
raise money for charity. Every minute I could say in the ring with | :19:47. | :19:49. | |
this bear, I would raise money for that charity. When I got there, I | :19:50. | :19:55. | |
was frightened. I bet you were! I'm the Mayor and it is live on the Six | :19:56. | :20:01. | |
O'Clock News. All stations went to it. And the crowd is cheering and | :20:02. | :20:05. | |
yelling and I'm scared to death. I would love to see this. I would. . | :20:06. | :20:12. | |
Shall we put it on? You have it? We think this is it! APPLAUSE You were | :20:13. | :20:22. | |
good! CROWD: Jerry! Jerry! | :20:23. | :20:30. | |
I had that bear scared! I'm dancing around for the first two rounds. The | :20:31. | :20:34. | |
trainer says, "You can play around, he won't hurt you, but don't touch | :20:35. | :20:39. | |
his nose." After two rounds, I figure I got this thing licked! You | :20:40. | :20:46. | |
didn't? I touched his nose. Boom! I was wearing glasses. I always wear | :20:47. | :20:53. | |
glasses. I was hurt. You can't cry. Wow. Of course not. He is on me. | :20:54. | :21:00. | |
They are trying to pull him off. I'm like - it was horrible. What a claim | :21:01. | :21:08. | |
to fame. You got the money. His name was Victor. ?550 - you wrestle a | :21:09. | :21:12. | |
bear! He probably would. Time to catch up with Phil now who is in | :21:13. | :21:15. | |
another television studio across town in Hammersmith. Phil, explain | :21:16. | :21:20. | |
to us why you are over there? Well, I'm here with a dance group | :21:21. | :21:25. | |
Pilobolus who are known for their amazing shadow performances. They | :21:26. | :21:30. | |
have done an exclusive for The One Show, but because their shadow | :21:31. | :21:34. | |
screen is so huge, we have had to come down to the Riverside Studios | :21:35. | :21:38. | |
here in Hammersmith. Now, here is a bit more info. It is all crazy. It | :21:39. | :21:44. | |
is all going on back there. This is what they do. | :21:45. | :21:56. | |
This is Shadowland - creating a performance that merges projected | :21:57. | :21:59. | |
images and front of screen choreography. It is the creation of | :22:00. | :22:05. | |
New York-based theatre company Pilobolus. They are here in London | :22:06. | :22:17. | |
to show me how it's done. Now, we have all seen shadow theatre before, | :22:18. | :22:22. | |
but you were the first? We started in 2006 with a commercial request to | :22:23. | :22:28. | |
make a car advert with no car in it. But just bodies creating the shape | :22:29. | :22:34. | |
of the car. Eventually, created Shadowland. Everyone has a | :22:35. | :22:43. | |
connection to shadows. It connects to childhoods and as we were falling | :22:44. | :22:47. | |
asleep, when we were seven or eight years old, it is astounding what you | :22:48. | :22:51. | |
can create on the bedroom wall. What are the difficulties with creating | :22:52. | :22:56. | |
shadows? All of these people are tremendous athletes. And they are | :22:57. | :23:01. | |
enormously gifted artists. When you walk away from the screen, you | :23:02. | :23:06. | |
become larger in shadow. When you walk towards a person, you become | :23:07. | :23:09. | |
smaller in shadow which is the opposite of what we normally | :23:10. | :23:13. | |
experience. When these artists are appearing to touch each other in | :23:14. | :23:16. | |
shadow, they may be five feet away from each other. It is tremendously | :23:17. | :23:25. | |
precise, completely intolerant of error and very difficult to achieve. | :23:26. | :23:34. | |
So, that is what they do. I'm excited because I'm going to be | :23:35. | :23:40. | |
performing with them tonight. What have you got in store for me? We are | :23:41. | :23:45. | |
going to put a little story together that tells of our journey from New | :23:46. | :23:49. | |
York, where we are from, to London, the great City of London, where we | :23:50. | :23:52. | |
will be performing in a couple of weeks. Fantastic. I have had a look | :23:53. | :23:56. | |
behind the screen and they are all in their underwear. Can I keep my | :23:57. | :24:01. | |
kit on? Whatever you like! As long as you also wear this raincoat. | :24:02. | :24:07. | |
Lovely. I have a prop. And THIS umbrella. A brolly, thank God for | :24:08. | :24:11. | |
that! I can keep me kit on! Join us later when you will see me make my | :24:12. | :24:17. | |
debut as a shadow performer! That's live on The One Show. Can't wait. I | :24:18. | :24:22. | |
like the way Phil is dressed as a shadow tonight. He looks nice all in | :24:23. | :24:29. | |
black! We know you took part in Dancing with the Stars? Yes. How did | :24:30. | :24:36. | |
you do? Well, I lasted pretty long. I think eight weeks. But people kept | :24:37. | :24:40. | |
voting for me because they wanted to hurt me. Ah. You go backstage and | :24:41. | :24:48. | |
they interview you and the contestants are always going, "Call | :24:49. | :24:52. | |
this number so I can stay on." I'm always going, "Please, I can't do it | :24:53. | :24:58. | |
anymore!" Don't call the number. Everything hurt. You did it for an | :24:59. | :25:03. | |
interesting reason? To dance with my daughter at her wedding. That was | :25:04. | :25:07. | |
great. It went well, did the performance at the wedding go to | :25:08. | :25:11. | |
plan? This is the silly part. Katie is wearing this beautiful wedding | :25:12. | :25:15. | |
gown so we are doing the father-daughter dance and Katie | :25:16. | :25:22. | |
says, "Dad, they can't see my feet." I didn't have to go on the show at | :25:23. | :25:30. | |
all. Who was your favourite judge? Oh, well, I liked them all. Len was | :25:31. | :25:36. | |
closest to my age so I related to him. Just as well. We do have a | :25:37. | :25:42. | |
message from Len. Are you serious? Jerry Springer, I remember you on | :25:43. | :25:46. | |
Dancing with the Stars so well. Oh, that final dance, the waltz, full of | :25:47. | :25:52. | |
rise and fall, beautiful flow of the body and you wanted to learn it for | :25:53. | :25:55. | |
your daughter's wedding. There she was in the audience and at the end, | :25:56. | :25:59. | |
you went over and gave her a kiss. How did the wedding go? I have never | :26:00. | :26:03. | |
found out. I'm available for lunch any time you want to pay. Good luck. | :26:04. | :26:10. | |
Ahh! He is a nice bloke. APPLAUSE That is great. We did go to lunch | :26:11. | :26:16. | |
right after that season, I was here in London. Did you pay? I DID pay. | :26:17. | :26:22. | |
That is why he wants to do it again. Good. What a nice guy. That was very | :26:23. | :26:28. | |
nice. Well, Matt is sick to death of talking about dancing so he has gone | :26:29. | :26:32. | |
to find the football boys. We met them briefly earlier at the top of | :26:33. | :26:37. | |
the show. Here are seven members of the Tunstall Town FC who haven't won | :26:38. | :26:40. | |
a game in six-and-a-half years - but they won last Saturday! CHEERING | :26:41. | :26:48. | |
Come on! George, you are the manager. That's right. How long have | :26:49. | :26:54. | |
you played for the team? 13 seasons. What was the score? 2-1. Who scored? | :26:55. | :27:02. | |
Hands up. What was the last five minutes of the game like knowing | :27:03. | :27:05. | |
that potentially you could win? Nerve-wracking. Longest five minutes | :27:06. | :27:10. | |
of my life! I don't know where the referee found the injury-time from! | :27:11. | :27:15. | |
Frank, 29 years on the team. What does it feel like to finally win? | :27:16. | :27:23. | |
Well, we had certainly given ourselves time to practice the | :27:24. | :27:28. | |
celebrations! What did you do? It involved quite a lot of alcohol. | :27:29. | :27:35. | |
Yes. Did you get bruised in the... Yes. Good lad! Very quickly, at the | :27:36. | :27:42. | |
end here, the next game is - you have high hopes for the next match. | :27:43. | :27:49. | |
How many people were there? 12 people. If people want to come and | :27:50. | :27:57. | |
see you, where is the match? It's in Stoke-on-Trent and everybody come | :27:58. | :28:02. | |
down and give us a cheer and give us sponsorship! Great. It is just | :28:03. | :28:06. | |
around the corner from George's house. So they can all park on your | :28:07. | :28:11. | |
drive! Good lad. Lads, thanks ever so much and good luck for the | :28:12. | :28:14. | |
weekend! Come on! Very shortly, we will be chatting to Gaby Roslin and | :28:15. | :28:19. | |
finding out why she has joined us with some furry fenced and Alex is | :28:20. | :28:24. | |
outside with them now -- furry friends and Alex is outside with | :28:25. | :28:28. | |
them now. I'm on pooper scooper duty. My absolute favourite(!) | :28:29. | :28:37. | |
Before we chat, there is another in our series of looking at the stories | :28:38. | :28:40. | |
behind some of our favourite dog breeds. This is Honey, a German | :28:41. | :28:49. | |
Shepherd dog that we re-homed from a rescue organisation. She is an | :28:50. | :28:55. | |
unruly new addition to our family. I used to watch Rin Tin Tin on TV so I | :28:56. | :29:01. | |
have associated German Shepherd dogs with the Army and that kind of work. | :29:02. | :29:17. | |
Rin Tin Tin would race to the aid of the US Cavalry. I would like to know | :29:18. | :29:21. | |
where the whole dog thing came from. She is off already! And my hunch | :29:22. | :29:27. | |
that the German Shepherd had links to the military appears to be right. | :29:28. | :29:38. | |
It owes its existence to a cavalry captain in the Prussian army. He was | :29:39. | :29:44. | |
out on manoeuvres and his attention was absorbed by noticing a shepherd | :29:45. | :29:51. | |
down in the Valley, working his dogs with the flock. Often, the shepherd | :29:52. | :29:58. | |
would control him simply by gesture, rather than command. The moment | :29:59. | :30:01. | |
occurred to him that he wanted to devote his life to evolving a dog | :30:02. | :30:10. | |
that have those qualities. Honey, we're talking about your great, | :30:11. | :30:15. | |
great, great grandad! And many more generations! Her ancestors can be | :30:16. | :30:24. | |
traced back to this dog. The cavalry captain believed that aesthetics | :30:25. | :30:29. | |
should be ignored. He said about promoting the breed as a working dog | :30:30. | :30:33. | |
for the Armed Forces. As a result, tens of thousands of them work used | :30:34. | :30:38. | |
by the German army in the Great War. We have come to a military museum to | :30:39. | :30:41. | |
find out more about how these dogs worked in the trenches. Goodness me, | :30:42. | :30:48. | |
look at this. So, we go from being a shepherd dog, to this? Indeed. There | :30:49. | :30:57. | |
are given so many important husks to do. Unravelling telephone cables, | :30:58. | :31:00. | |
carrying medical supplies to the wounded. Scenting out the people | :31:01. | :31:06. | |
that were badly injured, dying on the battlefield. Their contribution | :31:07. | :31:13. | |
to the war effort did not go unnoticed by Allied forces. They | :31:14. | :31:18. | |
impressed the British soldiers that brought them back to England and | :31:19. | :31:23. | |
established them as they breed in England. By World War II, the German | :31:24. | :31:27. | |
Shepherd had proved its worth on the battlefield and would serve on both | :31:28. | :31:32. | |
sides. It would be the Nazis that would set up to hone their | :31:33. | :31:38. | |
aggressive instincts. I have many Jewish friends, obviously, they are | :31:39. | :31:40. | |
quite shocked I should have a German Shepherd. They were very vicious in | :31:41. | :31:46. | |
the camps. Indeed. That is the appalling story of how this glorious | :31:47. | :31:51. | |
breed was exploited by the Nazi party. Training dogs to be | :31:52. | :31:53. | |
aggressive, to be, in effect, killers. The Nazis as years is would | :31:54. | :32:01. | |
be difficult to shake off and it was time for some much-needed | :32:02. | :32:06. | |
rebranding. If they called the breed a German dog, that would have dam | :32:07. | :32:11. | |
that from the outset. So, they called it an Alsatian. The kennel | :32:12. | :32:21. | |
club played down its origins by renaming it Alsatian, after the | :32:22. | :32:26. | |
French border region. It wasn't until 1977 that the club changed the | :32:27. | :32:30. | |
name back to German Shepherd. Today's owners, like this group in | :32:31. | :32:36. | |
Huddersfield, stay true to the vision of a working dog, trained to | :32:37. | :32:41. | |
a high level. Today, the German Shepherd continues to assist police, | :32:42. | :32:44. | |
military and rescue forces around the world, and these little cuties | :32:45. | :32:49. | |
will be trained to do just that. But what about the rescue dog, Honey? | :32:50. | :32:55. | |
She's never been trained. Can we teach this old dog new tricks? | :32:56. | :33:01. | |
They are so smart, these dogs. I think they can learn just about | :33:02. | :33:06. | |
anything. If I could encourage people not to be frightened of them, | :33:07. | :33:11. | |
and if you've got one, to get it trained, I would be delighted. That | :33:12. | :33:15. | |
would be delightful. They are really cute when they are | :33:16. | :33:19. | |
puppies. Gaby Roslin is here with some of the stars of the show. Would | :33:20. | :33:30. | |
you introduce them? The Springer, Tuffy, standing in front of Jerry | :33:31. | :33:34. | |
Springer! This is Monty. He is a therapy dog. They both took part in | :33:35. | :33:43. | |
Top Dogs. This is Sport Relief? Sport Relief's top dogs. Three | :33:44. | :33:54. | |
weeks, the best fun, really happy, smiling dogs. And this is a big dog. | :33:55. | :33:58. | |
This is a lot more than just sitting, tell us about... Yes, not | :33:59. | :34:04. | |
just a dog sitting down. Not really exciting. It is like It's A | :34:05. | :34:08. | |
Knockout, with dogs and their owners. There are two teams, led by | :34:09. | :34:14. | |
a celebrity captain and their dog, a pet dog and their own. They took | :34:15. | :34:17. | |
part, and those are the owners over there. Luckily very proud indeed. | :34:18. | :34:24. | |
What type of games do they do? Anything from Reservoir Dogs, | :34:25. | :34:38. | |
Pawmula One. Some great things happen. Something with coconuts? | :34:39. | :34:49. | |
Ainslie and the dogs are so alike in their behaviour. They do say dogs | :34:50. | :34:52. | |
are like their owner. You would have been amazing on this | :34:53. | :35:29. | |
show! I would have loved it. Bring your dog, next series. Monty can do | :35:30. | :35:35. | |
something impressive, this might remind you of your Piersbear moment. | :35:36. | :35:43. | |
Let's see if we can do it live. But! I will hand him back to you. We got | :35:44. | :35:55. | |
something very special for you. Come on over. This is a jerry can of | :35:56. | :36:08. | |
beer. I'll put this down here. Let's hope this works. There we are, my | :36:09. | :36:16. | |
dear. If you say fetch, hopefully something interesting should happen. | :36:17. | :36:27. | |
Fetch! It's the accent. Fetch! Fetch, by golly! | :36:28. | :36:36. | |
There we are. I'll hand it over. You are a real big dog lover, because | :36:37. | :36:44. | |
you are hosting the show, but you haven't got one? It's because my | :36:45. | :36:51. | |
husband is allergic, I had to choose between my dog or my husband. I | :36:52. | :37:07. | |
could be your dog. This is hilarious. Jerry, comeback. It's | :37:08. | :37:14. | |
getting a bit weird, Jerry. Getting a bit weird... Just a reminder, it | :37:15. | :37:23. | |
all starts for real on Monday. For three weeks, 6:30 on BBC Two. In his | :37:24. | :37:31. | |
series exploring British accidents, impressionist Alistair McGowan has | :37:32. | :37:35. | |
chatted to everyone from... Brummies... Scousers... I can't | :37:36. | :37:42. | |
remember Cockney! It's a jerry, get down, you are putting me off! Just | :37:43. | :37:48. | |
when we thought there were no other voices left to analyse, he turned | :37:49. | :37:52. | |
the microphone on himself. Evesham, a picturesque market town | :37:53. | :37:58. | |
in Worcester, and the place where I grew up. I'm going to listen to my | :37:59. | :38:03. | |
native accent, the accent of my childhood, and ask the big question, | :38:04. | :38:06. | |
why don't I sound like I come from here? Professor Clive Upton is on | :38:07. | :38:13. | |
hand for some expert accent insights. To hear what an Evesham | :38:14. | :38:17. | |
boy like me should sound like, where better to go than a traditional | :38:18. | :38:21. | |
market garden? Have you spent much time away from this area? No, I | :38:22. | :38:28. | |
wouldn't want to. I haven't been on holiday for about eight years. What | :38:29. | :38:34. | |
do you grow? Tomatoes, cucumbers, asparagus, everything. Asparagus? If | :38:35. | :38:41. | |
you went to the dentist and he had to take something out of your mouth, | :38:42. | :38:47. | |
what would it be? Tuth. What about enough you might eat at Christmas? | :38:48. | :38:58. | |
Walnut. I always say truth, but I want to say tuth. It sounds wrong to | :38:59. | :39:07. | |
me. This place has its own dialect. If my ears aren't deceiving me, | :39:08. | :39:16. | |
these two workmen are bantering in perfect dialect. What are the couple | :39:17. | :39:24. | |
like? He's been bevviting about in his garage. It means he's been | :39:25. | :39:31. | |
looking for something, he's not sure what he's looking for, but is | :39:32. | :39:38. | |
looking into everything. Then there was a yupa tack stuff. You're making | :39:39. | :39:50. | |
it up! People are made to think they are speaking incorrectly because | :39:51. | :39:52. | |
they are using these old forms, but they are the ones that have the | :39:53. | :39:56. | |
pedigree, using forms you find in Shakespeare and Chaucer. Today, it's | :39:57. | :40:04. | |
only really spoken by people like Will and John, fighting to keep it | :40:05. | :40:08. | |
alive. But that wasn't the case when I was growing up. I can member at | :40:09. | :40:16. | |
school, lot of children would use this. She isn't pronounced like | :40:17. | :40:27. | |
that, is it? Shup! I haven't heard that since I was a kid. It's time to | :40:28. | :40:31. | |
ask some people who knew the young Alistair McGowan very well why I | :40:32. | :40:37. | |
didn't pick up the sounds. My uncle Mike and Patsy. How do I sound | :40:38. | :40:45. | |
compared to now? Pretty much the same. I think it was your | :40:46. | :40:48. | |
environment, your mum didn't speak with a Worcester and. You were sent | :40:49. | :40:52. | |
to live with a schoolteacher who spoke with a refined accent, and I | :40:53. | :40:58. | |
think your mum picked her accent. My father was brought up in India, he | :40:59. | :41:02. | |
used to correct me if I make the stakes. He'd get very cross when I | :41:03. | :41:11. | |
said wuz, if I said, I wuz, he would say was! For most children, the | :41:12. | :41:19. | |
strongest influence would be the sounds of the playground. But my mum | :41:20. | :41:22. | |
and dad clearly weren't having any of that. Your parents would have had | :41:23. | :41:26. | |
to have worked to overcome the influences you were getting from | :41:27. | :41:29. | |
school, so there was clearly a lot going on in your make-up to prevent | :41:30. | :41:33. | |
you from sounding very much like Evesham. All down to my mum and dad? | :41:34. | :41:40. | |
My dad's rod of iron. Despite your attempts to correct me. He must have | :41:41. | :41:44. | |
gone through a nightmare when I went to visit, he was trying to correct | :41:45. | :41:47. | |
you on these words and I was coming around and using them. He never | :41:48. | :41:51. | |
corrected me! I love the sounds of this area, but I'm comfortable with | :41:52. | :41:55. | |
the way I speak, I sound the way I do because of my mother and father. | :41:56. | :41:59. | |
I could try and sound more like I am from Evesham, but I think I am | :42:00. | :42:00. | |
getting a bit long in the tuth! Lovely to see lots of local | :42:01. | :42:13. | |
characters there. Jerry, your show, it is not short of a few characters. | :42:14. | :42:18. | |
It didn't actually start out the way that it ended up? I know it | :42:19. | :42:23. | |
evolves... Yeah, it wasn't always stupid. Now it's stupid. The first | :42:24. | :42:29. | |
three years, it was a normal show. At the time I started this, there | :42:30. | :42:34. | |
were 20... Oh, look at that. Just outrageous. But you can't stop | :42:35. | :42:37. | |
watching it. Oh! And we have to drive clean those | :42:38. | :42:52. | |
carpets. Nobody cares! But it is shown in a staggering 40 countries, | :42:53. | :42:57. | |
it has been going for ages. Does it still have the capacity to shock? Or | :42:58. | :43:04. | |
have you hit the limit? You can't be a grown-up and today's world and be | :43:05. | :43:08. | |
shocked by anything you see on our show. All you have to do is open a | :43:09. | :43:12. | |
penny newspaper in the world, by the time you go to page three, I've got | :43:13. | :43:16. | |
20 shows. There is nothing shocking on our show. What was shocking when | :43:17. | :43:20. | |
it started was that normally we didn't see this stuff on television. | :43:21. | :43:23. | |
But I can't pretend to tell you, I was so surprised. We may be shocked | :43:24. | :43:28. | |
when it happens to someone we know. But it's crazy, walked down the | :43:29. | :43:35. | |
streets of London. Have you ever have a man on all fours barking like | :43:36. | :43:39. | |
a dog on your show? Cent you see, people are going to say, did you see | :43:40. | :43:45. | |
on The One? They have a man... I apologise. | :43:46. | :43:49. | |
At the age of 70, you are still going. You obviously can't stop? | :43:50. | :43:57. | |
Well, I can't stand on two beat any more. What is it about the show that | :43:58. | :44:03. | |
makes you want to continue? It's pure fun, that is the honest answer. | :44:04. | :44:08. | |
I don't want to retire and just sit around. People obviously still like | :44:09. | :44:10. | |
the show otherwise it wouldn't still be on. We are in our 23rd year. It's | :44:11. | :44:20. | |
fun. I enjoy entertaining. It is 3am, I go downstairs because I want | :44:21. | :44:25. | |
something to eat or a glass of milk. The light bulb goes on when I open | :44:26. | :44:28. | |
the refrigerator and I do five minutes! So many episodes, can you | :44:29. | :44:34. | |
remember a favourite episode, the funniest, the happiest? Well, the | :44:35. | :44:40. | |
craziest, I never know what the show is about, I'm not allowed to know | :44:41. | :44:44. | |
the subject matter, the craziest was the guy that married his horse. We | :44:45. | :44:51. | |
did a follower show, because the horse left them. A man married his | :44:52. | :45:00. | |
horse? Who lived in Missouri, about 50 miles of St Louis. We went to his | :45:01. | :45:06. | |
home and the hallways were extrawide, because the horse lived | :45:07. | :45:14. | |
indoors with him. I didn't know this. I said, here is Bob, a | :45:15. | :45:19. | |
middle-aged man sitting in a chair. What's going on, Bob? I'm having | :45:20. | :45:24. | |
problems with the neighbours. Why? They don't like my wife. Why? I | :45:25. | :45:30. | |
don't know, she keeps to herself. All I have on my card are the names. | :45:31. | :45:38. | |
OK, let's meet Pixel. Outcomes this horse. They don't tell me. So, | :45:39. | :45:45. | |
Pixel. Here is what is really sick, as if the rest wasn't, every time I | :45:46. | :45:51. | |
stood between Bob and Pixel, Pixel would nudge me out of the way, Pixel | :45:52. | :45:57. | |
wanted the line of sight. Was Bob really bad looking? I did say, "Why | :45:58. | :46:07. | |
the long face?" LAUGHTER I'll be here all week! What a mare! You can | :46:08. | :46:17. | |
see Jerry's 16th series on the CBS Reality channel on Sky, Freesat or | :46:18. | :46:23. | |
Virgin. Dan Snow is in tonight. Dan will reveal some of the amazing | :46:24. | :46:27. | |
history that the recent floods have uncovered. Look at that. Don't want | :46:28. | :46:32. | |
to miss that bombshell! He's discovered another devastating flood | :46:33. | :46:38. | |
that happened 150 years ago. This one had nothing to do with the | :46:39. | :46:45. | |
weather. Bradfield sits in the hills above Sheffield. This was the scene | :46:46. | :46:51. | |
of total devastation, subject to a catastrophe that destroyed much of | :46:52. | :46:54. | |
what lay in its path and killed over 200 people. It was the great | :46:55. | :46:59. | |
Sheffield flood. The floodwaters came from a giant reservoir, created | :47:00. | :47:07. | |
by Dale Dike Dam. The original dam was 300 metres that way. It was | :47:08. | :47:11. | |
built by the Sheffield Waterworks Company. It was designed to give the | :47:12. | :47:15. | |
many industrial mills down this valley a regular safe supply of | :47:16. | :47:18. | |
water. It would have looked like the current dam, a 100-foot-high earth | :47:19. | :47:26. | |
embankment with a water-tight wall made of clay. After five years of | :47:27. | :47:31. | |
construction work, it was just about complete. Malcolm Nunn is a local | :47:32. | :47:40. | |
historian. A problem with the dam was discovered in 1864. He walked | :47:41. | :47:46. | |
below the summit o the reservoir to shelter from the stormy night. He | :47:47. | :47:50. | |
found a small crack big enough to get a flief blade in. The -- Knife | :47:51. | :47:57. | |
Plaid in. The company's Chief Engineer was summoned. Before | :47:58. | :48:01. | |
midnight, it collapsed and a huge wall of water was unleashed on the | :48:02. | :48:07. | |
valley below. It's terrifying to think of this massive embankment | :48:08. | :48:17. | |
giving way. One eyewitness said it was as if the earth itself was being | :48:18. | :48:24. | |
ripped asunder. The resulting devastation was shocking. The dam | :48:25. | :48:28. | |
breach was so sudden that there was no way of warning the sleeping | :48:29. | :48:33. | |
people in the valley below. In Sheffield City Archives, Peter | :48:34. | :48:37. | |
Machan showed me a map that revealed the extent of the flood. All away | :48:38. | :48:44. | |
down here into the built-up area of Sheffield, about eight miles | :48:45. | :48:47. | |
altogether. The damage down here would have been not just the sheer | :48:48. | :48:50. | |
amount of water, but the debris being washed down from up here? | :48:51. | :48:54. | |
Absolutely. One of the sounds that the people heard was the pop, pop, | :48:55. | :48:57. | |
pop of fully-grown trees snapping. You have to imagine something like | :48:58. | :49:02. | |
an enormous steam hammer coming down and simply smashing everything in | :49:03. | :49:05. | |
its path. It is the kind of thing you see in Hollywood films, not | :49:06. | :49:09. | |
knowing it's happened before right here in Britain. Altogether, 2 0 | :49:10. | :49:14. | |
people were killed and thousands of buildings were damaged. The | :49:15. | :49:18. | |
waterworks company was ordered to pay compensation for people's losses | :49:19. | :49:22. | |
and the resulting tribunal considered some 7,000 claims. This | :49:23. | :49:30. | |
is his shop. Sweets, four bottles of whisky... He was claiming for ?198. | :49:31. | :49:36. | |
He got about two-thirds of it. What about loss of life? If we look over | :49:37. | :49:46. | |
here, we've got a claim - he is claiming for the loss of his son, | :49:47. | :49:51. | |
?50 for Eliza and ?50 for William. He got nothing. These children were | :49:52. | :49:55. | |
evidently not of employable age. You could claim for a pair of shoes, but | :49:56. | :49:59. | |
not for the loss of a child? You could. But why did this disaster | :50:00. | :50:05. | |
happen? Modern-day dam inspector Dr Andy Hughes believes the watertight | :50:06. | :50:10. | |
clay wall was fatally undermined by small natural springs which flowed | :50:11. | :50:15. | |
underneath it. It is likely it was probably due to the springs causing | :50:16. | :50:20. | |
internal erosion and the dam settled and on that night the storm would | :50:21. | :50:23. | |
have forced water over the top of the dam and caused the dam to slip | :50:24. | :50:29. | |
and then it released all the water. Local churchyards are dotted with | :50:30. | :50:31. | |
the graves of people who lost their lives in the flood. But the dam was | :50:32. | :50:36. | |
rebuilt and despite the disaster, Sheffield's industry continued to | :50:37. | :50:41. | |
prosper and grow. Perhaps it is that spirit, the spirit of not looking | :50:42. | :50:44. | |
back but getting on with things that's ensured that the great | :50:45. | :50:48. | |
Sheffield flood remains one of Britain's greatest forgotten | :50:49. | :50:53. | |
disasters. Well told, Dan. Thank you for that. | :50:54. | :50:57. | |
The recent water damage that we have witnessed, that has uncovered some | :50:58. | :51:02. | |
extraordinary things? All round the coast, like the way that water | :51:03. | :51:05. | |
scoured through the valley in Sheffield. Our coastlines have been | :51:06. | :51:09. | |
reshaped and we found some amazing stuff. Like? Go on? We could start | :51:10. | :51:15. | |
with the amazing forest on the west coast of Wales. Look at this, it | :51:16. | :51:18. | |
stretches - these tree stumps are - they look so recent, they are | :51:19. | :51:31. | |
petrified wood. It ex-tense. Nobody knew that that was there before now? | :51:32. | :51:37. | |
One or two of them used to get uncovered before in big storms. But | :51:38. | :51:41. | |
they didn't realise the extent of this forest. It will be interesting | :51:42. | :51:47. | |
to see if they are preserved? I suppose probably the best thing that | :51:48. | :51:50. | |
could happen is another storm will cover them up again. We have to talk | :51:51. | :51:56. | |
about that as well. Yes. You came from Britain and went to America. | :51:57. | :51:59. | |
This came from America and is now in Britain. This was - this is an | :52:00. | :52:04. | |
example of a bomb dropped by an American aircraft on a training | :52:05. | :52:07. | |
facility here in the UK. The storms have meant that these training | :52:08. | :52:13. | |
ranges are by the coast, unpopulated parts of the UK, Pembrokeshire and | :52:14. | :52:19. | |
Poole harbour and North Devon, North Somerset. The tides have meant the | :52:20. | :52:23. | |
coastline has been scoured away and there are lots of these on the | :52:24. | :52:27. | |
beaches. It is pretty heavy. If you see one of these at home, you should | :52:28. | :52:32. | |
not approach it. There's been a lot reported. Take it back! The blue | :52:33. | :52:42. | |
means it is training. But don't go anywhere near it. Thanks, Dan. Now, | :52:43. | :52:48. | |
it is time - the time has come for our One Show shadow dance as | :52:49. | :52:51. | |
performed by - who are they called? Pilobolus. That's them. Featuring | :52:52. | :52:59. | |
Phil Tufnell in a raincoat and carrying an umbrella. Phil, are you | :53:00. | :53:02. | |
ready? Yes, this lot are definitely ready. | :53:03. | :53:05. | |
Dim the lights. # Ooh, New York | :53:06. | :53:25. | |
# If I can make it here # I can make it anywhere that's what | :53:26. | :53:35. | |
they say # One hand in the air for the big | :53:36. | :53:38. | |
city # No place in the world can compare | :53:39. | :53:45. | |
# Put your lighters in the air # Everybody say yay, yay | :53:46. | :53:53. | |
# New York, concrete jungle where dreams are made of | :53:54. | :53:57. | |
# There's nothing you can't do # Now you're in New York | :53:58. | :54:06. | |
# These streets will make you feel brand-new | :54:07. | :54:09. | |
# The lights will inspire you # Here in the New York. # | :54:10. | :54:39. | |
# London's calling # Now war is declared | :54:40. | :54:49. | |
# London calling # Come out of the cupboard | :54:50. | :54:56. | |
# London calling # Now don't look to us | :54:57. | :55:02. | |
# London calling # See we ain't got no swing | :55:03. | :55:07. | |
# Except for the rain # And the truncheon thing | :55:08. | :55:16. | |
# Meltdown expected # Engines stop running | :55:17. | :55:23. | |
# 'Cos London # Live by the river... # | :55:24. | :56:40. | |
# The Ice Age is coming # The sun's zooming # | :56:41. | :56:45. | |
Engines stop running # The wheat is growing thin | :56:46. | :56:50. | |
# A nuclear error, but I have no fear... # | :56:51. | :56:53. | |
Hope you enjoyed it, Jerry. See you later! Excellent. Those legs at the | :56:54. | :57:05. | |
end, Phil! Brilliant. Pilobolus are performing at the Peacock Theatre at | :57:06. | :57:10. | |
Sadler's Wells in London from March 11s. That was excellent. Very good. | :57:11. | :57:17. | |
Earlier on, we asked you for your sporting try-hards. You did not | :57:18. | :57:20. | |
disappoint. No. Do you want to start? You go. Newly-established | :57:21. | :57:27. | |
team. They don't win many games but they always try their best. Well | :57:28. | :57:32. | |
done. Ahh. Emma has sent in this photo of her friend, Anne, who | :57:33. | :57:38. | |
worked tireless to start Ruch ford Rugby Club. -- Rochford Rugby Club. | :57:39. | :57:49. | |
This is Merlin from Norfolk. He keeps trying to beat his dad at | :57:50. | :57:55. | |
snooker. Come on, Dad! Dad's got a boo. Soon he will win. Kelly from | :57:56. | :57:59. | |
Newport admits that she is quite rubbish at running. She came 427th | :58:00. | :58:05. | |
in her last race. But she carries on because it's all for charity. Good | :58:06. | :58:13. | |
on you, Kelly. One final applause for Elise Christie who had three | :58:14. | :58:16. | |
attempts at the Winter Olympics but no sign of glory. APPLAUSE Thank you | :58:17. | :58:23. | |
very much indeed to all of my guests tonight. The Jerry Springer Show is | :58:24. | :58:28. | |
on CBS Reality. Good luck with Jeremy Paxman. You are on Newsnight | :58:29. | :58:34. | |
tonight. He is a pussycat! Tomorrow, Darcey Bussell will be here. We | :58:35. | :58:36. | |
leave you with a final thought from Jerry. What do you think we have | :58:37. | :58:40. | |
learned from tonight's show? That you should never have me on the show | :58:41. | :58:45. | |
with dogs! Well, we have learned about house prices, but remember it | :58:46. | :58:48. | |
is not where we live, but hoe we live that is important. We have | :58:49. | :58:51. | |
learnt that some of the most interesting lives start in Tube | :58:52. | :58:56. | |
stations, that when life throws you into the shadows, the best thing to | :58:57. | :58:59. | |
do is dance. Most of all, we have learnt that no matter how bad things | :59:00. | :59:03. | |
seem, if you keep shooting for glory, eventually you will score a | :59:04. | :59:08. | |
goal. Take care of yourself and each other. Yes! APPLAUSE | :59:09. | :59:14. | |
CROWD: Jerry! Jerry! Hello, I'm Ellie Crisell with your | :59:15. | :59:28. | |
90 second update. Fighting broke out in court as the two men who murdered | :59:29. | :59:31. | |
soldier Lee Rigby were sentenced. Michael Adebolajo will never be | :59:32. | :59:33. | |
freed. Michael | :59:34. | :59:34. |