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ANNOUNCER: Jayne Torvill and Christopher Dean... | 0:00:02 | 0:00:04 | |
APPLAUSE | 0:00:04 | 0:00:05 | |
..Great Britain. | 0:00:05 | 0:00:07 | |
CHEERING | 0:00:07 | 0:00:08 | |
-JAYNE: -I just heard this massive roar. | 0:00:19 | 0:00:22 | |
And I looked up and saw all the sixes. | 0:00:22 | 0:00:25 | |
COMMENTATOR: It's right across the board! | 0:00:25 | 0:00:28 | |
CHEERING That's it. What a marvellous, marvellous set of marks. | 0:00:28 | 0:00:32 | |
-CHRIS: -That is one of your proudest moments ever. | 0:00:33 | 0:00:36 | |
Olympic gold medals for the greatest ice dancers of all time. | 0:00:37 | 0:00:42 | |
-CHRIS: -In our heads that day will always be | 0:00:47 | 0:00:51 | |
our perfect day. | 0:00:51 | 0:00:53 | |
So now Torvill and Dean face the supreme test. | 0:01:11 | 0:01:14 | |
Champions of Europe, champions of the world, | 0:01:14 | 0:01:17 | |
but can they now become the Olympic champions? | 0:01:17 | 0:01:19 | |
I got up about 4.30 in the morning. | 0:01:20 | 0:01:23 | |
Because I knew that the bus was at least | 0:01:23 | 0:01:26 | |
an hour before the training session so... | 0:01:26 | 0:01:30 | |
5, 5.15 bus. | 0:01:30 | 0:01:33 | |
Get into the building with a little bit of time | 0:01:33 | 0:01:35 | |
to get changed and warm up as well. | 0:01:35 | 0:01:37 | |
Before 6am, 6.30 practice. | 0:01:37 | 0:01:40 | |
On 14th February it was a very early start. | 0:01:41 | 0:01:44 | |
Our practice was at 6am, in the morning. | 0:01:44 | 0:01:48 | |
I remember that because it was 6am in the morning(!) | 0:01:48 | 0:01:50 | |
All the other competitors that were supposed to be on that practice | 0:01:50 | 0:01:53 | |
didn't go. | 0:01:53 | 0:01:55 | |
But we felt like it was our opportunity to be | 0:01:55 | 0:01:59 | |
in the building, cos we didn't have that many practices | 0:01:59 | 0:02:03 | |
actually in the main building to do the free dance. | 0:02:03 | 0:02:06 | |
You had other practice rinks that you go to, but you don't | 0:02:06 | 0:02:08 | |
always get the opportunity to be on the big rink. | 0:02:08 | 0:02:11 | |
MUSIC: "Bolero" by Ravel | 0:02:11 | 0:02:13 | |
COMMENTATOR: Torvill and Dean, as brilliant in practice | 0:02:22 | 0:02:24 | |
as they are in performance and competition | 0:02:24 | 0:02:27 | |
and a standing ovation from the audience in this practice rink. | 0:02:27 | 0:02:30 | |
APPLAUSE | 0:02:30 | 0:02:32 | |
Having had that chance to get on the ice... | 0:02:32 | 0:02:35 | |
it felt great. It felt like, | 0:02:35 | 0:02:37 | |
"OK, next time we take to the ice it's going to be for this... | 0:02:37 | 0:02:42 | |
"this final performance." | 0:02:42 | 0:02:43 | |
When we finished the run-through, which did go well... | 0:02:43 | 0:02:47 | |
um, there was a small ripple of applause and we were like, | 0:02:47 | 0:02:51 | |
"Where's it coming from?" | 0:02:51 | 0:02:53 | |
There'd been cleaners cleaning from the previous night | 0:02:53 | 0:02:56 | |
and they'd all downed tools and sat and watched us | 0:02:56 | 0:02:59 | |
and applauded at the end of it, so... | 0:02:59 | 0:03:01 | |
..erm, it was a nice little bonus to the morning. | 0:03:02 | 0:03:04 | |
For me, way back I was very shy | 0:03:19 | 0:03:23 | |
and it was when I was on the ice that I wasn't shy. | 0:03:23 | 0:03:27 | |
And I could perform, I could be romantic, funny... | 0:03:27 | 0:03:30 | |
whatever that person was meant to be. | 0:03:30 | 0:03:32 | |
I started skating when I was about eight, almost nine years old. | 0:03:46 | 0:03:51 | |
I went on a school trip. | 0:03:51 | 0:03:53 | |
Because the teacher at the time just took it upon herself to think, | 0:03:53 | 0:03:58 | |
"Oh, I'll organise a coach to take the kids skating." | 0:03:58 | 0:04:01 | |
And I guess if it hadn't been for her, | 0:04:01 | 0:04:04 | |
I wouldn't have fallen in love with it, really. | 0:04:04 | 0:04:07 | |
I remember the first visit. I went on the ice | 0:04:13 | 0:04:17 | |
and I just loved it. | 0:04:17 | 0:04:19 | |
I can't describe it any other way, I just loved it and... | 0:04:19 | 0:04:23 | |
I think the hired skates that they had... | 0:04:23 | 0:04:26 | |
mainly the boots were all brown and they weren't very attractive. | 0:04:26 | 0:04:30 | |
But because I'd got probably quite a small foot | 0:04:30 | 0:04:33 | |
they found an old pair of white ones | 0:04:33 | 0:04:36 | |
and every week I went I asked if I could have these white ones | 0:04:36 | 0:04:39 | |
cos it felt like the real thing. | 0:04:39 | 0:04:41 | |
And then from there it became a way of life, really. | 0:04:41 | 0:04:43 | |
ANNOUNCER: Michael Hutchinson and Jayne Torvill | 0:04:45 | 0:04:47 | |
from Nottingham gave a delightful display. | 0:04:47 | 0:04:50 | |
I think it was the feeling of movement that I enjoyed. | 0:04:50 | 0:04:54 | |
It's very unique to ice skating, | 0:04:57 | 0:04:59 | |
you don't get that movement anywhere else. | 0:04:59 | 0:05:03 | |
The audience, with a sprinkling of ex-skating champs among them, | 0:05:05 | 0:05:09 | |
were obviously impressed by their performance. | 0:05:09 | 0:05:11 | |
For me when I started skating it was all about the enjoyment of it, | 0:05:11 | 0:05:14 | |
the fun of it, it was never... | 0:05:14 | 0:05:16 | |
.."I want to be a world champion and Olympic champion." | 0:05:17 | 0:05:21 | |
It was never about competing, really, it was about enjoying it | 0:05:21 | 0:05:25 | |
and also wanting to do it better. | 0:05:25 | 0:05:27 | |
I think when you have a passion for something | 0:05:27 | 0:05:29 | |
you always want to get better at it. | 0:05:29 | 0:05:31 | |
I came from a little village called Calverton in Nottinghamshire. | 0:05:44 | 0:05:48 | |
And, erm, at Christmas time I got a pair of ice skates. | 0:05:48 | 0:05:51 | |
My stepmother had been a recreational skater. | 0:05:51 | 0:05:54 | |
She thought it might be a good idea for me to get out | 0:05:54 | 0:05:57 | |
of the little village and go to the big town, Nottingham, | 0:05:57 | 0:06:00 | |
which was ten miles away. And I think my stepmum | 0:06:00 | 0:06:03 | |
just thought, "You need to see more than just the community | 0:06:03 | 0:06:06 | |
"of Calverton" because there's every chance that | 0:06:06 | 0:06:09 | |
I'm going to be a miner like my dad. Erm, but at that time | 0:06:09 | 0:06:13 | |
we didn't have a car so we had to get on a bus | 0:06:13 | 0:06:16 | |
and so Nottingham did feel a long, long way away. | 0:06:16 | 0:06:20 | |
But for the first two weeks of getting my first pair of ice skates | 0:06:20 | 0:06:24 | |
I couldn't skate cos I couldn't get to the ice rink, | 0:06:24 | 0:06:27 | |
so I just walked around the house in them for two weeks. | 0:06:27 | 0:06:31 | |
And that was my introduction to skating. | 0:06:31 | 0:06:35 | |
When I walked into an ice rink for the very first time | 0:06:38 | 0:06:41 | |
it was magical. | 0:06:41 | 0:06:43 | |
And certainly the Nottingham ice rink, it was an old rink. | 0:06:43 | 0:06:46 | |
A cavernous place. It just looked exotic, and ice, to me, | 0:06:46 | 0:06:51 | |
the whiteness of it, the purity of it... | 0:06:51 | 0:06:53 | |
I know it sounds cliched, but when I skated it felt like I was flying. | 0:06:53 | 0:06:57 | |
I like gymnastics. I like the feeling of | 0:07:02 | 0:07:05 | |
feeling free, and so as I was skating around | 0:07:05 | 0:07:08 | |
that freedom became even more. | 0:07:08 | 0:07:11 | |
It was my escape. | 0:07:11 | 0:07:13 | |
I met Chris at the ice rink, um... | 0:07:26 | 0:07:29 | |
I'm not sure how old I was, probably about 14. | 0:07:29 | 0:07:32 | |
I met him because he started skating with a good friend of mine. | 0:07:32 | 0:07:37 | |
I noticed him cos he was very striking with his very blond hair | 0:07:37 | 0:07:40 | |
and...blue eyes. And I always noticed that he liked to | 0:07:40 | 0:07:45 | |
skate around fast, as well. | 0:07:45 | 0:07:47 | |
I previously had another partner, Sandra, Sandra Elson, and... | 0:07:47 | 0:07:52 | |
but I think we were...too alike, we were both a bit fiery | 0:07:52 | 0:07:56 | |
and it didn't last very long! | 0:07:56 | 0:07:58 | |
When Chris and I first skated together it wasn't like, | 0:07:59 | 0:08:01 | |
"Oh, wow, this feels great, we're going to be great." | 0:08:01 | 0:08:05 | |
It was just we both had a passion for the same thing. | 0:08:05 | 0:08:09 | |
And we both had that willingness to work | 0:08:09 | 0:08:12 | |
and we were both very disciplined. | 0:08:12 | 0:08:14 | |
I mean, we're very different personality-wise, but... | 0:08:14 | 0:08:17 | |
as far as the ice-skating was concerned | 0:08:17 | 0:08:19 | |
we both wanted the same thing. | 0:08:19 | 0:08:21 | |
MUSIC: "In The Mood" by Glenn Miller | 0:08:21 | 0:08:24 | |
Jayne was at the ripe old age of 15. She'd finished pair skating. | 0:08:27 | 0:08:31 | |
She was doing single skating, but at 15 she was maybe a bit old, | 0:08:31 | 0:08:35 | |
but she kept on dancing, and a coach that I had at the time | 0:08:35 | 0:08:38 | |
-suggested we try out. -Even from the beginning I noticed that Chris | 0:08:38 | 0:08:44 | |
had that drive in him. He always wanted to... | 0:08:44 | 0:08:47 | |
do something better and it had to be perfect and if it wasn't perfect | 0:08:47 | 0:08:51 | |
then you have to do it again until it is. | 0:08:51 | 0:08:53 | |
Erm... And I was very similar in that way but... | 0:08:53 | 0:08:57 | |
I was happy to keep training, keep repeating everything | 0:08:57 | 0:09:00 | |
until it was right. | 0:09:00 | 0:09:01 | |
I think we both had "failed relationships" or partnerships... | 0:09:01 | 0:09:05 | |
erm, that we wanted to make this work. | 0:09:05 | 0:09:08 | |
Erm, the rest is history, as they say. | 0:09:08 | 0:09:10 | |
COMMENTATOR: A rather special train arrives in Sarajevo carrying | 0:09:16 | 0:09:19 | |
the West German Olympic team plus the hottest gold-medal favourites | 0:09:19 | 0:09:23 | |
of 1984, Jayne Torvill and Christopher Dean. | 0:09:23 | 0:09:26 | |
We arrived in Sarajevo on the German team train | 0:09:26 | 0:09:30 | |
because we'd been practising and working in Oberstdorf | 0:09:30 | 0:09:35 | |
which is in Bavaria. That had become our second home, effectively. | 0:09:35 | 0:09:40 | |
Looks lovely, the hat, we all love the hat. | 0:09:40 | 0:09:42 | |
PRESENTER: Jayne keeping out the cold in fur coat and hat | 0:09:42 | 0:09:45 | |
because her official team blazer didn't fit. | 0:09:45 | 0:09:48 | |
You always feel a bit for them, I suppose, having been a competitor | 0:09:48 | 0:09:51 | |
you know what it's... | 0:09:51 | 0:09:53 | |
the sort of build up and tensions that come with it. | 0:09:53 | 0:09:56 | |
And certainly with Torvill and Dean, there was a huge | 0:09:58 | 0:10:01 | |
amount of expectation. | 0:10:01 | 0:10:04 | |
They were the hottest favourites of the entire Olympic Games. | 0:10:04 | 0:10:08 | |
They were the one British hope, | 0:10:08 | 0:10:11 | |
which was why there was so much attention on them. | 0:10:11 | 0:10:15 | |
Erm, and they didn't quite understand what all the fuss was about. | 0:10:15 | 0:10:18 | |
PRESENTER: As usual the British, European | 0:10:18 | 0:10:21 | |
and World Ice Dance champions | 0:10:21 | 0:10:22 | |
were the main focus of attention. | 0:10:22 | 0:10:24 | |
They're the best-known skaters in the world | 0:10:25 | 0:10:27 | |
and everyone wants to talk to them. | 0:10:27 | 0:10:29 | |
But when it was time to leave for the Village, | 0:10:29 | 0:10:31 | |
something was amiss. | 0:10:31 | 0:10:33 | |
When we arrived in Sarajevo we got off the train and there was | 0:10:33 | 0:10:37 | |
people around us and press and we're moving down the station | 0:10:37 | 0:10:42 | |
and Jayne suddenly remembers - | 0:10:42 | 0:10:44 | |
"I've forgot your coat." | 0:10:44 | 0:10:46 | |
And she dashed off and there she's gone, she's left me. | 0:10:46 | 0:10:49 | |
"Where's Jayne gone?" | 0:10:49 | 0:10:50 | |
It was Christopher's coat, he took all the bags from me. | 0:10:50 | 0:10:54 | |
And said, "Can you get my coat?" But I just forgot it. | 0:10:54 | 0:10:57 | |
INTERVIEWER LAUGHS | 0:10:57 | 0:10:59 | |
PRESENTER: Britain's ice dance world champions | 0:11:00 | 0:11:02 | |
are the only serious medal prospect in our team of 55 | 0:11:02 | 0:11:05 | |
but the endless scrutiny here of their every move | 0:11:05 | 0:11:08 | |
and one slip in training has left them strangely tense and unsmiling. | 0:11:08 | 0:11:12 | |
It was hard, when we first arrived, to get an overall picture | 0:11:12 | 0:11:16 | |
of Sarajevo because you're very much herded around. | 0:11:16 | 0:11:20 | |
So from leaving the train we were straight into the Village. | 0:11:20 | 0:11:24 | |
They were very conscious of security and if you wanted to get out | 0:11:32 | 0:11:35 | |
of the Village you had to get a pass. | 0:11:35 | 0:11:37 | |
It's all part of the security, now so essential at Olympic events | 0:11:37 | 0:11:41 | |
that the soldiers and their guns are as familiar as wallpaper. | 0:11:41 | 0:11:45 | |
Where the British team were housed I remember they kept the boys | 0:11:45 | 0:11:50 | |
and the girls separate. | 0:11:50 | 0:11:51 | |
There was one single room within this apartment | 0:11:51 | 0:11:54 | |
and I got it as I was the most senior member and... | 0:11:54 | 0:11:59 | |
the one that was... It was possibly going to be my turn to win a medal. | 0:11:59 | 0:12:04 | |
So I had the single room which I was quite happy with | 0:12:04 | 0:12:07 | |
because then I can do my own thing, my own preparations. | 0:12:07 | 0:12:11 | |
We had three bedrooms, we had a kitchen, so | 0:12:11 | 0:12:13 | |
we, like, had a little house together | 0:12:13 | 0:12:15 | |
and we were on the same practices so we travelled together, | 0:12:15 | 0:12:18 | |
we warmed up in the same group together so we were always together. | 0:12:18 | 0:12:22 | |
I was in a room on my own at Sarajevo. | 0:12:22 | 0:12:25 | |
It was quite a stock room, there wasn't a lot of luxuries, | 0:12:25 | 0:12:29 | |
it was functional. There was a bed and I think there was a cupboard | 0:12:29 | 0:12:33 | |
and there was a bathroom shared by all the boys. | 0:12:33 | 0:12:36 | |
It was just kind of an apartment block that had | 0:12:36 | 0:12:39 | |
just been built and it wasn't the Ritz or anything | 0:12:39 | 0:12:41 | |
but, hey, you're an ice skater you're there to do a job. | 0:12:41 | 0:12:44 | |
It was a very basic room, like a dormitory, really, | 0:12:44 | 0:12:47 | |
just one single wooden bed. | 0:12:47 | 0:12:50 | |
But my favourite thing was the blankets, | 0:12:50 | 0:12:52 | |
which had the Olympic rings on and the symbol | 0:12:52 | 0:12:56 | |
of that particular Games which was Vucko the bear/wolf | 0:12:56 | 0:13:01 | |
kind of character. And I was really excited to have | 0:13:01 | 0:13:05 | |
this blanket, I remember. | 0:13:05 | 0:13:07 | |
How are you feeling, now you're here in Sarajevo? | 0:13:07 | 0:13:09 | |
It's nice, it was very sort of... | 0:13:09 | 0:13:12 | |
village-y sort of atmosphere and everybody is getting | 0:13:12 | 0:13:15 | |
ready for their own thing. It just feels... | 0:13:15 | 0:13:17 | |
In actual fact you feel sort of a little small within a big event. | 0:13:17 | 0:13:22 | |
I understand that you will be carrying the British flag. | 0:13:22 | 0:13:26 | |
-Chris will. -Just heard that, yes... | 0:13:26 | 0:13:28 | |
it's... can't believe it yet! | 0:13:28 | 0:13:30 | |
We were the main medal contenders. We were courting a lot of publicity | 0:13:36 | 0:13:41 | |
so the Chef de Mission asked if... | 0:13:41 | 0:13:44 | |
one of us would carry the flag. Well, actually, he asked me... | 0:13:44 | 0:13:48 | |
-I don't think you got a look-in(!) -It's obvious... I know. | 0:13:48 | 0:13:51 | |
Just Chris, not me. | 0:13:51 | 0:13:52 | |
And so, gosh, yeah. No, I was honoured. | 0:13:52 | 0:13:55 | |
Britain's champion duo on ice, Jayne Torvill and Christopher Dean, | 0:13:55 | 0:13:59 | |
were kept apart by Olympic regulations this afternoon. | 0:13:59 | 0:14:02 | |
The organising committee refused to let both of them | 0:14:02 | 0:14:05 | |
carry the Union flag | 0:14:05 | 0:14:07 | |
at the opening of the 14th Winter Games at Sarajevo in Yugoslavia. | 0:14:07 | 0:14:11 | |
So Christopher carried the flag and Jayne marched in the front rank | 0:14:11 | 0:14:14 | |
of the British team, a few feet behind him. | 0:14:14 | 0:14:17 | |
Michael Blakey describes the Opening Ceremony, which was watched by | 0:14:17 | 0:14:20 | |
500 million television viewers. | 0:14:20 | 0:14:23 | |
After days of protest about professionalism | 0:14:23 | 0:14:25 | |
and a lack of snow, the formal opening of | 0:14:25 | 0:14:28 | |
the 14th Winter Olympics went off without a hitch. | 0:14:28 | 0:14:31 | |
Lebanon, in the throes of civil war, sent a team of three. | 0:14:31 | 0:14:34 | |
The Soviet Union, who headed the medals table | 0:14:36 | 0:14:38 | |
at six of the last seven Olympics | 0:14:38 | 0:14:40 | |
once again face a serious threat from East Germany. | 0:14:40 | 0:14:44 | |
One gold medal they don't expect to win - ice dancing. | 0:14:44 | 0:14:48 | |
Christopher Dean carried the Union flag alone, despite the wishes | 0:14:48 | 0:14:51 | |
of the British team that Jayne Torvill should partner him. | 0:14:51 | 0:14:54 | |
For once, she was six paces behind. | 0:14:54 | 0:14:57 | |
The temperatures were freezing. | 0:14:57 | 0:14:59 | |
And they bussed you in, | 0:14:59 | 0:15:01 | |
four hours, at least, | 0:15:01 | 0:15:04 | |
before it was going to happen. | 0:15:04 | 0:15:06 | |
And so you've got all this thick gear on cos they said, | 0:15:06 | 0:15:09 | |
"Dress warm, cos it's going to be cold." | 0:15:09 | 0:15:11 | |
But the buses were like 100 degrees inside. | 0:15:11 | 0:15:13 | |
So you're boiling, you're taking it off and then they said, | 0:15:13 | 0:15:16 | |
"Right, off we go." | 0:15:16 | 0:15:17 | |
-All the gear came on. -Outside it was freezing. | 0:15:17 | 0:15:19 | |
And you're so conscious of not getting a cold, | 0:15:19 | 0:15:22 | |
so conscious of not getting a fever | 0:15:22 | 0:15:24 | |
or something like that. | 0:15:24 | 0:15:26 | |
Erm, and yet at the same time we absolutely wanted to | 0:15:26 | 0:15:30 | |
march and be a part of that team spirit. | 0:15:30 | 0:15:33 | |
CHEERING | 0:15:37 | 0:15:39 | |
ANNOUNCER: The fire on the grand pedestal has been lit, | 0:15:43 | 0:15:46 | |
the venues have been illuminated. | 0:15:46 | 0:15:47 | |
The contests have been declared open. | 0:15:47 | 0:15:50 | |
There was this kind of question mark, "Are they an item? | 0:16:00 | 0:16:04 | |
"Are they together?" | 0:16:04 | 0:16:06 | |
Talk about American sweethearts, these were two British sweethearts, | 0:16:06 | 0:16:10 | |
I think that, the nation wanted this also... | 0:16:10 | 0:16:14 | |
..to work for them. | 0:16:15 | 0:16:17 | |
Thinking of them as an item. | 0:16:17 | 0:16:19 | |
There was always a lot of speculation about our relationship | 0:16:28 | 0:16:33 | |
and we never admitted it or denied it. It was just left floating. | 0:16:33 | 0:16:38 | |
-Hmm. -And I think people kind of enjoyed that, the romantic vision. | 0:16:38 | 0:16:45 | |
We always equate it to Fred and Ginger. | 0:16:45 | 0:16:48 | |
You see them on the screen, they perform | 0:16:48 | 0:16:50 | |
and you believe what they're doing | 0:16:50 | 0:16:52 | |
and you believe as the movie credits roll | 0:16:52 | 0:16:54 | |
that they go off happily waving in the distance and, for us, | 0:16:54 | 0:16:59 | |
I think that was our image. | 0:16:59 | 0:17:01 | |
'I remember doing some kind of a press conference' | 0:17:04 | 0:17:07 | |
after we'd won and that's when more questions came, | 0:17:07 | 0:17:12 | |
cos it was Valentine's Day when we'd won and there was lots of, | 0:17:12 | 0:17:16 | |
"Are you going to get married now?" | 0:17:16 | 0:17:19 | |
There have been suggestions that you may soon decide | 0:17:19 | 0:17:22 | |
to make your personal relationship a more permanent one. | 0:17:22 | 0:17:26 | |
Is there any truth in that? | 0:17:26 | 0:17:28 | |
Chris, instead of saying no, cos we had no intention | 0:17:28 | 0:17:31 | |
-of getting married... -We hadn't got a plan... | 0:17:31 | 0:17:33 | |
We hadn't got any plan about anything, only that | 0:17:33 | 0:17:35 | |
we had got the World Championships a month later. | 0:17:35 | 0:17:38 | |
And Chris said "Not yet" | 0:17:38 | 0:17:40 | |
as a reply, which sent them all in a frenzy of... | 0:17:40 | 0:17:43 | |
"Oh, they might be!" Did you do that on purpose? | 0:17:43 | 0:17:48 | |
-Did it just come out? -You know how things just come out my mouth, | 0:17:48 | 0:17:51 | |
-sometimes. -I do, yeah. | 0:17:51 | 0:17:53 | |
We travelled back on the bus from the... | 0:17:57 | 0:17:59 | |
in the same way going out, nobody else was on it but Jayne and myself, | 0:17:59 | 0:18:03 | |
the driver and Betty, going back. | 0:18:03 | 0:18:05 | |
So it was quite a solitary morning until we got back to the Village. | 0:18:05 | 0:18:09 | |
Our coach Betty Callaway was always with us, | 0:18:17 | 0:18:20 | |
she was guiding us and making sure that we were happy | 0:18:20 | 0:18:24 | |
and not getting stressed, | 0:18:24 | 0:18:26 | |
not getting too nervous. | 0:18:26 | 0:18:29 | |
We went back to the Village and then went and had breakfast. | 0:18:29 | 0:18:33 | |
Canteen was open. Have a lazy breakfast. | 0:18:33 | 0:18:36 | |
We ate together, the three of us, and I think that was good for us | 0:18:36 | 0:18:40 | |
cos we had a grown-up there as well! | 0:18:40 | 0:18:43 | |
When I came across anybody in the canteen, people would be saying, | 0:18:43 | 0:18:47 | |
"Are you ready for tonight? What's happening?" | 0:18:47 | 0:18:50 | |
And I tried to make it very brief and short - | 0:18:50 | 0:18:53 | |
"Oh, fine. Yep, its all going good." | 0:18:53 | 0:18:57 | |
Moving on. Didn't want to get into a conversation | 0:18:57 | 0:18:59 | |
about how I'm feeling, didn't want to self-analyse... | 0:18:59 | 0:19:03 | |
..how I was feeling. | 0:19:04 | 0:19:06 | |
To actually try to talk to Jayne and Chris on the day of the competition, | 0:19:06 | 0:19:09 | |
I think would have been a huge mistake. | 0:19:09 | 0:19:11 | |
I think they were in a world of their own | 0:19:11 | 0:19:13 | |
and they stayed in a world of their own | 0:19:13 | 0:19:15 | |
when they were on the ice and competing | 0:19:15 | 0:19:17 | |
until it was all over, I think it's fair to say. | 0:19:17 | 0:19:19 | |
MUSIC: "Bolero" by Ravel | 0:19:21 | 0:19:24 | |
HE HUMS TUNE | 0:19:25 | 0:19:28 | |
On paper you wouldn't think it would make a dance. | 0:19:36 | 0:19:38 | |
But it's a sort of sexy piece of music. | 0:19:38 | 0:19:40 | |
It was just so... | 0:19:40 | 0:19:42 | |
tremendously different to anything that had ever been done | 0:19:42 | 0:19:46 | |
and was likely to be done in the future. | 0:19:46 | 0:19:49 | |
It was... I thought it was a real masterpiece, truthfully, | 0:19:49 | 0:19:54 | |
musically. | 0:19:54 | 0:19:55 | |
Because it was one piece. | 0:19:55 | 0:19:58 | |
As opposed to the usual three cuts that everybody did. | 0:19:58 | 0:20:01 | |
If you look at what people danced to... | 0:20:01 | 0:20:04 | |
for ice dance competitions, | 0:20:04 | 0:20:06 | |
they were much more showy. | 0:20:06 | 0:20:08 | |
This was a much subtler routine, and quite unique. | 0:20:08 | 0:20:13 | |
MUSIC RESUMES | 0:20:13 | 0:20:15 | |
When you watch the Russians, it was all bling. | 0:20:22 | 0:20:25 | |
UPBEAT CLASSICAL MUSIC | 0:20:25 | 0:20:29 | |
There were big lifts and it was razzmatazz. | 0:20:29 | 0:20:32 | |
This wasn't like that at all. | 0:20:32 | 0:20:34 | |
In our heads it was a driving beat that was taking us somewhere | 0:20:34 | 0:20:37 | |
and the crescendo of the music that just grew and grew. | 0:20:37 | 0:20:41 | |
That's what we wanted to create, that emotion that was building | 0:20:41 | 0:20:44 | |
up to a climactic ending. And Bolero had it all. | 0:20:44 | 0:20:48 | |
Except for it was 18 minutes long! | 0:20:48 | 0:20:50 | |
The tempo that they both felt was the most appropriate | 0:20:51 | 0:20:55 | |
was just a little too long. | 0:20:55 | 0:20:57 | |
And as it worked out we could get it down to 4 minutes 28, | 0:20:57 | 0:21:02 | |
we couldn't get it down to 4 minutes 10. | 0:21:02 | 0:21:04 | |
Looked at the rules and it says, "The stopwatch starts | 0:21:09 | 0:21:12 | |
"when you start to skate." | 0:21:12 | 0:21:14 | |
And starting to skate, in my head, not when you start to move | 0:21:14 | 0:21:17 | |
but when your blades touch the ice, | 0:21:17 | 0:21:19 | |
and Jayne's blade didn't touch the ice | 0:21:19 | 0:21:22 | |
until 4 minutes and 10 seconds. | 0:21:22 | 0:21:25 | |
I believe there's a dramatic ending that really involves you, Jayne. | 0:21:35 | 0:21:39 | |
Erm, well, we both die at the end. We're both dead. | 0:21:39 | 0:21:43 | |
You both die?! So what do you do on the ice? | 0:21:43 | 0:21:46 | |
-SHE LAUGHS -We lie down. | 0:21:46 | 0:21:48 | |
LAUGHTER | 0:21:48 | 0:21:49 | |
PRESENTER: In their minds they're thinking about two young people | 0:21:49 | 0:21:52 | |
who are unable to marry | 0:21:52 | 0:21:54 | |
and so decide to end their lives. They are climbing a mountain, | 0:21:54 | 0:21:57 | |
a fiery volcano, and at the top they throw themselves into the inferno. | 0:21:57 | 0:22:02 | |
It's a made-up story, obviously. | 0:22:04 | 0:22:08 | |
And I don't know how it came about, truthfully. | 0:22:08 | 0:22:11 | |
Which one of us thought of this, but it just came about | 0:22:11 | 0:22:14 | |
that it was a love story and this... | 0:22:14 | 0:22:16 | |
These two lovers climbing up this volcano, I don't know, | 0:22:16 | 0:22:19 | |
don't ask me why a volcano, but as the music built they got | 0:22:19 | 0:22:22 | |
further and further up the volcano and then in the end... | 0:22:22 | 0:22:26 | |
that was it, they threw themselves into the volcano and that was... | 0:22:26 | 0:22:29 | |
Bit silly, really, isn't it?! | 0:22:30 | 0:22:33 | |
HE CHUCKLES | 0:22:33 | 0:22:34 | |
We've always believed that we need a narrative, even if it's | 0:22:34 | 0:22:37 | |
in our own heads. We don't have to sell it to anybody else | 0:22:37 | 0:22:40 | |
but for us it's a driving force of what we're doing | 0:22:40 | 0:22:44 | |
so it was a Romeo and Juliet scenario | 0:22:44 | 0:22:47 | |
of two lovers that were destined not to be together in life | 0:22:47 | 0:22:52 | |
but to be together eternally in death. | 0:22:52 | 0:22:55 | |
He's killed me, in other words. | 0:22:56 | 0:22:58 | |
We killed each other. | 0:23:00 | 0:23:01 | |
LAUGHTER | 0:23:01 | 0:23:02 | |
-We-we... -We both jumped. -We jumped together. | 0:23:02 | 0:23:05 | |
CHEERING | 0:23:10 | 0:23:13 | |
So we'd skate out into position and we'd turn and face each other | 0:23:14 | 0:23:18 | |
and, for us, the performance really starts here cos we're looking | 0:23:18 | 0:23:22 | |
really into each other's eyes and at that point we are | 0:23:22 | 0:23:25 | |
kind of talking to each other and calming each other down. | 0:23:25 | 0:23:28 | |
And from there we both go down, right knee down, | 0:23:30 | 0:23:33 | |
left knee down and then we have a moment that we always keep focus. | 0:23:33 | 0:23:38 | |
And we go into our first position. | 0:23:38 | 0:23:40 | |
Four counts and then we start moving our first leg. | 0:23:40 | 0:23:43 | |
Here, and right from here this becomes the eye contact, | 0:23:44 | 0:23:47 | |
we never leave eye contact from here, this point from here. | 0:23:47 | 0:23:52 | |
This is from where they're setting their fate from this moment on. | 0:23:52 | 0:23:56 | |
Creating the pact that we decided. | 0:23:58 | 0:24:01 | |
And, as you can see at the moment, nobody's blades are on the ice. | 0:24:01 | 0:24:05 | |
Jayne goes forward into an arch, | 0:24:05 | 0:24:07 | |
we go up into a lift and out of it | 0:24:07 | 0:24:09 | |
and now she's touched the ice. That's 4 minutes, 10 seconds. | 0:24:09 | 0:24:13 | |
And then off we go into the rest of the routine. | 0:24:13 | 0:24:16 | |
It's not the literal storyline that runs through your head, | 0:24:22 | 0:24:25 | |
it's more of a feeling. | 0:24:25 | 0:24:27 | |
The feeling of desperation | 0:24:27 | 0:24:29 | |
cos she knows something bad is going to happen. | 0:24:29 | 0:24:31 | |
But also it's the, the, the... | 0:24:31 | 0:24:33 | |
..the desperate love you felt for each other. | 0:24:35 | 0:24:38 | |
The emotion. | 0:24:38 | 0:24:40 | |
And that, erm, this is... | 0:24:40 | 0:24:42 | |
This is a very dramatic moment in your life | 0:24:43 | 0:24:45 | |
and we're heading towards something epic. | 0:24:45 | 0:24:48 | |
You couldn't not feel the tension of a piece like that | 0:24:48 | 0:24:51 | |
cos I think the whole, | 0:24:51 | 0:24:53 | |
the way the music is written builds its own tension. | 0:24:53 | 0:24:56 | |
And the way they created the piece to go with it | 0:24:56 | 0:24:59 | |
built its own tension. | 0:24:59 | 0:25:00 | |
So this move in part of our story is the point where | 0:25:00 | 0:25:04 | |
I'm getting tired and Chris is going to carry me | 0:25:04 | 0:25:08 | |
and help me along. | 0:25:08 | 0:25:10 | |
So this was the inspiration behind this move. | 0:25:10 | 0:25:13 | |
As you can see, we've got a new prop today with us, | 0:25:13 | 0:25:15 | |
it's the chair, because when we're skating | 0:25:15 | 0:25:18 | |
it's like being on a bike, you actually have the motion | 0:25:18 | 0:25:21 | |
but to actually do it stationary, it's very difficult | 0:25:21 | 0:25:24 | |
so I need a little aid here. | 0:25:24 | 0:25:26 | |
So as we go into it we go forward... | 0:25:26 | 0:25:28 | |
Jayne has to go past me. | 0:25:28 | 0:25:30 | |
Find the weight, balance, release | 0:25:30 | 0:25:32 | |
and then it all becomes on one foot. | 0:25:32 | 0:25:35 | |
So we've just come out of the lay lift | 0:25:41 | 0:25:43 | |
and in our heads the next part is that... | 0:25:43 | 0:25:47 | |
there's this look and this kiss of reassurance | 0:25:47 | 0:25:50 | |
that we're both wanting and doing the same thing and this... | 0:25:50 | 0:25:54 | |
This picture was taken and shown a lot around the world | 0:25:54 | 0:25:56 | |
but it comes to this point here and it's almost like a kiss. | 0:25:56 | 0:26:00 | |
It was a new thing to do something so intimate | 0:26:06 | 0:26:11 | |
and not smiley and tricky. | 0:26:11 | 0:26:14 | |
We weren't really there to entertain the public | 0:26:14 | 0:26:17 | |
as much as we had in the past, | 0:26:17 | 0:26:18 | |
like with routines like Barnum and Mack And Mabel. | 0:26:18 | 0:26:20 | |
This was a complete departure. | 0:26:29 | 0:26:31 | |
This was something that we wanted people to be drawn into, | 0:26:31 | 0:26:35 | |
but for a different reason. | 0:26:35 | 0:26:36 | |
I think in the Bolero we both learned the importance | 0:26:39 | 0:26:43 | |
of eye contact and that intensity that you need | 0:26:43 | 0:26:46 | |
with a routine like that to make it believable. | 0:26:46 | 0:26:49 | |
The focus between the two of them as they danced it. | 0:26:50 | 0:26:54 | |
They're in this huge arena, | 0:26:54 | 0:26:56 | |
and yet they only had eyes for each other. | 0:26:56 | 0:26:59 | |
It was just the two of them, | 0:26:59 | 0:27:01 | |
as though they were in a quiet place just on their own | 0:27:01 | 0:27:05 | |
and just dancing. | 0:27:05 | 0:27:07 | |
Once you were committed to that, really there was nowhere to hide. | 0:27:07 | 0:27:11 | |
You had to keep that... keep that momentum going. | 0:27:11 | 0:27:15 | |
That focus of attention to what they were doing | 0:27:15 | 0:27:18 | |
was absolutely brilliant. | 0:27:18 | 0:27:20 | |
When you go to the competition, it's all down to you. | 0:27:25 | 0:27:27 | |
It's all your own equipment. | 0:27:27 | 0:27:29 | |
You're in charge of your own equipment. | 0:27:29 | 0:27:30 | |
Let me tell you, | 0:27:30 | 0:27:31 | |
you're not going to let anyone else touch your boots and blades. | 0:27:31 | 0:27:35 | |
They are your own. | 0:27:35 | 0:27:36 | |
Whether it's from folklore or actual reality, | 0:27:36 | 0:27:40 | |
but you don't want somebody messing with your blades. | 0:27:40 | 0:27:44 | |
Not that I knew of it happening, but you always heard stories - | 0:27:44 | 0:27:48 | |
don't leave your blades in the dressing room by themselves. | 0:27:48 | 0:27:52 | |
These are the actual skating boots that I wore in the Olympics. | 0:27:52 | 0:27:56 | |
I used to save all my old skating boots, I wouldn't throw them away. | 0:27:56 | 0:27:59 | |
Especially not these. | 0:27:59 | 0:28:00 | |
I put a little label underneath that says, "Olympics." | 0:28:00 | 0:28:04 | |
They look sort of quite clean and shiny, | 0:28:05 | 0:28:07 | |
but they are definitely well worn. | 0:28:07 | 0:28:10 | |
These are the famous skate guards | 0:28:13 | 0:28:16 | |
that Chris always has to put in a certain position | 0:28:16 | 0:28:20 | |
before we skate. | 0:28:20 | 0:28:22 | |
Side by side, then mine would be side by side. | 0:28:22 | 0:28:27 | |
They'd be facing out towards the ice, | 0:28:27 | 0:28:29 | |
then they couldn't be moved until we came off. | 0:28:29 | 0:28:32 | |
Who was on which side? | 0:28:32 | 0:28:34 | |
I was on the right side, you were on the left side. | 0:28:34 | 0:28:37 | |
That's kind of strange, because normally I'm on this side. | 0:28:37 | 0:28:40 | |
-Don't question it. -OK. | 0:28:40 | 0:28:41 | |
SHE LAUGHS | 0:28:41 | 0:28:43 | |
You know, when we got to the venue, | 0:28:43 | 0:28:45 | |
he would obviously have a look around and decide the best place | 0:28:45 | 0:28:49 | |
to put the guards when we went on the ice | 0:28:49 | 0:28:51 | |
that would not disturb anybody | 0:28:51 | 0:28:52 | |
and they wouldn't get trodden on or moved. | 0:28:52 | 0:28:55 | |
There's a lot going on in Chris's head. | 0:28:56 | 0:29:00 | |
There have been instances where the guards have been disturbed | 0:29:00 | 0:29:05 | |
and the performances haven't gone so well. | 0:29:05 | 0:29:08 | |
So... | 0:29:09 | 0:29:10 | |
..when something like that happens, even if it's once, | 0:29:11 | 0:29:14 | |
it's a superstition after that. | 0:29:14 | 0:29:16 | |
They've got to remain as they do. | 0:29:16 | 0:29:18 | |
He was deeply superstitious about the guards. | 0:29:18 | 0:29:21 | |
He still is, to this day. | 0:29:21 | 0:29:23 | |
In some kind of way, those guards represented Jayne and myself. | 0:29:23 | 0:29:27 | |
We didn't want them disturbed | 0:29:27 | 0:29:28 | |
in that they were uniformly put together and stood together. | 0:29:28 | 0:29:32 | |
We didn't want somebody crashing into them | 0:29:32 | 0:29:34 | |
and knocking them all over the place, | 0:29:34 | 0:29:37 | |
cos in some way that felt like a representation of us on the ice. | 0:29:37 | 0:29:41 | |
As I say the words, I want to take them back cos they sound so silly. | 0:29:42 | 0:29:47 | |
Courtney Jones was a judge and a former World Champion - | 0:29:58 | 0:30:01 | |
very respected within the skating community. | 0:30:01 | 0:30:04 | |
His partner was Bobby Thompson. | 0:30:04 | 0:30:06 | |
For most of our career, | 0:30:06 | 0:30:08 | |
Bobby and Courtney have been mentors for us, | 0:30:08 | 0:30:10 | |
or gurus and part of our inner circle | 0:30:10 | 0:30:13 | |
that we would always discuss everything with. | 0:30:13 | 0:30:16 | |
But, also, Courtney was a fashion designer. | 0:30:16 | 0:30:20 | |
So it made perfect sense that he was going to design the costumes. | 0:30:20 | 0:30:24 | |
Chris and Jayne had very definite ideas of what they like. | 0:30:24 | 0:30:26 | |
So it was sort of... | 0:30:26 | 0:30:28 | |
We just sat round the table and said, | 0:30:28 | 0:30:29 | |
"Well, what about this and what about that?" | 0:30:29 | 0:30:32 | |
The costume was very much a cottage industry kind of thing. | 0:30:35 | 0:30:39 | |
We bought the silk for my top. | 0:30:39 | 0:30:44 | |
We dyed it so that it was what we call ombre effect, | 0:30:44 | 0:30:48 | |
so it got deeper at the bottom as it matched his trousers. | 0:30:48 | 0:30:51 | |
What we did was we got the material | 0:30:52 | 0:30:54 | |
and hung it in a bucket with a dye in it. | 0:30:54 | 0:30:58 | |
Every time we passed, we dipped it a bit further into the dye every day. | 0:30:58 | 0:31:03 | |
As the days went on, it got darker. | 0:31:03 | 0:31:06 | |
This is the famous spoon, | 0:31:06 | 0:31:08 | |
which had previously been used to stir the casserole, | 0:31:08 | 0:31:12 | |
stirred the dye every two hours for the crepe de Chine, | 0:31:12 | 0:31:16 | |
which was layered. | 0:31:16 | 0:31:17 | |
We just did it slowly, slowly, slowly to get this shaded effect. | 0:31:17 | 0:31:22 | |
Then it went away to be pleated. | 0:31:22 | 0:31:24 | |
In the end, I used a paintbrush on it | 0:31:24 | 0:31:27 | |
to actually deepen it even more. | 0:31:27 | 0:31:30 | |
I liked the colour of an iris. | 0:31:30 | 0:31:33 | |
For me, it was that colouring from the purple that shaded, ombred, up. | 0:31:33 | 0:31:38 | |
It's got the yellow or golden part in the middle of it. | 0:31:38 | 0:31:42 | |
I think that's where the colour scheme came from. | 0:31:42 | 0:31:45 | |
Jayne's was made of pure silk chiffon, | 0:31:51 | 0:31:54 | |
which in those days was really the only thing | 0:31:54 | 0:31:56 | |
that actually was suitable, | 0:31:56 | 0:31:58 | |
because the polyester didn't move as well on the ice. | 0:31:58 | 0:32:02 | |
When we first had them made, we took them to Nottingham Ice rink, | 0:32:02 | 0:32:07 | |
middle of the night, | 0:32:07 | 0:32:09 | |
and they turned all the house lights on, | 0:32:09 | 0:32:11 | |
because when I fitted costumes, | 0:32:11 | 0:32:13 | |
I did it from the back of the seating, | 0:32:13 | 0:32:16 | |
because they're not seen close up. | 0:32:16 | 0:32:19 | |
The person sitting rows and rows back has to be able to see the detail. | 0:32:19 | 0:32:24 | |
And so they started off ankle-length, almost, the chiffon, | 0:32:24 | 0:32:29 | |
and what I did was I had a large pair of cutting shears | 0:32:29 | 0:32:33 | |
and as they went through the routine, | 0:32:33 | 0:32:35 | |
I cut off the skirt so it didn't touch the ice. | 0:32:35 | 0:32:39 | |
So they went through all the lifts and movements they did | 0:32:39 | 0:32:42 | |
and slowly, as the hours progressed, we got shorter and shorter. | 0:32:42 | 0:32:46 | |
That's why it has a ragged edging to it - it isn't an even hem. | 0:32:46 | 0:32:50 | |
When you think you've got something made up...quite nicely, | 0:32:50 | 0:32:53 | |
then somebody comes out with a pair of huge scissors | 0:32:53 | 0:32:56 | |
and starts cutting slices off it... | 0:32:56 | 0:32:58 | |
But, um...the end product was that it really worked well. | 0:32:58 | 0:33:02 | |
So now, Torvill and Dean face the supreme test - | 0:33:14 | 0:33:18 | |
champions of Europe, champions of the world, | 0:33:18 | 0:33:20 | |
but can they now become Olympic champions? | 0:33:20 | 0:33:23 | |
The whole thing had been set up for this one number, you know. | 0:33:23 | 0:33:29 | |
Because we all got into the fact... | 0:33:29 | 0:33:31 | |
"There they are, British couple - got a smell of winning a gold medal." | 0:33:31 | 0:33:35 | |
We'd watch them dance their paso doble, | 0:33:35 | 0:33:38 | |
we'd watched them with their technical stuff, | 0:33:38 | 0:33:40 | |
and here it is - the final. | 0:33:40 | 0:33:43 | |
24 million - that's half of the whole population of Britain at the time - | 0:33:43 | 0:33:48 | |
is tuned in to watch this. | 0:33:48 | 0:33:51 | |
I was passing through this village | 0:33:52 | 0:33:54 | |
on the way to Cambridge | 0:33:54 | 0:33:56 | |
and I could see through a window the television was on | 0:33:56 | 0:33:59 | |
and I could see a family preparing. | 0:33:59 | 0:34:02 | |
And I thought, "I can't spend the rest of my life saying, | 0:34:02 | 0:34:05 | |
"I was in a car, listening to it on the radio." | 0:34:05 | 0:34:09 | |
I mean, how can you listen to ice skating on the radio?! | 0:34:09 | 0:34:12 | |
So I parked the car, knocked on the door | 0:34:12 | 0:34:14 | |
and said, "I'm sorry to be a complete nuisance, | 0:34:14 | 0:34:17 | |
"But I was hoping..." | 0:34:17 | 0:34:18 | |
"Come in!" They said, "come in!" | 0:34:18 | 0:34:20 | |
And that was the attitude - | 0:34:20 | 0:34:21 | |
everyone was waiting to see this great moment, | 0:34:21 | 0:34:23 | |
so the attitude was there, people were warm about it. | 0:34:23 | 0:34:27 | |
So I sat and watched the whole thing | 0:34:27 | 0:34:29 | |
with a family in a little village on the way to Cambridge. | 0:34:29 | 0:34:33 | |
The competitors that were in the top group | 0:34:33 | 0:34:36 | |
and Chris and I, Karen and Nicky, got on the same bus. | 0:34:36 | 0:34:40 | |
I remember it so clearly - it was raining | 0:34:40 | 0:34:42 | |
and I could see Jayne's reflection in the window, just in front of me, | 0:34:42 | 0:34:46 | |
she was sat in front of me, as we always did, | 0:34:46 | 0:34:47 | |
we sat near other or with each other. | 0:34:47 | 0:34:50 | |
But as I gazed at her reflection, | 0:34:50 | 0:34:52 | |
I thought, "I think I've got a tough day, but this... | 0:34:52 | 0:34:55 | |
"This is going to be life-changing." | 0:34:56 | 0:34:59 | |
There you are, travelling on the bus with your nearest rivals | 0:34:59 | 0:35:03 | |
sitting a couple of rows behind you. | 0:35:03 | 0:35:06 | |
And you always hello to them, | 0:35:06 | 0:35:07 | |
and...you know, there's not much conversation, | 0:35:07 | 0:35:10 | |
because...er, the Russians didn't speak much English and vice versa, | 0:35:10 | 0:35:14 | |
so, um... | 0:35:14 | 0:35:16 | |
But, yeah, again, a quiet bus with...a bit of tension in the air. | 0:35:16 | 0:35:21 | |
The routine was that we arrived at the arena. | 0:35:27 | 0:35:31 | |
We both walked in together, went to the separate changing rooms. | 0:35:31 | 0:35:35 | |
When I arrived there in the evening, I just wanted to make sure | 0:35:35 | 0:35:38 | |
when I was in the communal changing room, like a hockey room, | 0:35:38 | 0:35:43 | |
that I sat in the same spot that I'd sat every day the past ten days, | 0:35:43 | 0:35:48 | |
and so it was important to me to be in that same spot. | 0:35:48 | 0:35:51 | |
So I wanted to get there early enough | 0:35:51 | 0:35:53 | |
that somebody else hadn't taken it, because they could well have done, | 0:35:53 | 0:35:57 | |
and if they had, I would have, in some polite way, | 0:35:57 | 0:36:01 | |
moved them out and taken my spot again, | 0:36:01 | 0:36:04 | |
because it was important, it was what I'd done every day | 0:36:04 | 0:36:07 | |
and you wanted to replicate that. | 0:36:07 | 0:36:09 | |
You didn't want change. | 0:36:09 | 0:36:11 | |
The leading five pairs in the competition | 0:36:16 | 0:36:18 | |
skate in the final pool | 0:36:18 | 0:36:19 | |
to decide the gold, the silver and the bronze medals. | 0:36:19 | 0:36:23 | |
They're about to warm up | 0:36:23 | 0:36:24 | |
as we go now to the Olympic Stadium and Alan Weeks. | 0:36:24 | 0:36:27 | |
ALAN WEEKS: Well, I'm sitting here, along with 8,500 other people, | 0:36:28 | 0:36:33 | |
not only in the seats, but I must say, | 0:36:33 | 0:36:35 | |
they're sitting in the aisles, the gangways, | 0:36:35 | 0:36:37 | |
they're standing around the back. | 0:36:37 | 0:36:39 | |
This building has not yet been as full as it is tonight. | 0:36:39 | 0:36:42 | |
In the warm-up, I went out and scuffed the ice up a little bit, | 0:36:42 | 0:36:46 | |
because fresh, clean ice is slippy | 0:36:46 | 0:36:50 | |
and when you're kneeling, I didn't want to slide around. | 0:36:50 | 0:36:54 | |
So if the ice is scuffed up a little bit, | 0:36:54 | 0:36:56 | |
it gives you a little bit more traction. | 0:36:56 | 0:36:58 | |
So, knowing the spot, I went in and skidded over it. | 0:36:58 | 0:37:01 | |
I saw Chris scuffing up the ice in the middle, | 0:37:01 | 0:37:05 | |
because he knew that's where we were starting | 0:37:05 | 0:37:08 | |
and he didn't want it to be too slippy. | 0:37:08 | 0:37:10 | |
So it was just a little...little ploy. | 0:37:10 | 0:37:13 | |
It was quite clever, I thought. | 0:37:13 | 0:37:14 | |
And a lot of competitors go out | 0:37:14 | 0:37:16 | |
and they practise moves from their routine. | 0:37:16 | 0:37:19 | |
At this point, I was trying to get every lift in | 0:37:19 | 0:37:21 | |
that was within my four-minute routine, | 0:37:21 | 0:37:23 | |
trying to do all the bits that worried me. | 0:37:23 | 0:37:24 | |
I glance over to Chris and Jayne - they were just...literally, | 0:37:24 | 0:37:28 | |
forward pushes, stroking round the ice | 0:37:28 | 0:37:30 | |
and they never touched. | 0:37:30 | 0:37:31 | |
So it already gave me that feeling of... | 0:37:31 | 0:37:33 | |
SHE GASPS | 0:37:33 | 0:37:34 | |
.."I'm panicking, but they're...they're so prepared, | 0:37:34 | 0:37:37 | |
"they don't need to use that warm-up as the rest of us did." | 0:37:37 | 0:37:40 | |
It was that last chance. | 0:37:40 | 0:37:41 | |
I think sometimes the other competitors | 0:37:41 | 0:37:43 | |
thought that it was a bit strange. | 0:37:43 | 0:37:46 | |
They thought we were maybe doing it to try and psych them out. | 0:37:46 | 0:37:49 | |
But it was actually more of a practical reason, | 0:37:49 | 0:37:51 | |
that we didn't want to get injured. | 0:37:51 | 0:37:53 | |
You never give way in the warm-up. | 0:37:55 | 0:37:57 | |
And I'm not the biggest guy, but I never give way. | 0:37:57 | 0:37:59 | |
You just learn to be strong and it's a battle | 0:37:59 | 0:38:03 | |
and you take your position on the ice and...you're in that. | 0:38:03 | 0:38:06 | |
You're in the top of the world, this is how you do it. | 0:38:06 | 0:38:08 | |
The Russians have a bit of a reputation - | 0:38:08 | 0:38:11 | |
they're going to do whatever they're going to do, | 0:38:11 | 0:38:13 | |
regardless of whom might be in the way | 0:38:13 | 0:38:16 | |
and sometimes even get hurt in a warm up, | 0:38:16 | 0:38:18 | |
which sounds silly, but everybody's doing their business - | 0:38:18 | 0:38:20 | |
going backwards, flying around - and BOOM! | 0:38:20 | 0:38:22 | |
That can happen. | 0:38:22 | 0:38:23 | |
And in our heads, we're so confident in what we're doing | 0:38:23 | 0:38:27 | |
that we don't need to do those practices. | 0:38:27 | 0:38:29 | |
We know what we're there to do. | 0:38:29 | 0:38:31 | |
And so, psychologically, I think, to everybody that was there, | 0:38:31 | 0:38:35 | |
that was watching, competitors, judges, even ourselves, | 0:38:35 | 0:38:38 | |
there was a certain confidence | 0:38:38 | 0:38:41 | |
in the way that we approached the whole aspect. | 0:38:41 | 0:38:43 | |
It's like, "We're not giving anything away until we perform it, | 0:38:43 | 0:38:47 | |
"until that music starts, that's when the performance starts." | 0:38:47 | 0:38:50 | |
-ANNOUNCER: -Julie Blumberg and Michael Seibert... | 0:38:58 | 0:39:01 | |
HE SPEAKS IN OWN LANGUAGE | 0:39:01 | 0:39:02 | |
..United States of America. | 0:39:02 | 0:39:04 | |
ALAN WEEKS: And it's Michael and Julie, from the United States, | 0:39:04 | 0:39:08 | |
who start this last session. | 0:39:08 | 0:39:10 | |
After we finished warming up, we were fifth to skate, | 0:39:10 | 0:39:15 | |
so that's going to be, like, 20 minutes later. | 0:39:15 | 0:39:19 | |
And that 20 minutes is a long 20 minutes when it's 20 minutes... | 0:39:19 | 0:39:22 | |
We stepped off the ice, put the guards back on, | 0:39:22 | 0:39:25 | |
went behind the stands, | 0:39:25 | 0:39:26 | |
didn't listen to anybody else's scores or watched their routines. | 0:39:26 | 0:39:32 | |
In our minds, it was about what we had to do | 0:39:32 | 0:39:35 | |
and not about watching others | 0:39:35 | 0:39:38 | |
and even to the point that if we were in a corridor | 0:39:38 | 0:39:41 | |
that was near enough you could hear the marks, | 0:39:41 | 0:39:43 | |
when the marks came up for the other competitors, | 0:39:43 | 0:39:46 | |
we used to cover our ears. | 0:39:46 | 0:39:47 | |
I didn't want to hear | 0:39:50 | 0:39:51 | |
that somebody had skated really well just before we were going out. | 0:39:51 | 0:39:55 | |
Um...and so, it was like, really, the caged lion moment, | 0:39:56 | 0:39:59 | |
of pacing up and down, | 0:39:59 | 0:40:01 | |
just...just wanting to be out there. | 0:40:01 | 0:40:04 | |
The main challengers to Jayne Torvill and Christopher Dean. | 0:40:06 | 0:40:10 | |
Remember, this isn't a cut-and-dried situation. | 0:40:10 | 0:40:13 | |
Jayne and Chris have got to beat this couple in this free dance. | 0:40:13 | 0:40:16 | |
MUSIC PLAYS | 0:40:16 | 0:40:18 | |
It's almost gladiatorial, you know - you can hear the stadium, | 0:40:18 | 0:40:23 | |
you can hear the anticipation, and you're in the background, | 0:40:23 | 0:40:27 | |
warming up and getting ready. | 0:40:27 | 0:40:29 | |
MUSIC PLAYS | 0:40:29 | 0:40:31 | |
When I left the dressing room, I put on a tracksuit top...team top. | 0:40:37 | 0:40:43 | |
And it's not until you take that off and step onto the ice | 0:40:45 | 0:40:48 | |
that you take on the persona that your performance is all about. | 0:40:48 | 0:40:53 | |
That's when you feel that you're really...in the zone, as it were. | 0:40:53 | 0:40:58 | |
You've got the costume, you've got the skates on | 0:40:58 | 0:41:01 | |
and that's all you've got to think about and focus on. | 0:41:01 | 0:41:04 | |
When I'm putting on my skates - | 0:41:04 | 0:41:06 | |
and it happens every time, but certainly at the Olympics - | 0:41:06 | 0:41:09 | |
just at that point when you're tightening up before you go out, | 0:41:09 | 0:41:13 | |
you get this really tired feeling. | 0:41:13 | 0:41:16 | |
It's almost...you're plateauing, that you've all this anticipation, | 0:41:16 | 0:41:21 | |
and that last little bit before you go out and skate | 0:41:21 | 0:41:24 | |
or go out and warm up, there's a sense of... | 0:41:24 | 0:41:27 | |
HE SIGHS | 0:41:27 | 0:41:29 | |
..and really, your body feels heavy, you feel a bit sluggish, but... | 0:41:29 | 0:41:34 | |
I've come to realise it's part of the process, | 0:41:34 | 0:41:37 | |
you seem to get this level of adrenaline | 0:41:37 | 0:41:39 | |
that's been at a certain level and it plateaus, | 0:41:39 | 0:41:43 | |
but then it spikes again when you go out. | 0:41:43 | 0:41:46 | |
So I anticipate that feeling, knowing that when I go out there, | 0:41:46 | 0:41:51 | |
there's going to be a...a new breath of life there when you go out. | 0:41:51 | 0:41:55 | |
Betty, as we stood on the ice, ready to be announced, | 0:41:55 | 0:41:58 | |
would always tap us on the shoulder and say, "Skate well." | 0:41:58 | 0:42:01 | |
And that was her "good luck" to us, really. | 0:42:02 | 0:42:05 | |
We always felt good that she'd done that. | 0:42:05 | 0:42:07 | |
If, for any reason, she wouldn't have been there, | 0:42:07 | 0:42:09 | |
I think we would have felt strange. | 0:42:09 | 0:42:11 | |
She made a point of not saying "good luck" but "skate well", | 0:42:13 | 0:42:15 | |
because it's not about luck - it's about skating well. | 0:42:15 | 0:42:19 | |
ALAN WEEKS: They are four minutes away from Olympic gold | 0:42:21 | 0:42:26 | |
and the reason they're waiting is that, at the other end of the rink, | 0:42:26 | 0:42:30 | |
that little girl has picked up a bouquet | 0:42:30 | 0:42:32 | |
and is trying very hard to pick up something that was stuck to the ice. | 0:42:32 | 0:42:36 | |
She's a tiny little girl, | 0:42:36 | 0:42:38 | |
you can see how small she is alongside the barrier | 0:42:38 | 0:42:40 | |
and...my goodness, what a moment to come on the ice. | 0:42:40 | 0:42:43 | |
They usually have youngsters, | 0:42:43 | 0:42:45 | |
going around the ice, picking up flowers and this sort of thing. | 0:42:45 | 0:42:48 | |
I remember there was one little girl - | 0:42:48 | 0:42:50 | |
if my memory serves me right, they sort of looked towards her, | 0:42:50 | 0:42:54 | |
maybe...that cut a little bit of the tension, | 0:42:54 | 0:42:58 | |
which they must have been feeling. | 0:42:58 | 0:43:00 | |
Jayne, smiling at the little girl, | 0:43:00 | 0:43:02 | |
as she goes off and they await the announcement | 0:43:02 | 0:43:06 | |
to start their free dance. | 0:43:06 | 0:43:08 | |
I remember, stood there, that's that moment - | 0:43:08 | 0:43:11 | |
you go hand in hand, and it's all connected, you know? | 0:43:11 | 0:43:15 | |
It's all connected, it's all...alive. And, um... | 0:43:15 | 0:43:19 | |
..we just do a final glance and a squeeze of the hand. | 0:43:22 | 0:43:26 | |
We'd been waiting for that moment that was going to count - | 0:43:26 | 0:43:30 | |
that we were going to perform it and it was going to count. | 0:43:30 | 0:43:33 | |
-ANNOUNCER: -Jayne Torvill and Christopher Dean, Great Britain. | 0:43:33 | 0:43:38 | |
There's no turning back. | 0:43:38 | 0:43:40 | |
This...this is the time. | 0:43:40 | 0:43:43 | |
This is the moment. | 0:43:43 | 0:43:44 | |
We knew what we had to do. We just skated out to position. | 0:43:44 | 0:43:48 | |
We were very centred and calm, but when I think about it now, | 0:43:48 | 0:43:50 | |
the anticipation of all of that... | 0:43:50 | 0:43:52 | |
It almost takes your breath away. | 0:43:53 | 0:43:55 | |
CHEERING AND APPLAUSE | 0:43:55 | 0:43:57 | |
It felt like I was looking down, watching myself. | 0:44:06 | 0:44:09 | |
Like we were in an altered state of consciousness as we were doing it. | 0:44:10 | 0:44:14 | |
MUSIC: "Bolero" by Maurice Ravel. | 0:44:19 | 0:44:22 | |
APPLAUSE | 0:44:53 | 0:44:56 | |
RAPTUROUS APPLAUSE | 0:48:48 | 0:48:49 | |
Once again, a roar of applause | 0:48:52 | 0:48:54 | |
and on the far side of the rink, | 0:48:54 | 0:48:57 | |
the people are standing and applauding. | 0:48:57 | 0:49:00 | |
The Union Jacks are flying around the ring but not only... | 0:49:01 | 0:49:06 | |
The very end was... There was that feeling of | 0:49:06 | 0:49:09 | |
so much excitement but at the same time, this huge sense of relief. | 0:49:09 | 0:49:16 | |
That really dramatic performance by Jayne Torvill and Christopher Dean. | 0:49:16 | 0:49:20 | |
Ravel's Bolero... | 0:49:21 | 0:49:23 | |
In some ways, you kind of... there's a slight sadness | 0:49:23 | 0:49:26 | |
because you won't be doing that ever again and you know | 0:49:26 | 0:49:29 | |
when you've enjoyed something, you think, | 0:49:29 | 0:49:31 | |
"Oh, I want to do that again," and it was that kind of a feeling. | 0:49:31 | 0:49:33 | |
APPLAUSE | 0:49:33 | 0:49:35 | |
Still...they applaud. | 0:49:36 | 0:49:38 | |
I just remember going to take a bow | 0:49:40 | 0:49:43 | |
and then just a sea of flowers coming at me from everywhere. | 0:49:43 | 0:49:47 | |
I just heard this massive roar. | 0:49:51 | 0:49:54 | |
CHEERING | 0:49:54 | 0:49:55 | |
And I looked up and saw all the sixes. | 0:49:56 | 0:49:59 | |
It's right across the board. | 0:49:59 | 0:50:01 | |
That's it. What a marvellous, marvellous set of marks. | 0:50:01 | 0:50:07 | |
It was a full row of sixes and it was like...("Wow!") | 0:50:07 | 0:50:12 | |
This was just a phenomenal moment. I mean it had never, never happened. | 0:50:12 | 0:50:17 | |
People like that who do things really well | 0:50:17 | 0:50:19 | |
and appear to do it terribly easily are good to watch. | 0:50:19 | 0:50:23 | |
Do you know? I watched it | 0:50:27 | 0:50:29 | |
and I got so excited that when | 0:50:29 | 0:50:31 | |
those sixes started flying out, I jumped up and went...like that, | 0:50:31 | 0:50:38 | |
in euphoria, fractured my thumb on the wall. | 0:50:38 | 0:50:43 | |
When they just got clean sixes, | 0:50:43 | 0:50:45 | |
I mean, the whole family and I just | 0:50:45 | 0:50:47 | |
leapt into the air and I think I thought, | 0:50:47 | 0:50:50 | |
"That's fair, "That's right, they are the best. | 0:50:50 | 0:50:53 | |
"I have witnessed something that I may never witness | 0:50:53 | 0:50:56 | |
"again in my life." | 0:50:56 | 0:50:57 | |
Well, it's just once in a lifetime. | 0:50:57 | 0:51:00 | |
Very special. | 0:51:04 | 0:51:05 | |
That's it. | 0:51:11 | 0:51:12 | |
And now we can go straight back to the Olympic arena where | 0:51:17 | 0:51:20 | |
tonight, as you will well know, Torvill and Dean from Great Britain | 0:51:20 | 0:51:23 | |
have won the Olympic championship. | 0:51:23 | 0:51:25 | |
OLYMPIC ANNOUNCER: Gold medal Olympic champions | 0:51:25 | 0:51:27 | |
Jayne Torvill, Christopher Dean... | 0:51:27 | 0:51:29 | |
APPLAUSE | 0:51:29 | 0:51:30 | |
Once again, Jayne and Chris receive the plaudits of the crowd. | 0:51:36 | 0:51:43 | |
Cheers, roars, from this very mixed audience of all nationalities | 0:51:50 | 0:51:56 | |
around the world - everyone appreciating their skill, their art. | 0:51:56 | 0:52:01 | |
When we stepped on to the podium, | 0:52:01 | 0:52:04 | |
and the medal was placed round our neck... | 0:52:04 | 0:52:08 | |
Three times in European Championships, | 0:52:08 | 0:52:10 | |
three times in World Championships, | 0:52:10 | 0:52:12 | |
and along the way accumulated more maximum marks | 0:52:12 | 0:52:15 | |
than any other skaters. | 0:52:15 | 0:52:16 | |
Now, it's the most cherished prize in sport - | 0:52:16 | 0:52:19 | |
Olympic gold medals for the greatest ice dancers of all time. | 0:52:19 | 0:52:24 | |
NATIONAL ANTHEM PLAYS | 0:52:24 | 0:52:27 | |
..and the flags going up, | 0:52:29 | 0:52:32 | |
and the National Anthem playing... | 0:52:32 | 0:52:35 | |
That is one of your proudest moments ever. | 0:52:37 | 0:52:41 | |
They were playing the National Anthem, | 0:52:46 | 0:52:48 | |
you've got massive gold medal around your neck | 0:52:48 | 0:52:51 | |
which is... You know, it's the best thing ever. | 0:52:51 | 0:52:55 | |
APPLAUSE AND CHEERING | 0:52:55 | 0:52:57 | |
When it's round your neck, | 0:53:00 | 0:53:02 | |
that's when it's like, "Yes, we really, really, really DID win | 0:53:02 | 0:53:05 | |
"the gold medal, because I'm wearing it right now." | 0:53:05 | 0:53:08 | |
The charisma that they had on the ice | 0:53:13 | 0:53:16 | |
drew the whole country. | 0:53:16 | 0:53:18 | |
And drew anybody from other nations who was lucky enough to watch them. | 0:53:18 | 0:53:22 | |
ANNOUNCEMENT IN FRENCH | 0:53:22 | 0:53:24 | |
-ANNOUNCEMENT: -Dear visitors, that will be all | 0:53:24 | 0:53:27 | |
for this evening's figure-skating competition. | 0:53:27 | 0:53:30 | |
I'm not sure what there WAS to ask them. | 0:53:30 | 0:53:32 | |
I mean, no interviewer wants to say, "How do you feel?" | 0:53:32 | 0:53:36 | |
but that's actually what the public... | 0:53:36 | 0:53:38 | |
They wanted to hear from them. | 0:53:38 | 0:53:40 | |
All I had to do was just stick a microphone in front of them. | 0:53:40 | 0:53:44 | |
But...they were still very shy, | 0:53:44 | 0:53:48 | |
and so I had to push it a little bit. | 0:53:48 | 0:53:51 | |
Can you look at me, you two, please? | 0:53:51 | 0:53:53 | |
Jayne and Chris, I think you must know that the reaction in the rink | 0:53:54 | 0:53:57 | |
has just been mirrored millions of times around Great Britain. | 0:53:57 | 0:54:01 | |
-On behalf of the people watching, many congratulations. -Thank you. | 0:54:01 | 0:54:04 | |
Tell me, if it's possible, which emotion is uppermost in your minds? | 0:54:04 | 0:54:09 | |
I can't believe it. | 0:54:09 | 0:54:11 | |
I can't... | 0:54:11 | 0:54:14 | |
We'd... | 0:54:14 | 0:54:15 | |
We can't remember the skate. | 0:54:15 | 0:54:18 | |
-I just happened, it came and it went. -So quickly. | 0:54:18 | 0:54:20 | |
There was none of this, none of the roaring away | 0:54:20 | 0:54:23 | |
at having been successful. | 0:54:23 | 0:54:25 | |
They had done what they'd set out to do, | 0:54:25 | 0:54:28 | |
so there was a quiet reaction. | 0:54:28 | 0:54:30 | |
You seemed so relaxed before you went on the ice. | 0:54:30 | 0:54:33 | |
I mean, you even smiled, didn't you, at the little girl? | 0:54:33 | 0:54:36 | |
Yes. I felt that I wanted to go out there and perform, | 0:54:36 | 0:54:40 | |
and I was happy there were so many people here from England | 0:54:40 | 0:54:43 | |
and from Nottingham especially. | 0:54:43 | 0:54:45 | |
-One or two from where you used to work. -That's right, yes. | 0:54:45 | 0:54:48 | |
So many people from England and from everywhere tonight, | 0:54:48 | 0:54:52 | |
it was a great support. We really felt it. | 0:54:52 | 0:54:54 | |
What do you do now, in terms of a celebration? | 0:54:54 | 0:54:57 | |
Don't know. | 0:54:57 | 0:54:59 | |
-Go and find a quiet corner. -I'm told there's a party at the Village? | 0:54:59 | 0:55:02 | |
-No idea. -I didn't know that, no. | 0:55:02 | 0:55:04 | |
Most probably we'll just find a bed tonight. | 0:55:04 | 0:55:07 | |
'You really don't feel like doing it, | 0:55:09 | 0:55:10 | |
'but you have to do a press conference. | 0:55:10 | 0:55:12 | |
'You just want to go back and sort of share it with your team members.' | 0:55:12 | 0:55:17 | |
'After all that excitement, you've got to go to doping control.' | 0:55:19 | 0:55:24 | |
You've got this undignified moment of having to produce a sample, | 0:55:24 | 0:55:28 | |
so that kind of brings you back down to earth pretty rapidly. | 0:55:28 | 0:55:31 | |
I was quite dehydrated by that point, so it took a while | 0:55:31 | 0:55:35 | |
to produce the sample. Er... | 0:55:35 | 0:55:37 | |
And so there was lots of waiting around, drinking a beer or two. | 0:55:37 | 0:55:40 | |
I remember that at the end of the day, very long day, | 0:55:40 | 0:55:43 | |
it was probably about midnight, | 0:55:43 | 0:55:45 | |
we were the last people in the building. | 0:55:45 | 0:55:48 | |
We'd been the first and we were the last. | 0:55:48 | 0:55:51 | |
A very long day. | 0:55:51 | 0:55:52 | |
It's almost like you lived a life through that day. | 0:55:52 | 0:55:56 | |
And then it was the end of the day | 0:55:56 | 0:55:58 | |
and it felt like we were closing the door on it. | 0:55:58 | 0:56:00 | |
We're still on a high, and heading back to the Village | 0:56:05 | 0:56:09 | |
expecting just to go to bed, | 0:56:09 | 0:56:12 | |
and, um...we were told that Princess Anne was waiting | 0:56:12 | 0:56:17 | |
-to congratulate us. -We thought that she would have gone by that time. | 0:56:17 | 0:56:22 | |
But in actual fact, she hadn't. She'd stayed and waited, | 0:56:22 | 0:56:24 | |
and so we... We got to meet her, | 0:56:24 | 0:56:27 | |
and she toasted us and congratulated us. | 0:56:27 | 0:56:29 | |
You never quite knew when people were going to turn up, | 0:56:29 | 0:56:32 | |
after successes like that. | 0:56:32 | 0:56:34 | |
Because, you know, everybody wants to celebrate. | 0:56:34 | 0:56:38 | |
It was... It wasn't too late so you could actually afford to | 0:56:38 | 0:56:42 | |
be able to do it afterwards, when they got back. | 0:56:42 | 0:56:45 | |
And they couldn't get hold of glasses so they had paper cups, | 0:56:45 | 0:56:49 | |
or plastic cups, and it just seemed... It was kind of... | 0:56:49 | 0:56:52 | |
I don't know, it was kind of special to do it like that, | 0:56:52 | 0:56:55 | |
because we didn't expect anything, really. | 0:56:55 | 0:56:57 | |
I was probably expecting to make a cup of tea and go to bed. | 0:56:57 | 0:57:01 | |
Like you do. | 0:57:01 | 0:57:03 | |
I don't think there was anything very much there. Um... | 0:57:03 | 0:57:06 | |
We're slightly better organised now, | 0:57:06 | 0:57:08 | |
but in those days, it was... SHE LAUGHS | 0:57:08 | 0:57:11 | |
I think going overboard for glasses and that kind of thing | 0:57:11 | 0:57:15 | |
would probably not have been part of the catering at that stage. | 0:57:15 | 0:57:19 | |
And anyway, parties usually happen better | 0:57:19 | 0:57:22 | |
if they're done on the spur of the moment. | 0:57:22 | 0:57:25 | |
And there was the champagne and everyone cheering, | 0:57:25 | 0:57:27 | |
and it was...the perfect end to the perfect day. | 0:57:27 | 0:57:30 | |
There aren't many moments like that in life. | 0:57:36 | 0:57:38 | |
I remember when Everest was conquered. | 0:57:38 | 0:57:40 | |
I remember when we won the World Cup. | 0:57:40 | 0:57:42 | |
There are just... There are a few moments like that, | 0:57:42 | 0:57:45 | |
and frankly, Torvill and Dean was one of those moments. | 0:57:45 | 0:57:49 | |
It's one of the most iconic moments in, not just Winter Olympics, | 0:57:49 | 0:57:54 | |
any Olympics. | 0:57:54 | 0:57:56 | |
It was a brilliant idea, and it was just brilliantly executed. | 0:57:56 | 0:58:01 | |
It's why they won a gold medal. | 0:58:01 | 0:58:03 | |
Here we are, 30 years on. | 0:58:10 | 0:58:13 | |
Which I find so difficult to believe. | 0:58:13 | 0:58:15 | |
Er...and people are still enraptured by them. | 0:58:15 | 0:58:19 | |
If that's not a definition of style, I don't know what is. | 0:58:19 | 0:58:23 | |
It's the final bow. | 0:58:25 | 0:58:26 | |
Quick, get the flowers! Come on! | 0:58:31 | 0:58:33 |