Browse content similar to 12/03/2012. Check below for episodes and series from the same categories and more!
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-Actually, I'll have two. -OK. | 0:00:26 | 0:00:28 | |
All right, Shirl? | 0:00:28 | 0:00:30 | |
Not your usual brand. | 0:00:30 | 0:00:31 | |
They're for Phil. | 0:00:31 | 0:00:33 | |
He ain't wanted to see anyone for weeks. | 0:00:33 | 0:00:36 | |
Five weeks. | 0:00:36 | 0:00:38 | |
And two days. | 0:00:38 | 0:00:39 | |
Not that you're counting, though, right? | 0:00:39 | 0:00:41 | |
Can you take a break? | 0:00:53 | 0:00:55 | |
-What? Now? Not more trouble? -No. | 0:00:55 | 0:00:58 | |
Breakfast. My treat. | 0:00:58 | 0:01:00 | |
You've cooked breakfast? | 0:01:00 | 0:01:02 | |
No, she burnt it. | 0:01:02 | 0:01:03 | |
BEEPING Oh! | 0:01:03 | 0:01:05 | |
-Bunking off again? -He can go to school tomorrow, can't he? | 0:01:06 | 0:01:09 | |
Hold up, my birthday ain't till next week. | 0:01:09 | 0:01:12 | |
Tell you what, how about I buy you breakfast? My treat. | 0:01:12 | 0:01:17 | |
Thought you'd given up. | 0:01:52 | 0:01:55 | |
Given up? Didn't think you knew them words. | 0:01:55 | 0:01:58 | |
-Oh, just get off my back, Dad, please. -Have I hit a sore spot? | 0:01:58 | 0:02:01 | |
Today of all days. | 0:02:01 | 0:02:03 | |
Lauren... | 0:02:07 | 0:02:08 | |
You ready? | 0:02:21 | 0:02:22 | |
Um...yes. Just give me a minute. | 0:02:22 | 0:02:26 | |
Babe, come on. Traffic's going to be a nightmare. | 0:02:26 | 0:02:29 | |
-This is important. -More important than your scan? | 0:02:29 | 0:02:31 | |
Abs has been trying to get through. We keep losing connection. | 0:02:31 | 0:02:34 | |
Here she is! Come sit down. | 0:02:34 | 0:02:36 | |
-Hiya, Mum. Hiya, Dad. -Hello, darling. | 0:02:36 | 0:02:39 | |
Hello, darling. How's the trip? | 0:02:39 | 0:02:41 | |
-Yeah, really...educational. -Yeah? | 0:02:41 | 0:02:44 | |
Yeah. We're seeing lots of interesting places, | 0:02:44 | 0:02:47 | |
a load of old churches and houses... | 0:02:47 | 0:02:49 | |
And boys, and more boys. | 0:02:49 | 0:02:52 | |
Yeah, I was just calling to wish you luck. Not that you'll need it. | 0:02:52 | 0:02:55 | |
Course not. | 0:02:55 | 0:02:57 | |
Um...you're really OK, right? | 0:02:57 | 0:03:00 | |
I'm fighting fit. | 0:03:00 | 0:03:01 | |
Just going to get my coat, actually. | 0:03:01 | 0:03:03 | |
She's really OK, isn't she? | 0:03:06 | 0:03:09 | |
Yeah. Course she is. | 0:03:09 | 0:03:11 | |
Where's Lauren? She's going too, right? | 0:03:11 | 0:03:14 | |
Yeah. When I can drag her away from the mirror. | 0:03:14 | 0:03:16 | |
You know what your sister's like, worse than you. | 0:03:16 | 0:03:19 | |
-DOT: -Yes, that's right. | 0:03:22 | 0:03:24 | |
That amount in that account. | 0:03:25 | 0:03:27 | |
Yes, that'll be all, thank you, for today. Bye-bye. | 0:03:29 | 0:03:32 | |
Put a bit aside, have you? | 0:03:37 | 0:03:39 | |
I hope you have, cos your share of the electricity bill is due. | 0:03:39 | 0:03:43 | |
That is what you should be spending your money on, | 0:03:45 | 0:03:48 | |
not a new hair cut. | 0:03:48 | 0:03:49 | |
It's for the wedding. | 0:03:49 | 0:03:50 | |
Yes, well, it's still extravagant. | 0:03:50 | 0:03:52 | |
Mind you, makes you look a little less mutton dressed up as lamb. | 0:03:52 | 0:03:57 | |
Give us a break, Dot. | 0:03:57 | 0:04:00 | |
Tell that to the meter reader, | 0:04:00 | 0:04:03 | |
shall I? | 0:04:03 | 0:04:04 | |
Five stars the Sundays give this hotel. | 0:04:13 | 0:04:15 | |
I give it three. | 0:04:20 | 0:04:21 | |
That's being generous. | 0:04:21 | 0:04:23 | |
I got some fags in my pocket. | 0:04:31 | 0:04:34 | |
I'll palm them off to you later. | 0:04:34 | 0:04:36 | |
You all right? | 0:04:38 | 0:04:40 | |
"Yeah, how you doing, Shirl?" | 0:04:43 | 0:04:46 | |
Look, I'm not having a pop. | 0:04:49 | 0:04:51 | |
I guessed that you needed some space. | 0:04:51 | 0:04:55 | |
But that's history. This ain't. | 0:04:55 | 0:04:57 | |
I've got a meeting later on with Ritchie. | 0:04:57 | 0:04:59 | |
We still think the best bet is to get Ben in the witness box. | 0:04:59 | 0:05:03 | |
I saw her myself yesterday. | 0:05:04 | 0:05:07 | |
HE GROANS | 0:05:07 | 0:05:08 | |
She never said. What's happened? | 0:05:08 | 0:05:11 | |
They've reduced my charge down to manslaughter. | 0:05:14 | 0:05:17 | |
Well, that's a start. | 0:05:17 | 0:05:19 | |
And I'm pleading guilty. | 0:05:21 | 0:05:22 | |
Hiya. | 0:05:25 | 0:05:27 | |
I just wanted to say... | 0:05:27 | 0:05:29 | |
Yeah, I know. Good luck. | 0:05:29 | 0:05:31 | |
'Cept it's nothing to do with luck, is it? Either good news or it isn't. | 0:05:31 | 0:05:35 | |
Don't know what else to say. | 0:05:37 | 0:05:39 | |
Nothing to say. | 0:05:39 | 0:05:40 | |
Like I said to Abs, I feel all right, the scan'll be all right. | 0:05:40 | 0:05:44 | |
-And the results tomorrow will be all right. -Course they will. | 0:05:44 | 0:05:47 | |
All that nonsense you've been spouting about missing treatments, | 0:05:47 | 0:05:50 | |
-worrying about whether it'll make any difference. -I never said that. | 0:05:50 | 0:05:54 | |
Been thinking it, though. | 0:05:54 | 0:05:57 | |
You obviously have. | 0:05:57 | 0:05:58 | |
Shall we make a move? | 0:06:01 | 0:06:04 | |
-Anyway... -Yep. I know. Good luck. | 0:06:04 | 0:06:06 | |
Don't even think about chasing after her. | 0:06:09 | 0:06:12 | |
I'm not. | 0:06:12 | 0:06:14 | |
She can't have it both ways. | 0:06:14 | 0:06:16 | |
Can't say she don't want to be part of this family | 0:06:16 | 0:06:18 | |
then suddenly decide she does. | 0:06:18 | 0:06:20 | |
She's got to make a choice. | 0:06:20 | 0:06:21 | |
She wants into this family or she don't. | 0:06:21 | 0:06:25 | |
What? April the 1st come early or something? | 0:06:38 | 0:06:41 | |
Phil! | 0:06:43 | 0:06:44 | |
Ritchie reckons we can do a deal. | 0:06:44 | 0:06:46 | |
A what? | 0:06:46 | 0:06:49 | |
If I cop a guilty plea, | 0:06:49 | 0:06:50 | |
I'm looking at eight, maybe ten, tops. | 0:06:50 | 0:06:52 | |
This a wind-up or something? | 0:06:54 | 0:06:55 | |
If I go to trial, I'm looking at 20, maybe even more. | 0:06:55 | 0:07:00 | |
That's not a deal. | 0:07:01 | 0:07:03 | |
That's you rolling over. Giving in. | 0:07:03 | 0:07:05 | |
What's happened? | 0:07:09 | 0:07:12 | |
What's happened is, I've done the sums. | 0:07:12 | 0:07:15 | |
Ten years of this, or 20. | 0:07:15 | 0:07:17 | |
Who did that to you? | 0:07:17 | 0:07:18 | |
Maybe even 25. I think that's what they call a no-brainer, don't you? | 0:07:18 | 0:07:22 | |
So that's it. | 0:07:24 | 0:07:25 | |
Visiting's over. | 0:07:26 | 0:07:28 | |
Thank you, sweetheart. | 0:07:36 | 0:07:37 | |
-Hey! Look, it's Grandad. -Roxanne! So, how was the Caribbean? | 0:07:37 | 0:07:41 | |
Well, Clacton was amazing. | 0:07:41 | 0:07:43 | |
We were building sandcastles in a Force Nine. Can't beat it. | 0:07:43 | 0:07:46 | |
I know what you need, what the doctor's ordered. | 0:07:46 | 0:07:48 | |
I'm going to take Shenice to the park after school. | 0:07:48 | 0:07:51 | |
Tiff and Morgan are coming. We'll do a picnic, the full works. | 0:07:51 | 0:07:54 | |
-Amy would love that. -That's what I was thinking. | 0:07:54 | 0:07:56 | |
-What time? I'll drop her off. -You not coming? | 0:07:56 | 0:07:59 | |
-No, I've got plans. -Plans, eh? | 0:07:59 | 0:08:01 | |
-Plans. -OK. | 0:08:01 | 0:08:03 | |
What are you doing? | 0:08:09 | 0:08:11 | |
Don't creep up on me like that! | 0:08:11 | 0:08:13 | |
Dot's up to something. | 0:08:13 | 0:08:14 | |
She's ain't the only one. | 0:08:14 | 0:08:16 | |
Her nose is out of joint because I came up with the Harley. | 0:08:16 | 0:08:19 | |
Now she is trying to do something for the wedding, to outdo me. | 0:08:19 | 0:08:22 | |
Is that all you got to think about? | 0:08:22 | 0:08:24 | |
Well, I'm not having it. It's my day. | 0:08:24 | 0:08:26 | |
Really? I thought it was Andrew's day. | 0:08:26 | 0:08:30 | |
Well, Andrew is my son! | 0:08:30 | 0:08:32 | |
I've just seen my daughter Tanya. | 0:08:33 | 0:08:36 | |
She's going for her scan today. | 0:08:36 | 0:08:38 | |
SHE SIGHS | 0:08:43 | 0:08:44 | |
It's Kimba time! | 0:08:46 | 0:08:48 | |
Come along. | 0:08:48 | 0:08:49 | |
Dunno why I'm still doing this. With all that money sitting there... | 0:08:52 | 0:08:55 | |
No, darling, it's not just sitting there. | 0:08:55 | 0:08:57 | |
It's earning interest, working. | 0:08:57 | 0:09:00 | |
Just like you. | 0:09:00 | 0:09:01 | |
-That's it? She's gone? -Yep. And not coming back. After all she said about Mandy. | 0:09:02 | 0:09:06 | |
Why did she say it? | 0:09:06 | 0:09:08 | |
Cos she's a vicious, evil old cow. | 0:09:08 | 0:09:10 | |
She weren't trying to put a move on you herself, was she? | 0:09:10 | 0:09:14 | |
-She's Mandy's mum! -So? | 0:09:14 | 0:09:16 | |
-No, that's mother and daughter, that's just sick, innit? -Kimba time? | 0:09:16 | 0:09:20 | |
Yeah? | 0:09:20 | 0:09:21 | |
-Look, she was just making mischief. -Yeah, because...? | 0:09:23 | 0:09:26 | |
I don't know. | 0:09:26 | 0:09:28 | |
Some of the things she said, it made me think, | 0:09:30 | 0:09:33 | |
you know what, here we go again. Cindy, Mel... | 0:09:33 | 0:09:35 | |
-Jane? -Nah, Jane was different. | 0:09:35 | 0:09:38 | |
Yeah, well, I think so. And so does Bobby. | 0:09:38 | 0:09:41 | |
Hmm. | 0:09:41 | 0:09:43 | |
Yeah, Mandy's different. Don't care what her Mum said. | 0:09:43 | 0:09:47 | |
-If Phil pleads guilty... -So it isn't a nightmare? I did hear him say that? | 0:09:47 | 0:09:51 | |
..there won't be a trial. He'll get credit for remorse. | 0:09:51 | 0:09:53 | |
-For something he didn't do. -A guilty plea means a reduced sentence. | 0:09:53 | 0:09:57 | |
You're not listening, Ritchie. He shouldn't be being sentenced at all. | 0:09:57 | 0:10:01 | |
Plead not guilty, he'll be in court for weeks, | 0:10:01 | 0:10:03 | |
and if he's found guilty, we'll have nothing to bargain with | 0:10:03 | 0:10:06 | |
so he won't get out this side of his bus pass. | 0:10:06 | 0:10:09 | |
If he pleads guilty, he'll be lucky to get out at all! | 0:10:09 | 0:10:13 | |
I didn't know he'd been attacked, he never said anything to me. | 0:10:13 | 0:10:17 | |
Listen to us. This is Phil Mitchell we're talking about, | 0:10:17 | 0:10:19 | |
getting attacked, holding his hands up... | 0:10:19 | 0:10:22 | |
This ain't real. | 0:10:22 | 0:10:24 | |
I can try and get him moved somewhere. | 0:10:24 | 0:10:26 | |
Yeah? And how many times is he going to fall over on the way? | 0:10:26 | 0:10:30 | |
We need to get Ben in that witness box, | 0:10:30 | 0:10:33 | |
get a brief that'll turn the screws on him and make him crumble. | 0:10:33 | 0:10:36 | |
-Which is what you said before. -What? | 0:10:36 | 0:10:38 | |
When you pressurised him into visiting Phil. | 0:10:38 | 0:10:41 | |
Put them together, Ben'll fold, no sweat, you said. | 0:10:41 | 0:10:44 | |
Only he didn't, did he? What if it's the same story in court? | 0:10:44 | 0:10:47 | |
What if he really does turn out to be a chip off the old block? | 0:10:47 | 0:10:51 | |
TEXT MESSAGE BEEPS | 0:10:53 | 0:10:54 | |
Are you allowed to use that in here? | 0:10:56 | 0:10:58 | |
Everyone else does. | 0:10:58 | 0:11:01 | |
What if the machine blows up or something? | 0:11:01 | 0:11:04 | |
All them dials suddenly start pointing north, I'll blame you. | 0:11:05 | 0:11:09 | |
It's only work. | 0:11:11 | 0:11:12 | |
It'll keep. | 0:11:15 | 0:11:16 | |
If this is bad news... | 0:11:24 | 0:11:26 | |
-It ain't gonna be. -I know. | 0:11:27 | 0:11:29 | |
-But if it is... -Tan, please. | 0:11:31 | 0:11:33 | |
You could cope, couldn't you? | 0:11:36 | 0:11:38 | |
Ready for you now. | 0:11:41 | 0:11:42 | |
See you in a bit. | 0:11:44 | 0:11:46 | |
I think it's for Nick. | 0:12:07 | 0:12:09 | |
So? A mother should look after her child. | 0:12:09 | 0:12:12 | |
He was never a child. He was born a monster and stayed one. | 0:12:12 | 0:12:17 | |
Is this any of your business? | 0:12:17 | 0:12:18 | |
You didn't see how much money she was putting away. | 0:12:18 | 0:12:22 | |
And if it is for Nick, he's bleeding her dry. | 0:12:22 | 0:12:24 | |
It's up to her what she wants to spend her money on. | 0:12:24 | 0:12:28 | |
There are better things. | 0:12:28 | 0:12:30 | |
Like you, you mean? | 0:12:30 | 0:12:32 | |
No. | 0:12:32 | 0:12:34 | |
Mind you, that Harley did cost a bit. | 0:12:34 | 0:12:36 | |
But it is paid for? | 0:12:36 | 0:12:38 | |
Ain't it? | 0:12:39 | 0:12:41 | |
Hev. | 0:12:47 | 0:12:48 | |
We're going down the florist. | 0:12:48 | 0:12:50 | |
Incredible. I said, "Hev," and you answered without moving your lips. | 0:12:50 | 0:12:54 | |
-Sorry, Shirl. We're running late. -I need you to do something. | 0:12:54 | 0:12:57 | |
Got a problem with your hearing? She told you, we're late. | 0:12:57 | 0:13:00 | |
Is something wrong? | 0:13:00 | 0:13:02 | |
Yeah. Very wrong. | 0:13:02 | 0:13:04 | |
TEXT MESSAGE BEEPS | 0:13:14 | 0:13:16 | |
Come to gloat, have you? | 0:13:37 | 0:13:39 | |
Just collecting a couple of final statements. | 0:13:39 | 0:13:42 | |
Dotting the "i"s, crossing the "t"s. | 0:13:42 | 0:13:44 | |
-Putting the final nail in the coffin. -You heard about the change of plea? | 0:13:44 | 0:13:48 | |
Phil's pleading guilty to something he didn't do, whatever Ben says. | 0:13:48 | 0:13:52 | |
And you know that. | 0:13:52 | 0:13:53 | |
-But if you can't get him one way, then... -Any which way will do? | 0:13:53 | 0:13:57 | |
Never occurred to me. | 0:13:57 | 0:13:59 | |
He'll be in good company, though, if that's any comfort. | 0:14:00 | 0:14:03 | |
Lots of career criminals get done for all sorts in the end. | 0:14:03 | 0:14:07 | |
They got Al Capone on a dodgy tax return. | 0:14:07 | 0:14:10 | |
Don't even think about it. | 0:14:13 | 0:14:14 | |
Ben! | 0:14:14 | 0:14:17 | |
Listen, your dad's been beaten up. | 0:14:17 | 0:14:19 | |
Shirl can't tell you herself. She can't come within a mile of you. | 0:14:19 | 0:14:23 | |
Ben, he's still your dad. | 0:14:23 | 0:14:24 | |
Yeah? And he's still a murderer. | 0:14:24 | 0:14:27 | |
-Oh! -Hello. | 0:14:29 | 0:14:31 | |
-Been out for lunch? -What? | 0:14:31 | 0:14:33 | |
Anywhere nice? | 0:14:33 | 0:14:34 | |
No. | 0:14:34 | 0:14:36 | |
You do surprise me. | 0:14:36 | 0:14:37 | |
What are you talking about? | 0:14:37 | 0:14:38 | |
-Well, you know what they say, if you've got it... -Got what? | 0:14:38 | 0:14:42 | |
You know what you remind me of? | 0:14:42 | 0:14:44 | |
A little squirrel. | 0:14:44 | 0:14:45 | |
A squirrel? | 0:14:45 | 0:14:47 | |
Hoarding its nuts. | 0:14:47 | 0:14:49 | |
Do you know what she's going on about, Cora? | 0:14:49 | 0:14:51 | |
-Got an idea, yeah. -What's that, then? -Let her tell you. | 0:14:51 | 0:14:54 | |
I've just got to get off, actually. | 0:14:54 | 0:14:57 | |
You ain't been snooping in my bag, have you? | 0:14:57 | 0:14:59 | |
Have you something to hide, then? | 0:14:59 | 0:15:01 | |
-No, I have not. -I've got to go. | 0:15:01 | 0:15:03 | |
You miserable old miser. | 0:15:05 | 0:15:07 | |
Did it go all right? | 0:15:20 | 0:15:22 | |
Well, machine didn't explode. So your phone must have been all right. | 0:15:22 | 0:15:25 | |
Never mind my phone, you OK? | 0:15:25 | 0:15:26 | |
Let's ask the expert, shall we? | 0:15:26 | 0:15:29 | |
Old fusspot here wants to know if everything's all right? | 0:15:29 | 0:15:32 | |
The consultant will talk to you tomorrow. | 0:15:32 | 0:15:35 | |
She can't tell you before he does, you know that. | 0:15:42 | 0:15:45 | |
Tanya? | 0:15:46 | 0:15:47 | |
Yes. I know. Yeah. | 0:15:48 | 0:15:50 | |
Cheers, mate. | 0:15:56 | 0:15:57 | |
Here, Shirl, is it right what I heard about Phil? | 0:15:57 | 0:15:59 | |
Take that as a yes, then. | 0:15:59 | 0:16:02 | |
You're as bad as that copper. | 0:16:02 | 0:16:05 | |
Do you mind? I'm particular about the company I keep, | 0:16:06 | 0:16:10 | |
I find it helps my digestion. | 0:16:10 | 0:16:11 | |
Yeah, Phil can't keep anything down at the minute. | 0:16:11 | 0:16:15 | |
Might be due to the rabbit punches he got to the kidneys. | 0:16:15 | 0:16:18 | |
I don't want him hurt, OK? I just want justice. | 0:16:18 | 0:16:21 | |
Marsden's justice? | 0:16:21 | 0:16:23 | |
Even though he hasn't done anything, you still want to get him sent down? | 0:16:23 | 0:16:26 | |
I'd have preferred to have got him for Kevin. | 0:16:26 | 0:16:30 | |
-Wasn't exactly a choirboy himself. -So this'll have to do. | 0:16:30 | 0:16:33 | |
So that's it, is it? | 0:16:36 | 0:16:37 | |
Black is white. | 0:16:38 | 0:16:39 | |
You're going to tell the whole world an innocent man is guilty. | 0:16:39 | 0:16:43 | |
Innocent? | 0:16:43 | 0:16:45 | |
Is that why he pleaded guilty? | 0:16:45 | 0:16:47 | |
He's pleading guilty because he's being crushed. | 0:16:47 | 0:16:50 | |
By you, by Ben, by Marsden, by everybody. | 0:16:50 | 0:16:52 | |
Inside and out. | 0:16:54 | 0:16:55 | |
Shirl. | 0:17:00 | 0:17:02 | |
I understand why you're doing this. | 0:17:02 | 0:17:05 | |
It's cos you love him. | 0:17:05 | 0:17:06 | |
And that's why I'm doing this too. I loved Kevin. | 0:17:06 | 0:17:10 | |
And that's fair enough, you know, cos that's what we do. | 0:17:10 | 0:17:14 | |
We look out for our own. | 0:17:14 | 0:17:15 | |
I just wanted to say thanks. | 0:17:23 | 0:17:25 | |
You know, for you sticking up for me with Mum. | 0:17:25 | 0:17:29 | |
Yeah, I had to pop to the cash and carry. | 0:17:30 | 0:17:32 | |
Oh, yeah, course you did. | 0:17:32 | 0:17:34 | |
But, um, thanks anyway. | 0:17:34 | 0:17:37 | |
She sounded genuine. | 0:17:41 | 0:17:43 | |
Yeah, so did Cindy at the start. | 0:17:44 | 0:17:46 | |
I'm not trying to get my hands on your money. | 0:17:52 | 0:17:54 | |
Obviously I'd like a little bit extra for the wedding. | 0:17:55 | 0:17:58 | |
I'm Andrew's mum. | 0:17:58 | 0:18:00 | |
-If I had it, I'd give him everything. -Why? | 0:18:00 | 0:18:04 | |
That's a funny thing to say. | 0:18:04 | 0:18:06 | |
Cos I want him to have the best day of his life. | 0:18:06 | 0:18:09 | |
You can't buy his love, Rose. | 0:18:09 | 0:18:12 | |
Anyway, you don't have to, cos you've got it already. | 0:18:12 | 0:18:15 | |
Is that what you're trying to do with your Nick? | 0:18:15 | 0:18:18 | |
No. I am not. | 0:18:18 | 0:18:21 | |
It's for a rainy day. | 0:18:21 | 0:18:23 | |
What's the point in saving for a rainy day? | 0:18:23 | 0:18:25 | |
Let's just have the sunny days, Dot. | 0:18:25 | 0:18:28 | |
Why don't you just... leave him alone for a bit? | 0:18:37 | 0:18:40 | |
Don't look like I've got much choice, does it? | 0:18:40 | 0:18:43 | |
He just needs time. | 0:18:43 | 0:18:45 | |
He's always done it. Every woman he's been involved with, | 0:18:45 | 0:18:48 | |
he puts them on a sort of pedestal | 0:18:48 | 0:18:52 | |
and then it's not easy, is it, when they fall off? | 0:18:52 | 0:18:55 | |
I won't fall off. | 0:18:57 | 0:18:58 | |
Won't be on one in the first place. | 0:19:00 | 0:19:02 | |
Oh, come on, Lucy. | 0:19:02 | 0:19:04 | |
All right, I'm not as bad as my mum was making out | 0:19:04 | 0:19:07 | |
but I'm no saint either. You know that. | 0:19:07 | 0:19:09 | |
So does your dad. | 0:19:09 | 0:19:11 | |
So, how can I fall anywhere? | 0:19:12 | 0:19:16 | |
I'm already on the floor. | 0:19:17 | 0:19:19 | |
-What if it is Phil's best chance? -Saying he's guilty when he ain't? | 0:19:25 | 0:19:29 | |
-He will get out quicker. -And we just throw in the towel? | 0:19:29 | 0:19:32 | |
Some people would call it boxing clever. | 0:19:32 | 0:19:34 | |
And some'd call it chucking him to the wolves. | 0:19:34 | 0:19:36 | |
Phil's a big boy. He can see off a few chancers. | 0:19:36 | 0:19:39 | |
Jay's right, he won't turn into a wuss. | 0:19:39 | 0:19:41 | |
Come on, Billy, he's the wrong side of fifty. | 0:19:41 | 0:19:43 | |
There's a lot of young bucks in that place, | 0:19:43 | 0:19:46 | |
all wanting to get a reputation. | 0:19:46 | 0:19:48 | |
What better way of doing it than taking out one of the old guard? | 0:19:48 | 0:19:52 | |
KNOCK AT THE DOOR We can't let that happen. | 0:19:52 | 0:19:55 | |
Did you see him? | 0:19:59 | 0:20:02 | |
And? | 0:20:02 | 0:20:03 | |
I tried, Shirl, I really did, but he didn't want to know. | 0:20:03 | 0:20:06 | |
What's it going to do him, eh? Watching his dad go down? | 0:20:06 | 0:20:09 | |
He's still Phil's son, no matter what. | 0:20:09 | 0:20:11 | |
What happened to your hot date? | 0:20:23 | 0:20:25 | |
I didn't have a hot date. | 0:20:25 | 0:20:26 | |
I was supposed to have a hair appointment, actually. | 0:20:26 | 0:20:29 | |
Roxanne didn't get her roots done. | 0:20:29 | 0:20:31 | |
-What a tragedy! -You should try getting your roots done, | 0:20:31 | 0:20:33 | |
-all the grey bits! -Thank you. | 0:20:33 | 0:20:35 | |
It's not too late if you want to come with us. | 0:20:35 | 0:20:37 | |
I have prepared - wait for this - | 0:20:37 | 0:20:39 | |
some beautiful, top of the range, OK...beef paste sandwiches. | 0:20:39 | 0:20:43 | |
-Bleurgh! -Wait for it! | 0:20:43 | 0:20:45 | |
I've got some Scotch eggs - little bit out of date. | 0:20:45 | 0:20:48 | |
You know what? | 0:20:49 | 0:20:51 | |
I have nothing better to do. | 0:20:51 | 0:20:53 | |
-You don't have to if you don't want to. -I said, didn't I? | 0:20:53 | 0:20:57 | |
-You said, "I've nothing better to do." -Exactly. | 0:20:57 | 0:20:59 | |
Hey, beautiful, want some crisps? | 0:20:59 | 0:21:01 | |
-What do you want? -A word. | 0:21:08 | 0:21:09 | |
-You can have two. Get lost. -It's about Ben. -No. It's about Phil. | 0:21:09 | 0:21:12 | |
-It always is with you. -I still need a word. -It's still get lost. | 0:21:12 | 0:21:16 | |
GLASS SMASHES | 0:21:20 | 0:21:21 | |
What? | 0:21:21 | 0:21:23 | |
-You need a glazier. -Shirley! -Don't worry, we'll pay for it. | 0:21:24 | 0:21:27 | |
-What are you doing? -We need to talk. | 0:21:27 | 0:21:30 | |
Sit down. | 0:21:30 | 0:21:32 | |
I know you don't think much of me and Phil. | 0:21:35 | 0:21:38 | |
But at least when Ben was living with us, | 0:21:38 | 0:21:41 | |
he weren't under the same roof as a prossie. | 0:21:41 | 0:21:43 | |
-Mandy is not... -A brass? | 0:21:43 | 0:21:45 | |
Say it like you mean it, Ian. | 0:21:45 | 0:21:48 | |
Anyway... | 0:21:48 | 0:21:49 | |
Apart from the company you're keeping, | 0:21:51 | 0:21:54 | |
I'm hoping to find a streak of decency in you | 0:21:54 | 0:21:57 | |
to use to get through to your brother. | 0:21:57 | 0:21:59 | |
So you can get him to do what you want? | 0:21:59 | 0:22:01 | |
No. Do what you did yourself. | 0:22:01 | 0:22:03 | |
Remember? When Phil had the heart attack? | 0:22:03 | 0:22:06 | |
You could have left him to die. | 0:22:06 | 0:22:08 | |
Yeah, shame I didn't. | 0:22:08 | 0:22:10 | |
I know you thought about it because Phil told me. | 0:22:10 | 0:22:13 | |
You could've turned your back, walked away, and that would've been that. | 0:22:13 | 0:22:18 | |
But you didn't, did you? | 0:22:18 | 0:22:20 | |
Why? | 0:22:20 | 0:22:21 | |
I wasn't thinking straight. | 0:22:23 | 0:22:25 | |
No, cos you couldn't live with yourself. | 0:22:25 | 0:22:27 | |
Cos it would have eaten you away. | 0:22:27 | 0:22:29 | |
Terrified your life would become a bigger nightmare | 0:22:29 | 0:22:32 | |
even without Phil on the Square, and you knew that. | 0:22:32 | 0:22:35 | |
What's going to happen in a couple of months, Ian? | 0:22:37 | 0:22:40 | |
When Ben has to go to his old man's funeral. | 0:22:40 | 0:22:42 | |
-When he what? -When he looks at the coffin. | 0:22:42 | 0:22:44 | |
-Hold on. What is all this? -And says to himself, "I did that, | 0:22:44 | 0:22:47 | |
"I put him there." What's that going to do to him? | 0:22:47 | 0:22:50 | |
Probably get him free drinks for life in the Vic. | 0:22:50 | 0:22:53 | |
I am serious about Phil, about Ben, | 0:22:53 | 0:22:55 | |
about protecting that pathetic little prat from himself. | 0:22:55 | 0:22:58 | |
If you care about him like you say, you got to listen very carefully. | 0:22:58 | 0:23:02 | |
Aren't you forgetting what Phil did to Stella? | 0:23:02 | 0:23:04 | |
So Ben says. | 0:23:04 | 0:23:05 | |
He's saying it because it's true. | 0:23:05 | 0:23:07 | |
He's saying it because he's a stupid, messed-up kid. | 0:23:07 | 0:23:10 | |
No. He's a decent kid. How he's turned out like that | 0:23:10 | 0:23:12 | |
living under the same roof as Phil for I don't know how long, | 0:23:12 | 0:23:15 | |
but he has. He's telling the truth. | 0:23:15 | 0:23:17 | |
What's she doing here? | 0:23:17 | 0:23:19 | |
-Just having a chat. -I'm calling Marsden. | 0:23:19 | 0:23:22 | |
No, it's all right. I'm going. | 0:23:22 | 0:23:24 | |
Send us the bill for that window. Make it quick. | 0:23:24 | 0:23:27 | |
Dead men don't write cheques. | 0:23:27 | 0:23:30 | |
I'm just wondering if Abs is going to call again. | 0:23:40 | 0:23:43 | |
What, with all those old houses and churches to look at? | 0:23:43 | 0:23:46 | |
Yeah. I'll try her again later, | 0:23:46 | 0:23:48 | |
just let her know everything went fine. | 0:23:48 | 0:23:53 | |
You don't think it did, do you? | 0:23:57 | 0:23:59 | |
I never said that. | 0:24:00 | 0:24:01 | |
You don't have to, it's written all over your face. | 0:24:01 | 0:24:05 | |
She was a new radiographer. | 0:24:05 | 0:24:07 | |
The last one was more chatty and this one... | 0:24:07 | 0:24:11 | |
just more professional, wasn't she? | 0:24:11 | 0:24:14 | |
Could you hold it together? | 0:24:17 | 0:24:20 | |
What? | 0:24:20 | 0:24:21 | |
The family, | 0:24:21 | 0:24:22 | |
if anything happens to me? | 0:24:22 | 0:24:25 | |
-Babe, it won't. -There you go again. "It'll be fine, forget about it. | 0:24:25 | 0:24:28 | |
"Let's have a tea, watch telly, ring a mate about a motor." | 0:24:28 | 0:24:31 | |
-I know you're scared... -No, I'm terrified, Max. | 0:24:31 | 0:24:34 | |
And not just for me. For all of you. | 0:24:34 | 0:24:37 | |
Why did you say all that earlier? | 0:24:37 | 0:24:39 | |
What? | 0:24:39 | 0:24:40 | |
"She has to choose. She's with us or she's not." Lauren's our daughter. | 0:24:40 | 0:24:44 | |
-Tell her that. -Listen to yourself. You're making it worse. | 0:24:44 | 0:24:47 | |
-Takes two, don't it? -You're old enough to know better. | 0:24:47 | 0:24:51 | |
What am I supposed to say? | 0:24:51 | 0:24:52 | |
You just talk to her, Max. Properly. | 0:24:52 | 0:24:55 | |
You don't just yell at her. | 0:24:55 | 0:24:56 | |
And if she yells at you, then you talk to her some more. | 0:24:56 | 0:24:59 | |
I wish you'd just said all that earlier. | 0:25:03 | 0:25:05 | |
I shouldn't have to, should I? | 0:25:05 | 0:25:07 | |
That's the point. | 0:25:07 | 0:25:09 | |
I shouldn't have to. | 0:25:10 | 0:25:12 | |
Me? I'd have just done it. And that's the trouble. | 0:25:12 | 0:25:15 | |
If I'm not here to do it, who else will? | 0:25:15 | 0:25:17 | |
And yes. That really terrifies me. | 0:25:17 | 0:25:21 | |
Hello! | 0:25:36 | 0:25:37 | |
-ALFIE: -Hold hands crossing the road. | 0:25:37 | 0:25:40 | |
ROXY: Ready? | 0:25:40 | 0:25:41 | |
-Make sure you hold hands. -Come on, Grandad. | 0:25:41 | 0:25:43 | |
Come on, let's go. | 0:25:43 | 0:25:45 | |
Ready? | 0:25:52 | 0:25:53 | |
-One-nil! -And again. | 0:25:53 | 0:25:55 | |
What exactly did she want? | 0:25:57 | 0:25:59 | |
What do you think? She wanted you to lie down and roll over. | 0:25:59 | 0:26:02 | |
Wants you to hold your hands up, say, "I got it wrong," | 0:26:02 | 0:26:05 | |
and then the great Missing Link can come home. | 0:26:05 | 0:26:08 | |
And you know what the best bit was? She was actually trying to say | 0:26:08 | 0:26:11 | |
that she was doing it for you. That she was thinking of you. | 0:26:11 | 0:26:15 | |
Two can play at that game. | 0:26:17 | 0:26:19 | |
Cos we are going to report this, right? If we're going to do it, | 0:26:19 | 0:26:23 | |
we might as well make it look good. | 0:26:23 | 0:26:24 | |
Or bad. | 0:26:24 | 0:26:26 | |
We don't need to do that. We don't need to play their games | 0:26:26 | 0:26:29 | |
and Phil Mitchell is not coming home. | 0:26:29 | 0:26:32 | |
Do you know how good that sounds? | 0:26:32 | 0:26:35 | |
I know you've had your problems with him, | 0:26:35 | 0:26:37 | |
but I've been having problems with him for years. | 0:26:37 | 0:26:41 | |
Yeah, well, not any more. | 0:26:41 | 0:26:43 | |
Say it again, sounds fantastic. | 0:26:43 | 0:26:45 | |
No Phil. | 0:26:45 | 0:26:46 | |
Walford, a Phil Mitchell-free zone. | 0:26:46 | 0:26:49 | |
Why didn't you do anything before? I mean, it didn't take much, did it? | 0:26:51 | 0:26:55 | |
I could've sorted this for you months ago, | 0:26:55 | 0:26:58 | |
a little word in the right ear. | 0:26:58 | 0:27:00 | |
Sorted what? | 0:27:00 | 0:27:01 | |
Phil and Stella. | 0:27:01 | 0:27:02 | |
It was the chance Marsden's been looking for. | 0:27:03 | 0:27:06 | |
She was practically slobbering at the mouth. | 0:27:06 | 0:27:08 | |
Well, yeah, but that's because of what happened. | 0:27:08 | 0:27:12 | |
Phil and Stella. | 0:27:12 | 0:27:13 | |
Wasn't it? | 0:27:14 | 0:27:15 | |
No. That was a pack of lies, | 0:27:15 | 0:27:18 | |
but, come on, look at you. | 0:27:18 | 0:27:21 | |
Ain't it worth it? | 0:27:21 | 0:27:22 | |
HE CHUCKLES | 0:27:22 | 0:27:24 | |
Subtitles by Red Bee Media Ltd | 0:27:48 | 0:27:50 |