Browse content similar to Invasion of the Bane. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I saw amazing things, out there in space. | 0:00:18 | 0:00:22 | |
But there's strangeness to be found wherever you turn. | 0:00:22 | 0:00:26 | |
Life on Earth can be an adventure too. | 0:00:26 | 0:00:30 | |
You just need to know where to look. | 0:00:30 | 0:00:32 | |
-Bubbleshock... for maximum performance. -Oh, she's got the telly working, that's the first priority. | 0:00:41 | 0:00:47 | |
Let's shift! | 0:00:47 | 0:00:49 | |
Plenty more boxes. | 0:00:49 | 0:00:51 | |
-Do us a favour, find the kettle, I'm parched. -Maria! | 0:00:51 | 0:00:54 | |
Coming! | 0:00:54 | 0:00:56 | |
Pass me that lamp cos it's quite fragile. | 0:00:56 | 0:00:59 | |
Maria, the cutlery's in the boot, go and fetch it. | 0:00:59 | 0:01:02 | |
-Living room, love? -No, that says "kitchen". Can't you read? | 0:01:02 | 0:01:05 | |
And go round the side. I did say. | 0:01:05 | 0:01:08 | |
-Mind you, not bad. -Mum! Stop fancying the removal men! | 0:01:08 | 0:01:12 | |
Oh, they love it. | 0:01:12 | 0:01:13 | |
-Besides, they're getting paid! -Ooh! | 0:01:13 | 0:01:16 | |
Cutlery, go on. | 0:01:16 | 0:01:18 | |
Hiya. | 0:01:29 | 0:01:31 | |
Put it by the window. Thanks. | 0:01:38 | 0:01:41 | |
Thank you, boys! | 0:01:43 | 0:01:45 | |
Come on then. | 0:01:49 | 0:01:51 | |
All done. Congratulations. Our new home. | 0:01:51 | 0:01:55 | |
Ooh! Look at me! It's nearly six, I'd better be off. | 0:01:55 | 0:01:59 | |
Can't you stay for tea, Mum? | 0:02:00 | 0:02:02 | |
I'd love to, but Ivan's cooking me dinner back home. | 0:02:02 | 0:02:05 | |
But you are gonna love it, sweetheart. I promise. | 0:02:05 | 0:02:09 | |
-I liked the old house. -Your mum wanted the money. | 0:02:09 | 0:02:11 | |
Don't start. This is a much better catchment area, that old place they were holding you back. | 0:02:11 | 0:02:16 | |
They were my friends. | 0:02:16 | 0:02:18 | |
Well, you'll get a better catchment of friends. | 0:02:18 | 0:02:21 | |
You'll settle in, don't worry. | 0:02:22 | 0:02:25 | |
And you. | 0:02:26 | 0:02:27 | |
You still can't make a cup of tea. | 0:02:29 | 0:02:31 | |
Oh, Alan, I nearly forgot, can you give me that cheque? | 0:02:35 | 0:02:38 | |
I don't know where my cheque book is. | 0:02:38 | 0:02:40 | |
Oh, all right. Well, post it - first thing tomorrow, if you could. | 0:02:40 | 0:02:43 | |
-Sure. -Angel. Bye, bye! Big kiss! | 0:02:43 | 0:02:46 | |
You and me, eh? | 0:03:03 | 0:03:05 | |
Come on. | 0:03:09 | 0:03:10 | |
-ON TELEVISION: -Bubbleshock! | 0:03:26 | 0:03:28 | |
-For maximum performance! -No added sugar. -No concentrates. | 0:03:29 | 0:03:33 | |
Bubbleshock! Contains Bane! | 0:03:35 | 0:03:37 | |
HIGH-PITCHED CHIMING | 0:05:35 | 0:05:38 | |
-ON TELEVISION: -For maximum performance... | 0:05:51 | 0:05:53 | |
-How would you know if you were going mad? -Ask your mother, she's the expert. | 0:05:53 | 0:05:57 | |
-I'll tell her you said that! -ON TELEVISION: -Contains Bane! | 0:05:57 | 0:06:00 | |
But...what if you see something that you know can't be happening, | 0:06:01 | 0:06:04 | |
only it is happening, only you know it can't be? | 0:06:04 | 0:06:07 | |
DOORBELL CHIMES | 0:06:07 | 0:06:09 | |
-Don't know. Go and ask them. -That's our first visitors. | 0:06:09 | 0:06:12 | |
If it's Angelina Jolie, tell her I'm not interested. | 0:06:12 | 0:06:15 | |
Go on. | 0:06:15 | 0:06:17 | |
-You moved in yesterday, right? -Yeah. | 0:06:22 | 0:06:23 | |
Saw ya. I'm Kelsey. Hiya. | 0:06:23 | 0:06:25 | |
-I'm Maria. -You got broadband? -Yeah. -Brilliant. | 0:06:25 | 0:06:29 | |
You haven't got music channels? | 0:06:32 | 0:06:34 | |
What's the point, if you haven't got music channels? | 0:06:34 | 0:06:37 | |
-Dad says it costs. -Well, nag him. | 0:06:37 | 0:06:39 | |
You'll be dead in school, if you haven't got music channels. D'you want some of this? | 0:06:39 | 0:06:44 | |
No, thanks, I don't like it. | 0:06:44 | 0:06:45 | |
-I love it. D'you want to come into town? -I haven't got any money. | 0:06:46 | 0:06:49 | |
That's OK. We'll just get the Bubbleshock Bus. It's free, every half hour. Come on, get your stuff. | 0:06:49 | 0:06:54 | |
What, a free bus? | 0:06:54 | 0:06:56 | |
Yeah, it takes you to the Bubbleshock factory. | 0:06:56 | 0:06:58 | |
You go on a tour. Get free samples. Come on. | 0:06:58 | 0:07:01 | |
I wanna show you Darren at the bike shop. He's over buff. | 0:07:01 | 0:07:03 | |
Dad, I'm going out. | 0:07:03 | 0:07:06 | |
-You heading off without me? -We're going into town. -Without a proper goodbye? | 0:07:07 | 0:07:12 | |
Dad...! | 0:07:12 | 0:07:14 | |
-I'm so shamed for you. -Who's your friend? | 0:07:19 | 0:07:23 | |
-This is Kelsey. -Did they tell you? About the people that used to live here? | 0:07:23 | 0:07:27 | |
-No, what happened? -Went mad. Ran away, screaming. My mum's friend, Kath Pontin, she lives down there. | 0:07:27 | 0:07:32 | |
She said the bloke kept going on at her about seeing aliens. | 0:07:32 | 0:07:35 | |
-From outer space. -What sort of aliens? | 0:07:35 | 0:07:37 | |
Like it's real! Shut up! Come on, we're gonna miss it. | 0:07:37 | 0:07:40 | |
-Um... Hi! Er, we just moved in opposite, I'm Maria Jackson. -Hello. | 0:07:43 | 0:07:47 | |
Hi! Hello there. Nice to meet you, I'm Alan. Alan Jackson. | 0:07:47 | 0:07:52 | |
Er...I hope you're not going to make too much noise. | 0:07:52 | 0:07:55 | |
-It's just, I work from home, and I don't like to be disturbed. -OK. | 0:07:55 | 0:07:58 | |
-Nice to be made welcome. -Sorry. | 0:07:58 | 0:08:01 | |
-Sarah Jane Smith. -See you then! -Yeah. -Where are you going, exactly? | 0:08:01 | 0:08:06 | |
-Bubbleshock factory. -Free bus. | 0:08:06 | 0:08:08 | |
Anyway, I'm sure we'll get on just fine. It's just me and Maria now. | 0:08:08 | 0:08:12 | |
Making a new start of it. Bit of a divorce and that. | 0:08:12 | 0:08:15 | |
Don't worry, it's all been sorted, there's no shouting. | 0:08:15 | 0:08:18 | |
So, what kind of work do you do? | 0:08:18 | 0:08:20 | |
Really? | 0:08:22 | 0:08:24 | |
Really? Well... | 0:08:24 | 0:08:26 | |
Must be fascinating. CAR ENGINE REVS | 0:08:26 | 0:08:28 | |
TYRES SCREECH | 0:08:29 | 0:08:31 | |
Nice to meet you too(!) | 0:08:34 | 0:08:36 | |
There you go, you've got my number. But don't give it to anyone in Year Eight. | 0:08:36 | 0:08:41 | |
That's the mad woman. | 0:08:41 | 0:08:43 | |
Always racing about. | 0:08:43 | 0:08:44 | |
She's a bit glamorous, though. What does she do? | 0:08:44 | 0:08:47 | |
Journalist or something? | 0:08:47 | 0:08:49 | |
My mum's friend Kath Pontin says she never has anyone round. | 0:08:49 | 0:08:52 | |
Never talks to anyone. | 0:08:52 | 0:08:54 | |
This guy, Sakhir, once saw her by the station | 0:08:54 | 0:08:56 | |
and she was talking to this big crystal thing and it moved. | 0:08:56 | 0:08:59 | |
What, like a monster or something? | 0:08:59 | 0:09:01 | |
Here it is! | 0:09:04 | 0:09:06 | |
THEY LAUGH | 0:09:08 | 0:09:10 | |
There you go. All aboard for Bubbleshock. | 0:09:13 | 0:09:16 | |
-I don't get how this Bubbleshock stuff's supposed to work. -I don't care. | 0:09:19 | 0:09:22 | |
It just makes you feel all wide awake. And tastes fab. | 0:09:22 | 0:09:26 | |
-I think it's disgusting. -You're one of the 2% then. | 0:09:26 | 0:09:28 | |
It doesn't work on 2% of people. That's a fact, that is. | 0:09:28 | 0:09:31 | |
Anyway, it's organic. | 0:09:31 | 0:09:33 | |
So that makes it all right then, just the magic word "organic"? | 0:09:34 | 0:09:37 | |
Well, it's natural. And that's good. So there. | 0:09:37 | 0:09:41 | |
There it is! Bubbleshock! | 0:09:53 | 0:09:55 | |
CHEERING | 0:09:55 | 0:09:57 | |
TANNOY: Welcome to Bubbleshock. | 0:10:25 | 0:10:27 | |
All visitors must report to Central Processing. | 0:10:27 | 0:10:30 | |
Access beyond the designated area is forbidden. | 0:10:30 | 0:10:34 | |
DIGITAL BEEPING | 0:10:40 | 0:10:42 | |
I knew it. | 0:10:45 | 0:10:46 | |
Right, welcome to the Bubbleshock Experience. | 0:10:48 | 0:10:51 | |
Please step through the archway, one by one. | 0:10:51 | 0:10:53 | |
Just a security scan. One at a time. | 0:10:53 | 0:10:56 | |
Thank you. | 0:10:57 | 0:10:58 | |
Security scan, in a pop factory? | 0:11:00 | 0:11:03 | |
People want to steal the recipe! | 0:11:03 | 0:11:05 | |
Come on, it doesn't hurt. | 0:11:07 | 0:11:10 | |
Today's first lot going through now. | 0:11:13 | 0:11:15 | |
Transmitting data to the Archetype. | 0:11:15 | 0:11:17 | |
In five, four, three, two, | 0:11:17 | 0:11:22 | |
one, and transmit. | 0:11:22 | 0:11:24 | |
Is it working? | 0:11:27 | 0:11:29 | |
Oh, yes. | 0:11:30 | 0:11:31 | |
He's almost fully mature. | 0:11:31 | 0:11:33 | |
I would even say... | 0:11:35 | 0:11:36 | |
..perfect. | 0:11:37 | 0:11:38 | |
Mother will be pleased. | 0:11:43 | 0:11:46 | |
PIPES GURGLE | 0:11:49 | 0:11:51 | |
INDISTINCT ANNOUNCEMENT OVER TANNOY | 0:11:54 | 0:11:57 | |
DIGITAL WHIRRING | 0:12:15 | 0:12:16 | |
ELECTRONIC UNLOCKING | 0:12:16 | 0:12:18 | |
Oops. | 0:12:24 | 0:12:26 | |
Mrs Wormwood? We have an intruder. | 0:12:27 | 0:12:30 | |
-Well, dispose of them. -She says her name is Sarah Jane Smith. | 0:12:30 | 0:12:33 | |
Does she indeed? | 0:12:34 | 0:12:36 | |
Well, bring her to my office and make her welcome. | 0:12:36 | 0:12:40 | |
This should be fun. | 0:12:42 | 0:12:44 | |
Ladies and gentlemen, boys and girls! | 0:12:44 | 0:12:47 | |
Welcome to Bubbleshock! | 0:12:47 | 0:12:49 | |
It's huge. | 0:12:49 | 0:12:51 | |
I've seen it loads of times. | 0:12:51 | 0:12:53 | |
Just a quick reminder, if you could turn off your mobile phones. | 0:12:53 | 0:12:56 | |
That means all of you. | 0:12:56 | 0:12:58 | |
We have extremely sensitive equipment here, and the signals can interfere with the machinery, so phones off. | 0:12:58 | 0:13:03 | |
What's a mobile phone gonna do?! Make the bubbles go flat?! | 0:13:03 | 0:13:06 | |
That's enough lip at the back, just do it. Thank you. | 0:13:06 | 0:13:10 | |
-That's a bit rude. -I don't care. | 0:13:10 | 0:13:12 | |
He's a total muffin. | 0:13:12 | 0:13:14 | |
OK, everyone, this is the main production area! | 0:13:14 | 0:13:17 | |
And before we go any further, I'd like to offer you more free samples. | 0:13:17 | 0:13:22 | |
Help yourselves. | 0:13:22 | 0:13:24 | |
Bubbleshock, revitalises your taste buds and gives you energy morning, noon and night. | 0:13:25 | 0:13:31 | |
Only Bubbleshock contains Bane... | 0:13:31 | 0:13:33 | |
..Et...cetera. OK. | 0:13:33 | 0:13:36 | |
That's it, keep moving thank you. | 0:13:36 | 0:13:39 | |
Don't touch anything. | 0:13:39 | 0:13:40 | |
How many times? Oi. | 0:13:40 | 0:13:43 | |
-No Bubbleshock? -No ta. | 0:13:48 | 0:13:50 | |
I'm one of the two percent with the wrong taste buds. | 0:13:50 | 0:13:52 | |
Don't worry. We're working on it. | 0:13:53 | 0:13:56 | |
Soon we'll have everyone drinking Bubbleshock. | 0:13:56 | 0:13:59 | |
-The whole world. -I'd rather have a cup of tea. | 0:14:00 | 0:14:03 | |
Thank you. | 0:14:11 | 0:14:13 | |
That's very kind. | 0:14:13 | 0:14:15 | |
Think of yourself as our guest. | 0:14:15 | 0:14:16 | |
I wasn't breaking in, I was just trying to reach someone in charge. | 0:14:16 | 0:14:20 | |
I phoned about a hundred times, but no-one would talk to me. | 0:14:20 | 0:14:24 | |
Oh, I've seen the list. | 0:14:24 | 0:14:25 | |
Phone calls. | 0:14:25 | 0:14:27 | |
E-mails. | 0:14:27 | 0:14:28 | |
Miss Sarah Jane Smith certainly makes her presence felt. | 0:14:28 | 0:14:32 | |
-Do you mind if I take notes? -Not at all. | 0:14:32 | 0:14:34 | |
And since you've been so bold, | 0:14:34 | 0:14:37 | |
-let's make this an official interview. -And it's... | 0:14:37 | 0:14:41 | |
Mrs Wormwood? | 0:14:41 | 0:14:44 | |
-That's correct. -As a matter of fact, that's in the Bible, Wormwood. | 0:14:44 | 0:14:48 | |
The Book Of Revelations. | 0:14:48 | 0:14:50 | |
At the end of the world, it describes a star, falling to Earth and poisoning the waters. | 0:14:50 | 0:14:58 | |
-A star called Wormwood. -Fascinating. | 0:14:58 | 0:15:01 | |
Shall we move on to business? | 0:15:02 | 0:15:03 | |
I've got contacts in the City. | 0:15:03 | 0:15:06 | |
They said it was like this company dropped in from nowhere. | 0:15:06 | 0:15:09 | |
And normally, it takes years of tests to get approval from the EU to market a new foodstuff. | 0:15:09 | 0:15:14 | |
You got it in two weeks. | 0:15:14 | 0:15:16 | |
All we're doing is satisfying a need. | 0:15:16 | 0:15:20 | |
-Which is? -The people are hungry, Miss Smith. | 0:15:20 | 0:15:23 | |
For new food, new drinks, new tastes. | 0:15:23 | 0:15:26 | |
All the western world does is eat. | 0:15:26 | 0:15:30 | |
All day, every day, eating, they gorge and feast and chew and bite, | 0:15:30 | 0:15:37 | |
everything sweet and hot and cold and sticky food and drink, | 0:15:37 | 0:15:42 | |
just food and drink, that's the human race. | 0:15:42 | 0:15:46 | |
They devour. | 0:15:46 | 0:15:49 | |
Who are we to deny them? | 0:15:49 | 0:15:51 | |
-So you invented Bane? -The Bane isn't new, Miss Smith. | 0:15:51 | 0:15:54 | |
Oh, no, it's very, very old. | 0:15:54 | 0:15:58 | |
Come and see. | 0:15:58 | 0:16:00 | |
For all the hype, | 0:16:03 | 0:16:04 | |
Bane is completely natural. 100% organic. | 0:16:04 | 0:16:08 | |
Yes, but organic what? | 0:16:08 | 0:16:11 | |
Don't be silly. I can't give away our recipe. | 0:16:11 | 0:16:14 | |
I checked with some scientists I know. | 0:16:14 | 0:16:16 | |
Your social circle sounds fascinating. | 0:16:16 | 0:16:19 | |
They tried to analyse a bottle of Bubbleshock. | 0:16:19 | 0:16:22 | |
What's the point? | 0:16:22 | 0:16:23 | |
It's all chemicals and sweeteners and E-numbers. | 0:16:23 | 0:16:27 | |
The test of a drink is in the tasting. | 0:16:27 | 0:16:30 | |
Have you tried it? | 0:16:30 | 0:16:32 | |
Oh, no. Definitely not. | 0:16:32 | 0:16:34 | |
Oh, but you must. | 0:16:34 | 0:16:37 | |
-Lesley! -Oh, no, really, thanks, I'm fine. | 0:16:37 | 0:16:41 | |
No, no, no, no. | 0:16:41 | 0:16:42 | |
But I insist! | 0:16:42 | 0:16:44 | |
A good journalist | 0:16:44 | 0:16:47 | |
should submit to the complete experience. | 0:16:47 | 0:16:51 | |
Drink Bubbleshock, Miss Smith. | 0:16:51 | 0:16:54 | |
Drink deep. | 0:16:54 | 0:16:57 | |
Bane has received ringing endorsements. | 0:16:58 | 0:17:01 | |
I know we don't advertise, but we'll make an exception for this! | 0:17:01 | 0:17:04 | |
Yep, you have got to try Bubbleshock, it's simply delicious! | 0:17:04 | 0:17:08 | |
-BOTH: -Drink it! | 0:17:08 | 0:17:10 | |
-Mrs Wormwood, I'd rather die. -Well... | 0:17:10 | 0:17:15 | |
We can't have that. | 0:17:15 | 0:17:17 | |
Can we? | 0:17:17 | 0:17:18 | |
The scientists say Bane behaves very oddly when they test it. | 0:17:20 | 0:17:23 | |
As if it's resisting the analysis. | 0:17:23 | 0:17:25 | |
And nothing could do that. At least... | 0:17:25 | 0:17:29 | |
-nothing on Earth. -What exactly are you suggesting, Miss Smith? | 0:17:29 | 0:17:34 | |
That Bane originated in outer space? | 0:17:34 | 0:17:36 | |
Of course not. | 0:17:36 | 0:17:39 | |
That would be ridiculous. | 0:17:39 | 0:17:42 | |
Wouldn't it though? | 0:17:42 | 0:17:44 | |
So the pure spring water and fresh fruit juice ends up here, where Bane is added. | 0:17:48 | 0:17:53 | |
From here it's bottled, all quality controlled, packed up, | 0:17:53 | 0:17:56 | |
and ready to be distributed all over the British Isles. | 0:17:56 | 0:17:59 | |
Listen, we'll be done in 20 minutes, | 0:17:59 | 0:18:01 | |
I'll go and phone Suki, she can meet us in WH Smiths. | 0:18:01 | 0:18:04 | |
-You're not supposed to use your phone. -What are you, a Girl Guide? | 0:18:04 | 0:18:08 | |
-They'll take it off you. -He's not gonna see, is he? Two ticks. | 0:18:08 | 0:18:12 | |
Suki's dead rich! | 0:18:12 | 0:18:14 | |
Go ahead and print your story, by all means. | 0:18:16 | 0:18:19 | |
But consider your career. Are you really going to expose this | 0:18:19 | 0:18:23 | |
as some kind of alien plot? | 0:18:23 | 0:18:24 | |
You'll be considered insane. | 0:18:24 | 0:18:27 | |
I don't care what people think of me. Never have. | 0:18:27 | 0:18:31 | |
I just want to find the truth. | 0:18:31 | 0:18:33 | |
But at such a cost. I take it, Miss Smith, you're single? | 0:18:33 | 0:18:37 | |
-Yes, I am. -No children? -No. | 0:18:37 | 0:18:40 | |
Such a wasted life. | 0:18:40 | 0:18:44 | |
Miss Smith is leaving. Lesley will show you out. | 0:18:44 | 0:18:46 | |
Oh, and by the way, | 0:18:50 | 0:18:52 | |
what planet do you come from? | 0:18:52 | 0:18:54 | |
Nice try. | 0:18:54 | 0:18:56 | |
Lesley? | 0:19:10 | 0:19:13 | |
Kill her. | 0:19:13 | 0:19:15 | |
Blimey. They don't put this on the tour, do they? | 0:19:46 | 0:19:50 | |
Hiya, Suki? | 0:19:54 | 0:19:56 | |
LOUD BUZZING, SIRENS WAIL | 0:19:56 | 0:19:59 | |
-TANNOY: -Emergency, emergency. | 0:19:59 | 0:20:02 | |
ROARING | 0:20:09 | 0:20:11 | |
SHE SCREAMS | 0:20:12 | 0:20:14 | |
I'm sorry, we seem to have some kind of emergency. | 0:20:16 | 0:20:19 | |
That's it, keep moving please, thank you. | 0:20:19 | 0:20:22 | |
Get them out! Get everyone out! | 0:20:22 | 0:20:24 | |
SNARLING | 0:20:26 | 0:20:27 | |
Kelsey... | 0:20:35 | 0:20:37 | |
Kelsey? | 0:20:37 | 0:20:39 | |
What is it? What's happening? | 0:20:40 | 0:20:42 | |
Mrs Wormwood, she escaped. | 0:20:42 | 0:20:45 | |
Sarah Jane Smith! | 0:20:45 | 0:20:48 | |
Kelsey... | 0:20:51 | 0:20:54 | |
Find that woman, and this time, kill her properly! | 0:21:01 | 0:21:05 | |
Kelsey! | 0:21:10 | 0:21:11 | |
SCREAMING | 0:21:11 | 0:21:15 | |
What have you done?! | 0:21:17 | 0:21:19 | |
-Get that thing away from me! -She is not a thing! You are the thing! | 0:21:19 | 0:21:23 | |
She is my mother, | 0:21:24 | 0:21:27 | |
the mother of us all. | 0:21:27 | 0:21:29 | |
-Sir! -Well, turn it off! | 0:21:29 | 0:21:33 | |
-Oi, that's my phone! -SNARLING | 0:21:33 | 0:21:35 | |
There's nothing to be scared of, Mother. | 0:21:35 | 0:21:40 | |
Our precious Bane Mother. | 0:21:40 | 0:21:41 | |
Kelsey? You there? | 0:21:41 | 0:21:46 | |
Close off the exits. | 0:21:47 | 0:21:49 | |
Report, D block. | 0:21:52 | 0:21:53 | |
SIREN WAILS | 0:22:00 | 0:22:02 | |
Maintain positions! Section 17 reports... | 0:22:28 | 0:22:31 | |
Er...hello. | 0:22:39 | 0:22:41 | |
-Um...hello. -Who are you? | 0:22:41 | 0:22:43 | |
-Who are you? -I'm lost. -I'm lost. | 0:22:43 | 0:22:47 | |
I'll turn off vat number four. I'll take care of it, don't worry. | 0:22:47 | 0:22:52 | |
Shroud yourself, Mother. | 0:23:00 | 0:23:02 | |
We will find the source and destroy it. Mrs Wormwood? | 0:23:02 | 0:23:04 | |
-We have the situation under control. -Oh, I don't think so. | 0:23:04 | 0:23:08 | |
The Archetype has escaped. Find him! | 0:23:08 | 0:23:10 | |
And for the Bane Mother's sake, turn off these alarms! | 0:23:10 | 0:23:14 | |
Find the device! B squad! C squad! Maintain perimeter defences! | 0:23:18 | 0:23:22 | |
I'm not with them. | 0:23:25 | 0:23:27 | |
I can help you. | 0:23:27 | 0:23:29 | |
Got to find a place to hide. | 0:23:32 | 0:23:34 | |
Yes! Come on! | 0:23:38 | 0:23:41 | |
We'll be safe in here for a bit. | 0:23:55 | 0:23:57 | |
One place men never go. Sorry for dragging you into the ladies. | 0:23:57 | 0:24:01 | |
Why do men never go to the ladies? | 0:24:01 | 0:24:03 | |
-What are you doing here? -I could ask you the same! -Who's he? | 0:24:19 | 0:24:22 | |
-Have you searched? -It must have left the compound. | 0:24:22 | 0:24:25 | |
Impossible! There are humans here. I can smell it. | 0:24:25 | 0:24:28 | |
And one very particular person. Still alive. | 0:24:28 | 0:24:31 | |
What have they done to you? | 0:24:31 | 0:24:33 | |
I knew I had to get away. | 0:24:33 | 0:24:34 | |
Yeah, well, that goes for all of us. | 0:24:34 | 0:24:36 | |
Did you search in there? | 0:24:36 | 0:24:38 | |
But it's for their females only. | 0:24:38 | 0:24:42 | |
We are males. Their culture says we must never go in. | 0:24:42 | 0:24:46 | |
Oh, you idiot! | 0:24:46 | 0:24:47 | |
-Where does that lead? -Car park. Only a child could get through. | 0:24:53 | 0:24:57 | |
Or a narrow-hipped female. | 0:24:57 | 0:24:59 | |
Come on. This way. | 0:24:59 | 0:25:01 | |
-Quickly, seal the gates. -Move, get in! | 0:25:01 | 0:25:06 | |
But my friend's in there! I only just met her, but I can't leave her. | 0:25:06 | 0:25:10 | |
-The bus has gone, maybe she was on the bus. Now get in. -I can't! | 0:25:10 | 0:25:14 | |
ZAP! | 0:25:16 | 0:25:18 | |
-What's that thing? -Sonic lipstick. Now get in! | 0:25:19 | 0:25:23 | |
-Search the perimeter! -Move! | 0:25:23 | 0:25:25 | |
She's freed the Archetype! | 0:25:25 | 0:25:28 | |
She's taken the Archetype. Now we can have even more fun. | 0:25:35 | 0:25:40 | |
Oh, even more. | 0:25:40 | 0:25:42 | |
Now then. Let's find out what you know, little girl. | 0:25:47 | 0:25:51 | |
But who is he? What was he doing in that factory? | 0:25:51 | 0:25:54 | |
-What were they doing in there? -Leave it. Go home. | 0:25:54 | 0:25:57 | |
I can handle things from now on. | 0:25:57 | 0:25:59 | |
But there's something going on! I saw you last night! | 0:25:59 | 0:26:05 | |
What did you say? | 0:26:05 | 0:26:07 | |
She said she saw you last night. | 0:26:07 | 0:26:09 | |
With that thing in your garden. That alien. | 0:26:09 | 0:26:12 | |
Now listen to me, Maria. | 0:26:12 | 0:26:14 | |
My life is dangerous. And rule one, I don't put anyone else in danger. | 0:26:14 | 0:26:19 | |
-Especially a kid. -I'm not a kid! | 0:26:19 | 0:26:21 | |
Maria, go home, watch telly, you do whatever it is you do, | 0:26:21 | 0:26:24 | |
you just live your life as normal, you forget any of this happened. | 0:26:24 | 0:26:28 | |
Have you got that? You stay away from me. For your own sake! | 0:26:28 | 0:26:31 | |
Hey, I've worked out the oven. It was on a timer... | 0:26:41 | 0:26:44 | |
Maria? | 0:26:44 | 0:26:46 | |
And I want compensation for that phone. | 0:26:55 | 0:26:57 | |
That was brand new last week! | 0:26:57 | 0:26:59 | |
And FYI, he is a prize mentalist. | 0:26:59 | 0:27:01 | |
He's got this big puppet in his roof, and he thinks it's his mum. | 0:27:01 | 0:27:05 | |
Puppet? | 0:27:05 | 0:27:07 | |
She means Mother. | 0:27:07 | 0:27:09 | |
If that's your mum, you should go on Jeremy Kyle. | 0:27:09 | 0:27:12 | |
I can't understand a word she says. | 0:27:12 | 0:27:14 | |
She's all noise and ignorance, | 0:27:14 | 0:27:17 | |
whereas Miss Smith... | 0:27:17 | 0:27:19 | |
She seems familiar with the concept of alien life. | 0:27:19 | 0:27:22 | |
Far too familiar. | 0:27:22 | 0:27:24 | |
-Look, if we scan her, an average human. Except... -What is it? | 0:27:24 | 0:27:30 | |
Residual artron energy. | 0:27:30 | 0:27:33 | |
And what's that? | 0:27:33 | 0:27:35 | |
Background radiation. | 0:27:35 | 0:27:36 | |
A result of travels through the space-time vortex. | 0:27:36 | 0:27:39 | |
A while ago, but it's still there. | 0:27:39 | 0:27:42 | |
A time-space traveller? | 0:27:42 | 0:27:45 | |
So it seems. | 0:27:45 | 0:27:47 | |
-We need to find her. -She lives on Bannerman Road. | 0:27:49 | 0:27:52 | |
I beg your pardon? | 0:27:52 | 0:27:53 | |
Bannerman Road. And she's as loony as you lot. | 0:27:53 | 0:27:56 | |
We must retrieve the Archetype and kill this Smith woman. | 0:27:56 | 0:28:00 | |
I've been aching to kill one ever since we arrived. | 0:28:00 | 0:28:03 | |
This one has information. We can use her. | 0:28:03 | 0:28:06 | |
You can let me go, otherwise I'm phoning the police. | 0:28:06 | 0:28:09 | |
And ChildLine! | 0:28:09 | 0:28:11 | |
I'm going to turn off my image translator. | 0:28:11 | 0:28:15 | |
Try not to scream. | 0:28:15 | 0:28:17 | |
I never scream. | 0:28:17 | 0:28:19 | |
SLOSHING AND BUBBLING | 0:28:19 | 0:28:21 | |
Someone said there's a miserable girl who needs a cup of tea. | 0:28:29 | 0:28:32 | |
But I couldn't find one, so you'll have to do instead. | 0:28:32 | 0:28:35 | |
-Thanks. -What is it, then? | 0:28:38 | 0:28:40 | |
It's all right. I know. | 0:28:40 | 0:28:42 | |
New house, new school next week. Everything must seem so weird. | 0:28:42 | 0:28:47 | |
You're telling me. | 0:28:47 | 0:28:48 | |
But if there's anything wrong, | 0:28:48 | 0:28:51 | |
you can tell me. You know that, don't you? You can tell me anything. | 0:28:51 | 0:28:55 | |
Oh! It felt so good to be myself. | 0:29:02 | 0:29:06 | |
These clumsy human oxen. | 0:29:06 | 0:29:09 | |
The girl's unconscious. | 0:29:11 | 0:29:13 | |
I'm surprised you didn't kill her. | 0:29:13 | 0:29:15 | |
These miniature versions have parents. Parents ask questions. | 0:29:15 | 0:29:21 | |
-But what did we learn? -The thoughts of a child are chaos. | 0:29:21 | 0:29:25 | |
Late homework, is she fat, will she ever be kissed? | 0:29:25 | 0:29:30 | |
And she worships something called... | 0:29:30 | 0:29:33 | |
the Holy Oak. | 0:29:33 | 0:29:34 | |
No. Hollyoaks. But her parents fight. | 0:29:36 | 0:29:40 | |
She wishes she were younger, and older. | 0:29:40 | 0:29:42 | |
This world scares her. So very much. | 0:29:42 | 0:29:45 | |
-And Sarah Jane Smith? -Oh, she knows her. | 0:29:45 | 0:29:48 | |
Bannerman Road. | 0:29:48 | 0:29:50 | |
Number 13. And yes! She lives alone. | 0:29:50 | 0:29:55 | |
No support, no defences. | 0:29:55 | 0:29:58 | |
-Then I can attack! -Oh, yes. | 0:29:58 | 0:30:00 | |
Have some fun. | 0:30:02 | 0:30:03 | |
And I filleted the memories. | 0:30:03 | 0:30:07 | |
This one will remember nothing. | 0:30:07 | 0:30:12 | |
Oh. | 0:30:13 | 0:30:15 | |
Right. Hiya! | 0:30:15 | 0:30:18 | |
So shamed! | 0:30:18 | 0:30:20 | |
-I'm asleep in your office. -Oh, we've looked after you. | 0:30:20 | 0:30:23 | |
And don't worry, Davey can take you home. | 0:30:23 | 0:30:26 | |
Off you go, Davey. Bannerman Road. | 0:30:26 | 0:30:29 | |
Enjoy. | 0:30:29 | 0:30:31 | |
But you must have a name. | 0:30:42 | 0:30:44 | |
If I'm Sarah Jane, then you're...? | 0:30:47 | 0:30:49 | |
All I know is I had to run. | 0:30:49 | 0:30:51 | |
But you can talk. Someone must have taught you that. | 0:30:51 | 0:30:55 | |
-Who was it? -Everyone. | 0:30:55 | 0:30:58 | |
What does that mean, everyone? | 0:30:58 | 0:31:00 | |
I am everyone. And then I had to run. | 0:31:00 | 0:31:05 | |
-The girl came, Maria, and then you. -Well, think back. | 0:31:05 | 0:31:10 | |
-Before you ran, what can you remember? -I was born running. | 0:31:10 | 0:31:15 | |
But you must have a home. | 0:31:15 | 0:31:17 | |
-Is this your home? -Yes, it is. | 0:31:17 | 0:31:20 | |
Can I live here? | 0:31:20 | 0:31:21 | |
No, no, I don't think so. Sorry. | 0:31:21 | 0:31:25 | |
-Help yourself. -Is this food? | 0:31:27 | 0:31:31 | |
Food and drink. | 0:31:31 | 0:31:33 | |
-Which is which? -Sarah Jane? | 0:31:33 | 0:31:37 | |
-Who's that? -Hmm? No-one. | 0:31:37 | 0:31:39 | |
-There was a voice. -No, there wasn't. | 0:31:39 | 0:31:41 | |
-Sarah Jane? -Not now! | 0:31:41 | 0:31:43 | |
-I thought you lived alone. -I do. | 0:31:46 | 0:31:49 | |
You're not to go upstairs, have you got that? | 0:31:49 | 0:31:52 | |
It's private. You don't ever go upstairs unless I say so. | 0:31:52 | 0:31:57 | |
-You don't trust me? -I don't even know you. | 0:31:57 | 0:32:01 | |
Hold on. Now, don't be afraid... | 0:32:01 | 0:32:05 | |
WATCH WHIRRS AND BLEEPS | 0:32:05 | 0:32:08 | |
Not alien. A normal, healthy lad. | 0:32:08 | 0:32:12 | |
Human, ageing rate normal, but... | 0:32:12 | 0:32:17 | |
This says you were born 360 years ago! | 0:32:17 | 0:32:20 | |
No... | 0:32:20 | 0:32:24 | |
You were born 360 minutes ago. | 0:32:24 | 0:32:28 | |
Is that good or bad? | 0:32:28 | 0:32:30 | |
Bannerman Road. | 0:32:34 | 0:32:36 | |
-Off you go. -Well, I don't have to be home till six. | 0:32:36 | 0:32:39 | |
We could go for a burger. | 0:32:39 | 0:32:42 | |
Get out. And don't forget... | 0:32:42 | 0:32:45 | |
Drink Bubbleshock. | 0:32:47 | 0:32:49 | |
Here comes trouble... | 0:33:06 | 0:33:08 | |
-Kelsey! -Thanks for abandoning me! Some friend you are! | 0:33:08 | 0:33:12 | |
-I'm making a snack. Beans on toast? -Too many carbohydrates. | 0:33:12 | 0:33:15 | |
-Right, you can starve. -Where were you? | 0:33:15 | 0:33:17 | |
The alarms went off, and I was looking for you. | 0:33:17 | 0:33:20 | |
He's all right, your dad. He's a bit fit. | 0:33:20 | 0:33:22 | |
Oh, shut up! But where'd you get to, Kelsey? Tell me. | 0:33:22 | 0:33:25 | |
The factory. What happened? | 0:33:25 | 0:33:27 | |
-You can read? -I can now. | 0:33:34 | 0:33:36 | |
-You just learnt? -It's easy! Letters and words. | 0:33:36 | 0:33:39 | |
If you don't mind, could you just lift up your top? | 0:33:41 | 0:33:44 | |
Just so I can see your stomach. | 0:33:44 | 0:33:46 | |
You've got no belly button. | 0:33:46 | 0:33:48 | |
Is that good or bad? | 0:33:48 | 0:33:49 | |
I don't know, but everyone who's born has got a belly button. | 0:33:49 | 0:33:53 | |
Why not me? | 0:33:53 | 0:33:55 | |
Sorry, but I don't think you were born. | 0:33:55 | 0:33:59 | |
I think you were grown. | 0:33:59 | 0:34:01 | |
I was mortified to wake up in her office. | 0:34:08 | 0:34:10 | |
Then they drove me home. | 0:34:10 | 0:34:11 | |
-Who drove you home? -The muffin. | 0:34:11 | 0:34:13 | |
What, the man from the tour? He's here? | 0:34:13 | 0:34:15 | |
-Yeah, what about it? -Dad, I'm going out! -Eh? What? | 0:34:15 | 0:34:20 | |
SNARLING | 0:34:23 | 0:34:25 | |
Sarah Jane! Open up! It's me, it's Maria! | 0:34:27 | 0:34:30 | |
You are completely shaming me! | 0:34:30 | 0:34:32 | |
I told you, leave me alone! | 0:34:34 | 0:34:36 | |
But it's the man from the factory. | 0:34:36 | 0:34:38 | |
He's on the street. He's here! | 0:34:38 | 0:34:40 | |
Inside! Get in! | 0:34:50 | 0:34:52 | |
What is it? What is that thing? What is it? | 0:34:57 | 0:35:00 | |
Hello Maria, hello screaming girl. | 0:35:00 | 0:35:02 | |
There's a great big alien out there! | 0:35:02 | 0:35:04 | |
-Get upstairs! -But we're not allowed. -I'm allowing you! Now go! | 0:35:08 | 0:35:12 | |
-What is that thing? -Just shut up and move! | 0:35:12 | 0:35:14 | |
CREATURE ROARS | 0:35:14 | 0:35:16 | |
KELSEY SCREAMS | 0:35:23 | 0:35:24 | |
Run! All of you! Just run! Fast as you can! | 0:35:25 | 0:35:28 | |
He's coming up the stairs! | 0:35:29 | 0:35:32 | |
We're gonna die! | 0:35:32 | 0:35:33 | |
What is that thing?! | 0:35:39 | 0:35:41 | |
-Wait here. -What's up there? | 0:35:46 | 0:35:50 | |
No, you can't go up. I'll be ten seconds, just ten seconds. | 0:35:50 | 0:35:54 | |
You will die, Miss Smith. You and the squealing pigs. | 0:35:54 | 0:35:57 | |
This is not happening. | 0:35:57 | 0:35:58 | |
This is so not happening! | 0:35:58 | 0:36:00 | |
That contradicts the facts. | 0:36:00 | 0:36:02 | |
First the children. And then you, old woman. | 0:36:04 | 0:36:08 | |
Hey! Less of the old! | 0:36:08 | 0:36:11 | |
It's the muffin! | 0:36:28 | 0:36:30 | |
That is a muffin? | 0:36:30 | 0:36:31 | |
Pity. | 0:36:35 | 0:36:37 | |
-That was the last one. -DOOR SLAMS | 0:36:37 | 0:36:40 | |
-What's going on? -Maria, don't get involved. | 0:36:47 | 0:36:50 | |
I think it's a little bit too late for that. | 0:36:50 | 0:36:53 | |
Thanks. You saved our lives. | 0:36:53 | 0:36:57 | |
I suppose I did. | 0:36:57 | 0:36:58 | |
Oh, my flipping heck! | 0:37:01 | 0:37:03 | |
No, don't go up there! | 0:37:03 | 0:37:07 | |
Who said you could come up here? Don't touch anything! | 0:37:07 | 0:37:11 | |
These things...are they alien? | 0:37:15 | 0:37:18 | |
Some of them. | 0:37:18 | 0:37:21 | |
-Where did you get them? -I suppose you've seen too much now. | 0:37:26 | 0:37:29 | |
It's not as if anyone's going to believe you. | 0:37:29 | 0:37:32 | |
Aliens are falling to Earth all the time. | 0:37:36 | 0:37:38 | |
It's not just those stories you hear on the news. All sorts of creatures. | 0:37:38 | 0:37:42 | |
Some have got lost, like the one you saw me sending home last night. | 0:37:42 | 0:37:46 | |
Some of them crash. And some want to invade. | 0:37:46 | 0:37:49 | |
You still believe me? | 0:37:49 | 0:37:51 | |
-Yes. -Really? How come? | 0:37:51 | 0:37:54 | |
Cos you're bonkers, but I don't think you're a liar. | 0:37:54 | 0:37:57 | |
Oh, well, that's nice to know. No, except about the bonkers bit. | 0:37:57 | 0:38:01 | |
-This place is beautiful. -Thank you. -Not so bad yourself, fella. | 0:38:01 | 0:38:04 | |
-What does that mean? -Oh, he's mine. | 0:38:04 | 0:38:06 | |
-Is that good or bad? -That's bad, that's very bad. | 0:38:06 | 0:38:09 | |
It's just you, though? | 0:38:09 | 0:38:12 | |
On your own? | 0:38:12 | 0:38:13 | |
The government knows all about aliens. | 0:38:13 | 0:38:16 | |
And there are secret organisations, | 0:38:16 | 0:38:18 | |
dedicated to finding them, but they tend to go in all guns blazing. | 0:38:18 | 0:38:21 | |
-I think there's a better way of doing it. -But how d'you get started? | 0:38:21 | 0:38:25 | |
I met this man. A very special man. | 0:38:27 | 0:38:31 | |
Called the Doctor. | 0:38:31 | 0:38:33 | |
-And years ago, we travelled together. -In space? | 0:38:33 | 0:38:37 | |
Space and time. | 0:38:37 | 0:38:40 | |
And then it came to an end, | 0:38:40 | 0:38:42 | |
and suddenly I was back to a normal life. | 0:38:42 | 0:38:46 | |
Electric bills, | 0:38:46 | 0:38:48 | |
-burst pipes, bus tickets and rain. -She is completely loop-the-loop. | 0:38:48 | 0:38:53 | |
There, d'you see? | 0:38:53 | 0:38:55 | |
Who can I talk to about it? | 0:38:55 | 0:38:57 | |
For years, I tried to forget. | 0:38:57 | 0:38:59 | |
And then I met him again, the Doctor. | 0:38:59 | 0:39:02 | |
We'd both changed, but it's funny, because we were still both the same. | 0:39:02 | 0:39:08 | |
And I learnt that I could carry on, | 0:39:08 | 0:39:10 | |
here on Earth, doing what we always did. | 0:39:10 | 0:39:13 | |
That's when I started this. | 0:39:13 | 0:39:14 | |
I began my life again. | 0:39:14 | 0:39:16 | |
And the Bubbleshock factory? | 0:39:16 | 0:39:18 | |
It's run by aliens? | 0:39:18 | 0:39:20 | |
Oh, everybody's an alien. You, me, the Pope, James Blunt. | 0:39:20 | 0:39:23 | |
Actually, I can believe that one. | 0:39:23 | 0:39:25 | |
But Kelsey, you saw it! That great big alien! | 0:39:25 | 0:39:28 | |
I saw a muffin in a suit! That's all. Like in the films? | 0:39:28 | 0:39:31 | |
-It's pretend! -SHRILL BEEPING | 0:39:31 | 0:39:33 | |
-What's that? -He's circled back again! -Another invasion, | 0:39:33 | 0:39:36 | |
obviously. Little green men! | 0:39:36 | 0:39:38 | |
There was a scientific project in Switzerland. | 0:39:42 | 0:39:45 | |
They created a black hole. | 0:39:45 | 0:39:46 | |
If it gets free, the Earth would be swallowed up. | 0:39:46 | 0:39:49 | |
So K9's sealing it off. | 0:39:49 | 0:39:51 | |
-Greetings, Mistress. -K9? | 0:39:51 | 0:39:53 | |
-He's my friend. -K9 as in canine? That is so lame! | 0:39:53 | 0:39:57 | |
He's been in there for a year and a half, plugging the distortion, | 0:39:57 | 0:40:00 | |
and every so often he passes my way. | 0:40:00 | 0:40:04 | |
Your best friend is a metal dog with its bum stuck in a black hole? | 0:40:04 | 0:40:08 | |
I know. | 0:40:08 | 0:40:11 | |
How are you, K9? How do you feel? | 0:40:11 | 0:40:13 | |
Misunderstanding of the functional nature of this unit, Mistress. | 0:40:13 | 0:40:17 | |
I do not feel. | 0:40:17 | 0:40:18 | |
However, all circuits are functioning at full capacity. | 0:40:18 | 0:40:22 | |
-Can you ever come out, K9? -Oh, K9, this is Maria. | 0:40:22 | 0:40:25 | |
Greetings, young mistress. I cannot emerge until this breach is sealed. | 0:40:25 | 0:40:30 | |
-How long will that take? -I cannot estimate the duration of this task. | 0:40:30 | 0:40:34 | |
-What does he eat, nuts and bolts? -The small female is hostile. | 0:40:34 | 0:40:38 | |
Don't listen to her. | 0:40:38 | 0:40:39 | |
Regret I must transfer my coordinates, Mistress. | 0:40:39 | 0:40:43 | |
Bye-bye, K9. | 0:40:43 | 0:40:45 | |
Good dog. | 0:40:45 | 0:40:47 | |
Affection noted, Mistress. | 0:40:47 | 0:40:49 | |
-How long's he gone for? -I don't know. But I miss him. | 0:40:59 | 0:41:04 | |
-KELSEY GIGGLES -And don't you laugh, Kelsey Hooper. | 0:41:04 | 0:41:07 | |
He was my dog, my daft little metal dog. | 0:41:07 | 0:41:11 | |
And now... | 0:41:12 | 0:41:14 | |
I'm on my own. | 0:41:14 | 0:41:16 | |
You know the penalty. | 0:41:23 | 0:41:24 | |
Forgive me. | 0:41:24 | 0:41:26 | |
But she had weapons. Terrible weapons. | 0:41:26 | 0:41:29 | |
A hunter that loses his prey is unfit to serve the Bane Mother. | 0:41:29 | 0:41:33 | |
I'll go back. I'll kill her! | 0:41:33 | 0:41:35 | |
I can manage that on my own. | 0:41:35 | 0:41:38 | |
Mother eats the children that fail her. You will become food! | 0:41:44 | 0:41:50 | |
What's this then? | 0:41:56 | 0:41:58 | |
It's some sort of communicator. It was a gift, | 0:41:58 | 0:42:01 | |
from the person you saw last night. | 0:42:01 | 0:42:03 | |
She said if I ever needed help, I could use it to call her. | 0:42:03 | 0:42:07 | |
-Then let's call her! -She meant help with poetry. | 0:42:07 | 0:42:10 | |
She was a Star Poet from Arcateen 5. | 0:42:11 | 0:42:14 | |
That's not much use. Unless you want to rhyme "trouble" | 0:42:14 | 0:42:17 | |
with "double". | 0:42:17 | 0:42:19 | |
Let me see... | 0:42:19 | 0:42:21 | |
Careful. | 0:42:26 | 0:42:28 | |
He knows nothing about the world. | 0:42:28 | 0:42:31 | |
Everything's new to him. I think he's some sort of experiment. | 0:42:31 | 0:42:35 | |
-Like those aliens created him. -He's their child. | 0:42:35 | 0:42:38 | |
But he's still human. | 0:42:38 | 0:42:39 | |
If you don't mind? | 0:42:39 | 0:42:42 | |
I don't like people going through my things. | 0:42:42 | 0:42:46 | |
That device on your wrist. | 0:42:46 | 0:42:48 | |
-It detects alien life? -That's right. | 0:42:48 | 0:42:51 | |
Then what is it detecting now? | 0:42:51 | 0:42:52 | |
How d'you mean? He's right! | 0:42:52 | 0:42:55 | |
There might be another one of those things! | 0:42:55 | 0:42:57 | |
-No, wait a minute... -WATCH BLEEPS | 0:42:57 | 0:43:01 | |
-What? -Kelsey! | 0:43:07 | 0:43:09 | |
-You're an alien! -Oh, you wish. | 0:43:09 | 0:43:12 | |
-No, it's not her, it's... -Oi! That's mine! | 0:43:12 | 0:43:15 | |
It's the drink. It's that ingredient, Bane. | 0:43:15 | 0:43:18 | |
-Yeah, well, it's organic. -More than that. It's alive. | 0:43:18 | 0:43:21 | |
Species identified: Bane. | 0:43:21 | 0:43:23 | |
It's not just an ingredient, it's an alien! This is the secretion of... | 0:43:23 | 0:43:28 | |
Oh, I need glasses. A Bane Mother. | 0:43:28 | 0:43:31 | |
There's a piece of living Bane inside every bottle of Bubbleshock. | 0:43:31 | 0:43:38 | |
-That stuff is alien?! -Thought you didn't believe in aliens. | 0:43:38 | 0:43:41 | |
Shut up! I've got things from space living in my stomach! | 0:43:41 | 0:43:44 | |
-What ya gonna do? -It's not my fault! | 0:43:44 | 0:43:47 | |
You've got all this stuff, all these gadgets and you sit here, | 0:43:47 | 0:43:50 | |
talking, yapping on all day about planets | 0:43:50 | 0:43:52 | |
and monsters, what good is that? Why don't you do something? | 0:43:52 | 0:43:55 | |
All right, Kelsey. | 0:43:55 | 0:43:58 | |
Just you watch. | 0:43:58 | 0:44:01 | |
-Mr Smith? -Yes, Sarah Jane? -I need you! | 0:44:01 | 0:44:03 | |
Mr Smith's a computer. | 0:44:12 | 0:44:15 | |
-An alien computer. -Mr Smith. | 0:44:15 | 0:44:17 | |
I want a direct visual link to Mrs Wormwood at the Bane Factory. | 0:44:17 | 0:44:21 | |
-Can you get coordinates? -Accessing. | 0:44:21 | 0:44:24 | |
What, you can just phone her up? | 0:44:24 | 0:44:26 | |
-Mr Smith can hack into anything. -But why d'you want to talk to them?! | 0:44:26 | 0:44:30 | |
Because I want to be fair. | 0:44:30 | 0:44:32 | |
Coordinates 013457689014 658757562987 032105-5. | 0:44:32 | 0:44:38 | |
-That's like their phone number. -Visual link connecting. | 0:44:38 | 0:44:42 | |
Mrs Wormwood? | 0:44:45 | 0:44:46 | |
-Oh, very clever. -Thanks for the assassination attempts. | 0:44:46 | 0:44:50 | |
My pleasure. The next one will involve harpoons. | 0:44:50 | 0:44:54 | |
I know who you are and what you are. | 0:44:54 | 0:44:58 | |
Bane. Now leave this planet! | 0:44:58 | 0:45:01 | |
-Are you declaring war? -Mrs Wormwood. | 0:45:01 | 0:45:03 | |
The universe is huge. And Earth is so small. | 0:45:03 | 0:45:06 | |
You don't need to do this. | 0:45:06 | 0:45:08 | |
I'm asking you, as one species to another, just leave this world. | 0:45:08 | 0:45:14 | |
Leave us in peace. Please. | 0:45:14 | 0:45:17 | |
-And if I don't? -Then... | 0:45:17 | 0:45:18 | |
I'll have to do something. | 0:45:20 | 0:45:22 | |
Very well. | 0:45:24 | 0:45:26 | |
In the language of your young ones... | 0:45:26 | 0:45:29 | |
bring it on. | 0:45:29 | 0:45:33 | |
Wow...that didn't go well. | 0:45:38 | 0:45:41 | |
-How're you gonna stop them? -You tell me. | 0:45:43 | 0:45:46 | |
What? D'you mean you haven't got a plan? | 0:45:46 | 0:45:48 | |
-Nothing?! -Nope. | 0:45:48 | 0:45:50 | |
The people I fight have plans and weapons, but I don't. | 0:45:50 | 0:45:54 | |
It's what makes me different. | 0:45:54 | 0:45:56 | |
Mother, events have escalated. | 0:45:57 | 0:46:01 | |
We must declare war on mankind. | 0:46:01 | 0:46:04 | |
Open your mind, Mother. | 0:46:04 | 0:46:06 | |
You must convert the humans containing Bane. | 0:46:06 | 0:46:09 | |
They will convert the rest! | 0:46:09 | 0:46:11 | |
Let this become... | 0:46:11 | 0:46:14 | |
Bane World! | 0:46:14 | 0:46:16 | |
Kelsey Hooper! Look! | 0:46:44 | 0:46:47 | |
-Help me! -Oh, my God. It's beginning. | 0:46:47 | 0:46:50 | |
Kelsey, fight it! | 0:46:50 | 0:46:52 | |
-Drink...it. -It's the Bane. They're taking people over! | 0:46:56 | 0:47:00 | |
Out! Quickly! Out! | 0:47:00 | 0:47:01 | |
Drink...it...drink...it... | 0:47:01 | 0:47:04 | |
-Keys! -Drink...it...drink...it. | 0:47:04 | 0:47:09 | |
Got to get to the factory. | 0:47:09 | 0:47:10 | |
-I'm coming with you. -You are staying here! | 0:47:10 | 0:47:12 | |
Dad! | 0:47:12 | 0:47:14 | |
Stay indoors, there's this stuff happening! | 0:47:14 | 0:47:17 | |
-Drink it. -Dad! No, Dad... | 0:47:19 | 0:47:22 | |
Mother stirs! | 0:47:22 | 0:47:24 | |
Those who have not taken Bane must be converted! | 0:47:24 | 0:47:30 | |
MOTHER ROARS | 0:47:30 | 0:47:32 | |
Dad, listen to me. It's not you, it's that thing, | 0:47:34 | 0:47:37 | |
-it's the drink, it's the Bane! -Drink it...drink it... | 0:47:37 | 0:47:41 | |
I'm sorry, we can't help them, we must get to the factory. | 0:47:41 | 0:47:44 | |
-Now get in the car! -Drink it... | 0:47:44 | 0:47:48 | |
This is bad, yes? I recognise bad. | 0:47:48 | 0:47:50 | |
-What are we gonna do? -Maria, two types of people in the world. | 0:47:50 | 0:47:54 | |
-People who panic. Then there's us. Got that? -Got it. | 0:47:54 | 0:47:57 | |
PEOPLE CHANT: Drink it...drink it... | 0:48:03 | 0:48:06 | |
Drink it...drink it! | 0:48:23 | 0:48:25 | |
Mother welcomes her new children. | 0:48:30 | 0:48:32 | |
Come to us, newborn Bane. Come to us! | 0:48:32 | 0:48:41 | |
-I'm going inside. You stay here. -No way! | 0:48:53 | 0:48:56 | |
-They've got a deadlock seal! -What does that mean? -We can't get in! | 0:49:04 | 0:49:08 | |
-Sarah Jane! -Drink it! Drink it! | 0:49:08 | 0:49:12 | |
We can't go back and we can't get in. What do we do? | 0:49:12 | 0:49:15 | |
No, there's got to be a way of getting in, there's got to be. | 0:49:15 | 0:49:19 | |
There must be something. What do I do? | 0:49:19 | 0:49:21 | |
Oh, come on, Doctor, help me. | 0:49:21 | 0:49:24 | |
Come on, think! | 0:49:24 | 0:49:28 | |
Yes! | 0:49:33 | 0:49:34 | |
All the humans who don't submit | 0:49:34 | 0:49:36 | |
will be reduced to liquid. | 0:49:36 | 0:49:39 | |
Then Bane will drink them, and... | 0:49:39 | 0:49:41 | |
What's that noise? CHEERY MUSIC PLAYS | 0:49:41 | 0:49:44 | |
-Not too late for the party? -Miss Smith... | 0:49:59 | 0:50:05 | |
I warned you. Leave this planet! | 0:50:05 | 0:50:08 | |
Have you met my mother? | 0:50:08 | 0:50:11 | |
-Leave her alone! -I told you to stay on board. | 0:50:20 | 0:50:22 | |
-Too late for that! -Oh, you've brought us the Archetype. | 0:50:22 | 0:50:26 | |
He is a living, thinking human being. | 0:50:26 | 0:50:29 | |
And you created him. What for? | 0:50:29 | 0:50:30 | |
He's an assembly of thousands of different humans. | 0:50:30 | 0:50:33 | |
A montage, you might say. A collage. | 0:50:33 | 0:50:37 | |
On every tour of the factory, we'd scan the guests, all 10,000 of them. | 0:50:37 | 0:50:41 | |
And then we fed every strength and every weakness into him. | 0:50:41 | 0:50:46 | |
-The Archetype. -I am everyone. | 0:50:46 | 0:50:48 | |
-But why? -The 2% who wouldn't touch Bane. | 0:50:48 | 0:50:52 | |
The Archetype could tell us how to modify our product. | 0:50:52 | 0:50:55 | |
But since we've advanced our plans, | 0:50:55 | 0:50:58 | |
he is no longer needed. HIGH-PITCHED SQUEALING | 0:50:58 | 0:51:02 | |
No! No! | 0:51:02 | 0:51:04 | |
-He's only a boy. I'm begging you, let him go. -Oh, that's so sweet! | 0:51:06 | 0:51:11 | |
But he's dying, and soon you will join him. | 0:51:11 | 0:51:14 | |
Like all our enemies. | 0:51:14 | 0:51:15 | |
Our slave control is activated around the world. | 0:51:15 | 0:51:20 | |
The time of man is over. | 0:51:20 | 0:51:24 | |
SNARLING The time of Bane is come! | 0:51:24 | 0:51:29 | |
ALL CHANT: Drink it! Drink it! | 0:51:29 | 0:51:31 | |
You've failed, Miss Smith. | 0:51:37 | 0:51:39 | |
-This is where your lonely life has led you. -She's not on her own. | 0:51:39 | 0:51:42 | |
She's got me. | 0:51:42 | 0:51:44 | |
(And I've got this.) | 0:51:44 | 0:51:47 | |
SHRILL BUZZING | 0:51:49 | 0:51:51 | |
MOTHER SCREECHES | 0:51:51 | 0:51:55 | |
The device is tiny. And now you've angered the Bane Mother. | 0:51:55 | 0:52:00 | |
Do you really think that's wise? | 0:52:00 | 0:52:05 | |
ROARING | 0:52:05 | 0:52:07 | |
I told you to stay away. | 0:52:12 | 0:52:14 | |
Know what? I'm still glad I didn't. | 0:52:14 | 0:52:16 | |
Mother, descend and consume them! | 0:52:16 | 0:52:20 | |
-You forgot this... -What is that? -A signal device from another world. | 0:52:28 | 0:52:32 | |
-And what of it? -Like a mobile phone. | 0:52:32 | 0:52:34 | |
Only to call across the stars, | 0:52:34 | 0:52:36 | |
it must be a million times more powerful. | 0:52:36 | 0:52:38 | |
-Good thing you don't know our frequency. -Mr Smith said it. | 0:52:38 | 0:52:41 | |
But that was dozens of numbers. | 0:52:41 | 0:52:43 | |
And I remember them. | 0:52:43 | 0:52:45 | |
-You gave me the memory of 10,000 humans. -Stop him! | 0:52:45 | 0:52:49 | |
013456689014 68757562987 032105-5... | 0:52:49 | 0:52:54 | |
-Calling the Bane! -MOTHER SHRIEKS | 0:52:54 | 0:52:56 | |
HIGH-PITCHED FEEDBACK Noooooo! | 0:52:58 | 0:53:00 | |
The Bane Mother! You're killing her! | 0:53:02 | 0:53:05 | |
Archetype! | 0:53:09 | 0:53:11 | |
-I order you to stop! -But you made him human, he's ours! | 0:53:11 | 0:53:15 | |
Maria! Give me a hand. | 0:53:15 | 0:53:18 | |
Come on! | 0:53:31 | 0:53:32 | |
Until the next time. | 0:53:57 | 0:53:59 | |
Miss Smith! | 0:54:01 | 0:54:05 | |
We stopped them! | 0:54:20 | 0:54:22 | |
Are you all right? | 0:54:24 | 0:54:26 | |
Their control has gone and I'm free. And that's good. | 0:54:26 | 0:54:30 | |
Oh, yes, that's good! | 0:54:30 | 0:54:32 | |
I would be dead without you. | 0:54:35 | 0:54:36 | |
We all would! You're amazing! | 0:54:36 | 0:54:38 | |
The pair of you! Amazing! | 0:54:38 | 0:54:40 | |
This is happiness, yes? | 0:54:40 | 0:54:42 | |
Oh, yes! | 0:54:42 | 0:54:44 | |
-We did it! -We did it! -We did it! | 0:54:44 | 0:54:47 | |
The government has refused to comment, | 0:54:55 | 0:54:58 | |
but stocks of Bubbleshock have been withdrawn from our shelves, | 0:54:58 | 0:55:03 | |
and the mass hysteria of this afternoon | 0:55:03 | 0:55:05 | |
-is being put down to a chemical imbalance of the brain. -Dad! | 0:55:05 | 0:55:09 | |
-Oh! Hey, what's brought this on? -I thought I'd lost you. | 0:55:13 | 0:55:19 | |
Oh, I had a bit of a turn, that's all. | 0:55:19 | 0:55:22 | |
It's on the news. Some chemicals escaped from that factory | 0:55:22 | 0:55:25 | |
and gave everyone hallucinations. | 0:55:25 | 0:55:27 | |
Oh, hello... | 0:55:27 | 0:55:29 | |
-Just checking everything's all right. -That's very neighbourly. | 0:55:29 | 0:55:33 | |
Yeah, well, sorry about before. | 0:55:33 | 0:55:35 | |
Welcome to the neighbourhood. | 0:55:35 | 0:55:37 | |
It's certainly been eventful. Is it always like this? | 0:55:37 | 0:55:40 | |
No, this is a quiet day. | 0:55:40 | 0:55:42 | |
-And who's this? -This... | 0:55:42 | 0:55:44 | |
is... | 0:55:47 | 0:55:49 | |
I suppose... This is my son. | 0:55:49 | 0:55:51 | |
My adopted son. | 0:55:51 | 0:55:53 | |
-Hello. -And what's your name? | 0:55:53 | 0:55:55 | |
-I don't have one. -Sorry, no, it's an old family joke. | 0:55:55 | 0:56:00 | |
-He's called, um... -Look at you, front door open, | 0:56:00 | 0:56:02 | |
after everything! Did you hear about the chemicals? It was a nightmare! | 0:56:03 | 0:56:07 | |
I had Ivan chasing me round the bedroom saying "Drink it"! | 0:56:07 | 0:56:12 | |
I told him to get off, but... | 0:56:12 | 0:56:14 | |
Oh, haven't you unpacked yet? | 0:56:14 | 0:56:15 | |
Alan, I did say the longer things stay in boxes, | 0:56:15 | 0:56:18 | |
the less it feels like a home. | 0:56:18 | 0:56:20 | |
-And you are? -Sarah Jane Smith. I'm from over the road. | 0:56:20 | 0:56:23 | |
This is my mother. | 0:56:23 | 0:56:26 | |
-What's he wearing? -These are the clothes I was born in. -Right. | 0:56:26 | 0:56:31 | |
Well, thank you very much, but if you don't mind, | 0:56:31 | 0:56:33 | |
I've had a bit of a trauma. Family time. | 0:56:33 | 0:56:35 | |
-Thanks for calling in. -OK. | 0:56:35 | 0:56:38 | |
-We'll be off. -This woman is rude. | 0:56:38 | 0:56:40 | |
-Yes, definitely going, come on. We'll go home. -You don't have to. | 0:56:40 | 0:56:43 | |
Invite the neighbours, you never get rid of them. | 0:56:43 | 0:56:46 | |
Next thing you know it's holidays together. | 0:56:46 | 0:56:49 | |
That is a recipe for disaster. | 0:56:49 | 0:56:50 | |
No offence. Nice to meet you, Sarah...Lou. | 0:56:50 | 0:56:55 | |
So there he was, chasing me round the bedroom with a bottle of pop. | 0:56:55 | 0:56:58 | |
I said, "That's novel," but next thing, her next door's | 0:56:58 | 0:57:01 | |
doing the same thing! Oh, while I'm here, I'll have that cheque, thanks. | 0:57:01 | 0:57:06 | |
But I've had to pay the removal men. | 0:57:06 | 0:57:07 | |
Well, you should've planned! That's Alan, no plans. | 0:57:07 | 0:57:10 | |
But Ivan's booked this villa, and it's gorgeous, | 0:57:10 | 0:57:13 | |
but we've got to pay the rest of the deposit, so... | 0:57:13 | 0:57:16 | |
-Cheers! -And it's normal pop! | 0:57:21 | 0:57:24 | |
Hooray for normal pop. | 0:57:24 | 0:57:26 | |
How's your friend Kelsey? | 0:57:26 | 0:57:28 | |
She's backtracking like mad, saying it was all hallucinations. | 0:57:28 | 0:57:32 | |
-No such thing as aliens. -But we know better. | 0:57:32 | 0:57:34 | |
Oh, that's more like it! | 0:57:36 | 0:57:39 | |
This is good? | 0:57:39 | 0:57:40 | |
Yep! | 0:57:40 | 0:57:42 | |
How are you gonna adopt him then? I mean, you need forms and things. | 0:57:47 | 0:57:50 | |
Who are you gonna say his real mum is, the Bane Mother? | 0:57:50 | 0:57:53 | |
Mr Smith's sorted that. | 0:57:53 | 0:57:56 | |
Officially done and dusted. | 0:57:56 | 0:57:59 | |
All he needs now is a name. | 0:57:59 | 0:58:01 | |
-You can choose your own. -I like yours. Maria. -Maybe not! | 0:58:01 | 0:58:06 | |
How about Jack? | 0:58:06 | 0:58:08 | |
-Josh? Nathan? -Harry? | 0:58:08 | 0:58:10 | |
Alistair? Luke? | 0:58:10 | 0:58:13 | |
-I like Luke. -I like Luke. | 0:58:13 | 0:58:16 | |
If you like Luke, I like Luke. | 0:58:16 | 0:58:18 | |
That's the name I was always going to choose, if I had kids. | 0:58:18 | 0:58:21 | |
-Except it never happened. -But now it has. | 0:58:21 | 0:58:24 | |
Luke Smith. | 0:58:24 | 0:58:26 | |
-You're a mum! -I am. | 0:58:26 | 0:58:28 | |
I never asked. | 0:58:31 | 0:58:33 | |
Have you got a boyfriend, or...? | 0:58:33 | 0:58:36 | |
Oh, there was only ever one man for me. And after him, | 0:58:37 | 0:58:41 | |
nothing compared. | 0:58:41 | 0:58:43 | |
When I was your age, I used to think, "Oh, when I'm grown up, | 0:58:43 | 0:58:48 | |
"I'll know what I want, I'll be sorted." | 0:58:48 | 0:58:51 | |
But you never really know what you want. | 0:58:51 | 0:58:53 | |
You never feel grown up, not really, you never sort it all out. | 0:58:53 | 0:58:57 | |
So, I thought, I can handle life on my own. | 0:58:57 | 0:59:01 | |
But after today, I don't want to. | 0:59:01 | 0:59:04 | |
-What's that? -It's just a plane. | 0:59:06 | 0:59:11 | |
That's a flying machine, right? | 0:59:11 | 0:59:13 | |
Perhaps it's a spaceship. | 0:59:13 | 0:59:15 | |
I saw amazing things out there in space. | 0:59:19 | 0:59:23 | |
But there's strangeness wherever you turn. | 0:59:23 | 0:59:26 | |
Life on Earth can be an adventure too. | 0:59:26 | 0:59:29 | |
You just need to know where to look. | 0:59:29 | 0:59:32 | |
Subtitles by Red Bee Media Ltd 2007 | 1:00:06 | 1:00:09 | |
E-mail [email protected] | 1:00:09 | 1:00:12 |