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This programme contains some strong language | 0:00:02 | 0:00:07 | |
This is the story of an extraordinary group of young actors | 0:00:07 | 0:00:09 | |
setting out to tackle the world's most famous play. | 0:00:09 | 0:00:12 | |
To be or not to be - that is the question - | 0:00:17 | 0:00:25 | |
Whether 'tis nobler in the mind to suffer | 0:00:25 | 0:00:30 | |
the slings and arrows of outrageous fortune, | 0:00:30 | 0:00:36 | |
or to take arms against a sea of troubles, | 0:00:36 | 0:00:40 | |
and by opposing end them? | 0:00:40 | 0:00:48 | |
Along the way, the play will blur with their real lives, forcing them | 0:00:56 | 0:01:00 | |
to come of age in a roller coaster ride of romance, rows... | 0:01:00 | 0:01:06 | |
Shut the ... up, yeah!? | 0:01:06 | 0:01:09 | |
..and revelations. | 0:01:09 | 0:01:10 | |
I'm just confused, because I don't know what Down's syndrome is. | 0:01:14 | 0:01:17 | |
And, after intensive rehearsal, | 0:01:20 | 0:01:22 | |
the actors will set off on tour, to prove themselves before the public. | 0:01:22 | 0:01:27 | |
I just can't stop my feet shaking! | 0:01:27 | 0:01:30 | |
They'll be performing in mainstream theatres for the first time. | 0:01:30 | 0:01:33 | |
Can they really pull off Shakespeare's Hamlet? | 0:01:35 | 0:01:38 | |
This is Tommy, he's 26. | 0:01:46 | 0:01:49 | |
He's my brother. | 0:01:49 | 0:01:50 | |
That's me in the mirror. | 0:01:53 | 0:01:55 | |
I'm filming Tommy and the other actors, both in rehearsal | 0:01:55 | 0:01:58 | |
and at home. | 0:01:58 | 0:02:00 | |
And this is Jane, she's our mum. | 0:02:03 | 0:02:05 | |
Tommy was a funny little thing when he was born. | 0:02:12 | 0:02:14 | |
Mum... | 0:02:14 | 0:02:17 | |
The poor little baby was born tiny and frail and with Down's syndrome. | 0:02:18 | 0:02:23 | |
I felt like this huge tragedy had happened, | 0:02:24 | 0:02:25 | |
cos I didn't know then what I know now, so depression for a bit... | 0:02:25 | 0:02:31 | |
A doctor came to examine him and said he'd do very little, ever. | 0:02:31 | 0:02:35 | |
He wouldn't write and he wouldn't read, | 0:02:35 | 0:02:37 | |
and he didn't do any developing for a whole year. | 0:02:37 | 0:02:39 | |
He just used to sit there and every now and then, with the pains, | 0:02:39 | 0:02:42 | |
he'd just scream. | 0:02:42 | 0:02:44 | |
My friend was praying like mad that either God would make him well | 0:02:44 | 0:02:47 | |
or he'd take him away and he'd go to heaven as a baby. | 0:02:47 | 0:02:51 | |
The first thing that caused any reaction in him | 0:02:56 | 0:02:59 | |
was the sound of a bell. | 0:02:59 | 0:03:00 | |
He loves light and music. | 0:03:05 | 0:03:06 | |
He told us he wanted to act, so we thought, | 0:03:15 | 0:03:18 | |
"Oh, yeah, everyone wants to be on the telly - never mind. | 0:03:18 | 0:03:22 | |
"Let's fix him up with some football, some swimming and get him a job." | 0:03:22 | 0:03:26 | |
But Tommy surprised us all. | 0:03:30 | 0:03:32 | |
He became the first actor with Down's syndrome | 0:03:34 | 0:03:37 | |
to star in a TV drama. | 0:03:37 | 0:03:39 | |
That was six years ago. | 0:03:44 | 0:03:46 | |
Tommy's now about to take on the ultimate role for any actor. | 0:03:50 | 0:03:53 | |
The hardest role is Hamlet, | 0:04:06 | 0:04:09 | |
but someone's got to be Laertes. | 0:04:09 | 0:04:13 | |
-He's Ophelia's brother. -Ah. | 0:04:13 | 0:04:15 | |
And he has a rivalry with Hamlet | 0:04:15 | 0:04:17 | |
-and they have a big swordfight at the end. -Oh, wicked. | 0:04:17 | 0:04:20 | |
Yeah, you can say that again. | 0:04:20 | 0:04:22 | |
-We'll have to see how it goes... -So which one wins? | 0:04:22 | 0:04:25 | |
Well, they both die. | 0:04:26 | 0:04:27 | |
-Interesting. -And Claudius dies, as well. | 0:04:30 | 0:04:33 | |
-OK. -So does Gertrude. | 0:04:33 | 0:04:35 | |
-She's the queen. -Yeah, I know that. | 0:04:35 | 0:04:39 | |
So, how does Gertrude die? | 0:04:39 | 0:04:41 | |
She gets poisoned... | 0:04:41 | 0:04:43 | |
-by Claudius. -Oh. | 0:04:43 | 0:04:45 | |
So, if you're Claudius, you do get to get married... | 0:04:45 | 0:04:48 | |
-OK. -..but then you poison your wife. | 0:04:48 | 0:04:51 | |
I see. | 0:04:51 | 0:04:54 | |
HE LAUGHS | 0:04:54 | 0:04:57 | |
Tommy belongs to a theatre company in Winchester called Blue Apple. | 0:05:00 | 0:05:04 | |
It was founded by our mum for actors with learning disabilities. | 0:05:07 | 0:05:11 | |
These are the actors doing Hamlet. | 0:05:16 | 0:05:19 | |
They've been performing together for about a year and are good friends. | 0:05:19 | 0:05:24 | |
But this is, by far, their most ambitious production. | 0:05:24 | 0:05:27 | |
The worst that could happen is it's a crap show. | 0:05:33 | 0:05:35 | |
Got to ensure that they're not put in a position where | 0:05:36 | 0:05:39 | |
they really can't cope with it. | 0:05:39 | 0:05:42 | |
Um, this is the script. | 0:05:45 | 0:05:47 | |
When Tommy first started acting, | 0:05:47 | 0:05:49 | |
he found it hard to separate the fictional storylines from real life. | 0:05:49 | 0:05:53 | |
I've also noticed this in other actors with Down's. | 0:05:53 | 0:05:56 | |
Tommy, read Hamlet. | 0:05:56 | 0:05:58 | |
Lawrie, Claudius. | 0:05:59 | 0:06:01 | |
James, Polonius and Laertes. | 0:06:04 | 0:06:09 | |
Katy, Ophelia. | 0:06:11 | 0:06:13 | |
Hamlet's the first time Blue Apple's done a tragedy - | 0:06:15 | 0:06:18 | |
I wondered how the group would react to the troubling | 0:06:18 | 0:06:20 | |
themes of betrayal, anger and death. | 0:06:20 | 0:06:24 | |
INDISTINCT | 0:06:24 | 0:06:27 | |
'Forgive me, my foul murder'? That cannot be. | 0:06:27 | 0:06:31 | |
From the very start, Lawrie seems to confuse the play with his real life. | 0:06:31 | 0:06:35 | |
I know it's only acting but, I feel | 0:06:37 | 0:06:40 | |
I have a lot in common with Hamlet, | 0:06:40 | 0:06:44 | |
because people die around him and people die around me. | 0:06:44 | 0:06:48 | |
Come here. Come and tell me. | 0:06:52 | 0:06:55 | |
What's up? | 0:06:56 | 0:06:58 | |
It's just, people always die around me, friends or my family... | 0:06:58 | 0:07:03 | |
At 19, Lawrie's the youngest of the actors. | 0:07:09 | 0:07:12 | |
He lives with his mum in the centre of Winchester. | 0:07:12 | 0:07:16 | |
..and to be in love with a famous actor. | 0:07:20 | 0:07:26 | |
That's my major dreams. | 0:07:29 | 0:07:31 | |
And to have a dog. | 0:07:31 | 0:07:34 | |
And... | 0:07:34 | 0:07:35 | |
Others I want to be with me in my life, | 0:07:36 | 0:07:41 | |
because they're with me for ever and never give up with me. | 0:07:41 | 0:07:46 | |
They seem to hate this man. | 0:07:47 | 0:07:51 | |
You only have to die. | 0:07:51 | 0:07:55 | |
I'm just always alone. | 0:08:02 | 0:08:05 | |
I know my family loves me and I got friends. | 0:08:05 | 0:08:07 | |
It's still not enough for me. | 0:08:07 | 0:08:11 | |
Lawrie admires Tommy because he's been on TV. | 0:08:18 | 0:08:22 | |
The two of them will be | 0:08:22 | 0:08:23 | |
starring together for the first time in Hamlet. | 0:08:23 | 0:08:26 | |
O wretched state! O bosom black as death! | 0:08:26 | 0:08:31 | |
Help, angels! | 0:08:31 | 0:08:32 | |
All may be well. | 0:08:34 | 0:08:37 | |
Now, a villain kills my father. | 0:08:44 | 0:08:48 | |
And for that, I, do this same villain send | 0:08:50 | 0:08:58 | |
to heaven. | 0:08:58 | 0:08:59 | |
Ah, that bit. OK. | 0:08:59 | 0:09:01 | |
Hamlet's girlfriend Ophelia is being played by Katy. | 0:09:01 | 0:09:04 | |
She's the newest member of the group and this is her biggest role so far. | 0:09:04 | 0:09:09 | |
Katy's 22. She lives nearby in a shared flat. | 0:09:09 | 0:09:12 | |
SHE LAUGHS | 0:09:12 | 0:09:15 | |
# Hey, I just met you | 0:09:15 | 0:09:17 | |
# And this is crazy | 0:09:17 | 0:09:19 | |
# But here's my number | 0:09:19 | 0:09:21 | |
# So call me, maybe | 0:09:21 | 0:09:23 | |
# It's hard to look right | 0:09:23 | 0:09:25 | |
# At you baby | 0:09:25 | 0:09:27 | |
# But here's my number | 0:09:27 | 0:09:28 | |
# So call me, maybe | 0:09:28 | 0:09:31 | |
# Hey, I just met you | 0:09:31 | 0:09:33 | |
# And this is crazy | 0:09:33 | 0:09:35 | |
# But here's my number. # | 0:09:35 | 0:09:37 | |
It soon becomes clear that Katy has a bit of crush on her Hamlet. | 0:09:39 | 0:09:43 | |
What are you so excited about? | 0:09:45 | 0:09:47 | |
Ophelia. | 0:09:47 | 0:09:48 | |
-Why? -Because it's Hamlet's girlfriend. | 0:09:48 | 0:09:51 | |
And that's Tommy. | 0:09:53 | 0:09:54 | |
It makes my dreams come true. | 0:09:58 | 0:10:01 | |
What will it be like, do you think? | 0:10:03 | 0:10:05 | |
It'll be romantic. | 0:10:05 | 0:10:08 | |
But he'll be upset at the end, when I drown. | 0:10:08 | 0:10:11 | |
In the play, Ophelia drowns herself, because Hamlet's cruel to her. | 0:10:14 | 0:10:18 | |
I wondered if this would affect Katy's feelings for Tommy. | 0:10:18 | 0:10:22 | |
Are you fair? | 0:10:22 | 0:10:23 | |
What means Your Lordship? | 0:10:23 | 0:10:26 | |
I did love you once. | 0:10:26 | 0:10:28 | |
Indeed, my lord, you made me believe so. | 0:10:28 | 0:10:33 | |
You should not have believed me - I loved you not. | 0:10:33 | 0:10:38 | |
To a nunnery - go! | 0:10:38 | 0:10:41 | |
After two weeks of rehearsal, | 0:10:48 | 0:10:50 | |
Katy decides that she wants to rewrite the script, | 0:10:50 | 0:10:53 | |
so that rather than dying, Ophelia and Hamlet get married instead. | 0:10:53 | 0:10:57 | |
They're all going to go dancing and go crazy | 0:10:58 | 0:11:00 | |
and happy ending in church and get married. | 0:11:00 | 0:11:04 | |
But Lawrie's now seen the play | 0:11:05 | 0:11:07 | |
and is determined to stick to the original. | 0:11:07 | 0:11:10 | |
Everyone thinks it should be a happy ending, | 0:11:10 | 0:11:14 | |
but I think it'll have that happy ending if everyone dies. | 0:11:14 | 0:11:20 | |
With Katy and Lawrie unable to agree, the group holds a vote | 0:11:22 | 0:11:25 | |
on who wants to give Shakespeare's most famous tragedy a happy ending. | 0:11:25 | 0:11:29 | |
KATY: I think I'll speak to Lawrie. | 0:11:35 | 0:11:38 | |
I don't understand what's got into you, Lawrie. | 0:11:41 | 0:11:44 | |
Just calm yourself down... | 0:11:44 | 0:11:46 | |
How can I calm myself down if everyone wants a happy ending | 0:11:46 | 0:11:49 | |
and so do you? | 0:11:49 | 0:11:51 | |
It's my choice and I choose a sad ending. | 0:11:51 | 0:11:54 | |
-I'm sorry. -Does that mean I can't come to your house tomorrow, then? | 0:11:54 | 0:11:58 | |
Of course, you still can. | 0:11:58 | 0:11:59 | |
Of course you still can. | 0:12:01 | 0:12:03 | |
But I'm the only one who's doing the play. | 0:12:03 | 0:12:05 | |
So that means you don't want to be my friend? | 0:12:05 | 0:12:07 | |
Of course, I want to be your friend, | 0:12:07 | 0:12:10 | |
but to be honest, Katy, you're taking all of this too personal. | 0:12:10 | 0:12:15 | |
So that's why I'm persuading you to have a happy ending. | 0:12:18 | 0:12:21 | |
-We're sticking to the play... -You're not. | 0:12:21 | 0:12:24 | |
You want it to have a happy ending and at the end goes dancing? | 0:12:24 | 0:12:29 | |
-Yeah, that's what we do at the end. -Yes, and I don't want to do that. | 0:12:29 | 0:12:32 | |
I want to stay dead. | 0:12:32 | 0:12:33 | |
JAMES: It's just a story - that's all it is. | 0:12:33 | 0:12:35 | |
It's not just a story, it's Shakespeare himself. | 0:12:35 | 0:12:39 | |
JAMES: Yeah, Shakespeare is very good. | 0:12:39 | 0:12:41 | |
-James... -You might like it. | 0:12:41 | 0:12:42 | |
-You're not even helping, so don't even try. -Sorry. | 0:12:42 | 0:12:46 | |
After a long discussion, Katy offers a compromise. | 0:12:48 | 0:12:51 | |
If you want to have a happy ending, if that's what makes you happy, | 0:12:52 | 0:12:58 | |
we can do a bit of dancing in the middle and then die at the end. | 0:12:58 | 0:13:05 | |
TOMMY: There you go. | 0:13:06 | 0:13:08 | |
JAMES: Yeah, yeah, yeah. | 0:13:08 | 0:13:09 | |
What about that way round, Lawrie, | 0:13:09 | 0:13:11 | |
dancing in the middle then dying at the end? | 0:13:11 | 0:13:13 | |
How about that, since...? | 0:13:13 | 0:13:15 | |
Well? | 0:13:15 | 0:13:16 | |
-JAMES LAUGHS -I say, it's the best idea ever. | 0:13:16 | 0:13:19 | |
Best idea ever! | 0:13:19 | 0:13:21 | |
THEY CHEER | 0:13:21 | 0:13:25 | |
Away from the theatre, Lawrie's plagued by self doubt. | 0:13:32 | 0:13:36 | |
I could be a good-looking guy, hot with the girls. | 0:13:45 | 0:13:50 | |
So far, no-one thinks I look hot or sexy. | 0:13:52 | 0:13:57 | |
To inspire the actors, Jane's taking them | 0:14:12 | 0:14:15 | |
to visit a very special theatre. | 0:14:15 | 0:14:17 | |
-Do you know who Dr Langdon Down was? -No. | 0:14:21 | 0:14:24 | |
Well, he lived in Queen Victoria's time, | 0:14:24 | 0:14:27 | |
and he was the first person to talk about Down's syndrome. | 0:14:27 | 0:14:31 | |
And he understood that people with Down's syndrome | 0:14:31 | 0:14:33 | |
love to be on stage | 0:14:33 | 0:14:35 | |
and so he built a special theatre called the Normansfield Theatre. | 0:14:35 | 0:14:39 | |
Do you know who that is? | 0:14:41 | 0:14:43 | |
Do you know what these photos are? | 0:14:43 | 0:14:46 | |
Children. | 0:14:46 | 0:14:47 | |
Anything special about those children? | 0:14:47 | 0:14:50 | |
They have Down's syndrome. | 0:14:50 | 0:14:51 | |
How does that make you feel? | 0:14:54 | 0:14:56 | |
Uncomfortable, strange... | 0:14:59 | 0:15:01 | |
Some of their faces has my face. | 0:15:03 | 0:15:06 | |
When Tommy and I first spoke about Down's syndrome, | 0:15:27 | 0:15:29 | |
Tommy was roughly the same age that Lawrie is now. | 0:15:29 | 0:15:32 | |
So how does it feel having Down's Syndrome? | 0:15:35 | 0:15:38 | |
Um... | 0:15:40 | 0:15:41 | |
I reckon that having Down's syndrome | 0:15:43 | 0:15:47 | |
is just like any other people in the world. | 0:15:47 | 0:15:52 | |
Really. | 0:15:54 | 0:15:57 | |
Except that it doesn't make any difference. | 0:15:57 | 0:15:59 | |
Just think about life the way it is. | 0:16:02 | 0:16:06 | |
Yeah. | 0:16:06 | 0:16:08 | |
How does it feel for you? | 0:16:14 | 0:16:16 | |
Um... | 0:16:16 | 0:16:18 | |
Feels always strange | 0:16:19 | 0:16:21 | |
because I always felt like I always had a problem in my life. | 0:16:21 | 0:16:25 | |
Oh, right. | 0:16:25 | 0:16:27 | |
I always felt there's a problem, | 0:16:27 | 0:16:29 | |
and just because people say it, | 0:16:29 | 0:16:31 | |
it just makes it sound like it isn't a problem any more for me. | 0:16:31 | 0:16:36 | |
Oh, that's good. | 0:16:36 | 0:16:37 | |
MUSIC: "Born This Way" by Lady Gaga | 0:16:37 | 0:16:40 | |
# Just put your paws up cos you were born this way, baby | 0:16:40 | 0:16:46 | |
# I was born this way | 0:16:48 | 0:16:50 | |
# I was just born this way | 0:16:50 | 0:16:52 | |
# I'm on the right track, baby | 0:16:52 | 0:16:54 | |
# I was born this way | 0:16:54 | 0:16:56 | |
# This is my life | 0:16:56 | 0:16:58 | |
# It's the way I want to live | 0:16:58 | 0:17:00 | |
# I'm on the right track, baby | 0:17:00 | 0:17:02 | |
# I was born this way. # | 0:17:02 | 0:17:05 | |
Not all the company have Down's syndrome. | 0:17:09 | 0:17:12 | |
32-year-old James is still waiting for | 0:17:12 | 0:17:14 | |
a formal diagnosis of his learning disability. | 0:17:14 | 0:17:17 | |
Good morning. | 0:17:20 | 0:17:22 | |
I'm a bit late because I went to the police station yesterday | 0:17:23 | 0:17:30 | |
and about I've been harassing neighbours, or something. | 0:17:30 | 0:17:36 | |
And then they were saying that I've got Asp... | 0:17:36 | 0:17:38 | |
I don't what you call it - Asper-sis, or something. | 0:17:38 | 0:17:41 | |
Asperger's? | 0:17:41 | 0:17:43 | |
Aper-sis, or whatever - they think I've got or something. | 0:17:43 | 0:17:46 | |
HE CLEARS HIS THROAT | 0:17:47 | 0:17:49 | |
Oi, there, the v-king give me my father! | 0:17:51 | 0:17:57 | |
O thou vile king, Give me my father! | 0:17:57 | 0:18:00 | |
HE LAUGHS | 0:18:00 | 0:18:01 | |
James, you're supposed to be angry, not laughing! | 0:18:01 | 0:18:04 | |
-Come on. -HE LAUGHS | 0:18:04 | 0:18:06 | |
James! Please. | 0:18:06 | 0:18:09 | |
Shakespeare does not like people without no lines. | 0:18:09 | 0:18:15 | |
Shakespeare likes lines, doesn't he? | 0:18:15 | 0:18:18 | |
He'll be watching us somewhere - of course he will be. | 0:18:18 | 0:18:22 | |
-Shakespeare? -Yeah. | 0:18:22 | 0:18:23 | |
And what do you think he's thinking? | 0:18:23 | 0:18:25 | |
He's thinking... | 0:18:25 | 0:18:27 | |
"Is he going to get this, or what? | 0:18:27 | 0:18:30 | |
"Is this lad going to get this?" | 0:18:30 | 0:18:33 | |
That's what Shakespeare's thinking? | 0:18:33 | 0:18:35 | |
He'll be thinking, "Is he going to get this, this idiot?" | 0:18:35 | 0:18:39 | |
Sweet...Op...Opera. | 0:18:40 | 0:18:43 | |
-LAWRIE WHISPERS: -Ophelia. | 0:18:43 | 0:18:46 | |
Ophelia. | 0:18:46 | 0:18:47 | |
What has happened to you? | 0:18:47 | 0:18:51 | |
# They bore him barefaced on the bier - | 0:18:51 | 0:18:57 | |
# God ha' mercy on his soul! # | 0:18:57 | 0:19:04 | |
Do you see this, God? | 0:19:04 | 0:19:07 | |
Oh, God! HE LAUGHS | 0:19:07 | 0:19:10 | |
James, please, let me talk, OK? Please. | 0:19:11 | 0:19:16 | |
Stop laughing - stop having the giggles, cos I'm trying to... | 0:19:16 | 0:19:20 | |
I'm sorry. | 0:19:20 | 0:19:22 | |
James, please, I will lose my temper. | 0:19:22 | 0:19:24 | |
Fine, go on. | 0:19:24 | 0:19:26 | |
Look, there's a play, I'm eager to make it perfect, all right? | 0:19:26 | 0:19:31 | |
If we don't focus, how we going to know our lines, | 0:19:31 | 0:19:34 | |
how we going to play them? | 0:19:34 | 0:19:37 | |
I think fun will come last. | 0:19:37 | 0:19:39 | |
I'm going to say, "Guys, Hamlet - no-one else." | 0:19:39 | 0:19:43 | |
Lunch and Hamlet - that's it. | 0:19:43 | 0:19:46 | |
Yeah, that's it - lunch and Hamlet'd be fine. | 0:19:46 | 0:19:49 | |
And anyway, I'm not doing anything next Sunday | 0:19:49 | 0:19:52 | |
if you want me to come over. | 0:19:52 | 0:19:55 | |
Hello. | 0:19:57 | 0:19:59 | |
Katy and Lawrie have known each other since school, | 0:19:59 | 0:20:01 | |
they used to go out. | 0:20:01 | 0:20:02 | |
# This is just a little samba | 0:20:02 | 0:20:05 | |
# With all the typical drama | 0:20:07 | 0:20:10 | |
# Feel the rhythm of the conga... # | 0:20:12 | 0:20:17 | |
Do you thinking you're ready to have another boyfriend, then? | 0:20:17 | 0:20:19 | |
I think I'll be ready. | 0:20:19 | 0:20:21 | |
And you don't think it'll be Lawrie, though? | 0:20:21 | 0:20:23 | |
No, not Lawrie. | 0:20:23 | 0:20:26 | |
I need somebody to trust and care for and someone who's handsome. | 0:20:26 | 0:20:30 | |
To have a handsome part's me. | 0:20:30 | 0:20:33 | |
I do care for Lawrie, it's just he's not my type. | 0:20:35 | 0:20:38 | |
I just want him as a friend. | 0:20:38 | 0:20:40 | |
I agree. | 0:20:40 | 0:20:41 | |
To be honest, Katy, you're not even my type, either. | 0:20:41 | 0:20:46 | |
I'm eager only to be friends. | 0:20:46 | 0:20:47 | |
What kind of girl do you think Lawrie should go for? | 0:20:47 | 0:20:51 | |
Um, well, at the moment, he was going to go out with Amy, | 0:20:51 | 0:20:55 | |
but now they split up again. | 0:20:55 | 0:20:59 | |
I don't know, really, I think it's best if Lawrie is single. | 0:20:59 | 0:21:03 | |
I'm not eager to be single. | 0:21:03 | 0:21:05 | |
I'm still eager to have someone, but... | 0:21:05 | 0:21:08 | |
We can always find you someone. | 0:21:08 | 0:21:09 | |
..not a girlfriend. | 0:21:09 | 0:21:12 | |
I don't understand about there's two boys. That's gay. | 0:21:25 | 0:21:29 | |
I know that. | 0:21:29 | 0:21:31 | |
Because I've always wanted a girl, but it seems I never get one | 0:21:35 | 0:21:42 | |
because they always mean trouble, upset me and dis' me. | 0:21:42 | 0:21:47 | |
INDISTINCT | 0:21:50 | 0:21:52 | |
TOMMY: I think he probably wants me to be his boyfriend, | 0:21:56 | 0:21:59 | |
which I don't want to be, really, because I'm not really that...gay. | 0:21:59 | 0:22:06 | |
Tommy's never had a proper girlfriend, | 0:22:08 | 0:22:11 | |
but he's got his eye on someone. | 0:22:11 | 0:22:13 | |
I think I'm probably nervous about asking people out. | 0:22:16 | 0:22:20 | |
Really. | 0:22:22 | 0:22:24 | |
When Katy gets upset during a discussion about dreams, | 0:22:26 | 0:22:29 | |
Tommy makes his move. | 0:22:29 | 0:22:33 | |
This is hard and it makes me scared. | 0:22:33 | 0:22:36 | |
All I think of is dying... and I have bad dreams | 0:22:36 | 0:22:41 | |
that we go to heaven and stuff. | 0:22:41 | 0:22:43 | |
I dream the most about...you. | 0:22:45 | 0:22:47 | |
-Me? -You. | 0:22:51 | 0:22:52 | |
-JAMES: -Oh, come on, you two! | 0:22:55 | 0:22:57 | |
Tommy calls Katy to ask her out. | 0:23:04 | 0:23:06 | |
-How about Tuesday? -'Tuesday?' | 0:23:07 | 0:23:11 | |
-Yeah, at half three? -'What time?' | 0:23:11 | 0:23:14 | |
-About half three. -'Half three?' | 0:23:16 | 0:23:19 | |
Yeah. | 0:23:19 | 0:23:22 | |
'That would be fine...' | 0:23:22 | 0:23:23 | |
INDISTINCT | 0:23:23 | 0:23:24 | |
-'Bye.' -Bye. | 0:23:26 | 0:23:28 | |
Nice and sweet! | 0:23:32 | 0:23:34 | |
They arrange to get together on Valentine's Day. | 0:23:34 | 0:23:37 | |
Good-looking, sexy boyfriend, George Clooney. | 0:23:51 | 0:23:56 | |
# It tortures me to know you're with Katy | 0:24:37 | 0:24:40 | |
# I really wanted you in my heart | 0:24:40 | 0:24:43 | |
# Can you ever think of me for once | 0:24:43 | 0:24:46 | |
# Instead of dreaming about girls? | 0:24:46 | 0:24:47 | |
# I'll be your friend | 0:24:47 | 0:24:50 | |
# Each time I tell myself I'm not in love with you | 0:24:50 | 0:24:53 | |
# But each time, I always think I am | 0:24:53 | 0:24:55 | |
# I'm jealous. # | 0:24:55 | 0:24:57 | |
KATY: So his mind is in the tress. | 0:25:00 | 0:25:02 | |
Cos the trees are listening. | 0:25:05 | 0:25:07 | |
-Two grapes left. -Yeah. | 0:25:10 | 0:25:11 | |
There you go. Finished. | 0:25:17 | 0:25:21 | |
-You all right? -Yeah. | 0:25:21 | 0:25:24 | |
-I just like... -Yeah. | 0:25:29 | 0:25:31 | |
me and you together. | 0:25:31 | 0:25:33 | |
It's just fantastic - everything around you's fantastic. | 0:26:11 | 0:26:15 | |
You're so happy. | 0:26:15 | 0:26:17 | |
Um, what makes you feel good? | 0:26:18 | 0:26:22 | |
Um, kissing. | 0:26:23 | 0:26:26 | |
-Kissing? -Yeah. | 0:26:26 | 0:26:29 | |
I love my Hamlet! | 0:26:37 | 0:26:39 | |
SHE LAUGHS Oh, baby! | 0:26:50 | 0:26:54 | |
Although things are going well with Tommy, | 0:27:02 | 0:27:04 | |
Katy's worried about playing Ophelia. | 0:27:04 | 0:27:07 | |
At the moment, I don't look beautiful. | 0:27:07 | 0:27:09 | |
I'm going to get my face back to normal. | 0:27:11 | 0:27:16 | |
How it was, otherwise I'm not going to be... | 0:27:16 | 0:27:18 | |
Otherwise my face won't be nice for Ophelia. | 0:27:18 | 0:27:24 | |
Cos Ophelia is... | 0:27:24 | 0:27:28 | |
is fair. | 0:27:28 | 0:27:30 | |
And as rehearsals continue, | 0:27:33 | 0:27:35 | |
director Peter is facing some particular challenges. | 0:27:35 | 0:27:39 | |
We're a bit behind. | 0:27:39 | 0:27:41 | |
There's a lovely thing happened | 0:27:41 | 0:27:43 | |
and there's some things which are pulling things back, so... | 0:27:43 | 0:27:47 | |
Six weeks in, James is still struggling to learn his lines. | 0:27:50 | 0:27:53 | |
I'm getting a wee bit worried, James, a little bit worried. | 0:27:55 | 0:27:59 | |
I do remember some, it's just getting the place, isn't it? | 0:28:01 | 0:28:06 | |
-Yeah. -Forgot my bloody lines now. | 0:28:06 | 0:28:09 | |
It's cos he looks so serious, yeah, OK, fine. | 0:28:09 | 0:28:12 | |
INDISTINCT | 0:28:16 | 0:28:19 | |
I think it's pressure. It's these things giving me pressure now. | 0:28:23 | 0:28:27 | |
There's a little bit of pressure in the air now...with this, | 0:28:27 | 0:28:31 | |
and I don't like it. I don't know what it is. | 0:28:31 | 0:28:33 | |
Um... | 0:28:37 | 0:28:38 | |
Be-Be you and I...and I... | 0:28:41 | 0:28:44 | |
JAMES MUMBLES | 0:28:44 | 0:28:46 | |
PETER AND JAMES TALK OVER EACH OTHER | 0:28:49 | 0:28:52 | |
I know but it's pissing... | 0:28:52 | 0:28:53 | |
PETER: He's trying to help you. | 0:28:53 | 0:28:55 | |
You and I behind... | 0:28:55 | 0:28:57 | |
You and I, and I behind... | 0:28:57 | 0:28:59 | |
..and arras... | 0:28:59 | 0:29:00 | |
..and arras then. | 0:29:00 | 0:29:02 | |
We will try it. | 0:29:02 | 0:29:04 | |
Hamlet! | 0:29:04 | 0:29:05 | |
You shut the... | 0:29:05 | 0:29:07 | |
James, take them off to hide. | 0:29:09 | 0:29:11 | |
OK, let's go. | 0:29:11 | 0:29:13 | |
Fuck's sake! | 0:29:13 | 0:29:16 | |
I'm getting a bit pissed off, I really am. | 0:29:16 | 0:29:19 | |
I'm not very happy with this, it's pissing me off. | 0:29:25 | 0:29:27 | |
I'm getting upset. | 0:29:27 | 0:29:29 | |
I don't know why I'm not getting my lines - I don't know what it is. | 0:29:29 | 0:29:32 | |
-Come and sit down. -I don't understand what it is! | 0:29:32 | 0:29:35 | |
Yeah, yeah, OK. I'll have a chat in a sec. | 0:29:35 | 0:29:37 | |
-Just come and sit. -Pissing me off. | 0:29:37 | 0:29:39 | |
He thinks I'm annoyed with him, just because he gets it wrong. | 0:29:42 | 0:29:47 | |
-Are you? -No. | 0:29:49 | 0:29:51 | |
Of course not, I'm just trying to help. | 0:29:52 | 0:29:55 | |
James becomes more and more frustrated. | 0:29:56 | 0:29:59 | |
Shut the fuck up, yeah? I'm fucking well... | 0:30:00 | 0:30:03 | |
James, James, James. | 0:30:03 | 0:30:05 | |
James. | 0:30:05 | 0:30:07 | |
You've got to be quiet, James. | 0:30:07 | 0:30:09 | |
-James. -See you in a bit. | 0:30:09 | 0:30:11 | |
Lawrie, you're going to be all right. | 0:30:11 | 0:30:13 | |
I'm going to sort James out and then I'm going to come and sort you out. | 0:30:13 | 0:30:16 | |
Thanks, yeah. | 0:30:16 | 0:30:18 | |
You're probably going to ask me if I've got a solution - | 0:30:18 | 0:30:20 | |
I haven't got a solution, at the moment. | 0:30:20 | 0:30:23 | |
Just keep working at it. | 0:30:23 | 0:30:26 | |
Obviously, it takes time. | 0:30:26 | 0:30:29 | |
At the moment, I'm hoping that some way or another, | 0:30:29 | 0:30:34 | |
there will be a moment of great lightness and things will turn round. | 0:30:34 | 0:30:40 | |
Tommy decides James need a break from it all. | 0:30:43 | 0:30:47 | |
TOMMY: 'I know that we haven't got much time, | 0:30:47 | 0:30:49 | |
'and I actually feel kind of sorry for James, really.' | 0:30:49 | 0:30:53 | |
Do you see yonder cloud that's almost in the shape of a camel? | 0:30:55 | 0:31:00 | |
By the moon, it is like a camel, isn't it? | 0:31:02 | 0:31:08 | |
It's just... | 0:31:08 | 0:31:10 | |
-HE GROANS -Oh, no! | 0:31:10 | 0:31:14 | |
Anyway, it's just lines. | 0:31:15 | 0:31:17 | |
-Like a... -Very. | 0:31:18 | 0:31:20 | |
Very like... Very... | 0:31:20 | 0:31:23 | |
-Like. -..like a whale. | 0:31:23 | 0:31:26 | |
-Oh, man. -I am getting this. -Yeah. | 0:31:27 | 0:31:31 | |
I think I've got it, it's just putting it in place now. | 0:31:31 | 0:31:34 | |
Yeah. Putting the words in the right place. | 0:31:34 | 0:31:36 | |
-Yeah, that's what it is. -Yeah. | 0:31:36 | 0:31:38 | |
-Got the words... -Yeah. | 0:31:38 | 0:31:40 | |
Just got to put them in the right order. | 0:31:40 | 0:31:43 | |
Yeah. | 0:31:43 | 0:31:44 | |
O, my offence is rank it smells to heaven... | 0:31:51 | 0:31:56 | |
A brother's murder. Pray can I not... | 0:31:56 | 0:32:00 | |
My fault is past. But, O, what form of prayer | 0:32:00 | 0:32:03 | |
Can serve my turn? | 0:32:03 | 0:32:04 | |
"Forgive me my foul murder"? | 0:32:04 | 0:32:09 | |
That cannot be. | 0:32:09 | 0:32:11 | |
O wretched state! O bosom black as death! | 0:32:11 | 0:32:16 | |
Help, angels! | 0:32:18 | 0:32:20 | |
And all may be well. | 0:32:21 | 0:32:23 | |
As the weeks pass, Tommy and Katy's relationship continues to blossom. | 0:32:38 | 0:32:42 | |
# You and I did love, did love | 0:32:45 | 0:32:50 | |
# We thought it was very sweet. # | 0:32:50 | 0:32:55 | |
But they've now reached the scene where Hamlet's cruel to Ophelia. | 0:33:01 | 0:33:06 | |
Get thee to a nunnery! | 0:33:06 | 0:33:08 | |
I say, no more marriages. | 0:33:08 | 0:33:10 | |
Get thee to a nunnery, go - farewell. | 0:33:10 | 0:33:14 | |
Katy's finding it hard to understand that Tommy's just acting. | 0:33:16 | 0:33:20 | |
She begins to question his feelings towards her in real life. | 0:33:22 | 0:33:26 | |
-Do you really love me? -Huh, man! | 0:33:26 | 0:33:29 | |
Come on, how much do you love me? | 0:33:29 | 0:33:31 | |
Come on, how is our love going on here? | 0:33:32 | 0:33:35 | |
I mean, tell me how much you love me. | 0:33:36 | 0:33:41 | |
Like... | 0:33:41 | 0:33:42 | |
-I love you loads and loads - that sort of thing. -Yeah. | 0:33:42 | 0:33:48 | |
Well, I actually do love you loads and loads. | 0:33:48 | 0:33:50 | |
Well, instead of saying that, how much? | 0:33:52 | 0:33:57 | |
How much? | 0:33:58 | 0:34:00 | |
Tommy starts to worry about the effect of the play on Katy. | 0:34:00 | 0:34:03 | |
I don't want to hurt Katy with all the things that I'm saying. | 0:34:05 | 0:34:10 | |
-What, as Hamlet? -Yeah. | 0:34:10 | 0:34:12 | |
What kind of things? | 0:34:12 | 0:34:15 | |
Like, "Get thee to a n-n-nunnery!" | 0:34:15 | 0:34:18 | |
Cos that scene isn't real, it's pretend. | 0:34:18 | 0:34:23 | |
And I thought Tommy was going to say | 0:34:32 | 0:34:36 | |
something to upset me, or something. | 0:34:36 | 0:34:38 | |
Cheers. | 0:34:40 | 0:34:41 | |
Just remember, it's not real. All right? | 0:34:43 | 0:34:46 | |
It's not real. | 0:34:48 | 0:34:49 | |
Yeah, all right. | 0:34:51 | 0:34:53 | |
And Katy isn't the only one confusing the play with real life. | 0:34:58 | 0:35:01 | |
Lawrie's been wrestling with the guilt | 0:35:01 | 0:35:04 | |
of his evil character Claudius. | 0:35:04 | 0:35:06 | |
Two weeks before the tour, he proposes a radical new ending. | 0:35:06 | 0:35:10 | |
I want Claudius to get away with everything, | 0:35:15 | 0:35:17 | |
but, no, he has to be found out in the end. | 0:35:17 | 0:35:19 | |
He has to get killed. | 0:35:19 | 0:35:21 | |
But the others are now set on the original ending. | 0:35:23 | 0:35:26 | |
-JAMES: -If that's what a play is... | 0:35:26 | 0:35:30 | |
then that's what a play is. | 0:35:30 | 0:35:32 | |
-Also... -Follow the play's rules. | 0:35:32 | 0:35:34 | |
..the play is Hamlet | 0:35:34 | 0:35:35 | |
and Lawrie can't have his own way to mix it all up again, | 0:35:35 | 0:35:41 | |
otherwise it'll get confusing. | 0:35:41 | 0:35:44 | |
It can't be Claudius, cos that's not a play. | 0:35:44 | 0:35:47 | |
-It's called Hamlet. -Cos it's all about Hamlet. | 0:35:47 | 0:35:50 | |
-Yeah, it's all about you. -Yeah. -You're... | 0:35:50 | 0:35:53 | |
Cos I was to play the main part in Hamlet. | 0:35:53 | 0:35:56 | |
And who does the other Hamlet? | 0:35:56 | 0:35:59 | |
-My baby. -Me. -Yeah. | 0:35:59 | 0:36:01 | |
What are you going on say to Lawrie about it then? | 0:36:01 | 0:36:04 | |
Sit down and talk, yeah? | 0:36:04 | 0:36:06 | |
INDISTINCT | 0:36:07 | 0:36:10 | |
Why don't you go to hell? Go to hell! | 0:36:12 | 0:36:17 | |
I'd rather be in heaven than... Hamlet never been to heaven... | 0:36:17 | 0:36:21 | |
Goes to heaven. I want to go to heaven. | 0:36:21 | 0:36:24 | |
GIRL: Hey, that's not fair - I don't want to go to hell. | 0:36:24 | 0:36:27 | |
It's just... | 0:36:27 | 0:36:29 | |
I don't want that, it scares me so much. | 0:36:33 | 0:36:35 | |
Just hug me. | 0:36:39 | 0:36:40 | |
-Hug me. -You'll be all right. | 0:36:40 | 0:36:43 | |
All I need is for us to have a hug, Katy. | 0:36:43 | 0:36:45 | |
With rehearsals increasingly fraught, Jane discovers that | 0:36:47 | 0:36:51 | |
there are problems outside the theatre as well. | 0:36:51 | 0:36:54 | |
Good morning, this is Jane Jessop from Blue Apple Theatre... | 0:36:54 | 0:36:57 | |
Hamlet with Down's syndrome is proving a tough sell. | 0:36:57 | 0:37:00 | |
I'm just wondering how ticket sales are going, | 0:37:00 | 0:37:03 | |
do we do any last-minute marketing? | 0:37:03 | 0:37:04 | |
Oh, dear! | 0:37:06 | 0:37:07 | |
Oh, my goodness, that's terrible, isn't it? | 0:37:07 | 0:37:10 | |
What the worry is that if we don't sell enough seats, | 0:37:10 | 0:37:13 | |
the theatres won't want us back and then, you know, that's the end of it. | 0:37:13 | 0:37:17 | |
So she sets off on a mission to boost ticket sales. | 0:37:20 | 0:37:23 | |
Hamlet will be played by an actor with Down's syndrome, | 0:37:26 | 0:37:29 | |
speaking Shakespeare's language. | 0:37:29 | 0:37:32 | |
And he will play on big stages, | 0:37:32 | 0:37:34 | |
including an 800-seater at Kingston - tickets are on sale now actually. | 0:37:34 | 0:37:37 | |
-Are they? -So this is really exciting. | 0:37:37 | 0:37:39 | |
With the tour looming, | 0:37:44 | 0:37:45 | |
it's now Tommy who's starting to feel the pressure. | 0:37:45 | 0:37:49 | |
All the people that's coming to watch Hamlet will probably want me | 0:37:49 | 0:37:53 | |
to put on a really good performance. | 0:37:53 | 0:37:56 | |
I think that probably makes me a bit nervous | 0:37:56 | 0:37:59 | |
of me letting down the whole play, really. | 0:37:59 | 0:38:03 | |
I probably need to focus more. | 0:38:03 | 0:38:06 | |
I need to stop fiddling with my boot, probably need to be more energetic. | 0:38:06 | 0:38:13 | |
I think I probably do need to smile more at Katy. | 0:38:13 | 0:38:16 | |
Tommy, things like when Anna's going on at you, that, "Mother!" | 0:38:24 | 0:38:28 | |
-Mother! -It's got to be a lot quicker. -Yeah. | 0:38:28 | 0:38:33 | |
And you've got to stop, you've got to stop stuttering on your lines. | 0:38:33 | 0:38:37 | |
HE STUTTERS | 0:38:37 | 0:38:41 | |
I'm... | 0:38:45 | 0:38:46 | |
HE STUTTERS | 0:38:58 | 0:39:01 | |
Try and concentrate. | 0:39:05 | 0:39:07 | |
Yeah? | 0:39:07 | 0:39:09 | |
Because you can do it, I know you can do it. | 0:39:09 | 0:39:11 | |
Yeah. | 0:39:11 | 0:39:13 | |
'In a way, I'm like Hamlet, | 0:39:23 | 0:39:27 | |
'cos I know what he feels like with all the frustration and stress.' | 0:39:27 | 0:39:33 | |
'If I mess it up, then I think the whole play will be a travesty.' | 0:39:35 | 0:39:41 | |
Today's the dress rehearsal, | 0:39:46 | 0:39:48 | |
it's the last chance for the actors to get it right before the tour. | 0:39:48 | 0:39:53 | |
PETER: Can we go from...? | 0:39:53 | 0:39:55 | |
Katy? | 0:39:57 | 0:39:59 | |
Katy's struggle to separate fact | 0:39:59 | 0:40:01 | |
and fiction seems to be coming to a head. | 0:40:01 | 0:40:04 | |
He's got his own mind in himself. | 0:40:10 | 0:40:13 | |
To a nunnery! | 0:40:25 | 0:40:27 | |
Mother! | 0:40:45 | 0:40:47 | |
The dress rehearsal hasn't gone well. | 0:40:51 | 0:40:54 | |
It needs a lot more drive, a lot more energy from everybody, | 0:40:54 | 0:40:57 | |
especially you, Tommy. | 0:40:57 | 0:40:59 | |
Especially you. | 0:40:59 | 0:41:01 | |
Right from the off, you've got to really give it everything. | 0:41:01 | 0:41:06 | |
How many props do you have, Tommy? | 0:41:07 | 0:41:10 | |
-Not many. -No. | 0:41:10 | 0:41:11 | |
How many did you remember? | 0:41:11 | 0:41:13 | |
None. You've got two, you had neither. | 0:41:14 | 0:41:17 | |
When I was on the stage, um... | 0:41:20 | 0:41:24 | |
..I was actually still thinking about what Katy had said. | 0:41:25 | 0:41:29 | |
It's just my head. | 0:41:31 | 0:41:34 | |
It's just my head messing things up, that's all. | 0:41:34 | 0:41:38 | |
What was she saying? | 0:41:38 | 0:41:40 | |
So what did you say to Tommy just before he went on stage? | 0:41:44 | 0:41:47 | |
I hate Tommy. | 0:41:47 | 0:41:48 | |
That's what I said. | 0:41:49 | 0:41:51 | |
I don't why I said that - just to upset him. | 0:41:53 | 0:41:55 | |
As Katy and Tommy's relationship starts to unravel, | 0:41:57 | 0:42:00 | |
they meet up to talk things through. | 0:42:00 | 0:42:03 | |
-What's the matter? -Um, nothing. | 0:42:06 | 0:42:09 | |
-Are you sure? -Mm-hm. | 0:42:09 | 0:42:10 | |
Doesn't seem like you love me. | 0:42:10 | 0:42:12 | |
Tell me, Tommy. | 0:42:14 | 0:42:17 | |
-I actually do love you. -Pardon? | 0:42:26 | 0:42:29 | |
I actually do love you. | 0:42:31 | 0:42:33 | |
-You do? -Mm-hm. | 0:42:33 | 0:42:35 | |
Well, why you not giving me a cuddle then? | 0:42:35 | 0:42:39 | |
Or anything? | 0:42:40 | 0:42:41 | |
I don't want to feel lonely. | 0:42:48 | 0:42:50 | |
Yeah. | 0:42:51 | 0:42:53 | |
I still love you. | 0:43:00 | 0:43:01 | |
Sorry about Monday, did I upset you? | 0:43:03 | 0:43:05 | |
Um... | 0:43:05 | 0:43:06 | |
-I think I did. -Yeah, probably. | 0:43:07 | 0:43:10 | |
Well, it was fun. | 0:43:19 | 0:43:21 | |
It's become impossible for Tommy | 0:44:06 | 0:44:08 | |
and Katy to keep their relationship separate from their acting, | 0:44:08 | 0:44:12 | |
so they decide to split up until after the tour. | 0:44:12 | 0:44:15 | |
I think the relationship has to end. | 0:44:16 | 0:44:18 | |
And it's good for me to be single again, cos I need to be single | 0:44:20 | 0:44:25 | |
because I'll be free...and not worry about being Ophelia at the moment. | 0:44:25 | 0:44:30 | |
Sometimes, love can be kind and sometimes love can be cruel. | 0:44:38 | 0:44:45 | |
Like Ophelia's lines, "I must be cruel, only to be kind." | 0:44:46 | 0:44:53 | |
Ay, lady, 'twas my word. | 0:44:55 | 0:44:58 | |
Peace! Sit you down, And let me wring your heart. | 0:44:58 | 0:45:03 | |
Such an act | 0:45:04 | 0:45:05 | |
That blurs the grace and blush of modesty... | 0:45:05 | 0:45:09 | |
Honeying and making love Over the nasty sty, | 0:45:11 | 0:45:16 | |
A murderer and a villain... | 0:45:16 | 0:45:18 | |
-SHOUTS: -For my mother! | 0:45:20 | 0:45:22 | |
Who were you shouting that at? | 0:45:31 | 0:45:33 | |
Probably Katy, mostly. | 0:45:35 | 0:45:36 | |
Yeah. | 0:45:39 | 0:45:40 | |
I actually felt pretty good about doing it. | 0:45:40 | 0:45:43 | |
Today's the opening night of Blue Apple's Hamlet. | 0:45:50 | 0:45:52 | |
The venue's a local school. | 0:45:53 | 0:45:56 | |
The mood is tense. | 0:45:59 | 0:46:00 | |
Really scary. | 0:46:02 | 0:46:04 | |
Oh, my God. | 0:46:06 | 0:46:07 | |
Where is my...? | 0:46:12 | 0:46:14 | |
Let me... | 0:46:15 | 0:46:17 | |
Where is my father? | 0:46:18 | 0:46:21 | |
APPLAUSE | 0:46:22 | 0:46:25 | |
-You all right? -I'm upset. | 0:46:25 | 0:46:27 | |
You did really well, James. | 0:46:27 | 0:46:30 | |
I'm still getting annoyed. | 0:46:30 | 0:46:31 | |
There's no time for any more rehearsals. | 0:46:37 | 0:46:41 | |
The production's booked to play at 14 different venues. | 0:46:44 | 0:46:48 | |
Soon, the tour's in full swing. | 0:46:48 | 0:46:50 | |
Audience numbers are pretty good and the show's well-received. | 0:46:52 | 0:46:57 | |
After five nights, it's starting to come together. | 0:47:03 | 0:47:06 | |
The actors are now heading to Cornwall, | 0:47:10 | 0:47:12 | |
it's the first time they've been away from home as a group. | 0:47:12 | 0:47:15 | |
MUSIC: "Horny As A Dandy" by Mousse T vs The Dandy Warhols | 0:47:15 | 0:47:20 | |
# I searched from town to town but I can't find my boo-ooh-ooh | 0:47:23 | 0:47:26 | |
# I got so desperate that I sent a rocket to the moon | 0:47:26 | 0:47:30 | |
# I sent a message through the internet but it rejected | 0:47:30 | 0:47:34 | |
# I wrote a letter and I sent it with the po-o-ost | 0:47:34 | 0:47:38 | |
# The post it takes so long, so I've got to sing this song | 0:47:38 | 0:47:41 | |
# To let you know how I feel, what's the deal, baby | 0:47:41 | 0:47:45 | |
# And I can't wait for you, and the things you make me do | 0:47:45 | 0:47:48 | |
# My heart is ringing so I'm singing this song for you | 0:47:48 | 0:47:52 | |
# And I like you, yeah, I like you | 0:47:52 | 0:47:56 | |
# And I like you, I like you, I like you, | 0:47:56 | 0:48:00 | |
# I like you, I like you, I like you, I like you | 0:48:00 | 0:48:04 | |
# And I feel whoa-ho, whoo! | 0:48:04 | 0:48:07 | |
# Ooh-ooh-ooh... # | 0:48:09 | 0:48:11 | |
This is the best day of my life with Tommy. | 0:48:14 | 0:48:17 | |
They're staying at a local youth hostel. | 0:48:22 | 0:48:26 | |
Tommy and Lawrie are sharing a room. | 0:48:26 | 0:48:28 | |
..In here. | 0:48:28 | 0:48:30 | |
In there and all the way to the end. | 0:48:30 | 0:48:35 | |
Yeah, all right. | 0:48:35 | 0:48:36 | |
INDISTINCT CHATTER | 0:48:39 | 0:48:42 | |
I don't know. | 0:49:07 | 0:49:09 | |
I've always been in love with Tommy, ever since I first met him | 0:49:09 | 0:49:15 | |
in the Blue Apple. | 0:49:15 | 0:49:17 | |
And we've been in roles, him and me, and I'm so close to him | 0:49:17 | 0:49:22 | |
and I care for him. | 0:49:22 | 0:49:25 | |
Would you ever go out with Lawrie? | 0:49:26 | 0:49:28 | |
Not in a million years. | 0:49:28 | 0:49:30 | |
There's... | 0:49:31 | 0:49:33 | |
No offence... | 0:49:33 | 0:49:34 | |
No offence, but I think of you as a friend, but not in that way. | 0:49:36 | 0:49:41 | |
Yeah. | 0:49:44 | 0:49:46 | |
What about what Tommy says about your feelings for him? | 0:49:46 | 0:49:49 | |
Hurtful. | 0:49:50 | 0:49:52 | |
I see Lawrie as a really good friend... | 0:49:55 | 0:49:58 | |
..I reckon. | 0:49:59 | 0:50:01 | |
Because we both know how each other's feeling. | 0:50:01 | 0:50:08 | |
Will being friends be enough for you? | 0:50:10 | 0:50:12 | |
No. | 0:50:14 | 0:50:15 | |
The Rose Theatre, London. | 0:50:37 | 0:50:39 | |
It's the last night of the tour and the grandest stage by far. | 0:50:39 | 0:50:44 | |
There's a real buzz in the air. | 0:50:44 | 0:50:46 | |
This is the culmination of months and months of hard work. | 0:50:46 | 0:50:51 | |
So, CAN a group of actors with Down's pull off Hamlet? | 0:50:51 | 0:50:54 | |
I just can't stop my feet shaking. | 0:50:56 | 0:50:58 | |
I just can't stop my feet. | 0:50:58 | 0:51:00 | |
Can Lawrie conquer his nerves? | 0:51:03 | 0:51:05 | |
Will James remember his lines? | 0:51:06 | 0:51:08 | |
And can Tommy find his voice? | 0:51:10 | 0:51:13 | |
CROWD CHATTERS | 0:51:13 | 0:51:15 | |
Welcome, friends. | 0:51:59 | 0:52:02 | |
I am Hamlet the Dane. | 0:52:02 | 0:52:04 | |
# To be or not to be. # | 0:52:05 | 0:52:13 | |
APPLAUSE | 0:52:15 | 0:52:17 | |
My Lord, the Queen must speak to you. | 0:52:22 | 0:52:26 | |
Do you see yonder cloud, | 0:52:26 | 0:52:29 | |
that's almost of a shape of a camel? | 0:52:29 | 0:52:35 | |
By the moon! It does look like a camel. | 0:52:35 | 0:52:38 | |
Methinks it is like a weasel. | 0:52:40 | 0:52:45 | |
A bit like a weasel. | 0:52:45 | 0:52:46 | |
Or like a whale? | 0:52:48 | 0:52:51 | |
Very like a whale. | 0:52:51 | 0:52:53 | |
He's far gone, far gone. | 0:52:55 | 0:52:57 | |
LAUGHTER | 0:52:57 | 0:53:00 | |
O, my offence is rank it smells to heaven - | 0:53:08 | 0:53:12 | |
O wretched state! O bosom black as death! | 0:53:12 | 0:53:16 | |
Help, angels! | 0:53:16 | 0:53:18 | |
Bow, stubborn knees - and all may be well. | 0:53:18 | 0:53:22 | |
MELANCHOLIC SINGING | 0:53:28 | 0:53:31 | |
I pray you all, | 0:54:10 | 0:54:13 | |
that whatsoever else shall hap' tonight... | 0:54:13 | 0:54:19 | |
..you look through our sad performance | 0:54:21 | 0:54:25 | |
and see that we, | 0:54:25 | 0:54:30 | |
fools of nature, | 0:54:30 | 0:54:33 | |
are wondrous too. | 0:54:33 | 0:54:37 | |
Easy, Hamlet. | 0:54:38 | 0:54:40 | |
No more, no more - the king, the king's to blame. | 0:54:40 | 0:54:44 | |
Murderous, incestuous, damned Dane! | 0:54:44 | 0:54:50 | |
Follow my mother! | 0:54:50 | 0:54:53 | |
Why? | 0:54:57 | 0:54:59 | |
CHEERING AND APPLAUSE | 0:55:03 | 0:55:05 | |
# I feel so alive, mmm | 0:55:18 | 0:55:23 | |
# Oh, I feel so alive... # | 0:55:23 | 0:55:26 | |
HE CHEERS | 0:55:28 | 0:55:30 | |
LOUD CHEERING AND APPLAUSE | 0:55:30 | 0:55:33 | |
I went three times! | 0:55:44 | 0:55:46 | |
# Oh, I feel so alive... # | 0:55:50 | 0:55:56 | |
I'm just gobsmacked how amazing it was. | 0:55:57 | 0:55:59 | |
I thought it was stunning. | 0:56:02 | 0:56:05 | |
Absolutely fantastic production. | 0:56:05 | 0:56:07 | |
I never believed I'd really understand Shakespeare. | 0:56:09 | 0:56:12 | |
What's so good about acting is, | 0:56:12 | 0:56:15 | |
it's gives yourself an explosion of feelings. | 0:56:15 | 0:56:19 | |
We're famous...and I can't believe it for my life. | 0:56:20 | 0:56:24 | |
HE LAUGHS | 0:56:24 | 0:56:27 | |
My nan didn't like it, she thought it was a bit boring. | 0:56:27 | 0:56:30 | |
# Oh, I feel so alive | 0:56:43 | 0:56:47 | |
# Ooh-ooh-ooh-ooh | 0:56:50 | 0:56:53 | |
# Oh, I'm not going to lose | 0:56:53 | 0:56:56 | |
# I feel so alive. # | 0:56:56 | 0:56:58 |