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This programme contains some strong language | 0:00:02 | 0:00:07 | |
# They say time will wait for no man | 0:00:07 | 0:00:10 | |
# They say time is on my side | 0:00:10 | 0:00:14 | |
# I can never make my mind up | 0:00:14 | 0:00:19 | |
# Cos it all goes whizzing by | 0:00:19 | 0:00:22 | |
-# From the cradle to the grave -# From the cradle to the grave | 0:00:22 | 0:00:27 | |
-# I know I won't be a slave -# I know I won't be a slave | 0:00:27 | 0:00:32 | |
-# To the mistakes that I made -# From the cradle | 0:00:32 | 0:00:36 | |
# And I won't go till I'm ready From the cradle to the grave. # | 0:00:36 | 0:00:42 | |
'My dad was never a worrier. He didn't have sleepless nights. | 0:00:42 | 0:00:47 | |
'And then my sister Sharon told him she was getting married.' | 0:00:47 | 0:00:50 | |
It's going to cost a fortune, this wedding, isn't it? | 0:00:50 | 0:00:53 | |
Mm. | 0:00:53 | 0:00:55 | |
It's a Baker wedding, got to push the boat out, haven't I? | 0:00:55 | 0:00:58 | |
-I'm sure Roger's mum and dad'll help out. -Yeah. | 0:01:00 | 0:01:04 | |
Oi! Don't you dare! Never in your life. | 0:01:04 | 0:01:09 | |
Make me look like I've got the arse hanging out of me trousers? | 0:01:09 | 0:01:11 | |
-But there's so many of us. -And? | 0:01:11 | 0:01:13 | |
I mean, how many was there at Paul and Paulette's wedding? 180? | 0:01:13 | 0:01:17 | |
I don't know. | 0:01:17 | 0:01:18 | |
Then there's the hall. The church. The dress. The cars. | 0:01:18 | 0:01:23 | |
I mean, how are you going to pay for all that? | 0:01:23 | 0:01:25 | |
Don't you worry about it. | 0:01:25 | 0:01:28 | |
I'm just in schtuck for now, but, well, | 0:01:28 | 0:01:32 | |
when my daughter gets married, she's going to have the best a-goin'. | 0:01:32 | 0:01:37 | |
'I was a good footballer and had been made captain of the school team | 0:01:49 | 0:01:52 | |
'by our sports master, Mr Glover.' | 0:01:52 | 0:01:54 | |
Come short, Butler, come short! | 0:01:54 | 0:01:56 | |
Don't all chase after one ball! | 0:02:00 | 0:02:02 | |
-How many balls are there then, sir? -Come here, lad. | 0:02:02 | 0:02:04 | |
While it's level pegging, Mr Glover, is it a good time to call it off? | 0:02:09 | 0:02:12 | |
Is this you conceding the match, Mr Parslow? | 0:02:12 | 0:02:15 | |
The conditions are very bad. | 0:02:15 | 0:02:18 | |
This is a Cup semifinal. | 0:02:18 | 0:02:20 | |
As I say to my lads, there's no such thing as bad conditions, | 0:02:20 | 0:02:24 | |
it's just bad attitude! | 0:02:24 | 0:02:25 | |
Come on, West Greenwich, step it up! | 0:02:25 | 0:02:27 | |
They're ready to throw in the towel, this lot! | 0:02:27 | 0:02:29 | |
Wish somebody would throw me a towel. | 0:02:29 | 0:02:32 | |
# To be mesmerised by the beautiful game. # | 0:02:33 | 0:02:39 | |
CHEERING | 0:02:39 | 0:02:41 | |
WHISTLE | 0:02:43 | 0:02:46 | |
Come on, West Greenwich. Victory huddle! Victory huddle! | 0:02:50 | 0:02:53 | |
Lads, you are bringing into fruition a dream I have nurtured | 0:02:55 | 0:02:59 | |
for 27 years ever since I came down to London. | 0:02:59 | 0:03:02 | |
Just one match left now, St Joseph's in the final, and this is... | 0:03:02 | 0:03:06 | |
-Cartwright? -Sir? | 0:03:06 | 0:03:08 | |
-What are you doing in this huddle? -I was substitute, sir. | 0:03:08 | 0:03:11 | |
-An unused substitute, therefore, you are superfluous. -Superfluous, sir? | 0:03:11 | 0:03:15 | |
Superfluous. S-U-P-E-R-F-L-E-W-E-S. | 0:03:15 | 0:03:20 | |
An unused substitute only has one duty after the match, attend to it. | 0:03:20 | 0:03:25 | |
This is the year... Right over! | 0:03:25 | 0:03:28 | |
This is the year when I hang up my boots. | 0:03:28 | 0:03:30 | |
And, I'll tell you this, lads, for nothing, | 0:03:30 | 0:03:33 | |
I am going to go out with a bang! | 0:03:33 | 0:03:35 | |
'Football was my life. It always had been. | 0:03:35 | 0:03:38 | |
'But something else was taking over. | 0:03:38 | 0:03:41 | |
'Nobody was exactly sure | 0:03:41 | 0:03:42 | |
'what part of the curriculum Future Studies came under. | 0:03:42 | 0:03:45 | |
'But that wasn't the point. | 0:03:45 | 0:03:47 | |
'The point was, it involved absolutely nothing resembling work. | 0:03:47 | 0:03:50 | |
'And, best of all, the teacher was the smoking hot Miss Blondel.' | 0:03:50 | 0:03:55 | |
-That's good. -No, It's rubbish, Miss. | 0:03:55 | 0:03:57 | |
I didn't leave enough room for "Zeppelin". | 0:03:57 | 0:03:59 | |
Oh, I thought you were trying to trying to show | 0:03:59 | 0:04:01 | |
how much pressure they're under, you know, squeezing them up? | 0:04:01 | 0:04:05 | |
There is no such thing as bad art, only bad appraisal. | 0:04:05 | 0:04:10 | |
I like it, Danny. | 0:04:10 | 0:04:11 | |
What about Last Tango In Paris, Miss? Is that art? | 0:04:13 | 0:04:16 | |
My dad says it ain't. He says it's filth. | 0:04:16 | 0:04:19 | |
BOYS SNIGGER | 0:04:19 | 0:04:20 | |
OK, well. | 0:04:20 | 0:04:22 | |
Tell your dad the real filth are blatantly commercial movies | 0:04:22 | 0:04:29 | |
only interested in making money. | 0:04:29 | 0:04:32 | |
-Oh! -BOYS SNIGGER | 0:04:32 | 0:04:34 | |
On the posters for that Last Tango, Miss, it says, | 0:04:34 | 0:04:37 | |
"This is passion, in bucketfuls". Is it, Miss? | 0:04:37 | 0:04:42 | |
Yes. | 0:04:42 | 0:04:43 | |
But it's not pornographic. | 0:04:43 | 0:04:45 | |
-How do you know that, Miss? -Because I've seen both. | 0:04:45 | 0:04:47 | |
THEY LAUGH | 0:04:47 | 0:04:48 | |
Pornography is just about bodies. | 0:04:48 | 0:04:51 | |
The Last Tango is about taking inner emotions to a higher plane. | 0:04:51 | 0:04:55 | |
-Oh! Plane! -Like a spiritual plane? | 0:04:56 | 0:04:59 | |
You know P-L-A-N-E, plane? | 0:04:59 | 0:05:04 | |
Yes. | 0:05:04 | 0:05:05 | |
-So, how do you spell the one that flies? -P-L-A-N-E. | 0:05:05 | 0:05:09 | |
And, on this plane, Miss, is everyone in the nude? | 0:05:10 | 0:05:14 | |
SCHOOL BELL | 0:05:14 | 0:05:15 | |
OK, thank you, Tommy. Now, please, everybody gather your things up. | 0:05:15 | 0:05:19 | |
'I was obsessed with Miss Blondel. | 0:05:19 | 0:05:20 | |
'Every exotic myth about her swirled around | 0:05:20 | 0:05:23 | |
'the little photographic dark room she'd set up. | 0:05:23 | 0:05:26 | |
'She always took lunch in there with her boyfriend, Mr Hall.' | 0:05:26 | 0:05:28 | |
Oh, boys, since Kevin Blackwell left, | 0:05:28 | 0:05:32 | |
we do have an opening in the photography club. | 0:05:32 | 0:05:35 | |
Anyone desperate to join? | 0:05:35 | 0:05:37 | |
Can't, Miss. Tuesday evenings. Football training. | 0:05:37 | 0:05:41 | |
Er. Yeah, I will, Miss. | 0:05:41 | 0:05:43 | |
Oh! | 0:05:44 | 0:05:45 | |
See you there. | 0:05:45 | 0:05:47 | |
'According to legend, an older boy, Mark Stitch, went in there with her | 0:05:48 | 0:05:53 | |
'and things developed very nicely between them.' | 0:05:53 | 0:05:55 | |
Shipment from Milan. Have a look at that. | 0:05:57 | 0:06:00 | |
-Here you are, lads. Tel. -Cheers, mate. | 0:06:00 | 0:06:02 | |
I'll have two pairs, if you're knocking 'em out. | 0:06:02 | 0:06:04 | |
The point is we can't knock 'em out, they're left feet. | 0:06:04 | 0:06:06 | |
-What's the point of that? -To stop us knocking 'em out. | 0:06:06 | 0:06:09 | |
-Where are all the right feet? -Liverpool. | 0:06:09 | 0:06:11 | |
They got the pox with everyone helping themselves. | 0:06:11 | 0:06:13 | |
Now it's left through London, right through Liverpool. | 0:06:13 | 0:06:16 | |
-Be fair, Spud, that's pretty shrewd. -Is it? | 0:06:16 | 0:06:19 | |
Whose side you on? How are we supposed to make a living? | 0:06:19 | 0:06:21 | |
-Cyril Vosper's brother. -Who? What? -He's got one leg. He'll have one. | 0:06:21 | 0:06:25 | |
Oh, as it happens, I think it's the right. | 0:06:25 | 0:06:28 | |
Tell him to hop up to Birkenhead and sort himself out. | 0:06:28 | 0:06:31 | |
-Oh! -Oh! -Oh! | 0:06:34 | 0:06:36 | |
Just come in to say goodbye, lads. | 0:06:37 | 0:06:39 | |
I never thought I'd see the day. | 0:06:41 | 0:06:42 | |
Come on, Spud, I'm 62. | 0:06:42 | 0:06:45 | |
She wants to move down to Dorset, be near her sister. | 0:06:45 | 0:06:48 | |
Two grand it's up to now, never thought it'd go as high as two. | 0:06:48 | 0:06:53 | |
Are you sure about this, Arseholes? I mean, | 0:06:53 | 0:06:55 | |
things do have a habit of blowing up in your face. | 0:06:55 | 0:06:58 | |
'OK. Here's what's so funny. Teddy Arseholes, as he was known, | 0:06:58 | 0:07:01 | |
'was actually a corruption of Teddy Aerosol. | 0:07:01 | 0:07:04 | |
'His wife Kim bought a new air freshener she didn't like. | 0:07:04 | 0:07:08 | |
'Her sister convinced her it was too dangerous to put a full can | 0:07:08 | 0:07:11 | |
'in the bin, so she decided to empty it down the toilet.' | 0:07:11 | 0:07:14 | |
'None of this was a problem | 0:07:40 | 0:07:42 | |
'except she didn't tell Teddy what she'd done.' | 0:07:42 | 0:07:44 | |
HE SNIFFS | 0:07:53 | 0:07:55 | |
TEDDY GROANS, DOG BARKS | 0:08:01 | 0:08:03 | |
Sit yourself down. | 0:08:05 | 0:08:06 | |
'Ever since, Teddy Arseholes never sat down if he could help it.' | 0:08:06 | 0:08:10 | |
Come on, Arseholes, you know what you've got to do. | 0:08:10 | 0:08:12 | |
-Ain't still doing that, are you? -Come on. | 0:08:12 | 0:08:15 | |
It's her! Going on about Dorset all the fuckin' time. | 0:08:23 | 0:08:27 | |
It's the only reason I took it. | 0:08:27 | 0:08:28 | |
I don't know what you're talking about Danny, I really don't. | 0:08:33 | 0:08:36 | |
-I'm just saying, we're not children any more, are we? -Yeah. And? | 0:08:36 | 0:08:40 | |
Well, you know, we should take our passion to a higher plane. | 0:08:40 | 0:08:46 | |
P-L-A-N-E. | 0:08:46 | 0:08:49 | |
I am not having it off with you, that's all there is to it. | 0:08:49 | 0:08:52 | |
-I didn't say that. -That's what you meant, though, isn't it? | 0:08:52 | 0:08:55 | |
Will you stop doing that? It's really annoying me. | 0:08:55 | 0:08:58 | |
Don't you feel anything? | 0:08:58 | 0:09:01 | |
Yeah. I'm freezing. Can we go in? | 0:09:01 | 0:09:04 | |
# Meet me in the playground at a quarter-to-four. # | 0:09:05 | 0:09:09 | |
Come on, get them legs in the air! | 0:09:09 | 0:09:11 | |
You never know your luck in the big city! | 0:09:11 | 0:09:13 | |
Cartwright, get your leg in the air! | 0:09:13 | 0:09:15 | |
You couldn't get an envelope under there. | 0:09:15 | 0:09:17 | |
WHISTLE | 0:09:17 | 0:09:18 | |
-Where's Baker? Where's my team captain? -He's not here, sir. | 0:09:18 | 0:09:21 | |
I can see that, you barm cake. Where is he? | 0:09:21 | 0:09:24 | |
He's at photography, sir. | 0:09:26 | 0:09:27 | |
-He's doing what! -Future Studies. | 0:09:27 | 0:09:30 | |
WHISTLE | 0:09:56 | 0:09:57 | |
Right, you lot! Twice round the pitch. | 0:09:57 | 0:09:59 | |
First, backwards, second time, reverse zigzag! | 0:09:59 | 0:10:03 | |
Futuristic? I'll give him futuristic. | 0:10:03 | 0:10:05 | |
I've never heard owt like it in me life. | 0:10:05 | 0:10:07 | |
If he thinks I'm going to spend 18 hours a day planning a Cup campaign | 0:10:07 | 0:10:11 | |
so that he can deliberately sabotage it, he's got another think coming. | 0:10:11 | 0:10:15 | |
Slack work. Slack work! | 0:10:15 | 0:10:17 | |
I like it. Nice colours. | 0:10:20 | 0:10:23 | |
Different side against the wind. You know, it's very pretty. | 0:10:23 | 0:10:27 | |
-Miss, I er, I took a photo of that tramp. -Tramp? | 0:10:33 | 0:10:37 | |
Oh, yes. It's the hair, it makes an interesting composition. | 0:10:39 | 0:10:45 | |
Great, Danny. | 0:10:45 | 0:10:46 | |
-OK, who's next? -Me, Miss. | 0:10:48 | 0:10:50 | |
-There you are. -Thank you. Here. | 0:10:50 | 0:10:55 | |
Wait. With the light, I think... | 0:10:55 | 0:10:58 | |
That should be fine. | 0:11:00 | 0:11:01 | |
-Do you remember? -Yeah. -Perfect. | 0:11:01 | 0:11:05 | |
-Oh, Philip, don't take another picture of the tramp. -Why not? | 0:11:06 | 0:11:09 | |
Try something different, try and find another aspect of him. | 0:11:09 | 0:11:13 | |
Why not take a picture of his bottle or something? | 0:11:13 | 0:11:16 | |
Be interesting to see what you've got | 0:11:19 | 0:11:21 | |
once we get it back in the dark room. | 0:11:21 | 0:11:23 | |
The dark room. | 0:11:24 | 0:11:25 | |
Philip, what are you doing? | 0:11:31 | 0:11:32 | |
Taking a picture of the tramp's "bottle", like you said. | 0:11:32 | 0:11:35 | |
I thought it made an interesting composition. | 0:11:35 | 0:11:38 | |
# I wanna have a girl. # | 0:11:40 | 0:11:43 | |
Have you really never been in a bank before, Mr Baker? | 0:11:47 | 0:11:49 | |
Never in my life. I've got mates that've been in a few banks, | 0:11:49 | 0:11:53 | |
but never when you're open, if you know what I mean. | 0:11:53 | 0:11:56 | |
-So, it's £1,000 you'd like to borrow? -A grand, yes. | 0:11:57 | 0:12:00 | |
And you want the whole amount for a wedding? | 0:12:00 | 0:12:02 | |
You ain't seen the size of my family. | 0:12:02 | 0:12:04 | |
So, how's this work, Chas? | 0:12:05 | 0:12:07 | |
You give me the grand, what's in it for you? | 0:12:07 | 0:12:09 | |
-Well, I charge you interest, don't I, Mr Baker? -Come again? | 0:12:09 | 0:12:12 | |
If I OK you £1,000, I'd be looking to get back, | 0:12:12 | 0:12:16 | |
at current rates, around 1,100. | 0:12:16 | 0:12:17 | |
Oh, right, right. You're looking for a tonne out of it. | 0:12:17 | 0:12:21 | |
-And that's on top, is it? -Yes. | 0:12:21 | 0:12:23 | |
-This £100, where does that come from? -Well, that's entirely up to you. | 0:12:23 | 0:12:27 | |
-Ah. That's between us, is it? -It would be confidential. | 0:12:27 | 0:12:31 | |
Confidential? Right. Right, right. | 0:12:31 | 0:12:34 | |
So, why don't you just give me the 1,100 | 0:12:34 | 0:12:36 | |
and I'll give you your tonne straight away? | 0:12:36 | 0:12:38 | |
-Mr Baker, it's not my £100. -No, no, no, but it could be, couldn't it? | 0:12:38 | 0:12:42 | |
If you want to meet me in the Duke Of Suffolk in half-an-hour's time, | 0:12:42 | 0:12:45 | |
it would be. You see what I'm saying? | 0:12:45 | 0:12:48 | |
Yeah. You know. You know. HE LAUGHS | 0:12:48 | 0:12:51 | |
-All right? -How did it go, Dad? | 0:12:52 | 0:12:55 | |
Bloke was puggled, I couldn't make head nor tail of him. | 0:12:55 | 0:12:58 | |
Well, did you get the loan all right? | 0:12:58 | 0:13:00 | |
-Yeah, all sorted. Not a bother. -Because I was talking to Mum | 0:13:01 | 0:13:05 | |
and I can't decide between Dianne or Maureen. | 0:13:05 | 0:13:07 | |
I was wondering if I could have four bridesmaids instead of three? | 0:13:07 | 0:13:11 | |
Sharon, just talk to your mother. | 0:13:11 | 0:13:14 | |
-Whatever you want. I'll foot the bill. -Thanks, Dad. | 0:13:14 | 0:13:17 | |
I'm going to call Roger, can I use the phone? | 0:13:17 | 0:13:20 | |
Shilling in the tin? | 0:13:20 | 0:13:22 | |
No good at the bank? | 0:13:22 | 0:13:24 | |
Oh, Fred. We needed that money. What happened? | 0:13:24 | 0:13:28 | |
Bet, I am never going in one of them places again. It's a different world. | 0:13:28 | 0:13:34 | |
I offered him some scope, and he couldn't grasp it. | 0:13:34 | 0:13:36 | |
It's like he didn't know what I was talking about! | 0:13:36 | 0:13:39 | |
I want assurances from you, headmaster, that you've no intention | 0:13:42 | 0:13:44 | |
of allowing Baker to transfer from the football team. | 0:13:44 | 0:13:47 | |
-Transfer? -I've heard the futuristic movement are trying to poach him. | 0:13:47 | 0:13:51 | |
Do you mean Future Studies, Miss Blondel? | 0:13:51 | 0:13:53 | |
The only future he should to be studying is next Wednesday, at 3pm, | 0:13:53 | 0:13:56 | |
Coldharbour Playing Fields, the Black Cup Final. | 0:13:56 | 0:13:59 | |
There's nothing I can do, Mr Glover, this is a school, not football club. | 0:13:59 | 0:14:03 | |
-It's a matter of free will. -Free will? Free will! | 0:14:03 | 0:14:05 | |
What about my free will? My free will to deliver the Cup to the board | 0:14:05 | 0:14:09 | |
and all the long-suffering fans? Free will?! | 0:14:09 | 0:14:12 | |
Again, Mr Glover, this is a school. I'm not Jimmy Hill. | 0:14:12 | 0:14:16 | |
This is not an interview on Match Of The Day. | 0:14:16 | 0:14:18 | |
What you call fans, we call pupils. | 0:14:18 | 0:14:21 | |
They're children, Mr Glover, in our care. | 0:14:21 | 0:14:24 | |
I never expect a manager and a chairman to see eye to eye. | 0:14:24 | 0:14:27 | |
But I will tell you this. | 0:14:27 | 0:14:29 | |
The moment a player has more power than his manager, | 0:14:29 | 0:14:32 | |
football in this country is finished and I can promise you that! | 0:14:32 | 0:14:36 | |
-What do you think? -You've developed it already? | 0:14:52 | 0:14:56 | |
Yes, I think it's terrific. You can see all the little lines in his face. | 0:14:56 | 0:15:00 | |
It's full of expression. | 0:15:00 | 0:15:01 | |
Yeah. I thought I was going to develop it with you, Miss? | 0:15:01 | 0:15:06 | |
Oh. | 0:15:06 | 0:15:07 | |
Danny, why do you want to do photography? | 0:15:08 | 0:15:11 | |
I just do, Miss. | 0:15:11 | 0:15:13 | |
Because Mr Glover has been giving me hell | 0:15:13 | 0:15:16 | |
about you walking out on the football team. | 0:15:16 | 0:15:18 | |
So, what's suddenly so interesting about photography? | 0:15:18 | 0:15:21 | |
Well, I think I might want to be a photographer when I leave school. | 0:15:21 | 0:15:24 | |
I want to work in the dark room with you. | 0:15:25 | 0:15:31 | |
OK. | 0:15:34 | 0:15:36 | |
Now, I don't know what you have heard, | 0:15:36 | 0:15:39 | |
but I never allow any pupil in my dark room. | 0:15:39 | 0:15:42 | |
So, if that's where you think this is leading, | 0:15:42 | 0:15:45 | |
you'd be better off going and playing football again. | 0:15:45 | 0:15:49 | |
Do I make myself clear? | 0:15:49 | 0:15:51 | |
Yes, Miss. | 0:15:51 | 0:15:53 | |
Perfect! | 0:15:54 | 0:15:56 | |
CAR HORN | 0:15:58 | 0:15:59 | |
-Starkers, you Scouse ponce! -All right there, Spud, you Cockney git. | 0:16:07 | 0:16:11 | |
-How are you, mate? -You all right? -All right, there. -How are you? | 0:16:11 | 0:16:14 | |
-Nice ride down? -Yeah, not bad. | 0:16:14 | 0:16:16 | |
-You got the gear? -Yeah, bloody right we have. | 0:16:16 | 0:16:18 | |
They were so confident, there was hardly any security on the gates. | 0:16:18 | 0:16:21 | |
Cally here just drove out with them one night. | 0:16:21 | 0:16:24 | |
The same as us, they didn't even look in the back of me van. | 0:16:24 | 0:16:27 | |
Let's have a look. Come on. | 0:16:27 | 0:16:28 | |
Oh, ho-ho! Nice and tasty! | 0:16:31 | 0:16:34 | |
Business as usual, eh? | 0:16:34 | 0:16:35 | |
-What are you going to knock 'em out for, fiver a pair? -Two quid, if I'm lucky. | 0:16:35 | 0:16:39 | |
Two quid? That's a nice bit of leather there. Italian shoes. | 0:16:39 | 0:16:42 | |
Nah, two quid tops. | 0:16:42 | 0:16:44 | |
We could've got six or seven a pair if they was platforms. | 0:16:44 | 0:16:46 | |
-If they was what? -Platforms. That's what they're all wearing now, Spud. | 0:16:46 | 0:16:50 | |
Two quid? | 0:16:53 | 0:16:54 | |
How are you getting on up there? | 0:16:58 | 0:16:59 | |
Still trying to close you down, same as us? | 0:16:59 | 0:17:02 | |
Spud, I've lost count how many marches I've been on. | 0:17:02 | 0:17:05 | |
Stood under every banner there is. | 0:17:05 | 0:17:07 | |
Called three strikes in one week, I have. I'm telling you, it's over. | 0:17:07 | 0:17:11 | |
Nah. No way. No chance. | 0:17:11 | 0:17:15 | |
Well, I'm not taking the money. | 0:17:15 | 0:17:17 | |
We're an army without guns. A people without a land, Spud. | 0:17:17 | 0:17:21 | |
We're dockers without a docks. | 0:17:21 | 0:17:22 | |
They'll always need docks, Starkers. Always. | 0:17:22 | 0:17:25 | |
How many ships come in to your wharf now, eh? | 0:17:25 | 0:17:28 | |
One, two a week at most. | 0:17:28 | 0:17:30 | |
They're all going to Le Havre or Rotterdam, or Hamburg, aren't they, | 0:17:30 | 0:17:34 | |
-where it's all containerised. -But they got to get it here, ain't they? | 0:17:34 | 0:17:37 | |
What are they going to use? Hot air balloons? | 0:17:37 | 0:17:39 | |
Nine of us there was, nine Stark brothers. | 0:17:39 | 0:17:43 | |
And I'm the last one still in. | 0:17:43 | 0:17:45 | |
But, I've got to tell you, Spud, last Wednesday... | 0:17:45 | 0:17:48 | |
..I ticked that box. | 0:17:50 | 0:17:52 | |
No! No, mate! Not you, Starkers, not you and all! | 0:17:52 | 0:17:56 | |
Two grand, mate, I took the money. | 0:17:56 | 0:17:58 | |
-You're crackers! -Am I? You grab their money now, Spud, me old mate. | 0:17:58 | 0:18:01 | |
Cos the minute they discover they've got us running scared, | 0:18:01 | 0:18:04 | |
instead of that money going up, it'll start going down. | 0:18:04 | 0:18:07 | |
SCHOOL BELL | 0:18:12 | 0:18:13 | |
'My dreams of Miss Blondel and the dark room had turned to ashes. | 0:18:14 | 0:18:18 | |
'So, too, had my chance of playing in the Black Cup Final, | 0:18:18 | 0:18:21 | |
'the biggest game in the school's history.' | 0:18:21 | 0:18:23 | |
Dan, he played Harrison up front in training. | 0:18:23 | 0:18:26 | |
Lenny's put him through. He's gone round the goalie, open goal, | 0:18:26 | 0:18:29 | |
tripped over his own two feet, and hit his head on the goal post. | 0:18:29 | 0:18:32 | |
On the goalpost. Glover's gone mad. | 0:18:32 | 0:18:34 | |
-Told him to train with the reserves. -We've got no reserves. | 0:18:34 | 0:18:37 | |
-And he told him he couldn't shower after. -Why? | 0:18:37 | 0:18:39 | |
-He didn't want to waste any hot water on him. -What? Glover? -Yeah. | 0:18:39 | 0:18:42 | |
Baker! | 0:18:42 | 0:18:43 | |
You two! Make yourself scarce! | 0:18:43 | 0:18:46 | |
I think it's time we had a word. Don't you? | 0:18:47 | 0:18:51 | |
I understand there are distractions | 0:18:51 | 0:18:53 | |
for a young player at the very top of his game. | 0:18:53 | 0:18:55 | |
Believe it or not, I was 15 myself once, playing for the school team. | 0:18:55 | 0:18:59 | |
I remember getting my head turned by nesting. | 0:18:59 | 0:19:01 | |
Nesting? | 0:19:01 | 0:19:03 | |
Eventually, I came to realise I had certain responsibilities | 0:19:03 | 0:19:06 | |
beyond gathering eggs from reed warblers, wagtails and egrets, | 0:19:06 | 0:19:08 | |
no matter how exciting the thrill of the chase. | 0:19:08 | 0:19:11 | |
Look, we all have different boxes in our lives. | 0:19:12 | 0:19:15 | |
There's our football box, very important. | 0:19:15 | 0:19:18 | |
I had my nesting box. You've got your photography box. | 0:19:18 | 0:19:21 | |
And, I dare say before too long, you'll have your girlfriend's box. | 0:19:21 | 0:19:24 | |
Do you see what I'm saying? | 0:19:24 | 0:19:26 | |
Er, yeah, yes, sir. | 0:19:27 | 0:19:30 | |
The hard part is managing your boxes. | 0:19:30 | 0:19:33 | |
That's where I come in. | 0:19:33 | 0:19:35 | |
Cos I'm the best manager there is. | 0:19:35 | 0:19:37 | |
So, my photography class with Miss Blondel? | 0:19:39 | 0:19:41 | |
I can do that and still play football? | 0:19:41 | 0:19:44 | |
No! Not a chance! | 0:19:44 | 0:19:47 | |
I want you to take your photography, put it in its box, | 0:19:47 | 0:19:50 | |
put chains round that box, set fire to it, and throw it into the canal. | 0:19:50 | 0:19:53 | |
Until we win the Black Cup, | 0:19:53 | 0:19:55 | |
I don't want to see you within 100 miles of a camera. | 0:19:55 | 0:19:57 | |
Do you understand? | 0:19:57 | 0:20:00 | |
Yeah, sir. | 0:20:01 | 0:20:03 | |
And that is strong management. | 0:20:11 | 0:20:14 | |
# Vicious | 0:20:15 | 0:20:16 | |
# You hit me with a flower. # | 0:20:18 | 0:20:20 | |
Your sister said that Paul and Paulette's wedding cost 1,100 quid. | 0:20:20 | 0:20:24 | |
If we're sensible, I think we could do Sharon's for about a grand. | 0:20:24 | 0:20:28 | |
-Now, I've got 400 upstairs behind the wardrobe at the minute. -Is that all? | 0:20:28 | 0:20:32 | |
The fiddles are drying up, Bet. | 0:20:32 | 0:20:33 | |
Everything's changing, nothing I can do about it. | 0:20:33 | 0:20:35 | |
By the way, what the fuckin' hell are platform shoes? | 0:20:35 | 0:20:38 | |
Fred, she's getting married in September! | 0:20:38 | 0:20:40 | |
All right. Tick-tock, tick-tock. | 0:20:40 | 0:20:42 | |
RADIO NEWS PROGRAMME | 0:20:48 | 0:20:51 | |
HE CLEARS HIS THROAT | 0:20:53 | 0:20:55 | |
-TV: -The conflict between the Greeks and Turks in Cyprus | 0:20:55 | 0:20:57 | |
remains unresolved. | 0:20:57 | 0:20:58 | |
Two bob, and they still haven't told us who's won. | 0:20:58 | 0:21:01 | |
So, what's that? | 0:21:01 | 0:21:02 | |
May, June, July, August. 50 quid a week out of me wages. | 0:21:02 | 0:21:06 | |
400 upstairs. I reckon we'll get it up to a grand by September, somehow. | 0:21:06 | 0:21:10 | |
You do remember, don't you, | 0:21:12 | 0:21:13 | |
-that Paulette's Paul only had his mum and his aunt there. -Mm? | 0:21:13 | 0:21:16 | |
Roger's family's as big as ours. | 0:21:16 | 0:21:18 | |
-Roger's family? -You hadn't thought of that, had you? | 0:21:20 | 0:21:23 | |
Roger's family! | 0:21:23 | 0:21:25 | |
I suppose they've all got to come, have they? What? | 0:21:26 | 0:21:30 | |
So. What, two grand? | 0:21:31 | 0:21:34 | |
Two grand. | 0:21:37 | 0:21:38 | |
'I was back in the team | 0:21:40 | 0:21:42 | |
'and The Black Cup Final was one of the most exciting days of my life. | 0:21:42 | 0:21:46 | |
'But we just couldn't score. | 0:21:46 | 0:21:47 | |
'Mainly because they had the best goalkeeper in London.' | 0:21:47 | 0:21:51 | |
Belt it, lads! All you have to do is belt it! | 0:21:53 | 0:21:56 | |
I will not have continental football at this club! | 0:21:56 | 0:21:59 | |
'We needed a goal cos, if it went to penalties, | 0:21:59 | 0:22:02 | |
'we all knew he'd save ours and they'd win. | 0:22:02 | 0:22:05 | |
'Then, Roy Burridge's dad's dog made the tackle of the match.' | 0:22:05 | 0:22:09 | |
'He couldn't carry on, and the request went out, | 0:22:12 | 0:22:14 | |
'was there a qualified referee on the sidelines who could take over?' | 0:22:14 | 0:22:19 | |
What the bleedin' hell are you playing at? | 0:22:23 | 0:22:25 | |
You see that white line? | 0:22:26 | 0:22:28 | |
As a qualified county official, | 0:22:28 | 0:22:30 | |
once I step over that, my only concern is to adjudicate | 0:22:30 | 0:22:33 | |
without fear or favour, | 0:22:33 | 0:22:35 | |
to bring this match to its lawful and honest conclusion. | 0:22:35 | 0:22:38 | |
WHISTLE | 0:22:38 | 0:22:40 | |
There you go boys, 30 quid apiece. | 0:22:50 | 0:22:53 | |
It would have been a lot more | 0:22:53 | 0:22:55 | |
if they'd been fuckin' platforms, apparently. | 0:22:55 | 0:22:57 | |
In the end, he had to knock 'em out to Micky Dray down the market, | 0:22:57 | 0:23:00 | |
two quid a pair. | 0:23:00 | 0:23:02 | |
-30 quid? -Don't spend it all at once. | 0:23:02 | 0:23:04 | |
Come on, let's get back to it. | 0:23:05 | 0:23:07 | |
-Spud? -Go on, just finishing me tea. I'll catch you up. | 0:23:08 | 0:23:11 | |
Here, Alf? You got any more of them Eccles cakes in the back? | 0:23:17 | 0:23:21 | |
I'll have a look. | 0:23:23 | 0:23:24 | |
I want to take one with me. | 0:23:28 | 0:23:30 | |
# Across the evening sky | 0:23:45 | 0:23:48 | |
# All the birds are leaving | 0:23:50 | 0:23:56 | |
# And how can they know | 0:24:00 | 0:24:01 | |
# It's time for them to go? # | 0:24:03 | 0:24:08 | |
Found some. | 0:24:08 | 0:24:10 | |
Spud? | 0:24:11 | 0:24:13 | |
CROWD CHEERS | 0:24:26 | 0:24:29 | |
How much longer? It'll be dark soon! | 0:24:29 | 0:24:32 | |
How do you get ten minutes extra time? | 0:24:32 | 0:24:34 | |
There's only one watch that matters, mate. This one. | 0:24:34 | 0:24:38 | |
That's ours. | 0:24:42 | 0:24:43 | |
Don't do this to me, Baker. 27 years. We need a goal. | 0:24:46 | 0:24:49 | |
Yes, Tom! | 0:24:50 | 0:24:51 | |
-Goal! -WHISTLE | 0:25:07 | 0:25:09 | |
It was an act of God. The referee's part of the pitch. | 0:25:13 | 0:25:16 | |
I was keeping my eyes open in case there was any offside decisions | 0:25:16 | 0:25:19 | |
I may or may not have to make. | 0:25:19 | 0:25:21 | |
You put it in, you cheating bastard! Come on! | 0:25:21 | 0:25:24 | |
That's it, time's up. No time for a re-start. | 0:25:24 | 0:25:26 | |
WHISTLE | 0:25:26 | 0:25:28 | |
# It's getting near dawn | 0:25:28 | 0:25:30 | |
# The lights close their tired eyes. # | 0:25:31 | 0:25:34 | |
West Greenwich, form a victory circle. West Greenwich! | 0:25:34 | 0:25:38 | |
That's ridiculous. | 0:25:39 | 0:25:40 | |
# I'll give you my dawn surprise. # | 0:25:40 | 0:25:43 | |
'The goal stood and the record books show that, in 1974, | 0:25:43 | 0:25:46 | |
'West Greenwich finally won the Black Cup.' | 0:25:46 | 0:25:49 | |
# When the stars start falling. # | 0:25:49 | 0:25:52 | |
HE ROARS | 0:25:58 | 0:25:59 | |
# I've been waiting so long | 0:26:01 | 0:26:05 | |
# To be where I'm going | 0:26:05 | 0:26:08 | |
# In the sunshine of your love. # | 0:26:08 | 0:26:15 | |
-HE TAPS AT THE DOOR -Miss Blondel? | 0:26:20 | 0:26:22 | |
Just a minute! | 0:26:22 | 0:26:23 | |
-Hi. -Mr Glover sent me, Miss. He's asked if the pictures are ready yet? | 0:26:27 | 0:26:31 | |
They're nearly done. Oh, Danny, you look so cute in your football kit. | 0:26:31 | 0:26:36 | |
Do I, Miss? | 0:26:36 | 0:26:38 | |
Yes. | 0:26:38 | 0:26:39 | |
Are you still interested in photography? | 0:26:41 | 0:26:43 | |
-Yeah, I am. -Well, why don't you come in and | 0:26:43 | 0:26:47 | |
I'll show you how it all works in here. | 0:26:47 | 0:26:48 | |
-Come. -Er. Yeah. | 0:26:54 | 0:26:56 | |
# They say time will wait for no man | 0:27:04 | 0:27:08 | |
# They say time is on my side | 0:27:09 | 0:27:13 | |
# I can never make my mind up | 0:27:14 | 0:27:18 | |
# Cos it all goes whizzing by | 0:27:18 | 0:27:21 | |
-# From the cradle to the grave -# From the cradle to the grave | 0:27:21 | 0:27:26 | |
-# I know I won't be a slave. # -# I know I won't be a slave. # | 0:27:26 | 0:27:29 |