Alone with Chrissie Hynde Arena


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Alone with Chrissie Hynde

Arena spends the summer with super cool self-confessed rock chick, Chrissie Hynde. Featuring a glorious live performance at one of London's most intimate venues.


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Transcript


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This programme contains strong language.

0:00:050:00:08

APPLAUSE AND CHEERING

0:00:130:00:15

MUSIC: Alone by The Pretenders

0:00:200:00:22

# What am I going to do today?

0:00:300:00:31

# Go to the newsstand Check out the war zone

0:00:350:00:39

# And read the lists and see what's good on

0:00:390:00:42

# Oh, there's one I've been wanting to see

0:00:420:00:45

# Anyone up for a movie? I am!

0:00:450:00:48

# Nobody tells me I can't

0:00:510:00:53

# Nobody tells me I shan't

0:00:550:00:57

# No-one to say "You're doing it wrong"

0:00:580:01:01

# I'm at my best I'm where I belong, alone

0:01:020:01:07

# Hey! Yeah, I like it

0:01:090:01:12

# Now I'm down on the street

0:01:210:01:23

# Making out with the poets and the Greeks and the deadbeats

0:01:230:01:26

# I'm taking my time sitting on park benches

0:01:260:01:29

# And all the glamour It starts down here

0:01:290:01:31

# This is where the trends begin Life's a canvas, and I'm on it

0:01:310:01:35

# Nobody tells me I can't

0:01:370:01:39

# Nobody tells me I shan't

0:01:410:01:43

# No-one to say "You're doing it wrong"

0:01:440:01:49

# I'm at my best I'm where I belong, alone

0:01:490:01:53

# Yeah, I like it

0:01:530:01:56

# I like being alone. #

0:01:560:01:58

'All songs are written on basically the same events,

0:01:590:02:02

'which is usually just human relationships.'

0:02:020:02:06

You broke my heart, I broke your heart.

0:02:060:02:08

I'm alone, I'm so miserable being alone.

0:02:080:02:11

I met you, now I feel good.

0:02:110:02:13

I just want to be with you, let's waste some time together.

0:02:130:02:16

I want to spend the rest of my life with you.

0:02:160:02:19

Oh, no, you've left me. I can't believe I'm alone again.

0:02:190:02:24

If only, oh, I saw someone today.

0:02:250:02:29

He was a stranger but my heart was full of joy.

0:02:290:02:32

And, you know, it just goes on, and on, and on, you know.

0:02:320:02:36

You know, it's just.. You know.

0:02:360:02:39

After a while, it's like...

0:02:390:02:40

But it's always relevant.

0:02:410:02:43

And then, when I thought about it, I've never heard another song

0:02:450:02:49

that celebrates that it's fun to be on your own.

0:02:490:02:52

I still can't think of one.

0:02:520:02:54

Maybe because it's crap to be on your own.

0:02:540:02:57

'What my friend Marie says is

0:03:080:03:10

'she's never alone because she's always got herself.

0:03:100:03:13

'That's a great attitude.'

0:03:130:03:15

ACCORDION PLAYS

0:03:150:03:18

He's with you?

0:03:320:03:33

Go. Go.

0:03:390:03:41

Ask me the question you want to know, and you've never asked.

0:03:430:03:46

I have an answer for everything. Important. Not bullshit.

0:03:460:03:50

Um, hm.

0:03:510:03:53

I'm thinking.

0:03:550:03:57

You must have some questions.

0:03:580:04:00

I guess I don't.

0:04:130:04:14

ARTIST SNORTS

0:04:140:04:16

You know how many times did you come to this area?

0:04:190:04:23

-What do you think?

-What do I think?

-Yeah.

0:04:240:04:27

-What do you think?

-About 8,400,000.

-No.

0:04:270:04:31

Don't bull-shitting me. Speak serious.

0:04:310:04:34

I'm asking you a serious question.

0:04:340:04:36

-I can only guess.

-OK.

0:04:360:04:39

-So you don't know, I tell you.

-All right.

0:04:390:04:42

1,000 times. Around 1,000.

0:04:420:04:44

-1,000 times?

-Yes.

-No way.

-Yes.

-No way.

0:04:440:04:47

-Yeah, yeah.

-Much more than that.

-No.

0:04:470:04:51

-You think I'm bull-shitting you?

-I don't think you're bull-shitting me.

0:04:510:04:54

-But I think you're wrong.

-No, I'm not wrong.

0:04:540:04:56

-I think you think you're right.

-No, no. I don't think, I know.

0:04:560:04:59

-OK, well, you're definitely wrong.

-No.

0:04:590:05:01

That's the difference between me and you.

0:05:010:05:04

You think. I know.

0:05:040:05:06

I'm living astro and physical, in the same time.

0:05:080:05:11

Shit, that's sweet. Huh? It's good, huh?

0:05:140:05:19

JC Maxim.

0:05:190:05:20

JC, like Jesus Christ Superstar.

0:05:200:05:23

Yeah, man. That's good. I knew it's going to be good.

0:05:230:05:26

-I like it.

-First you like it? Uh-huh.

0:05:260:05:29

I like the fact I look eight.

0:05:290:05:32

He knows he's a phoney.

0:05:320:05:34

Anyone would know that if he was doing that.

0:05:350:05:38

He's just a con artist.

0:05:380:05:40

I like a con.

0:05:400:05:42

I don't like to be conned, but I appreciate it if I am.

0:05:420:05:45

You know, I have to think, touche, if someone has a good con.

0:05:450:05:50

And I've been conned before, of course, many times.

0:05:500:05:54

-REPORTER:

-I can't imagine you conning others, though, really.

0:05:570:06:00

Well, I conned you guys!

0:06:030:06:05

SHE LAUGHS

0:06:050:06:07

# Nobody tells me I can't

0:06:240:06:26

# Nobody tells me I shan't

0:06:270:06:30

# No-one to say "You're doing it wrong"

0:06:320:06:35

# I'm at my best I'm where I belong, alone. #

0:06:350:06:39

SIRENS IN BACKGROUND

0:06:420:06:44

MAN SPEAKS FRENCH

0:06:510:06:53

OK, OK. Oui.

0:06:530:06:54

Non, franchement, c'est pas...

0:06:540:06:56

Franchement...

0:07:050:07:07

Oui. Super.

0:07:120:07:14

'Once in a while, you meet someone really in charge of their looks.'

0:07:140:07:17

The New York Dolls.

0:07:170:07:19

David Johansen, immaculate. Johnny Thunders, immaculate.

0:07:190:07:22

Charlie Sexton who used to play with Bob Dylan. Immaculate.

0:07:220:07:26

Dylan, a very stylish guy.

0:07:260:07:29

He really pays attention to what...

0:07:290:07:31

He's really careful about his image, you know.

0:07:310:07:34

And people that are careful about looking like they don't care.

0:07:340:07:37

They even have to have another level of caring

0:07:370:07:40

to make it look like they don't care.

0:07:400:07:42

That, you know, that it's casual and that it just comes naturally.

0:07:420:07:45

But, you know, it's such an important part of music.

0:07:450:07:48

SHE SPEAKS FRENCH

0:07:480:07:50

'Johnny Cash, Willie Nelson, Maria Callas.

0:07:520:07:56

'It was all about obsessively trying to be glamorous

0:07:560:07:59

'and presenting something to the world.

0:07:590:08:01

'Of course it's important.

0:08:010:08:03

'Any of the greats. None of them looked like bums.'

0:08:030:08:07

You can't look like a bum. You can't.

0:08:070:08:10

Actors do, that's why they need stylists.

0:08:100:08:13

But in a band, you can't do that.

0:08:130:08:15

You have to be who you are on the street and when you're on stage.

0:08:150:08:19

You can't change.

0:08:190:08:20

Being in rock 'n' roll, it's not about changing,

0:08:200:08:22

it's about being yourself all the time.

0:08:220:08:25

HE SPEAKS FRENCH

0:08:280:08:30

OK. Super.

0:08:300:08:31

THEY SPEAK IN FRENCH

0:08:350:08:38

OK. No, no, I don't want anything. I don't want anything.

0:08:440:08:47

MUSIC: Brass In Pocket by The Pretenders

0:08:510:08:55

'# Got bottle I'm gonna use it

0:08:560:09:00

'# Intention I feel inventive'

0:09:000:09:05

# Gonna make you, make you Make you notice

0:09:050:09:11

# Got motion Restrained emotion

0:09:110:09:15

# Been driving Detroit leaning

0:09:150:09:20

# No reason Just seems so pleasing

0:09:200:09:25

# Gonna make you, make you Make you notice

0:09:250:09:30

# Gonna use my arms

0:09:300:09:32

# Gonna use my legs

0:09:320:09:35

# Gonna use my style

0:09:350:09:37

# Gonna use my sidestep

0:09:370:09:40

# Gonna use my fingers

0:09:400:09:42

# Gonna use my, my My imagination

0:09:420:09:47

# Oh, cos I gonna make you see

0:09:470:09:52

# There's nobody else here No-one like me. #

0:09:520:09:57

-REPORTER:

-Where did you get the T-shirt?

0:09:570:09:59

When I got here, I forgot to bring any shirts,

0:09:590:10:01

so I just went and got a stack of Paris shirts.

0:10:010:10:05

I look like a tourist, so sue me!

0:10:050:10:08

You know, what are you going to do about it?

0:10:080:10:10

MUSIC: Precious by The Pretenders

0:10:200:10:24

# I like the way you cross the street

0:10:320:10:34

# Cos you're precious

0:10:340:10:37

# Moving through the Cleveland heat How precious

0:10:370:10:41

# Taking rides and all the kicks was so precious

0:10:420:10:47

# But you know I was shittin' bricks cos I'm precious

0:10:470:10:52

# Made me wanna

0:10:540:10:56

# Made me wanna

0:10:570:10:58

# You made me make it Oh. #

0:10:590:11:02

POLICE SIRENS

0:11:030:11:05

TRAFFIC NOISES

0:11:050:11:07

'I'm here, kids.

0:11:100:11:13

'I'll stand by you.

0:11:130:11:14

'# I'll stand by you.

0:11:160:11:19

'# I'll stand by you.

0:11:190:11:24

'# Won't hurt you

0:11:240:11:27

'# I'll stand by you, yeah'

0:11:270:11:31

# Darkest hour

0:11:310:11:34

# You...know I'll stand by you

0:11:340:11:38

# I'll stand by you

0:11:380:11:42

-AUDIENCE:

-# I'll stand by you

0:11:420:11:45

# Won't let nobody hurt you

0:11:450:11:49

# I'll stand by you

0:11:490:11:52

# If you're mad, get mad

0:11:560:12:00

# Don't hold it all inside

0:12:000:12:04

# Come on and talk to me now

0:12:040:12:08

# Hey, what you got to hide?

0:12:090:12:14

# I get angry too

0:12:150:12:17

# Well, I'm a lot like you

0:12:190:12:23

# When you're standing at the crossroads

0:12:230:12:26

# And don't know which path to choose

0:12:260:12:30

# Let me come along

0:12:300:12:33

# Cos even if you're wrong

0:12:330:12:36

# I'll stand by you

0:12:370:12:39

# I'll stand by you

0:12:400:12:43

# You...

0:12:430:12:47

# Stand by you, stand by you

0:12:470:12:50

# Whoo, I'll stand by you

0:12:500:12:54

# I'll stand, I'll stand by you. #

0:12:540:12:59

Here I am, I'm back, in Sandyland.

0:12:590:13:03

# Won't let nobody hurt you. #

0:13:030:13:05

-Ah!

-Ah, look at that.

0:13:050:13:08

Tail wagging furiously.

0:13:080:13:11

Hello.

0:13:110:13:12

'This is Sandyland, with Sandy Bernhard.'

0:13:120:13:14

-We're here live, you can feel the tension.

-Yeah, you can feel...

0:13:140:13:17

-The excitement.

-..the magic.

-Yeah.

0:13:170:13:19

-The fizzy...

-The sparks, the sparks are flying.

0:13:190:13:22

You're back to a more classic Chrissie cut.

0:13:220:13:24

How did that haircut first come about?

0:13:240:13:26

Did you do it to yourself or did somebody do it?

0:13:260:13:29

Yeah, I did to myself. No-one did it back then.

0:13:290:13:32

What was your hair like before it turned into the classic Chrissie?

0:13:320:13:36

Uh, pretty much the same.

0:13:360:13:37

I think if you shaved your head and let it grow out, you'd have this.

0:13:370:13:40

-Was your hair ever long growing up?

-Yeah.

0:13:400:13:44

Your hair only gets so long before it falls out, did you know that?

0:13:440:13:47

-Yeah.

-That's how it works.

0:13:470:13:50

Thank God, because it's nature protecting you from being a witch.

0:13:500:13:53

-But some people's hair goes right down to their knees.

-I know.

0:13:530:13:55

Mine would only get to about shoulder-length.

0:13:550:13:57

-Back in the hippie days...

-My hair was longer then.

0:13:570:14:01

But I was so much older then!

0:14:010:14:04

-Are you still in Maida Vale?

-Yeah.

0:14:040:14:06

-Is it a small place you got for yourself?

-It's small.

0:14:060:14:08

I got a place where I can paint. You know me, I live alone.

0:14:080:14:11

I'm a lone, hungry, irritable wolf.

0:14:110:14:13

But I thought you lived with the kids?

0:14:130:14:15

No, I moved out of the house.

0:14:150:14:17

You... Chrissie. You are a true Buddhist nomad.

0:14:170:14:22

I'm a recluse is what I am.

0:14:220:14:24

England's at its best when it's a bit wet.

0:14:460:14:49

Doesn't look right in the bright sunlight

0:14:490:14:52

although, on a day when the sky is high and it's a balmy, sunny day,

0:14:520:14:56

it's the best.

0:14:560:14:58

But you need a lot of this to make that look.

0:15:020:15:05

-REPORTER:

-Do you think, are you definitely urban? Are you urban?

0:15:050:15:09

Um. Yeah, I think I am.

0:15:100:15:12

But, because I'm a little bit of a loner,

0:15:140:15:17

I would have liked to have maybe had a family out in the country,

0:15:170:15:20

that would be great.

0:15:200:15:22

But that would have needed a male counterpart to do all that.

0:15:220:15:25

I couldn't do that on my own without a team.

0:15:250:15:27

And I've generally been more...

0:15:270:15:30

..you know, on my own doing stuff.

0:15:320:15:33

So I wouldn't move out to the country now.

0:15:330:15:35

I'd just be sitting there in a field, like,

0:15:350:15:38

what the fuck am I doing here?

0:15:380:15:40

You know, but if I had a team,

0:15:400:15:42

I could have some dogs and stuff but...

0:15:420:15:45

So, I don't really think about it.

0:15:460:15:48

But when I get out in the country, it's... I think about it,

0:15:480:15:52

and it's what I would have assumed I'd be doing when I was a child,

0:15:520:15:54

because I'd wanted to be in the country around animals

0:15:540:15:57

and it just never happened.

0:15:570:15:59

I love cities.

0:15:590:16:01

In fact, I've been in places out in the country

0:16:050:16:09

and they're near a motorway,

0:16:090:16:11

and you hear that awful sound, that nee-ow, that sound of a car going,

0:16:110:16:16

and you're like, well, you know, it's quieter here.

0:16:160:16:19

I don't hear anything at night. That's what I like, is quiet.

0:16:190:16:23

Quiet, trees, birds.

0:16:230:16:26

MUSIC: Stepping Razor by Peter Tosh

0:16:260:16:30

# If you wanna live Treat me good

0:16:400:16:47

# If you wanna live, live I beg you, treat me good

0:16:480:16:54

# I'm like a walking razor Don't you watch my size

0:16:550:16:59

# I'm dangerous Said I'm dangerous

0:16:590:17:03

# I'm like a walking razor Don't you watch my size

0:17:030:17:07

# I'm dangerous Dangerous. #

0:17:070:17:10

At the end of last year, that's when I began.

0:17:110:17:15

So I did this pot which is a favourite pot of mine.

0:17:150:17:20

It sort of kick-started this thing I've been doing.

0:17:200:17:24

I like to choose colours that I'm not necessarily that fond of.

0:17:240:17:28

You see a lot of yellow here.

0:17:280:17:30

I think yellow is a colour people get into when they become old.

0:17:300:17:34

So I've tried to embrace that.

0:17:340:17:37

What I want to do with my music and my paintings

0:17:370:17:39

is just cheer people up. I'm not trying to disturb anyone.

0:17:390:17:42

I think modern art can be disturbing. I'm already disturbed.

0:17:420:17:46

So I don't need to add that, incorporate any more of that.

0:17:460:17:50

Then I went away for about, for some time, ten days.

0:17:500:17:54

That's when I came back and thought,

0:17:540:17:56

oh, I wonder if I can still paint?

0:17:560:17:58

You always think that, if you write a song or do anything,

0:17:580:18:00

that's what I find, anyway. And other people have said that.

0:18:000:18:03

You think you've done it and you'll never be able to do it again.

0:18:030:18:06

So you panic into the next one to see if you can still do it.

0:18:060:18:10

So I did that one.

0:18:100:18:12

I think that's one of my more successful, if I do say so.

0:18:120:18:15

Then I thought, some abstracts.

0:18:150:18:18

So I thought, well, that's something I've never done.

0:18:180:18:22

Oh, can you move around there?

0:18:220:18:24

So I did that one.

0:18:250:18:27

That one.

0:18:280:18:30

This one's called West London.

0:18:310:18:33

Not one of mine!

0:18:350:18:36

SHE GIGGLES

0:18:360:18:38

And then, one night, I thought, I've got to stop painting.

0:18:390:18:44

This is becoming, like. too compulsive.

0:18:440:18:46

Oh, I couldn't have done this when I was living with people.

0:18:520:18:57

Cos your whole morning when you get started,

0:18:590:19:01

you're, you know, taking someone tea or, you know.

0:19:010:19:06

I think being alone is a huge luxury.

0:19:080:19:10

And it's an epidemic of sorrow for millions of people too.

0:19:100:19:15

And that's kind of what my meditations take me around to,

0:19:150:19:18

is try to address this thing of loneliness,

0:19:180:19:20

and what that really means in a person's life.

0:19:200:19:24

Why are we lonely?

0:19:240:19:26

You can be distracted from it, but when you're really alone,

0:19:260:19:28

you have to start to face that.

0:19:280:19:30

I don't know if that's necess... You don't want to over-face it.

0:19:300:19:33

Like I say, it's a luxury to have the time to do these meditations.

0:19:330:19:40

But now I'm in the more later stages of my life,

0:19:400:19:43

and I think that's an important thing to do.

0:19:430:19:46

MUSIC: Private Life by The Pretenders

0:19:520:19:55

# Your private life drama, baby Leave me out

0:20:130:20:17

# Your private life drama, baby Leave me out

0:20:210:20:25

# Your private life drama, baby Leave me out

0:20:290:20:33

# Your private life drama, baby Leave me out

0:20:370:20:41

# J'ai les glands with your theatrics,

0:20:460:20:47

# Your acting's a drag

0:20:470:20:49

# It's OK on TV cos you can turn it off

0:20:540:20:57

# But don't try me

0:20:570:20:58

# Yes, your marriage is a tragedy

0:21:020:21:03

# But it's not my concern

0:21:030:21:05

# I'm very superficial I hate anything official

0:21:090:21:12

# Your private life drama, baby Leave me out

0:21:170:21:21

# Your private life drama, baby Leave me out

0:21:250:21:29

# Your private life drama, baby Leave me out

0:21:340:21:38

-# Your private life drama, baby Leave me out.

-#

0:21:410:21:45

Now, I have been surprised over this summer

0:22:060:22:09

that you believe in rock and are a rock... You are a rock...

0:22:090:22:14

Did you want to say rock chick, but you didn't want to say chick?

0:22:140:22:16

-Cos I might have a go at you?

-REPORTER LAUGHS

0:22:160:22:19

What do you think of that phrase, rock chick?

0:22:190:22:22

Rock chick? I don't care.

0:22:220:22:24

Not everyone was a rock chick. Not everyone else...

0:22:310:22:34

You know, not everyone gets to be a rock chick.

0:22:340:22:36

-What's a guy? A rocker.

-Yeah.

-What's wrong with that?

0:22:440:22:47

-Nothing?

-Yeah, no, I'm just asking.

0:22:510:22:53

I don't know if... This language, question of language these days.

0:22:530:22:58

# Want you to give me your sweet, sweet kisses

0:22:580:23:01

# Want you to hold me tight

0:23:010:23:04

# I want you to come whenever I call you

0:23:040:23:07

# Want you to walk me home tonight

0:23:070:23:10

# What you gonna do about it?

0:23:100:23:13

# What you gonna do about it?

0:23:130:23:15

# Well...

0:23:150:23:16

-# What you gonna do about it?

-Whatcha gonna give me?

0:23:160:23:19

# What you gonna do about it? #

0:23:190:23:22

Yeah, I was...

0:23:450:23:47

..sent by the enemy to meet...to do...

0:23:480:23:50

There was some sort of feminist forum or something.

0:23:500:23:53

This was ages ago, like 1973. 1974, maybe.

0:23:530:23:57

And so I was the...

0:23:570:23:58

Maybe I was the only chick on the force, I can't remember.

0:23:580:24:02

They sent me.

0:24:020:24:03

And so this American woman asked me if I was a feminist,

0:24:030:24:08

and I said, "I don't know."

0:24:080:24:11

And she goes... That already put her nose out of joint cos I wasn't...

0:24:110:24:15

I didn't know if I was or not.

0:24:150:24:17

So she started questioning me

0:24:170:24:18

to, you know,

0:24:180:24:20

encourage me to admit that I was a feminist, I guess,

0:24:200:24:23

I don't know. I actually didn't know what it meant exactly, so I was...

0:24:230:24:27

I wasn't trying to be cantankerous or anything.

0:24:270:24:29

Um...

0:24:290:24:31

And she said, "Well, let's say that you want to get a credit card,"

0:24:310:24:36

and I said, "I don't want a credit card."

0:24:360:24:39

She said, "All right, well, let me...

0:24:390:24:41

"What about if you wanted to buy a car?"

0:24:410:24:45

I said, "I don't want to buy a car."

0:24:450:24:47

She said...

0:24:470:24:49

"All right, well, let's say that you want to get a house,

0:24:490:24:52

"buy a house," and I said, "I don't want to get a house."

0:24:520:24:55

And by now, I was only answering truthfully,

0:24:550:24:58

but she was getting really kind of pissed off at me.

0:24:580:25:00

She was older than me too, and she was a feminist.

0:25:000:25:03

And she said, "Well, what if some other woman did want those things?"

0:25:030:25:07

And I said, "Well, what's that got to do with me?"

0:25:070:25:09

And she said, "Well, you are NOT a feminist."

0:25:090:25:12

So, after that, I thought, "Well, if she's a leading feminist,

0:25:120:25:15

"she must know." And I just assumed...

0:25:150:25:17

She said I wasn't a feminist, I guess I wasn't a feminist.

0:25:170:25:20

But you still haven't, you know, trotted down the party line,

0:25:230:25:26

have you?

0:25:260:25:27

I don't trot down any party line.

0:25:270:25:29

Well, there's a few tyrannies around that are kind of

0:25:290:25:33

winding me up.

0:25:330:25:34

-Give me examples.

-The vegan tyranny winds me up.

-Meaning?

0:25:340:25:38

-It's all become about nutrition.

-Right.

0:25:380:25:40

-I find that quite offensive.

-But you feel like...?

0:25:400:25:43

It's not about compassion any more.

0:25:430:25:44

-I mean...

-Yes.

-As a matter of fact, to my vegan brethren,

0:25:440:25:48

I am in practice vegan but in theory vegetarian.

0:25:480:25:52

-Uh-huh.

-They don't like that.

0:25:520:25:54

-So you started to...

-The feminists don't like me.

0:25:540:25:57

The word empowerment also winds me up.

0:25:570:25:59

-What is that all about?

-Oh, honey, I don't know.

0:25:590:26:01

"You've empowered me." "I feel empowered."

0:26:010:26:04

And I loathe the art world.

0:26:040:26:05

-You don't have to.

-The investment and all that bullshit.

0:26:050:26:08

-Oh, investment!

-Yeah, the whole thing.

0:26:080:26:09

Well, it's just everything.

0:26:090:26:11

-It's like curated, eating, food...

-I hate everything.

0:26:110:26:13

..art, everything has become, like...

0:26:130:26:15

What is the endgame of this?

0:26:150:26:19

Everyone defines themselves by what they like or what they... You know?

0:26:190:26:21

-I don't give a fuck.

-Yeah.

-I just wish everyone would fuck off.

0:26:210:26:24

# You gotta wait

0:26:380:26:39

# Do you think that you belong?

0:26:400:26:42

# You gotta wait

0:26:430:26:45

# At the pharmacy at Wal-Mart

0:26:460:26:48

# You gotta wait

0:26:500:26:52

# For an oxycontin come-down

0:26:520:26:55

# You gotta wait

0:26:560:26:57

# I'm loaded, could you bend down?

0:26:580:27:00

# You gotta wait, wait Hold the date, hesitate

0:27:020:27:05

# Wait Wait, wait

0:27:050:27:06

# Don't be late Read the date

0:27:060:27:08

# Wait wait, wait

0:27:080:27:09

# Save a plate Hold the date

0:27:090:27:11

# Wait!

0:27:110:27:12

# You gotta wait

0:27:390:27:40

# And the waiting list is long

0:27:410:27:43

# You gotta wait

0:27:440:27:46

# Can you see where you belong?

0:27:470:27:48

# You gotta wait

0:27:500:27:52

# A hundred million faces

0:27:520:27:55

# You gotta wait

0:27:560:27:57

# Like you're going 200 places. #

0:27:590:28:01

BIRDS CHIRP

0:28:050:28:07

People always have these weird ideas about why you do this,

0:28:160:28:19

that it's all about this adulation or this energy from the audience.

0:28:190:28:25

Really, it's just about feeling like you actually know what you're

0:28:250:28:28

doing for an hour.

0:28:280:28:29

You know, the rest of the time is you're kind of bumbling around,

0:28:290:28:32

trying to make...make sense of your life.

0:28:320:28:35

There's this little island we can go on.

0:28:420:28:44

Do you want to go on this little island?

0:28:440:28:46

Look at this beauty here.

0:28:550:28:57

SHE CLICKS TONGUE Come, come.

0:29:000:29:02

Come on.

0:29:070:29:09

Come on.

0:29:090:29:10

Come.

0:29:120:29:13

They say that swans are... They mate for life.

0:29:180:29:22

Which is probably why they're so...

0:29:220:29:25

supposedly, so ill-tempered.

0:29:250:29:27

That's just me being cynical, though.

0:29:290:29:31

It's hard not to be romantic - we're in the park.

0:29:310:29:34

I try not to be romantic, but who cannot be when you're here?

0:29:340:29:38

I just got a strange look from that guy

0:29:430:29:45

who thinks I'm talking to myself.

0:29:450:29:46

This is where...

0:29:490:29:51

lovers do come to go for a stroll.

0:29:510:29:54

So all the roses here are named.

0:29:560:29:58

These little plaques with their name.

0:29:580:30:00

Majestic, these lovely pink ones.

0:30:000:30:04

And these are called Remember Me.

0:30:040:30:07

All the roses have romantic names.

0:30:090:30:11

What a nice thing, to have a rose named after you.

0:30:130:30:16

# Let's get lost

0:30:190:30:20

# Let's get lost

0:30:230:30:25

# Let's get lost

0:30:270:30:29

# Let's get lost

0:30:320:30:35

# I wear it like a charm

0:30:390:30:41

# A tattoo on my arm

0:30:410:30:43

# Your name in a horseshoe

0:30:440:30:47

# Your talismans and such

0:30:480:30:50

# I rely on them to touch

0:30:500:30:52

# Get close to you

0:30:520:30:55

# Oh, I get high just a little

0:30:550:30:59

# High just a little

0:30:590:31:01

# Keepin' my fingers crossed

0:31:010:31:04

# Oh, and I try just a little

0:31:040:31:08

# Try just a little

0:31:080:31:09

# Now I've found you

0:31:100:31:12

# Let's get lost

0:31:120:31:15

# Let's get lost

0:31:170:31:19

# Let's get lost. #

0:31:210:31:24

DISTANT SINGING

0:31:300:31:33

DISTANT MUSIC AND SINGING

0:31:360:31:38

This is the whole manor that George Harrison

0:31:530:31:56

gave to the devotees.

0:31:560:31:59

And this is his personal garden.

0:31:590:32:02

And, uh...

0:32:020:32:04

It's open to the public,

0:32:040:32:06

so anyone that wants to hang out at George Harrison's gaff, here it is.

0:32:060:32:09

-I milked a cow the other day.

-Where?

-Just to put my money where my...

0:32:160:32:19

At the manor that George Harrison bought for the Krishna devotees.

0:32:190:32:24

They have one where they call it Goshala,

0:32:240:32:26

which is a cowherd which is milked by hand and they play,

0:32:260:32:30

you know, Ravi Shankar to them...

0:32:300:32:32

-And massage them and stuff?

-Oh, absolutely.

0:32:320:32:35

-Cows should be massaged.

-So while I am milking... Yeah, they should be.

0:32:350:32:39

You know, I believe they are sacred animals.

0:32:390:32:42

COW MOOS

0:32:420:32:44

And I understand that if you treat animals badly,

0:32:440:32:47

it's better not to use animal products, which is...

0:32:470:32:50

I'm obviously in agreement with.

0:32:500:32:53

But what if you treated them well?

0:32:530:32:55

What if you treated a cow well? I am all for one cow per family.

0:32:550:32:58

I am actually having a book on cow protection written.

0:32:580:33:02

There's four principles - you never kill one,

0:33:020:33:05

they suckle by their mothers, you milk them by hand

0:33:050:33:08

and you give the oxen work,

0:33:080:33:10

and that can sustain the environment and a human family.

0:33:100:33:14

-Wow.

-Uh-huh.

-I love that.

0:33:140:33:16

Despite the fact that I look like such an enthusiast here,

0:33:230:33:27

I personally don't think I've had a glass of milk

0:33:270:33:30

in at least 30 years, maybe more.

0:33:300:33:32

These boots, by the way, come from Vegetarian Shoes in Brighton,

0:33:330:33:37

one of the original non-leather sources of footwear in this country.

0:33:370:33:42

Just for anyone there who thinks I'm being a big hypocrite,

0:33:420:33:45

wearing leather boots.

0:33:450:33:46

I am a big hypocrite, probably, but not in that regard.

0:33:490:33:52

Cows have got a very bad rap because of the methane they produce.

0:33:550:33:59

When produced by bulk...

0:33:590:34:03

But in actual fact,

0:34:050:34:07

they perfectly fertilise the soil and add nutrients to it,

0:34:070:34:11

when done in the right way.

0:34:110:34:14

The cow dung, it'd be used for building houses, it's used for fuel.

0:34:160:34:20

In fact, the urine from the cow is used as an antiseptic.

0:34:200:34:24

They're kind of like the answer to all of...

0:34:270:34:31

the ecological problems we're having.

0:34:310:34:34

There's just nothing about these creatures that's not good.

0:34:340:34:38

Do you think she is getting close now?

0:34:420:34:45

To being milked?

0:34:450:34:47

DISTANT MUSIC

0:34:580:35:01

# Well, who's been playing around with you?

0:35:230:35:27

# A real cool cat with eyes of blue

0:35:270:35:30

# Triflin', baby, are you being true?

0:35:300:35:32

# Who's been playing around with you?

0:35:320:35:37

# Who's been playing around... #

0:35:380:35:40

If you're 16, there is nothing you can do that's better - not drugs,

0:35:400:35:45

not sex, not sniffing glue,

0:35:450:35:47

not getting good grades, not anything.

0:35:470:35:49

Nothing is better than picking up a guitar and making a noise.

0:35:490:35:52

It's just THE BEST.

0:35:520:35:54

# He held your hand and he sang you a song. #

0:35:540:35:57

And I think that when people enjoy doing something, they'll do it,

0:35:570:36:00

they'll find a way.

0:36:000:36:02

That's where I missed the boat, cos I wasn't really...

0:36:030:36:06

I couldn't really jam with guys.

0:36:060:36:08

I was, like, too shy.

0:36:080:36:09

Thank you very much!

0:36:150:36:16

Ladies and gentlemen, we have a very special guest.

0:36:170:36:19

Would you please give it up?

0:36:190:36:20

Ms Chrissie Hynde is going to do a song.

0:36:200:36:22

CHEERING

0:36:220:36:24

All the way from down the road.

0:36:300:36:32

'After the first, like, ten years of doing this and you get over

0:36:330:36:37

'the stage fright, then you actually start enjoying doing the shows

0:36:370:36:41

'and you just look forward to them.

0:36:410:36:43

'I used to dread shows for years, but, you know,

0:36:430:36:46

'you can't let that kind of thing get in your way.'

0:36:460:36:49

# Hush, little darlin'

0:37:060:37:08

# Go to sleep

0:37:080:37:10

# Look out the window

0:37:100:37:13

# Count the sheep

0:37:130:37:15

# That dot the hillsides

0:37:150:37:17

# And the fields of wheat

0:37:170:37:19

# Across America

0:37:190:37:21

# As we cross America

0:37:210:37:23

# What's important

0:37:230:37:26

# Here today

0:37:260:37:28

# The broken line

0:37:280:37:30

# On the highway

0:37:300:37:32

# All the love in the world for you, girl

0:37:370:37:40

# Thumbelina In a great big scary world

0:37:400:37:44

# All the love in the world for you, girl

0:37:450:37:49

# Take my hand and we'll make it through this world. #

0:37:490:37:53

All right, James, go, go, go!

0:37:530:37:55

'I hear people say,

0:38:050:38:06

' "Oh, it must be such a rush to be out there,"

0:38:060:38:09

'but that's not really what it's really about,

0:38:090:38:11

'it's more about looking around and seeing the band coming to life

0:38:110:38:15

'and everyone is playing well,

0:38:150:38:18

'and that's the part of it that turns me on,

0:38:180:38:20

'is just being in that little group.

0:38:200:38:22

'That's the one time in my life when I'm a real team player.'

0:38:220:38:25

# Hush, little darlin'

0:38:360:38:38

# My poor little thing

0:38:380:38:40

# You've been shuffled about

0:38:400:38:42

# Like a pawned wedding ring

0:38:420:38:45

# It must seem strange

0:38:450:38:47

# Love was here, then gone

0:38:470:38:49

# And the Oklahoma sunrise becomes the Amarillo dawn

0:38:490:38:54

# What's important in this life?

0:38:540:38:58

# Ask the man

0:38:580:39:00

# Who's lost his wife. #

0:39:000:39:02

One, two, three, four!

0:39:250:39:27

TEMPO SPEEDS UP

0:39:270:39:30

Whoo!

0:39:480:39:50

TEMPO BECOMES FRENETIC

0:39:530:39:57

Thank you!

0:40:080:40:10

Mother's Little Helper, thank you.

0:40:170:40:19

That's Chrissie Hynde, everyone!

0:40:210:40:23

You can have it.

0:40:230:40:24

-ANNOUNCEMENT:

-'Baggage left unattended

0:40:350:40:38

'will be removed and destroyed.'

0:40:380:40:40

The number one thing I'm asked by people

0:40:500:40:53

when they know that you are out on tour,

0:40:530:40:55

they always say, "You probably can't wait to get home,

0:40:550:40:57

"so that you can sleep in your own bed."

0:40:570:40:59

And I think, "That's exactly what I don't want to do."

0:40:590:41:03

I love living in hotels.

0:41:060:41:07

It's my favourite thing, to be honest. It just represents moving.

0:41:070:41:11

That you are always moving.

0:41:110:41:13

# I got this strange, strange feeling

0:41:190:41:27

# Deep down in my heart

0:41:290:41:34

# I can't tell what it is

0:41:350:41:41

# But it won't let go

0:41:410:41:47

# It happens every time

0:41:490:41:53

# I give you more than what I have

0:41:530:42:00

# Now all I need is a little time... #

0:42:000:42:04

There's a few voices that, as soon as you hear their voice,

0:42:040:42:07

you're already sort of transported into another place.

0:42:070:42:10

Of course, what they're singing matters,

0:42:120:42:14

but it's just the sound of their voice that does it.

0:42:140:42:17

And he's one of them.

0:42:170:42:19

When I was 17, I walked into a record store and saw that face.

0:42:190:42:23

That face only said one thing to me and that is, "Take me home."

0:42:230:42:26

And, you know,

0:42:260:42:28

I listened to that album a thousand times when I was 17.

0:42:280:42:31

# When you're home all alone

0:42:320:42:38

# Oh, don't you need

0:42:390:42:45

# Somebody to talk your troubles to

0:42:450:42:52

# Oh, Lord, I know

0:42:520:42:58

# I want to take

0:42:580:43:03

# The morning train, Lord

0:43:050:43:07

# The break of day

0:43:070:43:10

# Oh, I don't want to lose you, you see... #

0:43:100:43:15

This was the country when I lived here.

0:43:150:43:17

What we called the country,

0:43:170:43:18

you went out to the country to buy corn and tomatoes.

0:43:180:43:21

This is what it is now, and that was within, you know, my lifetime.

0:43:250:43:31

You know, this is how Middle America is, from here

0:43:360:43:39

all the way over to California.

0:43:390:43:41

See, it just goes on and on.

0:43:410:43:42

Just warehouses of stuff.

0:43:430:43:45

If you live anywhere here,

0:43:490:43:50

the only way you can go anywhere is just to get in your car.

0:43:500:43:53

There is no place you can walk to.

0:43:530:43:55

And there's no interaction on the street at all. There's no life.

0:43:560:43:59

Everyone is in their car.

0:43:590:44:01

It's a shift in human society.

0:44:010:44:03

The Unabomber.

0:44:070:44:09

Ted Kaczynski who was like a sort of maths genius.

0:44:090:44:12

I don't know if you know anything about him.

0:44:120:44:15

He ended up sending letter bombs and killing people.

0:44:150:44:18

But his manifesto was all about the disconnected,

0:44:180:44:21

how isolated it was going to make people, and lonely,

0:44:210:44:23

by this car culture.

0:44:230:44:25

We're going to come up all round the back, or the front or side

0:44:330:44:37

or whatever the hell it is there.

0:44:370:44:38

And there is the wonderful Summit Mall

0:44:430:44:45

where I spent many, many, many, many, many hours

0:44:450:44:48

of my life.

0:44:480:44:50

Miserable...

0:44:510:44:52

..unhappy...

0:44:550:44:56

..disenfranchised, depressed hours.

0:44:580:45:01

I worked as a waitress in there.

0:45:010:45:04

Awful.

0:45:060:45:08

# O'Neil's is such an exciting department store

0:45:110:45:16

# A lively fashion where

0:45:160:45:19

# Our two-barrel living

0:45:190:45:21

# A warehouse-value goodie

0:45:210:45:24

# At O'Neil's you're assured of quality. #

0:45:240:45:28

-Hi.

-Hiya.

0:45:280:45:29

What's the plainest popcorn? Just plain popcorn.

0:45:290:45:32

Ah...

0:45:320:45:33

It's...

0:45:330:45:35

slightly buttered.

0:45:350:45:37

Great.

0:45:370:45:38

And can I have just a small, like,

0:45:380:45:40

what do you have that's closest to water? Water?

0:45:400:45:43

Yeah, we have water. It'll be ten cents, is that OK?

0:45:430:45:46

Sure.

0:45:460:45:47

# Our voucher's ability

0:45:520:45:55

# Will buy wonders every store

0:45:550:45:59

# You get such satisfaction shopping at O'Neil's. #

0:45:590:46:03

So this really is the heartland.

0:46:060:46:08

We actually are going to pass my old street.

0:46:100:46:12

We could go down it and find my house where I grew up

0:46:120:46:14

from the age of eight to 17 or something,

0:46:140:46:16

so significant years.

0:46:160:46:18

# Now you say you're lonely

0:46:340:46:42

# You cry the whole night through

0:46:420:46:48

# Well, you can cry me a river

0:46:480:46:53

# Cry me a river

0:46:530:46:57

# I cried a river over you... #

0:46:570:47:02

See where that American flag is? That was my old house.

0:47:050:47:08

It's been there for over 50 years,

0:47:080:47:10

so it's all mature now and the trees.

0:47:100:47:12

But when I lived there it was a brand-new housing development.

0:47:120:47:15

My parents had two records, and they were Julie London records at home.

0:47:150:47:19

And then a box set of Glenn Miller records.

0:47:190:47:22

I never heard them play them.

0:47:220:47:24

I don't think they ever played music in the house.

0:47:240:47:26

But they had, I don't know...

0:47:260:47:27

So that, when I see that picture,

0:47:270:47:29

I'm back, you know...

0:47:290:47:32

Back in my parents' house next to the hi-fi

0:47:320:47:34

which they never played it.

0:47:340:47:35

That picture meant a lot to me.

0:47:370:47:39

I think that's why I wanted to be a singer was seeing her face there.

0:47:390:47:42

I'm sure it was.

0:47:420:47:44

# While you never shed a tear

0:47:440:47:50

# Remember, I remember

0:47:530:47:56

# All that you said

0:47:560:47:59

# Told me love was too plebeian

0:47:590:48:04

# Told me you were through with me... #

0:48:040:48:07

1805.

0:48:070:48:08

It was painted differently then.

0:48:100:48:13

But they've maintained it very nicely.

0:48:130:48:15

So my parents would be happy.

0:48:150:48:17

# Just to prove you do

0:48:170:48:21

# Come on and cry me a river

0:48:210:48:26

# Cry me a river

0:48:270:48:30

# I cried a river... #

0:48:310:48:33

Keep going straight.

0:48:330:48:35

Keep going straight.

0:48:380:48:39

Caution.

0:48:400:48:41

Proceed.

0:48:430:48:44

SHE LAUGHS

0:48:440:48:47

There's a lot more. There's a lot you'll never see.

0:48:470:48:50

You haven't even seen the underbelly yet.

0:48:500:48:53

-SATNAV:

-'Turn right, then arrive at destination.'

0:48:560:48:59

You've arrived, but that doesn't mean you're there.

0:49:040:49:07

I loved this place when I was a teenager.

0:49:130:49:16

If you grew up in the new suburbs,

0:49:160:49:19

there was something really mystical

0:49:190:49:22

about hanging out in a place like this.

0:49:220:49:24

I lived in a place where everything old was torn down,

0:49:270:49:30

so, you know, something like this had immense charm.

0:49:300:49:35

Since I don't see having a fondness for cemeteries

0:49:510:49:56

as anything remotely...

0:49:560:49:59

..morbid.

0:50:010:50:02

Some people say, "Why would you want to hang out in a cemetery?"

0:50:020:50:05

For me, they are nature reserves.

0:50:050:50:08

Usually, there's no-one in them.

0:50:080:50:11

They're very unspoiled because no-one's in them.

0:50:110:50:14

And, um...

0:50:150:50:17

there's often just nothing else like it in a city.

0:50:170:50:20

Spicer.

0:50:230:50:25

That's a big name, Akron name.

0:50:250:50:27

Spicer, there's a lot of things named after Spicer.

0:50:270:50:30

Schumacher, same. That's another big Akron name.

0:50:300:50:33

The first guy I loved, that I was in love with, was named Burnett.

0:50:420:50:45

Maybe that was his family.

0:50:450:50:48

He's dead now.

0:50:480:50:49

Urbane Watkins, yeah, I have never heard of someone named Urbane,

0:50:520:50:56

good name.

0:50:560:50:58

See, I could do this for hours. Not hours, but...

0:51:020:51:06

And it's a great thing if, you know, back in the day,

0:51:060:51:08

you could smoke a joint.

0:51:080:51:09

And just...

0:51:090:51:11

When I'm alone and I can walk through a cemetery,

0:51:160:51:18

I like to say their names out loud cos I just think,

0:51:180:51:20

"When was the last time anyone ever said your name out loud?"

0:51:200:51:23

And I don't know that that means anything. It's just something I do.

0:51:230:51:27

# Keep beckoning to me

0:51:310:51:34

# From behind that closed door

0:51:340:51:37

# The maid and the mother and the crone that's grown old

0:51:370:51:43

# I hear your voice

0:51:430:51:47

# Coming out of that hole

0:51:470:51:51

# I listen to you

0:51:510:51:53

# And I want some more

0:51:530:51:58

# I listen to you

0:51:580:52:01

# And I want some more

0:52:010:52:06

# And she will always carry on

0:52:070:52:12

# Something is lost

0:52:120:52:15

# Something is found

0:52:150:52:18

# They will keep on speaking her name

0:52:180:52:23

# Some things change

0:52:230:52:26

# Some stay the same

0:52:260:52:31

# And she will always carry on

0:52:310:52:36

# Something is lost

0:52:370:52:40

# Something is found

0:52:400:52:43

# They will keep on speaking her name

0:52:430:52:50

# Some things change

0:52:500:52:54

# Some stay the same

0:52:540:52:58

# Ah. #

0:53:010:53:05

CHEERING AND APPLAUSE

0:53:090:53:12

So this is, really, what I sort of grew up with,

0:53:240:53:29

all these woods and everything.

0:53:290:53:30

And they went right up to the back of where the house was.

0:53:310:53:36

This is right in the height of the summer.

0:53:370:53:39

In the winter time, there's no leaves. And it's fucking cold.

0:53:390:53:44

And there is snow and slush and sleet.

0:53:440:53:47

When it's the most spectacular is in the month of October, here.

0:53:470:53:51

Because everything's like scarlet and gold,

0:53:510:53:53

and, I mean, it's breathtaking.

0:53:530:53:55

I used to love coming out to places like this.

0:53:590:54:01

Getting lost.

0:54:010:54:03

My thing was always trees.

0:54:110:54:12

When you're a child, and you're in the woods a lot,

0:54:150:54:18

this has a lot to do with... in forming the way you think.

0:54:180:54:21

When I'm in there, I feel like I'm surrounded by people.

0:54:240:54:27

They are living entities.

0:54:270:54:29

Only, you know, they're kind of more cool than people.

0:54:290:54:33

For the most part.

0:54:330:54:34

I always thought, when I was little, that I would end up,

0:54:430:54:46

that was my dream scenario, was to end up going down

0:54:460:54:49

one of those gullies and having my own little cabin.

0:54:490:54:52

A tiny, little thing.

0:54:520:54:55

And I would live alone there.

0:54:550:54:56

These two weird trees that have gone together.

0:55:050:55:07

That's a cool thing.

0:55:150:55:16

I'm not wearing the right shoes for this.

0:55:200:55:22

# Long ago

0:55:470:55:49

# And oh so far away

0:55:490:55:51

# I fell in love with you

0:55:510:55:54

# Before the second show

0:55:540:55:57

# And your guitar

0:55:570:55:59

# It sounds so sweet and clear

0:55:590:56:02

# But you're not really here

0:56:020:56:05

# It's just the radio

0:56:050:56:09

# Don't you remember you told me you love me, baby?

0:56:090:56:14

# Said you'd be coming back again, baby

0:56:160:56:20

# Baby, baby, baby, baby, oh, baby

0:56:220:56:28

# I love you

0:56:280:56:31

# I really do... #

0:56:310:56:34

-Where's Chrissie?

-Where are you?

0:56:390:56:41

-I'm like...

-What are you doing?

-I'm looking for you.

0:56:430:56:47

-Where are we at? You were in Akron last week?

-Well, they wanted a...

0:56:480:56:52

I said, "Instead of a retrospective thing,

0:56:520:56:54

"where you get people talking about me..." gross,

0:56:540:56:57

"Just follow me around doing what I do anyway."

0:56:570:57:00

Really?!

0:57:000:57:01

Look at all these little...

0:57:030:57:04

There's hummus.

0:57:040:57:06

-I'm all for that.

-We could sit on the street and eat some hummus.

0:57:070:57:11

Pockets.

0:57:110:57:13

-Aztec, Moroccan...

-It's vegetarian.

0:57:130:57:15

-So we can eat this.

-Do you want get that?

-Sure.

-Can I have a falafel?

0:57:170:57:21

Abdul, do they come out with samples or not?

0:57:210:57:23

Oh, I don't want one, I want it, I want it.

0:57:250:57:28

-Yeah.

-Abdul, Abdul. You don't listen to me.

0:57:280:57:31

I talk to you, you don't listen.

0:57:310:57:33

We just want a falafel sandwich, the way you do it.

0:57:340:57:37

And I'm getting the classic, but the bowl.

0:57:380:57:41

Right there, we're going to go, if they don't go there first.

0:57:420:57:45

Ah, shit, those guys just nabbed that table.

0:57:470:57:49

All right. Perfection.

0:57:540:57:57

-It's OK.

-Great.

0:57:570:57:59

-Have you met anybody in the past couple of years you like?

-Uh-uh.

0:58:040:58:08

Yeah, I do like people, but I would never go after anyone.

0:58:080:58:12

For instance.

0:58:120:58:13

I can't think of anyone.

0:58:140:58:16

Just people you meet out in the world?

0:58:160:58:19

I don't know.

0:58:190:58:20

I haven't thought about it.

0:58:200:58:22

I just need a place where I can paint and be left alone.

0:58:290:58:32

Fabulous.

0:58:320:58:34

They came over for the summer,

0:58:380:58:40

and looked at my paintings.

0:58:400:58:42

That's all I've been doing.

0:58:420:58:43

Not now, I've stopped.

0:58:440:58:45

I was doing one a day,

0:58:450:58:46

but I ground to a halt when I had other things to do.

0:58:460:58:49

You realise that you are going to make this happen now,

0:58:520:58:55

and you are making it happen.

0:58:550:58:56

More productive than ever.

0:58:590:59:01

It's from isolation.

0:59:020:59:03

What do you mean?

0:59:060:59:08

I don't have... I spend all my time alone.

0:59:080:59:10

I have nothing else to do.

0:59:100:59:12

I understand.

0:59:140:59:15

That's my choice. I like it.

0:59:170:59:19

-You're OK with it.

-I get lonely and morose, but you know...

-Do you?

0:59:220:59:25

Of course.

0:59:250:59:27

You know.

0:59:270:59:29

I am a prize. If no-one wants to pick up on that, fuck them.

0:59:290:59:32

The eighth wonder of the world.

0:59:390:59:41

# What you gonna do about it?

0:59:420:59:45

# What you gonna do about it?

0:59:450:59:47

# Whoa! Yeah!

0:59:470:59:51

# What you gonna do about it?

0:59:540:59:57

# What you gonna do about it?

0:59:571:00:00

# What you gonna do about it?

1:00:001:00:02

# Oh! #

1:00:021:00:04

Arena spends the summer with super cool self-confessed rock chick, Chrissie Hynde - shopping for clothes in Paris, hanging out with Sandra Bernhard in New York, life in London and a special trip back to her home town of Akron, Ohio.

A thoughtful and intimate portrait of a 'lone, hungry, irritable wolf', featuring a glorious live performance at one of London's newest venues.