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-Someone wants your book? -They want me to go down to Sydney | 0:00:03 | 0:00:06 | |
to meet with them. | 0:00:06 | 0:00:07 | |
Give me a kiss. | 0:00:07 | 0:00:08 | |
-I said no! -No-one says no to me. | 0:00:08 | 0:00:11 | |
SHE SOBS | 0:00:11 | 0:00:13 | |
He won't get away with this. | 0:00:14 | 0:00:16 | |
They'll call you a tramp and ruin your brother's career. | 0:00:16 | 0:00:20 | |
Is Georgie mine? | 0:00:20 | 0:00:22 | |
Of course Georgie is yours. He's our little boy! | 0:00:22 | 0:00:25 | |
Our baby didn't live. | 0:00:25 | 0:00:28 | |
I couldn't tell him. | 0:00:28 | 0:00:30 | |
Livvy, wait. Wait, let me explain. | 0:00:33 | 0:00:36 | |
Explain what? | 0:00:36 | 0:00:38 | |
-What is this? -I got a little carried away. | 0:00:38 | 0:00:41 | |
We're going on an adventure, aren't we? | 0:00:45 | 0:00:48 | |
Where's my son? | 0:00:48 | 0:00:50 | |
-ELIZABETH: -A marriage of convenience is easy to say - | 0:00:50 | 0:00:53 | |
it's not always easy to live. | 0:00:53 | 0:00:55 | |
I hope you're very certain that she doesn't expect you to love her. | 0:00:55 | 0:00:58 | |
Oh, Rene. Mon amour, je suis la. | 0:00:58 | 0:01:02 | |
-Why are you here? -To pay my respects. | 0:01:03 | 0:01:06 | |
Liar! | 0:01:06 | 0:01:07 | |
The fact is, to have a successful political career, | 0:01:07 | 0:01:10 | |
I need someone by my side. | 0:01:10 | 0:01:12 | |
Whatever was between us, George, you're a married man... | 0:01:12 | 0:01:15 | |
-Nothing else matters. -..and I'm equally unavailable. | 0:01:15 | 0:01:17 | |
We will be together soon, I promise you. | 0:01:17 | 0:01:20 | |
Oh! | 0:01:20 | 0:01:21 | |
Oh! | 0:01:22 | 0:01:23 | |
-GEORGE: -'To Sarah Nordmann, | 0:01:25 | 0:01:28 | |
'I give devise and bequeath finances held in trust | 0:01:28 | 0:01:31 | |
'on behalf of our unborn child.' | 0:01:31 | 0:01:33 | |
Don't go blaming yourself. | 0:02:48 | 0:02:50 | |
It was my tonic she used, Doctor. | 0:02:50 | 0:02:52 | |
But you weren't to know. | 0:02:52 | 0:02:55 | |
Mixing it with... | 0:02:55 | 0:02:56 | |
A prayer for her immortal soul. | 0:02:58 | 0:03:00 | |
HE BLOWS WHISTLE | 0:03:13 | 0:03:15 | |
TRAIN WHISTLE BLOWS | 0:03:15 | 0:03:18 | |
Rest in peace, lass. | 0:03:25 | 0:03:28 | |
Amen. | 0:03:28 | 0:03:29 | |
Amen. | 0:03:30 | 0:03:33 | |
Oh, Mrs Nordmann, a terrible tragedy! | 0:03:33 | 0:03:36 | |
Poor kiddies, losing their beloved teacher like that. | 0:03:44 | 0:03:49 | |
And her family waiting for the coffin! | 0:03:49 | 0:03:53 | |
For one so young to take a life and then to use... | 0:03:53 | 0:03:56 | |
If it hadn't been your mixture, she would've used something else. | 0:03:56 | 0:03:59 | |
Some of my customers have cancelled their deliveries. | 0:03:59 | 0:04:03 | |
There is nothing dodgy about your stuff. | 0:04:03 | 0:04:05 | |
-It's all been given the all-clear, all right? -Mm. | 0:04:05 | 0:04:08 | |
Are you sure you'll cope without me? | 0:04:39 | 0:04:42 | |
It's just till Monday. | 0:04:42 | 0:04:44 | |
Good luck. | 0:04:44 | 0:04:46 | |
Bloody awful way to go. | 0:04:58 | 0:05:00 | |
Hard to get out of your mind. | 0:05:01 | 0:05:03 | |
She's in here! Quickly! | 0:05:08 | 0:05:10 | |
SHE RINGS BELL | 0:05:42 | 0:05:44 | |
Anna! | 0:05:50 | 0:05:51 | |
-Still working on your little book. What fun. -How can we help you? | 0:05:56 | 0:06:02 | |
There are things that need saying best said in your father's absence. | 0:06:02 | 0:06:06 | |
-Shall we say cocktail hour? -Oh, Regina, we'd really... | 0:06:06 | 0:06:09 | |
No, I insist. | 0:06:09 | 0:06:11 | |
No need to dress. | 0:06:11 | 0:06:14 | |
-Did I hear a "yes"? -Well, she obviously did. | 0:06:17 | 0:06:21 | |
You know, she's right. | 0:06:22 | 0:06:24 | |
There are things that need to be said. | 0:06:24 | 0:06:27 | |
I'll pick you up round three, I suppose? | 0:06:41 | 0:06:44 | |
I'll walk home. Thanks, Roy. | 0:06:44 | 0:06:46 | |
-Milly got away? -Yes. -You're a Godsend. | 0:06:53 | 0:06:58 | |
Looking after the lot of them is a chore. | 0:06:58 | 0:07:00 | |
-How are you holding up? -I'm managing not to cry, just. | 0:07:00 | 0:07:04 | |
If only I'd done more to help her. | 0:07:06 | 0:07:08 | |
And the children? | 0:07:09 | 0:07:11 | |
-Um, they do say kids are resilient. -Yes. | 0:07:11 | 0:07:15 | |
There's only one I'm worried about, Emma Carvolth. | 0:07:15 | 0:07:19 | |
She's normally a bright little thing. | 0:07:19 | 0:07:22 | |
Perhaps a nurse... | 0:07:22 | 0:07:24 | |
I'll see what I can do. | 0:07:24 | 0:07:26 | |
And if you need any help? | 0:07:26 | 0:07:28 | |
I knew Milly was miserable. | 0:07:28 | 0:07:31 | |
She and Gordon, her fiance, had some sort of... | 0:07:31 | 0:07:35 | |
But... | 0:07:35 | 0:07:37 | |
I should've seen. | 0:07:37 | 0:07:39 | |
-It's class time. -Yes. Into the fray. | 0:07:42 | 0:07:45 | |
Don't let them get under your skin. | 0:07:45 | 0:07:47 | |
Come on. Let's go! Quickly! | 0:07:49 | 0:07:51 | |
Hello. | 0:07:54 | 0:07:55 | |
You're Emma, am I right? | 0:07:58 | 0:08:00 | |
I'm Mrs Nordmann. I'm helping until the new teacher comes on Monday. | 0:08:03 | 0:08:07 | |
CHILDREN LAUGH | 0:08:10 | 0:08:12 | |
I wonder if you might tell me where my classroom is? | 0:08:14 | 0:08:17 | |
Please? | 0:08:19 | 0:08:20 | |
So, how are you? | 0:08:27 | 0:08:30 | |
-ELIZABETH: -Now, be sure to send a wreath. | 0:08:36 | 0:08:38 | |
It's important that the girl's family know | 0:08:38 | 0:08:40 | |
-that others aren't being judgmental. -It's done. -Oh, thank you. | 0:08:40 | 0:08:45 | |
Are the police sure it's suicide? | 0:08:45 | 0:08:48 | |
There's some sort of rift with her fiance, apparently. | 0:08:48 | 0:08:51 | |
He's with the air force in Malaya. | 0:08:51 | 0:08:53 | |
How did she do it? | 0:08:53 | 0:08:55 | |
Rat poison with a tonic. Her fellow teacher found her. | 0:08:57 | 0:09:00 | |
That's dreadful. | 0:09:00 | 0:09:01 | |
Puts our troubles into perspective. | 0:09:04 | 0:09:07 | |
Limited comfort, under the circumstances. | 0:09:07 | 0:09:09 | |
Those came from Olivia with this card. | 0:09:11 | 0:09:14 | |
"Don't judge me too harshly." | 0:09:18 | 0:09:20 | |
-Have she and James spoken? -They're meeting this morning... | 0:09:22 | 0:09:26 | |
-Finally. -I'm meeting him afterwards. | 0:09:26 | 0:09:28 | |
-Carolyn, her. -Don't waiver. | 0:09:28 | 0:09:31 | |
How can something society condemns feel so perfect? | 0:09:41 | 0:09:46 | |
Because society lives grey little lives | 0:09:46 | 0:09:50 | |
devoid of any colour. | 0:09:50 | 0:09:51 | |
SHE LAUGHS | 0:09:51 | 0:09:53 | |
That is such an artist's reply! | 0:09:53 | 0:09:56 | |
That's the reply of a man in love. | 0:09:56 | 0:09:58 | |
I should dress. | 0:10:07 | 0:10:09 | |
GEORGIE CRIES Shush, shush. It's all right. | 0:10:14 | 0:10:16 | |
There we go. | 0:10:16 | 0:10:17 | |
All right. All right. | 0:10:17 | 0:10:21 | |
Oh, wish me luck. | 0:10:21 | 0:10:22 | |
Remember, you, me, Georgie, London. | 0:10:22 | 0:10:26 | |
A whole new life. | 0:10:26 | 0:10:28 | |
Remember this. | 0:10:28 | 0:10:29 | |
-Lloyd! -Well, who cares what anyone thinks? | 0:10:31 | 0:10:34 | |
Sometimes, when things upset us, it's good to write things down... | 0:10:40 | 0:10:46 | |
so I would like to spend the rest of today writing down how you feel | 0:10:46 | 0:10:50 | |
about what happened to Ms Davis. | 0:10:50 | 0:10:53 | |
-Ow! -LAUGHTER | 0:10:53 | 0:10:55 | |
Now you don't have to read it out or show anyone. | 0:10:55 | 0:10:58 | |
It's just for you and me. | 0:10:58 | 0:11:01 | |
And not even me, if you'd prefer. | 0:11:03 | 0:11:06 | |
So you have half an hour. | 0:11:06 | 0:11:08 | |
THEY ALL CHATTER | 0:11:08 | 0:11:11 | |
Quietly! Quietly! | 0:11:11 | 0:11:13 | |
Ow! Stop it, Larry! | 0:11:14 | 0:11:18 | |
I think you need to stay behind. | 0:11:18 | 0:11:20 | |
-Stay behind what, Miss? -LAUGHTER | 0:11:20 | 0:11:23 | |
I'll... I'll wait here. | 0:11:36 | 0:11:38 | |
I'd kiss you if I could. | 0:11:40 | 0:11:41 | |
Good luck. | 0:11:46 | 0:11:47 | |
No hope? | 0:12:30 | 0:12:32 | |
No. | 0:12:41 | 0:12:42 | |
I still like you, Miss, even if you're keeping me in. | 0:13:35 | 0:13:39 | |
Two more minutes. | 0:13:40 | 0:13:42 | |
-REGINA: -I accept that you've cast me in the role of wicked stepmother, | 0:13:47 | 0:13:52 | |
but your father and I married for his political career. | 0:13:52 | 0:13:55 | |
I'm asking that you respect our union for the same reason. | 0:13:55 | 0:13:58 | |
-You can't blame me for how I feel. -Need we talk about blame? | 0:13:58 | 0:14:02 | |
Please, a ceasefire, for your father's sake. | 0:14:04 | 0:14:08 | |
Not your own? | 0:14:08 | 0:14:10 | |
Me, no. | 0:14:10 | 0:14:11 | |
I simply wish to spare him the burden of a spoilt brat | 0:14:11 | 0:14:14 | |
doing what she's always done - assuming everything is about her. | 0:14:14 | 0:14:17 | |
-Hey, hey... -As I said, a frank discussion. | 0:14:17 | 0:14:20 | |
I will not toady for your approval, Anna. | 0:14:22 | 0:14:25 | |
-It will come in time or it will not. -It will not. | 0:14:25 | 0:14:28 | |
Regardless, I am asking for a truce. | 0:14:28 | 0:14:30 | |
And if I don't give it? | 0:14:30 | 0:14:31 | |
Please, don't make me go to your father. | 0:14:34 | 0:14:39 | |
How do you think he'll see your refusal? | 0:14:39 | 0:14:41 | |
I imagine he'll see it as the actions of a petulant child. | 0:14:42 | 0:14:47 | |
-Let's go, Anna. -You could have said all that without dragging us here. | 0:14:47 | 0:14:50 | |
Some things are best said on one's home ground | 0:14:50 | 0:14:53 | |
and this is now my home ground. | 0:14:53 | 0:14:56 | |
Let yourselves out. | 0:14:56 | 0:14:58 | |
And my little novel is going to be published. | 0:15:00 | 0:15:04 | |
Thank you for asking. | 0:15:04 | 0:15:05 | |
-Why now? -What do you mean? | 0:15:08 | 0:15:10 | |
Well, she's known my attitude for quite some time, | 0:15:10 | 0:15:12 | |
so why this now? | 0:15:12 | 0:15:13 | |
Something's got her building her defences. | 0:15:13 | 0:15:16 | |
Let's go. | 0:15:18 | 0:15:19 | |
-Thank you for coming. -Father. | 0:15:39 | 0:15:41 | |
-A brandy? -Please. | 0:15:41 | 0:15:43 | |
How's Grandmother? | 0:15:51 | 0:15:53 | |
Hoping to see you. | 0:15:53 | 0:15:55 | |
I thought a visit, under the circumstances, | 0:15:55 | 0:15:57 | |
-might do more harm than good. -I understand. | 0:15:57 | 0:15:59 | |
Your grandmother and I have no intention | 0:16:01 | 0:16:04 | |
of judging either of you. | 0:16:04 | 0:16:06 | |
However, we would like to comment. | 0:16:06 | 0:16:08 | |
Of course. | 0:16:10 | 0:16:11 | |
You seem to have given up rather easily. | 0:16:11 | 0:16:14 | |
I gather the fault lies with Olivia? | 0:16:14 | 0:16:17 | |
I bear a good portion of the blame. | 0:16:17 | 0:16:19 | |
But you've put that part of yourself aside. | 0:16:20 | 0:16:24 | |
Thank you. | 0:16:26 | 0:16:28 | |
I left her vulnerable to other things. | 0:16:32 | 0:16:35 | |
Surely there's hope for reconciling? | 0:16:35 | 0:16:37 | |
No. | 0:16:37 | 0:16:39 | |
And what was said of Georgie? | 0:16:44 | 0:16:46 | |
We'll discuss details when our feelings are less raw. | 0:16:49 | 0:16:53 | |
You didn't even canvass him? | 0:16:53 | 0:16:56 | |
-In due course. -You baffle me sometimes. | 0:16:56 | 0:16:59 | |
I assume Olivia accepts she's not keeping him? | 0:16:59 | 0:17:03 | |
She loves him. | 0:17:03 | 0:17:04 | |
I will not see my grandson raised by some painter | 0:17:04 | 0:17:08 | |
and carried off to London when that inevitably fails. | 0:17:08 | 0:17:11 | |
The courts would never award her custody, anyway. | 0:17:12 | 0:17:15 | |
-We needn't start thinking about that. -We will, if necessary. | 0:17:15 | 0:17:18 | |
I am happy to see them together, | 0:17:18 | 0:17:21 | |
if she remains here. | 0:17:21 | 0:17:22 | |
You be as cavalier as you wish with your marriage, | 0:17:26 | 0:17:30 | |
but not with Georgie. | 0:17:30 | 0:17:31 | |
-He's my son. -He is my grandson. | 0:17:33 | 0:17:36 | |
He is a Bligh. He will be raised by us. | 0:17:36 | 0:17:39 | |
Grow a backbone, man! | 0:17:39 | 0:17:41 | |
-CAROLYN: -It's not a message I enjoy delivering, | 0:17:46 | 0:17:50 | |
but at least it avoids any impossible unpleasantness | 0:17:50 | 0:17:53 | |
between you and George. | 0:17:53 | 0:17:54 | |
Has James summoned the nerve | 0:17:57 | 0:17:59 | |
to tell you he's exploring his own desires? | 0:17:59 | 0:18:02 | |
So, where is Georgie better placed - | 0:18:04 | 0:18:07 | |
with me or peering out of the crib at James and Henry Fox? | 0:18:07 | 0:18:11 | |
Is that the truth? | 0:18:13 | 0:18:15 | |
I left when I found them together. | 0:18:15 | 0:18:19 | |
It's why he's capitulated so easily. | 0:18:20 | 0:18:23 | |
Oh. | 0:18:23 | 0:18:25 | |
Well, don't tell George, please, if James doesn't. | 0:18:25 | 0:18:29 | |
In other words, bear all the shame and part with my son. | 0:18:29 | 0:18:34 | |
That is truly a Bligh solution. | 0:18:34 | 0:18:37 | |
The family takes the shame. | 0:18:37 | 0:18:39 | |
James will be snapped and arranged adulterous tryst. | 0:18:39 | 0:18:43 | |
The divorce will be granted on those grounds | 0:18:43 | 0:18:45 | |
and you will receive a generous settlement. | 0:18:45 | 0:18:48 | |
You will be free to move on to any life you choose. | 0:18:49 | 0:18:52 | |
Without my baby. | 0:18:54 | 0:18:56 | |
I'm afraid so. | 0:19:00 | 0:19:02 | |
What if I fought for him? | 0:19:08 | 0:19:10 | |
Then you would be named as adulterous. | 0:19:10 | 0:19:13 | |
The courts will favour the family. | 0:19:15 | 0:19:18 | |
I'm sorry. | 0:19:18 | 0:19:20 | |
-If you only knew. -Knew what? | 0:19:25 | 0:19:28 | |
I'll go before I say things I regret. | 0:19:28 | 0:19:32 | |
-ELIZABETH: -Hello? | 0:19:55 | 0:19:57 | |
What's my prognosis, in your opinion? | 0:20:04 | 0:20:08 | |
I'm not your attending physician. | 0:20:10 | 0:20:13 | |
But you are perusing my chart and showing a good deal more interest | 0:20:13 | 0:20:17 | |
than might be considered usual. | 0:20:17 | 0:20:19 | |
So, your prognosis? | 0:20:21 | 0:20:23 | |
A second attack of this nature doesn't augur well for longevity. | 0:20:25 | 0:20:30 | |
-SHE CHUCKLES -Thank you. | 0:20:30 | 0:20:32 | |
You have a nice way with the euphemism. | 0:20:32 | 0:20:36 | |
I assume that you're reporting back to James. | 0:20:36 | 0:20:39 | |
My body may be frail, but my perception's are not. | 0:20:40 | 0:20:44 | |
I also assume that the attraction is mutual. | 0:20:44 | 0:20:49 | |
It is. | 0:20:52 | 0:20:54 | |
Is that why Olivia left? | 0:20:55 | 0:20:57 | |
Partly. | 0:20:57 | 0:21:00 | |
I see. | 0:21:00 | 0:21:01 | |
It was never my intention to cause harm. | 0:21:02 | 0:21:06 | |
Sit down, Mr Fox. | 0:21:06 | 0:21:08 | |
Should the seemingly inevitable transpire, | 0:21:12 | 0:21:16 | |
James will need a friend. | 0:21:16 | 0:21:18 | |
I forced him to marry once, | 0:21:19 | 0:21:22 | |
I shan't do it again. | 0:21:22 | 0:21:24 | |
I count on you to teach him what I imagine you already know. | 0:21:27 | 0:21:32 | |
How to be as you are whilst avoiding scandal. | 0:21:34 | 0:21:39 | |
I think that's the best we can hope for now, isn't it? | 0:21:41 | 0:21:44 | |
Gawping does not become you, Doctor. | 0:21:50 | 0:21:52 | |
REGINA: I appreciate your keen observations, Mrs Collins. | 0:21:56 | 0:22:00 | |
As wife of the member to be, | 0:22:00 | 0:22:01 | |
there's only so much I can keep up with. | 0:22:01 | 0:22:04 | |
Anything you could glean on this new police sergeant, for instance. | 0:22:04 | 0:22:07 | |
I hear he's rather charming | 0:22:07 | 0:22:09 | |
and I do hope people aren't gossiping too much | 0:22:09 | 0:22:11 | |
over this poor girl's suicide. | 0:22:11 | 0:22:15 | |
-DORIS: -How lovely. | 0:22:15 | 0:22:18 | |
A lady such as yourself offering to help me with my little task. | 0:22:18 | 0:22:23 | |
Oh, I'm glad to. | 0:22:23 | 0:22:24 | |
SHE CHUCKLES | 0:22:24 | 0:22:26 | |
I must go, I'm afraid. | 0:22:29 | 0:22:31 | |
Good night. | 0:22:32 | 0:22:33 | |
I worked out what's been niggling at me. | 0:23:19 | 0:23:22 | |
What's that? | 0:23:22 | 0:23:24 | |
Well, all the children have written how much she loved them. | 0:23:24 | 0:23:27 | |
Milly was found in the classroom. | 0:23:30 | 0:23:33 | |
She would never have let them find her like that. | 0:23:33 | 0:23:36 | |
She did, but. | 0:23:36 | 0:23:39 | |
If she killed herself. | 0:23:39 | 0:23:41 | |
What if she didn't? | 0:23:43 | 0:23:44 | |
I know what you're saying. | 0:23:57 | 0:24:00 | |
There's only one problem, though - | 0:24:00 | 0:24:02 | |
she hadn't an enemy in the world. | 0:24:02 | 0:24:04 | |
-Are you sure? -No-one would want to hurt her. | 0:24:05 | 0:24:08 | |
No. She was...heartsore. | 0:24:08 | 0:24:13 | |
I should've seen how bad. | 0:24:13 | 0:24:15 | |
-Sorry. I didn't mean... -It's best left there. I... | 0:24:16 | 0:24:19 | |
All right. Come on. | 0:24:22 | 0:24:23 | |
Come on. | 0:24:25 | 0:24:26 | |
What time is it? | 0:24:39 | 0:24:41 | |
You countrymen are always up with the larks. | 0:24:41 | 0:24:45 | |
One of the benefits of being in town. | 0:24:45 | 0:24:47 | |
How was your night shift? | 0:24:49 | 0:24:51 | |
Interesting. | 0:24:51 | 0:24:53 | |
Order us breakfast. I'm going to shower. | 0:24:57 | 0:25:00 | |
HE RINGS DOORBELL | 0:25:08 | 0:25:11 | |
Coming. WATER RUNNING | 0:25:11 | 0:25:14 | |
Good morning, sir. | 0:25:15 | 0:25:17 | |
Put it over there. | 0:25:17 | 0:25:19 | |
Breakfast for two, sir. I hope you enjoy it. | 0:25:31 | 0:25:34 | |
Presumptuous pup. | 0:25:40 | 0:25:43 | |
I'm sure he imagined some high-class floozy | 0:25:43 | 0:25:45 | |
who serviced you mercilessly. | 0:25:45 | 0:25:47 | |
It's not his place to imagine anything. | 0:25:47 | 0:25:49 | |
I'm sure he's seen it all. | 0:25:51 | 0:25:52 | |
Well, perhaps not all. | 0:25:54 | 0:25:55 | |
I have a good mind to report his smirk to the management. | 0:25:58 | 0:26:01 | |
Lesson number one - | 0:26:01 | 0:26:03 | |
when you've something to hide, don't initiate a fuss. | 0:26:03 | 0:26:06 | |
Quickest way to have questions asked about your doings | 0:26:06 | 0:26:09 | |
is to draw attention to them. | 0:26:09 | 0:26:11 | |
You make it sound like school. | 0:26:13 | 0:26:14 | |
With your grandmother's blessing. | 0:26:16 | 0:26:18 | |
As I said, interesting night. | 0:26:19 | 0:26:21 | |
-I'm looking for Mrs Bligh's room. -Yeah, just at the end on the left. | 0:26:23 | 0:26:27 | |
Thank you. | 0:26:27 | 0:26:28 | |
HE KNOCKS AT DOOR | 0:26:35 | 0:26:38 | |
-SHE EXHALES SHARPLY -At last. | 0:26:39 | 0:26:42 | |
-Oh, thank you. -Um... | 0:26:46 | 0:26:49 | |
Oh, they're beautiful. | 0:26:49 | 0:26:51 | |
How are you feeling? | 0:26:54 | 0:26:57 | |
Better by the day. | 0:26:57 | 0:26:58 | |
Did Henry report our conversation? | 0:27:05 | 0:27:07 | |
What made you see it? | 0:27:12 | 0:27:14 | |
The increase in time spent away. | 0:27:16 | 0:27:18 | |
The look in your eyes when he's mentioned. | 0:27:21 | 0:27:23 | |
Echoes of things I experienced with your grandfather. | 0:27:25 | 0:27:28 | |
It doesn't disgust you? | 0:27:33 | 0:27:35 | |
I'll never truly understand it and I worry for you... | 0:27:37 | 0:27:42 | |
..but I know you won't be happy with another sham marriage | 0:27:44 | 0:27:47 | |
or with celibacy. | 0:27:47 | 0:27:49 | |
Does my frankness shock you? | 0:27:52 | 0:27:55 | |
Yes, it does. | 0:27:59 | 0:28:01 | |
I love you, Grandmother. | 0:28:11 | 0:28:13 | |
It's a changing world, my darling. | 0:28:17 | 0:28:19 | |
Let's see how many changes I can accommodate. | 0:28:20 | 0:28:24 | |
HE CHUCKLES | 0:28:24 | 0:28:26 | |
-Perhaps suggest that to Father. -Oh! | 0:28:28 | 0:28:31 | |
THEY LAUGH | 0:28:31 | 0:28:33 | |
-Bye! -Publish or perish! -Mwah! -TRAIN WHISTLE BLOWS | 0:28:33 | 0:28:36 | |
SHE LAUGHS | 0:28:36 | 0:28:38 | |
How do you feel about it - the book? | 0:28:41 | 0:28:44 | |
Oh, I'm trying to get used to it, you know? | 0:28:44 | 0:28:46 | |
She's changed it a bit. | 0:28:46 | 0:28:48 | |
-Well, you're a good man. -Well, sometimes. | 0:28:48 | 0:28:51 | |
SHE SIGHS Have I missed the train? | 0:28:51 | 0:28:53 | |
Oh, it must've been early. | 0:28:53 | 0:28:55 | |
Parcel for my husband. | 0:28:55 | 0:28:57 | |
Wretched rail. | 0:28:57 | 0:28:59 | |
It's good to see you, Jack. | 0:29:01 | 0:29:03 | |
Regina! Excuse me. Regina! | 0:29:04 | 0:29:06 | |
-Could I have a word with you, please? -Don't tell me. | 0:29:09 | 0:29:12 | |
An opportunity for spousal gallantry. | 0:29:12 | 0:29:14 | |
I'll say it for you. | 0:29:14 | 0:29:16 | |
Do anything to upset Anna and you'll have me to deal with. | 0:29:16 | 0:29:20 | |
And you will, too. | 0:29:20 | 0:29:21 | |
Anna is more than capable of looking after herself. | 0:29:21 | 0:29:24 | |
You forget I was the dirt-poor Italian | 0:29:25 | 0:29:27 | |
who took on Mrs Bligh and won. | 0:29:27 | 0:29:29 | |
-Your point? -I can beat you, too. | 0:29:29 | 0:29:32 | |
It's a shame we're at odds. | 0:29:34 | 0:29:36 | |
We've both fought for love and...we're both ready to defend it. | 0:29:36 | 0:29:41 | |
We'd make better friends than enemies, Gino. | 0:29:41 | 0:29:44 | |
We've got plenty of cows on the farm. | 0:29:46 | 0:29:48 | |
We don't need any more. | 0:29:48 | 0:29:50 | |
Signorina. | 0:29:50 | 0:29:52 | |
Rose! | 0:29:58 | 0:30:00 | |
Rose! | 0:30:01 | 0:30:02 | |
I bought a new lipstick the other day. | 0:30:06 | 0:30:08 | |
I think it might suit you far more than it suits me. | 0:30:08 | 0:30:11 | |
Come here. | 0:30:13 | 0:30:14 | |
Lovely. | 0:30:41 | 0:30:43 | |
See how pretty you are? | 0:30:43 | 0:30:45 | |
Take it, I insist. | 0:30:47 | 0:30:50 | |
Thank you, Mrs Bligh. | 0:30:50 | 0:30:52 | |
There's just one little thing I need you to do for me. | 0:30:54 | 0:30:58 | |
CAROLYN: Coming! | 0:31:00 | 0:31:01 | |
SHE GASPS Get out! | 0:31:08 | 0:31:10 | |
-Leave! Now! -Oh, calm down. | 0:31:12 | 0:31:15 | |
Listen, I hear rumblings about your nephew's marriage. | 0:31:15 | 0:31:20 | |
I just want the good oil before I tackle George. | 0:31:20 | 0:31:22 | |
That is none of your affair! | 0:31:22 | 0:31:24 | |
Relax. | 0:31:24 | 0:31:25 | |
If your dubious virtue was in any danger, | 0:31:25 | 0:31:28 | |
you'd be on your back already, moaning for more. I... | 0:31:28 | 0:31:32 | |
..just want confirmation, that's all. | 0:31:33 | 0:31:36 | |
James and Olivia have separated. | 0:31:38 | 0:31:41 | |
It is the family's business. | 0:31:41 | 0:31:43 | |
There'll be no separation. | 0:31:43 | 0:31:44 | |
You can't stop it. | 0:31:44 | 0:31:46 | |
I can do what I want... | 0:31:46 | 0:31:48 | |
You know that. | 0:31:48 | 0:31:50 | |
Mr Poletti. | 0:32:13 | 0:32:15 | |
Rose. | 0:32:15 | 0:32:17 | |
I brought something for you. | 0:32:17 | 0:32:19 | |
It's dinner. I heard Mrs Poletti's away. | 0:32:21 | 0:32:24 | |
Thank you. | 0:32:24 | 0:32:26 | |
-Mrs Bligh didn't... -Mrs Bligh doesn't know. | 0:32:26 | 0:32:30 | |
Don't get yourself into trouble. | 0:32:30 | 0:32:31 | |
You were kind to me...that night with the baby in the barn. | 0:32:33 | 0:32:38 | |
It's a thank you. | 0:32:40 | 0:32:41 | |
It's fine. | 0:32:41 | 0:32:43 | |
There's one other thing. | 0:32:43 | 0:32:46 | |
I was wondering maybe, on my days off... | 0:32:46 | 0:32:49 | |
..could you teach me Italian? I could pay you. | 0:32:50 | 0:32:54 | |
I want to go there one day - Rome. | 0:32:54 | 0:32:56 | |
-Really? Roma? -You can dream, can't you? | 0:32:56 | 0:32:59 | |
-OK. -Thank you! | 0:33:01 | 0:33:04 | |
-And, uh, no charge. -Oh, but I can... -No, no, no, no. That's the deal. | 0:33:04 | 0:33:09 | |
Maybe I could find you a good Italian husband in the bargain. | 0:33:09 | 0:33:11 | |
-Maybe you can! -SHE CHUCKLES | 0:33:11 | 0:33:13 | |
I don't care how you manage it, but until the election | 0:33:13 | 0:33:16 | |
and for a good few months after, happy families. | 0:33:16 | 0:33:19 | |
They're not my choices to... | 0:33:19 | 0:33:20 | |
..to make. | 0:33:21 | 0:33:23 | |
I don't want a messy Bligh divorce all over the newspapers | 0:33:23 | 0:33:27 | |
as you're coming into the home stretch. | 0:33:27 | 0:33:28 | |
-Fix it. -I would prefer a change of tone. | 0:33:28 | 0:33:32 | |
Don't be so bloody sensitive. | 0:33:32 | 0:33:33 | |
-It's good practise for parliament. -HE CHUCKLES | 0:33:36 | 0:33:39 | |
You're not going out to play? EMMA SNIFFLES | 0:33:57 | 0:34:01 | |
What is it? EMMA SOBS | 0:34:03 | 0:34:05 | |
You didn't write anything yesterday about Ms Davis. | 0:34:10 | 0:34:14 | |
We can talk about it, if you like. | 0:34:16 | 0:34:18 | |
It's all right. It's all right. It's going to be all right. | 0:34:20 | 0:34:23 | |
It's not, Miss! It's not! | 0:34:23 | 0:34:25 | |
I killed her! | 0:34:25 | 0:34:27 | |
SHE BREATHES HEAVILY, WHEEZES | 0:34:27 | 0:34:30 | |
It's all right, Emma. Just breathe deeply. | 0:34:32 | 0:34:35 | |
I've given her something for the asthma. | 0:34:52 | 0:34:54 | |
Well, even if it just helps her sleep - | 0:34:54 | 0:34:57 | |
she hasn't been. | 0:34:57 | 0:34:58 | |
Have you any idea why she might feel responsible? | 0:34:58 | 0:35:01 | |
She came home cross the day they found Ms Davis. | 0:35:03 | 0:35:07 | |
She'd been kept in | 0:35:07 | 0:35:08 | |
and it meant she couldn't go to a birthday party. | 0:35:08 | 0:35:12 | |
Other than that... | 0:35:12 | 0:35:13 | |
When she heard, she went pale as a ghost. | 0:35:15 | 0:35:18 | |
I just thought she was sad. | 0:35:20 | 0:35:22 | |
-You can go in. -Oh. Thank you, Doctor. | 0:35:23 | 0:35:26 | |
I should get back. | 0:35:35 | 0:35:37 | |
Um... Are you going to call the police? | 0:35:38 | 0:35:42 | |
Not yet. | 0:35:43 | 0:35:45 | |
The new sergeant's pretty gung-ho. Better she doesn't wake up to that. | 0:35:45 | 0:35:47 | |
KNOCK AT DOOR | 0:35:55 | 0:35:58 | |
-ANNA: -Hello? It's me! | 0:35:58 | 0:36:01 | |
Oh, my darling! | 0:36:01 | 0:36:03 | |
Oh! Opening night of the Ice Capades. | 0:36:11 | 0:36:14 | |
Those skaters know how to put it away. | 0:36:14 | 0:36:16 | |
I'll just drop this and run, otherwise I'll be late. | 0:36:16 | 0:36:18 | |
Wish me luck. | 0:36:18 | 0:36:20 | |
I'm sure they love what you've written | 0:36:20 | 0:36:22 | |
-or they wouldn't be seeing you. -I hope. | 0:36:22 | 0:36:24 | |
-Go! -Yes. -We'll talk later. -Fingers crossed. | 0:36:24 | 0:36:26 | |
Oh, God! | 0:36:35 | 0:36:37 | |
TELEPHONE RINGS | 0:36:40 | 0:36:42 | |
Dr Duncan. | 0:36:45 | 0:36:47 | |
OVER PHONE: 'It's me. Uh, Anna's arrived. | 0:36:47 | 0:36:49 | |
'I was wondering...' | 0:36:49 | 0:36:51 | |
I know I should be here for her and Mother, but... | 0:36:51 | 0:36:54 | |
I'm missing you. | 0:36:54 | 0:36:56 | |
What do you think about my coming down? | 0:36:56 | 0:36:59 | |
Mother will understand, don't you think? Should I? | 0:36:59 | 0:37:01 | |
Are you all right? | 0:37:01 | 0:37:04 | |
Of course. | 0:37:04 | 0:37:05 | |
I'm just nervous about letting Mother down. | 0:37:05 | 0:37:08 | |
Excuse me, Doctor. Emma's awake. I think you should come. | 0:37:10 | 0:37:13 | |
OK. | 0:37:13 | 0:37:14 | |
Uh... | 0:37:16 | 0:37:18 | |
look, get here as soon as you can. | 0:37:18 | 0:37:20 | |
I love you. | 0:37:21 | 0:37:23 | |
DIAL TONE | 0:37:25 | 0:37:27 | |
Evidently, Doctor, the poor little thing got it all wrong. | 0:37:29 | 0:37:33 | |
Thank you. | 0:37:33 | 0:37:35 | |
-WHISPERING: -We're going to find out what it is. | 0:37:38 | 0:37:41 | |
She thinks cos she said "I hope you die" to Ms Davis | 0:37:41 | 0:37:45 | |
that she wished it on her and made it happen. | 0:37:45 | 0:37:48 | |
You silly duffer. Oh, sweetie. | 0:37:48 | 0:37:51 | |
You mind if I...? | 0:37:51 | 0:37:52 | |
Emma... | 0:37:56 | 0:37:58 | |
..no-one's...no-one's thoughts can make somebody die. | 0:37:59 | 0:38:03 | |
In books, maybe. Not in the real world. | 0:38:03 | 0:38:05 | |
I'm a doctor, I know. | 0:38:07 | 0:38:09 | |
They said she was unhappy. She wasn't, but. | 0:38:09 | 0:38:13 | |
-Ms Davis? -She was real happy. | 0:38:13 | 0:38:16 | |
She died because I wished it upon her. | 0:38:16 | 0:38:18 | |
-HE SIGHS -How do you know she was happy? | 0:38:18 | 0:38:21 | |
-The letter. -What letter? | 0:38:21 | 0:38:24 | |
The one that she opened when she was keeping me in. | 0:38:24 | 0:38:27 | |
Kids. Here you go. That's a boy. | 0:38:43 | 0:38:46 | |
-What did Emma say? -It's very strange. | 0:39:00 | 0:39:03 | |
She reckons Milly Davis opened a letter that... | 0:39:03 | 0:39:06 | |
Sergeant, this is Mrs Nordmann. | 0:39:07 | 0:39:11 | |
Nordmann? Yes. I've heard about you. | 0:39:11 | 0:39:15 | |
We have a search to do. Would you mind stepping outside, please? | 0:39:15 | 0:39:18 | |
Sergeant, all Milly's things I sent to the family. | 0:39:18 | 0:39:21 | |
Actually, I found a letter. | 0:39:21 | 0:39:23 | |
It was slipped inside the detention book, | 0:39:23 | 0:39:25 | |
addressed to Milly. It's... | 0:39:25 | 0:39:28 | |
Oh! The... | 0:39:33 | 0:39:35 | |
The engagement was back on. | 0:39:35 | 0:39:38 | |
Perhaps you're right. | 0:39:38 | 0:39:40 | |
She said someone probably did it. | 0:39:40 | 0:39:42 | |
Did you, now? | 0:39:42 | 0:39:43 | |
Well, I just couldn't see Milly risking the children | 0:39:43 | 0:39:46 | |
finding her like that. | 0:39:46 | 0:39:47 | |
It makes sense if you think about it. | 0:39:47 | 0:39:50 | |
You're a real Miss Marple, aren't you? | 0:39:50 | 0:39:52 | |
I'm just trying to help. | 0:39:52 | 0:39:54 | |
Yeah. | 0:39:54 | 0:39:56 | |
Miss Griggs. | 0:39:59 | 0:40:01 | |
It seems you have an issue with me, Sergeant. | 0:40:01 | 0:40:03 | |
Your husband shot George Bligh, right? | 0:40:08 | 0:40:11 | |
-I don't see what that... -It's all right, Jack. | 0:40:11 | 0:40:14 | |
That was proven to be an accident. | 0:40:14 | 0:40:17 | |
And this was a suicide...until it wasn't. | 0:40:17 | 0:40:20 | |
I hear you're a Communist, too. | 0:40:20 | 0:40:23 | |
I've got a few issues with you, actually, | 0:40:23 | 0:40:26 | |
but they'll keep. | 0:40:26 | 0:40:27 | |
Constable. | 0:40:29 | 0:40:30 | |
-So, Miss Bligh... -Oh, please, call me Anna. | 0:40:39 | 0:40:43 | |
Well...I'm Mr Cowan. | 0:40:43 | 0:40:47 | |
As your editor, | 0:40:47 | 0:40:50 | |
I shall be wanting to maintain a professional distance. | 0:40:50 | 0:40:54 | |
Are you saying that...? | 0:40:54 | 0:40:56 | |
I have no doubt we'll be publishing you. | 0:40:56 | 0:40:58 | |
You're a very talented young woman. | 0:40:58 | 0:41:01 | |
Thank you. I just... | 0:41:01 | 0:41:03 | |
I'm so glad that you like my story. | 0:41:03 | 0:41:06 | |
Ah. Well, yes. Your story - that's another matter. | 0:41:06 | 0:41:12 | |
Oh, I'm sorry. I don't understand. | 0:41:12 | 0:41:14 | |
Your manuscript proves you can write. | 0:41:14 | 0:41:18 | |
Your subject matter, however... | 0:41:18 | 0:41:20 | |
Readers aren't interested in the dago experience. | 0:41:21 | 0:41:26 | |
I beg your pardon. | 0:41:26 | 0:41:27 | |
"Tender Vines, the story of a wealthy young woman | 0:41:31 | 0:41:34 | |
"forgoing privilege to marry an Italian farmer." | 0:41:34 | 0:41:38 | |
It strains credulity as well as readers' sympathies. | 0:41:38 | 0:41:42 | |
Mr Cowan, that's my own story. | 0:41:42 | 0:41:45 | |
You are a lady, | 0:41:45 | 0:41:48 | |
a member of Australia's squattocracy. | 0:41:48 | 0:41:52 | |
I have a contract here for a different work entirely | 0:41:52 | 0:41:56 | |
to be written about your world by someone who's lived in it. | 0:41:56 | 0:42:03 | |
There's a signing fee and guaranteed publication. | 0:42:03 | 0:42:06 | |
You could be the next Henry Handel Richardson. | 0:42:06 | 0:42:09 | |
It's a generous offer. | 0:42:10 | 0:42:13 | |
But, of course, if you wish to seek advice... | 0:42:13 | 0:42:15 | |
You're not interested in what I've written. | 0:42:15 | 0:42:17 | |
Your talent, yes. | 0:42:17 | 0:42:20 | |
Your subject matter, no. | 0:42:20 | 0:42:23 | |
You must remember it wasn't that long ago | 0:42:23 | 0:42:26 | |
we were fighting the dagos. | 0:42:26 | 0:42:28 | |
Dagos. | 0:42:28 | 0:42:30 | |
That's my husband you're talking about. | 0:42:30 | 0:42:32 | |
Rose! | 0:42:42 | 0:42:43 | |
I trust Gino appreciated our gesture. | 0:42:45 | 0:42:48 | |
He's taught me a few words already. | 0:42:48 | 0:42:51 | |
Buongiorno. Come stai? | 0:42:51 | 0:42:53 | |
It means, "Good morning. How are you?" | 0:42:53 | 0:42:56 | |
You'll be quite the Italiana before you're done. | 0:42:56 | 0:42:58 | |
I suppose you think me a scandalous fool. | 0:43:05 | 0:43:10 | |
Well, perhaps less so, | 0:43:10 | 0:43:11 | |
not having had what you said to him translated. | 0:43:11 | 0:43:13 | |
Best not. Trust me. | 0:43:13 | 0:43:16 | |
Well, there are other publishers. | 0:43:17 | 0:43:19 | |
-Perhaps Sir Richard might advise on the way forward. -No. | 0:43:20 | 0:43:25 | |
His connections to publishing are tenuous. | 0:43:25 | 0:43:28 | |
He owns newspapers. | 0:43:28 | 0:43:30 | |
Anna would rather succeed on her own merits, wouldn't you? | 0:43:30 | 0:43:33 | |
-I hope to, but if Sir... -There. Good. | 0:43:33 | 0:43:36 | |
Is anything wrong? | 0:43:37 | 0:43:39 | |
I'm simply missing Jack. | 0:43:41 | 0:43:44 | |
I hope neither of you mind if I head back to Inverness, | 0:43:46 | 0:43:49 | |
see if the campaign needs a hand. | 0:43:49 | 0:43:50 | |
GEORGIE CRIES | 0:43:52 | 0:43:56 | |
You know what I really can't resolve? | 0:43:56 | 0:43:59 | |
Not one of them has taken my feelings into account. | 0:43:59 | 0:44:02 | |
A decision is made and it's a fait accompli! | 0:44:02 | 0:44:05 | |
-OK. OK. -It is just so damned unfair! | 0:44:05 | 0:44:08 | |
After all that I have suffered for them, they think they can just... | 0:44:08 | 0:44:11 | |
Look, you have to admit, he would be well looked after. | 0:44:11 | 0:44:14 | |
Ash Park, a Nanny, his father. | 0:44:14 | 0:44:16 | |
This isn't a decision they can make. | 0:44:16 | 0:44:18 | |
-Darling, I think they can. -No. | 0:44:18 | 0:44:21 | |
It's an unpalatable truth. | 0:44:25 | 0:44:27 | |
Truth? SHE CHUCKLES | 0:44:32 | 0:44:35 | |
We'd all buckle under the weight of that. | 0:44:35 | 0:44:38 | |
Me most of all. | 0:44:40 | 0:44:41 | |
You want the truth? | 0:44:45 | 0:44:46 | |
James isn't Georgie's father. | 0:44:51 | 0:44:54 | |
-But you said... -I didn't give birth to him. | 0:44:54 | 0:44:57 | |
After my first attack, I interfered | 0:45:02 | 0:45:05 | |
to try to force my values, my increasingly outmoded values, | 0:45:05 | 0:45:09 | |
on you all. | 0:45:09 | 0:45:11 | |
My motive was love. | 0:45:11 | 0:45:12 | |
The outcome was unfortunate, so this time I... | 0:45:13 | 0:45:17 | |
I want to use my reprieve to see you all happy. | 0:45:17 | 0:45:21 | |
Happily yourselves. | 0:45:21 | 0:45:24 | |
I like this new grandmother. | 0:45:24 | 0:45:26 | |
Mm. I do, too, rather. | 0:45:26 | 0:45:28 | |
And what about you? Mr Goddard? | 0:45:28 | 0:45:31 | |
No. With my prognosis, no. | 0:45:31 | 0:45:34 | |
-Well, shouldn't you at least...? -No, he thinks I rejected him. | 0:45:34 | 0:45:37 | |
Best left that way. | 0:45:37 | 0:45:39 | |
Oh! | 0:45:39 | 0:45:40 | |
Now, you know, I think your mother was wrong about Sir Richard. | 0:45:40 | 0:45:44 | |
Will you fetch me my book? It's in my top drawer there. | 0:45:44 | 0:45:47 | |
I thought you weren't interfering. | 0:45:47 | 0:45:50 | |
-SHE EXHALES SHARPLY -Only to the good. -Mm-hm. | 0:45:50 | 0:45:53 | |
Ah, yes. | 0:45:55 | 0:45:56 | |
You're not...shocked? | 0:45:59 | 0:46:02 | |
-I am un-shockable. -HE CHUCKLES | 0:46:06 | 0:46:08 | |
James was in no position to deal with a stillborn. | 0:46:10 | 0:46:14 | |
You can see, I... | 0:46:14 | 0:46:16 | |
I did it...for love. | 0:46:16 | 0:46:20 | |
I understand... | 0:46:20 | 0:46:22 | |
..but they may not. | 0:46:23 | 0:46:24 | |
Your actions were outrageous, Olivia. | 0:46:24 | 0:46:28 | |
There was a sense to them at the time. | 0:46:28 | 0:46:33 | |
-Perhaps less so now. -Mm. | 0:46:36 | 0:46:39 | |
Lloyd... | 0:46:41 | 0:46:43 | |
if I told them the truth, it would guarantee me Georgie. | 0:46:43 | 0:46:49 | |
Um, not necessarily. | 0:46:49 | 0:46:50 | |
George would only go to court for blood. | 0:46:50 | 0:46:53 | |
-He wouldn't fight for him. -But James might. | 0:46:53 | 0:46:55 | |
James has what he wants. | 0:46:55 | 0:46:57 | |
James has his man. | 0:46:58 | 0:47:00 | |
This is not who I am. | 0:47:07 | 0:47:10 | |
SHE SIGHS | 0:47:14 | 0:47:16 | |
So, what now? | 0:47:18 | 0:47:20 | |
The truth. | 0:47:25 | 0:47:26 | |
For the right reason. | 0:47:30 | 0:47:33 | |
For resolution. | 0:47:36 | 0:47:38 | |
He had his back up as soon as he heard your name. | 0:47:43 | 0:47:45 | |
Franklin clearly got in his ear before he left. | 0:47:45 | 0:47:47 | |
-You all right, then? -I've handled worse. | 0:47:47 | 0:47:50 | |
-Ruddy Doris. -Hm? | 0:47:50 | 0:47:52 | |
You were done with your library card hours ago. | 0:47:52 | 0:47:55 | |
There are many ways to be useful, Doctor. | 0:47:55 | 0:47:57 | |
Yeah. Well, sniffing for gossip isn't one of them. Scoot. | 0:47:57 | 0:48:01 | |
Dr Duncan can be so abrasive in a crisis. | 0:48:01 | 0:48:04 | |
An eventful day at school, I hear. | 0:48:04 | 0:48:07 | |
It's given me a lot of respect for teachers. | 0:48:07 | 0:48:10 | |
I might pop by Ash Park before heading home. | 0:48:10 | 0:48:14 | |
After a somewhat hesitant start, | 0:48:14 | 0:48:17 | |
the new Mrs Bligh and I have formed a charming intimacy. | 0:48:17 | 0:48:20 | |
-She's asked to be kept informed. -Of what? | 0:48:20 | 0:48:23 | |
Of Milly's death, the new police sergeant, | 0:48:23 | 0:48:26 | |
what's being said. | 0:48:26 | 0:48:28 | |
Did she know her? | 0:48:28 | 0:48:30 | |
As Mrs Bligh, her interests are in all things Inverness. | 0:48:30 | 0:48:34 | |
Imagine my thrill the other day when she visited me | 0:48:34 | 0:48:37 | |
and even stayed to help me with my little tasks. | 0:48:37 | 0:48:40 | |
Which day? | 0:48:41 | 0:48:43 | |
-DORIS: -All the herbs are from my own garden. | 0:48:57 | 0:48:59 | |
The chamomile and the red raspberry leaf | 0:48:59 | 0:49:02 | |
are especially good for low spirits or those who are carrying. | 0:49:02 | 0:49:07 | |
Mrs Nordmann was telling me how much she values it. | 0:49:07 | 0:49:10 | |
Oh, indeed, indeed. | 0:49:10 | 0:49:11 | |
If I could be so bold, perhaps more of that delicious cake? | 0:49:11 | 0:49:15 | |
Oh! Of course! | 0:49:15 | 0:49:18 | |
I won't be a moment. | 0:49:18 | 0:49:20 | |
-I'm in no hurry. -Mm. | 0:49:20 | 0:49:22 | |
Here we are! | 0:49:40 | 0:49:42 | |
-Oh, isn't this cosy? -Most. | 0:49:43 | 0:49:46 | |
Thought I'd get started on the tucker. Chops and mash do? | 0:50:01 | 0:50:05 | |
Roy, can I borrow your truck? | 0:50:28 | 0:50:30 | |
Suppose so. | 0:50:30 | 0:50:32 | |
I don't know how long I'll be. | 0:50:32 | 0:50:34 | |
Something wrong? You all right, missy? | 0:50:34 | 0:50:36 | |
-Excuse me, ma'am. -Yes, Rose? | 0:51:01 | 0:51:03 | |
Mrs Nordmann's here. She asked for you. | 0:51:03 | 0:51:06 | |
Send her in. I won't require you. | 0:51:08 | 0:51:11 | |
To what do I owe this displeasure? | 0:51:24 | 0:51:26 | |
I'm curious... | 0:51:27 | 0:51:29 | |
How does it feel to be a murderer? | 0:51:30 | 0:51:32 |