Browse content similar to 24/02/2012. Check below for episodes and series from the same categories and more!
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-Here you go, babe, lovely cup of splosh. -Thank you. | 0:00:28 | 0:00:32 | |
What you up to? | 0:00:32 | 0:00:34 | |
Honestly, the state of these books. | 0:00:34 | 0:00:36 | |
I don't know how the salon's been surviving without me. | 0:00:36 | 0:00:38 | |
It's like they've been giving treatments away. | 0:00:38 | 0:00:41 | |
-And how did your chat with Abi go? -Yeah, it was fine. | 0:00:41 | 0:00:45 | |
So, everything's all right, yeah? | 0:00:45 | 0:00:46 | |
She knows we're here if she needs to talk to us. | 0:00:48 | 0:00:50 | |
Yeah. | 0:00:50 | 0:00:52 | |
There are some things a girl doesn't want to talk to her dad about. | 0:00:52 | 0:00:56 | |
I miss you. | 0:00:59 | 0:01:01 | |
I'm right here. | 0:01:15 | 0:01:17 | |
-Right, you are taking the day off. -What? | 0:01:20 | 0:01:24 | |
Me and you, we're going to go AWOL for the day. | 0:01:24 | 0:01:27 | |
-What do you want? -I found this. Thought Amy might want it. | 0:01:27 | 0:01:30 | |
Well, I'll see she gets it. | 0:01:30 | 0:01:33 | |
-Was there anything else? -Yeah, I thought I might be able to see her. | 0:01:33 | 0:01:38 | |
That might be a bit difficult, cos she's not here. | 0:01:38 | 0:01:42 | |
-Well, where is she then? -At Billy and Lola's. | 0:01:42 | 0:01:45 | |
Yeah? And what's she doing there? | 0:01:45 | 0:01:49 | |
Roxy didn't come home last night. | 0:01:49 | 0:01:51 | |
I'm a bit worried, to be honest. | 0:01:51 | 0:01:55 | |
And now, she wants me to take her to some posh restaurant and I am skint. | 0:01:55 | 0:01:59 | |
Yeah, that's what you get for punching above your weight and getting involved with a princess. | 0:01:59 | 0:02:03 | |
It's a bit like Lady And The Tramp really, innit, eh? | 0:02:03 | 0:02:06 | |
She's a lady and you're a tramp. Ha-ha-ha. | 0:02:06 | 0:02:08 | |
And you, Alfredo Moon, are a genius. | 0:02:08 | 0:02:11 | |
-Come here. -What you doing? -Thank you. -What's the matter with you? | 0:02:11 | 0:02:14 | |
I bumped into an old mate. You know what it's like | 0:02:14 | 0:02:16 | |
-when an opportunity lands in your lap. -No, I told you I'd handle it. | 0:02:16 | 0:02:19 | |
Oh, really? I must have misunderstood. | 0:02:19 | 0:02:23 | |
Right. | 0:02:23 | 0:02:24 | |
Now, you call whoever you used. Now! | 0:02:26 | 0:02:29 | |
He's probably lying low, Jack. You know how these things work. | 0:02:29 | 0:02:33 | |
Cos you've done them yourself, haven't you, eh? Worse, in fact. | 0:02:33 | 0:02:37 | |
Detective inspector. | 0:02:37 | 0:02:38 | |
Yeah, I've done it to people who deserved it, lowlife scum. | 0:02:38 | 0:02:40 | |
Oh. And what? Peroxide Blondie doesn't? | 0:02:40 | 0:02:44 | |
Come on, Jack, she's been treating you like dirt. Shouting the odds. | 0:02:44 | 0:02:48 | |
-Someone had to show her she couldn't get away with it. -Not like this. | 0:02:48 | 0:02:51 | |
Well, then how, eh? | 0:02:51 | 0:02:52 | |
We talk about it, all right? We work things through. | 0:02:52 | 0:02:55 | |
Oh, what? Over a nice cup of tea? And where would that have left you? | 0:02:55 | 0:02:58 | |
Eh? Dangling at Roxy's every whim, whenever she felt like it. | 0:02:58 | 0:03:03 | |
What would Amy think of you then? Probably like my Chrissy does. | 0:03:03 | 0:03:07 | |
As some weak fool who couldn't even be bothered to fight for her. | 0:03:07 | 0:03:10 | |
At least this way, you get to see her. | 0:03:10 | 0:03:12 | |
-No, I don't. Cos Roxy's missing. -What? | 0:03:12 | 0:03:16 | |
I mean, what do you think, Patrick? | 0:03:16 | 0:03:19 | |
What are you still doing here? You should be at the launderette. | 0:03:19 | 0:03:22 | |
Ooh. Ooh, I say, that's... | 0:03:22 | 0:03:26 | |
Yes, you'll look lovely in that. | 0:03:26 | 0:03:28 | |
-It's very modest. -Well, I mean, it was a bargain. | 0:03:28 | 0:03:32 | |
It was only £20 on the Internet. | 0:03:32 | 0:03:34 | |
-The lady got jilted so it's never been worn. -Oh, I say. | 0:03:34 | 0:03:40 | |
-Oh, you don't think it's bad luck, do you? -Nah, nah, nah. | 0:03:40 | 0:03:43 | |
One woman's loss is another woman's gain. | 0:03:43 | 0:03:47 | |
What are you doing here? | 0:03:47 | 0:03:48 | |
It's unlucky for the groom to see the wedding dress | 0:03:48 | 0:03:51 | |
-before the big day. -Oh, we don't believe in all that stuff. | 0:03:51 | 0:03:54 | |
No, Mrs Branning's right. You'll jinx the wedding. Now, go back in there. PHONE RINGS | 0:03:54 | 0:03:57 | |
Here, out of my way. | 0:03:57 | 0:04:00 | |
Hello? Yes, Dorothy Branning. | 0:04:01 | 0:04:04 | |
-Hey, you all right, Jack. -Alfie, you ain't seen Roxy, have you? | 0:04:06 | 0:04:09 | |
No, mate, no. But she's bringing Amy over for her tea later. | 0:04:09 | 0:04:13 | |
Oh, sorry, mate. Me and my big mouth. | 0:04:13 | 0:04:16 | |
Things must be really tough after the court hearing and all that. | 0:04:16 | 0:04:20 | |
But, you know what they say, things can only get better. | 0:04:20 | 0:04:22 | |
Is everything all right? | 0:04:22 | 0:04:24 | |
Yeah, everything's fine. If you see her, let me know, yeah? | 0:04:24 | 0:04:28 | |
Yeah, yeah, sure. | 0:04:28 | 0:04:30 | |
Max. | 0:04:32 | 0:04:34 | |
You ain't seen Roxy, have you? | 0:04:35 | 0:04:36 | |
Er, no. Why? | 0:04:36 | 0:04:38 | |
-Made you a cup of tea. -Thanks. | 0:04:43 | 0:04:45 | |
Oh, look, what you doing? | 0:04:45 | 0:04:47 | |
I'm going to go and stay with Aunt Sal, all right? | 0:04:47 | 0:04:49 | |
Nothing can be that bad. | 0:04:49 | 0:04:50 | |
Shirl, I'm not safe here. Amy's not safe. | 0:04:50 | 0:04:54 | |
There's nothing to be scared of. | 0:04:54 | 0:04:56 | |
They tried their worst and they failed. | 0:04:56 | 0:04:59 | |
It's over now. | 0:04:59 | 0:05:00 | |
-So, what were you thinking, Jack? -It weren't my idea. It was Derek's. | 0:05:04 | 0:05:07 | |
And you know what he's like once he gets an idea in his head. | 0:05:07 | 0:05:11 | |
So, what you going to do? | 0:05:13 | 0:05:14 | |
I'm just going to have to keep looking for Roxy, ain't I? | 0:05:14 | 0:05:17 | |
Hope she turns up in one piece. | 0:05:17 | 0:05:19 | |
Look, you couldn't help us out, could you? | 0:05:19 | 0:05:22 | |
No, sorry, Jack, I sort of promised Tanya I'd spend the day with her. | 0:05:22 | 0:05:25 | |
Things all right with you two, ain't they? | 0:05:25 | 0:05:28 | |
Uh, yeah. Getting there, yeah. | 0:05:28 | 0:05:30 | |
Well, at least one of us is happy. | 0:05:30 | 0:05:33 | |
How could I let it come to this, Max? | 0:05:33 | 0:05:35 | |
I mean, if I lose Amy completely cos of this. | 0:05:35 | 0:05:37 | |
Oi, this ain't down to you, is it? | 0:05:37 | 0:05:39 | |
I just don't want her growing up not knowing who I am. | 0:05:39 | 0:05:45 | |
I don't want to end up like Derek and his Chrissy. | 0:05:45 | 0:05:47 | |
Well, who's Chrissy? | 0:05:47 | 0:05:49 | |
-I just wanted it to be perfect. -And it will be. | 0:05:49 | 0:05:52 | |
Yeah, I mean, it's just old wives' tale. | 0:05:52 | 0:05:54 | |
That was the lady who's doing the catering. | 0:05:54 | 0:05:58 | |
She fell down the stairs this morning | 0:05:58 | 0:06:01 | |
and she broke her arm in three places, so she's incapacitated. | 0:06:01 | 0:06:07 | |
-It's just a coincidence, innit. -And her friend | 0:06:07 | 0:06:10 | |
who was doing the cake, | 0:06:10 | 0:06:12 | |
she's had a family bereavement, she's flown off to Australia. | 0:06:12 | 0:06:16 | |
Then, um. Then, we need to get new caterers and get a new cake, | 0:06:18 | 0:06:23 | |
ain't that right, then? | 0:06:23 | 0:06:24 | |
Yeah. Well, I mean, I know it ain't traditional, | 0:06:24 | 0:06:28 | |
but I could always do a couple of my Battenburgs. | 0:06:28 | 0:06:30 | |
I could jam them together and fancy them up with a bit of icing. | 0:06:30 | 0:06:34 | |
Smashing, Auntie Dot. | 0:06:34 | 0:06:35 | |
Yeah, and I could rustle up some of my jerk chicken, all right. | 0:06:35 | 0:06:38 | |
That's the spirit. Nothing too spicy, though. | 0:06:38 | 0:06:41 | |
You know Heather can't abide spicy food, ain't that right, Heather? | 0:06:41 | 0:06:46 | |
Me neither. Come on, Patrick, no time like the present. | 0:06:46 | 0:06:51 | |
Come on, chop, chop. | 0:06:51 | 0:06:53 | |
See, crisis averted. | 0:06:54 | 0:06:56 | |
Now, all you've got to do, turn up, say your vows | 0:06:56 | 0:07:00 | |
and we live happily ever after. | 0:07:00 | 0:07:02 | |
That's the point. | 0:07:02 | 0:07:05 | |
People like us don't have fairy-tale endings. | 0:07:05 | 0:07:08 | |
Little Bo Peep found her way home yet, has she? | 0:07:15 | 0:07:18 | |
No. Did you get hold of whoever you used? | 0:07:18 | 0:07:21 | |
Like I said, probably lying low. | 0:07:21 | 0:07:24 | |
And it don't bother you that Roxy could be lying in a ditch somewhere? | 0:07:26 | 0:07:30 | |
-Well, that would be unfortunate. -Hmm. | 0:07:30 | 0:07:32 | |
But that means the ends justify the means, yeah? | 0:07:32 | 0:07:36 | |
And you did all this | 0:07:36 | 0:07:37 | |
cos you wanted to make sure I got to see Amy, right? | 0:07:37 | 0:07:39 | |
-Course. Why else? -I don't know. | 0:07:41 | 0:07:44 | |
It's got nothing to do with you wanting to hurt Roxy. | 0:07:44 | 0:07:48 | |
You know, pay her back for helping David Wicks stitch you up. | 0:07:48 | 0:07:52 | |
Leave off, Jack. You know me, I'm not one to bear a grudge. | 0:07:52 | 0:07:55 | |
No. No, course not. | 0:07:55 | 0:07:57 | |
Because this was all about you wanting me not to turn out | 0:07:57 | 0:08:00 | |
-like you and Chrissy, that's right, innit? -Right. | 0:08:00 | 0:08:04 | |
You ain't got a daughter called Chrissy. | 0:08:04 | 0:08:06 | |
-I was just trying to help. -No, you played me! | 0:08:10 | 0:08:13 | |
-You were going soft. -You don't get it, do you? | 0:08:13 | 0:08:16 | |
What you do to Roxy, you do to Amy. My daughter. | 0:08:16 | 0:08:19 | |
This is the way we do things, Jack. | 0:08:19 | 0:08:21 | |
No. It's the way you do things, all right. I'm not you. | 0:08:21 | 0:08:24 | |
Oh, you can try and convince yourself as much as you like | 0:08:24 | 0:08:26 | |
of that, Jackie boy. | 0:08:26 | 0:08:28 | |
But deep down inside you are just like me. Eh? | 0:08:28 | 0:08:30 | |
We are cut from the same cloth, mate. | 0:08:30 | 0:08:33 | |
-Hearts as dark as pitch. -No, we're not. | 0:08:33 | 0:08:36 | |
Oh, you should be thanking me, eh. | 0:08:36 | 0:08:38 | |
You should be buying me a large brandy | 0:08:38 | 0:08:40 | |
and lighting me a Double Corona. | 0:08:40 | 0:08:42 | |
Not standing there like some whining, little girl. | 0:08:42 | 0:08:45 | |
This is not the way I wanted it! | 0:08:45 | 0:08:46 | |
That's it, Jackie boy. Come on, stick it on me, eh? | 0:08:46 | 0:08:50 | |
That's what you want to do, innit? Come on. | 0:08:50 | 0:08:53 | |
I told you, Jack. | 0:08:54 | 0:08:56 | |
Cut from the same cloth. | 0:08:56 | 0:08:58 | |
Hearts as dark as pitch. | 0:08:59 | 0:09:02 | |
-Lunch is served. -Eggy bread(!) | 0:09:13 | 0:09:15 | |
French toast, if you don't mind. | 0:09:15 | 0:09:17 | |
Do you remember that time you made a whole loaf of it? | 0:09:17 | 0:09:20 | |
We stayed in bed all day, didn't we? | 0:09:20 | 0:09:22 | |
We worked our way through it. | 0:09:22 | 0:09:25 | |
After lunch, I've got a nice treat for you. | 0:09:29 | 0:09:32 | |
You hate that film. | 0:09:35 | 0:09:37 | |
Yeah. But you love it. | 0:09:37 | 0:09:40 | |
Enjoy. | 0:09:43 | 0:09:44 | |
So, happiness is only for skinny, rich people | 0:09:44 | 0:09:47 | |
on the covers of glossy magazines? | 0:09:47 | 0:09:50 | |
No, no, that's not what I meant. | 0:09:50 | 0:09:52 | |
Well, maybe it is. | 0:09:52 | 0:09:55 | |
Maybe I'm just waiting for something to go wrong. | 0:09:55 | 0:09:57 | |
I mean nothing ever goes right for me. | 0:09:57 | 0:09:59 | |
You just don't get it, do you? | 0:09:59 | 0:10:02 | |
You're everything I've ever dreamed of. | 0:10:02 | 0:10:04 | |
-Then why aren't you as excited about the wedding as I am? -I am. | 0:10:06 | 0:10:10 | |
Well, you didn't seem excited when your mum got us those Harleys. | 0:10:10 | 0:10:13 | |
Well, I would've been if Shirley hadn't muscled in. | 0:10:13 | 0:10:15 | |
Yeah, but Shirl's my best mate. | 0:10:15 | 0:10:17 | |
-And I'm your future husband. -It's not a competition. | 0:10:17 | 0:10:20 | |
Well, it feels like it sometimes. | 0:10:20 | 0:10:22 | |
And I always seem to come off second best. | 0:10:22 | 0:10:24 | |
I love you, Andrew, but Shirl's always going to be part of my life | 0:10:26 | 0:10:32 | |
and you're just going to have to accept that. | 0:10:32 | 0:10:34 | |
Oh, what? Twice in one day, this is beginning to be a habit. | 0:10:36 | 0:10:39 | |
-Is Roxy back? -No. -Well, have you heard from her? | 0:10:39 | 0:10:42 | |
What's the matter, Jack? You look worried. | 0:10:42 | 0:10:44 | |
-Have you heard from her? -Something you're not telling me? | 0:10:44 | 0:10:47 | |
-She could be in some trouble. -What sort of trouble? | 0:10:47 | 0:10:49 | |
Look, it weren't my idea, all right. This wasn't my idea. | 0:10:49 | 0:10:52 | |
-Oh, you knew. -Told you he was in on it. | 0:10:52 | 0:10:57 | |
Do you think that's funny? Making me think something's happened to her. | 0:10:57 | 0:10:59 | |
Nearly as funny as you trying to get her hurt in the first place. | 0:10:59 | 0:11:02 | |
-This has got nothing to do with you. -It's got everything to do with me. | 0:11:02 | 0:11:04 | |
No, no, no, stop it. Stop it. | 0:11:04 | 0:11:07 | |
Shirl, it's all right, I'll deal with this, OK? | 0:11:07 | 0:11:10 | |
Come on, then. What? | 0:11:10 | 0:11:13 | |
Roxy, I'm sorry. | 0:11:13 | 0:11:14 | |
Jack, just shut up. Shut... | 0:11:14 | 0:11:17 | |
Argh. | 0:11:21 | 0:11:24 | |
Ah, ooooh. | 0:11:27 | 0:11:29 | |
"Frankly, my dear, I don't give a damn." | 0:11:35 | 0:11:38 | |
"Cos, after all, tomorrow is another day." | 0:11:38 | 0:11:41 | |
I reckon he did though, you know. Give a damn. | 0:11:42 | 0:11:45 | |
Yeah. Just a bit. Oh, that is a long film. | 0:11:45 | 0:11:50 | |
-Is it your neck? -Mmm. | 0:11:52 | 0:11:54 | |
Come here. Come here. | 0:11:57 | 0:12:00 | |
-Where is it? There? -Yeah. | 0:12:04 | 0:12:06 | |
-How's that? All right? -Yeah, it's nice. | 0:12:09 | 0:12:12 | |
Bit better, yeah? | 0:12:16 | 0:12:18 | |
-Argh. -Just stay still, will you? | 0:12:23 | 0:12:26 | |
-I think you broke it. -Good. Good. | 0:12:26 | 0:12:30 | |
So, come on then, huh? What was the plan? What were you going to do? | 0:12:30 | 0:12:33 | |
Were you going to just scare me? Or were you going to hurt me? | 0:12:33 | 0:12:37 | |
Or cripple me? Or worse? What? | 0:12:37 | 0:12:40 | |
Come on. I want to know what a lucky escape I've had. | 0:12:40 | 0:12:44 | |
-I could be dead right now. -Well, you took my daughter, didn't you? | 0:12:44 | 0:12:48 | |
So that makes it all right, does it? | 0:12:48 | 0:12:50 | |
And I didn't take your daughter away. You threw in the towel, Jack. | 0:12:50 | 0:12:53 | |
And why did you do that? Why? Hmm? | 0:12:53 | 0:12:56 | |
-Cos there's no justice in this world any more, is there? -Oh, is that right? | 0:12:56 | 0:13:01 | |
So you think Amy should be with you, do you? | 0:13:01 | 0:13:04 | |
You think you're a fit parent? | 0:13:04 | 0:13:07 | |
Do you think you're a good role model? A good person? | 0:13:07 | 0:13:11 | |
-Well, do you think I'm a bad person? -No. Cos... | 0:13:11 | 0:13:14 | |
Because paying someone to have me hurt | 0:13:14 | 0:13:16 | |
is the act of a really decent human being, Jack. | 0:13:16 | 0:13:18 | |
That wasn't me, was it? | 0:13:18 | 0:13:20 | |
No. It wasn't. | 0:13:22 | 0:13:24 | |
No, it was your big brother. | 0:13:24 | 0:13:27 | |
That sick, twisted man that you let live with you. | 0:13:27 | 0:13:30 | |
You let him stay in your flat. You let him stay in your life. | 0:13:30 | 0:13:32 | |
-I'm not Derek, am I? -No. But you're just as bad as him | 0:13:32 | 0:13:34 | |
so don't try and make out you're any different. | 0:13:34 | 0:13:37 | |
I tried to stop it. | 0:13:39 | 0:13:41 | |
I tried looking for you. I came to tell Shirley the truth. | 0:13:41 | 0:13:44 | |
The truth? | 0:13:44 | 0:13:45 | |
You're... You are like a broken record, Jack. | 0:13:47 | 0:13:50 | |
You're stuck in denial. | 0:13:51 | 0:13:52 | |
I tell you what, yeah, you keep singing that same old tune. | 0:13:52 | 0:13:55 | |
Go on, go for it. Because I tell you what, | 0:13:55 | 0:13:57 | |
nothing is going to take away from the real truth. | 0:13:57 | 0:13:59 | |
And that is, and look at me, yeah? | 0:13:59 | 0:14:01 | |
There is no good left in you any more. | 0:14:01 | 0:14:05 | |
That's not true. | 0:14:07 | 0:14:08 | |
What happened to you, hmm? | 0:14:12 | 0:14:14 | |
JACK SIGHS | 0:14:16 | 0:14:19 | |
I think you'd better go. | 0:14:19 | 0:14:20 | |
-Can I see Amy first? -Are you actually insane? | 0:14:22 | 0:14:26 | |
You are not capable of being around her right now. | 0:14:26 | 0:14:29 | |
God knows what you will do. | 0:14:29 | 0:14:31 | |
What? You think I'd hurt her? | 0:14:33 | 0:14:35 | |
-You think I'd hurt my own daughter? -Ask Penny. | 0:14:35 | 0:14:38 | |
I hope you're not thinking of lighting that up in here. | 0:14:49 | 0:14:53 | |
Perish the thought. One has to stay within the law, doesn't one? | 0:14:55 | 0:15:00 | |
Drink? | 0:15:00 | 0:15:01 | |
Why not? Seeing as you're paying. | 0:15:01 | 0:15:04 | |
Tracey, darling. | 0:15:06 | 0:15:08 | |
A double brandy for the lady. | 0:15:09 | 0:15:11 | |
To new beginnings. | 0:15:20 | 0:15:21 | |
And old enemies. | 0:15:23 | 0:15:24 | |
I like a woman who can handle her drink. Same again? | 0:15:32 | 0:15:36 | |
I'd love to. Only I've got to get back. | 0:15:36 | 0:15:39 | |
I promised Roxy a takeaway. | 0:15:39 | 0:15:42 | |
Oh, by the way, | 0:15:43 | 0:15:46 | |
Andy...sends his regards. | 0:15:48 | 0:15:51 | |
Him and Phil, they go back a long way. | 0:15:52 | 0:15:56 | |
So, no matter how connected you think you are, | 0:15:56 | 0:16:00 | |
Phil will always be top dog around here. | 0:16:00 | 0:16:03 | |
And when he finds out you've crossed the line, | 0:16:03 | 0:16:06 | |
he ain't going to be very happy. | 0:16:06 | 0:16:09 | |
Enjoy your drink. | 0:16:09 | 0:16:11 | |
Hev! | 0:16:28 | 0:16:30 | |
I borrowed it off Tamwar. | 0:16:31 | 0:16:33 | |
What for? | 0:16:35 | 0:16:36 | |
Well, if you're going to ride the Harley at our wedding, | 0:16:36 | 0:16:38 | |
I reckon you need a few lessons first. | 0:16:38 | 0:16:40 | |
-Oh. -Listen, I know we may not exactly be perfect. | 0:16:41 | 0:16:46 | |
But our wedding day's going to be. | 0:16:46 | 0:16:49 | |
And so is the rest of our life together. | 0:16:49 | 0:16:52 | |
Just, erm, one condition. | 0:16:52 | 0:16:55 | |
I get you all to myself on our honeymoon. | 0:16:56 | 0:16:58 | |
Yeah. | 0:16:58 | 0:17:00 | |
I've got something for you. | 0:17:00 | 0:17:02 | |
Here you are. | 0:17:04 | 0:17:06 | |
Put that on, I'll take you for a spin. | 0:17:06 | 0:17:08 | |
Jump on the back, go on. That's it. | 0:17:11 | 0:17:15 | |
-You ready? -Yeah. | 0:17:15 | 0:17:16 | |
Ooh. | 0:17:17 | 0:17:18 | |
Woo. Ha-ha. Woo, woo. Ooh! | 0:17:20 | 0:17:23 | |
Shirl! | 0:17:23 | 0:17:25 | |
You go, Thelma! | 0:17:25 | 0:17:27 | |
Woo. Woo! | 0:17:27 | 0:17:30 | |
Woo-hoo! Woo! | 0:17:33 | 0:17:35 | |
I have booked us a table at the most exclusive restaurant in all of town. | 0:17:39 | 0:17:44 | |
Great. | 0:17:44 | 0:17:46 | |
It's this way. | 0:17:47 | 0:17:48 | |
Come here, come on. | 0:17:51 | 0:17:52 | |
-Really? -Really. | 0:17:54 | 0:17:57 | |
-You ready? -Yes. -Sure? -Hmm-mm. | 0:17:57 | 0:18:01 | |
Voila. | 0:18:02 | 0:18:04 | |
-Oh, Anthony. -Let me take your jacket for you. | 0:18:10 | 0:18:13 | |
Come on, then, up the step. | 0:18:20 | 0:18:21 | |
Hey. | 0:18:27 | 0:18:28 | |
Hello, darling. | 0:18:28 | 0:18:29 | |
I love you, baby. I really love you. | 0:18:34 | 0:18:38 | |
Jack, listen, about what I said earlier, I... | 0:18:39 | 0:18:42 | |
No, you were right. | 0:18:44 | 0:18:45 | |
I'm not fit to be around her. | 0:18:47 | 0:18:49 | |
Love you. | 0:18:51 | 0:18:52 | |
Jack! Jack! | 0:18:59 | 0:19:02 | |
# Ba-da bom-bom. # | 0:19:13 | 0:19:15 | |
-Dinner is served, my lady. -Ooh, what is it? Salmon? Foie gras? Oysters? | 0:19:15 | 0:19:22 | |
No, it's better than that. There you go. | 0:19:22 | 0:19:27 | |
Voila! | 0:19:27 | 0:19:29 | |
-Hmm. -ITALIAN ACCENT: Now, that is just a-like Mamma Moon used to make. | 0:19:29 | 0:19:33 | |
-I didn't know your mum was Italian. -Yeah. She's, you know, from Naples. | 0:19:33 | 0:19:37 | |
Via Romford. | 0:19:37 | 0:19:39 | |
And the finishing touch. | 0:19:39 | 0:19:41 | |
MUSIC: "That's Amore" by Dean Martin | 0:19:44 | 0:19:47 | |
I'm sorry it's not Bella Notte but... | 0:19:47 | 0:19:49 | |
Bella wotty? | 0:19:49 | 0:19:51 | |
You know. Bella Notte. The Beautiful Night. | 0:19:51 | 0:19:54 | |
Come on, you know, in Lady And The Tramp | 0:19:54 | 0:19:57 | |
when they're sitting there eating spaghetti and meatballs. | 0:19:57 | 0:20:00 | |
I've never seen it. | 0:20:00 | 0:20:02 | |
-You've never seen Lady And The Tramp? -Uh-huh. | 0:20:02 | 0:20:06 | |
Well, we'll have to fix that then, won't we? | 0:20:06 | 0:20:08 | |
I've had enough of the Brannings to last me a lifetime. | 0:20:10 | 0:20:13 | |
Rox, Rox, calm down, darling. I'll stick the kettle on, all right. | 0:20:13 | 0:20:16 | |
What happened? Derek Branning still going on about his vodka? | 0:20:16 | 0:20:20 | |
-You know what, I don't even know. -So, what is it then? | 0:20:20 | 0:20:22 | |
ROXY SIGHS | 0:20:22 | 0:20:24 | |
-Can I ask you a question? -Yeah, course you can. | 0:20:26 | 0:20:29 | |
Do you miss Tommy? | 0:20:29 | 0:20:30 | |
Yeah, course I do. Like you wouldn't believe. | 0:20:32 | 0:20:35 | |
And of course Kat. | 0:20:35 | 0:20:36 | |
You wouldn't walk out on him, would you? | 0:20:38 | 0:20:40 | |
No. No, no, I'm Super Alfie, aren't I? Impervious to pain. | 0:20:40 | 0:20:44 | |
I just... | 0:20:47 | 0:20:49 | |
I really want an end to all this fighting, I really do. | 0:20:49 | 0:20:51 | |
Hey. Hey, come on, you. It's all right, come on. | 0:20:51 | 0:20:56 | |
Come on. | 0:20:56 | 0:20:58 | |
You can do this, all right? You know you're strong, yeah? | 0:20:58 | 0:21:02 | |
Look at me. | 0:21:02 | 0:21:03 | |
Yes, you can. | 0:21:06 | 0:21:08 | |
THEY GIGGLE | 0:21:10 | 0:21:12 | |
Thank you. | 0:21:12 | 0:21:14 | |
When did life get like this? When? | 0:21:14 | 0:21:17 | |
You know, it was like yesterday, it was me and Ronnie down there, | 0:21:17 | 0:21:20 | |
behind that bar, having fun. | 0:21:20 | 0:21:22 | |
Who, who, came along and, I don't know, | 0:21:22 | 0:21:24 | |
took away all the fun out of my life? | 0:21:24 | 0:21:26 | |
And now, I haven't even got her to talk to | 0:21:26 | 0:21:28 | |
because I have to get a visiting order first. | 0:21:28 | 0:21:31 | |
Listen, Rox, why don't you go home and just have a few hours off? | 0:21:31 | 0:21:35 | |
-No. No, no, no, I've got a shift. -No, don't worry about that. | 0:21:37 | 0:21:39 | |
I'll make sure Amy gets fed and I'll bring her over to you, OK? | 0:21:39 | 0:21:42 | |
-Really? -Yes, really. | 0:21:42 | 0:21:44 | |
Go home, fill a bath, put some of that bubbly stuff in, | 0:21:44 | 0:21:46 | |
scented candles, bit of nice music. Go on, you go and relax, all right? | 0:21:46 | 0:21:49 | |
-Thank you. -You keep your chin up. You deserve it, OK? Go on, then. | 0:21:49 | 0:21:53 | |
I'll see you later. | 0:21:53 | 0:21:54 | |
-OK. You know where I am if you need me. -All right. | 0:21:54 | 0:21:57 | |
OK, take care. | 0:21:57 | 0:21:59 | |
Babe, it's fine, all right, you don't have to do this. | 0:22:24 | 0:22:27 | |
Sorry. I'm sorry. I can't. | 0:22:46 | 0:22:49 | |
I'm sorry. | 0:22:51 | 0:22:52 | |
Well, just, you know, I just wish you'd make your mind up. | 0:22:54 | 0:22:57 | |
Right, well, thanks. Thanks for being so understanding. | 0:22:57 | 0:22:59 | |
Oh, I've been understanding, ain't I? That's why I said.... | 0:22:59 | 0:23:02 | |
you didn't have to do that. | 0:23:02 | 0:23:03 | |
Do you know what it's like, | 0:23:03 | 0:23:05 | |
not being able to touch the person you love? | 0:23:05 | 0:23:09 | |
Yeah, I do, funnily enough. | 0:23:09 | 0:23:10 | |
Right. | 0:23:12 | 0:23:13 | |
I suppose you'll just do what you normally do - find it somewhere else. | 0:23:15 | 0:23:19 | |
You think I'll cheat on you now? | 0:23:19 | 0:23:21 | |
Why not? You could barely keep it in your trousers | 0:23:21 | 0:23:23 | |
when we were having sex, God knows how you're managing now. | 0:23:23 | 0:23:25 | |
-Tan, this ain't about me, babe. -No. Course not, no. | 0:23:25 | 0:23:28 | |
This is all my fault, innit? | 0:23:28 | 0:23:30 | |
KNOCKING ON DOOR | 0:23:30 | 0:23:31 | |
No, leave it, Max. Leave it. | 0:23:35 | 0:23:38 | |
Look, if it's bad timing, I'll... | 0:23:45 | 0:23:47 | |
No, no, no, come in. | 0:23:47 | 0:23:48 | |
Something I can do for you? | 0:24:13 | 0:24:15 | |
Yeah, close. | 0:24:17 | 0:24:18 | |
But no cigar. | 0:24:21 | 0:24:22 | |
You're a ballsy little cow, ain't you? Hmm? | 0:24:29 | 0:24:32 | |
You are so lucky I'm on licence. | 0:24:34 | 0:24:38 | |
Roxy's right. | 0:24:52 | 0:24:53 | |
Yeah, maybe Amy's better off without me. | 0:24:55 | 0:24:57 | |
Roxy ain't an expert on being a good parent, is she? | 0:24:57 | 0:24:59 | |
So, is this it? | 0:25:02 | 0:25:04 | |
What? You're just going to drink yourself into oblivion. | 0:25:04 | 0:25:07 | |
You're going to waste your life away, feeling sorry for yourself. | 0:25:07 | 0:25:10 | |
Cos then you'll have to explain to Amy why you turned your back on her. | 0:25:10 | 0:25:13 | |
Yeah, well that'll be a hell of a lot easier | 0:25:13 | 0:25:15 | |
than having to explain to my daughter | 0:25:15 | 0:25:16 | |
why she's sitting in a wheelchair for the rest of her life. | 0:25:16 | 0:25:20 | |
I pulled Penny into my world back then, all right? | 0:25:20 | 0:25:23 | |
She paid the price for it. I'm not doing the same to Amy. | 0:25:23 | 0:25:25 | |
You ain't that bloke, you're better than that. | 0:25:25 | 0:25:27 | |
Nah. No, I'm a lot worse now, ain't I? | 0:25:27 | 0:25:29 | |
At least, back then, there was some twisted logic to what I was doing. | 0:25:30 | 0:25:33 | |
Now, I just hurt people for the fun of it. | 0:25:33 | 0:25:36 | |
Roxy was right. | 0:25:39 | 0:25:41 | |
I'm just no good, Max. | 0:25:43 | 0:25:44 | |
Just no good. | 0:25:46 | 0:25:47 | |
Come here, come here. | 0:25:51 | 0:25:53 | |
JACK SOBS | 0:25:55 | 0:25:57 | |
Oh, that was so adorable. | 0:26:02 | 0:26:04 | |
If totally unhygienic. | 0:26:05 | 0:26:07 | |
-I could get used to this staying-in lark. -Yeah? -Mmm. | 0:26:22 | 0:26:26 | |
And thank you... | 0:26:26 | 0:26:28 | |
..for being such a gentleman. | 0:26:29 | 0:26:31 | |
KNOCKING ON DOOR | 0:26:39 | 0:26:40 | |
All right! | 0:26:43 | 0:26:44 | |
Oh, what do you want? Like I couldn't guess. | 0:26:44 | 0:26:48 | |
Jack is in pieces because of you. | 0:26:50 | 0:26:54 | |
What's this? The Branning Brothers closing ranks? | 0:26:54 | 0:26:57 | |
Well, I ain't going to stand by and watch you make a mug of him, all right? | 0:26:57 | 0:27:00 | |
Is that right? | 0:27:00 | 0:27:01 | |
Well, I tell you what, Max, I've already seen off the good | 0:27:01 | 0:27:03 | |
and the bad today, so what does that make you, the ugly? | 0:27:03 | 0:27:06 | |
-Right, so you think this is a joke? -No, I think you are a joke. | 0:27:06 | 0:27:10 | |
Bullying me. Threatening me. | 0:27:10 | 0:27:11 | |
I am not going to be some doormat for you to wipe your feet all over | 0:27:11 | 0:27:14 | |
whenever you want. So, you stand there and you huff and you puff all you like. | 0:27:14 | 0:27:17 | |
Jack has made his choice. | 0:27:17 | 0:27:19 | |
What's the matter? | 0:27:24 | 0:27:25 | |
You seem a bit distracted. You seen something you like? | 0:27:25 | 0:27:29 | |
You think I'd look twice, cheap little tart like you. | 0:27:29 | 0:27:36 | |
It's what you like though, innit? Hmm? | 0:27:36 | 0:27:39 | |
Forbidden fruit. | 0:27:39 | 0:27:40 | |
You can see yourself out. | 0:27:42 | 0:27:44 | |
Subtitles by Red Bee Media Ltd | 0:28:10 | 0:28:13 |