Day of the Spy Art Ninja


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Day of the Spy

Ricky's always wanted to be a spy, but when he starts receiving mysterious phone calls full of code words he's not so sure.


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Transcript


LineFromTo

I'm Ricky.

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I live in Bristol.

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I work as an animator, which is lucky, cos I love art.

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Goal!

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I live for art, I even dream of art.

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I draw, I paint, I make things.

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Nailed it!

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-I hang out with my mates, Gavin, Michelle, Rich...

-Yeah!

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-..and Sarah.

-It's me.

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Most importantly, I make ninja moves.

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Some people call me the...

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Art Ninja.

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Today, I'll show you a novel way to keep your secrets safe.

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We make a collage that won't SELFIE destruct.

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And it's not Mission Impossible

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when these ninja apprentices get to work...

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..because today it's...

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HE YAWNS

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It's a new day!

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I better get my ninja on.

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Found my clothes.

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I watched a great movie last night, Johnny Spy II - Licensed To Chill.

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I wish I was a spy.

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PHONE RINGS

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-Oh, got a message.

-'Rickie, you have been chosen.

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'Keep the line clear for further instructions.

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-'Over and out.'

-Maybe that's a spy?

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Maybe not.

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-Hi, Ricky.

-Gavin, were you spying on me?

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-No, why?

-Well, I watched this really good spy movie last night.

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Now I kind of want to be a spy. Do you...know anything about spies?

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Do I?

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I don't know, do you?

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My name's Gav, annoying best mate Gav,

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and I know all about best spy practices.

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Spy lesson 101 is disguises.

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I'll be right back. You've not seen me, right?

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Weird.

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Something I definitely need to disguise

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is where I hide my chocolate,

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because Gavin's always got an eye out for it.

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Here's an idea where to hide it.

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It's the Art Ninja secret book.

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Now, I'm telling you how to make this

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but I'll trust you'll keep it a secret, right?

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So, I've got an old food-packaging box here,

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and I'm going to cut off the front.

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I'm putting tape around here just to neaten up the edges.

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Now, I need this box to look like pages

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and I'm going to create that illusion

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by using some string and double-sided sticky tape.

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Just going to peel off those bits.

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And now it's time for the string.

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Carefully wrap the string around on top of the double-sided sticky tape.

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I'm going to start off at the bottom and start rolling it around.

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I need to be neat with this,

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because I want it to look like pages.

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Last one. Snip it off.

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Now I need to make the cover.

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So for that, I've got a piece of card.

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I need to mark where my spine's going to be.

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So, let's have a look, like that...

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And the other side.

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Then to get a nice fold,

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I'm going to put the ruler down and bend the card over the ruler.

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And the same for the other side.

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To make the edges look neater, I'm going to cover them in masking tape.

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Do the same for the spine.

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Sweet. Nice and tidy.

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So to draw my design, I've got a couple of bits of card.

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I'm doing a scary skull and facial features separately.

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You'll see why later.

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I'm just cutting out these pieces with scissors.

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And I'm cutting indentations so this bit looks like teeth.

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I'm going to draw around my skull to make a slightly bigger one,

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just about a half a centimetre border all the way around.

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When these two are layered up,

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it will really make it pop out from the book.

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Let's get that cut out as well.

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Let's stick the smaller skull onto the big one.

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Just using a glue stick here.

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Now I'm going to put on the teeth,

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then the nose,

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then the eyes.

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That's the skull for the front but I want a smaller one

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for the spine, so I'll just ninja another one...

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and some bones.

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Ninja skills!

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Stick these to the cover of the book with the glue stick.

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And the spine.

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And the crossbones.

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Now it's ready for painting.

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So I've got two lovely blues over here.

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A light one and a richer dark one.

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I'm going to start with the light blue,

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just give it an all-over base for colour.

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If you're doing this at home, you'll need to put some newspaper down

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to protect your table.

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Right, I need that to dry, so I can do the detail,

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and I'm going to use my ninja skills.

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There we go.

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I've painted the inside a darker blue to give it a bit of contrast.

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Now I'm going to add some detail with a smaller brush.

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So just a tiny bit of paint on the brush and with what's left,

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I'm just going to pick out all the embossed edges.

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I'm going to take my time on some bits here to blend it in,

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using a dry-brush technique.

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I'm also painting the edges of my cover dark blue,

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and that's to make the book look old and worn.

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Now I'm going to stick my pages on the inside with a bit of

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double-sided sticky tape. Two bits on the back should do it.

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And one on one side of the string,

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cos that's going to be where the spine sticks in.

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And one final finishing touch,

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some lovely golden corner protectors,

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that I'm going to hold on with double-sided sticky tape.

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There you go, check it out.

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I'll need to hide my chocolate on the inside.

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Gav will never find it in there,

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but it is hard to keep this book a secret,

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because it's such a thriller!

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What about these sequels?

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A pink fairy-tale book and its sparkly key,

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Or how about a ninja family photo album?

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KNOCK AT DOOR

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Judging by the secret knock,

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that'll be Gav with some spy disguises!

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Wow! Gavin, that is an awesome disguise?!

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It's me, Ricky.

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I'm not Gavin, I'm your dad.

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I knew that, Dad, I was just acting.

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And that is important if you want to be a spy.

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Being a spy is all about being...

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..inconspicuous.

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No, Dad, I didn't catch that.

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-Inconspicuous!

-There's no need to shout!

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And what's with all the spy tips anyway?

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Who do you think you are, James Bond?

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As a matter of fact...

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I'm going to a James Bond party with your mum tonight.

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Oh! Well, have fun.

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I will.

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Everyone's big on spying tips but here's a quick art tip.

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How to draw a submarine.

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I'm going to start with the water line.

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And then I'm going to draw my submarine shape.

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It's kind of a long egg shape.

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Slightly more pointed at one end.

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A little nose cone...

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and then some portholes.

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I'm going to draw three.

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Have a little viewing station at the top here.

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A little window there

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and a periscope so they can see what's going on

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above the water.

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Some fins at the back, controlling where it goes.

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This one at the front is straight on to us, so it just looks flat.

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And then I'm going to go out towards the propeller.

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The blades of the propeller are like leaves.

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Finally, a few bubbles flying out the back.

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There we go. Another quick art tip!

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BUBBLES GURGLE

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KLAXON

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-Whoo!

-Eh!

-Whale!

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KNOCK AT DOOR

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Hmm?

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Aah!

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I've brought my top-secret spy disguises.

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It's not very top secret if you've got it written on the box!

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Here, try this on.

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And I've got a newspaper with spyholes.

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Oh, yeah, very discreet(!)

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Gav, these disguises are a little bit old-fashioned?

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How about the latest in a face-swap tech?

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Ha! You'll never pull that off.

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Won't I?

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What do you think?

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Oh, it's freaking me out!

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Go on, get out of my face!

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Haunting.

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An artist that loved faces and did the same ones over and over again

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was David Hockney.

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Oh, hello.

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-David is that you?

-Indeed it is, David Hockney, the very same.

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You might know me from works like this.

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In the 1980s, I began to produce photo collages,

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which I liked to call joiners.

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I'd use lots of photos of a single thing, or a landscape,

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and then arrange them to make one image.

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It really makes you look at things from another perspective.

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Mr Hockney? Are you there?

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I can't see him from this angle.

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He has given me an idea, though.

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I'm going to make a photo collage using selfies.

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So I start by taking some selfies,

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and I'm going to take them of close-up areas of my face.

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So I'm going to do my nose.

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CAMERA SHUTTER CLICKS Eye.

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CAMERA SHUTTER CLICKS Maybe from around the sides.

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If you find it difficult to take selfies,

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you could always get a friend to take the pictures for you.

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I'll just print them out!

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So here we go. Got them all printed out.

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All our lovely little close-ups.

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And I'm going to position them on a big bit of paper.

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I'm going to arrange them first before sticking them down

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and it's kind of like putting together a jigsaw puzzle.

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So that's my eyes there.

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Actually, look, piggy face!

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HE SNORTS

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If you wanted to, you can line them up perfectly,

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but I think it's quite fun if it's a little bit higgledy-piggledy.

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I want to be a bit more abstract.

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So I'm going to move something

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that seems like it should be further back in the picture to the front.

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So maybe this ear here.

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That's quite fun. I'm going stick them down.

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I'm just using a normal glue stick.

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The reason I'm using a glue stick is because glues like PVA

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would probably make the photographs quite wrinkly

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and, also, the glue stick means that I can peel off photographs

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and reposition them without damaging them.

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There we go.

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I think that's so good it deserves a frame.

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You don't have to do a photo collage using selfies.

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You could do one of your friends,

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or how about your favourite place?

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I'm pleased with that, or you could say, I'm pleased with myself-ie...

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Get it?

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Anyway, where's Gav got to?

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Gavin's left his spy box of tricks behind.

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I wonder what else is inside.

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Ejector seat spray.

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I'll give it a go.

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Mmm, doesn't work.

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Hi, Ricky. I'll just take a seat.

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Argh!

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CRASH!

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Powerful stuff!

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Sometimes it's like this picture follows me around the room.

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That's because it's animated.

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I don't expect you to be able to run out

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and grab all the bits to make this one

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but I hope it inspires you to do something new

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and creative in the name of art and animation.

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Today I'm going to be trying to make a time slice rig

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-with 13 disposable cameras.

-What's a time slice?

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Well, a time slice is a still image,

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which you can move around in. It's a frozen point in time.

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So to make this cool time slice animation, you'll need -

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13 disposable cameras, a bit of plywood, a jigsaw -

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be sure to get an adult to help you -

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a hot glue gun, some foam,

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strong tape and three people to help you push the button.

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Ninja move number one.

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You need to work out the perfect distance between your cameras.

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So, depending on how large your piece of wood is,

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put them equal distance apart, maybe around a semicircle,

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all pointing at exactly the same spot.

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Then you need to build your time slice rig.

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Our rig works like one big finger pressing all the cameras at once.

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Foam holds the button-pressing sticky-out bits away,

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until we're ready to take our shot.

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Between shots, we have to wind on all the cameras.

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This is proper old school, not digital style.

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Ninja move number two.

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Now you've got your rig, it's time to start taking some shots.

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Do some inside, do some outside, do some in low light,

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try using the flash, just to get some more interesting pieces.

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One, two, three! Oh, that sounded so good!

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This is Stanley, Andre's dog.

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-Hey, Stanley!

-Now!

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Yeah!

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In olden times, people had to wait to see their photographs

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because they had to be developed at the shop.

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So I'm just going to take these 13 cameras to the developer's.

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Ninja move number three.

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So, I've got all of the disposable cameras developed

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and I've had all of the negatives scanned,

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so I've got digital versions of them,

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and now I need to put them in the right order,

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to see if whether or not the animation works.

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This may take some time.

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The cameras took the pictures at the same time

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but from different angles,

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so, when they're animated, it looks like you're moving around an image.

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Cool.

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So I think it's time to cross our fingers

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and take a look at our mini masterpiece.

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That is awesome!

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And it just goes to show that your finished piece

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doesn't have to be perfect,

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if you had as much fun as us making it along the way.

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PHONE RINGS

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-Hello?

-'Ricky, you have been chosen.

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'Come to the rendezvous point and tell no-one.'

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-Who is this?

-'Keep the line clear for further instructions.

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-'Over and out.'

-But...

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They're gone!

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PHONE RINGS

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'Hi, Ricky, it's your mum!'

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I never thought I would be so glad to get a phone call from Mum!

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'Is your dad there? He needs to get ready for the James Bond party.

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'Hope he's OK.'

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He's shaken and stirred!

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'Anyway, here's what you need to get ready for.

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'You really milk the secret agent theme with a fast-car picture.

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'I spy some sneaky specs from this character.

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'And it's a top-secret rendezvous with art that's so good,

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'there's no disguising it!

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'I think that covers everything,

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'or should I say,' undercovers everything.

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No! You shouldn't say that, but too late.

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'Bye!'

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'Ricky, Ricky, Ricky!

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'Ricky, can you make art with a bunch of feathers?'

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As much as that tickles me, maybe another time.

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'Hi, Ricky. I've got something I need your help with.'

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It's Matt from Secret Life Of Boys.

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It's a bag of flour. Can you make anything out of it?

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I'm a maker, not a baker.

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Now I'm getting hungry.

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Hold this, I need a snack.

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Oh!

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Charming(!)

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Hey, what have these guys got?

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Ricky, can you make art with milk?

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OK.

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I choose you!

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-BOTH:

-Yeah!

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-What are your names?

-My name's Miles.

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My name's Sophie.

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-And where are you from?

-Aberdeen.

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I'm going to use the milk to draw a secret picture,

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worthy of a special agent.

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I'll just go grab my things.

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So, I've got myself a little ironing board.

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But I don't need that right now, so I'll put that to one side.

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I've also got a little bowl for my milk,

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a brush and two pieces of paper.

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So, let me pour out some of my milk.

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There we go. Oops, spilled a bit, no point in crying over it, though.

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And I'm going to draw this car.

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Awesome!

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And so, just pop that over there. I'm going to start drawing my car.

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I see some pictures behind you, is that your works of art?

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Yeah.

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Whose is whose?

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Mine is the snowman behind.

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It's an awesome snowman.

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The other one is a picture of the Art Ninja.

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Art Ninja? That's what I like to see on the wall.

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So a couple of tips here

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because you can't really see what you're doing

0:17:430:17:45

is to lean back like that, so the milk catches the light,

0:17:450:17:48

so you can see a bit more of your drawing.

0:17:480:17:50

I'm putting quite a bit of milk on the brush,

0:17:500:17:54

and I'm using a very nice, thin brush.

0:17:540:17:56

Another tip is to concentrate.

0:17:560:17:59

What would you draw if you had invisible paint?

0:17:590:18:02

A secret code, or something,

0:18:020:18:04

so that means if they do see the invisible paint,

0:18:040:18:07

they still won't be able to crack the code.

0:18:070:18:10

That's two levels of encryption. So, first of all, it's invisible,

0:18:100:18:13

and when you can see it, it doesn't make any sense.

0:18:130:18:16

How's it looking?

0:18:160:18:18

You can't see it, can you?

0:18:180:18:20

-No.

-You do see it a little bit of it.

0:18:200:18:23

Now, we're going to use a little trick to reveal the picture.

0:18:230:18:27

So, I need my ironing board.

0:18:270:18:28

Put it down on my ironing board and a piece of paper on top.

0:18:280:18:33

This is a great way of sending secret messages to your friends,

0:18:330:18:36

or maybe even secret art.

0:18:360:18:38

And now I'm going to iron it.

0:18:380:18:40

This will burn the milk and reveal the picture.

0:18:400:18:43

Now, you need to be careful if you're using an iron at home,

0:18:430:18:46

or make sure you've got a guardian or parent to supervise you,

0:18:460:18:50

or why not get them to do it for you?

0:18:500:18:52

And this works best with full-cream milk but semi-skimmed is fine.

0:18:520:18:56

If you want, just check underneath one corner

0:18:560:18:59

to check the milk's cooking. It does smell.

0:18:590:19:02

OK. I'm going to now I'm going to put the iron away.

0:19:020:19:05

Turn it off safely.

0:19:050:19:06

I'm going to get rid of my ironing board

0:19:060:19:09

and now you can take off the top piece of paper.

0:19:090:19:11

Are you guys ready to see it?

0:19:110:19:14

-BOTH:

-Yes.

0:19:140:19:15

What do you think of that?

0:19:150:19:18

Awesome!

0:19:180:19:19

Oh, that turned out really well.

0:19:190:19:22

I think my secret milk car picture is UDDERLY brilliant

0:19:220:19:25

and deserves a frame.

0:19:250:19:28

What mark would you give it?

0:19:280:19:30

0010.

0:19:300:19:32

Ha! I spy what you did there!

0:19:320:19:34

Thanks for your suggestion, guys.

0:19:340:19:36

-Bye-bye.

-Bye!

0:19:360:19:39

ENGINE ROARS

0:19:410:19:44

Om...

0:19:460:19:48

I think I spy the grandmaster.

0:19:480:19:50

Om!

0:19:500:19:51

I'm OK, man.

0:19:510:19:53

Great eggs, dude!

0:19:530:19:56

Mr Grandmaster, I've been expecting you.

0:19:560:20:00

Step number 007 to enlightenment.

0:20:000:20:04

Old shaded eye-protectors, resurrected for comedic effect.

0:20:050:20:10

Funny disguised glasses?

0:20:120:20:14

Yeah.

0:20:140:20:16

Grab some colourful pieces of craft foam

0:20:160:20:19

and draw around something circular.

0:20:190:20:21

Draw around a glue stick for smaller circles.

0:20:240:20:27

Draw on more circles on the other piece of craft foam.

0:20:300:20:34

And larger wiggly circles. So wiggly!

0:20:360:20:40

Cut all of your shapes out, man.

0:20:420:20:45

Go careful when cutting out the smaller circles!

0:20:470:20:51

Grab some tape.

0:20:540:20:56

This is double-sided tape, dudes!

0:20:560:20:58

Stick two pieces to each circle.

0:20:590:21:02

Stick your comedy shapes to the larger circles.

0:21:040:21:07

Sweet!

0:21:080:21:10

Grab some craft foam and cut into little pieces.

0:21:170:21:20

Stick them on and arrange them like delicious sprinkles.

0:21:250:21:30

Yum, yum, yum!

0:21:300:21:31

Get your sunglasses...

0:21:340:21:36

..and stick on your comedy frames.

0:21:400:21:42

Camouflage for when you're at the doughnut shop!

0:21:460:21:51

Whoa!

0:21:510:21:52

Lesson 007 complete.

0:21:520:21:55

Nice! What else have you got, dude?

0:21:550:21:58

Hello!

0:21:580:22:00

Woof-woof!

0:22:000:22:02

Thanks Grandmaster, I am enlightened.

0:22:020:22:05

I'm so enlightened I might need to borrow a pair of your comedy shades.

0:22:050:22:10

You are most welcome.

0:22:100:22:13

Om!

0:22:200:22:22

PHONE RINGS

0:22:240:22:27

I bet it's that mystery voice again.

0:22:270:22:29

'Ricky, you've been chosen.

0:22:290:22:31

'Meet me at the gallery.

0:22:310:22:33

'I'll have an orange moustache and a newspaper.'

0:22:330:22:35

What is your name?

0:22:350:22:37

'Code name Sarah.

0:22:370:22:38

'Over and out.'

0:22:380:22:40

Unusual. Well, I'd best get to the gallery,

0:22:400:22:43

this "code name Sarah" sounds like they mean business.

0:22:430:22:46

Ninja skills!

0:22:580:23:00

Spy skills!

0:23:040:23:06

Are you code name Sarah?

0:23:280:23:31

No. No. No. No.

0:23:310:23:33

But the voice said, orange moustache and a newspaper.

0:23:330:23:37

There must be somebody else.

0:23:370:23:39

A-ha! Code name Sarah?

0:23:520:23:54

-Are you code name Sarah?

-No.

0:24:020:24:04

-Are you code name Sarah?

-No.

0:24:080:24:10

Code name Sarah?

0:24:200:24:22

Real name Sarah.

0:24:220:24:23

You look weirdly familiar?

0:24:270:24:30

-It's me!

-Sarah, it's you!

0:24:300:24:32

-Fool.

-But what about the voice?

0:24:320:24:34

-DISTORTED:

-Ricky, you've been chosen. Meet me at the gallery.

0:24:340:24:38

OK, yeah. But why?

0:24:380:24:39

Well, I arranged to have one of your pieces of art

0:24:390:24:42

displayed at the Tate Modern.

0:24:420:24:44

Thought I'd get you down here as a surprise.

0:24:440:24:46

And you invited all these people to come and see it?

0:24:460:24:48

Nope. Never seen them before in my life.

0:24:480:24:50

Oh, but seeing as we have got all of these people,

0:24:500:24:53

we can make some amazing art.

0:24:530:24:55

But first, we better get our ninja on.

0:24:550:24:57

-Do you think they're following us?

-Nah!

0:25:020:25:04

Art Ninja!

0:25:090:25:11

-ALL:

-Art Ninja!

0:25:110:25:13

Strike a pose!

0:25:130:25:14

Sarah, we're going to use all of our new friends and their newspapers

0:25:180:25:21

to make a huge piece of art.

0:25:210:25:23

Inside the newspapers is a secret coloured code

0:25:230:25:26

and we need to work together to crack it.

0:25:260:25:28

Now you stay down here,

0:25:280:25:29

I'm going to find a better spot to spy on you from.

0:25:290:25:32

I've got 144 ninja apprentices to help me.

0:25:340:25:37

But am I going to be able to pull it off? Scary!

0:25:390:25:42

Can you hear me down there?

0:25:420:25:44

I think I need a louder voice.

0:25:440:25:46

This should do it.

0:25:480:25:50

Put up your boards.

0:25:500:25:52

OK, put it above your head.

0:25:530:25:56

Hold it right up.

0:25:570:25:59

Arms straight.

0:26:010:26:03

All the right way around?

0:26:030:26:05

-Excellent.

-Move it to the right.

0:26:050:26:09

No stop. Too far.

0:26:090:26:11

Back, back to the left.

0:26:110:26:12

We're doing our best, Ricky.

0:26:130:26:15

Well done, guys.

0:26:150:26:17

OK, the eyes are a little bit wrong.

0:26:170:26:19

-Now the mouth's funny.

-All right, Ricky!

0:26:190:26:22

Perfect.

0:26:240:26:26

This is looking really good.

0:26:260:26:28

Sarah, come on, get up here!

0:26:280:26:30

-All right?

-Now I thought you were a spy but check out this art.

0:26:320:26:36

It's got licence to thrill!

0:26:360:26:38

It's me in my many disguises.

0:26:420:26:45

This is amazing. James Bond's got nothing on you!

0:26:480:26:51

OWL HOOTS

0:26:590:27:01

I may not be a spy but I'll always be the Art Ninja.

0:27:040:27:07

Today has taught me a valuable Art Ninja lesson -

0:27:070:27:10

super spy disguises and a voice-changer

0:27:100:27:13

can lead to awesome art with lots of arty strangers.

0:27:130:27:16

I'm glad that mystery voice turned out to be Sarah

0:27:160:27:20

and I'm happy there's no more secret missions.

0:27:200:27:23

PHONE RINGS

0:27:250:27:27

Not again.

0:27:270:27:28

Stop messing around, Sarah.

0:27:280:27:31

'This is not Sarah.

0:27:310:27:33

'This bed will self-destruct in five seconds.'

0:27:330:27:37

Bed? Don't you mean message?

0:27:370:27:39

'No, bed.'

0:27:390:27:41

Argh...

0:27:410:27:43

EXPLOSION

0:27:430:27:45

Ricky's always wanted to be a spy, but when he starts receiving mysterious phone calls full of code words he's not so sure. Making a secret book and selfie collage inspired by David Hockney, he agrees to a rendezvous at the Tate Modern where he makes art that's licensed to thrill.