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This programme contains strong language | 0:00:02 | 0:00:06 | |
Welcome to a night of comedy at the Edinburgh Festival. | 0:00:06 | 0:00:08 | |
Also home to theatre, ballet, opera - | 0:00:08 | 0:00:10 | |
if you're into that sort of thing. | 0:00:10 | 0:00:12 | |
Personally, I couldn't think of anything worse. | 0:00:12 | 0:00:14 | |
We're coming to you from The Caves, deep under the streets of Edinburgh. | 0:00:14 | 0:00:17 | |
This is the dark, damp and murky heart of the Edinburgh Festival. | 0:00:17 | 0:00:22 | |
These caves have a rich and fascinating history... | 0:00:22 | 0:00:25 | |
probably, I mean, I don't know. Google it or something. | 0:00:25 | 0:00:28 | |
Tens of thousands of comedians come from all around the world | 0:00:28 | 0:00:31 | |
to perform here - some in tiny rooms, some not even in rooms! | 0:00:31 | 0:00:35 | |
That's what's amazing about this festival. | 0:00:35 | 0:00:37 | |
It can just be you and three other audience members | 0:00:37 | 0:00:39 | |
watching a man do stand-up in a fudge shop. | 0:00:39 | 0:00:42 | |
That man would then go on to play the O2 Arena. | 0:00:42 | 0:00:45 | |
Well, he probably won't, he's probably just a nutter. Probably. | 0:00:45 | 0:00:48 | |
Be lucky to end up working in the O2 shop. | 0:00:48 | 0:00:51 | |
Now, I bring you a selection of the freshest, funniest, | 0:00:51 | 0:00:56 | |
most fantastic comedians this festival has to offer. | 0:00:56 | 0:00:59 | |
Welcome to the Late Night Comedy Spectacular! | 0:00:59 | 0:01:03 | |
CHEERING AND APPLAUSE | 0:01:03 | 0:01:06 | |
Fantastic crowd! Look at this! | 0:01:12 | 0:01:15 | |
Brilliant! | 0:01:15 | 0:01:16 | |
Hello, Edinburgh! | 0:01:20 | 0:01:22 | |
CHEERING | 0:01:22 | 0:01:24 | |
Good. So, are you enjoying the Festival? | 0:01:25 | 0:01:27 | |
-ALL: -Yes! | 0:01:27 | 0:01:28 | |
The Edinburgh Festival, this is the launch pad for some of the biggest names in comedy. | 0:01:28 | 0:01:32 | |
Michael McIntyre! | 0:01:32 | 0:01:33 | |
-ALL: -Woo! | 0:01:33 | 0:01:34 | |
-AS MICHAEL MCINTYRE: -It's good to be here. We like it in Edinburgh. | 0:01:34 | 0:01:37 | |
We love The Caves, we love the caves, it's incredible. | 0:01:37 | 0:01:40 | |
We love The Caves. There's WHISKY in The Caves, WINE! We love wine. | 0:01:40 | 0:01:43 | |
Batman! INCREDIBLE! | 0:01:43 | 0:01:45 | |
-AS KEVIN BRIDGES: -Back in the day when telephone boxes were only 10p! | 0:01:46 | 0:01:51 | |
LAUGHTER | 0:01:51 | 0:01:54 | |
Not just big names at this festival, is it? | 0:01:58 | 0:02:00 | |
Street performers out on the street. Have you seen these guys? | 0:02:00 | 0:02:03 | |
I love our reaction to these guys. | 0:02:03 | 0:02:05 | |
We all do the same thing - British people especially. | 0:02:05 | 0:02:08 | |
If you're walking down the street, you'll see the street performer, I saw one a week ago, | 0:02:08 | 0:02:13 | |
a man on stilts with three chainsaws juggling. | 0:02:13 | 0:02:17 | |
Everyone gathers around, "Look at that, that is incredible, isn't it? | 0:02:17 | 0:02:20 | |
"Wow, it's brilliant. Ready to... Oh, dangerous! Is he going to fall? | 0:02:20 | 0:02:24 | |
"Wow, such admiration. Is he finished? | 0:02:24 | 0:02:26 | |
"Oh, it's the big finish! That is incredible!" | 0:02:26 | 0:02:28 | |
As soon as that man says, "If you just leave a pound in the hat..." | 0:02:28 | 0:02:31 | |
"Fuck off, see you later! | 0:02:31 | 0:02:33 | |
"I want nothing to do with this. Get a real job, dickhead." | 0:02:33 | 0:02:36 | |
When I've been walking around the festival, | 0:02:37 | 0:02:39 | |
what I mainly get as I walk round, all I really hear is... | 0:02:39 | 0:02:42 | |
HE WHISPERS | 0:02:42 | 0:02:43 | |
"(Justin Lee Collins.)" | 0:02:45 | 0:02:47 | |
-HE WHISPERS -"(Justin Lee Collins.)" | 0:02:47 | 0:02:50 | |
It's a beard, I think. It's the beard, I hope. | 0:02:51 | 0:02:54 | |
Beard, long hair, beard combo. | 0:02:54 | 0:02:57 | |
It's a strange combo, the long-haired beard combo, | 0:02:57 | 0:03:00 | |
cos it means from behind I look like Sarah Jessica Parker. Doesn't it? | 0:03:00 | 0:03:05 | |
And from the front I look like anyone that just got back from Thailand. | 0:03:07 | 0:03:11 | |
You get called a lot of names with this look. | 0:03:13 | 0:03:15 | |
People just walk past me and shout things, "JESUS!" | 0:03:15 | 0:03:18 | |
"Aslan!" | 0:03:18 | 0:03:20 | |
Someone said I looked like the girl from Outnumbered... | 0:03:22 | 0:03:24 | |
if she had a sex change AND a breakdown. | 0:03:24 | 0:03:27 | |
Robin Williams halfway through Jumanji. | 0:03:29 | 0:03:32 | |
My own mate said I looked like the lead singer of Nickelback, | 0:03:34 | 0:03:37 | |
when on the line-up on Never Mind the Buzzcocks, | 0:03:37 | 0:03:39 | |
I'd be one of the ones he wasn't. | 0:03:39 | 0:03:42 | |
But I think you can tell a lot from someone's look. | 0:03:44 | 0:03:48 | |
I mean, you can tell from looking at me | 0:03:48 | 0:03:50 | |
that, you know, I don't really get stuff done. | 0:03:50 | 0:03:54 | |
I mean, just look at my head, I'm not one of those guys... | 0:03:54 | 0:03:56 | |
I'm not a proactive person. | 0:03:56 | 0:03:58 | |
You know these people, proactive people, they are out there. | 0:03:58 | 0:04:00 | |
The sort of people that when a light bulb goes they change it. | 0:04:00 | 0:04:04 | |
You know these people? So I'm more, sort of... | 0:04:06 | 0:04:08 | |
HE CLICKS | 0:04:08 | 0:04:11 | |
"Ugh, I'll just live in the dark until I move house." | 0:04:11 | 0:04:14 | |
Proactive people, not just active, proactive. | 0:04:15 | 0:04:19 | |
"Yay, active, woo! Yeah!" | 0:04:19 | 0:04:22 | |
Usually got an iPhone strapped to their arm. | 0:04:22 | 0:04:24 | |
"Look at that, active! Jogging! Blood pressure! Calories! Woo!" | 0:04:24 | 0:04:30 | |
I'm only active by mistake, you know? | 0:04:30 | 0:04:32 | |
Like, when I remember I'm running a bath. | 0:04:32 | 0:04:35 | |
"Bollocks, Jesus Christ! Quickly! Quickly! | 0:04:35 | 0:04:39 | |
"Oh, thank Christ for that. Oh, Jesus." | 0:04:39 | 0:04:42 | |
I've always had this attitude. | 0:04:42 | 0:04:43 | |
You know, I used to be, I used to be quite a healthy young lad. | 0:04:43 | 0:04:47 | |
Big fan of football. Big fan of football. | 0:04:47 | 0:04:50 | |
I was actually quite good but... | 0:04:50 | 0:04:52 | |
Now, I can't do it now. | 0:04:52 | 0:04:54 | |
90 minutes of running around? | 0:04:54 | 0:04:56 | |
HE EXHALES | 0:04:56 | 0:04:57 | |
Are you kidding me? I'm fucked after a baguette. | 0:04:57 | 0:05:01 | |
That's my exercise now. The baguette. | 0:05:01 | 0:05:03 | |
Just going, "Mm, no, I'm done. Leave me alone. I can't see. | 0:05:03 | 0:05:06 | |
"I don't know who I am. Help me." | 0:05:06 | 0:05:09 | |
The closest I get to football is when I'm walking through a park | 0:05:09 | 0:05:13 | |
and a group of guys are playing football in the distance, | 0:05:13 | 0:05:17 | |
kick out of their imaginary pitch, and the ball comes towards me, | 0:05:17 | 0:05:20 | |
and I have to kick it back. | 0:05:20 | 0:05:23 | |
It's a terrifying moment, I think you'll agree. | 0:05:23 | 0:05:25 | |
Like, the ball they hit, "Oi, mate!" | 0:05:25 | 0:05:27 | |
"Oh, God. Oh, no. Please, someone else deal with this. Please." | 0:05:27 | 0:05:31 | |
When you just hope that someone else is there? | 0:05:31 | 0:05:33 | |
Like, when you're hung-over | 0:05:33 | 0:05:34 | |
and you see a woman trying to carry a pram up the stairs. | 0:05:34 | 0:05:37 | |
Going, "Someone else deal with this, Please. I can't handle this. Please, please." | 0:05:37 | 0:05:41 | |
"Oi, mate!" I'm thinking, "Maybe they don't mean me. Maybe it's not me?" | 0:05:41 | 0:05:44 | |
"Oi, mate!" "Just ignore it." | 0:05:44 | 0:05:45 | |
"Justin!" "Definitely me. OK, fine. All right, good." | 0:05:45 | 0:05:49 | |
"Give us the ball! On the head, on the head! Not to him, to me." | 0:05:49 | 0:05:52 | |
All of them shouting at me. | 0:05:52 | 0:05:53 | |
Thinking, "Oh, God. Oh, God, I've got to do this. | 0:05:53 | 0:05:56 | |
"Right, how am I going to...? Oh, God, I don't want to look stupid. | 0:05:56 | 0:05:58 | |
"I don't bend as much as I used to. I mainly crack now. Oh, God. | 0:05:58 | 0:06:02 | |
"I have to give this back. | 0:06:02 | 0:06:03 | |
"Come on, Seann, you can do this like you used to." | 0:06:03 | 0:06:06 | |
MUSIC: "Nessun dorma" by Giacomo Puccini | 0:06:09 | 0:06:13 | |
CHEERING AND APPLAUSE | 0:07:46 | 0:07:48 | |
Ladies and gentlemen, are you ready for my first guest? | 0:07:51 | 0:07:55 | |
-ALL: -Yeah! | 0:07:55 | 0:07:57 | |
You may know this man from sitcoms Friday Night Dinner and Plebs, | 0:07:57 | 0:08:01 | |
what you may not know is that he is also a fantastic stand-up. | 0:08:01 | 0:08:05 | |
Go wild for Tom Rosenthal! | 0:08:05 | 0:08:08 | |
CHEERING AND APPLAUSE | 0:08:08 | 0:08:11 | |
Hello! Hello, Caves! I'm sorry for barging through all those people. | 0:08:16 | 0:08:20 | |
You thought I was just some prick, didn't you? | 0:08:20 | 0:08:22 | |
I'm not, I'm supposed to be here. Honestly! | 0:08:22 | 0:08:24 | |
Anyway, hello, how are you? Are you well? | 0:08:24 | 0:08:27 | |
CHEERING Having fun, Edinburgh? Delightful. | 0:08:27 | 0:08:30 | |
Well, it is an honour to be here for you and BBC Three. | 0:08:30 | 0:08:34 | |
Oh, just as a warning, this is how I sound. This is my voice. | 0:08:34 | 0:08:40 | |
This is the sound that comes out of my head. I'm sorry, I can't control it. | 0:08:40 | 0:08:43 | |
I'm going to sound like this for the whole time. | 0:08:43 | 0:08:46 | |
I've just realised, it's just not a very human sound. | 0:08:46 | 0:08:48 | |
You know what I mean? It's a bit, "Meh!" | 0:08:48 | 0:08:50 | |
I've got the voice of a very intelligent sheep. | 0:08:50 | 0:08:53 | |
You've just got to just get, just get used to it. | 0:08:53 | 0:08:56 | |
Also, my accent is a bit odd. | 0:08:56 | 0:08:57 | |
It is, sort of, like, half London, half Berkshire, sort of, fused. | 0:08:57 | 0:09:00 | |
Half posh, half not posh, you know. | 0:09:00 | 0:09:02 | |
I've got the voice of someone who would own horses | 0:09:02 | 0:09:05 | |
but I'd make them fight for gambling purposes. That's my... | 0:09:05 | 0:09:08 | |
I'd eat a pheasant from KFC. That's my voice. | 0:09:08 | 0:09:11 | |
It's lovely to be here, Edinburgh. | 0:09:11 | 0:09:13 | |
My show this year is about going to Bulgaria, really. | 0:09:13 | 0:09:16 | |
I went there to film this thing I was in called Plebs, as Seann mentioned. | 0:09:16 | 0:09:20 | |
-Wahey! -One fan in. Thank you very much. I love Bulgaria. | 0:09:20 | 0:09:24 | |
It's just so different out there, ain't it, man? | 0:09:24 | 0:09:27 | |
They've got two types of cheese. | 0:09:27 | 0:09:29 | |
Just let that settle on an Edinburgh fringe middle-class trip. Cheese. | 0:09:32 | 0:09:36 | |
The two cheeses you can get are white cheese and yellow cheese. | 0:09:36 | 0:09:40 | |
That is, honestly. A Bulgarian will separate cheese into those two... | 0:09:40 | 0:09:43 | |
Mozzarella - white cheese, Edam - yellow cheese, Stilton - not cheese. | 0:09:43 | 0:09:48 | |
That's how they do it! In this country we got the quattro formaggio | 0:09:48 | 0:09:51 | |
but that is four cheeses on one pizza. | 0:09:51 | 0:09:54 | |
We've got more cheese on one 12-inch space | 0:09:54 | 0:09:56 | |
than they've got in 42,000 square miles, it's ridiculous! | 0:09:56 | 0:09:59 | |
It's just because they're new to capitalism, right? | 0:09:59 | 0:10:01 | |
So they're bad capitalists and then got less shit to compete over. | 0:10:01 | 0:10:04 | |
They've got, like, 12 songs. Honestly, 12 songs. | 0:10:04 | 0:10:07 | |
Two Destiny's Child, two Black Eyed Peas, two Michael Jackson | 0:10:07 | 0:10:10 | |
and then six by Celine Dion. That's... | 0:10:10 | 0:10:13 | |
It's like they've got to Now 36 | 0:10:13 | 0:10:14 | |
and gone, "Oh, well, that's music. That'll do us." | 0:10:14 | 0:10:17 | |
Comedy is the same, man. | 0:10:17 | 0:10:19 | |
I had a conversation with the waiter, I was like, "Any stand-up comedy in Bulgaria?" | 0:10:19 | 0:10:22 | |
He goes, "Yes, there is a comedian." | 0:10:22 | 0:10:25 | |
I went, "Any good?" | 0:10:27 | 0:10:28 | |
He goes, "No..." | 0:10:28 | 0:10:29 | |
"..but..." | 0:10:32 | 0:10:33 | |
"..he is the comedian." | 0:10:34 | 0:10:36 | |
I had so much fun out there, though. Danny Dyer was in it for a bit. | 0:10:40 | 0:10:43 | |
Do you know Danny Dyer? Yeah? He's, like, an actor. | 0:10:43 | 0:10:46 | |
He's LIKE an actor. | 0:10:46 | 0:10:48 | |
I loved him so much. | 0:10:48 | 0:10:49 | |
He rose to prominence in the '90s classic Human Traffic, | 0:10:49 | 0:10:52 | |
where he played, like, a drug-taking cockney and then, of course, | 0:10:52 | 0:10:55 | |
The Football Factory, where he played, like, a drug-taking cockney, | 0:10:55 | 0:10:59 | |
and then the film Outlaw, where he played a pre-op transsexual. | 0:10:59 | 0:11:03 | |
No, he was a drug-taking cockney! I love him and he's incredible. | 0:11:03 | 0:11:07 | |
He's too much cockney for one man. Cockney squared, all right? | 0:11:07 | 0:11:10 | |
The first, conversation I had with him, we were in a lift and he went, | 0:11:10 | 0:11:13 | |
and he kissed me on both cheeks, and just went, "Sweet dreams, son." | 0:11:13 | 0:11:18 | |
Just going to kill me or fuck me? How am I supposed to deal with that?! | 0:11:18 | 0:11:21 | |
And he just makes these sounds all the time as well. | 0:11:21 | 0:11:23 | |
Just like, "Wou-ua-a-a-ah." | 0:11:23 | 0:11:26 | |
"Wou-u-a-ah!" It's like Danny Dyer grammar, that is, basically. | 0:11:26 | 0:11:29 | |
Like, "Wou-ua-a-a-ah," is a comma. "Wou..." | 0:11:29 | 0:11:31 | |
And he asks a question, as well. | 0:11:31 | 0:11:32 | |
Would just be like, "Er, ph-woua-ah, know what I mean, Tom?" | 0:11:32 | 0:11:38 | |
"No. You sound like a '90s modem, how can I know what do you mean? | 0:11:39 | 0:11:43 | |
"There is no content to any of this." | 0:11:43 | 0:11:47 | |
I had to do, like, a naked scene with Danny Dyer, so I saw it. Yeah. | 0:11:47 | 0:11:52 | |
I saw Danny's Dyer. I saw it. | 0:11:52 | 0:11:55 | |
And there's, you know, it's... | 0:11:55 | 0:11:58 | |
"Ah!" Is big. Big penis. | 0:11:58 | 0:12:01 | |
I don't know how to say that. | 0:12:02 | 0:12:04 | |
I don't want to be crass but in the competition between mine | 0:12:04 | 0:12:06 | |
and his genitalia I finished third, you know I mean? | 0:12:06 | 0:12:09 | |
There's just lots going on but it's just weird | 0:12:09 | 0:12:11 | |
because he wasn't happy with how big it looked, for some reason? | 0:12:11 | 0:12:15 | |
So, like, when we were filming, it wasn't going to get shown on TV | 0:12:15 | 0:12:17 | |
but there was, like, a female member of crew and she just kept, like... | 0:12:17 | 0:12:23 | |
Yeah... | 0:12:23 | 0:12:24 | |
kept, like, manipulating it to look bigger. | 0:12:24 | 0:12:29 | |
If anything, I'll tell you about Danny, | 0:12:29 | 0:12:31 | |
is at one point he grabbed his own penis, right, | 0:12:31 | 0:12:33 | |
he looked down at it and he went, | 0:12:33 | 0:12:37 | |
"Get a stiffer you fucking mug!" | 0:12:37 | 0:12:40 | |
To is own penis and he started helicoptering it around, like that. | 0:12:40 | 0:12:43 | |
Helico... I couldn't even do that! | 0:12:43 | 0:12:45 | |
I couldn't get the centrifugal force to make mine go around. | 0:12:45 | 0:12:48 | |
It starts making a sound! It starts blowing scripts everywhere. | 0:12:48 | 0:12:52 | |
It's freezing, he's air conditioning the set now! It's all in my hair! | 0:12:52 | 0:12:55 | |
I'm standing there like the fucking Earth going... | 0:12:55 | 0:12:57 | |
HE SHOUTS THE EARTH SONG | 0:12:57 | 0:13:00 | |
All the Bulgarians are like, "Michael Jackson, I like!" You know, it was ridiculous. | 0:13:01 | 0:13:05 | |
Thank you so much. Have a wonderful Edinburgh. I've been Tom Rosenthal, enjoy The Cave. Thank you. | 0:13:05 | 0:13:09 | |
CHEERING AND APPLAUSE | 0:13:09 | 0:13:12 | |
That was Tom Rosenthal! Now, follow me! Come through. | 0:13:14 | 0:13:18 | |
We leave The Caves bit, we're going through The Caves, | 0:13:18 | 0:13:21 | |
we're now going into a bar. I feel like I'm hosting Crystal Maze. | 0:13:21 | 0:13:24 | |
-Hello, everyone! Yes! -THEY CHEER | 0:13:24 | 0:13:28 | |
"YEAH!" | 0:13:28 | 0:13:29 | |
Erm, now, you'll hear comedians say a lot of the time, | 0:13:29 | 0:13:32 | |
"Oh, this next guy's a close personal friend of mine," | 0:13:32 | 0:13:35 | |
but this next by actually is a close personal friend of mine. | 0:13:35 | 0:13:38 | |
It's the wonderful Marlon Davis! | 0:13:38 | 0:13:41 | |
CHEERING AND APPLAUSE | 0:13:41 | 0:13:43 | |
Hello! | 0:13:44 | 0:13:46 | |
Woo-hoo! | 0:13:46 | 0:13:47 | |
Good evening! | 0:13:49 | 0:13:51 | |
-ALL: -Hey. -Hiya, Edinburgh. Yes. | 0:13:51 | 0:13:54 | |
First things first, what you can see is I've got this face, all right? | 0:13:54 | 0:13:59 | |
And people say, "This isn't a face of authority at all, is it?" | 0:13:59 | 0:14:03 | |
It's not! | 0:14:03 | 0:14:05 | |
It's like, I couldn't be your boss at work. | 0:14:05 | 0:14:08 | |
Like, "Why are you late? Come on now." | 0:14:08 | 0:14:11 | |
I've got a round face. | 0:14:11 | 0:14:13 | |
I grew up in a council estate, I couldn't rob no-one. | 0:14:13 | 0:14:17 | |
I tried! I was like, I was like, "Yo, give me your money!", | 0:14:17 | 0:14:20 | |
He was like, "Come on now. You look like Kenan & Kel, come on." | 0:14:20 | 0:14:26 | |
"I'm SERIOUS!" "Course you are." | 0:14:26 | 0:14:28 | |
There's nothing gangster when you're trying to rob people | 0:14:28 | 0:14:31 | |
and they're pinching your cheeks. That's not the one, is it? | 0:14:31 | 0:14:34 | |
So I had to go out and get a real job. | 0:14:34 | 0:14:36 | |
Make some noise if you got a job. CHEERING | 0:14:36 | 0:14:38 | |
It's great having a job | 0:14:38 | 0:14:39 | |
-but you have annoying people at your workplace, don't you? -Yay! -Eh? | 0:14:39 | 0:14:43 | |
See, there's some of them in here right now. | 0:14:43 | 0:14:45 | |
Yeah, if you don't have annoying people at work, right, it's YOU! | 0:14:45 | 0:14:49 | |
Right, you're the one at work that everyone hates. | 0:14:49 | 0:14:53 | |
And they always say they're leaving, "I'm leave..." | 0:14:53 | 0:14:55 | |
"Well, fucking leave! You've been saying that for the last ten years! | 0:14:55 | 0:15:00 | |
"Everyone in this place hates you. | 0:15:00 | 0:15:02 | |
"Even the seat you sit on is like, 'Why do I get this arsehole, why?' " | 0:15:02 | 0:15:06 | |
That's what it is. | 0:15:06 | 0:15:07 | |
I used to work in an office before I did this | 0:15:07 | 0:15:09 | |
and I'll tell you what used to annoy me the most was birthdays. | 0:15:09 | 0:15:13 | |
Couldn't stand birthdays. | 0:15:13 | 0:15:14 | |
Not the fact that it's someone's birthday, | 0:15:14 | 0:15:16 | |
it's just the big hoo-ha in the office. | 0:15:16 | 0:15:18 | |
Cos they come round your work station like they are ninjas. | 0:15:18 | 0:15:21 | |
Like... HE HUMS | 0:15:21 | 0:15:23 | |
"What?" "You need to put a pound in the envelope for Karen." | 0:15:26 | 0:15:30 | |
"Who the fuck is Karen?!" | 0:15:34 | 0:15:35 | |
"She works downstairs. Quickly, sign the card..." | 0:15:37 | 0:15:40 | |
"..before she comes back from lunch, it's a surprise." | 0:15:43 | 0:15:46 | |
It's not a surprise! | 0:15:46 | 0:15:47 | |
Everyone in a workplace gets a birthday card on their birthday, | 0:15:47 | 0:15:50 | |
don't they? That's not a surprise. | 0:15:50 | 0:15:52 | |
A surprise would be if the boss came out and did a shit on her desk. | 0:15:52 | 0:15:57 | |
It would be disgusting but you'd remember that day for ever, innit? | 0:15:57 | 0:16:01 | |
We got people in here in relationships? CHEERING | 0:16:02 | 0:16:05 | |
Relationships are good, right? | 0:16:05 | 0:16:07 | |
But I think to myself it's a little but overrated. | 0:16:07 | 0:16:10 | |
It is, you've got that first stage of love | 0:16:10 | 0:16:12 | |
where they're all kissy, kissy, kissy, mwah, mwah all right? | 0:16:12 | 0:16:15 | |
You've got the cosy bit, which is nice | 0:16:15 | 0:16:16 | |
and you got the end where you have to bury them, right, it's lovely. | 0:16:16 | 0:16:19 | |
Is lovely, it's lovely, it's lovely. | 0:16:19 | 0:16:21 | |
But what I do like is the second stage in a relationship, right? | 0:16:21 | 0:16:25 | |
You know, you start getting comfortable with that person. | 0:16:25 | 0:16:27 | |
You start kicking off your shoes, you start getting fat, you're like, | 0:16:27 | 0:16:31 | |
"I've got you," it's nice. | 0:16:31 | 0:16:32 | |
It's nice when you get there but there is a test to let you know | 0:16:32 | 0:16:35 | |
that you've got to this point in the relationship. | 0:16:35 | 0:16:37 | |
Some people say it's farting. | 0:16:37 | 0:16:39 | |
It's not farting, you can get through a fart, it's not that. | 0:16:39 | 0:16:42 | |
The test is if you can flush their poo, all right? | 0:16:42 | 0:16:45 | |
Now, looking at everyone's reaction, right here, | 0:16:47 | 0:16:49 | |
lets me know that's the reason why that is the test. | 0:16:49 | 0:16:53 | |
There's no way of going back from that, right? | 0:16:53 | 0:16:55 | |
Cos I saw in the toilet and the first thing that | 0:16:55 | 0:16:58 | |
came in my head was, like, "How the hell did she do that?! I mean... | 0:16:58 | 0:17:02 | |
"That's DISGUSTING!" | 0:17:02 | 0:17:04 | |
But I looked at it but it was still cute because it came from her. | 0:17:04 | 0:17:07 | |
GROANING | 0:17:07 | 0:17:09 | |
She does little poo-poos and it's sweet, you know? | 0:17:09 | 0:17:11 | |
You don't even smell it cos the love is all around you. | 0:17:11 | 0:17:14 | |
You don't even smell it. | 0:17:14 | 0:17:15 | |
And then you look at it, and it becomes a secret between you | 0:17:15 | 0:17:18 | |
and the toilet... | 0:17:18 | 0:17:20 | |
and Facebook. | 0:17:20 | 0:17:22 | |
I got a "like" over there, which is nice. It's nice, it's nice. | 0:17:24 | 0:17:27 | |
But I've been in a relationship for a while now | 0:17:27 | 0:17:29 | |
and I've got a baby boy, all right. CHEERING | 0:17:29 | 0:17:31 | |
Yeah, some people ain't impressed. They're like, "So what? I've got a dog." | 0:17:31 | 0:17:34 | |
But got... I've got a boy. | 0:17:34 | 0:17:36 | |
I like at this age, he's a toddler now | 0:17:36 | 0:17:38 | |
so we started to do more stuff together, all right? | 0:17:38 | 0:17:40 | |
I like taking him out to the playground. | 0:17:40 | 0:17:42 | |
I take him out to the playground cos that brings you back to your childhood | 0:17:42 | 0:17:45 | |
because you've got the slides there, | 0:17:45 | 0:17:47 | |
you've got the swings and sometimes he pushes me, it's great, I love it. | 0:17:47 | 0:17:50 | |
I love going into the playground but when you walk into the playground | 0:17:50 | 0:17:53 | |
you have to have a thing called playground etiquette. | 0:17:53 | 0:17:55 | |
I'll tell you what I mean by that, you have to be REALLY, really nice. | 0:17:55 | 0:17:59 | |
REALLY really nice and fake, like a children's television presenter. | 0:17:59 | 0:18:02 | |
Because sometimes the kids in the park, they have altercations. | 0:18:02 | 0:18:07 | |
My son pushed another little boy. | 0:18:07 | 0:18:09 | |
I had to be on him straightaway, I said, "Kayden, Kayden, come here. | 0:18:09 | 0:18:12 | |
"You don't push other children, you play nice in the park, all right? | 0:18:12 | 0:18:15 | |
"Don't push other children, play nicely. Now, go play. | 0:18:15 | 0:18:18 | |
"Go play, go play." | 0:18:18 | 0:18:20 | |
But in my head I'm like, "Knock him out," all right? | 0:18:20 | 0:18:23 | |
"Give him a little kick when no-one is looking." | 0:18:23 | 0:18:26 | |
But you know what it is like for your kid to lose a fight? Do you know? | 0:18:26 | 0:18:29 | |
Cos this little boy came up to my son, right? | 0:18:29 | 0:18:31 | |
I say little, he was massive. He was on steroids, or something, right? | 0:18:31 | 0:18:34 | |
This kid was a monster and he came up to him, | 0:18:34 | 0:18:37 | |
and he started pinching him for no reason at all. | 0:18:37 | 0:18:40 | |
He started pinching him right here. | 0:18:40 | 0:18:41 | |
And every pinch you start to feel that | 0:18:41 | 0:18:44 | |
because that's your flesh, that's your blood. | 0:18:44 | 0:18:47 | |
And he went to the back of my son's head, and went, "Biff!" | 0:18:47 | 0:18:50 | |
Just like that. | 0:18:52 | 0:18:53 | |
Now, I'm on this park bench and I'm thinking to myself, like, | 0:18:53 | 0:18:56 | |
"Yo, where the hell is this other kid's parents? | 0:18:56 | 0:19:00 | |
"And if they ain't there I'm going to fuck this kid up." | 0:19:00 | 0:19:03 | |
And I went up to the kid and I was like, | 0:19:06 | 0:19:08 | |
"HEY! You get the hell off my son! I will kill you! | 0:19:08 | 0:19:11 | |
"You get the hell off of my son!" | 0:19:11 | 0:19:13 | |
And he looked at me and started laughing. | 0:19:13 | 0:19:15 | |
He was like, "Ha-ha-ha! You got a round face!" | 0:19:15 | 0:19:18 | |
I was like, "Come on, let's go." Thank you very much! | 0:19:21 | 0:19:24 | |
CHEERING AND APPLAUSE | 0:19:24 | 0:19:26 | |
One more time for Marlon Davis! | 0:19:29 | 0:19:32 | |
Yes. Now, as we've seen, there are lots of amazing comedians | 0:19:35 | 0:19:40 | |
at the Edinburgh Festival but what about the city itself? | 0:19:40 | 0:19:42 | |
What makes Edinburgh so special? | 0:19:42 | 0:19:44 | |
We've sent our roving reporter Tash Demetriou to find out. | 0:19:44 | 0:19:48 | |
Over to you, Tash. | 0:19:48 | 0:19:50 | |
Thank you, Seann. | 0:19:50 | 0:19:52 | |
Welcome to Edinburgh, the home of leprechauns, four-leafed clovers, | 0:19:52 | 0:19:56 | |
the luck of the Irish and, of course, | 0:19:56 | 0:19:58 | |
the Edinburgh Festival Fringe Festival...Society of Art. | 0:19:58 | 0:20:02 | |
There's drama and so much comedy with... It's a festival of... | 0:20:02 | 0:20:06 | |
of all performance. In many ways, it's 2011... 13. | 0:20:06 | 0:20:11 | |
IRISH ACCENT: Top of the morning to you, laddie! | 0:20:11 | 0:20:14 | |
Oh, would you look at the time? | 0:20:19 | 0:20:21 | |
It's a quarter past Facts. | 0:20:21 | 0:20:23 | |
This is the city where JK Rowling wrote Harry Potter. | 0:20:23 | 0:20:27 | |
Welcome to Scotland! | 0:20:31 | 0:20:34 | |
Edinburgh's most famous street, it's Her Majesty the Royal mile. | 0:20:37 | 0:20:41 | |
The Royal Mile is full of performers promoting their shows. | 0:20:48 | 0:20:52 | |
Let's go and see how it is done. | 0:20:52 | 0:20:53 | |
How do snails get their shells so shiny? | 0:20:55 | 0:20:59 | |
How...do they get them like that? | 0:20:59 | 0:21:02 | |
Snail varnish. | 0:21:02 | 0:21:04 | |
Ha-ha-ha! Ha-ha-ha! | 0:21:04 | 0:21:09 | |
Ha-ha-ha! Ha-ha-ha! | 0:21:09 | 0:21:10 | |
Did you know it's illegal to laugh in Edinburgh | 0:21:10 | 0:21:13 | |
outside the month of August? | 0:21:13 | 0:21:15 | |
These women are prostitutes | 0:21:15 | 0:21:17 | |
and by "prostitutes" I mean they're desperate for clients, | 0:21:17 | 0:21:20 | |
and by "clients" I mean audience members. | 0:21:20 | 0:21:23 | |
Good luck, ladies! | 0:21:23 | 0:21:25 | |
Not a lot of people know that they built the River Thames here | 0:21:25 | 0:21:28 | |
and transported it to London. | 0:21:28 | 0:21:31 | |
Ahh, what a tiring day I've had in the city of Edinburgh | 0:21:31 | 0:21:35 | |
but I give it five stars. | 0:21:35 | 0:21:38 | |
IRISH ACCENT: To be sure, to be sure, to be sure. | 0:21:38 | 0:21:41 | |
Ladies and gentlemen, I am very excited about my next act. | 0:21:48 | 0:21:52 | |
He's going to go on to big things and I can't wait to see what. | 0:21:52 | 0:21:55 | |
Go crazy, go wild, go really loud for Dane Baptiste! | 0:21:55 | 0:21:59 | |
CHEERING AND APPLAUSE | 0:21:59 | 0:22:02 | |
-Yeah. How you guys doing? Are you all right? ALL: -Yeah! | 0:22:08 | 0:22:10 | |
How many people here are from Edinburgh? | 0:22:10 | 0:22:12 | |
CHEERING Cool, cool. | 0:22:12 | 0:22:14 | |
It's my third time here, guys. Thank you for having me in your city. | 0:22:14 | 0:22:17 | |
Erm, I do enjoy it here but I have to be honest, | 0:22:17 | 0:22:20 | |
when I am here I kind of feel like a Coco Pop in a bowl of Rice Krispies. | 0:22:20 | 0:22:25 | |
I could be in worse places, OK? I've been in worse places. | 0:22:27 | 0:22:30 | |
Like, I could be at work doing a normal job. | 0:22:30 | 0:22:32 | |
How many people here enjoy their job? WEAK CHEERING | 0:22:32 | 0:22:35 | |
So, that's about four of you? | 0:22:35 | 0:22:36 | |
I have a job. I hate the job, I hate the people I work with even more, OK? | 0:22:38 | 0:22:43 | |
I hate my job so much that in my office, on my desk, | 0:22:43 | 0:22:48 | |
there's a picture of a family... | 0:22:48 | 0:22:50 | |
..that I'm not related to. | 0:22:51 | 0:22:54 | |
But it's there just so when those dickheads from work go, | 0:22:54 | 0:22:57 | |
"All right, Dane, coming for a drink after work?" | 0:22:57 | 0:22:59 | |
I can go, "I'm afraid I can't." | 0:22:59 | 0:23:01 | |
As you can see, I have a family, so..." | 0:23:07 | 0:23:09 | |
Normally I get, like, cynical responses from people like, | 0:23:11 | 0:23:13 | |
"Dane, your family look a bit Filipino. Why is this?" | 0:23:13 | 0:23:18 | |
And I'm like, "Well, we're adopted, OK? | 0:23:18 | 0:23:20 | |
"You've heard of Benetton? We're the Benetton Baptiste's. | 0:23:20 | 0:23:22 | |
"Why don't you get the fuck away from my desk, Steve?!" | 0:23:22 | 0:23:25 | |
Now, you guys don't know Steve but Steve is a real dick, OK? | 0:23:27 | 0:23:29 | |
He's one of these guys that comes into the office a bit too enthusiastic. | 0:23:29 | 0:23:32 | |
He's always like, "Hey, guys, I'm doing the marathon. | 0:23:32 | 0:23:35 | |
Who was to sponsor me? M'yah." | 0:23:35 | 0:23:37 | |
He says that too, "M'yah." | 0:23:38 | 0:23:41 | |
Like, how many people here watch the marathon? | 0:23:41 | 0:23:43 | |
Yeah, exactly. | 0:23:43 | 0:23:44 | |
Look, I don't give a fuck about the marathon, OK? | 0:23:46 | 0:23:48 | |
I don't see why middle class people can dress up | 0:23:48 | 0:23:50 | |
and run through London, and that's called a marathon. | 0:23:50 | 0:23:52 | |
Me and my friends do that shit, they call it a riot, which I don't think... | 0:23:52 | 0:23:55 | |
LAUGHTER | 0:23:55 | 0:23:58 | |
..I don't think is particularly fair. | 0:24:00 | 0:24:01 | |
The objective is the same, to raise money for the disadvantaged, so... | 0:24:01 | 0:24:04 | |
So I won't sign your sponsorship form, Steve. | 0:24:07 | 0:24:11 | |
So, you'd be surprised to know that I lost that job | 0:24:11 | 0:24:13 | |
but, like, I'm doing my best | 0:24:13 | 0:24:14 | |
because I know, like, no-one wants a guy that is unemployed. | 0:24:14 | 0:24:17 | |
I'm looking for a job right now, OK? | 0:24:17 | 0:24:19 | |
But, you know, we're living in austerity times | 0:24:19 | 0:24:21 | |
and it's hard to find a job in the recession | 0:24:21 | 0:24:23 | |
so you've got to embellish your CV slightly. | 0:24:23 | 0:24:25 | |
You know, exaggerate. | 0:24:25 | 0:24:26 | |
I was in an interview the other day and they were like, | 0:24:26 | 0:24:28 | |
"OK, Dane, so it says here after you graduated from Hogwarts | 0:24:28 | 0:24:32 | |
"and defeated the Decepticons... | 0:24:32 | 0:24:34 | |
"..but you also served in the SAS? | 0:24:38 | 0:24:40 | |
"Can you tell us more about that, please?" | 0:24:40 | 0:24:42 | |
I said, "I would love to bet that shit's classified, so." | 0:24:42 | 0:24:46 | |
It's hard. I mean, it's hard all round. | 0:24:46 | 0:24:48 | |
Like I said, I know it is not good for a man to tell people | 0:24:48 | 0:24:51 | |
you're unemployed but I think that's the least of our worries. | 0:24:51 | 0:24:53 | |
I'm wondering where all the real men have gone in this world, OK? | 0:24:53 | 0:24:56 | |
Like, I know people my age that say stuff like, "Oh, times are hard." | 0:24:56 | 0:24:59 | |
Times can never be hard when you can pause television, OK? | 0:24:59 | 0:25:03 | |
Number one. Not only that, all this free porn. | 0:25:03 | 0:25:05 | |
I don't want to hear people complaining, OK? | 0:25:05 | 0:25:07 | |
Because I remember having to struggle to get hold of some porn, OK? | 0:25:07 | 0:25:10 | |
In those days the women in porn had something | 0:25:10 | 0:25:13 | |
I like to call pubic hair... | 0:25:13 | 0:25:16 | |
which you don't see any more in porn | 0:25:16 | 0:25:18 | |
but in my day we weren't scared of pubic hair, OK? | 0:25:18 | 0:25:20 | |
If you pull down some knickers | 0:25:20 | 0:25:21 | |
and you saw an Ewok doing a somersault you went ahead. | 0:25:21 | 0:25:24 | |
Cos men were men, OK? | 0:25:26 | 0:25:27 | |
And we didn't worry about STDs in those days. | 0:25:28 | 0:25:30 | |
The only STD we worried about was the lurgies, | 0:25:30 | 0:25:32 | |
and you just touched somebody else, and continue with your playtime, OK? | 0:25:32 | 0:25:37 | |
We were real men and we weren't scared of STDs. | 0:25:37 | 0:25:39 | |
And you know something? | 0:25:39 | 0:25:41 | |
If you caught one you just drank a Lucozade | 0:25:41 | 0:25:42 | |
and you walked it off because men... | 0:25:42 | 0:25:45 | |
..men were men, OK? | 0:25:46 | 0:25:47 | |
And I'm worried about my generation of men and where they're going | 0:25:47 | 0:25:50 | |
cos I see some shit that is fucked up nowadays. | 0:25:50 | 0:25:52 | |
Like, for example, I'm in an airport on the way to Edinburgh, guy comes | 0:25:52 | 0:25:55 | |
up to me, and he's like, "Excuse me, sir, can you help me with my suitcase?" | 0:25:55 | 0:25:58 | |
I said, "No, I can't help with your fucking suitcase, you're a man, | 0:25:58 | 0:26:01 | |
"you packed it, you carry it, OK?" | 0:26:01 | 0:26:03 | |
"What, am I supposed to push a wheelchair as well?! | 0:26:05 | 0:26:07 | |
"Get the fuck out of my face." | 0:26:07 | 0:26:08 | |
That's not even the worst part, seriously. | 0:26:16 | 0:26:18 | |
That's not even the worst part. | 0:26:18 | 0:26:19 | |
I'm out with some friends having a great time a few weeks ago, | 0:26:19 | 0:26:22 | |
I saw a guy eating a cake with a fork. | 0:26:22 | 0:26:25 | |
What the fuck is that? | 0:26:28 | 0:26:30 | |
I had enough. I went right up to him, | 0:26:30 | 0:26:31 | |
slapped that shit right out of his hand, told him to be a man. | 0:26:31 | 0:26:34 | |
He starts complaining, "Dane, what's wrong with you? | 0:26:34 | 0:26:37 | |
"This is my wedding, blah, blah, blah." | 0:26:37 | 0:26:38 | |
"I don't give a damn what day it is!" | 0:26:41 | 0:26:42 | |
"You're out-of-control, you should leave." | 0:26:42 | 0:26:44 | |
I said, "I didn't want to come to your wedding anyway, Steve." | 0:26:44 | 0:26:48 | |
He was like, "M'yeh." | 0:26:50 | 0:26:51 | |
But, no, I mean, like I said, I'm from London where we have, | 0:26:52 | 0:26:55 | |
like, a serious, like, youth gang culture. | 0:26:55 | 0:26:57 | |
There's a little problem there. | 0:26:57 | 0:26:58 | |
I think the problem is nowadays that kids are no longer | 0:26:58 | 0:27:01 | |
scared of consequence, OK? | 0:27:01 | 0:27:02 | |
No-one scared of going to prison any more | 0:27:02 | 0:27:04 | |
because prison has PlayStation, OK? | 0:27:04 | 0:27:06 | |
The only person I see on TV giving people discipline is Supernanny | 0:27:06 | 0:27:09 | |
but I'm not scared of these little wannabe rude boys | 0:27:09 | 0:27:11 | |
cos I know what they're scared of. | 0:27:11 | 0:27:13 | |
You want to know what they're scared of? | 0:27:13 | 0:27:15 | |
-You want to know what they're scared of? ALL: -Yes. | 0:27:15 | 0:27:18 | |
Wasps. | 0:27:18 | 0:27:20 | |
Listen, I don't care who you are, | 0:27:21 | 0:27:23 | |
no-one is a gangster when there's a wasp around, OK? | 0:27:23 | 0:27:27 | |
I've seen good friends use each other as human shields, | 0:27:27 | 0:27:30 | |
I've seen the sexuality of rude boys change in the blink of an eye. | 0:27:30 | 0:27:33 | |
Guys walking around like, "Yeah, bruv, round here | 0:27:33 | 0:27:35 | |
"I don't give a fuck..." HE BUZZES | 0:27:35 | 0:27:37 | |
"No, that was a hornet, OK? That was a hornet and I am allergic. | 0:27:41 | 0:27:45 | |
"That's the only reason I did that. | 0:27:45 | 0:27:46 | |
"You guys all know that wasps are the bullets that can think, OK? So... | 0:27:46 | 0:27:50 | |
"That's the reason I did that, so. So, yeah." | 0:27:50 | 0:27:52 | |
But, guys, that's been my time. I've been Dane Baptiste. | 0:27:52 | 0:27:55 | |
Thank you very much, guys. Cheers. CHEERING AND APPLAUSE | 0:27:55 | 0:27:58 | |
Dane Baptiste! Yes! | 0:28:01 | 0:28:04 | |
Fantastic stuff! | 0:28:06 | 0:28:07 | |
Now, our next comedian is doing his debut stand-up show | 0:28:08 | 0:28:11 | |
up here at the Fringe. | 0:28:11 | 0:28:13 | |
I love him, you're going to love him, | 0:28:13 | 0:28:14 | |
it's the brilliant Liam Williams! | 0:28:14 | 0:28:17 | |
Thank you. | 0:28:24 | 0:28:25 | |
That was lovely. Lovely to be here. | 0:28:25 | 0:28:28 | |
All right, here's the first joke. I hope you enjoy it. | 0:28:28 | 0:28:31 | |
So, the universe implodes. | 0:28:31 | 0:28:33 | |
No matter. Thank you. | 0:28:33 | 0:28:36 | |
Liam Williams at your service. What a good joke. | 0:28:37 | 0:28:40 | |
It's a bit geeky, that's the problem. | 0:28:40 | 0:28:42 | |
I was always a bit of a geek at school. | 0:28:42 | 0:28:43 | |
I used to get bullied for that but I dealt with it. | 0:28:43 | 0:28:45 | |
I always gave as good as I got. | 0:28:45 | 0:28:47 | |
In fact, I gave better than I got. | 0:28:47 | 0:28:49 | |
Not to the same people, to the smaller boys, the weaker boys | 0:28:49 | 0:28:53 | |
and my family's animals, and that helped. | 0:28:53 | 0:28:55 | |
Now, a brief gag-based-about- me-section, to begin with. | 0:28:56 | 0:29:00 | |
My name is Liam, brown hair, blue eyes, always up for a laugh. | 0:29:00 | 0:29:03 | |
I live in north London. | 0:29:03 | 0:29:05 | |
I don't really like where I live cos I hate my neighbours. | 0:29:05 | 0:29:07 | |
I'm sure a lot of you have got annoying neighbours. | 0:29:07 | 0:29:09 | |
My neighbours piss me off all day. | 0:29:09 | 0:29:11 | |
Their Wi-Fi connection is so slow, it's just unbearable. | 0:29:11 | 0:29:16 | |
I feel very lucky to be here. | 0:29:16 | 0:29:18 | |
How did I, who left school at 16, before going to sixth form | 0:29:18 | 0:29:21 | |
and university, come to be... | 0:29:21 | 0:29:23 | |
..standing before you this evening? | 0:29:25 | 0:29:27 | |
Well, I'll tell you my story | 0:29:27 | 0:29:29 | |
and I'll tell you through the MEDIUM of storytelling. | 0:29:29 | 0:29:32 | |
Just normal stand-up. | 0:29:32 | 0:29:34 | |
We begin in Leeds, in 1974, | 0:29:35 | 0:29:38 | |
and then immediately fast forward 14 years to 1988, the year of my birth. | 0:29:38 | 0:29:42 | |
My mother is talking to my grandfather, her father, and friend. | 0:29:45 | 0:29:49 | |
"Dad, I'm pregnant with the semi-professional comedian Liam Williams." | 0:29:51 | 0:29:56 | |
I should say my grandad was a wise, complex, | 0:29:57 | 0:29:59 | |
somewhat troubled gentleman, but, for comedic purposes, | 0:29:59 | 0:30:02 | |
in this skit will be portrayed as an old Yorkshire git. | 0:30:02 | 0:30:06 | |
"Oh, wonderful news. | 0:30:07 | 0:30:09 | |
"You will of course raise him as we raised you, won't you?" | 0:30:09 | 0:30:12 | |
"You mean, emotionally repressed and in relative poverty?" "Aye." | 0:30:12 | 0:30:16 | |
"No, Dad." "Why not?" | 0:30:18 | 0:30:20 | |
"Well, Dad, there's this alternative lifestyle we've read about. | 0:30:20 | 0:30:23 | |
"It's called being lower-middle-class." | 0:30:23 | 0:30:26 | |
"What?" | 0:30:26 | 0:30:28 | |
"What does that mean?" HE EXHALES | 0:30:29 | 0:30:31 | |
HE COUGHS | 0:30:33 | 0:30:34 | |
"It means... We'll encourage him to eat three or four portions of fruit | 0:30:34 | 0:30:39 | |
"and vegetables a day and strike him biannually at most. | 0:30:39 | 0:30:42 | |
"We really think this is for the best. | 0:30:42 | 0:30:45 | |
"Please, Dad, say you understand." | 0:30:45 | 0:30:47 | |
But Grandad didn't say he understood. | 0:30:47 | 0:30:48 | |
He just turned away and muttered something about his hat. | 0:30:48 | 0:30:51 | |
"This is a flat cap." | 0:30:51 | 0:30:53 | |
My parents did give me a good upbringing, but they were the kind | 0:30:54 | 0:30:57 | |
of parents who would always remind me I was having a good upbringing, | 0:30:57 | 0:31:00 | |
and say, "Liam, we fed you, clothed you, we put a roof over your head." | 0:31:00 | 0:31:03 | |
I'd say, "Well, I am grateful for those things, Mother and Father, but | 0:31:03 | 0:31:06 | |
"if you didn't do them, you'd have to deal with the police at the door, | 0:31:06 | 0:31:09 | |
asking, "Why is there a starving naked boy on your front lawn?" | 0:31:09 | 0:31:12 | |
So I grew up. Here I am now. And I've realised what I want from life. | 0:31:14 | 0:31:19 | |
Money. I just want money, really. Money and things. | 0:31:19 | 0:31:23 | |
There are a number of inciting incidents that led me to this | 0:31:23 | 0:31:26 | |
realisation, and I'll tell you the one of greatest narrative interest. | 0:31:26 | 0:31:29 | |
This girl came back to my flat, and we made - well, not love, | 0:31:29 | 0:31:33 | |
but the requisite levels of mutual trust to concede bodies to each other | 0:31:33 | 0:31:37 | |
and escape our respective states of loneliness for a little while. | 0:31:37 | 0:31:42 | |
We made sweet that. | 0:31:42 | 0:31:45 | |
And afterwards, she is looking round the room, | 0:31:45 | 0:31:47 | |
I guess just collecting data to take away with and use to assess | 0:31:47 | 0:31:50 | |
the extent to which she is selling herself short in these transactions. | 0:31:50 | 0:31:54 | |
After a minute or so of looking at the room's four walls, | 0:31:54 | 0:31:56 | |
she turns to me and says, "How long have you lived here now?" | 0:31:56 | 0:31:59 | |
I say, "About two years. Why?" "It looks like you've been here a week." | 0:31:59 | 0:32:04 | |
"What do you mean?" | 0:32:04 | 0:32:05 | |
"Well, you've got some things here, but there's no thought. | 0:32:05 | 0:32:08 | |
"It's like your room doesn't have a personality." | 0:32:08 | 0:32:11 | |
And as a joke to imply self-assurance, I say, | 0:32:11 | 0:32:14 | |
"That's because I don't have personality." | 0:32:14 | 0:32:16 | |
And the contrived earnestness in her voice when she says, | 0:32:18 | 0:32:21 | |
"That's not true, Liam." | 0:32:21 | 0:32:24 | |
It's made me quite scared. | 0:32:24 | 0:32:26 | |
So now I want money and things so I can be like, "Ah! | 0:32:28 | 0:32:31 | |
"Look at my on-trend boat shoes. Look at my leather bound iPad case. | 0:32:31 | 0:32:36 | |
"I'm going to get an iPad to go in there one of these days. | 0:32:36 | 0:32:39 | |
"Hand me a MasterCard and this month's GQ magazine and, darling, | 0:32:40 | 0:32:44 | |
"when the bedroom is bathed in sodium light | 0:32:44 | 0:32:46 | |
"and the abyss yawns over the trees, do not stare at it, nor at the | 0:32:46 | 0:32:50 | |
"bare ceiling and presume me bare too, but look instead at this poster | 0:32:50 | 0:32:54 | |
"of skyscraper builders in the olden days eating their lunch on a beam!" | 0:32:54 | 0:32:58 | |
Thank you. | 0:32:59 | 0:33:00 | |
APPLAUSE AND CHEERING | 0:33:00 | 0:33:03 | |
Brilliant. | 0:33:05 | 0:33:06 | |
So far, we've had a lot of brand-new comedians, but now we're going | 0:33:06 | 0:33:10 | |
to meet a double act who were at their peak in the music hall | 0:33:10 | 0:33:13 | |
of the 1970s. Over to Mr Winchester and Tommy. | 0:33:13 | 0:33:17 | |
APPLAUSE AND CHEERING | 0:33:17 | 0:33:19 | |
Hello, comedy fans. | 0:33:21 | 0:33:22 | |
-My name is Mr Winchester, this is my assistant Tommy here. -Hello. | 0:33:22 | 0:33:26 | |
-We are classic entertainers and we do not fuck about. -We belly laugh, mate. | 0:33:26 | 0:33:31 | |
-Get off. Now, we're here at the Edinburgh Festival. -Fringe Festival. | 0:33:31 | 0:33:35 | |
Don't belittle it, Tommy, it's still valid. | 0:33:35 | 0:33:37 | |
We were up here at the festival to show these alternative | 0:33:37 | 0:33:40 | |
-"comedians" - dickheads. -Dickheads. -Dickheads - | 0:33:40 | 0:33:42 | |
These alternative dickheads how this comedy business is done, | 0:33:42 | 0:33:45 | |
cos I know what I'm talking about, | 0:33:45 | 0:33:46 | |
because I've been around the comedy block | 0:33:46 | 0:33:49 | |
and I've got a few hundred thousand comedy on my comedy clock. | 0:33:49 | 0:33:52 | |
-Comedy dashboard. -Don't fucking labour the point. | 0:33:52 | 0:33:55 | |
Now, I've noticed, during my lengthy time as a comedian, that this | 0:33:55 | 0:33:59 | |
comedy business has started to be taken over by... | 0:33:59 | 0:34:02 | |
-Jews. -Young people! | 0:34:02 | 0:34:04 | |
-That's what you said, wasn't it? -Shut up! Not bloody Jews. | 0:34:04 | 0:34:07 | |
-You can't say that on television. -Why not? -Why not? Why not?! | 0:34:07 | 0:34:12 | |
Because there might be one fucking watching. | 0:34:12 | 0:34:14 | |
So, we're going to have a chat with some young people to find out | 0:34:16 | 0:34:19 | |
what they believe comedy to be today. | 0:34:19 | 0:34:23 | |
So, we're sat here with Nick, who is an all-round entertainer, | 0:34:23 | 0:34:27 | |
and in 2011 he was nominated for the biggest prize of all - | 0:34:27 | 0:34:32 | |
the Edinburgh Comedy Award. | 0:34:32 | 0:34:34 | |
But he didn't win. | 0:34:34 | 0:34:35 | |
He's fucking sat right there. Rub it in. | 0:34:37 | 0:34:39 | |
Nick, you are a poet. Why don't you give us one? | 0:34:41 | 0:34:44 | |
THEY CACKLE | 0:34:44 | 0:34:46 | |
-He's doing innuendo. -He knows what I'm doing, he's not a prick. | 0:34:46 | 0:34:50 | |
So, come on, Nick, give us one of your poems. | 0:34:50 | 0:34:53 | |
There was a young man called Beanie | 0:34:53 | 0:34:55 | |
Who magically wished up a genie | 0:34:55 | 0:34:58 | |
But after a wish He asked for a fish | 0:34:58 | 0:35:00 | |
And the genie said, "You fucking idiot. You could have had anything. | 0:35:00 | 0:35:04 | |
"You could have had anything! You're a fucking time waster." | 0:35:04 | 0:35:08 | |
-Is that it? -Is that like surreal? -Yeah, is that surreal? | 0:35:10 | 0:35:13 | |
Yes, it's sort of surreal. | 0:35:14 | 0:35:16 | |
I mean, no offence when I say this, Nick, but surreal comedy is | 0:35:16 | 0:35:19 | |
what you find in a skip round the back of the castration clinic. | 0:35:19 | 0:35:22 | |
-What's that? -A load of bollocks! | 0:35:22 | 0:35:24 | |
BOTH: Haw-haw-haw-haw! | 0:35:24 | 0:35:26 | |
That's a proper joke. Have you got anything like that? | 0:35:26 | 0:35:29 | |
-No, I don't have anything like that. -Well, go on Google. | 0:35:29 | 0:35:32 | |
-There's loads of it, just nick it. -Won't take you long. -Exactly. | 0:35:32 | 0:35:35 | |
You've got to clothe and feed yourself with this stuff, son. | 0:35:35 | 0:35:39 | |
You want to grow up. All right, goodbye. Great act. Great act. | 0:35:39 | 0:35:45 | |
Poor sod. Honestly. Poetry! | 0:35:47 | 0:35:49 | |
I mean, I wish him all the best with his career, | 0:35:49 | 0:35:52 | |
but sadly I have been in this business too long, | 0:35:52 | 0:35:54 | |
and something tells me we'll be plucking his alcohol-soaked, | 0:35:54 | 0:35:59 | |
bloated body out of a swollen river in two or three years' time. | 0:35:59 | 0:36:04 | |
-Isn't that right, Tommy? -No, that's my left. | 0:36:04 | 0:36:06 | |
Haw-haw-haw! That's fucking funny. | 0:36:06 | 0:36:09 | |
Yes, it is, yes, it is. | 0:36:09 | 0:36:11 | |
APPLAUSE AND CHEERING | 0:36:11 | 0:36:14 | |
Now, ladies and gentlemen, go crazy, go wild for Aisling Bea! | 0:36:15 | 0:36:19 | |
APPLAUSE AND CHEERING | 0:36:19 | 0:36:21 | |
Hello! Hello, how are you? Hello. Hi. Hi, everyone, are you all well? | 0:36:24 | 0:36:32 | |
-AUDIENCE: -Yes! | 0:36:32 | 0:36:34 | |
Yay! Oh, great. I am from Ireland. I know, I know. | 0:36:34 | 0:36:39 | |
I was going to use it as a surprise reveal at the end, | 0:36:39 | 0:36:42 | |
but I suppose I'll tell you now. | 0:36:42 | 0:36:44 | |
I am from Ireland, but I live in London now. Ooh! That's right. | 0:36:44 | 0:36:50 | |
My mother used to think I lived a crazy life in London where | 0:36:50 | 0:36:53 | |
I went around brushing my teeth with cocaine | 0:36:53 | 0:36:55 | |
and wiping my arse with money, | 0:36:55 | 0:36:57 | |
and then she visited me | 0:36:57 | 0:36:59 | |
and realised how much of my life I actually spend | 0:36:59 | 0:37:01 | |
sat on the floor in my pyjamas watching the clock tick by | 0:37:01 | 0:37:04 | |
eating my 12th mini Kinder Bueno Hippo. | 0:37:04 | 0:37:07 | |
She said I should try and do exercise, you know, | 0:37:08 | 0:37:11 | |
get out and do exercise because it would be really good for me. | 0:37:11 | 0:37:14 | |
But I found that actually really offensive, | 0:37:14 | 0:37:16 | |
because my mother knows that I have a terrible disability which | 0:37:16 | 0:37:20 | |
prevents me from doing exercise, which is where I actually can't... | 0:37:20 | 0:37:25 | |
I can't... | 0:37:25 | 0:37:26 | |
be arsed! I can't be arsed, I really can't. | 0:37:26 | 0:37:29 | |
But I don't understand certain parts of exercise. You know like running? | 0:37:29 | 0:37:34 | |
Run-ning. Does anyone here know about or go running? Anyone go running? | 0:37:34 | 0:37:41 | |
Exactly. Why would you go running if you're not being chased? | 0:37:41 | 0:37:47 | |
I don't know why. | 0:37:47 | 0:37:49 | |
There's no natural panic in my legs that makes me | 0:37:49 | 0:37:52 | |
want to go any faster than this. | 0:37:52 | 0:37:54 | |
I've got this flatmate called Steph and Steph is American. | 0:37:56 | 0:38:00 | |
Are there any Americans in? | 0:38:00 | 0:38:01 | |
Yeah, because you know if there were. | 0:38:01 | 0:38:03 | |
SHE SHRIEKS | 0:38:03 | 0:38:05 | |
I mean, I love Americans, please come back and invest in Ireland. | 0:38:05 | 0:38:08 | |
I do love Americans, but they've got the sort of natural | 0:38:08 | 0:38:12 | |
enthusiasm for life, and Steph is the same. | 0:38:12 | 0:38:14 | |
Steph is so enthusiastic, and she's just always going for a run. | 0:38:14 | 0:38:18 | |
AMERICAN ACCENT: She's just always going for a run, | 0:38:18 | 0:38:20 | |
just always going for a run. | 0:38:20 | 0:38:22 | |
Steph gets such a buzz out of going for a run that two days later, | 0:38:22 | 0:38:28 | |
she'll do it again. | 0:38:28 | 0:38:30 | |
Do you know what I get a buzz out of? Sitting down. I love sitting down. | 0:38:31 | 0:38:36 | |
Has anyone ever tried it? It's good, isn't it? | 0:38:36 | 0:38:39 | |
There's always these stories in the tabloids about those men who | 0:38:40 | 0:38:44 | |
are found sat there in a chair dead and alone | 0:38:44 | 0:38:49 | |
and they hadn't been found for days. | 0:38:49 | 0:38:52 | |
And they were covered in their own wee. Oh, no. | 0:38:52 | 0:38:55 | |
What those stories never mention is the smile on that man's face. | 0:38:55 | 0:38:59 | |
I can't wait until I've alienated enough of my friends | 0:38:59 | 0:39:03 | |
and family that I can just sit me in a chair all day, weeing | 0:39:03 | 0:39:07 | |
the days away, judged by neither man nor beast watching afternoon | 0:39:07 | 0:39:11 | |
television waiting for the end to come. | 0:39:11 | 0:39:13 | |
I mean, that's kind of the dream, isn't it? I love that. | 0:39:13 | 0:39:17 | |
Cos I don't like moving, you see. | 0:39:17 | 0:39:19 | |
But my mother rang me, she's like, let me give you a piece of advice. | 0:39:19 | 0:39:23 | |
She said, "You have to start doing exercise or you could end up | 0:39:23 | 0:39:27 | |
"becoming fat-thin." | 0:39:27 | 0:39:29 | |
I said, "Jesus Christ on a stick, Mother, what is fat-thin?" | 0:39:31 | 0:39:34 | |
"I read it in a women's magazine." "Well, there's the first problem. | 0:39:34 | 0:39:38 | |
"The only target of women's magazines are other women." | 0:39:38 | 0:39:40 | |
She said, "Fat-thin is where you're thin, | 0:39:40 | 0:39:42 | |
"but you're secretly fat cos you don't do any exercise. | 0:39:42 | 0:39:45 | |
"You can also be thin-fat, fat-fat, thin-thin, too fat, | 0:39:45 | 0:39:49 | |
"too thin, thin in the wrong place, thin in the right place," | 0:39:49 | 0:39:51 | |
and I said, "Mother, as if I don't have enough problems in my life | 0:39:51 | 0:39:54 | |
"trying to walk down the street and not get raped, trying to get equal | 0:39:54 | 0:39:57 | |
"pay, trying to live in a society where 25-year-old women are sticking | 0:39:57 | 0:40:00 | |
"plastic and poison in their faces so that they don't look old so that by | 0:40:00 | 0:40:03 | |
"the time they get to 40, they've nothing left to do to themselves | 0:40:03 | 0:40:06 | |
"but pull out their eyeballs and stick babies' eyeballs in instead, | 0:40:06 | 0:40:09 | |
"that we live in a world where there have been telephones developed | 0:40:09 | 0:40:13 | |
"to send a picture of a cat from one side of the world to the other | 0:40:13 | 0:40:17 | |
"in under a second, yet still, in over 200,000 years of humanity, | 0:40:17 | 0:40:21 | |
"we have not come up with a better way to have a baby child than to | 0:40:21 | 0:40:24 | |
"push something the size of a bowling ball out my tiny hole!" | 0:40:24 | 0:40:28 | |
APPLAUSE | 0:40:29 | 0:40:31 | |
"And now... I have to worry about being fat-thin!" | 0:40:33 | 0:40:38 | |
I said, "Go fuck yourself, Mother." | 0:40:39 | 0:40:41 | |
I didn't. Obviously. I agreed to go to a Zumba class. | 0:40:43 | 0:40:48 | |
My name is Aisling Bea, have a lovely fringe festival. | 0:40:51 | 0:40:54 | |
APPLAUSE AND CHEERING | 0:40:54 | 0:40:55 | |
They loved her! | 0:40:58 | 0:41:00 | |
Right, ladies and gentlemen, the next man is a fantastic, | 0:41:00 | 0:41:03 | |
very funny comedian. | 0:41:03 | 0:41:05 | |
He's won not one, not two, but... | 0:41:05 | 0:41:08 | |
No, hang on, two, all right, he's won two. | 0:41:08 | 0:41:11 | |
That's still a lot, though. He's won two national new act competitions. | 0:41:11 | 0:41:15 | |
Give it up for Pat Cahill! | 0:41:15 | 0:41:17 | |
APPLAUSE AND CHEERING | 0:41:17 | 0:41:19 | |
Good evening. Good evening, everybody. We all right? Yes. Good. | 0:41:26 | 0:41:29 | |
Right, OK, first things first. | 0:41:29 | 0:41:32 | |
You might be wondering, yes, this is a hands-free microphone stand. | 0:41:32 | 0:41:35 | |
CHEERING | 0:41:35 | 0:41:36 | |
Thank you. Manufactured entirely from a coat hanger. You're very kind. | 0:41:36 | 0:41:40 | |
Why? Well, I suppose it's a combination of two things. | 0:41:40 | 0:41:44 | |
A little bit too much spare time. And a coat hanger. | 0:41:44 | 0:41:48 | |
You've got to keep yourself busy. | 0:41:48 | 0:41:50 | |
And it opens me up, opens up the body language. | 0:41:50 | 0:41:52 | |
That's no bad thing, being more approachable, it's nice. | 0:41:52 | 0:41:54 | |
Cos you don't know who I am - I don't know who I am. I've no idea. | 0:41:54 | 0:41:57 | |
I've asked myself the major questions. | 0:41:57 | 0:41:59 | |
Where was I when I last saw myself? | 0:41:59 | 0:42:00 | |
What was I last doing when I had myself? | 0:42:00 | 0:42:02 | |
And have I checked my pockets? I don't know who I am. | 0:42:02 | 0:42:05 | |
So I come up in front of people and try to work it out. | 0:42:05 | 0:42:07 | |
With that in mind, let's have a bit of audience participation | 0:42:07 | 0:42:09 | |
while I sum it up. Basically, when I say, "I'm just an old school", | 0:42:09 | 0:42:12 | |
I want everybody to shout out, "boom boom". Let's give it a go. | 0:42:12 | 0:42:15 | |
-I'm just an old school... AUDIENCE: -Boom boom! -One more time. | 0:42:15 | 0:42:18 | |
-# I'm just an old school... -Boom boom! | 0:42:18 | 0:42:20 | |
# Entertainer trying to come to terms with sensitivity. # | 0:42:20 | 0:42:24 | |
LAUGHTER | 0:42:24 | 0:42:25 | |
That's it. | 0:42:25 | 0:42:26 | |
Basically, I wish it was the 1860s and I could just come up here | 0:42:26 | 0:42:29 | |
and do a little Cockney music hall number for you with all | 0:42:29 | 0:42:32 | |
the nudges and winks and double entendres. | 0:42:32 | 0:42:34 | |
Where I'm not saying what you're thinking and you're thinking | 0:42:34 | 0:42:36 | |
what I'm not saying - something like, | 0:42:36 | 0:42:38 | |
# Come, come, come on an able seaman | 0:42:38 | 0:42:40 | |
# Come, come, come on an able seaman | 0:42:40 | 0:42:43 | |
# Shit on a pile of bricks and then fall and snap your twat. # | 0:42:43 | 0:42:46 | |
You know? | 0:42:46 | 0:42:47 | |
SCATTERED APPLAUSE | 0:42:47 | 0:42:50 | |
-Thank you. # I'm just an old school... -Boom boom! # | 0:42:50 | 0:42:54 | |
Thanks for paying attention. It's a certain time and a certain place. | 0:42:54 | 0:42:58 | |
It's time for a poem. This is called I Love. It goes like this. | 0:42:58 | 0:43:02 | |
I love girls | 0:43:02 | 0:43:03 | |
I love women | 0:43:03 | 0:43:05 | |
Isle of Man | 0:43:05 | 0:43:06 | |
Isle of Dogs | 0:43:06 | 0:43:08 | |
Isle of Skye Isle of Wight... | 0:43:08 | 0:43:10 | |
Sheppey. Guernsey, Canvey island - it's in the estuary. | 0:43:11 | 0:43:15 | |
Portsmouth, technically. Ireland, of course. Greece. | 0:43:17 | 0:43:21 | |
The British Isles, for that. Any landmass that's surrounded by sea. | 0:43:21 | 0:43:25 | |
Thank you. | 0:43:25 | 0:43:26 | |
Some of it's not funny, it's just beautiful. | 0:43:28 | 0:43:31 | |
But I'm not lying when I say I do love girls, I love women. | 0:43:31 | 0:43:34 | |
I love a bit of the old how's your father? | 0:43:34 | 0:43:36 | |
You know, a bit of the old, where's your sister? | 0:43:36 | 0:43:39 | |
LAUGHTER | 0:43:39 | 0:43:41 | |
A bit of the old any family member at all. You know what I'm talking about. | 0:43:43 | 0:43:46 | |
You know, sex. | 0:43:46 | 0:43:47 | |
A little bit of the old. HE BLOWS A RASPBERRY | 0:43:47 | 0:43:49 | |
You know, sex. A bit of the old... sex. | 0:43:49 | 0:43:51 | |
HE MAKES RANDOM SOUND EFFECTS | 0:43:51 | 0:43:54 | |
A bit of the... sex. Sex. A bit of the old... sex. | 0:43:54 | 0:43:57 | |
RANDOM SOUND EFFECTS CONTINUE | 0:43:57 | 0:44:00 | |
A bit of the old... | 0:44:01 | 0:44:03 | |
Sex. Hey? | 0:44:07 | 0:44:09 | |
It's just life, working it all out, putting it out there, advice, | 0:44:09 | 0:44:13 | |
to-ing and fro-ing. You've got to be careful with advice. | 0:44:13 | 0:44:16 | |
I've had some bad advice in my day. | 0:44:16 | 0:44:17 | |
My father gave me a horrible misogynistic chestnut | 0:44:17 | 0:44:20 | |
when I was younger. He said, son, if you want to know what a girl is | 0:44:20 | 0:44:22 | |
going to look like in future, look at the mother. | 0:44:22 | 0:44:25 | |
If you want to know what it's going to be like in 25 years, | 0:44:25 | 0:44:27 | |
look at the mother. We've all heard it. | 0:44:27 | 0:44:29 | |
It's horrible - live for the moment, experience it and all that. | 0:44:29 | 0:44:32 | |
And if you've got a logical, practical brain like me, | 0:44:32 | 0:44:34 | |
you just think, why wait? So... | 0:44:34 | 0:44:35 | |
So now I fuck mums. | 0:44:37 | 0:44:39 | |
The trouble is, the old advice carries on, carries through, | 0:44:41 | 0:44:43 | |
doesn't it? What's Mum going to look like in 25 years? | 0:44:43 | 0:44:45 | |
She'll be a gran, so you start fucking grans. | 0:44:45 | 0:44:47 | |
And what's Gran going to look like in 25 years? Well, she's dead. | 0:44:47 | 0:44:50 | |
So you start fucking the earth. | 0:44:50 | 0:44:52 | |
What's the earth going to look like in 25 years? | 0:44:52 | 0:44:54 | |
It will be the same, so you expand, 25 billion years - well, | 0:44:54 | 0:44:56 | |
it could get sucked into the sun, so you fuck the sun. | 0:44:56 | 0:44:58 | |
The sun collapses and becomes a black hole, | 0:44:58 | 0:45:00 | |
you're fucking a black hole. | 0:45:00 | 0:45:01 | |
The black hole becomes a white dwarf, you're fucking a white dwarf - | 0:45:01 | 0:45:04 | |
I'm hoping no-one walks in on the conversation at this point. | 0:45:04 | 0:45:07 | |
All you've got left is space, so you're just dangling it around. | 0:45:07 | 0:45:10 | |
Then you've got time, you're doing time. | 0:45:10 | 0:45:11 | |
You haven't done the crime but you're doing the time. | 0:45:11 | 0:45:14 | |
Then you think, hang on, | 0:45:14 | 0:45:15 | |
maybe it was just some bad advice in the first place. | 0:45:15 | 0:45:17 | |
Fuck dad. | 0:45:17 | 0:45:19 | |
That's right, ladies and gentlemen, | 0:45:19 | 0:45:20 | |
-I'm just an old school... AUDIENCE: -Boom-boom. | 0:45:20 | 0:45:23 | |
Thank you very much, you've been lovely. I've been Pat Cahill, cheers. | 0:45:23 | 0:45:26 | |
Thanks. | 0:45:26 | 0:45:27 | |
Yes! Give it up one more time for the wonderful Pat Cahill! | 0:45:32 | 0:45:36 | |
Now, the Edinburgh Festival welcomes comedians from all around the world. | 0:45:38 | 0:45:43 | |
This next comedian is from Canada. | 0:45:43 | 0:45:45 | |
Welcome to the twisted imagination of Bobby Mair! | 0:45:45 | 0:45:50 | |
Wow. | 0:45:50 | 0:45:52 | |
Thank you. Hi, I'm Bobby, | 0:46:01 | 0:46:02 | |
and I've done as much cocaine as I look like I've done. | 0:46:02 | 0:46:07 | |
Oh... I went clubbing my first night in Edinburgh, | 0:46:07 | 0:46:10 | |
and I saw something amazing, | 0:46:10 | 0:46:12 | |
I saw a dwarf selling MDMA. | 0:46:12 | 0:46:15 | |
He just came up to me, he was like, "Hey, do you want to buy some MDMA?" | 0:46:15 | 0:46:18 | |
I was like, "No, clearly I'm high enough, | 0:46:18 | 0:46:20 | |
"I'm seeing a dwarf selling MDMA." | 0:46:20 | 0:46:22 | |
Like, "I am on the right level." | 0:46:22 | 0:46:25 | |
Cos it takes balls to be a dwarf drug dealer. | 0:46:25 | 0:46:27 | |
Like, I'm afraid to be a drug dealer, cos any of you could stab me | 0:46:27 | 0:46:30 | |
and take my drugs. | 0:46:30 | 0:46:31 | |
If you are a dwarf drug dealer, at any point somebody could just | 0:46:31 | 0:46:34 | |
come along, pick you and your drugs up and take you away. | 0:46:34 | 0:46:39 | |
And you can't do anything. | 0:46:39 | 0:46:41 | |
And then I remember this one-night stand, | 0:46:41 | 0:46:44 | |
and during sex this girl really scratched my back a lot, | 0:46:44 | 0:46:47 | |
like, she dug her nails in. | 0:46:47 | 0:46:48 | |
And then afterwards she calls a cab. | 0:46:48 | 0:46:50 | |
And I went outside to the cab with her, | 0:46:50 | 0:46:52 | |
she was like, "You don't have to wait for the cab with me." | 0:46:52 | 0:46:54 | |
I'm like, "Yes, I do." She was like, "Why?" | 0:46:54 | 0:46:57 | |
I'm like, "Cos look, if you get kidnapped and murdered, | 0:46:57 | 0:46:59 | |
"my DNA is under your fucking fingernails. | 0:46:59 | 0:47:02 | |
"And I don't seem like the kind of guy that wouldn't kill a chick." | 0:47:05 | 0:47:09 | |
Like, I know what I am. | 0:47:12 | 0:47:14 | |
I was walking down the street | 0:47:14 | 0:47:15 | |
and this crowd of kids kept shoulder-checking me really hard, | 0:47:15 | 0:47:18 | |
so I said, "Hey, kids, stop touching me! | 0:47:18 | 0:47:19 | |
"You're violating my parole." | 0:47:19 | 0:47:22 | |
Oh... I have a bit of a cold right now. | 0:47:25 | 0:47:27 | |
The worst part for me about having a cold | 0:47:27 | 0:47:29 | |
is when you smell women's hair on the bus, they can hear you. | 0:47:29 | 0:47:34 | |
I grew this beard because I wanted to, like, have the beard of a man. | 0:47:39 | 0:47:42 | |
It didn't work, though. | 0:47:42 | 0:47:44 | |
I just have the beard of a woman in the circus. | 0:47:44 | 0:47:47 | |
Sometimes people scream at me... | 0:47:50 | 0:47:52 | |
Yesterday somebody screamed, "Hey, is your beard real? " | 0:47:52 | 0:47:55 | |
Is it real?! | 0:47:55 | 0:47:56 | |
As if, if it wasn't, this is the beard I would choose. | 0:47:56 | 0:47:59 | |
Like, "I'll take patchy hobo again." | 0:48:01 | 0:48:03 | |
And I was like, "No, actually, it's not real. | 0:48:04 | 0:48:06 | |
"I just model it after Mr Miyagi's balls." | 0:48:06 | 0:48:10 | |
# When I was just a little boy | 0:48:13 | 0:48:17 | |
# I asked my mother "What will I be?" | 0:48:17 | 0:48:20 | |
# Will I be rich? | 0:48:20 | 0:48:22 | |
# Will I be famous? | 0:48:22 | 0:48:23 | |
# Here's what she said to me... # | 0:48:23 | 0:48:25 | |
"NO!" | 0:48:25 | 0:48:27 | |
That's what she said. | 0:48:34 | 0:48:36 | |
MAN IN AUDIENCE: Aww. | 0:48:36 | 0:48:37 | |
When I was a kid, I wanted to be a superhero. | 0:48:37 | 0:48:40 | |
That was my dream. | 0:48:40 | 0:48:41 | |
I'd watch Spider-Man, and then I realised, "Oh, his parents are dead." | 0:48:41 | 0:48:44 | |
Then I was watching Batman, and I was like, "Oh, his parents are dead too." | 0:48:44 | 0:48:48 | |
And then I was watching Superman, | 0:48:48 | 0:48:49 | |
and I was like, "Oh, his parents are also dead." | 0:48:49 | 0:48:52 | |
And then the next day, I was just sitting there | 0:48:52 | 0:48:54 | |
staring at my shitty parents, | 0:48:54 | 0:48:57 | |
realising they're the obstacle to me having powers. | 0:48:57 | 0:49:00 | |
Like, "Yeah, you guys got to get out of the way. | 0:49:02 | 0:49:04 | |
"I hope the roads are icy tomorrow and you die, so I can learn to fly." | 0:49:04 | 0:49:09 | |
And I love X-Men. | 0:49:10 | 0:49:12 | |
My favourite X-Man is Professor Xavier, | 0:49:12 | 0:49:14 | |
because that guy's in a wheelchair, but he can move things with his mind. | 0:49:14 | 0:49:18 | |
But that's what I never understood - like, | 0:49:18 | 0:49:20 | |
if you could move a huge building with you mind, | 0:49:20 | 0:49:22 | |
shouldn't you be able to move your legs with your mind? | 0:49:22 | 0:49:25 | |
CHEERING | 0:49:25 | 0:49:30 | |
I think he was just faking it for a better disability cheque. | 0:49:30 | 0:49:34 | |
That's what was going on. | 0:49:34 | 0:49:37 | |
I'm actually adopted. | 0:49:40 | 0:49:41 | |
I am. I've never met my mom, I don't know what she does for a living. | 0:49:42 | 0:49:46 | |
And that makes it hard to enjoy a lap dance. | 0:49:46 | 0:49:49 | |
Some guys want some beautiful stripper, | 0:49:53 | 0:49:55 | |
I just want one that doesn't have my nose. | 0:49:55 | 0:49:57 | |
That's all I'm looking for. | 0:49:57 | 0:49:59 | |
And I was adopted into a dysfunctional family. | 0:49:59 | 0:50:02 | |
That's bad luck. | 0:50:02 | 0:50:04 | |
It's like, my biological parents were like, | 0:50:04 | 0:50:07 | |
"Oh, we do not have the capacity to take care of this child." | 0:50:07 | 0:50:11 | |
Then my adopted parents came in, they were like, | 0:50:11 | 0:50:13 | |
"Hey, we also do not have the capacity to take care of this child, | 0:50:13 | 0:50:17 | |
"but luckily we're not self-aware. | 0:50:17 | 0:50:20 | |
"Come here, baby Bobby." | 0:50:21 | 0:50:23 | |
Well, I've been trying to sober up. Reading the news more. | 0:50:28 | 0:50:31 | |
I like Obama, and not cos of his policies - | 0:50:31 | 0:50:33 | |
just cos I'd be sad if David Cameron lost his only black friend. | 0:50:33 | 0:50:38 | |
But I have an idea - I want you all to tell me what you think. | 0:50:42 | 0:50:46 | |
I think that every person who lives in the Middle East | 0:50:46 | 0:50:49 | |
should get to vote in the US elections. | 0:50:49 | 0:50:52 | |
Cos it really, really affects them. | 0:50:52 | 0:50:54 | |
Like, more than you. More than anyone else. | 0:50:54 | 0:50:57 | |
Like, if you were a guy in America, | 0:50:57 | 0:50:59 | |
who gets elected is just really a figurehead | 0:50:59 | 0:51:02 | |
you blame your problems on. | 0:51:02 | 0:51:04 | |
But if you're Ahmed in Afghanistan, it fucking matters. | 0:51:04 | 0:51:09 | |
Like, who gets elected determines the size of your next family reunion. | 0:51:09 | 0:51:13 | |
So, I'm mentally ill. | 0:51:19 | 0:51:21 | |
But...I'm on meds now, I'm very medicated. | 0:51:22 | 0:51:25 | |
And when I'm not, I have weird bursts of rage. | 0:51:25 | 0:51:29 | |
Even weirder than you've seen already. | 0:51:29 | 0:51:32 | |
And, like, I was on a train platform and I was reading a book. | 0:51:32 | 0:51:35 | |
And I bumped into this lady accidentally | 0:51:35 | 0:51:37 | |
and she said, "Excuse me!" | 0:51:37 | 0:51:39 | |
And I was trying to be nice. I was like, "Oh, what's going on?" | 0:51:39 | 0:51:43 | |
And she was like, "No! | 0:51:43 | 0:51:44 | |
"You should have said excuse me before you bumped into me!" | 0:51:44 | 0:51:47 | |
And you have to understand, when someone annoys me, | 0:51:47 | 0:51:49 | |
I just want instant revenge, and right as she said that, a train came. | 0:51:49 | 0:51:53 | |
And all I wanted to do was jump in front of the train, | 0:51:53 | 0:51:56 | |
then look her in the eyes | 0:51:56 | 0:51:58 | |
and say, "You know, lady, this is all your fault." | 0:51:58 | 0:52:01 | |
And then die. | 0:52:03 | 0:52:05 | |
And then I want my tombstone put on her front lawn. | 0:52:05 | 0:52:08 | |
And it's just going to say, "Bobby Mair. 1986-2013. | 0:52:08 | 0:52:14 | |
"EXCUSE ME!" | 0:52:14 | 0:52:17 | |
And then you'll all read that in the paper and be like, | 0:52:17 | 0:52:19 | |
"That guy took that joke too far." | 0:52:19 | 0:52:21 | |
I'm Bobby Mair, you guys have been great. | 0:52:23 | 0:52:27 | |
Thank you. | 0:52:27 | 0:52:28 | |
Have a great night. | 0:52:30 | 0:52:31 | |
Yeah. | 0:52:37 | 0:52:38 | |
That was Bobby Mair! | 0:52:41 | 0:52:44 | |
Thank you everybody. | 0:52:46 | 0:52:48 | |
What an amazing night we've had. | 0:52:48 | 0:52:50 | |
Give it up one more time for all the fantastic comedians you've seen. | 0:52:50 | 0:52:54 | |
Luckily we've got time for one more act. | 0:52:56 | 0:53:00 | |
They're a comedy hip-hop duo from Limerick, Ireland | 0:53:00 | 0:53:03 | |
with plastic bags on their faces. | 0:53:03 | 0:53:05 | |
I know what you're thinking. | 0:53:05 | 0:53:07 | |
"Oh, not that sort of thing again." | 0:53:07 | 0:53:09 | |
Yes. | 0:53:09 | 0:53:11 | |
It's time for the YouTube sensation, the wonderful Rubberbandits! | 0:53:11 | 0:53:15 | |
HIP-HOP BEAT PLAYS | 0:53:18 | 0:53:20 | |
# I'm at Amanda's wedding | 0:53:43 | 0:53:45 | |
# In a church on Thomas Street | 0:53:45 | 0:53:47 | |
# I'm lookin' at a bridesmaid | 0:53:47 | 0:53:49 | |
# And she's lookin' back at me | 0:53:49 | 0:53:50 | |
# And when the service ends I ask her | 0:53:50 | 0:53:53 | |
# If she wants a lift back to the hotel | 0:53:53 | 0:53:56 | |
# And if it goes well finger and a shift | 0:53:56 | 0:53:59 | |
# She says Fitzy drives a Mitzy | 0:53:59 | 0:54:01 | |
# And he offered me a spin | 0:54:01 | 0:54:03 | |
# And Enda have a Honda | 0:54:03 | 0:54:05 | |
# So I might just go with him | 0:54:05 | 0:54:07 | |
# And Darren Gibney said he'd bring me in his Subaru | 0:54:07 | 0:54:11 | |
# So what the fuck would make you think | 0:54:11 | 0:54:14 | |
# I'd wanna go with you? | 0:54:14 | 0:54:16 | |
# I said, "Fuck your Honda Civic | 0:54:16 | 0:54:18 | |
# "I've a horse outside | 0:54:18 | 0:54:20 | |
# "Fuck your Subaru | 0:54:20 | 0:54:22 | |
# "I have a horse outside | 0:54:22 | 0:54:24 | |
# "And fuck your Mitsubishi I've a horse outside | 0:54:24 | 0:54:28 | |
# "If you're lookin' for a ride I've a horse outside" | 0:54:28 | 0:54:33 | |
# She said, "I don't believe ya" | 0:54:33 | 0:54:35 | |
# I said, "It's fuckin' true | 0:54:35 | 0:54:37 | |
# "I swapped him for a bag of yokes in 1992 | 0:54:37 | 0:54:41 | |
# "I don't need insurance | 0:54:41 | 0:54:43 | |
# "I don't need no parkin' space | 0:54:43 | 0:54:45 | |
# "And if you try to clamp my horse | 0:54:45 | 0:54:47 | |
# "He'll kick you in the face | 0:54:47 | 0:54:49 | |
# "I don't pay no tax | 0:54:49 | 0:54:52 | |
# "Fuck MOT | 0:54:52 | 0:54:53 | |
# "You'll arrive in style if you ride with me" | 0:54:53 | 0:54:57 | |
# And the boys are walkin' over | 0:54:57 | 0:54:59 | |
# Jinglin' their keys | 0:54:59 | 0:55:02 | |
# I look the fuckers up and down | 0:55:02 | 0:55:04 | |
# And give them one of these | 0:55:04 | 0:55:06 | |
# I said, "Fuck your Honda Civic | 0:55:06 | 0:55:08 | |
# "I've a horse outside | 0:55:08 | 0:55:10 | |
# "Fuck your Subaru I have a horse outside | 0:55:10 | 0:55:14 | |
# "And fuck your Mitsubishi | 0:55:14 | 0:55:16 | |
# "I've a horse outside | 0:55:16 | 0:55:18 | |
# "If you're lookin' for a ride | 0:55:18 | 0:55:21 | |
# "I've a horse outside" | 0:55:21 | 0:55:23 | |
# Giddy up now, baby | 0:55:23 | 0:55:25 | |
# Bless my soul | 0:55:25 | 0:55:27 | |
# I rode the fucker round a field back since he was a foal | 0:55:27 | 0:55:31 | |
# He runs a bit like Shergar | 0:55:31 | 0:55:33 | |
# And he jumps like Tir na nOg | 0:55:33 | 0:55:35 | |
# He looks like Billy Piper after half an ounce of... | 0:55:35 | 0:55:40 | |
# And the boys are lookin' jealous | 0:55:40 | 0:55:42 | |
# As I lead yer one away | 0:55:42 | 0:55:44 | |
# And just before I close the door | 0:55:44 | 0:55:46 | |
# I look at her and say | 0:55:46 | 0:55:47 | |
# "Would you be my girl?" | 0:55:47 | 0:55:50 | |
# She says, "I will of course | 0:55:50 | 0:55:52 | |
# "If ya grab me by the ponytail and ride me like a horse" Ya! | 0:55:52 | 0:55:57 | |
# Fuck your Honda Civic | 0:55:57 | 0:55:58 | |
# I've a horse outside | 0:55:58 | 0:56:00 | |
# Fuck your Subaru I have a horse outside | 0:56:00 | 0:56:04 | |
# And fuck your Mitsubishi I've a horse outside | 0:56:04 | 0:56:08 | |
# If you're lookin' for a ride I've a horse outside | 0:56:08 | 0:56:13 | |
# Giddy up now, baby | 0:56:13 | 0:56:15 | |
# Giddy up now, baby | 0:56:15 | 0:56:17 | |
# Giddy up | 0:56:17 | 0:56:18 | |
# Giddy up | 0:56:18 | 0:56:19 | |
# Giddy up... # HE SCATS | 0:56:19 | 0:56:22 | |
# Giddy up... # HE SCATS | 0:56:22 | 0:56:24 | |
# Giddy up... # HE SCATS | 0:56:24 | 0:56:26 | |
# Giddy up | 0:56:26 | 0:56:27 | |
# Giddy up | 0:56:27 | 0:56:28 | |
# Giddy up, my fuckin' horse Yeah. # | 0:56:28 | 0:56:31 | |
Good night! | 0:56:41 | 0:56:43 | |
Subtitles by Red Bee Media Ltd | 0:56:50 | 0:56:53 |