30/03/2012 The One Show


30/03/2012

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Transcript


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Hello, friends, and welcome to another fine Friday One Show with

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Alex Jones and Chris Evans. I am sorry, but it is all about the

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girls tonight. We have two phenomenal women from two of the

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biggest shows on TV. One of them is a music superstar who has sold

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almost 3 million albums and 11 million singles. She is also

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already so good on The Voice, she is even putting Tom Jones in the

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shade. And the other successful woman is an author who has been

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voted one of the 100 most powerful women in the world and sits on the

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right hand of Lord Sugar. One of them is great at making the kitchen

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MACRO, and the other sings about the "ba-bling, ba-bling". Jessie

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Please sit down. We have never had so many girls on the show at one

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time. It is lovely in here. It is very bright. One week into The

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Voice, what has the reaction been like? It has been amazing. I just

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wanted to be myself and everyone seems to like it, which is better

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than people not liking it. And The Apprentice is back. I saw you on TV

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the other night and it was good. daughter will think I'm very cool.

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Tonight, we have commissioned a special painting from the man

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responsible for art like this. at these beautiful images from the

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world of motor sport past and present. But there is a twist to

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this very artistic tale. What is amazing about those paintings is

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that not only are they brilliant, but they are also painted

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exclusively by using radio- controlled cars. Look at this.

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Isn't that brilliant? He only does it like this. How many of those do

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we think he has? The radio- controlled cars? He has about 200

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outside. His name is Ian Cook and he is hard at it outside working on

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a one-off cut for the One Show, which might not be car-related. How

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are you doing? Really good. Have you experienced any nutters out

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there? There was this strange guy, who used to have ginger-haired...

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have no idea who he is talking about. Fingers crossed, that will

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be ready by the end of the show. What happens if you do not have a

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mentor like these two and you need a lesson in leadership? We sent

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some familiar candidates who you might recognise to get tips on

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success from a man who was 10am, outside the boardroom. Carrie,

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Lucy and six apprentices, all sacked by Lord Sugar, await a

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special task. Working with Carrie, Stuart Baggs, and Gavin Winstanley.

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With Lucy, Ralph Djetou, and barely Chris runs a team-building course

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for city slickers. His company began six months ago. Among his

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clients have been companies like IKEA. Good morning. Are you a sheep,

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a shepherd or a dog? This is a very serious point. I can see how well

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you communicate to each other, how well you can work as a team.

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reveals the task. I used to look after 6500 sheep, me and two dogs.

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So your task is simply to get the sheep into the pen. The teams,

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brimming with confidence, head out into the fields to do battle.

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Without a shadow of a doubt, I am a dog, and a pit bull dog, I will

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chase people and coerce them into doing what I want them to do.

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the shepherd and the dog on the same plateau. Neither is more

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important. On that basis, either the door go all the shepherd is

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what I am. But it is not exactly One man And his Dog. I'm quite sure

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that the four of you, with some help, can work together to get the

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sheep into the 10th. So there is no dog. I AM the shepherd. So you are

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project manager, which means if we fail, you take responsibility.

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Lewsey's team has a leader, while Carrie's team has a boat. We have a

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big question, which is who is going to take control. I am going to be

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They can run really fast. Oh, my We will see who wins later. We were

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chatting. That was shorter than I thought it would be. So, Karren,

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you became managing director of Birmingham City football club when

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you were 23. How did you get that job? I saw an advert in the

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Financial Times which said, football club for sale. I phoned up

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and got the details. I went to my chairman and I said, there is a

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football club for sale. Why don't you buy it and let me run it? He

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said, football, very male dominated. You will have to be twice as good

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as the men. I said, luckily, that is not difficult. Did you use that

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voice? Yes. We bought it, and I remember there was a big press

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conference. The press were interested in this young woman who

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had turned up. Oh, my God, those photos! You looked fantastic. You

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had the boy is underneath you from day one. -- the boys. I remember

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doing my press conference and I stood up and gave a very serious

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presentation of all of the things I was going to do with the club. I

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was 23 and desperate to look at least 25. I had shoulder-pads and

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earrings. When I had finished my very serious presentation and I

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said, any questions, a hand went up and I said, yes. He said, what are

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your vital statistics? I thought, this is going to be an interesting

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career. Your new book, Strong Woman, it charts your career. It is about

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taking over Birmingham. It is basically tips on how to be

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independent and strong career women. What are the biggest obstacles that

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face women? On International Women's Day, Number 10 host a party

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for women who are doing well. I looked around and I noticed it is

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the same women every year. Where are the new inventors, scientists,

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politicians, campaigners? I thought I would write a book to get to the

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heart of some of these issues and champion women to be successful.

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And I think most of the issues are around having high quality,

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affordable childcare. I think that is a real barrier. Flexibility.

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Lots of companies say they are flexible but when it comes to what

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they are not. Actually, it is really difficult to manage a career

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and have a family. It is not easy. I do not get it right. I try to get

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it more right than wrong but it is hard. We saw you at the beginning

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of your footballing career. Let's have a look at Jessie at the

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beginning of her singing career. # I want to be baptised and I want

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to be saved # I want to see my saviour face to

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face # I want to feel the rapture, feel

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the fire # I want to be taken to some place

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I thought that was lovely. I have not seen that before. That was a

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new one. You were probably about nine. I think I was younger. That

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was maybe just after I got into whistle Down the wind. All of the

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kids on that clip were in the show. And now people see you as a really

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strong woman, but you were bullied and you had confidence issues

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growing up. I was 24 two days ago and I see myself as someone still

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finding their feet in a crazy industry. I think everybody has

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their struggle, everybody has something to push through. It is

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about realising that you are not the only one. And you have to make

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sure that you always push for what you want in life, not what other

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people make you feel you want. come you are so balanced? I have

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good parents. And there they are. You are the one in the middle.

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is incredible how much you have changed from that photo. I was

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about five. Do not show it again! As far as your image, you are quite

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hands-on. This is all you. Yes, I thought I would turn it down today.

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I feel like a pink wafer biscuit. Fashion has always been something

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that I have loved, but I never wanted it to define me. But I am a

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young girl. I will be in my car, driving around and going, like

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those trainers. I am the same as everyone else. This is from Top

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Shop. Just normal. We will be talking to these two all night. We

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have some special previews of both of their shows on the way.

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Yesterday we met our viewer Ken Williams, whose life was on hold

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after being diagnosed with a life- threatening heart condition.

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left him preparing to have pioneering surgery. Here is how he

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got on. It is the morning of Ken Williams'

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operation. He has opted for keyhole surgery to fix a dangerously

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diseased valve in his heart. I just want to be fit again. I want to be

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able to have my life back again. As soon as the option came to be well

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again in three weeks, I had to take it. The key hole repair will be

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complex. It is only performed by a handful of Surgeons in the UK, but

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it means his recovery will take just weeks, instead of months. Some

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of the string the tendons holding the vow of into the main pumping

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chamber in his heart have broken loose. Left untreated, his heart

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will fail. This is looking at the valve. We can see here that there

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is a piece flicking up. That is the string that was meant to be keeping

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it pulled down into his ventricle. You can see it there, flicking up.

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In this picture, we have put colour in to look at the blood flow. You

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can see that the blood is going back to the lungs. It needs to be

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one way to get around the body, not back towards the lungs. The blood

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from his heart and lungs is diverted into a bypass machine

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which will feed his body with oxygen while his heart is shut down

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for the next three hours. At this stage, the surgeon would normally

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be cracking the chest open from here to here. Instead, they are

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making a tiny cup tie. The camera will go through that, direct into

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the heart. -- they are making a tiny cut. This is the camera, five

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mm diameter. It makes a tiny hole. It goes through this five mm port.

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We put that inside the heart. Because it is so narrow, it does

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not get in the way of the operation, which is what we want. It suits our

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needs. An injection of potassium brings his heart to a complete

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standstill. There we go, it has stopped. The surgeon can now stop

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the repair job through a keyhole incision between the ribs. -- he

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He is literally restraining the valve, replacing the damaged chords

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with loops are made of waterproof As an extra precaution, he will

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also so a synthetic ring right around the mouth of the valve.

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whole thing is dilated, bigger than it needs to be because of the leak

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that it has had for such a long time. We need to shrink it down to

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a normal size, and that is what the ring does. To test his handiwork

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for leaking, he puts salience solution straight into the vow of.

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-- saline solution into the valve. It looks like it has been fixed,

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but nobody can say for sure until his heart stops beating again. It

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is a critical moment. -- starts beating. As his heart is gently

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eased back into action, the team You can see the circles there. This

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thickened tissue is the valve. Remember how we saw lots here....

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And nothing. Nothing! We cannot see anything at all.

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Perfect! Ten out of ten. Wow, that I would call a result.

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So are you pleased with it? Extremely pleased. Not as pleased

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as Ken will be, though. It's been the most amazing day in theatre

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here. If it is medical's carpentry, this has got to be surgical

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embroiderry. And the good news is that Ken is here with the surgeon.

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How are you both? Fine, thank you. What are the big advantages of

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doing the surgery, as opposed to opening up? Compared to openening

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the front of the chest, which is associated with a three-month

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recovery, keyhole surgery is something patients can recover from

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in three weeks. The second benefit would be a cosmetic benefit. For

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ladies you can hide the scar under the right breast. You can never

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really tell the patient has had open-heart surgery. We have to say,

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that operation was just 17 days ago. You look very well. How do you

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feel? Fine. Do you feel fine enough to be back on the golf course?

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You have been back? I carried on Tuesday. I had an electric trolley.

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I walked up the 18, 6,500 yards. Brilliant.

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What are your plans for the tueure? I just want to get become --

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future? I I just want to get back to my normal life. I would like to

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thank the Liverpool Heart and Chest Hospital and all the staff. It is

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so humbling when you meet guys like Paul. And his super team. How is

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your heart sitting next to these lovely ladies? Boom-boom.

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realised you had an irregular heart beat? It affected me. I was in and

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out of Great Ormond Street as a child. I have to adapt my lifestyle.

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Obviously I would never - that's incredible, like - I'm so inspired

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by like people like yourselves, just that you can do that. It is

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fascinating. Did you write poetry about being in hospital? Yes. I

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wrote about being in Great Ormond Street and a little boy opposite me

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in the ward. He had heart surgery and did not survive. It was me not

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understanding, I saw him pray the night before. It is something I

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wanted to sing about. It's a very humbling experience to kind of go

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things like that when you're a child. It makes you realise how

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amazing life is and how precious it is. For once you were out of

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control - how did that feel? understand when you are faced with

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something like that how people change their lives radically. You

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realise life is very precious and very, very short. Also, very

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similar, I had keyhole surgery. It is where they feeled the aneurysm

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with coils, as opposed to opening you up and clip it. The recovery

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time was shorter. The result was fantastic for me. It makes you

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realise in life, whatever you do, the talent and dedication of

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medical teams and staff and their live's work is seen in the results

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you get. No-one like them? And you write about it in the book, don't

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you? Yes. Earlier on we had some Apprentices in - what about

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something for Jessie J now and the biggest new talent show on the

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telly, The Voice. This VT is brilliant. The Voice has lots of

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spinning chairs. We invited people from her Essex to combine the two.

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# Seems like everybody's got a price

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# I wonder how they sleep tonight # When the truth comes second

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# Stop for a minute and smile # Why is everybody so serious

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# Heels so high # Have a good time

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# Everybody look to the left # Everybody look to their left

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# Can you feel that # It's not about the money

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# We don't need your money, money, money

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# We just want to make the world dance

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# Forget about the price tag # It ain't about the ka-ching, ka-

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ching # Not about the ba-bling, ba-bling

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# Forget about the price tag # It's not about the money, money,

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money # We just want to make the world

:20:52.:21:02.
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dance Thanks to all our Essex singers. A

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brilliant job. Was that better with the -- than the original? We should

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have him at the end. You should audition next year. The Voice

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launched successfully last Saturday. Who were your favourite acts? Can

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you say that? I don't talk about favouritism. It is very early

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stages. I am not a fan of favouritism. I believe in hard work

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and that is what pays off. I am a coach on the show to just go, this

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isn't going to be easy and I am here to give you tough love, let's

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have tough love at the same time. Do you get the finger out a lot?

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You will see as the episode goes along. I am the harcore coach. I am

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so passionate that I am just like, this is an amazing opportunity, you

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guys need to embrace it and remember every minute of it. How it

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works for people who did not see last Saturday, is you as coaches

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will have ten each, won't you? Is it hard when you sit there and

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think, I have three. Should I.... What's going through your mind?

:22:16.:22:21.

is tough, because when the audience see it at home, they know what they

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look like. They know what they do for a living. All we hear is

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footsteps and hear them sing. Sometimes I think it is a boy and I

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turn around and it's a female. It is not what we expected. If we like

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it, we push the buzzer and turn around. If one coach turns around,

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the artist has to go with that person. If say myself, Will and

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Daniel turn around, we have to pitch to the artist, and the artist

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has the control. That is the funniest bit. You have been

:22:55.:22:59.

successful? In the first episode. We have a bit of tomorrow today.

:22:59.:23:02.

This is an exclusive clip. We don't know what it is, but we cannot wait

:23:02.:23:07.

to see it. Here is Graham with a quick result.

:23:08.:23:12.

We have William, who likes walks on the beach. He likes to make beats

:23:12.:23:22.
:23:22.:23:26.

late at night. In second, we've got Tomothy - Tomio - Tomilicious. He

:23:26.:23:34.

sings about sex bombs. We have Danny.... The light-hearted

:23:34.:23:42.

Irish man who loves to tell the girls "You're gorgeous." We have

:23:42.:23:52.
:23:52.:23:55.

All that, as you said, you filmed that, that is all prerecorded.

:23:55.:24:00.

Where are you now? You have your ten. Are you mentoring them now?

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work with them, very, very closely. We have filmed the battle grounds,

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where the ten get teamed up in pairs. They have to sing a song

:24:09.:24:13.

together. We have to decide who we want to take through. It's not easy.

:24:13.:24:16.

I think I didn't think how emotionally attached I get to them.

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I understand how they feel. You are reluctant to say the word "judge."

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But you are picking people and saying to other people, "no." It is

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judging? There is a difference between saying I don't like that

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and this was not my cup of tea and this is why. There is a thin line

:24:36.:24:40.

between being rude and constructive. It is not my place to judge someone

:24:40.:24:46.

on how they look and how they sing. There are hundreds of again --

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genres in the world. There is something I might not buy that Tom

:24:50.:24:55.

would love. Judge is not a word I would associate with what I'm doing.

:24:55.:25:00.

Karren, you watched it with your daughter. What did you think of it?

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I thought it was lovely when you didn't turn around to somebody

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because you said "I don't think I could help you, the n the way

:25:10.:25:14.

others can." That is a genuine honesty. It comes through. Where

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did you watch the first episode? my mum and dad's house, with my dad

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come men taiting. Did you have a takeaway? We were sitting down. We

:25:27.:25:37.
:25:37.:25:37.

had a barbecue. My nephew stayed up. He's very little. He was going

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"Jessie." Very confused. Was this while Simon Cowell was getting

:25:44.:25:47.

burgled? I don't know. The Voice will be back on tomorrow at 7pm on

:25:47.:25:54.

BBC One. I cannot wait for that. Ian Cook is working hard, creating

:25:54.:25:58.

a special painting using radio- controlled cars. He's been here

:25:58.:26:02.

since 11am. We have half an hour left on the programme. To you think

:26:02.:26:10.

you will be finished on time? Hopefully. I need help. If the

:26:10.:26:14.

ladies on the sofa want to come down. I can come and help, if you

:26:14.:26:19.

like. It is all right. We had enough earlier. Whatever!

:26:19.:26:23.

We will be with him at the end of the show. With Easter around the

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corner there can only be one food choice for Jay's feature tonight....

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Chocolate. Chocolate!

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Chocolate CHEERING

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CHEERING And

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And we

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And we dare

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And we dare you

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And we dare you not to drool during this film!

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Chocolate, we can't get enough of the stuff.

:26:51.:26:56.

Over Easter, we'll gorge ourselves on more than 100 million chocolate

:26:56.:27:00.

eggs. We all have our favourite bars. We all have memories of

:27:00.:27:04.

chocolate as a kid. Today, I'm meeting a man who thinks we can do

:27:04.:27:12.

so much better. Tame myian is a chocolate maker who

:27:12.:27:17.

believes the taste is lost in conventional bars. Usually it is

:27:17.:27:22.

mixed with dairy fat to produce the chocolate bars we know. He does it

:27:22.:27:27.

differently. So, you don't generally put dairy

:27:27.:27:33.

fats in your chocolate, do you? We have taken them out. Why? So we

:27:33.:27:39.

can taste the chocolate. I think of cream as a heavy blanket on top of

:27:39.:27:43.

flavour. It has its own flavour. It is very rich. If I add that on top

:27:43.:27:48.

of the chocolate it will change whatever the chocolate is. When you

:27:48.:27:52.

get up to fine chocolate, when we get to chocolate which has the

:27:52.:27:57.

complexity of a �50 bottle of wine, that kind of level, we need to use

:27:57.:28:01.

a different liquid because the cream will change its flavour.

:28:01.:28:05.

Unusually there is no milk in his recipe. He mixes his pure chocolate

:28:05.:28:09.

with water and it's from a local spring. The water, it's an

:28:09.:28:14.

important part of the recipe. It needs to be pure. Everything I use

:28:14.:28:17.

is non-flavoured. The only thing with flavour is the chocolate. It's

:28:17.:28:22.

so beautiful, I don't want to mess with it. If I do, we'll use it.

:28:22.:28:26.

talk about them as if they are supermodels? People would think of

:28:26.:28:31.

dark chocolate as bitter, intense, strong, heavy, rich, whereas when

:28:31.:28:37.

you taste these chocolates, I think you will think of light, refreshing,

:28:37.:28:44.

clean and beautiful. Oh, how I love my job. Time for a

:28:44.:28:48.

chocolate tasting lesson. It is serious stuff. He believes you

:28:48.:28:51.

should appreciate good chocolate like a fine wine. These pieces are

:28:51.:28:56.

sourced from the Congo in Africa. The first thing I look for is

:28:56.:29:02.

acidity. Is your mouth watering? little bit. That is from the

:29:02.:29:08.

fermentation stage. Now you should taste fruit. I am. Blackberry -

:29:08.:29:15.

kind of violet. And then there's a longer end to it - a dark note.

:29:15.:29:21.

I'm having a moment. A really good chocolate moment.

:29:21.:29:26.

I think his water-based chocolates are fabulous. The British pallet is

:29:26.:29:33.

used to something else. The biggest selling chocolate bar is Dairy Milk.

:29:33.:29:40.

20 minimum solids, co-co-and milk. Time to 236 the people of Tunbridge

:29:40.:29:46.

Wells a treat. Which will they go for? Would you like to try one of

:29:46.:29:50.

our higher end chocolates, made with water instead of cream. It is

:29:50.:29:55.

nice. It is bitter. It is serious, isn't it? Proper chocolate. Do you

:29:55.:30:01.

think you would give up maltesers for those or would it be a case of

:30:01.:30:07.

both? I am afraid it would always be a case of both. Kit Kat and twix,

:30:07.:30:13.

I would spend my pocket money on that.

:30:13.:30:21.

Do you want to give it a go? See if it brings back memories.

:30:21.:30:31.
:30:31.:30:32.

My grandparents used to work for Cadbury's. I remember opening their

:30:32.:30:36.

sideboard and getting covered in an avalanche of Cadbury's cream eggs

:30:36.:30:40.

and the stuff they used to bring home from the factory. Have one of

:30:40.:30:47.

these, a memory of childhood. have not had one for 15 years.

:30:47.:30:54.

Lovely, strong. Maltesers are like comfort food. This is sophisticated.

:30:54.:30:59.

Not everyone can be persuaded to swap their traditional bars for

:30:59.:31:06.

Damien's chocolate. The Mars Bar. Was that to full-on? I have tasted

:31:06.:31:12.

and looked at loads of chocolate, and I have loads left. What could

:31:12.:31:22.
:31:22.:31:22.

be wrong with a day that ends in that way? Would you give us your

:31:22.:31:32.
:31:32.:31:34.

last one? No. I have to be honest. Are you fans of chocolate?, yes!

:31:34.:31:39.

But you did tweet yesterday that you need to stop eating chocolate.

:31:39.:31:44.

Dairy is not good for your throat, so why do not eat any six hours

:31:44.:31:53.

before singing. Yesterday, I went in. You went off on one. She has a

:31:53.:31:57.

chocolate draw in make-up, packed with chocolate. We have moved it

:31:57.:32:03.

because people were eating them. was wondering where it had gone. I

:32:03.:32:10.

went ferreting in your chocolate draw. We have these chocolates that

:32:10.:32:17.

you have tasted, without milk, just water. No, these are different

:32:17.:32:20.

chocolates, made at the chocolate festival on the South Bank this

:32:20.:32:26.

weekend in London. There is a chocolate festival? Why am I not

:32:26.:32:32.

singing there? We want you to work out what flavour they are. Tell us

:32:32.:32:39.

about the big one. This is made by a brilliant man called William

:32:39.:32:43.

Curley. It is enormous, weighs 50 kilos and was sold at an auction

:32:43.:32:50.

for charity for �7,000. You are in love with that. I cannot believe

:32:50.:33:00.

how big it is. That was �7,000. Imagine if somebody pushed it off.

:33:00.:33:10.
:33:10.:33:11.

We could melt it and make a little one. How heavy are you? About 56-57.

:33:11.:33:21.
:33:21.:33:21.

No way! The good news is that chocolate is slimming, apparently.

:33:21.:33:27.

Don't get too excited. There has been a scientific study in America

:33:27.:33:31.

which seems to show that if people eat a lot of chocolate, they are

:33:31.:33:34.

thinner than those who do not. But there could be lots of reasons

:33:34.:33:39.

behind it. I would say that the chocolate diet is not necessarily

:33:39.:33:42.

here to stay. The report is not backed by chocolate manufacturers,

:33:42.:33:50.

but it seems to show a thrilling things. We have been tricked! That

:33:50.:34:00.

one is mustered. And is that prawns? It smells like it.

:34:00.:34:06.

It might be the tomato flavour of baked beans that you're getting.

:34:06.:34:14.

you want it? I did not realise. some of them are an acquired taste.

:34:14.:34:18.

We have all of these lovely things but we do not have time to talk

:34:18.:34:22.

about them. They came from the brand Museum and these are a

:34:22.:34:26.

reminder of the fabulous different types of the history of chocolate

:34:26.:34:30.

brands in this country, from the KitKat that started in the 1930s,

:34:30.:34:33.

through the Mars bar, not named after the planet but after Forrest

:34:34.:34:40.

Mars, the family. Flake, nobody has managed to make one just like that.

:34:40.:34:44.

It is not just chocolate that can evoke memories. Sometimes the

:34:44.:34:49.

adverts are just as memorable. We have some stars from great

:34:49.:34:54.

chocolate adverts, but Jessie, can you tell us who they are? What is

:34:54.:35:04.
:35:04.:35:15.

in the box? We love Milky Bar. It's the Milky Bar Kid. The Milky

:35:15.:35:23.

Bars are on me. So, that was the advert, but who is the Milky Bar

:35:23.:35:30.

Kid? My name is Tom and I am from Essex. My name is dead, from

:35:30.:35:37.

Watford. My name is Simon, from Bromley. Who is the original Milky

:35:37.:35:47.

Bar Kid? I think it is number three because of his cheeky smile. I will

:35:47.:35:57.
:35:57.:36:02.

say No. 1. Police reveal yourself. -- please. Yes! You do not look old

:36:02.:36:08.

enough. I am probably not. Well, you can win a little bit of this

:36:08.:36:16.

for being here. I will take the whole thing. No. Two, please.

:36:16.:36:26.
:36:26.:36:32.

# Only the crumbly us, fully cueist chocolate tastes like chocolate

:36:32.:36:42.
:36:42.:36:47.

never tasted before. # Who was the original flake lady?

:36:47.:36:57.
:36:57.:37:01.

am Janis, from Utopia. I am Chantelle. I am from west London.

:37:01.:37:08.

Who was the original Flake woman? Definitely number one. I will let

:37:08.:37:18.
:37:18.:37:22.

them decide. Please reveal yourself. The original Flake girl. What have

:37:22.:37:28.

you done since that famous advert? That got me a TV show with Pierce

:37:28.:37:31.

Brosnan which led to a contract with NBC and they lived in

:37:31.:37:35.

Hollywood for many years working in film and TV. And now I have a hair

:37:35.:37:44.

replacement company and a gorgeous daughter in the audience. Let's go

:37:44.:37:54.
:37:54.:38:12.

to adverts number three. What is in Have a break, have a KitKat. Isn't

:38:12.:38:22.
:38:22.:38:24.

this great? The KitKat man is one of these. Brian Stanley, Hanwell.

:38:24.:38:34.
:38:34.:38:34.

am thinking Crimewatch. Robert, from Hove. Tim, from London.

:38:34.:38:42.

sounded like you were going to say something else. Who was the KitKat

:38:42.:38:52.
:38:52.:38:58.

man? I just loved number two. you please reveal yourself? It is

:38:58.:39:06.

the KitKat man. You were brilliant in that advert. And you never got

:39:06.:39:12.

to see the panda. We were shot separately. Do you get money and

:39:12.:39:16.

chocolate forever? I have not had any sense, because I ate so many.

:39:16.:39:21.

They had someone with a bucket so that I could spit it out, but I

:39:21.:39:26.

just ate all of them. Thank you for being here tonight, the KitKat man,

:39:26.:39:33.

the Milky Bar Kid and the Flake girl. Well, it is the end of

:39:33.:39:41.

Balloon Week, everybody. It is a very sad day. Don't be too deflated,

:39:41.:39:46.

for the last film, Marty Jopson has been flying high over a modern

:39:46.:39:50.

engineering miracle, the Len Goodman bridge. Why do we call it

:39:50.:40:00.
:40:00.:40:02.

that? Because it crosses the River Crossing vast natural obstacles as

:40:02.:40:06.

always tested human ingenuity, but it was the arrival of the railways

:40:06.:40:09.

in the 1800s that presented engineers with challenge after

:40:09.:40:12.

challenge, as they attempted to connect the country with a railway

:40:12.:40:17.

lines. As a result, over the past two centuries we have become rather

:40:17.:40:22.

good at the art of bridge-building. And the greatest of its time was

:40:22.:40:26.

the first Severn Bridge, which to this day is still an international

:40:26.:40:31.

engineering icon. What is it that makes the Severn Bridge unique?

:40:31.:40:37.

Well, the span between the pillars measures 987 metres. The steel in

:40:37.:40:44.

the cabling weighs 4600 tons. These figures might sound fast, but for

:40:44.:40:50.

its size, this bridge is remarkably light. It is a trait true of all of

:40:50.:40:54.

the bridges that followed this ingeniously efficient design. But

:40:54.:40:59.

the pinnacle of bridge design, in my opinion, is the suspension

:40:59.:41:03.

bridge. The way it works is that the DEC is suspended and the weight

:41:03.:41:09.

on the deck is suspect -- is transferred to this cable and then

:41:09.:41:14.

to the towers. And that means that you can make a really long bridge

:41:14.:41:21.

that is incredibly light. Like this one. But what is so special about

:41:21.:41:26.

the Severn Bridge? Well, it is not the tallest. That would be a bridge

:41:26.:41:32.

in Mexico. It is not even the longest in Britain. Yet it is an

:41:32.:41:37.

engineering icon and it marks the first of its kind. The difference

:41:37.:41:41.

may be subtle to the untrained eye, but this bridge is the result of a

:41:41.:41:46.

total rethink in the way suspension bridges should be constructed. But

:41:46.:41:50.

why did they follow that route when tried and tested heavier designs

:41:50.:42:00.
:42:00.:42:00.

would have worked? It goes back to 1940, a disaster. The bridge in the

:42:00.:42:04.

state of Washington had been open less than one year when, despite

:42:04.:42:08.

its strength, it was ripped apart by the wind. This was to prove a

:42:08.:42:12.

problem particular to suspension bridges, but it was not the

:42:12.:42:16.

severity of the storm that led to the collapse, but the specific wind

:42:16.:42:22.

conditions which hit the resonant frequency and created a phenomenon

:42:22.:42:27.

known as aero elastic flutter. First observed in aircraft wings,

:42:27.:42:32.

aero elastic flutter is vibration caused by the wind. If I warble

:42:32.:42:37.

this piece of wood at the right frequency, like this, I hit the

:42:37.:42:44.

resonant frequency of the red blob. If I slow it down a little bit, I

:42:44.:42:47.

hit the resonant frequency of the green one. If the Vibration is

:42:47.:42:53.

allowed to escalate, it can have disastrous consequences. And so the

:42:53.:42:56.

designers of the Severn Bridge had to come up with a revolutionary

:42:56.:43:01.

design, aerodynamic enough to avoid flutter. From the ground, the

:43:01.:43:05.

Severn Bridge just looks big, but from the air, in our balloon, you

:43:06.:43:09.

can truly appreciate its lightweight design and structural

:43:09.:43:14.

efficiency. Who better to join me than John Evans, Bridge Engineer,

:43:14.:43:18.

involved in the construction of the Severn Bridge. What stops the

:43:18.:43:25.

Severn Bridge from moving? The deck is extremely modern and it is very

:43:25.:43:30.

stiff, so it acts like an aeroplane wing. But it also offers very

:43:30.:43:37.

little aerodynamic resistance. super thin design, compared to the

:43:37.:43:41.

wings of an aircraft, is upside down, so rather than creating lift,

:43:41.:43:51.
:43:51.:43:53.

it is forced downwards on to its All modern suspension bridges

:43:53.:43:57.

follow this trend now, but it is still the most beautiful and most

:43:57.:44:01.

perfectly proportioned of all suspension bridges. Even compared

:44:01.:44:04.

to the much more modern second crossing, built 30 years after the

:44:04.:44:09.

first one, the difference is clear. This is the bridge that broke the

:44:09.:44:16.

mould. What a good bridge. It might be

:44:16.:44:20.

nearly six miles to cross it, but it is good. They are better rides,

:44:20.:44:25.

but not as necessary. Apprentice is back for its eighth

:44:25.:44:30.

series. Not a good start for the women. They lost the first task and

:44:30.:44:35.

the second task, so we are a bit disappointed about that. Last week

:44:35.:44:39.

they had to come up with a gadget to be useful in the home. The girls

:44:39.:44:43.

design something to stick in the bath as a screen. What did you

:44:43.:44:48.

think about it? I did not think it was very good. They did not have

:44:48.:44:54.

many ideas. It was more of a toy than a gadget. I kept thinking - I

:44:54.:44:58.

have two kids - if you put it between yourself and the baby and

:44:58.:45:01.

something happened, you would not be able to get quickly enough, if

:45:01.:45:06.

there was a problem in the bath. It was badly thought out. Do you think

:45:06.:45:13.

it is because they do not have kids? They did. Do you think Lord

:45:13.:45:18.

Sugar is making the right decisions so far? Of course. You have to say

:45:18.:45:25.

that, don't you? Of course. Next week, they have to come up with a

:45:25.:45:35.
:45:35.:45:43.

Presumably it is going for the Italian feel? It translates as

:45:43.:45:49.

beautiful. There is a spelling mistake - it should have two Ls.

:45:49.:45:53.

They have made the sauce. They had the sample. The deal was in their

:45:53.:45:58.

sights. What has let them down is the spelling. I am not impressed.

:45:58.:46:06.

If you ask a stockist to but your good in their store, you've got to

:46:06.:46:11.

get it right. It must be frustrating. Sometimes you see you

:46:11.:46:18.

in a shot and your face says it all. Is it to not step in and say - look

:46:18.:46:26.

this is what you need to do? They might say I disagree. So we are

:46:26.:46:30.

taking notes all of the time. It's interesting, because there are so

:46:30.:46:34.

many cameras around that you never know if you are on screen or not.

:46:34.:46:41.

What you see from us is our genuine reactions. I think our emotions are

:46:41.:46:47.

sometimes very often written on our faces. We can see you nodding there.

:46:47.:46:52.

In agreement. I am so honest with my face. Let's stop you there

:46:52.:46:55.

because we have film here. It is both about your expressions a lot

:46:55.:47:00.

of the time on the programmes and pictures speak louder than words so

:47:00.:47:05.

often in life. We have compared both your different styles of

:47:05.:47:11.

frustration and excitement. Mine's going to be worse. Please enjoy

:47:11.:47:21.
:47:21.:47:39.

each other! Both as powerful, but different in

:47:39.:47:44.

style. Mine are a little more childish. Mine are a bit more

:47:45.:47:50.

severe. I suspect you can raise your left eyebrow? Interesting when

:47:50.:48:00.

I watch it I think I scare myself. Give me the death stair. -- stare.

:48:00.:48:04.

Earlier we left Carrie, Lucy and Apprentice candidates in the middle

:48:04.:48:11.

of a field in Wiltshire about to round up some sheep, or to learn

:48:11.:48:17.

some team work skills. Time to see who turned out to be a Shepherd's

:48:17.:48:21.

Delight. And to see who turned out to be a rock between a hard place.

:48:21.:48:26.

The first team to get their flock into the team wins. They don't have

:48:26.:48:33.

a sheepdog. Success will depend on planning, excellent team work and a

:48:33.:48:38.

cool, calm approach. Difficult when Baggs is on your team.

:48:38.:48:43.

He has run off on his own. So, now we have three Apprentice people and

:48:43.:48:53.
:48:53.:48:58.

Let's walk really slowly. Gavin's technique gets the sheep on the

:48:58.:49:03.

move.... Again. You've got no strategy. You have not discussed

:49:03.:49:07.

what you'll do. Stuart you went running off. We have strategy.

:49:07.:49:11.

have an opinion. You don't have a strategy. So long as we box off

:49:11.:49:18.

this area we are fine. In the field next door Lucy is

:49:18.:49:24.

trying out her animal psychology skills. Why don't you get down like

:49:24.:49:27.

a dog? Ellie would rather be a sheep.

:49:28.:49:35.

They can run really fast. Oh, my God!

:49:35.:49:40.

He's driving them further away. You need to make eye contact. You need

:49:40.:49:48.

to take your glasses off. As for the sheep they find it impossible

:49:49.:49:56.

to see eye-to-eye. They've escaped! Over in Carrie's field, Baggs is

:49:56.:50:03.

determined to get the sheep into the field alone. I will push them

:50:03.:50:07.

that way. I see some technique evolving. I'll jump the other side

:50:07.:50:17.
:50:17.:50:24.

Most of Lucy's flock have gone AWOL. What of the remaining five?

:50:24.:50:29.

Look at that! All but that one.... We've got four

:50:29.:50:34.

of them in there, which is a huge victory. I think that means we win,

:50:34.:50:41.

by the way. Over in Carrie's field - all hope of a victory is slipping

:50:41.:50:49.

away. We hoped we might win this, but I cannot see it will happen.

:50:49.:50:59.
:50:59.:50:59.

Even the blaeting doesn't help. We have failed more abizally than

:50:59.:51:08.

We have both teams here. Very quickly, Stuart, how did this task

:51:08.:51:12.

compare to the ones Lord Sugar set you? I think we were keen to prove

:51:12.:51:19.

we were not rejects. We did a great job to show we are useless at

:51:19.:51:23.

business and useless at rounding up sheep. I did not want to be

:51:23.:51:27.

sheepish. If anyone wants to give me a job as a shepherd, please give

:51:27.:51:35.

it to Raef, not me. They were good. They took direction well. We had a

:51:35.:51:40.

bit of an advantage - Stuart was on the other team!

:51:40.:51:45.

You're fired. Get out! You can't do that bit. How did your

:51:45.:51:49.

team perform? Were you happy? they worked together, they would

:51:49.:51:54.

have been fine. Stuart wouldn't have that. There is a common theme

:51:54.:51:59.

as to why it failed. I got to week 11. Everybody else got to week,

:51:59.:52:03.

three, four - I don't know. I forget. Time to find out who is

:52:03.:52:06.

winning. We have champagne for the winners and nothing much for the

:52:06.:52:16.
:52:16.:52:20.

losers. Chris, over to you - who How are you feeling? I feel proud

:52:20.:52:25.

and privileged to be part of this team. You're a good leader. Harry,

:52:25.:52:35.
:52:35.:52:36.

I am so sorry. Where's the wheely case? Not the wheely case!? Chris,

:52:36.:52:46.
:52:46.:52:47.

you need to fire somebody. With regret, Felicity.

:52:47.:52:54.

You can still bring in the wheely case. We're sorry. Off you go.

:52:54.:52:59.

thought you'd be used to it. There will be a black taxi downstairs for

:52:59.:53:05.

you. You have to pay for it though. Goodbye.

:53:05.:53:11.

Loser! Soon, we'll be revealing the masterpiece created by radio-

:53:11.:53:17.

controlled car artist. Phil Tufnell has unearthed a hugely important

:53:17.:53:22.

piece of impressionalism hanging on a wall in Birmingham.

:53:22.:53:25.

Painting has been evolving for thousands of years. The 19th

:53:25.:53:31.

century saw the emerge gapbs of one of the most significant and well

:53:31.:53:34.

loved styles - impressionalism. You can find them all over the country.

:53:34.:53:39.

Today, we're going to be looking at one of the most important. It's not

:53:39.:53:47.

where you might think you'll find it. The Barber Institute is on the

:53:47.:53:52.

University of Birmingham. It is a concert and activity centre. It has

:53:52.:54:01.

a remarkable art collection. It was set up in memory of Sir Barber, a

:54:01.:54:07.

property developer from the 1930's. It is a world-class gallery. You

:54:07.:54:13.

will find works by Van Gogh and Turner. It is this painting by

:54:13.:54:19.

Degar which pulls the crowds and splits opinion. It is all because

:54:19.:54:27.

of a pole. Professor Sumner is the director of the Barber Institute.

:54:27.:54:33.

It looks unfinished. The first thing that strikes you is this

:54:33.:54:40.

starting pole. This is the starting poment. It looks fleeting as if it

:54:40.:54:48.

is a moment in time. It is careful. He used wooden models of horses in

:54:48.:54:51.

his studio. People come to see it from all over the world because it

:54:51.:54:55.

is so unusual. Look at the wonderful colour in the sky, the

:54:55.:55:01.

way it is reflected in the jackets and this fantastic red splash.

:55:01.:55:08.

would have done the pole a bit smaller. This is a remarkable

:55:08.:55:15.

example of Degas and his craft. It has been called one of the most

:55:15.:55:18.

important paintings in Britain. I am not sure about it! It is that

:55:19.:55:25.

pole 789 I need to find out why he painted it like that. One import

:55:25.:55:35.

fascinated him was a print from Japan. This is a print. His prints

:55:35.:55:40.

would have come over to Paris in the 1860s. They would have been

:55:40.:55:47.

ground-breaking. He liked the way they come easyed poir prints.

:55:47.:55:54.

are remarkable -- he composed the prints. There are remarkable

:55:54.:55:59.

similarities. The horse is obscured here, just as this target obscures

:55:59.:56:04.

that background. There is more than eastern influence. There was a new

:56:04.:56:07.

invention in the 19th century which would transform the art world. It

:56:07.:56:10.

was an art form in itself - that was photography.

:56:10.:56:16.

Smile, boys! Robert Gibb is an expert on how

:56:16.:56:26.
:56:26.:56:27.

photography influences artists. It looks like a snapshot from a camera.

:56:27.:56:33.

It looks like real because of that amateurness about his construction.

:56:33.:56:36.

It is really carefully controlled and breaking the conventions of the

:56:36.:56:41.

time. When people look at that and some of the other materials around

:56:41.:56:46.

here in terms of come position, you think carefully composed and here

:56:46.:56:50.

is somebody breaking that. It looks like a frozen moment in time. You

:56:50.:56:54.

can imagine five seconds later the horse is gone, and everything has

:56:54.:56:58.

moved. The pole would still be there but everything else would be

:56:58.:57:01.

different. This is radical because people are not used to seeing

:57:01.:57:06.

images constructed like this. seems love it or loath it, this

:57:06.:57:10.

painting tells us a lot about the way art in the 19th century was

:57:10.:57:14.

evolving. It's not the job of art to be safe or cosy. This particular

:57:14.:57:19.

painting is a very challenging one. It is one of the most popular in

:57:19.:57:24.

the gallery, but also one of the most disliked. I think he would

:57:24.:57:29.

have liked that. I personally don't like the pole. That painting is

:57:29.:57:36.

setting people up the pole. Thank you Phil, and thank you

:57:36.:57:40.

Birmingham. Ian Cook paints all his paintings with radio-controlled

:57:40.:57:46.

cars. Hundreds of them. Tyre worked involved. He has been working on a

:57:46.:57:52.

secret project. He has created this today. Are we ready to see what he

:57:52.:58:02.
:58:02.:58:06.

has created. Three, two, one... Have you got a wall big enough?

:58:06.:58:14.

am going to put it on my fridge! A round of applause for the artist.

:58:14.:58:20.

How did you get into radio- controlled painting? I was an

:58:20.:58:24.

enthusiast. I was given a remote controlled car for Christmas and

:58:24.:58:28.

told not to get paint on it. took nine hours to do. In a moment

:58:28.:58:33.

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