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-Welcome. -Hey, Andrew. How are you? -Hi, Tom. -You all right? -Very, very well indeed. | 0:00:07 | 0:00:10 | |
Fantastic. | 0:00:10 | 0:00:12 | |
Come through. | 0:00:12 | 0:00:13 | |
'There has never, never been a better time to be a political journalist... | 0:00:13 | 0:00:18 | |
'but, after a stroke which nearly killed me four years ago, | 0:00:19 | 0:00:23 | |
'everything has become just a bit trickier. | 0:00:23 | 0:00:25 | |
'It's a brain thing.' | 0:00:25 | 0:00:27 | |
The whole point of this, there is an area of my brain, probably now about | 0:00:28 | 0:00:31 | |
the size of a small tomato, which simply doesn't exist. | 0:00:31 | 0:00:34 | |
To get any movement back, to get the brain working on those movements, | 0:00:34 | 0:00:39 | |
subconscious or conscious movements, I have to regrow | 0:00:39 | 0:00:43 | |
or rewire the brain. | 0:00:43 | 0:00:44 | |
-Good. -I do this better when I'm not being filmed. | 0:00:44 | 0:00:47 | |
And that requires endless repeated actions - | 0:00:47 | 0:00:50 | |
hints and nudges to help the brain regrow. | 0:00:50 | 0:00:53 | |
It's a very strange mix. | 0:00:54 | 0:00:56 | |
There I am, lifting up tiny little bits of plastic and putting them | 0:00:56 | 0:01:00 | |
into a bowl as if I was a three-year-old at a nursery school | 0:01:00 | 0:01:04 | |
while, at the same time, trying to work out what's the best approach to | 0:01:04 | 0:01:07 | |
a Cabinet crisis. Yeah, it's... Talk about multitasking. | 0:01:07 | 0:01:09 | |
I really don't want to do that much of this on camera. | 0:01:15 | 0:01:17 | |
I've had enough of this. | 0:01:17 | 0:01:19 | |
I said no. | 0:01:20 | 0:01:21 | |
PHONE RINGS | 0:01:23 | 0:01:25 | |
-Is that my phone? -Yes, yeah. -Ooh, could you get it? | 0:01:25 | 0:01:27 | |
I'm sorry. It could be Iain Duncan Smith. | 0:01:27 | 0:01:31 | |
What... We've got him? Brilliant. Brilliant, brilliant, brilliant! That's fantastic news. | 0:01:31 | 0:01:34 | |
OK. The whole day is going to go well. | 0:01:34 | 0:01:37 | |
Great, OK. | 0:01:37 | 0:01:38 | |
-'OK, I'll talk to you later.' -Thanks, Rob. Cheers. | 0:01:38 | 0:01:41 | |
We have Iain Duncan Smith. That's brilliant. | 0:01:42 | 0:01:44 | |
Our political editor, Andrew Marr, is at Westminster. | 0:01:44 | 0:01:47 | |
'I've been a journalist for more than 35 years.' | 0:01:47 | 0:01:50 | |
-Mr President, thank you so much. -Thank you so much. I enjoyed it. | 0:01:50 | 0:01:53 | |
'But in a single moment, at the age of 53, my life changed forever. | 0:01:53 | 0:01:58 | |
'For a while, I couldn't even speak properly, and I still haven't recovered | 0:01:58 | 0:02:02 | |
'the full use of my left side. | 0:02:02 | 0:02:05 | |
'I want to know more about what's happened to my brain...' | 0:02:06 | 0:02:09 | |
Goat and train. | 0:02:09 | 0:02:11 | |
-This is the left hemisphere. -It looks like a mad cabbage. | 0:02:11 | 0:02:14 | |
'..how stroke affects the million-plus survivors in Britain...' | 0:02:14 | 0:02:18 | |
You can sing, but you can't talk. | 0:02:18 | 0:02:20 | |
-Is that right? -Yes. -'..and visit America for a striking new treatment.' | 0:02:20 | 0:02:24 | |
'Hi! | 0:02:24 | 0:02:26 | |
'It's me!' | 0:02:26 | 0:02:28 | |
I can talk! | 0:02:28 | 0:02:29 | |
I can walk! | 0:02:29 | 0:02:31 | |
'So this is a very personal story at a time of huge political change.' | 0:02:31 | 0:02:36 | |
This means that the UK has voted to leave the European Union. | 0:02:36 | 0:02:40 | |
This is the biggest story I've covered. | 0:02:40 | 0:02:42 | |
'Recovering from stroke's a different kind of story. | 0:02:42 | 0:02:44 | |
'It's intimate, sometimes embarrassing and, in this, I am nothing special.' | 0:02:44 | 0:02:50 | |
Everything is worth a go. | 0:02:50 | 0:02:52 | |
I will try everything or anything. | 0:02:52 | 0:02:54 | |
RADIO BULLETIN BEEPING | 0:02:58 | 0:03:02 | |
'In the past few minutes, it's been announced that | 0:03:02 | 0:03:04 | |
'the Work and Pensions Secretary, Iain Duncan Smith, has resigned. | 0:03:04 | 0:03:08 | |
'There's been a row over one of his reforms to disability payments.' | 0:03:08 | 0:03:11 | |
My week begins a little blearily at six every Sunday. | 0:03:11 | 0:03:15 | |
-Brenda? -Here. | 0:03:16 | 0:03:18 | |
-Good morning. -Good morning. | 0:03:18 | 0:03:20 | |
I have some friends with me this morning. | 0:03:20 | 0:03:22 | |
Oh, I see. Hi. Good morning. | 0:03:22 | 0:03:24 | |
I arrive in the morning, looking like a kind of pink, blobby lump of human chaos, | 0:03:26 | 0:03:31 | |
and Brenda transforms me into a glowing Adonis... | 0:03:31 | 0:03:35 | |
SHE CHUCKLES | 0:03:35 | 0:03:36 | |
Ish. | 0:03:36 | 0:03:37 | |
-INTERVIEWER: -So how long have you known Andrew? | 0:03:37 | 0:03:40 | |
Since the beginning of the show, really. | 0:03:40 | 0:03:43 | |
-Ten years, 12 years. -Ten. Yes. Yeah. | 0:03:43 | 0:03:45 | |
And everybody who comes on the show gets make-up because the lights on | 0:03:46 | 0:03:51 | |
the TV studio are so harsh that, if you don't have make-up, | 0:03:51 | 0:03:54 | |
you look like you are a living corpse. | 0:03:54 | 0:03:56 | |
We don't want that. | 0:03:56 | 0:03:58 | |
We've got an hour yet. | 0:03:59 | 0:04:00 | |
An hour to go. | 0:04:00 | 0:04:02 | |
'Oh, it was a terrible shock.' | 0:04:03 | 0:04:05 | |
Really. | 0:04:05 | 0:04:07 | |
It's one of the worst things that could happen, really, cos I thought, my God, is it his voice? | 0:04:07 | 0:04:10 | |
But thankfully the voice and the brain is as sharp as ever. | 0:04:11 | 0:04:15 | |
And this is my office. | 0:04:16 | 0:04:18 | |
Quite often, in this office, you arrive and somebody has been sleeping | 0:04:18 | 0:04:21 | |
overnight and there's a kind of ripe smell, | 0:04:21 | 0:04:24 | |
a few socks and a blanket and so on, but not today, I'm glad to say. | 0:04:24 | 0:04:27 | |
-Rob? -Yeah? | 0:04:29 | 0:04:30 | |
IDS, Mail On Sunday, the strongest paper? | 0:04:30 | 0:04:33 | |
Looks like it, yeah. | 0:04:33 | 0:04:35 | |
'I think everyone was completely shocked by it,' | 0:04:35 | 0:04:37 | |
you know. Even people who didn't know Andrew | 0:04:37 | 0:04:39 | |
but just knew of him through his TV career. | 0:04:39 | 0:04:42 | |
They were completely shocked by it and, if you're on the outside, you don't | 0:04:42 | 0:04:46 | |
have any idea of the severity of it. | 0:04:46 | 0:04:47 | |
Think again on benefits cuts, | 0:04:47 | 0:04:50 | |
Iain Duncan Smith warns the Prime Minister... | 0:04:50 | 0:04:53 | |
But clearly he's a very driven man so he was determined to come back. | 0:04:53 | 0:04:57 | |
Because you're cutting taxes for the better-off at the same time as you're cutting | 0:04:57 | 0:05:00 | |
benefits for disabled people. Do you think that's unfair? | 0:05:00 | 0:05:03 | |
Juxtaposed as it is, as it came through in the budget, | 0:05:03 | 0:05:07 | |
that is deeply unfair. | 0:05:07 | 0:05:08 | |
'I always rather naively assumed that strokes were something which | 0:05:08 | 0:05:11 | |
'happened to much older people.' | 0:05:11 | 0:05:13 | |
It never crossed my mind that someone as relatively young and fit | 0:05:13 | 0:05:18 | |
as Andrew could possibly have a stroke. | 0:05:18 | 0:05:21 | |
Although there's lots of arguments about why strokes happen to | 0:05:22 | 0:05:25 | |
individuals, I am fairly clear in my own mind about why my stroke happened. | 0:05:25 | 0:05:29 | |
I think the cause of the stroke was frankly two years of | 0:05:29 | 0:05:32 | |
excessively hard work where I was travelling the world, making a TV documentary | 0:05:32 | 0:05:36 | |
and writing a long book at the same time | 0:05:36 | 0:05:39 | |
while simultaneously doing Start The Week on Radio 4 | 0:05:39 | 0:05:42 | |
and The Andrew Marr Show on BBC One. | 0:05:42 | 0:05:44 | |
It's as if you've left Britain behind, almost. | 0:05:44 | 0:05:46 | |
Why the long silence? | 0:05:46 | 0:05:47 | |
He'd always been a workaholic, ever since I first met him, and so we | 0:05:49 | 0:05:52 | |
just thought that was the way he was and that he would always be fine | 0:05:52 | 0:05:55 | |
because he did keep fit at the same time. | 0:05:55 | 0:05:57 | |
He was immensely fit. | 0:05:57 | 0:05:59 | |
I think there were two occasions when he felt funny and he had to | 0:05:59 | 0:06:03 | |
have a lie down. Now, those signs, obviously, in hindsight probably were signs. | 0:06:03 | 0:06:09 | |
It was 99% my own fault for driving myself ridiculously hard. | 0:06:09 | 0:06:12 | |
You had come on kindly to review the papers. | 0:06:14 | 0:06:16 | |
-Yes. -And we were sitting at breakfast. | 0:06:16 | 0:06:18 | |
-We were. -And you thought I looked pretty iffy. | 0:06:18 | 0:06:21 | |
I remember vividly. You said to me, "You can rest when you're dead." | 0:06:21 | 0:06:25 | |
We've plenty of time to rest when you're dead. | 0:06:25 | 0:06:27 | |
That's exactly what you said, and I thought, oh, OK. | 0:06:27 | 0:06:31 | |
You know, flip remark, left it at that, | 0:06:31 | 0:06:33 | |
and then, of course, the very next day... | 0:06:33 | 0:06:35 | |
It actually happened when I was on a rowing machine, | 0:06:37 | 0:06:40 | |
overdoing it, like a lot of men. | 0:06:40 | 0:06:41 | |
I was pushing myself too hard. | 0:06:41 | 0:06:43 | |
I just felt very odd... | 0:06:48 | 0:06:49 | |
..and I started to get a really bad headache and then I got kind of | 0:06:51 | 0:06:53 | |
cascades of blinding light, like, quite pretty, actually. | 0:06:53 | 0:06:57 | |
A bit like rainbows in front of my eyes. | 0:06:57 | 0:06:59 | |
Went to bed, assuming it was a migraine... | 0:06:59 | 0:07:02 | |
..and then the next thing I remember was waking up on the floor of the bedroom, unable to get up. | 0:07:03 | 0:07:07 | |
AMBULANCE SIREN WAILS | 0:07:07 | 0:07:12 | |
Then things happened very fast. | 0:07:12 | 0:07:14 | |
An hour later, I was in hospital fighting for my life and, frankly, losing. | 0:07:14 | 0:07:21 | |
Quite strange to be back. | 0:07:33 | 0:07:35 | |
It's such an intense time when you're here, you know? It's all kind of... | 0:07:35 | 0:07:38 | |
It's like another world. | 0:07:38 | 0:07:40 | |
You go back into the real world then you come back here again, yeah. | 0:07:41 | 0:07:44 | |
Strange. | 0:07:44 | 0:07:47 | |
-BEEP -'Pull the door, please.' | 0:07:47 | 0:07:48 | |
Oh, hello. Thanks. | 0:07:48 | 0:07:49 | |
There we go, it worked. | 0:07:51 | 0:07:53 | |
This is the first time I've been back to the ward since. | 0:07:53 | 0:07:55 | |
-Hello. -Hello. -Hello, we're here filming. | 0:07:57 | 0:07:59 | |
-Welcome. -Thank you so much. | 0:07:59 | 0:08:00 | |
-Just to have a look? -Yes, just to have a look. | 0:08:00 | 0:08:02 | |
-We have your room over there. -That was my room there, wasn't it? H? -Yes. Still empty now. | 0:08:02 | 0:08:06 | |
-Is it? -Yeah, today it's empty. | 0:08:06 | 0:08:08 | |
OK. Can I have a little peer inside? | 0:08:08 | 0:08:11 | |
-Yeah, sure. -That's kind of you. | 0:08:11 | 0:08:13 | |
Thank you very much. Oh, yes. Yeah, yeah. | 0:08:13 | 0:08:15 | |
That was where I was. | 0:08:28 | 0:08:29 | |
-INTERVIEWER: -How long were you here in this room for, then? | 0:08:30 | 0:08:33 | |
I was in this room for two months. | 0:08:33 | 0:08:35 | |
Yes, I'm pretty sure it was two months. | 0:08:35 | 0:08:37 | |
Most of it conscious, | 0:08:39 | 0:08:40 | |
most of it kind of reading and thinking and all the rest of it. | 0:08:40 | 0:08:43 | |
Popping out of that bed endlessly. | 0:08:43 | 0:08:45 | |
Well, not popping. I couldn't pop in those days. | 0:08:45 | 0:08:47 | |
There's a big cemetery down there, | 0:08:49 | 0:08:51 | |
which kind of cheers you up when you're kind of low - | 0:08:51 | 0:08:54 | |
to know that's where you might end up. | 0:08:54 | 0:08:57 | |
I never thought that I was going to die... | 0:08:57 | 0:08:58 | |
..but other people did. | 0:09:00 | 0:09:01 | |
Well, first of all, they said he might not pull through at all and so, | 0:09:03 | 0:09:06 | |
for several days, we were faced with that prospect. | 0:09:06 | 0:09:09 | |
But then they said, even if he did pull through, | 0:09:09 | 0:09:11 | |
he might have lots of mental deficiencies and he may be completely paralysed. | 0:09:11 | 0:09:16 | |
Jackie said to me, you know, | 0:09:18 | 0:09:19 | |
they'd been told twice that I was going to die and then a third time that | 0:09:19 | 0:09:23 | |
I was going to make it, but I'd be basically a cabbage in a wheelchair. | 0:09:23 | 0:09:26 | |
For the first five days, I was pretty much out of it. | 0:09:28 | 0:09:32 | |
When I came round, trying to work out what day it was, I reached for the diary. | 0:09:32 | 0:09:37 | |
So this is my writing. | 0:09:37 | 0:09:38 | |
It's not very neat, before the stroke... | 0:09:38 | 0:09:40 | |
..and then this is after the stroke. See the writing goes all over the place? | 0:09:41 | 0:09:44 | |
And I'm doing virtually no drawing at this point and then suddenly I start | 0:09:46 | 0:09:50 | |
to do some drawing because these are terrible poems, which I'm not going to | 0:09:50 | 0:09:54 | |
allow to be broadcast. Yes, there's a drawing. | 0:09:54 | 0:09:56 | |
It's my bad hand sitting in this hospital bed. | 0:09:56 | 0:09:59 | |
Various cards and stuff behind me. | 0:09:59 | 0:10:01 | |
And then again, there's a drawing, I think, of that... Yes, | 0:10:03 | 0:10:05 | |
there's the hospital bed. | 0:10:05 | 0:10:07 | |
There's the view. "Hammersmith Skyline, February the 21st." | 0:10:07 | 0:10:10 | |
And that's the kind of mayhem on the bed. | 0:10:10 | 0:10:12 | |
Lots of crumpled sheets, books, tissues, bits of this and that. | 0:10:12 | 0:10:17 | |
They're not great drawings, but they show that I was drawing again, | 0:10:17 | 0:10:20 | |
which is a good sign. | 0:10:20 | 0:10:21 | |
Flowers from Rupert Everett. | 0:10:23 | 0:10:24 | |
Handwritten letters from Judi Dench, Tony Blair, Boris Johnson, | 0:10:24 | 0:10:28 | |
Vince Cable, Ed Miliband, most of the Cabinet, Gillian Ayres. | 0:10:28 | 0:10:33 | |
Messages from David Hockney, Chris Patten, Tony Hall. | 0:10:33 | 0:10:36 | |
So I'm quite proud of that, you know, | 0:10:36 | 0:10:38 | |
at the same time as I may be quite close to dying. | 0:10:38 | 0:10:41 | |
-It's very strange. -Any tear-stained pages? | 0:10:41 | 0:10:45 | |
No tear-stained pages. | 0:10:45 | 0:10:47 | |
You know me better than that! | 0:10:47 | 0:10:48 | |
I think there is no... | 0:10:50 | 0:10:52 | |
there is no kind of human crime worse than self-pity. | 0:10:52 | 0:10:56 | |
I think that's the most nauseating kind of human quality of all. | 0:10:56 | 0:11:00 | |
-Hello again. How nice to see you. -How are you? -I'm very, very well. | 0:11:02 | 0:11:05 | |
-How are you? -Well. Well, you're looking very well. | 0:11:05 | 0:11:08 | |
The neurologist, Omid Halse, discovered the cause of the stroke - | 0:11:08 | 0:11:12 | |
an interruption to the blood supply to the brain. | 0:11:12 | 0:11:16 | |
-In the internal carotid artery, there was a tear in that artery. -Mm. | 0:11:16 | 0:11:20 | |
So, a little tear, and it was made in quite a severe narrowing. | 0:11:20 | 0:11:22 | |
But because it's in the lining of the inside of the artery, | 0:11:22 | 0:11:24 | |
what it actually causes is this turbulent blood flow, | 0:11:24 | 0:11:27 | |
and it means clots can build up where that tear is. | 0:11:27 | 0:11:29 | |
So, basically, eventually it blocks the artery? | 0:11:29 | 0:11:32 | |
Blocks or causes clots of blood to flick off further upstream. | 0:11:32 | 0:11:36 | |
What you can see here, this artery, which should be a normal, thick, | 0:11:36 | 0:11:39 | |
kind of a pipe, like where my arrow is... | 0:11:39 | 0:11:41 | |
-Yes, yeah. -..narrows down quite dramatically. | 0:11:41 | 0:11:43 | |
-And is that where the stroke, as it were, occurred? -Well, this is where the tear occurred. -Yeah. | 0:11:43 | 0:11:47 | |
This was the cause of the stroke. | 0:11:47 | 0:11:48 | |
A bit of clotted blood went upstream and blocked a small artery | 0:11:48 | 0:11:52 | |
in the brain. | 0:11:52 | 0:11:54 | |
It's great to see... See you in the flesh, | 0:11:54 | 0:11:56 | |
to be honest, and see how you've done so fantastically well. | 0:11:56 | 0:11:59 | |
-Likewise, actually, likewise. Really good to see you. -Yeah. | 0:11:59 | 0:12:02 | |
You did a great job. Thank you. | 0:12:02 | 0:12:04 | |
And I hope everything continues to go along well with it. | 0:12:04 | 0:12:07 | |
I'll let you get to the next Andrew Marr sitting on a gurney downstairs. | 0:12:07 | 0:12:11 | |
-All right, thanks a lot. -Take care. | 0:12:11 | 0:12:13 | |
'I'd become part of another statistic. | 0:12:13 | 0:12:15 | |
'Stroke is the biggest cause of disability in the UK.' | 0:12:15 | 0:12:20 | |
At first he couldn't do anything at all. He couldn't get out of bed. | 0:12:20 | 0:12:23 | |
We needed two nurses, three nurses to help him go to the bathroom | 0:12:23 | 0:12:28 | |
and he had nothing at all in the left arm and the left leg, so, erm... | 0:12:28 | 0:12:32 | |
But at that time we were just so pleased he'd pulled through | 0:12:32 | 0:12:35 | |
that the disability seems very unimportant. | 0:12:35 | 0:12:37 | |
This has lots of memories. I spent a lot of time here. | 0:12:41 | 0:12:44 | |
When I came in here, they knew I wanted to go back on television. | 0:12:44 | 0:12:47 | |
My voice was really very poor at that time, | 0:12:47 | 0:12:50 | |
so they actually rigged up a home-made autocue for me to read. | 0:12:50 | 0:12:53 | |
I think it was just sat there, and I sat and read the autocue | 0:12:53 | 0:12:56 | |
for hours and hours and hours. | 0:12:56 | 0:12:58 | |
So, you've got a moving screen with the words on it | 0:12:58 | 0:13:00 | |
and you have to look at the camera and read the words. | 0:13:00 | 0:13:03 | |
-Hello! -Hello. -How lovely to see you, Marick. | 0:13:03 | 0:13:06 | |
-Lovely to see you. Fantastic. -Yeah. | 0:13:06 | 0:13:08 | |
Two fantastic physiotherapists who got me on my feet and got me going | 0:13:08 | 0:13:12 | |
right at the beginning. Without which, I would not have recovered. | 0:13:12 | 0:13:14 | |
-So, thank you very much indeed. -That's a pleasure. | 0:13:14 | 0:13:17 | |
Was it you that did the autocue for me? | 0:13:17 | 0:13:19 | |
-Yes. -Yeah! You see? -That's right. -That's fantastic. | 0:13:19 | 0:13:22 | |
I remember one evening sitting and just thinking, | 0:13:22 | 0:13:25 | |
how we can help you to go back to work, and I came up with autocue. | 0:13:25 | 0:13:30 | |
Brilliant, brilliant. It helped a lot, yeah. | 0:13:30 | 0:13:32 | |
I don't know if it was yourself or Jackie who asked, | 0:13:32 | 0:13:35 | |
"Will the hand get better?" | 0:13:35 | 0:13:37 | |
-I can do that much. -Yeah, so that's... That's a change, yeah. | 0:13:37 | 0:13:40 | |
-And I can move the arm around a bit. -Yeah. -And it's going to get better yet. | 0:13:40 | 0:13:43 | |
-Good, good. -It's a work in progress, Jenny, it's a work in progress. | 0:13:43 | 0:13:46 | |
-Yes. -Yeah. | 0:13:46 | 0:13:47 | |
It's been quite mildly stressful coming back. | 0:13:49 | 0:13:52 | |
Quite odd. I mean, it's lovely to see people like Marick, | 0:13:52 | 0:13:56 | |
who I worked with very closely, and Jenny... | 0:13:56 | 0:14:00 | |
and the doctors as well. | 0:14:00 | 0:14:01 | |
They did a wonderful job on me and I'm really grateful, | 0:14:01 | 0:14:04 | |
and it's lovely to see them again, | 0:14:04 | 0:14:05 | |
but being back in the same place where it all happened | 0:14:05 | 0:14:08 | |
is a bit weird. | 0:14:08 | 0:14:09 | |
You're looking for me to be emotional. I'm not going to be emotional yet... | 0:14:11 | 0:14:15 | |
or possibly ever. | 0:14:15 | 0:14:17 | |
-I was not! -Yes, you were. -I was not. -You wanted a little tear. | 0:14:17 | 0:14:20 | |
You're not going to get a tear. | 0:14:20 | 0:14:22 | |
I'm not that kind of person. | 0:14:22 | 0:14:24 | |
Once you get out of hospital, | 0:14:27 | 0:14:28 | |
you don't have nearly enough support for people. | 0:14:28 | 0:14:31 | |
Physiotherapy is expensive and lots of people aren't very motivated. | 0:14:31 | 0:14:35 | |
You need people to motivate you | 0:14:35 | 0:14:37 | |
and then to actually do the work with you | 0:14:37 | 0:14:39 | |
for a long, long time to come. | 0:14:39 | 0:14:40 | |
Months and very often, certainly in my case, years. | 0:14:40 | 0:14:43 | |
And that's expensive and most people don't have the money for it. | 0:14:43 | 0:14:46 | |
'I'm pretty clear about why my stroke happened.' | 0:14:48 | 0:14:50 | |
Now, I think it's time for tea. | 0:14:50 | 0:14:53 | |
'But what exactly did it do to my brain?' | 0:14:53 | 0:14:56 | |
Ooh, bugger! | 0:14:56 | 0:14:57 | |
'And its function?' | 0:14:57 | 0:14:59 | |
Professor Cathy Price has been studying stroke survivors | 0:15:02 | 0:15:05 | |
for 20 years. | 0:15:05 | 0:15:07 | |
And now she's going to show me the extent of the damage. | 0:15:07 | 0:15:10 | |
-Nice to meet you. -I'm Cathy. -Hello, Cathy. | 0:15:10 | 0:15:12 | |
What we aim to do is to have a look to see, first of all, | 0:15:12 | 0:15:15 | |
where your stroke is, | 0:15:15 | 0:15:17 | |
-and then we hope to ask you to do a few things in the scanner... -Sure. | 0:15:17 | 0:15:21 | |
..and we'll see how your brain is activated. | 0:15:21 | 0:15:23 | |
Which bits of the brain light up when I'm doing different things? | 0:15:23 | 0:15:25 | |
-That's right. -If any bits light up! -I'm sure they will. -Worrying if nothing does! | 0:15:25 | 0:15:30 | |
And then we look to see which bits are compensating | 0:15:30 | 0:15:33 | |
for the loss of the lost bits. | 0:15:33 | 0:15:36 | |
And as part of the compensation that will tell us | 0:15:36 | 0:15:39 | |
how different regions are talking to one another. | 0:15:39 | 0:15:42 | |
'Before I clamber into the scanner, I need to get rid of all metal.' | 0:15:45 | 0:15:49 | |
No money, no keys. | 0:15:49 | 0:15:52 | |
'Including the brace I wear to support my paralysed left foot.' | 0:15:52 | 0:15:56 | |
I think the last time someone peered into my cranium was about | 0:15:58 | 0:16:01 | |
two years ago. | 0:16:01 | 0:16:02 | |
In terms of the structure, it will be fascinating to see | 0:16:02 | 0:16:04 | |
if there's been a change over the last couple of years | 0:16:04 | 0:16:06 | |
when I've been recovering from the stroke, | 0:16:06 | 0:16:08 | |
and getting more functional use back of my limbs, and so forth. | 0:16:08 | 0:16:11 | |
But has the brain itself changed? I don't know. | 0:16:11 | 0:16:14 | |
Goat and train. | 0:16:21 | 0:16:24 | |
Zebra and fence. | 0:16:24 | 0:16:26 | |
'The scanner detects increased blood flow in those areas of my brain | 0:16:26 | 0:16:30 | |
'activated when I describe...' | 0:16:30 | 0:16:32 | |
Man and lion. | 0:16:32 | 0:16:34 | |
'..a series of simple images.' | 0:16:34 | 0:16:37 | |
The dolphin is jumping through the hoop. | 0:16:37 | 0:16:40 | |
The penguin is eating the fish. | 0:16:40 | 0:16:43 | |
The whale is jumping in the sea. | 0:16:43 | 0:16:44 | |
And the lighting up bits, you need more time to process. | 0:16:48 | 0:16:51 | |
-For those, we do... -Yeah. -..because there, we have to compare, | 0:16:51 | 0:16:53 | |
-how did the signal change from... -Yeah. -..every scan to another time? | 0:16:53 | 0:16:58 | |
Interesting. | 0:16:58 | 0:17:00 | |
-You can see immediately where your stroke is. -There. -Here. -Yes. -Yes. | 0:17:00 | 0:17:03 | |
Quite big...he said. | 0:17:03 | 0:17:04 | |
THEY LAUGH | 0:17:04 | 0:17:06 | |
-It's a relatively small stroke... -Is it? All right. | 0:17:06 | 0:17:08 | |
..compared to many of the others. So... | 0:17:08 | 0:17:11 | |
if we come down here, | 0:17:11 | 0:17:13 | |
here you can see the undamaged putamen, | 0:17:13 | 0:17:17 | |
in the left side of the brain, | 0:17:17 | 0:17:19 | |
and here you can see that the same structure of the right hemisphere | 0:17:19 | 0:17:24 | |
is very dark, and that's where the damage has occurred. | 0:17:24 | 0:17:28 | |
So, this dark area here is... | 0:17:28 | 0:17:31 | |
..what has been lost. | 0:17:32 | 0:17:34 | |
And, em... | 0:17:36 | 0:17:39 | |
There's just a tiny little bit of damage here to the caudate. | 0:17:39 | 0:17:43 | |
And the caudate is also involved in the control of, um... | 0:17:43 | 0:17:46 | |
..motor systems. | 0:17:48 | 0:17:50 | |
That includes the control of speech and decision-making. | 0:17:50 | 0:17:54 | |
So, looking at this, | 0:17:54 | 0:17:56 | |
is this classic for somebody who can't really move their arm and leg very well? | 0:17:56 | 0:18:00 | |
Yes. It's also quite a common, common stroke as well. | 0:18:00 | 0:18:04 | |
I say! How very dare you! | 0:18:04 | 0:18:07 | |
THEY LAUGH | 0:18:07 | 0:18:09 | |
So, this is a 3-D movie of your brain. This is the left hemisphere. | 0:18:09 | 0:18:12 | |
It looks like a kind of mad cabbage. | 0:18:12 | 0:18:14 | |
Yes! A mad cabbage, that's right. | 0:18:14 | 0:18:16 | |
-And that's the red area. -The red area is the part of your brain | 0:18:16 | 0:18:20 | |
that's been damaged by the stroke. | 0:18:20 | 0:18:23 | |
'The putamen and caudate on the right side of the brain | 0:18:23 | 0:18:27 | |
'are part of a network which regulates movement, | 0:18:27 | 0:18:30 | |
'including that of the mouth, | 0:18:30 | 0:18:32 | |
'which is why both my speech and mobility were affected.' | 0:18:32 | 0:18:35 | |
But I was very lucky. | 0:18:39 | 0:18:41 | |
I got my speech back within a few weeks. | 0:18:41 | 0:18:44 | |
One in three patients suffers for much longer. | 0:18:44 | 0:18:49 | |
In Plymouth, Lorraine Dunn had a stroke four years ago... | 0:18:49 | 0:18:53 | |
Yeah, remember that? | 0:18:53 | 0:18:55 | |
..but her speech never properly came back. | 0:18:55 | 0:18:57 | |
I... | 0:19:01 | 0:19:03 | |
I don't... | 0:19:04 | 0:19:07 | |
know... | 0:19:07 | 0:19:08 | |
..what... | 0:19:11 | 0:19:13 | |
..is going on. | 0:19:15 | 0:19:17 | |
SHE SIGHS | 0:19:19 | 0:19:21 | |
-Hello. -Hello. | 0:19:21 | 0:19:23 | |
Nice to meet you. I'm Andrew. | 0:19:23 | 0:19:25 | |
'Lorraine's case is unusual, because although she can barely speak, | 0:19:25 | 0:19:29 | |
'she can vocalise coherently in... | 0:19:29 | 0:19:32 | |
'well, another way.' | 0:19:32 | 0:19:34 | |
# Show me the way to go home. | 0:19:34 | 0:19:38 | |
# I'm tired and I want to go to bed | 0:19:38 | 0:19:42 | |
# I had a little drink about an hour ago | 0:19:42 | 0:19:46 | |
# And it's gone right to my head. # | 0:19:46 | 0:19:49 | |
-APPLAUSE -Yay! | 0:19:51 | 0:19:52 | |
And do you find it easier to sing than to speak, as it were, normally? | 0:19:52 | 0:19:57 | |
Yes. Very good. | 0:19:57 | 0:19:59 | |
It's funny, so the words come when you're singing? | 0:19:59 | 0:20:01 | |
-Singing. -Is it the rhythm? The movement, is it, that helps, do you think? -Yes. | 0:20:01 | 0:20:06 | |
As Lorraine's shown she can do it for counting | 0:20:06 | 0:20:10 | |
and for saying the days of the week. | 0:20:10 | 0:20:14 | |
So, once she's got a rhythm and she's learnt the pattern | 0:20:14 | 0:20:18 | |
and the routine, | 0:20:18 | 0:20:20 | |
then she can recite it without | 0:20:20 | 0:20:23 | |
stumbling over her speech. | 0:20:23 | 0:20:26 | |
Have you seen your brain before? | 0:20:26 | 0:20:29 | |
-No. -As we come into the left hemisphere, here, | 0:20:29 | 0:20:33 | |
can you see this dark area here? | 0:20:33 | 0:20:35 | |
-This is where the stroke... -Oh, yes. -..has affected you. | 0:20:35 | 0:20:39 | |
My stroke was in the right hemisphere, | 0:20:39 | 0:20:42 | |
and hit a part which controls the mechanics of speech. | 0:20:42 | 0:20:45 | |
But Lorraine's was on the left side, in areas that regulate | 0:20:46 | 0:20:50 | |
the thought processes behind speech. | 0:20:50 | 0:20:53 | |
So, when we see somebody like Lorraine who can sing, | 0:20:54 | 0:20:58 | |
but can't form normal sentences, or finds it very hard to do so, | 0:20:58 | 0:21:02 | |
that suggests that it must be, part of the brain there is for singing, | 0:21:02 | 0:21:05 | |
and part of the brain is for talking. | 0:21:05 | 0:21:07 | |
But I suspect it's much more complicated than that. | 0:21:07 | 0:21:09 | |
Or, perhaps, it's simpler than that. | 0:21:10 | 0:21:12 | |
She's using the same part of her brain | 0:21:12 | 0:21:15 | |
for speaking and for singing, | 0:21:15 | 0:21:18 | |
but she needs more than that. | 0:21:18 | 0:21:20 | |
She can't initiate her speech because she's lost something else, | 0:21:20 | 0:21:23 | |
which is the mapping between what she's thinking, | 0:21:23 | 0:21:26 | |
and the words that she wants to produce. | 0:21:26 | 0:21:29 | |
-# ALL: -Memories are made of this... # | 0:21:29 | 0:21:32 | |
'I temporarily lost the mechanics of speech - | 0:21:32 | 0:21:36 | |
'frozen lips, saggy tongue. | 0:21:36 | 0:21:39 | |
'Lorraine lost the ability to originate language, | 0:21:39 | 0:21:43 | |
'to scramble for the right words, in the right order. | 0:21:43 | 0:21:46 | |
'But her memory is still intact, | 0:21:46 | 0:21:49 | |
'which is why she can still sing.' | 0:21:49 | 0:21:51 | |
-WITH MUSIC: -Ba-bum bum. | 0:21:51 | 0:21:53 | |
APPLAUSE | 0:21:53 | 0:21:55 | |
My speech returned because of something essential to this story - | 0:21:56 | 0:22:01 | |
the brain's ability to rewire and work around the problem. | 0:22:01 | 0:22:05 | |
Today, I'm going to show you the results of the experiment you did, | 0:22:05 | 0:22:09 | |
one that we called a functional imaging experiment. | 0:22:09 | 0:22:12 | |
This is where you ask the questions and I respond and we see, what, | 0:22:12 | 0:22:15 | |
if anything, in my brain lights up? | 0:22:15 | 0:22:17 | |
That's right, yes. | 0:22:17 | 0:22:18 | |
And we're going to look to see whether or not the stroke | 0:22:18 | 0:22:22 | |
has changed how you produce speech, | 0:22:22 | 0:22:25 | |
because we know that your speech has recovered, | 0:22:25 | 0:22:27 | |
but it might have recovered because the rest of your brain | 0:22:27 | 0:22:31 | |
can compensate for the loss of the area that's been damaged. | 0:22:31 | 0:22:34 | |
The lit up areas show activity during speech | 0:22:34 | 0:22:37 | |
that isn't usually seen in undamaged brains. | 0:22:37 | 0:22:40 | |
In other words, it shows how my brain is finding new ways around. | 0:22:40 | 0:22:45 | |
So, you've already seen the structure of your brain before... | 0:22:45 | 0:22:49 | |
-Yes, yes. -..and this is just a cut through this way, | 0:22:49 | 0:22:53 | |
which is where you can see this very discrete stroke, here. | 0:22:53 | 0:22:58 | |
-Yes. -The dark area. -The leaf shape. -Yes, a leaf shape, here. | 0:22:58 | 0:23:02 | |
And when we look to see what's happening | 0:23:02 | 0:23:04 | |
when you're producing speech, | 0:23:04 | 0:23:06 | |
we see, here, that this part, here, | 0:23:06 | 0:23:10 | |
-the globus pallidus, is highly activated. -Right. | 0:23:10 | 0:23:14 | |
Now, we don't know if this is because | 0:23:14 | 0:23:17 | |
it's playing a functional role to help you with your speech... | 0:23:17 | 0:23:20 | |
So, what we're saying is an area right beside, | 0:23:20 | 0:23:22 | |
or approximate to where the stroke happened | 0:23:22 | 0:23:25 | |
seems to be activated more. | 0:23:25 | 0:23:27 | |
That's correct, yes. | 0:23:27 | 0:23:29 | |
We have also seen this isn't the only region that's changed. | 0:23:29 | 0:23:33 | |
You also have more activity in your left cerebellum. | 0:23:33 | 0:23:37 | |
And you also have more activity in your supplementary motor area. | 0:23:37 | 0:23:42 | |
And you also have more activity, here, in the dorsal part | 0:23:42 | 0:23:46 | |
-of your premotor cortex. -I'm very busy. | 0:23:46 | 0:23:48 | |
You are very busy, indeed. | 0:23:48 | 0:23:50 | |
So, what is interesting, here, | 0:23:50 | 0:23:53 | |
is that you've had damage to | 0:23:53 | 0:23:56 | |
just the right putamen and the right caudate. | 0:23:56 | 0:23:59 | |
Other parts of your brain have become very busy to help compensate, | 0:23:59 | 0:24:04 | |
and this is during speech, of course, | 0:24:04 | 0:24:06 | |
so what we're showing is, these areas have enabled you to speak. | 0:24:06 | 0:24:10 | |
But, clearly isn't sufficient to enable you to be able to use | 0:24:10 | 0:24:13 | |
your hand as well as you used to be able to. | 0:24:13 | 0:24:16 | |
OK, so my brain can rewire for speech, | 0:24:17 | 0:24:20 | |
but it's not doing the same for my arm and my leg. | 0:24:20 | 0:24:23 | |
Ever since I left hospital, I've been paying for | 0:24:24 | 0:24:28 | |
twice-weekly therapies from Tom Balchin, | 0:24:28 | 0:24:31 | |
a stroke survivor himself, who concentrates on physical strength... | 0:24:31 | 0:24:35 | |
..and Jo Tuckey, for mainstream physiotherapy. | 0:24:36 | 0:24:41 | |
What I'm doing is a lot of, | 0:24:41 | 0:24:43 | |
perhaps, more precise movements, at the moment, | 0:24:43 | 0:24:46 | |
and it's very much aimed at getting | 0:24:46 | 0:24:48 | |
more control in fingers, | 0:24:48 | 0:24:51 | |
wrists, and arms. | 0:24:51 | 0:24:53 | |
OK, and stop. | 0:24:55 | 0:24:56 | |
I went on a detox diet to give myself the best chance - | 0:24:56 | 0:25:00 | |
no booze, or tea or coffee for four months. | 0:25:00 | 0:25:04 | |
I'm losing weight. Yes, I've lost quite a bit of weight. | 0:25:04 | 0:25:07 | |
My tummy, which was referred to by the family as Murphy, has vanished. | 0:25:07 | 0:25:10 | |
We now play a game called Where's Murphy? He's gone. He's vanished. | 0:25:10 | 0:25:14 | |
So that's good news, I guess. | 0:25:14 | 0:25:16 | |
Despite all of this, I know that I'm not getting much better. | 0:25:16 | 0:25:20 | |
In the jargon, I have plateaued. | 0:25:20 | 0:25:24 | |
We talk about plateau... | 0:25:24 | 0:25:26 | |
With Andrew, I'd say, certainly in his arm and his hand, | 0:25:26 | 0:25:30 | |
we'd get little bits of new movement, | 0:25:30 | 0:25:34 | |
but I'd say for the last 12 months we haven't seen anything. | 0:25:34 | 0:25:38 | |
This is a frustration experienced by many stroke survivors, | 0:25:40 | 0:25:44 | |
but I am going to try something different. | 0:25:44 | 0:25:48 | |
So, now I'm off to the Radcliffe Hospital in Oxford, | 0:25:48 | 0:25:53 | |
which is one of the places that they do this | 0:25:53 | 0:25:55 | |
transcranial electrical stimulation, | 0:25:55 | 0:25:58 | |
which is simply, as it were, | 0:25:58 | 0:25:59 | |
warming up bits of the brain with electrical current. | 0:25:59 | 0:26:02 | |
And the idea is that if you do it in combination with physiotherapy, | 0:26:02 | 0:26:06 | |
you get better results after doing this. | 0:26:06 | 0:26:08 | |
I have no idea at this stage whether it will work for me, | 0:26:08 | 0:26:11 | |
but as far as I'm concerned, at this stage in my recovery, | 0:26:11 | 0:26:13 | |
everything is worth a go. | 0:26:13 | 0:26:15 | |
I will try everything or anything. | 0:26:15 | 0:26:17 | |
'This treatment's based on a trial which was carried out on 24 patients | 0:26:18 | 0:26:22 | |
'whose recovery, like mine, had stalled...' | 0:26:22 | 0:26:25 | |
-This is Emily, who's going to be doing... -Hello. Andrew. | 0:26:25 | 0:26:27 | |
'..and they improved. But will I?' | 0:26:27 | 0:26:30 | |
So, what Emily's going to do first of all is just measure | 0:26:30 | 0:26:33 | |
a few points on your head so that we know where to put that electrode. | 0:26:33 | 0:26:37 | |
It's going to go into here to complete our circuit. | 0:26:37 | 0:26:41 | |
It's a sort of hot, prickly feeling. | 0:26:41 | 0:26:43 | |
Smoke begins to come out of my nostrils. | 0:26:43 | 0:26:46 | |
And a strange smell of burning flesh. | 0:26:46 | 0:26:48 | |
And apart from that, it's absolutely fine. | 0:26:48 | 0:26:51 | |
So, when we're stimulating, | 0:26:51 | 0:26:53 | |
we are putting a very low-level current through the brain. | 0:26:53 | 0:26:56 | |
So, it's about a milliamp, which is about a 10,000th of what goes through a light bulb. | 0:26:56 | 0:27:00 | |
So, it's very small. | 0:27:00 | 0:27:01 | |
And what we think that does is just increase the activity | 0:27:01 | 0:27:05 | |
in bit of the brain that we're stimulating, | 0:27:05 | 0:27:07 | |
and we think that helps the brain to learn | 0:27:07 | 0:27:09 | |
whatever it is you do at that point in time. So, we're going to do that | 0:27:09 | 0:27:13 | |
whilst Andrew is doing some movements with his hand... | 0:27:13 | 0:27:16 | |
So, pushing it in. Really good. | 0:27:16 | 0:27:18 | |
..in the hope that that will help those movements to happen. | 0:27:18 | 0:27:21 | |
They've measured my hand and arm movement - | 0:27:23 | 0:27:26 | |
these are standard tests - | 0:27:26 | 0:27:28 | |
and they'll do it again at the end of the therapy. | 0:27:28 | 0:27:30 | |
He's got a lot of strength in some of his muscles, | 0:27:32 | 0:27:35 | |
and he's got a lot of determination, and those are really... | 0:27:35 | 0:27:38 | |
That's the most important thing, really. | 0:27:38 | 0:27:40 | |
So, we'll keep going, we'll keep doing the best we can, | 0:27:40 | 0:27:43 | |
but we just have to see whether or not it has any effect. | 0:27:43 | 0:27:47 | |
'There is no part of this I enjoy. | 0:27:47 | 0:27:50 | |
'I will be gently electrocuting my brain | 0:27:50 | 0:27:52 | |
'and twisting bloody beanbags for the next three weeks.' | 0:27:52 | 0:27:56 | |
That's good. | 0:27:56 | 0:27:57 | |
As you can see, those are very, um... | 0:27:57 | 0:27:59 | |
unpleasant and boring exercise for me to do. | 0:27:59 | 0:28:02 | |
The question is, do I improve on them, you know? | 0:28:02 | 0:28:05 | |
So, I wasn't doing particularly well in any of those compared with | 0:28:05 | 0:28:08 | |
what I was doing a couple of years ago. I don't think I've seen much improvement | 0:28:08 | 0:28:11 | |
on those particular ones. On other things I have seen improvement, but not those. | 0:28:11 | 0:28:14 | |
So, we'll see if, over the next couple of weeks, they get better. That's the question. We'll see. | 0:28:14 | 0:28:20 | |
'Transcranial brain stimulation is based on the theory | 0:28:20 | 0:28:23 | |
'that we can regrow our brains - | 0:28:23 | 0:28:26 | |
'a process known as neuroplasticity.' | 0:28:26 | 0:28:29 | |
Professor Heidi Johansen-Berg is in charge of the Oxford trial. | 0:28:30 | 0:28:34 | |
So, what you can see in this video... | 0:28:34 | 0:28:36 | |
So, this is where they've grown brain cells in a dish. | 0:28:36 | 0:28:39 | |
What they are showing is that if you squirt a bit of glutamate - | 0:28:39 | 0:28:43 | |
so, this is one of the chemicals that the brain uses to communicate - | 0:28:43 | 0:28:46 | |
you squirt a bit of glutamate onto those brain cells, | 0:28:46 | 0:28:49 | |
sort of recreating as if the brain were being active, | 0:28:49 | 0:28:52 | |
then you can see these little processes that are growing | 0:28:52 | 0:28:55 | |
-in response to that squirt of chemical. -Yes. | 0:28:55 | 0:28:57 | |
So, this is recreating what's going on in your brain all the time. | 0:28:57 | 0:29:00 | |
-Every time... -Just like Gardener's World, really, isn't it? | 0:29:00 | 0:29:03 | |
Yes. Certainly. You see them growing up there. | 0:29:03 | 0:29:05 | |
So, this conversation is making parts of our brain | 0:29:05 | 0:29:08 | |
-alter themselves. -Absolutely, yes. | 0:29:08 | 0:29:11 | |
-Yes. -Fascinating. | 0:29:11 | 0:29:12 | |
I think plasticity is really interesting. | 0:29:14 | 0:29:16 | |
I think we all have this notion we've learned... | 0:29:16 | 0:29:18 | |
Once you've got your brain, then it doesn't change very much. | 0:29:18 | 0:29:22 | |
This is 100% wrong. | 0:29:22 | 0:29:23 | |
Our brains are changing all the time. | 0:29:23 | 0:29:26 | |
What we do affects who we are, | 0:29:26 | 0:29:28 | |
and I think that is the ultimate lesson of brain plasticity. | 0:29:28 | 0:29:31 | |
'So, if stimulating the brain is good for you, then at long last, | 0:29:33 | 0:29:37 | |
'I've got an excuse for staying busy.' | 0:29:37 | 0:29:39 | |
Hello, it's that time of year when we turn to the light side. | 0:29:39 | 0:29:43 | |
Tilted a little more towards the sun... | 0:29:43 | 0:29:45 | |
The amount of work he does... Um... | 0:29:45 | 0:29:49 | |
I don't know. I wouldn't do it. | 0:29:51 | 0:29:53 | |
I have a butterfly mind. | 0:29:53 | 0:29:54 | |
I alight on a subject very briefly, | 0:29:54 | 0:29:56 | |
suck a little bit of moisture out of it, and then flutter off again. | 0:29:56 | 0:29:59 | |
I'm not very good at long-term concentration. | 0:29:59 | 0:30:02 | |
-Saturday, I've got Tom coming. -Tom, yeah. -And then, show. -Show. | 0:30:02 | 0:30:05 | |
'Of course, you don't want to overdo it. | 0:30:07 | 0:30:10 | |
'Overwork helped to cause my stroke, | 0:30:10 | 0:30:12 | |
'but I'm plagued with a very short attention span.' | 0:30:12 | 0:30:15 | |
Andrew's never going to be the sort of person that is going to sit there | 0:30:15 | 0:30:18 | |
and do nothing. So for him, | 0:30:18 | 0:30:20 | |
not working is almost as stressful as working too hard. | 0:30:20 | 0:30:25 | |
"When I am sad and weary. | 0:30:25 | 0:30:27 | |
"When I think all hope has gone. | 0:30:27 | 0:30:30 | |
"When I'm walking down High Holborn. | 0:30:30 | 0:30:33 | |
"I think of you with nothing on." | 0:30:33 | 0:30:34 | |
LAUGHTER | 0:30:34 | 0:30:35 | |
He could work every day of the week, seven days a week, you know, | 0:30:35 | 0:30:38 | |
ten hours a day, if he wanted to. | 0:30:38 | 0:30:40 | |
Because he's... Everybody wants a piece of him. | 0:30:40 | 0:30:42 | |
I'm working really hard at the moment. I'm making films, | 0:30:42 | 0:30:45 | |
I've got the Sunday programme, | 0:30:45 | 0:30:46 | |
I've got Start The Week, I've got a social life and a family life | 0:30:46 | 0:30:49 | |
to cope with. | 0:30:49 | 0:30:51 | |
'So, if there's a morality tale here about Andrew Marr working too hard, | 0:30:51 | 0:30:55 | |
'here's the ironic twist - | 0:30:55 | 0:30:57 | |
'the Oxford trial has to be squeezed in as well.' | 0:30:57 | 0:31:00 | |
Death looms. | 0:31:00 | 0:31:02 | |
He's endlessly interested in these... In different things. | 0:31:02 | 0:31:05 | |
It's the grave, its necrosis. | 0:31:05 | 0:31:07 | |
"China. Oh, I really want to do a six-part series on China." | 0:31:07 | 0:31:12 | |
And all that's left is a stench. | 0:31:12 | 0:31:14 | |
I'm not quite sure what drives him, no. | 0:31:14 | 0:31:17 | |
Madness. | 0:31:17 | 0:31:20 | |
And it's coming soon, aye! | 0:31:20 | 0:31:21 | |
THEY LAUGH Sorry. | 0:31:21 | 0:31:23 | |
Do you worry you might have another one? | 0:31:25 | 0:31:27 | |
It's always at the back of your mind. | 0:31:27 | 0:31:30 | |
There's the famous stroke-survivor's adage that Robert McCrum | 0:31:30 | 0:31:33 | |
told me about - "It's the second stroke that kills you." | 0:31:33 | 0:31:36 | |
Now, of course, it would be very convenient if politics | 0:31:37 | 0:31:40 | |
went gentle and quiet for a while. | 0:31:40 | 0:31:43 | |
But as you may recall, that isn't quite what happened. | 0:31:43 | 0:31:47 | |
-NEWSREADER: -The people have voted for a new destiny for Britain. | 0:31:47 | 0:31:50 | |
This means that the UK has voted to leave the European Union. | 0:31:50 | 0:31:53 | |
It is a decision... | 0:31:55 | 0:31:56 | |
-Morning. -Morning. -Rob? -Yeah? | 0:31:56 | 0:31:59 | |
-Lots to talk about. -I know, I know. | 0:31:59 | 0:32:01 | |
Not to talk about on camera, though. | 0:32:01 | 0:32:03 | |
-No, no. I know. Um, there's a huge number of changes, obviously. -Yeah. | 0:32:03 | 0:32:06 | |
It should be a good show. It's extraordinary times. | 0:32:06 | 0:32:10 | |
We've got so many political crises all happening at the same time, | 0:32:10 | 0:32:13 | |
we don't quite know what's what. | 0:32:13 | 0:32:15 | |
This is the biggest story I've covered. | 0:32:15 | 0:32:17 | |
On Friday morning, the resignation of the British Prime Minister - | 0:32:17 | 0:32:21 | |
for story number two, or story number three? | 0:32:21 | 0:32:23 | |
I think the country requires fresh leadership to take it... | 0:32:23 | 0:32:26 | |
It wasn't the most important story. Imagine that. | 0:32:26 | 0:32:30 | |
It's extraordinary. | 0:32:30 | 0:32:32 | |
This is bigger than the fall of Margaret Thatcher, which is the other... | 0:32:32 | 0:32:35 | |
It's bigger than the Falklands War. | 0:32:35 | 0:32:37 | |
Plus, at the bottom here, "Sorry, Leavers, we'll have to keep free movement." | 0:32:37 | 0:32:40 | |
Yes, that's a great one. | 0:32:40 | 0:32:42 | |
You know, it's a huge, huge story. | 0:32:42 | 0:32:44 | |
Hi, we can see Heidi Alexander's resigned. | 0:32:44 | 0:32:46 | |
Is it bigger than the Iraq war? | 0:32:48 | 0:32:49 | |
Well, that's a very, very difficult question, | 0:32:49 | 0:32:51 | |
because huge numbers of people lost their lives in the Iraq war, | 0:32:51 | 0:32:55 | |
and afterwards, and I don't think anyone's going to lose their lives, | 0:32:55 | 0:32:57 | |
pray God, from now on, in this conflict. | 0:32:57 | 0:33:00 | |
Looking across the papers, | 0:33:00 | 0:33:01 | |
the overwhelming sense is that the entire British political class | 0:33:01 | 0:33:04 | |
has been kind of toppled by this. | 0:33:04 | 0:33:06 | |
'Politically, in terms of the British political set-up and establishment, | 0:33:06 | 0:33:10 | |
'the relationship between that and the British electorate' | 0:33:10 | 0:33:13 | |
is the biggest story of my lifetime. | 0:33:13 | 0:33:16 | |
But then, I'm young. | 0:33:16 | 0:33:17 | |
'Keep calm and carry on.' | 0:33:19 | 0:33:21 | |
And never a moment when we required it more. | 0:33:21 | 0:33:24 | |
And now, over to Andrew Neil at Westminster for more on this | 0:33:24 | 0:33:27 | |
extraordinary morning. | 0:33:27 | 0:33:28 | |
Take his press, take his press. | 0:33:28 | 0:33:30 | |
-APPLAUSE -We are off the air. | 0:33:30 | 0:33:32 | |
Fantastic show. | 0:33:32 | 0:33:34 | |
You're not going to make me look like | 0:33:45 | 0:33:47 | |
Ed Miliband with his bacon sandwich, I hope. | 0:33:47 | 0:33:49 | |
Oh! | 0:33:52 | 0:33:54 | |
The most interesting political fact in the last 12 hours - | 0:33:54 | 0:33:57 | |
Alastair Campbell has a ketchup phobia. | 0:33:57 | 0:34:00 | |
He hates ketchup. He can't even see the sight of ketchup sachets. | 0:34:00 | 0:34:04 | |
Isn't that extraordinary? | 0:34:04 | 0:34:05 | |
This whole Primrose Hill thing, | 0:34:08 | 0:34:11 | |
it's a bit absurd for anyone coming from Scotland. | 0:34:11 | 0:34:13 | |
This would not be regarded as a hill at all. | 0:34:13 | 0:34:16 | |
I suppose "Primrose Nipple" doesn't sound as good. | 0:34:16 | 0:34:19 | |
'The stroke affected every single area of my life. | 0:34:20 | 0:34:24 | |
'For instance, we moved from a large home in the suburbs | 0:34:24 | 0:34:27 | |
'to a much smaller one, bang in the centre of London. | 0:34:27 | 0:34:31 | |
'Even for me, a perfectly walkable walk | 0:34:31 | 0:34:34 | |
'away from the BBC headquarters.' | 0:34:34 | 0:34:37 | |
Nous arrivons, mon dieu. | 0:34:37 | 0:34:39 | |
'But in the centre of town I need space. | 0:34:42 | 0:34:45 | |
'I need somewhere to be really messy.' | 0:34:45 | 0:34:47 | |
Did you hear that? A rat the size of a pony on the bird table. | 0:34:47 | 0:34:51 | |
It's a very exciting neighbourhood, this. | 0:34:51 | 0:34:52 | |
'I suppose you could say, somewhere to splash around.' | 0:34:52 | 0:34:56 | |
So, this is my personal, private, pleasure ground. | 0:35:01 | 0:35:04 | |
It's where I come to hide from the world. | 0:35:04 | 0:35:06 | |
It's my painting studio. | 0:35:06 | 0:35:08 | |
And whenever I'm stressed, whenever I've got time, I just come here | 0:35:08 | 0:35:11 | |
and I paint. It's what matters to me most. | 0:35:11 | 0:35:14 | |
It matters to me more than politics. | 0:35:14 | 0:35:15 | |
It matters to me more than stroke recovery. | 0:35:15 | 0:35:17 | |
It matters to me almost more than anything else in the world. | 0:35:17 | 0:35:20 | |
Gosh. | 0:35:23 | 0:35:25 | |
That shut you up! | 0:35:25 | 0:35:27 | |
Oh, this is Zandra. | 0:35:28 | 0:35:31 | |
Former literary agent, former all-sorts-of-kinds-of agent, | 0:35:31 | 0:35:34 | |
who owns this house and has been incredibly kind to me. | 0:35:34 | 0:35:37 | |
And has saved my life over the last years, Zandra, | 0:35:37 | 0:35:40 | |
by giving me place to paint. | 0:35:40 | 0:35:41 | |
Well, "You saved my life" is a bit strong. | 0:35:41 | 0:35:45 | |
I've been painting all my life | 0:35:45 | 0:35:47 | |
and I very nearly went to art school. | 0:35:47 | 0:35:49 | |
One of my big regrets in a way, is that I didn't go to art school. | 0:35:49 | 0:35:52 | |
Maybe that was because I was just too scared. | 0:35:52 | 0:35:55 | |
I don't know. | 0:35:55 | 0:35:57 | |
-Scared of? -Scared of failure. | 0:35:57 | 0:35:59 | |
Now, I think these are pretty interesting, | 0:36:03 | 0:36:05 | |
because this is what Andrew was painting before his stroke. | 0:36:05 | 0:36:08 | |
And they're lovely. And if you look at those and you think of those | 0:36:09 | 0:36:13 | |
Hockney, Yorkshire landscapes... | 0:36:13 | 0:36:16 | |
..they have that same thing in common. | 0:36:18 | 0:36:20 | |
You can recognise the landscape if you happen to stand on that hill. | 0:36:20 | 0:36:22 | |
-Yeah, they're not Hockney, though. -But, no, no. Wait, I was going to say something. | 0:36:22 | 0:36:26 | |
But Hockney's pushed on | 0:36:26 | 0:36:27 | |
somewhere else. He's exaggerated the direction of the truth, | 0:36:27 | 0:36:30 | |
or he's done something, whatever... | 0:36:30 | 0:36:32 | |
These don't exaggerate at all. | 0:36:32 | 0:36:34 | |
They're as real, it seems to me, as they can get. | 0:36:34 | 0:36:37 | |
I take my canvas out and look at a landscape, | 0:36:37 | 0:36:40 | |
and then try to produce something which pretty much looks like | 0:36:40 | 0:36:42 | |
what I was looking at. It was mimetic, I suppose. | 0:36:42 | 0:36:45 | |
After the stroke, I really couldn't do that any more. | 0:36:45 | 0:36:49 | |
Physically, it was just too difficult. | 0:36:49 | 0:36:51 | |
That's the kind of painting I was doing before the stroke. | 0:36:51 | 0:36:54 | |
That's the kind of painting I'm doing now. So, you can see, | 0:36:54 | 0:36:56 | |
it's been a fairly radical change. | 0:36:56 | 0:36:59 | |
Does that mean your personality's changed, do you think, since your stroke? | 0:36:59 | 0:37:02 | |
You're expressing yourself in a different way? | 0:37:02 | 0:37:04 | |
I think personality's too big a word to say that that's changed, | 0:37:04 | 0:37:07 | |
but I certainly think my temperament has loosened up a lot since the stroke. | 0:37:07 | 0:37:11 | |
I'm very much aware that we're only on this planet | 0:37:11 | 0:37:13 | |
for a short period of time. | 0:37:13 | 0:37:15 | |
I am much less tolerant of losing a day, | 0:37:15 | 0:37:18 | |
or losing an hour, and I want to be in the moment. | 0:37:18 | 0:37:21 | |
And... | 0:37:21 | 0:37:23 | |
therefore, when it comes to something like painting, | 0:37:23 | 0:37:25 | |
I want to be more extreme. | 0:37:25 | 0:37:27 | |
If I can push something further, why not? | 0:37:27 | 0:37:30 | |
There she is. Now you'll have to ask Andrew about this, | 0:37:30 | 0:37:33 | |
because I don't really have much thoughts. | 0:37:33 | 0:37:36 | |
-Oh, no, that's... No, no, no, no that's the wrong one! -Sorry. | 0:37:36 | 0:37:39 | |
Oh, no, that's terrible! Terrible, terrible! | 0:37:39 | 0:37:42 | |
-All right, we'll put it away. -Awful. Awful daub! | 0:37:42 | 0:37:46 | |
'Although the paintings have changed, | 0:37:46 | 0:37:48 | |
'my vision is unaffected by the stroke, | 0:37:48 | 0:37:51 | |
'but for many survivors, that's not the case.' | 0:37:51 | 0:37:54 | |
'Bob Coshott had a stroke eight years ago. | 0:37:55 | 0:37:58 | |
'He's out to meet his wife of 25 years.' | 0:37:58 | 0:38:01 | |
Well, I don't see anybody here. | 0:38:01 | 0:38:03 | |
The lady reading the paper is the right build | 0:38:09 | 0:38:13 | |
and colouring for my wife. | 0:38:13 | 0:38:15 | |
There are other clues that I can use, | 0:38:15 | 0:38:17 | |
she's wearing a very similar wedding ring. | 0:38:17 | 0:38:21 | |
It makes me think it's more likely to be her. | 0:38:21 | 0:38:23 | |
-I think you're Claire... -THEY LAUGH | 0:38:27 | 0:38:29 | |
..and I claim my £5. | 0:38:29 | 0:38:31 | |
Bob can't recognise his wife | 0:38:31 | 0:38:33 | |
because he suffers from a rare condition | 0:38:33 | 0:38:36 | |
called prosopagnosia, | 0:38:36 | 0:38:39 | |
otherwise known as face blindness. | 0:38:39 | 0:38:41 | |
His stroke damaged an area of the brain | 0:38:43 | 0:38:45 | |
called the fusiform gyrus. | 0:38:45 | 0:38:48 | |
In Bob's case, following his brain injury, he suffered damage | 0:38:48 | 0:38:51 | |
to these areas, here. These are the | 0:38:51 | 0:38:53 | |
areas at the back of your brain, here. | 0:38:53 | 0:38:54 | |
-Right back here. -Right at the very back, at the back of your head. | 0:38:54 | 0:38:57 | |
So, the expression that your eyes are in the back of your head | 0:38:57 | 0:38:59 | |
is quite apt, really, cos | 0:38:59 | 0:39:01 | |
that's where vision tends to take place in the brain. | 0:39:01 | 0:39:04 | |
One way in which we test whether people have impairments with faces | 0:39:04 | 0:39:07 | |
is to look at what we call famous face recognition. | 0:39:07 | 0:39:10 | |
Bob, do you want to give us an idea on who you think this... | 0:39:10 | 0:39:13 | |
No, I don't know who that is. | 0:39:13 | 0:39:15 | |
That is Margaret Thatcher. | 0:39:15 | 0:39:17 | |
Yeah. Margaret Thatcher. | 0:39:17 | 0:39:19 | |
-But then without the hairstyle, and the famous blue... -It's much harder. | 0:39:19 | 0:39:22 | |
And again, this is a key point, is that | 0:39:22 | 0:39:24 | |
those kind of external cues are really what people | 0:39:24 | 0:39:27 | |
-with prosopagnosia often rely on... -Exactly. -..to recognise a face, | 0:39:27 | 0:39:30 | |
and by taking them away it really causes problems | 0:39:30 | 0:39:33 | |
with face recognition. | 0:39:33 | 0:39:35 | |
I think it's Stephen Fry, | 0:39:35 | 0:39:36 | |
but the reason I say that is that I know that he's got a bent nose. | 0:39:36 | 0:39:41 | |
And what I'm picking up on is that specific feature | 0:39:41 | 0:39:43 | |
-rather than the whole face. -Yeah. | 0:39:43 | 0:39:46 | |
-And it's definitely Stephen Fry. -It is. It's definitely Stephen Fry. | 0:39:46 | 0:39:49 | |
-No, I don't know. -Very, very ugly. No idea who that is(!) | 0:39:51 | 0:39:55 | |
-That would be Andrew. -Oh, it's him! -Andrew Marr! | 0:39:55 | 0:39:57 | |
THEY LAUGH | 0:39:57 | 0:39:59 | |
Well, again, that shows you. Sitting next to the gentleman concerned, | 0:40:00 | 0:40:03 | |
-and I don't recognise the image there. -Mmm. | 0:40:03 | 0:40:06 | |
So, it's a little piece of analytical hardware | 0:40:06 | 0:40:09 | |
-that you're lacking, if I can put it that way, Bob. -Mmm. -Yeah. | 0:40:09 | 0:40:12 | |
'Bob may have to live with his condition for the rest of his life, | 0:40:14 | 0:40:18 | |
'but I am not yet ready to accept my disability.' | 0:40:18 | 0:40:21 | |
Other one going on the other side. | 0:40:21 | 0:40:23 | |
'After three weeks of brain electrocution, | 0:40:23 | 0:40:26 | |
'it's time to find out | 0:40:26 | 0:40:28 | |
'if my left side movement has improved.' | 0:40:28 | 0:40:30 | |
Good. | 0:40:32 | 0:40:34 | |
'In a test at the beginning, | 0:40:34 | 0:40:36 | |
'I scored 27 out of 57.' | 0:40:36 | 0:40:39 | |
Can you try and put your hand behind your head? | 0:40:39 | 0:40:42 | |
'What now?' | 0:40:42 | 0:40:44 | |
OK. | 0:40:49 | 0:40:51 | |
The numbers say that you've got one point better. | 0:40:52 | 0:40:55 | |
Well, that's almost nothing. | 0:40:55 | 0:40:56 | |
So it's... I think things are fairly stable. | 0:40:56 | 0:41:00 | |
-There's a little bit of noise depending on how tired you are, what else has been going on. -Sure. | 0:41:00 | 0:41:03 | |
So, I don't think we can say very much from that. | 0:41:03 | 0:41:06 | |
I...I never say never to anything. | 0:41:06 | 0:41:09 | |
But this time around, at this period, | 0:41:09 | 0:41:11 | |
I don't think I've got a big improvement in it. | 0:41:11 | 0:41:14 | |
You know, everything is worth trying, | 0:41:14 | 0:41:15 | |
you never know what's going to work and what isn't going to work. | 0:41:15 | 0:41:18 | |
-It's just a shame. We know some people improve with this... -And some don't. | 0:41:18 | 0:41:21 | |
..some people improve less, you know. So, I'm sorry. | 0:41:21 | 0:41:24 | |
Well, it was... No, no, it was an interesting experiment. | 0:41:24 | 0:41:27 | |
-Thank you very much. -No, it's been very interesting, but... | 0:41:27 | 0:41:30 | |
-Thanks. -Yes, I wish we knew in advance who it was going to help, | 0:41:30 | 0:41:33 | |
-and who it wasn't. -Yes, well, you can't, of course, yes. | 0:41:33 | 0:41:36 | |
Not at the moment. No. One day, hopefully, but... | 0:41:36 | 0:41:38 | |
It's helped your recovery, hasn't it, the painting? | 0:41:41 | 0:41:43 | |
Well... So, today... | 0:41:43 | 0:41:47 | |
I've walked across Primrose Hill... | 0:41:47 | 0:41:49 | |
..up and over. | 0:41:50 | 0:41:52 | |
And I've now spent probably about an hour standing upright. | 0:41:52 | 0:41:55 | |
It's more than that, isn't it, Andrew? | 0:41:58 | 0:42:00 | |
Oh, I see. You're talking about psychology and emotions | 0:42:00 | 0:42:02 | |
and all that stuff, he said crossly. | 0:42:02 | 0:42:05 | |
I mean, I think, I suppose, if there's the bleak times | 0:42:07 | 0:42:09 | |
when you think, "I'm not going to go back to work." | 0:42:09 | 0:42:11 | |
That was a long time ago, now, but those sort of times. | 0:42:11 | 0:42:14 | |
Or when you think, | 0:42:14 | 0:42:15 | |
"I'm not going to recover properly", which I might well not... | 0:42:15 | 0:42:19 | |
completely, then painting is a solace, | 0:42:19 | 0:42:22 | |
because it's about nothing except painting. | 0:42:22 | 0:42:24 | |
You know, it's not about anything else. | 0:42:24 | 0:42:25 | |
It's not about the stroke, it's not about... | 0:42:25 | 0:42:28 | |
career. It's not about politics. | 0:42:28 | 0:42:30 | |
It's just about, "Will this red be improved if I put | 0:42:30 | 0:42:34 | |
"a little bit more blue-black behind it or not?" | 0:42:34 | 0:42:37 | |
And the answer is, yes, it will, in this case. Which is quite nice. | 0:42:37 | 0:42:40 | |
'So, that Oxford trial was disappointing, | 0:42:41 | 0:42:44 | |
'but there are other options... | 0:42:44 | 0:42:47 | |
'..and one of them is taking place in Glasgow, | 0:42:48 | 0:42:51 | |
'not so far from where I was born.' | 0:42:51 | 0:42:53 | |
'Billy Elder had a stroke a year ago. | 0:42:55 | 0:42:57 | |
'Just like me, he has limited movement on his left side.' | 0:42:57 | 0:43:02 | |
-There you go, dear. -Thank you very much, dear. | 0:43:02 | 0:43:05 | |
-Thank you. -Bet you think I do this all the time. | 0:43:05 | 0:43:09 | |
He doesn't. | 0:43:09 | 0:43:10 | |
SHE LAUGHS | 0:43:10 | 0:43:13 | |
Loads of things you cannae do. | 0:43:13 | 0:43:16 | |
Even in the pub, you've got to get somebody to go up and get your pint | 0:43:16 | 0:43:20 | |
at the bar, and bring it over to you. | 0:43:20 | 0:43:22 | |
It would be brilliant if they did get a miracle. | 0:43:23 | 0:43:26 | |
I don't believe in miracles, right enough. | 0:43:26 | 0:43:28 | |
Billy is about to have stem cells injected | 0:43:32 | 0:43:35 | |
directly into the damaged area in his right hemisphere. | 0:43:35 | 0:43:38 | |
He's one patient in a trial at the Queen Elizabeth University Hospital | 0:43:41 | 0:43:45 | |
run by Professor Keith Muir. | 0:43:45 | 0:43:47 | |
The procedure involves implanting a dose of cells. | 0:43:49 | 0:43:53 | |
We do that by injection deep into the middle part of the brain, | 0:43:53 | 0:43:57 | |
close to where the damage caused by the stroke is. | 0:43:57 | 0:44:00 | |
Professor Muir, can I just start right at the beginning | 0:44:01 | 0:44:04 | |
and ask a kind of simple, daft, laddy question - | 0:44:04 | 0:44:07 | |
what are stem cells? | 0:44:07 | 0:44:09 | |
So, stem cells are the cells that we rely on to grow | 0:44:09 | 0:44:12 | |
into all the tissues in the body. | 0:44:12 | 0:44:14 | |
And they retain this ability to develop into | 0:44:14 | 0:44:17 | |
lots of different types of cells. | 0:44:17 | 0:44:19 | |
But stem cells have | 0:44:19 | 0:44:22 | |
abilities to trigger response, | 0:44:22 | 0:44:24 | |
which is going to stimulate repair, | 0:44:24 | 0:44:27 | |
mobilising the body's own stem cells. | 0:44:27 | 0:44:29 | |
DRILL WHIRS | 0:44:29 | 0:44:31 | |
2 million stem cells are injected into Billy's brain. | 0:44:31 | 0:44:36 | |
The ones we are using in the particular trial | 0:44:37 | 0:44:39 | |
are originally taken from tissue from a foetus, | 0:44:39 | 0:44:42 | |
and the cells have been modified genetically | 0:44:42 | 0:44:44 | |
so that they remain immortal. | 0:44:44 | 0:44:46 | |
So, one sample of cells persists forever. | 0:44:46 | 0:44:50 | |
So, there's a certain amount of the yuck factor, here. | 0:44:50 | 0:44:52 | |
Is there any evidence at all, at this stage, | 0:44:52 | 0:44:55 | |
that this actually works? | 0:44:55 | 0:44:57 | |
What we observed in the first study was that there was some | 0:44:57 | 0:45:00 | |
modest improvement in a group of patients | 0:45:00 | 0:45:02 | |
who we wouldn't really expect to improve. | 0:45:02 | 0:45:05 | |
That's your operation all finished, then, Mr Elder. All right? | 0:45:05 | 0:45:09 | |
It'll be a couple of months before Billy knows | 0:45:09 | 0:45:11 | |
whether the stem cells have made any difference... | 0:45:11 | 0:45:14 | |
..but before I volunteer to have my bonce broken open, | 0:45:16 | 0:45:20 | |
I'm looking further afield. | 0:45:20 | 0:45:23 | |
Oh, yes, that's very suitable for Miami Beach. | 0:45:23 | 0:45:25 | |
Thank you very much. I'm slightly nervous, because... | 0:45:25 | 0:45:28 | |
-I'm a bit nervous. -What I'm nervous about is if it doesn't work, | 0:45:28 | 0:45:32 | |
what will happen to morale? | 0:45:32 | 0:45:34 | |
There's a chap in Florida, a doctor in Florida, | 0:45:34 | 0:45:36 | |
who says he's operated on some 2,000 patients, | 0:45:36 | 0:45:39 | |
of which 80% have seen significant improvements. | 0:45:39 | 0:45:43 | |
If the figures are as good as he claims to be, then it is worth, | 0:45:43 | 0:45:47 | |
certainly, having a go at it, I think. | 0:45:47 | 0:45:48 | |
I'm heading to the United States for a new and controversial treatment... | 0:45:50 | 0:45:54 | |
..an anti-inflammatory drug normally used for arthritis. | 0:45:55 | 0:45:59 | |
Perispinal etanercept, which is what I'm getting, | 0:45:59 | 0:46:02 | |
has not had big, randomised controlled trials, | 0:46:02 | 0:46:06 | |
in a proper, approved, kind of, medical way. | 0:46:06 | 0:46:09 | |
The fact that I have to go to Florida to a private clinic | 0:46:09 | 0:46:12 | |
and pay out quite a lot of my own dosh to get the treatment | 0:46:12 | 0:46:14 | |
shows that it is still an outlier. It's still, if you like, a bit dodgy. | 0:46:14 | 0:46:18 | |
It may not work. It probably doesn't work for everybody, | 0:46:18 | 0:46:21 | |
and it may be oversold. | 0:46:21 | 0:46:23 | |
S-e-e-v-en... | 0:46:23 | 0:46:26 | |
One of the treatment's biggest successes is Linda, | 0:46:26 | 0:46:29 | |
a former teacher from Maine who couldn't speak | 0:46:29 | 0:46:32 | |
until moments after the injection. | 0:46:32 | 0:46:34 | |
Hi! | 0:46:36 | 0:46:37 | |
It's me! | 0:46:37 | 0:46:40 | |
Oh, my... | 0:46:40 | 0:46:42 | |
If you watch her husband - I take it this is the husband - | 0:46:42 | 0:46:44 | |
he's about to burst into tears. | 0:46:44 | 0:46:46 | |
I can talk. I can walk. | 0:46:46 | 0:46:49 | |
Haa! | 0:46:49 | 0:46:51 | |
Woohoo! | 0:46:55 | 0:46:57 | |
You can't get neural regrowth this fast. | 0:46:57 | 0:47:00 | |
So, something odd is happening. | 0:47:00 | 0:47:01 | |
It may simply be placebo effect, I don't know. | 0:47:01 | 0:47:04 | |
But, on the basis of these kind of films, this is a miracle cure. | 0:47:04 | 0:47:07 | |
Hi! | 0:47:07 | 0:47:09 | |
For some people. Maybe not for me. | 0:47:09 | 0:47:11 | |
HE LAUGHS | 0:47:11 | 0:47:13 | |
I haven't heard of any adverse side effects, | 0:47:15 | 0:47:18 | |
and all new ideas have to start somewhere, | 0:47:18 | 0:47:21 | |
so I'm going to give it a go. | 0:47:21 | 0:47:23 | |
We've come to Florida to meet Dr Ed Tobinick, | 0:47:28 | 0:47:31 | |
who heads the Institute Of Neurological Recovery. | 0:47:31 | 0:47:35 | |
He is not a neurologist. He started out as a skin specialist. | 0:47:35 | 0:47:40 | |
-Pleased to meet you. -Hi. -Hi. | 0:47:40 | 0:47:42 | |
I can do that with my fingers. | 0:47:42 | 0:47:44 | |
I can move them out a bit, and I can bring them in but, as you can see, | 0:47:44 | 0:47:48 | |
it's very limited. | 0:47:48 | 0:47:49 | |
'His first task is to chart my plateau.' | 0:47:50 | 0:47:53 | |
From my point of view, the single biggest disability I've got | 0:47:54 | 0:47:58 | |
is my left ankle, which is completely out. | 0:47:58 | 0:48:01 | |
Can you try to point your foot down? | 0:48:01 | 0:48:03 | |
-OK, not really. -Not really, no. | 0:48:03 | 0:48:05 | |
OK. I'm going to ask you to smile. | 0:48:05 | 0:48:08 | |
Good. | 0:48:08 | 0:48:09 | |
One... | 0:48:09 | 0:48:12 | |
Two... | 0:48:12 | 0:48:13 | |
Stroke causes a chronic inflammatory response | 0:48:13 | 0:48:18 | |
in the brain that doesn't go away. | 0:48:18 | 0:48:21 | |
It shuts down certain neural circuits in areas, | 0:48:21 | 0:48:25 | |
particularly, that are around the area of the stroke. | 0:48:25 | 0:48:29 | |
Etanercept works by neutralising a chemical | 0:48:29 | 0:48:34 | |
that causes inflammation, thereby allowing those brain cells | 0:48:34 | 0:48:38 | |
that were not able to talk to each other to communicate, and function. | 0:48:38 | 0:48:42 | |
-How many...? How long was it? -Five minutes. | 0:48:44 | 0:48:46 | |
Five minutes and nine seconds. | 0:48:46 | 0:48:49 | |
-OK. There's our baseline. -There's the target, yeah. | 0:48:49 | 0:48:52 | |
In terms of the injection itself, it really doesn't hurt, | 0:48:53 | 0:48:57 | |
so you don't have to be concerned about... | 0:48:57 | 0:48:59 | |
The needle is too short to... | 0:48:59 | 0:49:02 | |
It cannot reach your spinal cord, | 0:49:02 | 0:49:04 | |
so it cannot cause | 0:49:04 | 0:49:07 | |
any problems from the injection itself. | 0:49:07 | 0:49:11 | |
The treatment comprises just two injections, seven days apart, | 0:49:11 | 0:49:16 | |
and at a cost of 7,000. | 0:49:16 | 0:49:19 | |
I think we're ready to go, so we're going to... | 0:49:19 | 0:49:21 | |
-..cut off the cameras. Right? -That's right. -Yep. -OK. | 0:49:22 | 0:49:26 | |
And I'll bring my team in. | 0:49:26 | 0:49:29 | |
There's a leading scientist in the UK, a neurologist, | 0:49:32 | 0:49:35 | |
and this is a quote from him, that... | 0:49:35 | 0:49:37 | |
"You operate in the twilight zone." | 0:49:37 | 0:49:41 | |
Mmm. I... I'm not familiar with that quote, | 0:49:41 | 0:49:44 | |
but I can tell you that there hasn't been a neurologist from the UK | 0:49:44 | 0:49:48 | |
that's come over. | 0:49:48 | 0:49:49 | |
There have been other scientists from other parts of the world, | 0:49:49 | 0:49:54 | |
from.... Neuroscientists from the United States have come and seen it. | 0:49:54 | 0:49:58 | |
And they are very positive | 0:49:58 | 0:50:01 | |
about the results and have said that they're... | 0:50:01 | 0:50:04 | |
That our results are actually duplicating | 0:50:04 | 0:50:07 | |
what they've seen in their animal studies. | 0:50:07 | 0:50:10 | |
-You feeling all right? -I'm feeling fine, yeah. | 0:50:22 | 0:50:24 | |
OK. So, you're feeling well? | 0:50:27 | 0:50:28 | |
I'm feeling fine, yes, I'm feeling good. | 0:50:28 | 0:50:31 | |
Can you tell anything has changed? | 0:50:31 | 0:50:33 | |
It's... I... To be honest, not really. | 0:50:33 | 0:50:36 | |
-Well, what about the face? -Yep. | 0:50:36 | 0:50:37 | |
-What about the left side? -Yeah, I think that is a bit better. | 0:50:37 | 0:50:41 | |
-Yeah. -Slightly improved on the left side, good. | 0:50:41 | 0:50:43 | |
Yes, there you go, good. I think that's pretty good actually, yeah. | 0:50:43 | 0:50:46 | |
-I think it's a little bit different. -Yeah, yeah. | 0:50:46 | 0:50:49 | |
'Feeling slightly more alert,' | 0:50:51 | 0:50:54 | |
and focused, perhaps, than I had been. | 0:50:54 | 0:50:56 | |
Definitely had an impact of some kind. | 0:50:56 | 0:50:59 | |
And then we've seen a range of slight improvements, | 0:50:59 | 0:51:02 | |
I think on the shoulder, and possibly on the walking. | 0:51:02 | 0:51:05 | |
And what I'm going to be doing over the next few hours | 0:51:05 | 0:51:07 | |
is just constantly monitoring my walking. It'll be very weird, | 0:51:07 | 0:51:10 | |
I'll be thinking about every step I take to see if there's | 0:51:10 | 0:51:12 | |
a bit of extra fluidity of movement. | 0:51:12 | 0:51:14 | |
The next day I'm less optimistic. | 0:51:19 | 0:51:22 | |
-Hello, Andrew. -ON PHONE: 'Hello.' | 0:51:22 | 0:51:25 | |
How did you sleep last night? | 0:51:25 | 0:51:27 | |
'I slept very well, Ed. But, um... | 0:51:27 | 0:51:29 | |
'I'm afraid, I don't think, for me, it's worked. | 0:51:29 | 0:51:33 | |
'I've been to the gym, I've done a lot of self-monitoring. | 0:51:33 | 0:51:36 | |
'Um... And I don't really see any change... | 0:51:36 | 0:51:41 | |
'as disappointing as that is.' | 0:51:41 | 0:51:44 | |
OK. And what has Jackie said about everything else? Or... | 0:51:44 | 0:51:49 | |
'I... I... She rather agrees with me, I think.' | 0:51:49 | 0:51:52 | |
He sounded a bit disappointed today. | 0:51:55 | 0:51:57 | |
Yes. We'll have to see... | 0:51:57 | 0:52:01 | |
how things progress over time. | 0:52:01 | 0:52:05 | |
-Morning. -Good morning. | 0:52:08 | 0:52:10 | |
'I am disappointed, | 0:52:10 | 0:52:12 | |
'and that makes it hard to meet Linda, | 0:52:12 | 0:52:15 | |
'who had such a miraculous response.' | 0:52:15 | 0:52:18 | |
You had that very, very emotional, wonderful moment when you woke up | 0:52:18 | 0:52:20 | |
and you could suddenly... You felt totally different. | 0:52:20 | 0:52:23 | |
Yes. | 0:52:23 | 0:52:25 | |
You can't even begin to imagine. | 0:52:25 | 0:52:28 | |
When I came for the treatment, I anticipated, | 0:52:29 | 0:52:33 | |
I expected, hoped for some improvement. | 0:52:33 | 0:52:37 | |
-But I never dreamed... -That it would be that good. | 0:52:37 | 0:52:40 | |
..that it would be that profound. | 0:52:40 | 0:52:42 | |
At this stage in the process, | 0:52:43 | 0:52:45 | |
I haven't had the same kind of improvements Linda has had. | 0:52:45 | 0:52:48 | |
You... You had much less neurologic disability | 0:52:48 | 0:52:52 | |
than the usual stroke survivor. | 0:52:52 | 0:52:57 | |
You might have had less inflammation | 0:52:57 | 0:53:01 | |
than the majority of patients. | 0:53:01 | 0:53:03 | |
There's still a possibility that you'll have a delayed response | 0:53:03 | 0:53:06 | |
to treatment, that can happen. | 0:53:06 | 0:53:08 | |
And, you know, the fact that people characteristically | 0:53:08 | 0:53:12 | |
improve within a few minutes, start to improve, | 0:53:12 | 0:53:16 | |
-it's not really their total response. -No. | 0:53:16 | 0:53:18 | |
And that is what happened. | 0:53:25 | 0:53:27 | |
Over the ensuing week, I did start to see | 0:53:27 | 0:53:31 | |
flickers of movement in my paralysed ankle, | 0:53:31 | 0:53:34 | |
and my forefinger. | 0:53:34 | 0:53:35 | |
Not a lot, but not nothing either. | 0:53:35 | 0:53:38 | |
And then I came back for a second dose. | 0:53:39 | 0:53:41 | |
Well, it appears you're still with us. | 0:53:42 | 0:53:44 | |
Yes, I appear to be still here. | 0:53:44 | 0:53:46 | |
Still alive, that's good news, that's a good start. | 0:53:46 | 0:53:49 | |
Well, let's see how you do with bringing your knee up. | 0:53:49 | 0:53:51 | |
You'll have to tell me if it feels any different. | 0:53:53 | 0:53:57 | |
-It's so difficult, this. You're trying to kind of... -Hard to tell. | 0:53:57 | 0:54:00 | |
-..judge very small things over a period of time. -It's OK. -But... | 0:54:00 | 0:54:03 | |
Point up. | 0:54:05 | 0:54:06 | |
-There it goes. -That's actually a little bit... -There is a little bit of movement there. -Yes. -Reasonable. | 0:54:08 | 0:54:12 | |
-Yes. -Good. | 0:54:12 | 0:54:13 | |
There's definitely power there. | 0:54:15 | 0:54:17 | |
-Yes, there is. -OK, then. That's important in walking. | 0:54:18 | 0:54:21 | |
-Yeah. -Pushing off. -Yep. | 0:54:21 | 0:54:24 | |
So there's movement in both directions. | 0:54:24 | 0:54:26 | |
It's still a slightly uneven gait, | 0:54:26 | 0:54:28 | |
but he seems to be going a little bit faster to me. | 0:54:28 | 0:54:31 | |
-Here we are. -Yeah. Oh, that's great. 4.46. | 0:54:34 | 0:54:38 | |
Five minutes and nine seconds pre-treatment. | 0:54:38 | 0:54:40 | |
'23 seconds faster - not Usain Bolt, but a result for me.' | 0:54:40 | 0:54:45 | |
When I came here, in my head, I was thinking about two possibilities. | 0:54:46 | 0:54:50 | |
One is that I'd have a miraculous cure, I'd walk away, no brace, | 0:54:50 | 0:54:55 | |
no nothing, and all my physical defects | 0:54:55 | 0:54:57 | |
would magically have disappeared and I'd be | 0:54:57 | 0:54:59 | |
running and swimming and cycling again. | 0:54:59 | 0:55:02 | |
Or it wouldn't work, there'd be no change at all, | 0:55:02 | 0:55:05 | |
and I'd go back dejected, a bit depressed, | 0:55:05 | 0:55:07 | |
and worried about the future. | 0:55:07 | 0:55:09 | |
In fact, I guess, as with life generally, it's in-between. | 0:55:09 | 0:55:12 | |
There has been a change, | 0:55:12 | 0:55:13 | |
not nearly as big a change as perhaps I'd hoped for. | 0:55:13 | 0:55:16 | |
Frankly, for a stroke survivor, any change is good. | 0:55:16 | 0:55:19 | |
But it's not "Pick up thy bed and walk." | 0:55:19 | 0:55:22 | |
Yes, look at that. See that finger coming up? | 0:55:22 | 0:55:25 | |
I couldn't do that before. | 0:55:28 | 0:55:30 | |
And you can see, it's very small, but... | 0:55:31 | 0:55:33 | |
There we go. Moving again. | 0:55:35 | 0:55:36 | |
It wasn't doing that at all before. | 0:55:36 | 0:55:38 | |
The sun has risen on an independent United Kingdom. | 0:55:45 | 0:55:50 | |
2016 has been a remarkable year for politics. | 0:55:50 | 0:55:54 | |
Nothing you can do, folks. | 0:55:54 | 0:55:56 | |
A turning point for good... | 0:55:56 | 0:55:58 | |
or bad. | 0:55:58 | 0:56:00 | |
She was a human being, and she was perfect. | 0:56:00 | 0:56:03 | |
I am at least optimistic about the future of stroke treatment. | 0:56:03 | 0:56:07 | |
What used to be an automatic life-sentence no longer is. | 0:56:08 | 0:56:13 | |
Eight weeks after Billy Elder had stem-cell therapy, | 0:56:15 | 0:56:18 | |
he is now able to move his once completely paralysed left arm. | 0:56:18 | 0:56:22 | |
And a month after Florida, | 0:56:25 | 0:56:26 | |
my physiotherapist, Jo, is encouraged. | 0:56:26 | 0:56:30 | |
And just try and straighten that finger. | 0:56:30 | 0:56:32 | |
Oh. Good movement. | 0:56:32 | 0:56:34 | |
'When Andrew said he was going to go off and have this, | 0:56:34 | 0:56:36 | |
'I'd never heard of it, so, obviously, | 0:56:36 | 0:56:40 | |
'I went and looked it up.' | 0:56:40 | 0:56:42 | |
'The independent review I found,' | 0:56:42 | 0:56:45 | |
they were fairly damning about it. | 0:56:45 | 0:56:48 | |
Having seen Andrew, now, for over three years, all I can say is, | 0:56:48 | 0:56:53 | |
he went away, there was no movement in his foot... | 0:56:53 | 0:56:56 | |
He's come back, | 0:56:56 | 0:56:59 | |
he's got some movement in his foot. | 0:56:59 | 0:57:01 | |
If we work hard for a year or so on this, | 0:57:02 | 0:57:05 | |
do you think we have a good chance of getting a functional foot back, | 0:57:05 | 0:57:08 | |
that doesn't need a brace on? | 0:57:08 | 0:57:10 | |
-I don't know. I'll be completely honest, I don't know. -Mmm. Mmm. | 0:57:10 | 0:57:14 | |
I'd love to say that. | 0:57:14 | 0:57:15 | |
I'm more optimistic, I'm going to get movement back. | 0:57:15 | 0:57:17 | |
I'm going to get rid of this brace. It's going to go, eventually. | 0:57:17 | 0:57:21 | |
'I don't think we should be a people who accept things and shrug, and sort of' | 0:57:21 | 0:57:25 | |
shrivel into our lot, if you put it like that. | 0:57:25 | 0:57:28 | |
I think we have to carry on looking for answers and looking for solutions. | 0:57:28 | 0:57:31 | |
It's the same with stroke, cancer, any major diseases, | 0:57:31 | 0:57:34 | |
and we are lucky to be living when we do. | 0:57:34 | 0:57:37 | |
So, what happens now? | 0:57:37 | 0:57:40 | |
He has improved so much since he had the stroke. | 0:57:40 | 0:57:44 | |
And I think that's what, you know, you need to concentrate on. | 0:57:44 | 0:57:47 | |
Look at where he was when he came out of hospital. | 0:57:47 | 0:57:50 | |
And, by the way, is anyone in charge? | 0:57:50 | 0:57:53 | |
There is no magic bullet, because if there was, | 0:57:53 | 0:57:55 | |
everyone would be after it, and there wouldn't be this great question mark. | 0:57:55 | 0:57:59 | |
My only neutral BBC thought is this... | 0:57:59 | 0:58:02 | |
If I want there to be any sort of lesson out of this, | 0:58:02 | 0:58:04 | |
it's that it's worth never giving up. | 0:58:04 | 0:58:06 | |
Probably, it won't be quite as good as you hope, | 0:58:06 | 0:58:09 | |
nor quite as bad as you fear. Probably. | 0:58:09 | 0:58:12 | |
We need tears now, Andrew. | 0:58:14 | 0:58:16 | |
I'm sorry. I know the BBC has a special contract | 0:58:16 | 0:58:19 | |
that I'm to burst into tears at one point in this programme, | 0:58:19 | 0:58:23 | |
but I can't do it. | 0:58:23 | 0:58:24 | |
I come from Dundee. THEY LAUGH | 0:58:24 | 0:58:27 |