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Vast and exposed, | 0:00:01 | 0:00:03 | |
the setting for an extraordinary Red Nose Day challenge. | 0:00:03 | 0:00:07 | |
I'm going to attempt to walk from that chimney to this one | 0:00:10 | 0:00:14 | |
on a wire no wider than this 10p piece. | 0:00:14 | 0:00:17 | |
It's 150 metres long, 66 metres in the air | 0:00:17 | 0:00:21 | |
and it is, without doubt, the scariest thing I have ever taken on. | 0:00:21 | 0:00:25 | |
'I'm doing it for Comic Relief, to help change the lives | 0:00:25 | 0:00:29 | |
'of vulnerable people in the UK and in Africa.' | 0:00:29 | 0:00:32 | |
How can you not help this face? | 0:00:32 | 0:00:34 | |
'The wire is waiting.' | 0:00:34 | 0:00:36 | |
-What's the name of the game? -Stay on the wire. | 0:00:36 | 0:00:39 | |
Name of the game is to stay on the wire. | 0:00:39 | 0:00:40 | |
'How will I manage?' | 0:00:40 | 0:00:42 | |
Come on, Helen. | 0:00:42 | 0:00:44 | |
'Come with me on the highest walk of my life.' | 0:00:44 | 0:00:48 | |
Battersea Power Station in London. | 0:00:57 | 0:01:02 | |
It's the biggest brick building in Europe, | 0:01:02 | 0:01:05 | |
taking up the space of three football pitches. | 0:01:05 | 0:01:08 | |
Battersea used to provide electricity for London, | 0:01:09 | 0:01:13 | |
but it shut down almost 30 years ago. | 0:01:13 | 0:01:15 | |
Now it's a dangerous building site and a major sport and film location. | 0:01:15 | 0:01:22 | |
An entire population's been taken inside that place to be converted. | 0:01:25 | 0:01:29 | |
I can't afford to feel threatened or nervous. | 0:01:32 | 0:01:35 | |
I need to own this. | 0:01:35 | 0:01:37 | |
What I'm attempting needs a dramatic backdrop - | 0:01:37 | 0:01:40 | |
welcome to the world of high wire. | 0:01:40 | 0:01:43 | |
It's an art that developed thousands of years ago, | 0:01:43 | 0:01:46 | |
performed in the highest and scariest places. | 0:01:46 | 0:01:50 | |
Only a few highly trained people in the world dare do it. | 0:01:50 | 0:01:54 | |
And unlike me, some without even a safety harness. | 0:01:54 | 0:01:58 | |
High-wire walking takes years to learn. | 0:01:58 | 0:02:01 | |
I first stepped on a wire just three months ago. | 0:02:01 | 0:02:05 | |
'I start my training on a low, tight wire, | 0:02:07 | 0:02:10 | |
'but there's more falling than walking.' | 0:02:10 | 0:02:13 | |
This is so annoying! | 0:02:13 | 0:02:14 | |
Then I take on my first live performance. | 0:02:14 | 0:02:18 | |
I lose my concentration not once... | 0:02:20 | 0:02:24 | |
but twice. | 0:02:24 | 0:02:26 | |
It's terrifying, but I do it. | 0:02:29 | 0:02:32 | |
Next, I go to France | 0:02:35 | 0:02:37 | |
to train with world-famous high-wire walker Jade Kinder-Martin. | 0:02:37 | 0:02:42 | |
What a wake-up call that is. | 0:02:42 | 0:02:44 | |
I was a bit disappointed in her level. | 0:02:44 | 0:02:47 | |
I thought she had been practising a little bit more | 0:02:47 | 0:02:50 | |
and I thought she was more capable of keeping her balance on the wire. | 0:02:50 | 0:02:54 | |
I feel like I've just had a massive wet fish of realisation | 0:02:54 | 0:02:58 | |
slap me in the face - this is hard. | 0:02:58 | 0:03:00 | |
'I have to get to grips with a heavy balance pole | 0:03:00 | 0:03:04 | |
-'and the pain of falling off.' -Oh, no. Come on, now. | 0:03:04 | 0:03:06 | |
After a few weeks of specialist training, | 0:03:08 | 0:03:11 | |
I finally complete an 80-metre long wire, 20 metres up. | 0:03:11 | 0:03:15 | |
Ta-da! | 0:03:15 | 0:03:17 | |
But that's small scale compared to what I'm facing now. | 0:03:18 | 0:03:22 | |
Battersea is three times the height of the highest point | 0:03:22 | 0:03:26 | |
of my practice walk, and also about twice the length. | 0:03:26 | 0:03:31 | |
So Helen will be challenged. | 0:03:31 | 0:03:33 | |
It couldn't be any more threatening. | 0:03:43 | 0:03:47 | |
This is just taking away every bit of confidence I have. | 0:03:47 | 0:03:50 | |
Look at me - I'm doing this, | 0:03:50 | 0:03:52 | |
shrugging my shoulders, and I just... | 0:03:52 | 0:03:54 | |
I want to hide. | 0:03:54 | 0:03:56 | |
My high wire will be suspended | 0:04:01 | 0:04:03 | |
across the heart of the old power station, | 0:04:03 | 0:04:06 | |
where coal was burned in huge boilers, | 0:04:06 | 0:04:09 | |
but the roof is long gone. | 0:04:09 | 0:04:11 | |
All I'm going to be able to see | 0:04:11 | 0:04:13 | |
from up there is a cobweb of steel girders and scaffolding. | 0:04:13 | 0:04:19 | |
There's nothing for it but to get up there and have a look. | 0:04:23 | 0:04:26 | |
We're heading up the south-west chimney to the point | 0:04:26 | 0:04:30 | |
I'll hopefully finish at. | 0:04:30 | 0:04:33 | |
I'm OK with this height, because there's a cage in front of me. | 0:04:33 | 0:04:36 | |
Three, two, one. | 0:04:44 | 0:04:47 | |
Thank you. | 0:04:52 | 0:04:53 | |
Actually, this is the first... | 0:04:56 | 0:05:00 | |
tinge of excitement I've had since arriving | 0:05:00 | 0:05:04 | |
at Battersea Power Station. From here, I can see just how high it is. | 0:05:04 | 0:05:10 | |
It's... | 0:05:10 | 0:05:12 | |
insane. | 0:05:12 | 0:05:13 | |
This is all going to be about whether I can hold my nerve. | 0:05:13 | 0:05:18 | |
This is ultimately going to come down to whether I have | 0:05:18 | 0:05:23 | |
the bottle and the focus to do this. | 0:05:23 | 0:05:26 | |
'My day at Battersea has really shaken me up.' | 0:05:26 | 0:05:31 | |
The scariest thing about this is failing. | 0:05:31 | 0:05:34 | |
You know, there's a real chance that | 0:05:34 | 0:05:36 | |
I might get tired. My shoulder might give out, I might slip | 0:05:36 | 0:05:41 | |
and I'll fall off the wire and it'll be game over. | 0:05:41 | 0:05:44 | |
I can't acknowledge that to anybody | 0:05:44 | 0:05:46 | |
because I have to be positive about this. | 0:05:46 | 0:05:49 | |
I have to say, "I can do this. Come on, Helen, | 0:05:49 | 0:05:52 | |
"let's party on and do this. | 0:05:52 | 0:05:55 | |
"It's Red Nose Day. This is for fun and..." | 0:05:55 | 0:05:59 | |
So, outwardly, I feel I have to be all "yay". | 0:05:59 | 0:06:03 | |
Inwardly I'm thinking, "What am I doing?" | 0:06:03 | 0:06:05 | |
I have to remember why I'm doing this. | 0:06:07 | 0:06:11 | |
The charity behind Red Nose Day, Comic Relief, uses money you raise | 0:06:11 | 0:06:15 | |
to help vulnerable people in the UK and Africa. | 0:06:15 | 0:06:18 | |
During a break in training, I travel to Uganda in Africa | 0:06:18 | 0:06:22 | |
to see for myself how it's helping. | 0:06:22 | 0:06:25 | |
Kampala is the capital of Uganda. | 0:06:27 | 0:06:30 | |
More than a million people live here, but, shockingly, | 0:06:30 | 0:06:34 | |
up to 2,000 children are sleeping on the streets every night. | 0:06:34 | 0:06:39 | |
It's a dangerous place to be. | 0:06:39 | 0:06:42 | |
I can't quite believe what I'm seeing. | 0:06:45 | 0:06:48 | |
This is 12-year-old Hamsa. | 0:06:53 | 0:06:55 | |
He sleeps by the side of the road | 0:06:55 | 0:06:58 | |
with only a piece of cardboard and a potato sack to keep him warm. | 0:06:58 | 0:07:02 | |
How long has Hamsa been living on the streets? | 0:07:02 | 0:07:05 | |
-He's been on the streets over two years. -Two years? -Two years. | 0:07:05 | 0:07:09 | |
Hamsa's mum died and he fell out with his step-mum. | 0:07:12 | 0:07:16 | |
He told me she threatened him with a knife, so he ran away. | 0:07:16 | 0:07:20 | |
What's it like going to sleep here every night? | 0:07:20 | 0:07:24 | |
HE SPEAKS THE LOCAL LANGUAGE | 0:07:24 | 0:07:28 | |
TRANSLATION: Terrible. I don't like it. | 0:07:28 | 0:07:31 | |
There's not really a lot you can say to that, is there? | 0:07:32 | 0:07:35 | |
He's said it himself. It's terrible here. He doesn't like it. | 0:07:35 | 0:07:39 | |
As yet, I guess he feels like he's got no option. | 0:07:39 | 0:07:42 | |
'Meeting Hamsa really affects me.' | 0:07:45 | 0:07:47 | |
How can you not help this face? | 0:07:47 | 0:07:50 | |
'So I decide to spend the rest of the day with him. | 0:07:50 | 0:07:53 | |
'It's early and Kampala is coming to life.' | 0:07:53 | 0:07:56 | |
As if this isn't bad enough, I'm sitting here and thinking, | 0:07:56 | 0:07:59 | |
"What is on the back of my neck?" | 0:07:59 | 0:08:02 | |
The people who live up there are brushing their rubbish | 0:08:02 | 0:08:05 | |
onto these guys' heads. This is their bedroom. | 0:08:05 | 0:08:08 | |
'Breakfast is a kind of porridge and deep fried vegetables. | 0:08:11 | 0:08:15 | |
'Hamsa pays for it with the tiny bit of money he earns | 0:08:15 | 0:08:18 | |
'collecting plastic bottles off the streets.' | 0:08:18 | 0:08:21 | |
It's all right. | 0:08:23 | 0:08:24 | |
Cheers, boys. | 0:08:24 | 0:08:27 | |
'But after breakfast, something shocking happens. | 0:08:34 | 0:08:38 | |
'Just out of view of the camera behind the green car, | 0:08:38 | 0:08:42 | |
'someone robs me.' | 0:08:42 | 0:08:45 | |
Someone shoved me against the van, pulled my necklace from my throat. | 0:08:49 | 0:08:53 | |
Hamsa went running down the street after him to try and get it back. | 0:08:53 | 0:08:57 | |
My hero. | 0:08:57 | 0:09:00 | |
And on the one hand, I'm like, | 0:09:00 | 0:09:03 | |
"Oh, that's amazing. What a little legend he is." | 0:09:03 | 0:09:06 | |
But on the other, it's making me think... | 0:09:06 | 0:09:09 | |
This is the type of environment he's living in. | 0:09:09 | 0:09:11 | |
'He's only 12, but Hamsa has to look out for himself. | 0:09:11 | 0:09:15 | |
'It's not a safe way of living.' | 0:09:15 | 0:09:18 | |
This is how he has to cope to live on the streets. | 0:09:18 | 0:09:22 | |
'He spends hours every day collecting bottles. | 0:09:22 | 0:09:25 | |
'And after all that, he'll make about £1.50.' | 0:09:25 | 0:09:29 | |
But with your support, Hamsa CAN have a better future. | 0:09:33 | 0:09:37 | |
The money you raise on Red Nose Day helps fund projects like this - | 0:09:37 | 0:09:41 | |
a drop-in centre for children with nowhere else to go. | 0:09:41 | 0:09:46 | |
It's run by a charity called Retrack. It's a bit like a school. | 0:09:46 | 0:09:51 | |
Hamsa's put on his school uniform and since then, | 0:09:52 | 0:09:54 | |
he's pretty much been grinning from ear to ear. | 0:09:54 | 0:09:57 | |
This is a real haven for him. | 0:09:57 | 0:10:00 | |
'It's a safe place, offering a decent meal and somewhere to play. | 0:10:02 | 0:10:06 | |
'The boys can even sleep there overnight, if they want to.' | 0:10:06 | 0:10:10 | |
It's a completely different world. And he's a completely different kid. | 0:10:12 | 0:10:16 | |
'Hamsa seems to enjoy it, but he never stays that long. | 0:10:16 | 0:10:20 | |
'He feels he has to get back to the streets to earn money. | 0:10:20 | 0:10:23 | |
'It's what he knows.' | 0:10:23 | 0:10:25 | |
In just one day, I've seen how difficult life is for Hamsa. | 0:10:27 | 0:10:32 | |
Saying goodbye is incredibly hard. | 0:10:32 | 0:10:36 | |
I will probably never see him again, and I... | 0:10:38 | 0:10:41 | |
won't know what happens to him. | 0:10:41 | 0:10:44 | |
Good luck, Hamsa. Goodbye. | 0:10:44 | 0:10:46 | |
'But that isn't the end of the story. | 0:10:48 | 0:10:51 | |
'The next day, to my total surprise, | 0:10:51 | 0:10:53 | |
I see a familiar face at the school.' | 0:10:53 | 0:10:56 | |
I thought I would never see Hamsa again when we parted ways | 0:10:56 | 0:11:00 | |
last night and he stayed here. | 0:11:00 | 0:11:02 | |
He didn't sleep on the street for the first time in two years | 0:11:02 | 0:11:05 | |
because he had somewhere else to go, | 0:11:05 | 0:11:06 | |
because of the support you give this charity. | 0:11:06 | 0:11:09 | |
You can make a difference by getting involved. | 0:11:09 | 0:11:12 | |
'I've got all the motivation I need.' | 0:11:12 | 0:11:16 | |
But pulling off this challenge isn't just down to me. | 0:11:21 | 0:11:24 | |
Even building the wire | 0:11:24 | 0:11:26 | |
is a massive operation. It will take a specialist team of riggers | 0:11:26 | 0:11:31 | |
four days to do, working in difficult conditions. | 0:11:31 | 0:11:34 | |
Brian Donaldson is the man in charge. | 0:11:36 | 0:11:40 | |
There's a lot of scaffolding. I'm hanging on for dear life. | 0:11:40 | 0:11:42 | |
There's so much scaffolding. Is this safe? | 0:11:42 | 0:11:45 | |
It is listed as a dangerous building, a dangerous structure. | 0:11:45 | 0:11:49 | |
There is a risk of falling debris and brick work. | 0:11:49 | 0:11:52 | |
OK, we're in this together now. | 0:11:52 | 0:11:54 | |
It's hard for you. It's hard for me, Brian. | 0:11:54 | 0:11:57 | |
I'm going to let you go and rig me a safe wire | 0:11:57 | 0:12:00 | |
and stop eating into your time. Thank you, Brian. | 0:12:00 | 0:12:02 | |
The wire will be 150 metres long, | 0:12:04 | 0:12:07 | |
suspended between two of the original chimneys. | 0:12:07 | 0:12:10 | |
It'll be 66 metres high | 0:12:10 | 0:12:13 | |
and held firm by a series of smaller cables called cavalettis, | 0:12:13 | 0:12:18 | |
to stop it wobbling. | 0:12:18 | 0:12:20 | |
I'll be attached to a safety cable running above. | 0:12:20 | 0:12:23 | |
First job, wrapping giant slings round each chimney to hold the wire. | 0:12:28 | 0:12:33 | |
Not easy in this weather. | 0:12:33 | 0:12:36 | |
The next day, Brian and his team are ready to lift the safety cable. | 0:12:41 | 0:12:46 | |
Then the wire I'll walk on can be hoisted into place. | 0:12:46 | 0:12:51 | |
It's great to be in the position now to actually lift the wire, | 0:12:51 | 0:12:55 | |
after weeks and months of planning, preparations and meetings. | 0:12:55 | 0:12:58 | |
Made of steel, it's their single heaviest piece of equipment, | 0:12:58 | 0:13:03 | |
and at 175 kilograms it weighs more than two grown men. | 0:13:03 | 0:13:08 | |
'With two days to go, I see my wire for the first time.' | 0:13:17 | 0:13:22 | |
It looks so long from down here. | 0:13:22 | 0:13:25 | |
There's a bigger dip than I expected. | 0:13:25 | 0:13:28 | |
I'm going to have to go downhill and uphill. | 0:13:28 | 0:13:31 | |
I don't know how to go downhill. Oh, dear. | 0:13:31 | 0:13:34 | |
'But pulling it any tighter | 0:13:34 | 0:13:36 | |
'would put too much strain on the chimneys.' | 0:13:36 | 0:13:39 | |
Seriously, what was I thinking? | 0:13:43 | 0:13:48 | |
I've got to walk on that! | 0:13:48 | 0:13:50 | |
But the wire isn't safe to walk on yet. | 0:13:52 | 0:13:55 | |
Every piece of equipment has to be checked and checked again, | 0:13:55 | 0:14:00 | |
especially when it comes to the emergency-rescue plan. | 0:14:00 | 0:14:04 | |
So the retrieval device - that's what'll kick into action if I fall. | 0:14:04 | 0:14:09 | |
Yeah, it's a pulley that runs along the safety cable. | 0:14:09 | 0:14:12 | |
We tie a rope to either end of that pulley. | 0:14:12 | 0:14:15 | |
In the worst case of you coming off, unable to get back on the wire, | 0:14:15 | 0:14:19 | |
we can always pull you back to the closest end, if we have to. | 0:14:19 | 0:14:23 | |
That would be horrific if you were having to pull me. | 0:14:23 | 0:14:27 | |
'It's a worst-case scenario, but it could save my life.' | 0:14:27 | 0:14:31 | |
There's just one day before my Red Nose Day walk. | 0:14:34 | 0:14:38 | |
My instructor Jade's arrived to inspect the wire. | 0:14:38 | 0:14:42 | |
With his experience, he'll know if there's anything wrong. | 0:14:42 | 0:14:46 | |
Perfect. Wonderful. Good job. | 0:14:46 | 0:14:48 | |
-Yeah, that's just about where it starts to pull. -'Copy that.' | 0:14:52 | 0:14:57 | |
That would be good. | 0:14:57 | 0:15:00 | |
Jade's happy with the wire, but he's worried about the wind and rain. | 0:15:00 | 0:15:04 | |
Similar situation tomorrow... | 0:15:04 | 0:15:07 | |
I would advise Helen not to go. | 0:15:07 | 0:15:09 | |
I'd rather not put anybody else at risk, especially not my riggers, | 0:15:09 | 0:15:12 | |
who would have to rescue her if something happened tomorrow. | 0:15:12 | 0:15:15 | |
We've got to hope the conditions are good for tomorrow, for Helen. | 0:15:17 | 0:15:21 | |
The wire is ready, but am I? | 0:15:21 | 0:15:24 | |
If I fall off the wire and I'm hanging underneath it | 0:15:26 | 0:15:29 | |
and someone has to drag me back on it or drag me across, then... | 0:15:29 | 0:15:33 | |
I will have failed. | 0:15:33 | 0:15:36 | |
Yeah, I can get back on and have another go - sure I can - but... | 0:15:36 | 0:15:39 | |
in my head, I'll have failed. | 0:15:39 | 0:15:41 | |
And that's the worst thing. | 0:15:41 | 0:15:44 | |
It's the day of the walk. | 0:15:47 | 0:15:49 | |
In an hour's time, I'll be stepping out | 0:15:49 | 0:15:51 | |
on a wire over Battersea Power Station. | 0:15:51 | 0:15:54 | |
Conditions are wet and windy. | 0:15:56 | 0:16:00 | |
There it is. | 0:16:00 | 0:16:01 | |
There's Battersea. | 0:16:01 | 0:16:03 | |
The wind's coming on to the side. It'll push her one way or another. | 0:16:03 | 0:16:07 | |
Uh-oh. | 0:16:07 | 0:16:08 | |
Have you considered for a second what you're actually doing today? | 0:16:10 | 0:16:14 | |
The pressure on me feels enormous. | 0:16:21 | 0:16:25 | |
I am a bit scared. | 0:16:25 | 0:16:27 | |
She needs to trust herself. | 0:16:28 | 0:16:30 | |
She needs to trust her time with me. | 0:16:30 | 0:16:34 | |
This is it. | 0:16:34 | 0:16:36 | |
I do feel a bit sick. | 0:16:36 | 0:16:37 | |
-I've just got to do it. -Yes, do your thing. Do your thing. | 0:16:43 | 0:16:47 | |
I don't think she will be able to do it, cos tight-rope walking | 0:16:47 | 0:16:52 | |
is what you have to learn for years till you're really good at it. | 0:16:52 | 0:16:55 | |
It's going to be tough. | 0:16:55 | 0:16:57 | |
I set out to do a job. Now it's time to finish the job. | 0:17:01 | 0:17:05 | |
Oh, it's so windy. | 0:17:20 | 0:17:23 | |
Now I'm like, "OK, I just want this over with. | 0:17:25 | 0:17:27 | |
"Let's get across to the other side, | 0:17:27 | 0:17:29 | |
"put this to bed and everyone can have a nice time." | 0:17:29 | 0:17:32 | |
It is the freakiest thing I've ever had to deal with. | 0:17:37 | 0:17:41 | |
It's a sheer drop and I'm walking on a piece of wire. | 0:17:41 | 0:17:45 | |
This is so intense. | 0:17:45 | 0:17:47 | |
-What's the name of the game? -To stay on the wire. | 0:17:51 | 0:17:54 | |
The game of the game is to stay on the wire. | 0:17:54 | 0:17:58 | |
Take it all in. | 0:18:06 | 0:18:08 | |
This is it. | 0:18:08 | 0:18:10 | |
This is your one chance. | 0:18:12 | 0:18:14 | |
Come on, Helen! | 0:18:14 | 0:18:15 | |
When you're ready, Helen. | 0:18:16 | 0:18:18 | |
It's in your hands. | 0:18:20 | 0:18:22 | |
-OK. -Keep your eyes out in front. | 0:18:22 | 0:18:26 | |
Move your fingers. | 0:18:37 | 0:18:39 | |
One step in front of the other - that's how we get to the other side. | 0:18:39 | 0:18:45 | |
I've got you in my ear now, so I can hear you. | 0:18:58 | 0:19:01 | |
This girl's amazing, isn't she? | 0:19:07 | 0:19:09 | |
Relax your shoulders. There you go. | 0:19:16 | 0:19:19 | |
Pull your arms in. | 0:19:19 | 0:19:22 | |
'The wire is wobbling, and I know I'm doing it. | 0:19:35 | 0:19:38 | |
'I need to take control.' | 0:19:38 | 0:19:40 | |
She's a bit nervous, | 0:19:44 | 0:19:46 | |
but she's using all the techniques that I've taught her. | 0:19:46 | 0:19:51 | |
-Mate! -Am I really seeing this? | 0:20:05 | 0:20:09 | |
Am I really seeing this? | 0:20:09 | 0:20:11 | |
That's our mate up there. That's Helen doing that. | 0:20:11 | 0:20:14 | |
I don't think there's an easy or hard part in the whole walk. | 0:20:34 | 0:20:37 | |
She's looking good. She was a little nervous - | 0:20:37 | 0:20:41 | |
"Where am I, what am I doing up here?" Now she knows where she is. | 0:20:41 | 0:20:44 | |
Slow down on the pulley. | 0:20:54 | 0:20:56 | |
It's "do something funny for money", but I'm not finding it funny. | 0:21:00 | 0:21:04 | |
-ANDY: -I'm not finding it funny at all. | 0:21:04 | 0:21:07 | |
At all. | 0:21:07 | 0:21:09 | |
'The wind is really starting to pick up. I feel totally exposed.' | 0:21:18 | 0:21:24 | |
Ah, wind, please go away. | 0:21:24 | 0:21:27 | |
You can do it. You can do it. You can do it. | 0:21:31 | 0:21:34 | |
Come on, Helen! | 0:21:34 | 0:21:36 | |
'I'm out on a limb, but I've only got one place to go. | 0:21:39 | 0:21:42 | |
'As the uphill gets steeper, my arms are burning.' | 0:21:56 | 0:22:00 | |
-She's about three metres from the end. -Oh, mate! | 0:22:15 | 0:22:18 | |
Come on, Helen. | 0:22:18 | 0:22:20 | |
'I know I'm almost there, but I daren't look up. | 0:22:30 | 0:22:33 | |
'I need to focus more than ever.' | 0:22:33 | 0:22:36 | |
SHE SCREAMS | 0:23:18 | 0:23:20 | |
Yes! | 0:23:20 | 0:23:22 | |
Thank you. | 0:23:32 | 0:23:33 | |
I'm so relieved! Honestly, I hated that at the start. | 0:23:41 | 0:23:44 | |
The first few metres, I was like, "Get me off here!" | 0:23:44 | 0:23:47 | |
Only reason I didn't go back was "I can't let Jade and Brian down". | 0:23:47 | 0:23:51 | |
At the end, I really started to enjoy it. | 0:23:51 | 0:23:53 | |
I'm absolutely gobsmacked. I'm blown away. | 0:23:55 | 0:23:58 | |
Someone who's only had 22 days' training. | 0:23:58 | 0:24:01 | |
When she was out there, she was so focused. | 0:24:01 | 0:24:03 | |
She nailed it first time. It's incredible. | 0:24:03 | 0:24:06 | |
Wonderful, wonderful. | 0:24:06 | 0:24:08 | |
You make me proud. You make me proud. | 0:24:08 | 0:24:11 | |
Job done! The UK's highest-ever wire walk by a woman. | 0:24:11 | 0:24:16 | |
Well done! So proud of you. Amazing. | 0:24:16 | 0:24:19 | |
Well done. Absolutely brilliant. | 0:24:19 | 0:24:22 |