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This programme contains strong language | 0:00:02 | 0:00:09 | |
Ross Lee is a practitioner of pranking, and the public his prey. | 0:00:09 | 0:00:12 | |
A master of mischief, this is what happens when he spins out of control | 0:00:12 | 0:00:16 | |
and crashes into the real world. | 0:00:16 | 0:00:18 | |
Take all your shit and fuck off now. | 0:00:36 | 0:00:39 | |
MAN SHOUTS IN PANIC | 0:00:45 | 0:00:48 | |
Ross, come in, Ross. | 0:00:48 | 0:00:49 | |
SHOUTING CONTINUES THEN STOPS ABRUPTLY | 0:00:49 | 0:00:52 | |
At a garden centre somewhere, | 0:01:00 | 0:01:02 | |
this bouffant buffoon is searching for a new barbeque. | 0:01:02 | 0:01:05 | |
-All right, mate. -Can you do us a favour, pal? Can you show me how this works? -Turn it on. | 0:01:06 | 0:01:11 | |
Oh, right, it's gas. If I'm going to buy it, I need to try it, you know? | 0:01:11 | 0:01:15 | |
Am I all right just having a look at it for a couple of minutes, | 0:01:15 | 0:01:18 | |
-before I decide, then I'll give you a shout? -No worries. | 0:01:18 | 0:01:21 | |
Are you having a laugh? Get it off. | 0:01:34 | 0:01:36 | |
-Get what off? -Take all that stuff off. | 0:01:36 | 0:01:39 | |
-They're nearly ready these, look. -Take them off and get out. | 0:01:39 | 0:01:43 | |
-Have a beer, chill out, relax, come on. -Take all your shit... | 0:01:43 | 0:01:46 | |
Look, I'm not going to buy it if I've not tried it, here you are. | 0:01:46 | 0:01:49 | |
I don't care, take your stuff and go. | 0:01:49 | 0:01:51 | |
-Are you a vegetarian? -No, no, shut up and get out. | 0:01:51 | 0:01:53 | |
Come on, what's wrong with you? It's a bit ungrateful. | 0:01:53 | 0:01:56 | |
Here I am cooking us some burgers, what am I supposed to put them in? | 0:01:56 | 0:02:00 | |
Here, would you say that were cooked? | 0:02:01 | 0:02:03 | |
Look, take your hat. Now, you see that exit? Go, now. | 0:02:03 | 0:02:08 | |
-Because... -Go now. | 0:02:08 | 0:02:09 | |
-Because I need to... -Go now. | 0:02:09 | 0:02:11 | |
Cos, could I have a sausage? | 0:02:11 | 0:02:13 | |
-Go away. -Look, right, if you buy a car, if you buy a car, | 0:02:13 | 0:02:16 | |
sometimes you've got to test drive the actual car, | 0:02:16 | 0:02:19 | |
do you know what I mean? | 0:02:19 | 0:02:20 | |
-Do us a favour. -Yeah? | 0:02:20 | 0:02:21 | |
Fuck off now and take your fucking stuff! | 0:02:21 | 0:02:25 | |
Meanwhile, across town... | 0:02:26 | 0:02:28 | |
I was just wondering if you could help me. | 0:02:40 | 0:02:42 | |
I've got this bit of a problem, | 0:02:42 | 0:02:43 | |
and I was just wondering if, if you've got anything for it. | 0:02:43 | 0:02:46 | |
OK. | 0:02:46 | 0:02:48 | |
It's a bit embarrassing, it's a lump that's come up on my chest. | 0:02:48 | 0:02:51 | |
Well, I say a lump, it's more like, more like two lumps. | 0:02:51 | 0:02:54 | |
-Right. -Is it all right, can I show you? | 0:02:54 | 0:02:56 | |
-Sure. -Is that OK? Let me just.. | 0:02:56 | 0:02:58 | |
Right, have you got anything for this? | 0:02:58 | 0:03:01 | |
Definitely not. | 0:03:03 | 0:03:05 | |
No. | 0:03:05 | 0:03:07 | |
-How long has that been there? -Well, couple of months now. | 0:03:07 | 0:03:12 | |
-Have you been to a doctor about it? -Not yet, no. | 0:03:12 | 0:03:14 | |
You certainly need to go. | 0:03:14 | 0:03:16 | |
When I get cold, they shrink, | 0:03:16 | 0:03:19 | |
they retract sort of into my... into my body. | 0:03:19 | 0:03:23 | |
This is something I've never seen. | 0:03:23 | 0:03:25 | |
Certainly there will be no creams for that. | 0:03:25 | 0:03:28 | |
OK, the other thing I've noticed, I don't know if it's related, is, if I cough, | 0:03:28 | 0:03:33 | |
they sort of rise upwards and then drop down. | 0:03:33 | 0:03:37 | |
If you watch... | 0:03:37 | 0:03:39 | |
What do you think it might be? | 0:03:42 | 0:03:44 | |
Could be some sort of tumourous growth, | 0:03:44 | 0:03:46 | |
maybe not a deadly cancer, but some sort of growth. | 0:03:46 | 0:03:50 | |
You can't treat this over the counter. | 0:03:50 | 0:03:53 | |
So why would it be then that every time I listen to, say, hip hop music | 0:03:53 | 0:03:58 | |
I get a strong urge to hold them? | 0:03:58 | 0:04:00 | |
I don't know. No, I don't. No idea. | 0:04:00 | 0:04:06 | |
-Strange. -Yeah. | 0:04:06 | 0:04:08 | |
OK, well, thank you so much for trying to help me. | 0:04:08 | 0:04:11 | |
-I appreciate that. -No problem, it's fine. -Thanks, it's driving me nuts but, um, | 0:04:11 | 0:04:15 | |
-thank you very much. -OK. | 0:04:15 | 0:04:17 | |
New age Ross is house hunting | 0:04:30 | 0:04:33 | |
and it's Neil's job to sell him one, | 0:04:33 | 0:04:36 | |
but Ross is more interested in what the spirits have to say. | 0:04:36 | 0:04:40 | |
Do you know why the current owners are renting the place out? | 0:04:40 | 0:04:44 | |
-No. -Do you know if they've been happy? | 0:04:44 | 0:04:46 | |
-I imagine they have, yeah. -Yeah? | 0:04:46 | 0:04:49 | |
Yeah, I mean it looks like a happy house, so... | 0:04:49 | 0:04:52 | |
I'm sensing something quite sad that took place. | 0:04:52 | 0:04:56 | |
Do you want to look upstairs? | 0:04:58 | 0:05:00 | |
Great. | 0:05:00 | 0:05:01 | |
There's many spirits in this room, | 0:05:01 | 0:05:03 | |
there's a beautiful lady that I can see here, called Rosemary. | 0:05:03 | 0:05:08 | |
Right. | 0:05:08 | 0:05:09 | |
-Rosemary, she thinks we should take the place. -That's good, yeah. | 0:05:09 | 0:05:12 | |
In fact, Neil, | 0:05:12 | 0:05:13 | |
could you just give me one minute on my own in the room, | 0:05:13 | 0:05:16 | |
just to deal with the spirit, just to get a feel for the energy? | 0:05:16 | 0:05:20 | |
-Yeah. -Thank you, thank you. | 0:05:20 | 0:05:22 | |
I need to get some pictures, | 0:05:22 | 0:05:24 | |
-I'm just going to quickly set up downstairs, so... -OK, OK. | 0:05:24 | 0:05:28 | |
MAN: And so, the next thing I realised was I was there and I was going, "Oh, yeah, here you are." | 0:05:37 | 0:05:42 | |
Yeah, yeah, yeah... | 0:05:42 | 0:05:44 | |
INAUDIBLE | 0:05:44 | 0:05:46 | |
..steps, and there was this chair, and I was going... | 0:05:46 | 0:05:49 | |
Fuck, Ross, what you doing, man? Oh, Ross. | 0:05:49 | 0:05:54 | |
Ah...aahhh! | 0:05:54 | 0:05:56 | |
Oh, fuck! | 0:05:56 | 0:05:57 | |
ROSS CONTINUES TO MUTTER TO HIMSELF | 0:05:57 | 0:06:01 | |
Dan, you've got to get here, mate, | 0:06:01 | 0:06:03 | |
this guy's a fuck... he's got like skulls and shit. | 0:06:03 | 0:06:07 | |
Dan, you've got to come here quick, man. | 0:06:07 | 0:06:09 | |
The geezer's just like... | 0:06:10 | 0:06:13 | |
Dan, seriously, mate, you'd better come here now. | 0:06:13 | 0:06:16 | |
ROSS SQUAWKS AND GRUNTS | 0:06:16 | 0:06:19 | |
Oh, Dan, man, this geezer's just fucking... | 0:06:19 | 0:06:22 | |
Shall I ring the police? | 0:06:22 | 0:06:25 | |
Oh, I'm going to ring the police, mate. | 0:06:25 | 0:06:28 | |
Look what you've done to the landlord's sheet! | 0:06:28 | 0:06:30 | |
Ross, what you doing? Ross, we've got to go, we've got to leave. | 0:06:31 | 0:06:35 | |
ROSS SHRIEKS | 0:06:35 | 0:06:36 | |
HE MAKES ANIMAL NOISES | 0:06:36 | 0:06:38 | |
You can't do this. | 0:06:38 | 0:06:39 | |
HE SHRIEKS | 0:06:39 | 0:06:42 | |
Ross? | 0:06:46 | 0:06:48 | |
SHRIEKING AND GROANING | 0:06:48 | 0:06:52 | |
Ross, you've got to get up, you've got to leave. | 0:06:54 | 0:06:57 | |
You know, I don't want to be negative, but I don't think this is the right house for me. | 0:06:57 | 0:07:01 | |
That's fine. Mate, we've got to go though, seriously, you can't... | 0:07:01 | 0:07:05 | |
Hello, Darren? | 0:07:05 | 0:07:06 | |
I need somewhere with a bigger downstairs toilet, yeah? | 0:07:06 | 0:07:09 | |
-Right, OK. -OK. | 0:07:09 | 0:07:12 | |
Featuring Mikael, the gay stereotype. | 0:07:16 | 0:07:19 | |
..And her boyfriend, Mark. | 0:07:22 | 0:07:25 | |
-How are you both today? Are you all right? -Yeah, we're fine. | 0:07:25 | 0:07:28 | |
Georgina has set up her boyfriend, Mark, | 0:07:28 | 0:07:31 | |
because he turns into a green-eyed monster when other chaps pay her attention. | 0:07:31 | 0:07:36 | |
She's brought him along to enjoy a massage. | 0:07:36 | 0:07:39 | |
He's no need to stress | 0:07:39 | 0:07:40 | |
because masseuse Mikael is very obviously gay...ish. | 0:07:40 | 0:07:45 | |
Mmm! That's lovely, I could eat you alive. | 0:07:50 | 0:07:54 | |
Here, look at him looking a bit bad tempered. | 0:07:54 | 0:07:57 | |
-What? No, I'm, I've never said... -It's OK. | 0:07:57 | 0:07:59 | |
A bloke sniffing me missus's neck. | 0:07:59 | 0:08:01 | |
-Know what I mean? -No, it's OK, I'm gay. | 0:08:01 | 0:08:04 | |
-Oh, right. -You see around this area here... | 0:08:04 | 0:08:08 | |
-Yeah. -..there's definitely a knot. | 0:08:08 | 0:08:10 | |
Now, listen, I'm just going to try something here. If you don't mind... | 0:08:10 | 0:08:14 | |
Oh, yeah, does that feel any different? | 0:08:14 | 0:08:18 | |
It does, it feels more supported. | 0:08:18 | 0:08:19 | |
If that weight is lifted up then you're going to feel less pressure. | 0:08:19 | 0:08:23 | |
Pop yourself behind that screen, right. | 0:08:23 | 0:08:27 | |
I'm going to give you something that just might help - be a bit more comfortable for you. | 0:08:27 | 0:08:31 | |
Oh, right. | 0:08:31 | 0:08:32 | |
There you go, right. | 0:08:32 | 0:08:34 | |
Before you put that on, | 0:08:34 | 0:08:35 | |
-I just want to take a photograph, right. -Yeah. | 0:08:35 | 0:08:39 | |
What? What's that for? | 0:08:39 | 0:08:40 | |
Well, what it is, she can then look at the picture | 0:08:40 | 0:08:44 | |
and she can see how she's holding herself. | 0:08:44 | 0:08:47 | |
She can also see where the stress lines are, right? | 0:08:47 | 0:08:49 | |
So, stand up nice and straight. | 0:08:49 | 0:08:52 | |
-Right, just put one hand on your hip, that's it. -On her hip? | 0:08:52 | 0:08:55 | |
Come on. That's it, that's it, there we go. | 0:08:55 | 0:09:00 | |
Some nice, relaxing music should do the trick. | 0:09:00 | 0:09:03 | |
MUSIC STARTS | 0:09:03 | 0:09:06 | |
What I need to do is film this treatment, this process. | 0:09:06 | 0:09:10 | |
-Yes. -Is that all right? So... | 0:09:10 | 0:09:12 | |
Sounds like a porno movie. | 0:09:12 | 0:09:14 | |
Move your hips a bit... Right, how does that feel? | 0:09:14 | 0:09:18 | |
-What do you mean, move her hips? -Are you all right there? | 0:09:18 | 0:09:21 | |
Not really. | 0:09:21 | 0:09:22 | |
You will be, don't you worry. | 0:09:22 | 0:09:23 | |
I'm just going to pop that over there, you relax. | 0:09:23 | 0:09:27 | |
There we go. Right, OK, right, take that off. | 0:09:27 | 0:09:30 | |
Oh, fantastic, aren't they? They're really soft. | 0:09:30 | 0:09:33 | |
What, what are you touching? | 0:09:33 | 0:09:36 | |
-You what, mate? -"You what, mate." What you touching? What's really soft? | 0:09:36 | 0:09:40 | |
It's OK, I'm gay. | 0:09:40 | 0:09:43 | |
Fuck me, if you're gay, I'm the queen. | 0:09:43 | 0:09:45 | |
-There we go, pull that. -Pull what? | 0:09:45 | 0:09:47 | |
Do you want to just come round the screen slowly? | 0:09:47 | 0:09:51 | |
That's it. Oh, fantastic, how does that feel? | 0:09:51 | 0:09:55 | |
-Feels great. -Right, right. Listen now. | 0:09:55 | 0:09:58 | |
-Walk slowly towards the camera. -Something ain't right here. | 0:09:58 | 0:10:01 | |
-Just relax, calm down. -How can I relax when you're filming my missus dressed like that | 0:10:01 | 0:10:06 | |
to bloody porno music? | 0:10:06 | 0:10:07 | |
It's couples massage music, don't you worry. | 0:10:07 | 0:10:10 | |
-Bollocks! Go get fucking changed. -I'm just going to get down low here right, there we go, right. | 0:10:10 | 0:10:16 | |
Go and get fucking changed. | 0:10:16 | 0:10:17 | |
Walk past. Slower, slower. | 0:10:17 | 0:10:22 | |
What?! Do you feel better now, do you? | 0:10:22 | 0:10:25 | |
It's OK, I'm gay. | 0:10:25 | 0:10:28 | |
MAN: Oh, yeah. | 0:10:29 | 0:10:31 | |
..Featuring an average northern man requiring refreshment | 0:10:34 | 0:10:37 | |
and a bemused Brazilian barman. | 0:10:37 | 0:10:39 | |
'Ey up, mate, um, just a pint of dandelion and burdock, please, mate. | 0:10:44 | 0:10:48 | |
Burdock... Sorry, I've just been talking to my manager | 0:10:48 | 0:10:53 | |
and we don't have any of that at the moment. | 0:10:53 | 0:10:55 | |
Are you telling me you haven't got any dandelion and burdock? | 0:10:55 | 0:10:58 | |
-Yes, that's what I've been told. -What is it that you're really after? | 0:10:58 | 0:11:01 | |
Whatever you want to drink I can offer you. | 0:11:01 | 0:11:04 | |
I want a pint of dandelion and burdock | 0:11:04 | 0:11:07 | |
and I know what you want. | 0:11:07 | 0:11:09 | |
It's written all over your face. | 0:11:09 | 0:11:11 | |
You men, you're all the same! | 0:11:11 | 0:11:15 | |
OK, if that's the way that you want to play it, | 0:11:16 | 0:11:20 | |
let's do it, | 0:11:20 | 0:11:21 | |
let's have it your way. | 0:11:21 | 0:11:23 | |
# Sometimes it's hard | 0:11:23 | 0:11:27 | |
# To be a woman... # | 0:11:27 | 0:11:30 | |
Are you happy now? | 0:11:30 | 0:11:31 | |
Fine, here we go, are you watching this? | 0:11:31 | 0:11:34 | |
Just for you. | 0:11:34 | 0:11:35 | |
But a deal is a deal, yeah? | 0:11:35 | 0:11:38 | |
There we go. | 0:11:38 | 0:11:40 | |
Yeah? | 0:11:40 | 0:11:42 | |
There you go, mate, now you've got what you want, | 0:11:42 | 0:11:46 | |
can I please have what I want? | 0:11:46 | 0:11:48 | |
If you can cover these for me, that would be great, | 0:11:48 | 0:11:51 | |
I'll try to help you. | 0:11:51 | 0:11:52 | |
Are you seriously trying to tell me that you didn't want to see these things? | 0:11:52 | 0:11:56 | |
I don't want to see them. | 0:11:56 | 0:11:58 | |
You really should stop leading people on, all right? | 0:11:58 | 0:12:01 | |
Presenting a local man with an unusual sideline in frozen goods | 0:12:08 | 0:12:11 | |
and an innocent handyman who's just here to fix the ceiling. | 0:12:11 | 0:12:15 | |
HE WHISTLES | 0:12:19 | 0:12:21 | |
DOORBELL RINGS | 0:12:21 | 0:12:22 | |
Hello, Bill, your handyman. | 0:12:22 | 0:12:24 | |
Ah, hey up, mate, how are you? | 0:12:24 | 0:12:26 | |
This is the job in hand, two little holes here just need filling | 0:12:27 | 0:12:32 | |
-and if you can paint it, would be perfect. -Right. | 0:12:32 | 0:12:35 | |
Just going to nip to the little man's room, | 0:12:35 | 0:12:37 | |
just to spend a penny. | 0:12:37 | 0:12:39 | |
TRICKLING | 0:12:40 | 0:12:43 | |
Phew, that's a strong one, isn't it? | 0:12:51 | 0:12:55 | |
Woah, lovely. | 0:12:55 | 0:12:57 | |
Let's get these little puppies in the freezer, | 0:12:57 | 0:13:00 | |
get them getting nice and hard, solidifying. | 0:13:00 | 0:13:05 | |
-So is that a sideline that you do? -Exactly that. | 0:13:05 | 0:13:08 | |
The kids go absolutely mad for them. We've all | 0:13:08 | 0:13:12 | |
got what it takes to be able to produce these things, | 0:13:12 | 0:13:15 | |
it's just a matter of putting your mind to it. | 0:13:15 | 0:13:18 | |
Actually, I'm being ever so rude here. Would you like one? | 0:13:18 | 0:13:21 | |
-I'll try it. -Yeah, go on. There you go. | 0:13:21 | 0:13:24 | |
What's in that? | 0:13:27 | 0:13:28 | |
It's a pisspop. | 0:13:28 | 0:13:30 | |
A pisspop? | 0:13:30 | 0:13:32 | |
No! Is that why you keep going to the toilet? | 0:13:34 | 0:13:38 | |
Is that what you make it from? | 0:13:39 | 0:13:41 | |
-Special recipe. -Oh, bloody hell! | 0:13:42 | 0:13:45 | |
-Listen, mate, do you want me to tell you all about pisspops? -No, you carry on, it's all right. | 0:13:45 | 0:13:50 | |
Come on, that's it. | 0:13:50 | 0:13:52 | |
I've got something to show you, Bill, and I've got something to tell you, | 0:13:56 | 0:14:00 | |
because I am only going to say this the once. | 0:14:00 | 0:14:05 | |
# Pisspops | 0:14:08 | 0:14:11 | |
# Pisspops | 0:14:11 | 0:14:12 | |
# Frozen golden wonder flowing over your chops | 0:14:12 | 0:14:16 | |
# Lapping up a lovely as your temperature drops | 0:14:16 | 0:14:20 | |
# Pisspops, pisspops | 0:14:20 | 0:14:24 | |
# You want refreshment in the stifling heat | 0:14:26 | 0:14:29 | |
# Your tongues are reaching out for my frozen treat | 0:14:29 | 0:14:34 | |
# So icy hard it never slips when it drips | 0:14:34 | 0:14:38 | |
# Our teeth are gleaming as it tingles our lips | 0:14:38 | 0:14:41 | |
# Pisspops, pisspops | 0:14:41 | 0:14:45 | |
# Frozen golden wonder flowing over your chops | 0:14:45 | 0:14:49 | |
# Lapping up the lovely as your temperature drops | 0:14:49 | 0:14:53 | |
# Pisspops, pisspops | 0:14:53 | 0:14:57 | |
# There was a sad, sad time | 0:15:00 | 0:15:03 | |
# When I was down and out | 0:15:03 | 0:15:08 | |
# I'd spent my every penny | 0:15:08 | 0:15:11 | |
-# I was in a drought -Ah! | 0:15:11 | 0:15:16 | |
# My well had run so dry | 0:15:16 | 0:15:19 | |
# And all the kids were sad | 0:15:19 | 0:15:24 | |
# Not one last pisspop | 0:15:24 | 0:15:27 | |
# At the bottom of my nads | 0:15:27 | 0:15:32 | |
# How did I escape those dire straights? | 0:15:32 | 0:15:36 | |
What did you do? | 0:15:36 | 0:15:39 | |
# I had a few more pints | 0:15:39 | 0:15:43 | |
# And I opened up the gates | 0:15:43 | 0:15:48 | |
# Pisspops, pisspops | 0:15:48 | 0:15:51 | |
# You're in for a sugar puffy potpourri | 0:15:51 | 0:15:54 | |
# Plenty here for you and me | 0:15:54 | 0:15:57 | |
# When we wee wee wee | 0:15:57 | 0:15:59 | |
# Pisspops, pisspops | 0:15:59 | 0:16:02 | |
-# Oh, how we love them -Pisspops | 0:16:02 | 0:16:04 | |
# Pisspops | 0:16:04 | 0:16:07 | |
# Pisspo-ps | 0:16:08 | 0:16:11 | |
Pisspops! # | 0:16:11 | 0:16:13 | |
Starring a man who's mangled his tiny mind with drugs | 0:16:19 | 0:16:23 | |
and a fishmonger in for a sexy treat. | 0:16:23 | 0:16:26 | |
DANCE MUSIC PLAYS ON HIS HEADPHONES | 0:16:32 | 0:16:35 | |
Ey-up, mate. Just one sec, I can't get the bloody music off. Hang on. | 0:16:35 | 0:16:39 | |
-There we go. How you doing? -I'm fine. How are you doing today? | 0:16:40 | 0:16:43 | |
All right. I'm after a fish, believe it or not. | 0:16:43 | 0:16:46 | |
That looks bloody good, that one. What's that one? | 0:16:46 | 0:16:48 | |
-It's called tilapia. -Look at the eyeballs. They're like on stalks, man, aren't they? | 0:16:48 | 0:16:52 | |
It looks like that fish has been larging it all weekend. | 0:16:52 | 0:16:55 | |
I could really, really fall in love with that fish. | 0:16:55 | 0:16:59 | |
Hey, come here. Come here, beautiful. | 0:16:59 | 0:17:03 | |
Hey, where've you been all me life? | 0:17:03 | 0:17:05 | |
-Are you going to buy the fish, man? -This isn't a fish, it's a mermaid. | 0:17:05 | 0:17:09 | |
Wow! | 0:17:12 | 0:17:14 | |
-You're beautiful. -Ross, you're making me so wet! | 0:17:14 | 0:17:18 | |
Come here and kiss me, you skinny little monkey. | 0:17:18 | 0:17:22 | |
Come on! | 0:17:28 | 0:17:29 | |
Make love to me, right here, right now. | 0:17:37 | 0:17:39 | |
Bloody hell! Where do I put it? | 0:17:39 | 0:17:41 | |
Oh! | 0:17:41 | 0:17:42 | |
Oh! | 0:17:43 | 0:17:45 | |
Eew! | 0:17:49 | 0:17:51 | |
Oh, Ross, you're the best lover I've ever had. | 0:17:55 | 0:17:59 | |
Yeah, I've never made love to a half-woman, half-fish...fish...fish... | 0:17:59 | 0:18:07 | |
Whoa-ho-ho! | 0:18:07 | 0:18:09 | |
Flashback! | 0:18:10 | 0:18:12 | |
There you go, mate. Cheers. | 0:18:13 | 0:18:15 | |
Starring the head of security at a disused factory. | 0:18:27 | 0:18:30 | |
And special guest, Jay. | 0:18:30 | 0:18:33 | |
It's Jay's first day on the job and it's up to the boss to show him the ropes. | 0:18:33 | 0:18:38 | |
Just us two today. Adam's just gone. | 0:18:38 | 0:18:40 | |
The only real ball-ache about this job | 0:18:40 | 0:18:42 | |
is there's got to be someone in this control room at all times. | 0:18:42 | 0:18:45 | |
Of course. | 0:18:45 | 0:18:46 | |
So, Jay, I'm just going to do the rounds, right? See you in a bit. | 0:18:46 | 0:18:50 | |
Right, if you look at the monitor, you can I'm in sector one. Over. | 0:19:02 | 0:19:07 | |
Yeah, I see you loud and clear, loud and clear. | 0:19:07 | 0:19:09 | |
Ross to Jay. I'm now in what we call sector two. | 0:19:12 | 0:19:18 | |
I receive. I see you loud and clear, loud and clear. | 0:19:18 | 0:19:20 | |
Peace out. Over. | 0:19:22 | 0:19:25 | |
Over. | 0:19:25 | 0:19:26 | |
Yeah, I see you in sector three now. | 0:19:26 | 0:19:30 | |
I tell you what, it's not rocket science, is it, mate? | 0:19:30 | 0:19:32 | |
No, definitely not. | 0:19:32 | 0:19:33 | |
Ross? Come in. | 0:19:42 | 0:19:44 | |
Hello. Over. | 0:19:47 | 0:19:48 | |
Sector one. I've just seen a TIGER in sector one. | 0:19:48 | 0:19:52 | |
You what, mate? | 0:19:54 | 0:19:55 | |
I just saw a tiger in sector one. | 0:19:55 | 0:19:59 | |
Eh, fuck off, mate. Are you over it, like, you? | 0:19:59 | 0:20:04 | |
What, like a cat, a stray cat? A moggy? | 0:20:04 | 0:20:08 | |
No, mate, a big moggy. | 0:20:08 | 0:20:10 | |
Trust me, a big tiger - it had the stripes and everything. Over. | 0:20:10 | 0:20:14 | |
Well, I'll go and have a look for a big stray cat then, shall I? | 0:20:14 | 0:20:19 | |
Be careful. Over. | 0:20:20 | 0:20:21 | |
Let's have a look, er... | 0:20:21 | 0:20:24 | |
Oh, what a surprise(!) It's, er, negative on the tiger | 0:20:24 | 0:20:29 | |
and I'll have whatever you're smoking, mate. Over. | 0:20:29 | 0:20:32 | |
I'm not funny, mate, it's serious. | 0:20:32 | 0:20:35 | |
I did see it. I swear, I did see it. | 0:20:35 | 0:20:37 | |
ROSS LAUGHS | 0:20:37 | 0:20:39 | |
Knobhead! Over. | 0:20:39 | 0:20:41 | |
That was fucked up! | 0:20:42 | 0:20:45 | |
I'm just going to go for a quick piss now, all right? Over. | 0:20:45 | 0:20:48 | |
Received. Over. | 0:20:48 | 0:20:49 | |
That was fucked up! | 0:20:49 | 0:20:52 | |
CAMERA CLICKS | 0:20:59 | 0:21:00 | |
Oh, you bastard! | 0:21:00 | 0:21:02 | |
Ross, come in, Ross. | 0:21:04 | 0:21:06 | |
Hang on, mate. I'm having a piss, hang on! | 0:21:06 | 0:21:10 | |
There's definitely a tiger. I just saw it. Three times it's come back on our screen, man. | 0:21:10 | 0:21:14 | |
Fuck off, mate. A joke's a joke, innit? | 0:21:14 | 0:21:17 | |
Ross, come in, Ross. | 0:21:20 | 0:21:21 | |
Yeah, Jay. | 0:21:23 | 0:21:24 | |
Right, the tiger's in there, mate. | 0:21:26 | 0:21:28 | |
Oh, come on. This is getting a bit boring now, yeah? | 0:21:30 | 0:21:33 | |
This is actually my job. I've got to take it a little bit seriously. | 0:21:33 | 0:21:36 | |
I mean, I've seen foxes and all that, but tigers? Come on. | 0:21:36 | 0:21:40 | |
Ross, what is behind that post in front of you? | 0:21:40 | 0:21:43 | |
All I can see is a bit of empty space, mate. | 0:21:44 | 0:21:46 | |
What, and darkness? | 0:21:47 | 0:21:49 | |
Yeah, yeah, darkness. Going into the darkness now. | 0:21:49 | 0:21:53 | |
Nothing going on, nothing to report... | 0:21:53 | 0:21:56 | |
TIGER ROARS Fuck me, there's a fucking tiger! | 0:21:56 | 0:22:00 | |
Oh, my God, it is...! | 0:22:15 | 0:22:18 | |
Fucking hell! | 0:22:18 | 0:22:19 | |
TIGER ROARS | 0:22:19 | 0:22:21 | |
Ross, come in, Ross. | 0:22:21 | 0:22:23 | |
CONFUSED RACKET COMES OVER RADIO | 0:22:23 | 0:22:25 | |
Ross, come in, Ross. | 0:22:32 | 0:22:34 | |
TIGER ROARS | 0:22:38 | 0:22:41 | |
Ross, come in, Ross. | 0:22:42 | 0:22:44 | |
Starring an entire restaurant that's wise to the wind up | 0:23:39 | 0:23:42 | |
and the beautifully oblivious Stephanie. | 0:23:42 | 0:23:46 | |
Stephanie's friends have set her up on a blind date from hell. | 0:23:46 | 0:23:50 | |
What lovely friends(!) | 0:23:50 | 0:23:52 | |
Cousin Dan says, "Oh, you'll bloody love her, she looks just like Pink." | 0:23:52 | 0:23:56 | |
-You're better looking than Pink. -Oh, shush! Er... | 0:23:56 | 0:24:00 | |
So far, they're enjoying the restaurant | 0:24:00 | 0:24:02 | |
but Ross has chosen it because he has a score to settle. | 0:24:02 | 0:24:06 | |
My mum and dad were only here last week in this restaurant | 0:24:06 | 0:24:10 | |
but me mum came in that night absolutely crying her eyes out. | 0:24:10 | 0:24:14 | |
Me mum heard the chef go, | 0:24:14 | 0:24:16 | |
"This is for the old lady over there that looks like a bulldog chewing a wasp." | 0:24:16 | 0:24:20 | |
He's not looking for romance, he's looking for revenge. | 0:24:20 | 0:24:23 | |
Are you ready for your order? | 0:24:23 | 0:24:26 | |
Sorry, I just appear to have, er...ripped the, er... | 0:24:26 | 0:24:31 | |
-Oh. -I must've caught it under the bread. | 0:24:31 | 0:24:33 | |
-Sorry about that. Can I give you that back? -Yeah, don't worry, that's OK. | 0:24:33 | 0:24:37 | |
-Right, do you know what you're... -Yeah, can I have the tuna and shrimp, please? | 0:24:37 | 0:24:41 | |
Two of those. I'll have the same, thank you very much. | 0:24:41 | 0:24:44 | |
-Tuna and shrimp. -Fantastic. Thank you very much. | 0:24:44 | 0:24:47 | |
-And tuna and shrimp pizza for you as well. -Thank you. | 0:24:47 | 0:24:50 | |
-Enjoy. -Thank you. -That's great. | 0:24:50 | 0:24:53 | |
It's like a little, tiny blow torch, right? | 0:24:55 | 0:24:59 | |
-Oh, don't. -No, that's all right. Look at that. | 0:25:00 | 0:25:03 | |
See what... | 0:25:04 | 0:25:05 | |
Wow, look at that. | 0:25:09 | 0:25:11 | |
Excuse me. Hi. This pizza, it's all burnt in the middle. | 0:25:14 | 0:25:19 | |
Look at that, it's rock-hard. Can I swap that, please, for a... | 0:25:19 | 0:25:22 | |
-Yeah, sure, so... -It's almost like you've got a very small cooker in there | 0:25:22 | 0:25:25 | |
and it's concentrated on one bit of the pizza. | 0:25:25 | 0:25:28 | |
-Right... -No... | 0:25:28 | 0:25:29 | |
-We're going to get some Champagne now. -No. -Trust me. | 0:25:29 | 0:25:32 | |
All you've got to do is bang me on my back. Ready? | 0:25:32 | 0:25:34 | |
-HE MAKES CHOKING SOUND -No, don't. Please. | 0:25:34 | 0:25:38 | |
Just bang me. | 0:25:39 | 0:25:40 | |
Excuse me, are you OK? You all right? | 0:25:44 | 0:25:47 | |
-Oh, my goodness! -What's that? | 0:25:48 | 0:25:50 | |
What on earth is that doing in my pizza? A Monopoly house. | 0:25:50 | 0:25:53 | |
-It looks like a Monopoly house. -I don't even play Monopoly | 0:25:53 | 0:25:56 | |
How much is that worth in Monopoly? I don't know. | 0:25:56 | 0:26:00 | |
Can I offer you something as a, you know... | 0:26:00 | 0:26:02 | |
-Yes, please. -..to say sorry, basically. | 0:26:02 | 0:26:04 | |
It's a result, isn't it? | 0:26:06 | 0:26:07 | |
If you say so. | 0:26:07 | 0:26:10 | |
I'm just going to go to the lavatory. I'll be right back. | 0:26:10 | 0:26:13 | |
Oh, no! I'm not... | 0:26:17 | 0:26:18 | |
I just got this out of toilet. | 0:26:21 | 0:26:24 | |
Sssh! Amazing. | 0:26:24 | 0:26:25 | |
-Did I get your feet? -No. -OK. | 0:26:30 | 0:26:32 | |
I don't know about you but I'm going to get out of here, right? | 0:26:33 | 0:26:36 | |
-This is a plan. -No, stop it. I'm not having anything else to do with it. | 0:26:36 | 0:26:42 | |
-This is the restaurant. -Ridiculous. -Do you see where we are? We're there. | 0:26:42 | 0:26:46 | |
I'll go down here, cause a distraction | 0:26:46 | 0:26:48 | |
and then we're out of here. | 0:26:48 | 0:26:50 | |
And you just need to follow me, OK? | 0:26:50 | 0:26:52 | |
-No, I'm not doing anything. -You ready? -No. | 0:26:52 | 0:26:55 | |
Stephanie. | 0:26:57 | 0:26:58 | |
HE COUGHS | 0:26:58 | 0:27:00 | |
EXPLOSION | 0:27:02 | 0:27:04 | |
Come on! What you waiting...? Text us! | 0:27:14 | 0:27:17 | |
You have been watching... | 0:27:25 | 0:27:27 | |
You're on a hidden camera show for BBC Three. | 0:27:27 | 0:27:29 | |
Eh? | 0:27:29 | 0:27:30 | |
Round of applause. | 0:27:30 | 0:27:31 | |
CHEERING | 0:27:31 | 0:27:33 | |
Oh, you joker! You joker! | 0:27:33 | 0:27:36 | |
You're on a new BBC Three hidden camera show. | 0:27:36 | 0:27:39 | |
CHEERING | 0:27:39 | 0:27:42 | |
Why did I deserve it? | 0:27:42 | 0:27:43 | |
Because we just needed you to have some fun. | 0:27:43 | 0:27:46 | |
You're on a hidden camera show on BBC Three. | 0:27:46 | 0:27:50 | |
You're a fucking prick! | 0:27:50 | 0:27:52 | |
-And you're right, I'm not actually gay. -And you! | 0:27:52 | 0:27:55 | |
Oh, fucking hell! | 0:27:55 | 0:27:56 | |
Subtitles by Red Bee Media Ltd | 0:27:59 | 0:28:02 | |
E-mail [email protected] | 0:28:02 | 0:28:05 |