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This programme contains some scenes which some viewers may find upsetting | 0:00:02 | 0:00:07 | |
PHONE RINGS | 0:00:07 | 0:00:08 | |
-'What's the emergency?' -It's at 12 Beulah Crescent. | 0:00:08 | 0:00:11 | |
-'Yeah.' -And a young black boy's been stabbed, I think. | 0:00:11 | 0:00:15 | |
It looks like knifed or stabbed. | 0:00:15 | 0:00:17 | |
'Are you looking from your window? Can you see how old he is at all?' | 0:00:17 | 0:00:20 | |
He's about 15. 14, 15. Blood's coming everywhere. | 0:00:20 | 0:00:23 | |
-MAN: Can they get here quick? -He's been stabbed. | 0:00:23 | 0:00:27 | |
He's in a bad way. | 0:00:27 | 0:00:29 | |
SHAKI SOBS | 0:00:29 | 0:00:32 | |
-He's in a bad way. -'We've got someone on the way.' | 0:00:32 | 0:00:35 | |
'He trusted her, he trusted her.' | 0:00:38 | 0:00:41 | |
He trusted her. | 0:00:44 | 0:00:45 | |
This programme contains some violent scenes | 0:00:45 | 0:00:53 | |
He trusted her. | 0:00:53 | 0:00:55 | |
This programme contains some strong language | 0:00:55 | 0:00:59 | |
REPORTER: Police believe Shakilus Townsend was just 16 | 0:00:59 | 0:01:04 | |
-and had fallen in love... -..In a so-called "honeytrap." | 0:01:04 | 0:01:09 | |
That's me. Shakilus Townsend, or Shaki. | 0:01:18 | 0:01:22 | |
I'm 16 and just got out of jail, for the last time. Trust. | 0:01:24 | 0:01:29 | |
I've done some bad things in the past. | 0:01:30 | 0:01:33 | |
Things I'm not proud of. Muggings and that. | 0:01:33 | 0:01:36 | |
But all that's behind me. | 0:01:36 | 0:01:39 | |
# It's a new day | 0:01:39 | 0:01:41 | |
# It's a new life for me | 0:01:41 | 0:01:43 | |
# And I'm feeling good... # | 0:01:43 | 0:01:47 | |
The story I want to tell you involves her. | 0:01:50 | 0:01:53 | |
Oh, Samantha. | 0:01:53 | 0:01:56 | |
I've not even met her yet. | 0:01:56 | 0:01:58 | |
15 years old and already the kind of girl | 0:01:58 | 0:02:00 | |
that makes you want to change everything. | 0:02:00 | 0:02:03 | |
Danny. Her boyfriend. | 0:02:06 | 0:02:09 | |
Yeah, he's 17 and what I call a waste man. | 0:02:09 | 0:02:13 | |
He runs a gang called the Shine My Nine. | 0:02:13 | 0:02:15 | |
It's not funny, man, shut up. | 0:02:15 | 0:02:17 | |
You don't want to mess with them. | 0:02:17 | 0:02:19 | |
But it didn't matter where you went, | 0:02:19 | 0:02:23 | |
there was always boys hanging around, | 0:02:23 | 0:02:25 | |
looking to step up and test man. | 0:02:25 | 0:02:27 | |
Nice hat, blud. | 0:02:27 | 0:02:29 | |
Yo, Batman, where's Robin? | 0:02:29 | 0:02:31 | |
-What you got for me, rudeboy? -Get off me, you dickhead! | 0:02:47 | 0:02:50 | |
You try and turn bad man, yeah, Bugz? | 0:02:50 | 0:02:53 | |
-You got shook, fam. -Whatever, you batty man. | 0:02:55 | 0:02:58 | |
-You're just trying to feel me up! -You wish, man. | 0:02:58 | 0:03:01 | |
That's for all them years of you jumpin' out on me, cuz. | 0:03:01 | 0:03:03 | |
Marcus, man, I've just spent two months in hell | 0:03:03 | 0:03:06 | |
and you can't even greet a man properly? | 0:03:06 | 0:03:08 | |
-What? -Where's my hug? | 0:03:09 | 0:03:11 | |
Aw, fam. | 0:03:12 | 0:03:15 | |
-Ooh! -SHAKI LAUGHS | 0:03:15 | 0:03:16 | |
OK. Think you're hard? That's how you want to roll, yeah? | 0:03:16 | 0:03:19 | |
SHAKI LAUGHS | 0:03:19 | 0:03:21 | |
-What's going on, fam? Bugz is back, fam. -I know. | 0:03:21 | 0:03:26 | |
-How you doing, man? -Yeah, I'm cool. I missed you, man. | 0:03:26 | 0:03:30 | |
'Marcus and me didn't roll in a gang no more. | 0:03:33 | 0:03:35 | |
'We were just bredrins - good friends. | 0:03:35 | 0:03:38 | |
'I didn't give a shit about gangs and postcodes. | 0:03:40 | 0:03:44 | |
'No-one was going to tell me where I could go and couldn't go. | 0:03:44 | 0:03:47 | |
'Which is the attitude that got me into bad trouble.' | 0:03:48 | 0:03:51 | |
You watch too much TV programmes, blud. Why you holding onto me, man? | 0:03:53 | 0:03:57 | |
-Come on, let's just go around. -Why should I? | 0:03:57 | 0:03:59 | |
Ain't trying to step on no man's territory. | 0:03:59 | 0:04:02 | |
We're just trying to reach my yard. Come on, man. | 0:04:02 | 0:04:06 | |
Hey, I don't recognise you. What end you from? | 0:04:09 | 0:04:13 | |
Look, man, we don't want no beef. | 0:04:13 | 0:04:15 | |
Yeah, for real, we're just too humble undercover Feds | 0:04:15 | 0:04:17 | |
-just trying to do our rounds, man. -SHAKI LAUGHS | 0:04:17 | 0:04:20 | |
You trying to take me for some dickhead? | 0:04:20 | 0:04:22 | |
-Calm yourself, little man. -You know who you're chatting to? | 0:04:22 | 0:04:25 | |
What, ghetto Stewie Griffin? Yeah. Don't touch me. | 0:04:25 | 0:04:27 | |
I said don't touch me, blud! | 0:04:27 | 0:04:29 | |
What? Get off the bike, blud. | 0:04:31 | 0:04:33 | |
You're dead! | 0:04:40 | 0:04:42 | |
I'm going to hunt you down! | 0:04:42 | 0:04:45 | |
Whoo! | 0:04:45 | 0:04:47 | |
This is my yard where my mum, three little sisters, | 0:04:51 | 0:04:55 | |
and baby brother live. Mum's had it tough over the years | 0:04:55 | 0:04:58 | |
and I haven't helped her by getting arrested. | 0:04:58 | 0:05:02 | |
But now, now I want to step up and do right by her. | 0:05:02 | 0:05:06 | |
# Come on and do | 0:05:06 | 0:05:09 | |
# Do your duty | 0:05:09 | 0:05:11 | |
-# Do your duty -Come on and do | 0:05:11 | 0:05:16 | |
-# Do your duty -Do your duty | 0:05:16 | 0:05:19 | |
# Oh, do | 0:05:19 | 0:05:21 | |
# What you supposed to do | 0:05:21 | 0:05:23 | |
# Do your duty | 0:05:23 | 0:05:25 | |
# Do what you supposed to do | 0:05:25 | 0:05:27 | |
# Do what you know you got to do... # | 0:05:27 | 0:05:29 | |
Shaki! | 0:05:32 | 0:05:33 | |
All right? I thought you were still sleeping. Come here, sis. | 0:05:35 | 0:05:38 | |
-I missed you. -I missed you, too. | 0:05:38 | 0:05:40 | |
And I'm sorry if it felt like I abandoned you, yeah? | 0:05:43 | 0:05:47 | |
It's my responsibility to look out for you lot. I let you down. | 0:05:47 | 0:05:51 | |
But things are going to be different this time. Trust. | 0:05:51 | 0:05:53 | |
-You sure? -Yeah. It's all about family, I'm trying to get a job. | 0:05:55 | 0:06:01 | |
I might even try college. | 0:06:01 | 0:06:03 | |
-And what about the bike? -Marcus. | 0:06:05 | 0:06:08 | |
-Really? -Get your mind off my ride and get your mind prepared for homework. | 0:06:08 | 0:06:12 | |
Come. | 0:06:12 | 0:06:13 | |
-Catch me if you can, doll. -Wait! | 0:06:13 | 0:06:16 | |
BOTH LAUGH | 0:06:16 | 0:06:19 | |
# I was guilty but I'm a bust case now | 0:06:19 | 0:06:21 | |
MUSIC: "Look What The Cat Dragged In" by Giggs | 0:06:21 | 0:06:25 | |
Applying to college. That was a long. | 0:06:29 | 0:06:33 | |
But with gangs like the Shine My Nine out there, | 0:06:33 | 0:06:36 | |
it made sense to stay home, boy. | 0:06:36 | 0:06:38 | |
-Recognise the colours? -You're in Shine My Nine territory. | 0:06:39 | 0:06:42 | |
-What happened to you? -What happened to me? | 0:07:02 | 0:07:05 | |
-I got attacked, that's what happened. -What? Are you OK? | 0:07:05 | 0:07:08 | |
So I'm pissed off right now. | 0:07:08 | 0:07:09 | |
-What really vexes me, yeah, is that the flowers got destroyed. -Flowers? | 0:07:09 | 0:07:13 | |
Yeah. | 0:07:13 | 0:07:15 | |
I mean, you're always complaining that I ain't romantic enough | 0:07:15 | 0:07:18 | |
so I was going to surprise you. | 0:07:18 | 0:07:20 | |
-And then this dickhead is coming and ruining tings. -No, no, no. | 0:07:20 | 0:07:22 | |
Listen, it's OK. Just let it go, yeah? | 0:07:22 | 0:07:24 | |
I'm just glad you're OK. | 0:07:25 | 0:07:27 | |
-Look, you coming in, yeah? -Yeah. | 0:07:30 | 0:07:32 | |
I've got a surprise that will help you de-stress. | 0:07:32 | 0:07:35 | |
Come. | 0:07:37 | 0:07:38 | |
POUNDING MUSIC THROUGH WALL | 0:07:40 | 0:07:43 | |
You like? | 0:07:59 | 0:08:00 | |
-So what's the surprise, babes? -I'm wearing it. | 0:08:02 | 0:08:06 | |
HE LAUGHS | 0:08:06 | 0:08:08 | |
Oh, I see. I thought you was going to give me some off-the-chain head, | 0:08:08 | 0:08:11 | |
or something. | 0:08:11 | 0:08:13 | |
Babe, babe, babe. | 0:08:15 | 0:08:16 | |
It's cool, man. | 0:08:18 | 0:08:19 | |
This works for man. | 0:08:21 | 0:08:23 | |
-Can we lie down? -Mmm, next round, babes. | 0:08:50 | 0:08:54 | |
Let me just get a little sample. | 0:08:54 | 0:08:57 | |
Hey. I won't bust. Trust me. | 0:08:57 | 0:09:02 | |
HE PULLS DOWN ZIPPER | 0:09:10 | 0:09:13 | |
That night, that night, I knew I shouldn't be out but man got bored. | 0:09:21 | 0:09:25 | |
And then things just had to happen. | 0:09:25 | 0:09:28 | |
# 100% we bang, bang | 0:09:37 | 0:09:39 | |
# Me and my gang, we bang, bang | 0:09:39 | 0:09:43 | |
# See, you and your boys, you got prang | 0:09:43 | 0:09:45 | |
# Got it but got no time So your man dem better be easy | 0:09:45 | 0:09:48 | |
# Don't try and save face when you see me | 0:09:48 | 0:09:50 | |
# I'm a star, see me on your TV | 0:09:50 | 0:09:52 | |
# All the girls see me and get freaky | 0:09:52 | 0:09:54 | |
# They all want to lash me... # | 0:09:54 | 0:09:56 | |
-What's wrong, man? -I'm fed up. | 0:09:56 | 0:09:59 | |
Hey, that's the beat right there. | 0:09:59 | 0:10:01 | |
Hey, operator. Wheel it up. Wheel it up. | 0:10:01 | 0:10:04 | |
Now I'm out, everyone feels mad distant, like. | 0:10:04 | 0:10:09 | |
Everyone's grown up. A big man tip now, fam. | 0:10:09 | 0:10:11 | |
So am I. | 0:10:11 | 0:10:13 | |
Is that why you're wearing a Batman hat, yeah? | 0:10:13 | 0:10:16 | |
Dickhead. | 0:10:16 | 0:10:17 | |
-You got jokes, innit? -Shak, man, settle. | 0:10:17 | 0:10:20 | |
Listen to what your boy said, cuz. | 0:10:20 | 0:10:23 | |
Don't worry, man, I don't want no beef. | 0:10:25 | 0:10:27 | |
Just going to go outside, yeah? | 0:10:27 | 0:10:30 | |
-The weed! -Oh, man, no, he didn't! | 0:10:34 | 0:10:36 | |
LIFT DOORS CHIME | 0:10:41 | 0:10:43 | |
Agh! All right, come, we breeze down the stairs. | 0:10:51 | 0:10:55 | |
I can't explain it. | 0:11:04 | 0:11:06 | |
My boredom makes me do things like jacking weed, | 0:11:06 | 0:11:10 | |
chatting up girls, going places I shouldn't. | 0:11:10 | 0:11:13 | |
That's just me. | 0:11:13 | 0:11:15 | |
What happened to free yard? | 0:11:24 | 0:11:26 | |
-Got to meet man dem. -You've always got to meet the man dem. | 0:11:26 | 0:11:29 | |
What's your problem? | 0:11:29 | 0:11:31 | |
Listen, I ain't one of your little school friends | 0:11:31 | 0:11:33 | |
you can chat to anyhow, you know. | 0:11:33 | 0:11:35 | |
-Calm down. Sorry. -Who you telling to calm down?! | 0:11:35 | 0:11:38 | |
Just come out my yard. | 0:11:43 | 0:11:44 | |
Danny... | 0:11:49 | 0:11:50 | |
Danny. | 0:11:54 | 0:11:56 | |
Go. | 0:12:01 | 0:12:03 | |
When someone is just out of reach, | 0:12:17 | 0:12:19 | |
trust me, that's the one you fall in love with. | 0:12:19 | 0:12:24 | |
Is this seat taken? | 0:13:07 | 0:13:09 | |
Nah, I'm only asking cos I'm a gentleman like that. | 0:13:11 | 0:13:14 | |
I don't want to be all up in your grill. | 0:13:14 | 0:13:15 | |
-So is anyone sitting there? -Obviously not. -Oh, she talks. | 0:13:18 | 0:13:21 | |
Don't worry, man, I ain't got no gun, no knife, just muscle. | 0:13:22 | 0:13:26 | |
Yeah, you like that, innit? | 0:13:29 | 0:13:31 | |
My name is Shakilus. My boys call me Shak or Shaki. | 0:13:33 | 0:13:36 | |
I don't give my name to strangers. | 0:13:38 | 0:13:41 | |
OK. | 0:13:42 | 0:13:43 | |
So what's a fine woman like you, | 0:13:45 | 0:13:47 | |
A, sitting here with no man protecting you, | 0:13:47 | 0:13:50 | |
and, B, riding on public transport? | 0:13:50 | 0:13:52 | |
Cos if you was my woman, I wouldn't let you ride the bus at this hour. | 0:13:53 | 0:13:57 | |
Any man could try and scrape you up. | 0:13:57 | 0:13:59 | |
You'd be in comfort on my Maybach | 0:14:00 | 0:14:02 | |
as we speed down the road, wind in your hair, bass line pumping. | 0:14:02 | 0:14:06 | |
You've got a Maybach? | 0:14:06 | 0:14:08 | |
-Nah, when I'm 18, innit. -SHE LAUGHS | 0:14:09 | 0:14:11 | |
You don't believe man? In a couple of years, you'll see. | 0:14:11 | 0:14:14 | |
-I'll beep when I speed past you at the bus stop. -That's liberties. | 0:14:14 | 0:14:17 | |
-Oh, so you want a lift now, yeah? -Hell, yeah. | 0:14:17 | 0:14:20 | |
I don't give lifts to strangers. | 0:14:22 | 0:14:25 | |
-I need a name first. -Ah, you think you're slick. | 0:14:25 | 0:14:28 | |
Nah, but seriously, where's your man? | 0:14:29 | 0:14:33 | |
I don't need a man to ride the bus. | 0:14:33 | 0:14:35 | |
Coming from your girl's house? | 0:14:43 | 0:14:45 | |
Nah, I'm single. I'm struggling to meet one since Beyonce dumped me | 0:14:46 | 0:14:49 | |
for that idiot Jay-Z. | 0:14:49 | 0:14:51 | |
Aw, don't worry, I'm sure you can do much better. | 0:14:51 | 0:14:54 | |
I was looking at you and thinking the very same thing. | 0:14:54 | 0:14:57 | |
So, like, what do you do, like? | 0:15:04 | 0:15:08 | |
Do you have a job, go to college? | 0:15:08 | 0:15:10 | |
-I'm soon going to college and I'm a working woman. -Ah. Positivity. | 0:15:10 | 0:15:16 | |
-I like that. -What about you? | 0:15:16 | 0:15:17 | |
Yeah, I go to college, and just looking for a job at the moment. | 0:15:18 | 0:15:21 | |
-What, you getting off? -Mmm-hmm. | 0:15:23 | 0:15:24 | |
-Do you want me to escort you to your yard? -Nah. -What about digits? | 0:15:24 | 0:15:28 | |
Pass me your phone, then. | 0:15:30 | 0:15:31 | |
PHONE BUTTONS BEEP | 0:15:33 | 0:15:35 | |
I'll drop-call you so you can know it's me, yeah? | 0:15:35 | 0:15:37 | |
You ain't getting away. | 0:15:39 | 0:15:41 | |
-Wait, what's your name? -Samantha. Sam. -Sam, yeah? | 0:15:42 | 0:15:45 | |
# At last | 0:15:49 | 0:15:53 | |
# My love has come along | 0:15:55 | 0:16:01 | |
# My lonely days | 0:16:05 | 0:16:08 | |
# Are over | 0:16:08 | 0:16:10 | |
# And life is like a song | 0:16:13 | 0:16:17 | |
# Oh, yeah, yeah | 0:16:21 | 0:16:24 | |
# At last | 0:16:24 | 0:16:25 | |
# The skies above are blue | 0:16:29 | 0:16:34 | |
# My heart was wrapped up in clover... # | 0:16:38 | 0:16:42 | |
Whee. | 0:16:51 | 0:16:53 | |
'Hi, Samantha. Just a quick one to say have a good day and that. Shak." | 0:17:00 | 0:17:04 | |
-Who is she, then? -What? | 0:17:04 | 0:17:07 | |
Don't act dumb, Shaki. | 0:17:07 | 0:17:09 | |
What, so can't a man be happy without it being a girl? | 0:17:09 | 0:17:11 | |
I know that look. | 0:17:11 | 0:17:14 | |
Don't watch what I'm doing, man. | 0:17:14 | 0:17:16 | |
MESSAGE ALERT CHIMES | 0:17:16 | 0:17:18 | |
PHONE VIBRATES | 0:17:21 | 0:17:23 | |
MESSAGE ALERT CHIMES | 0:17:23 | 0:17:25 | |
'Baby girl, I beg you meet man at Kiera's Chicken Shop. Urgent things.' | 0:17:25 | 0:17:29 | |
DOG GROWLS | 0:17:31 | 0:17:34 | |
What go on, Sam? You all right? When you going to hook me up | 0:17:43 | 0:17:46 | |
-with one of your friends? -SAM LAUGHS | 0:17:46 | 0:17:48 | |
-You think I can't handle them? I'm a big man. -Of course you are. | 0:17:48 | 0:17:51 | |
-Hi, Sammy. -You all right, Keira? | 0:17:51 | 0:17:53 | |
-This is my cousin Melissa. -Take it easy, yeah. -Get in line, rudeboy. | 0:17:53 | 0:17:58 | |
Right, we're gone. | 0:18:01 | 0:18:02 | |
-And I don't want to see you boys in my chip shop again. -Whatever, Keira. | 0:18:02 | 0:18:06 | |
Sammy, I'll call you later, yeah? | 0:18:06 | 0:18:08 | |
-What's up with you? -What's up with me? What's up with you? -Nothing. | 0:18:13 | 0:18:18 | |
-So what was that text about? -Oh, no, no, I had a free yard, didn't I? | 0:18:18 | 0:18:22 | |
But then the man dem rolled by and now... | 0:18:22 | 0:18:25 | |
Come here. What you saying? | 0:18:25 | 0:18:28 | |
You good? | 0:18:28 | 0:18:31 | |
DOOR OPENS | 0:18:31 | 0:18:32 | |
-Shit, fam! -What's happened to you, cuz? | 0:18:32 | 0:18:36 | |
Got jumped by a gang of men. | 0:18:36 | 0:18:38 | |
You know who they were? | 0:18:38 | 0:18:40 | |
Didn't recognise them. Bandannas on their faces. | 0:18:40 | 0:18:43 | |
There was like, six, seven of them. Different ends, bro. | 0:18:43 | 0:18:45 | |
Danny. You know I love you | 0:18:45 | 0:18:47 | |
but you can't keep calling me out of class like that. | 0:18:47 | 0:18:49 | |
-Why not? You're my girl, innit? -Yeah, I know, but... | 0:18:49 | 0:18:52 | |
Just go back to school, man! We'll go look for these brothers, fam. | 0:18:52 | 0:18:55 | |
MOBILE BEEPS | 0:19:08 | 0:19:10 | |
'I forgot to say I'm free today if you want to link. Shak.' | 0:19:12 | 0:19:16 | |
# I'd even cut my hair and change my name | 0:19:21 | 0:19:25 | |
# Cos we all just want to be big rock stars | 0:19:25 | 0:19:28 | |
# And live in hilltop houses driving 15 cars | 0:19:28 | 0:19:32 | |
# The girls come easy and the drugs come cheap | 0:19:32 | 0:19:35 | |
# We'll all stay skinny cos we just won't eat | 0:19:35 | 0:19:38 | |
# And we'll hang out in the coolest bars... # | 0:19:38 | 0:19:41 | |
SHE GIGGLES | 0:19:41 | 0:19:43 | |
-Nashauna, man! -You're going to flood the house. -Out! | 0:19:43 | 0:19:47 | |
Dirty thief, that's my phone. | 0:19:47 | 0:19:49 | |
-Allow it, man, I wanted to listen to the tune. -I'm telling. | 0:19:49 | 0:19:52 | |
Shauna, I promise I'll give it back when I'm leaving. | 0:19:52 | 0:19:55 | |
And don't be bringing any crazy girl to the yard. | 0:19:55 | 0:19:58 | |
Who do you think you are? Mum or something? Get out, man. | 0:19:58 | 0:20:01 | |
# I want to be a rock star. # | 0:20:01 | 0:20:04 | |
Man's gotta come correct. | 0:20:05 | 0:20:07 | |
I'm not your common hood rat. | 0:20:07 | 0:20:09 | |
And rock has some good tunes, boy, some bangers. | 0:20:09 | 0:20:14 | |
# So I can eat my meals for free | 0:20:14 | 0:20:16 | |
# I'll have the quesadilla, ha-ha | 0:20:16 | 0:20:18 | |
# I'm going to dress my ass with the latest fashion | 0:20:18 | 0:20:22 | |
# Get a front-door key to the Playboy Mansion | 0:20:22 | 0:20:26 | |
# Going to date a centrefold that loves to blow my money for me | 0:20:26 | 0:20:29 | |
# So how you gonna do it? | 0:20:29 | 0:20:31 | |
# I'm gonna trade this life for fortune and fame | 0:20:31 | 0:20:35 | |
# I'd even cut my hair and change my name... # | 0:20:35 | 0:20:39 | |
Thought you weren't going to turn up, girl. | 0:20:44 | 0:20:46 | |
-I've been waiting for time. -You got a problem with that? | 0:20:46 | 0:20:49 | |
No. Women, innit? | 0:20:50 | 0:20:52 | |
-It's good to see you, though. -Going in, yeah? -Yeah. | 0:20:54 | 0:20:57 | |
SHE GIGGLES | 0:21:03 | 0:21:05 | |
You've got game, Shak, I'll give you that. | 0:21:05 | 0:21:08 | |
-What about these? -They're nothing special. | 0:21:09 | 0:21:11 | |
Those are what I'm talking about. | 0:21:19 | 0:21:20 | |
Yeah, you'd look heavy in them, still. | 0:21:20 | 0:21:23 | |
-You going to get 'em? -Way out of my price range. | 0:21:54 | 0:21:58 | |
-How much do you want the shoes? -You don't have to get them for me, Shak. | 0:22:03 | 0:22:07 | |
I know. But I could do. | 0:22:07 | 0:22:11 | |
If it makes you smile. | 0:22:11 | 0:22:13 | |
SHE GIGGLES | 0:22:13 | 0:22:15 | |
Slick, bruv. | 0:22:24 | 0:22:25 | |
Safe. | 0:22:30 | 0:22:31 | |
Good to go. | 0:22:36 | 0:22:38 | |
'Thanks for the shoes.' | 0:22:38 | 0:22:40 | |
-Oi! -Huh? Yeah, babes? | 0:22:42 | 0:22:44 | |
-Ready? -Yeah, come. | 0:22:46 | 0:22:47 | |
I tried to forget about her and go about my business. | 0:23:01 | 0:23:04 | |
Play it cool. Let her contact me first. | 0:23:04 | 0:23:08 | |
But I couldn't get her out of my head. | 0:23:09 | 0:23:11 | |
BELL RINGS | 0:23:16 | 0:23:18 | |
I'll see you in a minute, yeah? | 0:23:21 | 0:23:23 | |
-Thought you were busy today? -I am. | 0:23:23 | 0:23:27 | |
-But I thought I'd take you with me. -Take me where? -Come, man. | 0:23:27 | 0:23:30 | |
# Hey, these guys are hating me when really they should be rating me | 0:23:33 | 0:23:36 | |
# All I want to do is start my piece Start my piece | 0:23:36 | 0:23:38 | |
# Looking at the road What did I see? | 0:23:38 | 0:23:41 | |
# A few boys that I'd like to meet | 0:23:41 | 0:23:43 | |
# So I walked up, like What you got for me? | 0:23:43 | 0:23:44 | |
# He said Two phones at a fiver each | 0:23:44 | 0:23:46 | |
# Boom, give me that, please Give me that, please | 0:23:46 | 0:23:49 | |
# And don't say please | 0:23:49 | 0:23:50 | |
# If you wanna say please then get on your knees | 0:23:50 | 0:23:53 | |
# OK, these guys are hating me when really they should be rating me | 0:23:53 | 0:23:57 | |
# Cos all I want to do is start my piece, start my piece | 0:23:57 | 0:24:00 | |
# These guys are hating me when really they should be rating me | 0:24:00 | 0:24:03 | |
# Cos all I want to do is start my piece | 0:24:03 | 0:24:05 | |
# Start my piece with rapid speed. # Yeah, that's me, innit, man. | 0:24:05 | 0:24:08 | |
Nice one, nice one. | 0:24:08 | 0:24:11 | |
ALL TALK AT ONCE | 0:24:11 | 0:24:14 | |
All right, I thought Sam was different, | 0:24:22 | 0:24:24 | |
going college and that. | 0:24:24 | 0:24:26 | |
Looks good, Rugrat. Fifth floor, man. | 0:24:26 | 0:24:29 | |
But she was part of their world, the Shine My Nines. | 0:24:30 | 0:24:33 | |
I was blind, even when it was right up in my face. | 0:24:34 | 0:24:37 | |
Where the toilet? Where the toilet? | 0:24:38 | 0:24:43 | |
Turn right, you can't miss it. | 0:24:43 | 0:24:44 | |
-Looks good, Rugrat. -Rugrat? | 0:24:59 | 0:25:03 | |
CHANTING: Where you from, brother? I don't have to look at your face. | 0:25:06 | 0:25:10 | |
ALL CONTINUE CHANTING | 0:25:10 | 0:25:12 | |
MOBILE BEEPS | 0:25:14 | 0:25:17 | |
'Can't take the smoke. I'm by the station.' | 0:25:17 | 0:25:21 | |
I've got somewhere to take you. | 0:25:39 | 0:25:42 | |
-Where now? -Come. | 0:25:42 | 0:25:44 | |
-You all right? -Yeah. | 0:25:44 | 0:25:47 | |
PLANE ENGINE ROARS | 0:26:08 | 0:26:11 | |
SHAKI LAUGHS | 0:26:11 | 0:26:13 | |
-It's heavy, innit? -Not my kind of thing. | 0:26:29 | 0:26:31 | |
I thought it would inspire you, | 0:26:32 | 0:26:34 | |
with all the towers and buildings and that. | 0:26:34 | 0:26:36 | |
I don't draw landscapes, Shak, I draw people. Portraits and that. | 0:26:36 | 0:26:40 | |
Sorry, my bad. | 0:26:42 | 0:26:44 | |
You know, one day I'm going to be out there. Making serious paper. | 0:26:46 | 0:26:50 | |
Doing it right but keeping it real. | 0:26:52 | 0:26:54 | |
You get me? | 0:26:56 | 0:26:58 | |
Sorry, what? | 0:27:00 | 0:27:01 | |
You know, Sam, you should feel lucky. | 0:27:05 | 0:27:07 | |
I don't usually chat my business to people. | 0:27:07 | 0:27:10 | |
But you, I don't know, man, you're just... | 0:27:10 | 0:27:12 | |
-It's just different. -Here we go. | 0:27:12 | 0:27:14 | |
-What, you think I'm gassing? -I bet you talk like that to all the girls. | 0:27:14 | 0:27:18 | |
-What have boys done to make you so...? -So what? | 0:27:18 | 0:27:21 | |
So... You're just some tough woman to please. | 0:27:23 | 0:27:26 | |
I bet your ex was some pretty boy, like a model or a footballer. | 0:27:28 | 0:27:33 | |
MC? DJ? | 0:27:33 | 0:27:34 | |
Some businessman. | 0:27:35 | 0:27:36 | |
Policeman. | 0:27:37 | 0:27:40 | |
-Waste man. -SHE GIGGLES | 0:27:40 | 0:27:42 | |
-He was a waste man? -I'm not answering that. | 0:27:42 | 0:27:44 | |
What is wrong with you pretty girls? Oh, my gosh. | 0:27:44 | 0:27:48 | |
A decent man come, and who do you end up linking? The waste man. | 0:27:48 | 0:27:52 | |
He was a nice guy, Shak. | 0:27:52 | 0:27:53 | |
He just...always used to treat me like one of the man dem. | 0:27:53 | 0:27:58 | |
Instead of a woman. | 0:28:00 | 0:28:02 | |
-So who ended the relationship? -Huh? -You or your ex? | 0:28:30 | 0:28:35 | |
Well, I was always telling him one day he'd have to choose between me | 0:28:35 | 0:28:39 | |
or his road life. | 0:28:39 | 0:28:41 | |
And that one day came and he chose road, innit? | 0:28:41 | 0:28:44 | |
At least a real man can step up and take care of you. | 0:28:45 | 0:28:48 | |
Yeah, but right now I'm just doing me. | 0:28:48 | 0:28:52 | |
Do you understand? | 0:28:56 | 0:28:58 | |
What's really good, partner? | 0:29:01 | 0:29:04 | |
-Hi. -Great(!) | 0:29:04 | 0:29:05 | |
I finally get to introduce you to my...my friend. | 0:29:05 | 0:29:09 | |
Samantha, this is Marcus and Jade. Marcus and Jade, this is Samantha. | 0:29:09 | 0:29:13 | |
-Sup. -You all right? So you're the girl that stole Shak from me, yeah? | 0:29:13 | 0:29:17 | |
No. | 0:29:17 | 0:29:20 | |
-So, what end you from? -I'm not from any end. I just live in London. | 0:29:21 | 0:29:26 | |
-Boy, that told you. -MOBILE VIBRATES | 0:29:26 | 0:29:29 | |
-I've got to go. -Hey, what's wrong? | 0:29:34 | 0:29:37 | |
It's my mum. I'll ring you later, yeah? | 0:29:37 | 0:29:40 | |
Even when Sam was acting weird... | 0:29:42 | 0:29:46 | |
it was like she could do no wrong in my eyes. | 0:29:46 | 0:29:48 | |
It was all part of the attraction. | 0:29:48 | 0:29:50 | |
I was caught up, sprung. | 0:29:52 | 0:29:54 | |
-Why would you do that? -Because you pissed me off. | 0:30:11 | 0:30:14 | |
Look, I'm sorry I missed your calls, OK? | 0:30:14 | 0:30:16 | |
My phone was at the bottom of my bag, I didn't hear it. | 0:30:16 | 0:30:19 | |
That's dumb, isn't it? | 0:30:19 | 0:30:20 | |
I had to hand in something. | 0:30:36 | 0:30:39 | |
I was in the library for ages waiting for a free computer to print | 0:30:39 | 0:30:43 | |
and then I had to go into work and that was long. | 0:30:43 | 0:30:46 | |
There's always a school or work excuse with you, isn't it? | 0:30:46 | 0:30:49 | |
Whatever. | 0:30:53 | 0:30:54 | |
You got ten minutes to get out of my house before my stepdad gets home. | 0:30:55 | 0:30:58 | |
It's not my fault. | 0:31:00 | 0:31:01 | |
You should've answered my calls, isn't it? | 0:31:01 | 0:31:03 | |
OK, OK. Again, I'm sorry. | 0:31:03 | 0:31:06 | |
'Let me know if you reach home safely. Hope your mum's OK. Shak.' | 0:31:12 | 0:31:15 | |
What? | 0:31:22 | 0:31:24 | |
Is everything all right with your mum? | 0:31:32 | 0:31:35 | |
Yeah. Why? | 0:31:35 | 0:31:37 | |
Just asking. | 0:31:37 | 0:31:38 | |
-Is there anything that you want to tell me? -What? No. | 0:31:59 | 0:32:01 | |
You sure? | 0:32:07 | 0:32:09 | |
Yeah. | 0:32:09 | 0:32:10 | |
Come, Bugz. Let's break this down. | 0:32:29 | 0:32:32 | |
So, we've already established that you're the one that's putting in all the work | 0:32:35 | 0:32:39 | |
-and buying this girl things. -Yes, that's my choice. | 0:32:39 | 0:32:41 | |
OK, whatever but, what I really want to know is... | 0:32:41 | 0:32:46 | |
..for all this work you're putting in, are you getting piece? | 0:32:47 | 0:32:50 | |
Shakilus Townsend, please tell me that you've pressed the girl. | 0:32:53 | 0:32:57 | |
Oh, you're slipping! | 0:32:57 | 0:33:00 | |
-Shut your mouth, man. -Or what? Are you going to tell me you're on a love ting? | 0:33:00 | 0:33:05 | |
No, you ain't on a love ting. You're the mad ting, fam. | 0:33:06 | 0:33:09 | |
Marcus, you need to stop hating. | 0:33:09 | 0:33:12 | |
I've no reason to hate. I don't want to. | 0:33:12 | 0:33:15 | |
But you ain't even been out with Sam, like. | 0:33:17 | 0:33:19 | |
Bruv, you don't know her. | 0:33:19 | 0:33:21 | |
Mmm. But I know you. | 0:33:21 | 0:33:23 | |
And I know that Roland with this girl was like, | 0:33:24 | 0:33:26 | |
I really want to roll through randomers that you don't even know. | 0:33:26 | 0:33:30 | |
Like the day you came out of pen. | 0:33:30 | 0:33:32 | |
You never know what can happen, man. | 0:33:32 | 0:33:35 | |
But at least I got through back. | 0:33:35 | 0:33:36 | |
If this girl breaks your heart, | 0:33:39 | 0:33:41 | |
you ain't going to be rolling how you're rolling now. | 0:33:41 | 0:33:44 | |
Your hair's going to be all picky. | 0:33:44 | 0:33:46 | |
And you ain't even going to apply for college, man. | 0:33:46 | 0:33:49 | |
Thanks for that advice, man. | 0:33:49 | 0:33:51 | |
I'll just add it to the list with everybody who loves to tell me | 0:33:51 | 0:33:54 | |
what's right, what's wrong, what I can do, what I can't do. | 0:33:54 | 0:33:57 | |
-I'm not blasting you, man. -Bruv, what are we talking about chicks for? | 0:33:57 | 0:34:00 | |
Have you seen the trailer for the Dark Knight, fam? | 0:34:00 | 0:34:02 | |
Fam, don't even get me started... | 0:34:02 | 0:34:05 | |
-That film looks sick! -Are you back and seeing the opening night? | 0:34:05 | 0:34:07 | |
-I'm speaking into the premier, rudeboy! -All right! Hey, I want tickets... | 0:34:07 | 0:34:12 | |
PHONE RINGS | 0:34:12 | 0:34:13 | |
-Hello. -"Are you dealing with Samantha?" | 0:34:17 | 0:34:19 | |
Huh? | 0:34:21 | 0:34:22 | |
PHONE RINGS OFF | 0:34:23 | 0:34:25 | |
Hello? | 0:34:25 | 0:34:27 | |
Man, what's up? | 0:34:28 | 0:34:32 | |
Nothing but planes and clouds, man. | 0:34:32 | 0:34:35 | |
No, but seriously? | 0:34:35 | 0:34:38 | |
If you go to the premier, and you take that chick and you don't get meat... | 0:34:38 | 0:34:43 | |
VOICE FADES | 0:34:43 | 0:34:44 | |
Yeah, I hear you, I hear you. | 0:34:48 | 0:34:50 | |
HE DIALS, TELEPHONE RINGS | 0:35:02 | 0:35:05 | |
TRAIN RATTLES ON THE LINE | 0:35:08 | 0:35:11 | |
TRAIN RATTLING PAST | 0:35:11 | 0:35:14 | |
RATTLING CONTINUES | 0:35:16 | 0:35:19 | |
SHAKILUS HANGS UP | 0:35:22 | 0:35:25 | |
Who's this? | 0:35:45 | 0:35:47 | |
You didn't answer my question. | 0:35:47 | 0:35:49 | |
-How do you know Samantha? -'That's my girl, blud.' | 0:35:49 | 0:35:52 | |
That's bullshit! She told me she was single. | 0:35:52 | 0:35:55 | |
-What, so you ARE seeing her? -'Yeah.' | 0:35:55 | 0:35:59 | |
-What, you think you can get away with it? -Listen, blud, | 0:35:59 | 0:36:02 | |
what makes you think I want to deal with a girl the next man's through? | 0:36:02 | 0:36:05 | |
You trying to take me for some dickhead? | 0:36:05 | 0:36:08 | |
So, you're saying you had no idea? | 0:36:08 | 0:36:10 | |
Course not. | 0:36:10 | 0:36:12 | |
I know enough girls. I ain't trying to steal the next man's. | 0:36:12 | 0:36:16 | |
All right, well, I'm going to find out what go on. D'you get me?! | 0:36:16 | 0:36:19 | |
Hey, Shak. | 0:36:38 | 0:36:40 | |
Sorry I'm late. | 0:36:40 | 0:36:42 | |
What's up? | 0:36:42 | 0:36:43 | |
Oh, you're not in a mood, are you? | 0:36:43 | 0:36:47 | |
I got a call from some boy claiming to be your man. | 0:36:48 | 0:36:52 | |
Really? That might have been my ex I was telling you about. | 0:36:56 | 0:37:00 | |
How'd he get my number, fam? | 0:37:02 | 0:37:04 | |
He might've went through my phone. | 0:37:06 | 0:37:08 | |
How can he go through your phone if he's your ex? | 0:37:10 | 0:37:13 | |
ENGAGED TONE | 0:37:32 | 0:37:34 | |
SHE PUSHES BUTTON REPEATEDLY, BANGS DOOR | 0:37:39 | 0:37:42 | |
Keira, what do you think Danny's going to do? | 0:37:53 | 0:37:56 | |
I haven't done anything. I wasn't sneaking around. | 0:37:56 | 0:37:59 | |
-He's just a friend! -This is you two's business, I'm keeping out of it. | 0:37:59 | 0:38:03 | |
'Welcome to the O2 messaging service. The person...' | 0:38:12 | 0:38:16 | |
Mind out! | 0:38:16 | 0:38:19 | |
-'Welcome to the O...' -SHE CALLS BACK | 0:38:19 | 0:38:22 | |
'Welcome...' | 0:38:22 | 0:38:25 | |
'Welcome to the 02...' | 0:38:25 | 0:38:27 | |
NUMBER RINGS AGAIN | 0:38:27 | 0:38:28 | |
-1They both knew what they were doing. -That's a next level of disrespect. | 0:38:31 | 0:38:34 | |
What are you going to do, fam? | 0:38:34 | 0:38:38 | |
Hold up. I know him. That's the boy that tried to jump me at the park. | 0:38:38 | 0:38:43 | |
-But you said there was big guys. -Yeah, there was. | 0:38:43 | 0:38:46 | |
CONVERSATION CONTINUES, SPEECH INAUDIBLE | 0:38:48 | 0:38:51 | |
MOBILE PHONE RINGS | 0:38:54 | 0:38:56 | |
KNOCKING ON DOOR | 0:39:07 | 0:39:09 | |
Danny? | 0:39:12 | 0:39:13 | |
KNOCKS AGAIN | 0:39:13 | 0:39:16 | |
DOOR OPENS | 0:39:29 | 0:39:31 | |
-I'm so sorry, Danny, I didn't mean... -Did you fuck him? -No, we... | 0:39:56 | 0:40:00 | |
-You give him head? -Danny, we never even kissed. | 0:40:00 | 0:40:03 | |
-Then why you feel the need to hide him from me? -I didn't. | 0:40:03 | 0:40:07 | |
I just never felt like he was important enough | 0:40:07 | 0:40:11 | |
to talk about, and he's not important. | 0:40:11 | 0:40:14 | |
Don't. | 0:40:18 | 0:40:19 | |
Danny, you mean everything to me. | 0:40:21 | 0:40:24 | |
-Really? -You know I can't live without you. | 0:40:32 | 0:40:35 | |
And Shakilus? | 0:40:35 | 0:40:37 | |
He means nothing to me. I love YOU! | 0:40:37 | 0:40:40 | |
And I promise, I will try my hardest to make things right between us. | 0:40:42 | 0:40:47 | |
I'll do anything for you. | 0:40:47 | 0:40:48 | |
Would you get him set? | 0:40:48 | 0:40:51 | |
Set him up? | 0:40:53 | 0:40:54 | |
What, for beats? | 0:40:56 | 0:40:58 | |
OK. Do whatever you have to do. | 0:41:04 | 0:41:07 | |
I just want things between us back to normal. | 0:41:09 | 0:41:12 | |
Can I have a kiss now? | 0:41:15 | 0:41:17 | |
MUSIC: "Dear Heartbeat" by Darkstar | 0:41:26 | 0:41:28 | |
'I never thought I'd be shook of a college interview. | 0:41:35 | 0:41:38 | |
'But it wasn't fear fear. It was hunger. | 0:41:38 | 0:41:43 | |
'I wanted to get into this world. I had to.' | 0:41:43 | 0:41:47 | |
-Shakilus Townsend? -Yeah, that's me. | 0:41:47 | 0:41:49 | |
Come this way. | 0:41:51 | 0:41:52 | |
And that's why this will be the last time I'll ever be late coming in. | 0:42:00 | 0:42:03 | |
Boy, I'll camp overnight to make sure I ain't late again, | 0:42:03 | 0:42:06 | |
especially knowing that teachers like yourselves work here. | 0:42:06 | 0:42:09 | |
No, real talk, I ain't trying it, I'm just saying that | 0:42:09 | 0:42:12 | |
if a certain man's been up all night playing a game and that, | 0:42:12 | 0:42:14 | |
they need all motivation they can get to reach a nine o'clock lesson. | 0:42:14 | 0:42:18 | |
Not that I do that, or I need anyone else to motivate me, | 0:42:18 | 0:42:20 | |
I'm just saying that it's good to know that | 0:42:20 | 0:42:23 | |
a man's going to be greeted by a pretty face early in the morning. | 0:42:23 | 0:42:26 | |
When I'm old, I'm going to get a bag of secretaries like you. | 0:42:26 | 0:42:30 | |
No, I'm not calling you a secretary, I'm just saying | 0:42:30 | 0:42:32 | |
a pretty face definitely helps boost productivity in the world... | 0:42:32 | 0:42:36 | |
SPEECH BECOMES INAUDIBLE # Dear heartbeat | 0:42:36 | 0:42:39 | |
# I need something to soothe me | 0:42:39 | 0:42:42 | |
# Dear heartbeat | 0:42:44 | 0:42:47 | |
# Medicate a dose... # | 0:42:47 | 0:42:49 | |
..if you give me this opportunity, I swear to you, you personally, | 0:42:49 | 0:42:53 | |
I won't let you down. | 0:42:53 | 0:42:55 | |
'I nailed it. The place was mine. Trust me, fam!' | 0:42:57 | 0:43:00 | |
# Sweet distress Now it's time to go... # | 0:43:00 | 0:43:04 | |
TEXT ALERT BEEPS | 0:43:04 | 0:43:06 | |
'Hey, Shak. I'm such an idiot. I should've been honest with you. | 0:43:07 | 0:43:12 | |
'I've been trying to break up with Danny for time. | 0:43:12 | 0:43:15 | |
'I finally think he got the message. Would love to still see you and that. | 0:43:15 | 0:43:19 | |
'We should hook up soon. Am I forgiven?' | 0:43:19 | 0:43:23 | |
'Will let you know.' | 0:43:23 | 0:43:26 | |
-What's he saying? -He's talking fibs. He'll come. | 0:43:31 | 0:43:35 | |
-GIRL: 'Please introduce yourself! -My name's Peter Pan. -Pardon? | 0:43:42 | 0:43:45 | |
-(AMERICAN ACCENT) -'My name's Peter Pan.' | 0:43:45 | 0:43:47 | |
LAUGHTER | 0:43:47 | 0:43:50 | |
VIDEO CONTINUES | 0:43:50 | 0:43:52 | |
'Let's show us your skills!' | 0:43:52 | 0:43:55 | |
-Listen to your squeaky voice! -Look how skinny you were. | 0:43:55 | 0:43:57 | |
I might not be a model, but that was down to care-free living. | 0:43:57 | 0:44:01 | |
'Oh, look at that! Look at that!' | 0:44:01 | 0:44:03 | |
What type of American accent is that? | 0:44:03 | 0:44:05 | |
Hey, it's better than yours, Mr "My name is Peter Pan". | 0:44:05 | 0:44:09 | |
-LAUGHTER -Hey, you forgot something. -Huh? | 0:44:09 | 0:44:12 | |
-(AMERICAN ACCENT) -"And I'll always be a boy. | 0:44:12 | 0:44:14 | |
-"I will!" -HE LAUGHS | 0:44:14 | 0:44:17 | |
Aw, back in the days. | 0:44:17 | 0:44:20 | |
'# Simply the best... #' | 0:44:20 | 0:44:22 | |
Before you women came and complicated things. | 0:44:22 | 0:44:25 | |
You've always been chasing girls. | 0:44:25 | 0:44:27 | |
If they're troubling your head, it's your own fault. | 0:44:27 | 0:44:30 | |
LAUGHTER ON VIDEO | 0:44:33 | 0:44:34 | |
Cos I swear I've done everything right with this one. | 0:44:36 | 0:44:39 | |
Have you ever thought that she simply might not be interested in you? | 0:44:41 | 0:44:47 | |
Yeah, but how many women meet a man, | 0:44:47 | 0:44:49 | |
and, the first time they meet, they fall in love? Come on, man. | 0:44:49 | 0:44:53 | |
Man's gotta chirps and chirps her until she's walking down the aisle. | 0:44:53 | 0:44:56 | |
But Shaki, if the girl ain't interested, she ain't interested. | 0:44:56 | 0:45:01 | |
And Samantha clearly ain't interested. | 0:45:01 | 0:45:05 | |
Maybe. | 0:45:07 | 0:45:09 | |
# Looking at the devil | 0:45:37 | 0:45:39 | |
# And he's got a gun | 0:45:41 | 0:45:44 | |
# Fingers started shaking... # | 0:45:46 | 0:45:48 | |
The Dark Knight returns. | 0:45:48 | 0:45:51 | |
All I'm saying is, don't forget who you're chatting to, | 0:45:51 | 0:45:53 | |
cos man's a college man now. So have respect. | 0:45:53 | 0:45:56 | |
-You ain't got in yet. -The acceptance letter'll soon come. | 0:45:56 | 0:45:59 | |
Then you see man rolling with college books and that. | 0:45:59 | 0:46:01 | |
-What, comic books? -Comic books, yeah. | 0:46:01 | 0:46:04 | |
All right, it's time for school. Back into your school. | 0:46:04 | 0:46:09 | |
TEXT ALERT BEEPS | 0:46:10 | 0:46:12 | |
'Hi, you still on for meeting up today? Sam.' | 0:46:15 | 0:46:19 | |
'Yeah.' | 0:46:20 | 0:46:22 | |
Come on. | 0:46:25 | 0:46:27 | |
# South London man, talk back! South London man, talk back! | 0:46:27 | 0:46:30 | |
# West London talks back! Can't you say, "Talk back"? | 0:46:30 | 0:46:34 | |
# One of you up there, talk back! # | 0:46:34 | 0:46:35 | |
TEXT ALERT BEEPS | 0:46:46 | 0:46:47 | |
'It's still on. Will text you what time to meet. | 0:46:47 | 0:46:50 | |
'Love you, baby!' | 0:46:50 | 0:46:52 | |
'Meeting Sam that day, I didn't have anything to prove. | 0:46:58 | 0:47:03 | |
'SHE had to prove herself to ME.' | 0:47:03 | 0:47:05 | |
FOOTSTEPS APPROACH | 0:47:05 | 0:47:07 | |
-What's up? -All right? Come on, we've got to catch this. | 0:47:11 | 0:47:14 | |
BUS APPROACHES | 0:47:14 | 0:47:16 | |
-'We just got on the 450 bus.' -Who you texting? | 0:47:36 | 0:47:39 | |
My cousin. We've gotta pass by his to pick something up, yeah? | 0:47:39 | 0:47:43 | |
BOYS CHATTER | 0:47:50 | 0:47:53 | |
Good, good. | 0:47:54 | 0:47:57 | |
-Hold onto this. -It's safe, fam. -I'll pick it up later. | 0:48:00 | 0:48:04 | |
-What's something? -Girly stuff. | 0:48:07 | 0:48:09 | |
-What girly stuff? -What's with the questioning? | 0:48:12 | 0:48:15 | |
-And what's with that Batman cap? -Are you dumb, fam? Batman's the chief! | 0:48:17 | 0:48:20 | |
If you're good, I'll take you to see The Dark Knight for your birthday. | 0:48:20 | 0:48:24 | |
I'd rather you just get me that puppy you said you was going to get me. | 0:48:25 | 0:48:29 | |
I said that, innit? | 0:48:29 | 0:48:32 | |
What's in the bag, bruv? | 0:48:46 | 0:48:47 | |
TEXT ALERT BEEPS | 0:48:47 | 0:48:48 | |
'We're close. Coming into Thornton Heath now.' | 0:48:48 | 0:48:51 | |
Right, they're nearby. Come! Boss! | 0:48:51 | 0:48:53 | |
No letters for me? | 0:48:55 | 0:48:57 | |
Aw, boo! | 0:48:59 | 0:49:01 | |
Yeah, maybe it'll come tomorrow still. | 0:49:05 | 0:49:08 | |
Mum, I can get Shauna from school if you can't find anyone else. | 0:49:14 | 0:49:17 | |
DRIVER: Get back! BOYS SHOUT | 0:49:17 | 0:49:20 | |
-They're not in here! -Shit! | 0:49:27 | 0:49:29 | |
What the fuck you doing?! | 0:49:29 | 0:49:31 | |
..fuck you up! TEXT ALERT BEEPS | 0:49:31 | 0:49:33 | |
'Where are you? We're three stops away.' | 0:49:33 | 0:49:35 | |
-Shut your mouth! -I'll ring the police! | 0:49:35 | 0:49:38 | |
Hey, come! | 0:49:38 | 0:49:40 | |
THEY SHOUT | 0:49:40 | 0:49:42 | |
Hey, you! | 0:49:42 | 0:49:44 | |
HE SLAMS THE WINDOW | 0:49:46 | 0:49:48 | |
All right, all right. Bell me and let me know, yeah? | 0:49:51 | 0:49:54 | |
SHOUTS | 0:50:01 | 0:50:03 | |
BELL RINGS | 0:50:06 | 0:50:08 | |
Come on, this is us! | 0:50:10 | 0:50:12 | |
HE GIVES ORDERS | 0:50:12 | 0:50:14 | |
Whereabouts is your cousin's place? | 0:50:30 | 0:50:33 | |
There they are! | 0:50:34 | 0:50:36 | |
Sam! | 0:50:39 | 0:50:40 | |
CAR HORNS BLARE | 0:50:42 | 0:50:44 | |
SHOUTING | 0:51:14 | 0:51:16 | |
THEY JEER | 0:51:24 | 0:51:28 | |
SHOUT OF PAIN | 0:51:30 | 0:51:33 | |
THEY JEER | 0:51:40 | 0:51:44 | |
Come. Come! | 0:51:54 | 0:51:55 | |
-'What's the emergency?' -'It's at 12 Beulah Crescent.' -'Yeah.' | 0:52:08 | 0:52:14 | |
'I think it's number 8, and a young black boy's been stabbed, I think. | 0:52:14 | 0:52:18 | |
-'It looks like knifed or stabbed.' -'Are you looking from your window? | 0:52:18 | 0:52:22 | |
-'Can you see how old he is at all?' -'He's about 15 - 14, 15. | 0:52:22 | 0:52:25 | |
'It was three black boys. | 0:52:25 | 0:52:26 | |
'They've either bashed him with a baseball bat or... | 0:52:26 | 0:52:31 | |
'Blood's coming everywhere.' | 0:52:31 | 0:52:33 | |
-'Has he been stabbed?' -'Yes, he's in a bad way. He's in a bad way.' | 0:52:35 | 0:52:42 | |
'We've got someone on the way. They'll be there...' | 0:52:42 | 0:52:45 | |
CALL FADES OUT | 0:52:45 | 0:52:47 | |
WHIMPERS | 0:52:53 | 0:52:56 | |
PLANE FLIES OVERHEAD | 0:53:05 | 0:53:08 | |
SIREN WAILS | 0:53:14 | 0:53:16 | |
-What? -Do you love me? | 0:53:31 | 0:53:34 | |
Well? | 0:53:37 | 0:53:39 | |
Stop all that noise, man, I'm thirsty. | 0:53:39 | 0:53:41 | |
It's all right, mate. Stay with us. All right? | 0:53:45 | 0:53:49 | |
Going to roll you over. | 0:53:49 | 0:53:50 | |
WHIMPERS | 0:53:52 | 0:53:56 | |
We'll get it sorted, all right? | 0:53:56 | 0:53:58 | |
'That's me. | 0:54:02 | 0:54:04 | |
'Stabbed in my left thigh. | 0:54:04 | 0:54:06 | |
'Stabbed in my right shoulder. | 0:54:06 | 0:54:08 | |
'Stabbed in the left armpit. | 0:54:08 | 0:54:10 | |
'Stabbed in my chest. | 0:54:10 | 0:54:12 | |
'But the worst? That was caused by Danny stabbing me in my stomach. | 0:54:12 | 0:54:18 | |
'He twisted the knife on the way in, | 0:54:18 | 0:54:21 | |
'leaving a large hole in my liver that just wouldn't stop bleeding.' | 0:54:21 | 0:54:26 | |
'It took me ten hours to die.' | 0:54:29 | 0:54:32 | |
'I remember seeing him...' | 0:54:41 | 0:54:43 | |
..and leaving the mortuary... | 0:54:48 | 0:54:53 | |
..and everything just happening around me | 0:54:55 | 0:54:58 | |
and I wanted to just scream "Stop!" | 0:54:58 | 0:55:00 | |
I wanted everything to just stop. | 0:55:00 | 0:55:02 | |
'It's funny how heads can just act | 0:55:24 | 0:55:26 | |
'without thinking about the consequences.' | 0:55:26 | 0:55:29 | |
# Something told me it was over... # | 0:55:29 | 0:55:34 | |
'I lost my life. They wasted theirs.' | 0:55:34 | 0:55:38 | |
# When I saw you and her talking... # | 0:55:38 | 0:55:42 | |
'All seven of them were found guilty of my murder.' | 0:55:42 | 0:55:46 | |
# Something deep down in my soul... # | 0:55:46 | 0:55:52 | |
'His funeral was... | 0:55:52 | 0:55:54 | |
'For me, it needed to be | 0:55:54 | 0:55:58 | |
'everything I'd never give him again. I thought about the fact | 0:55:58 | 0:56:01 | |
'he wouldn't have another birthday, | 0:56:01 | 0:56:04 | |
'he'd never have a wedding, he'd never have a child, | 0:56:04 | 0:56:06 | |
'and I knew that this was going to be the last thing | 0:56:06 | 0:56:11 | |
'that really I could do for him. And I wanted it to be a celebration' | 0:56:11 | 0:56:16 | |
of his life and who he was. | 0:56:16 | 0:56:21 | |
So...with not very much money, | 0:56:21 | 0:56:26 | |
I just done the best that I could. | 0:56:26 | 0:56:30 | |
And I know Shaki was a free spirit, | 0:56:30 | 0:56:34 | |
so I told everybody to wear, you know, what they felt comfortable in. | 0:56:34 | 0:56:39 | |
And... | 0:56:39 | 0:56:41 | |
And I... | 0:56:41 | 0:56:45 | |
# Sit there thinking | 0:56:45 | 0:56:48 | |
# Of your gifts and your warm embrace, yeah | 0:56:48 | 0:56:54 | |
# When the reflection in the glass that I held to my lips now, babe | 0:56:58 | 0:57:03 | |
# Yeah, yeah | 0:57:03 | 0:57:07 | |
# Revealed the tears that was on my face, yeah | 0:57:07 | 0:57:12 | |
# Oooh | 0:57:12 | 0:57:15 | |
# And baby, baby I'd rather be blind, boy | 0:57:15 | 0:57:21 | |
# Than to see you walk away... # | 0:57:24 | 0:57:26 | |
Subtitles by Red Bee Media Ltd | 0:57:26 | 0:57:29 |