Browse content similar to 21/03/2012. Check below for episodes and series from the same categories and more!
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How could she stay angry with you, | 0:01:48 | 0:01:51 | |
when you've worked so hard to mend it? | 0:01:51 | 0:01:54 | |
-What's it like being inside? Bet you got stories. -Lola! He just got out. | 0:02:02 | 0:02:06 | |
So? | 0:02:06 | 0:02:07 | |
You wake up. You sit. You think. | 0:02:08 | 0:02:11 | |
You wash. You eat. You sleep. | 0:02:11 | 0:02:14 | |
Lights go on. Lights go off. It don't matter. | 0:02:14 | 0:02:17 | |
That what bedtime stories were like growing up, Ben? | 0:02:17 | 0:02:19 | |
Explains a lot, don't it. | 0:02:19 | 0:02:21 | |
At first, you're trapped inside a prison. | 0:02:21 | 0:02:24 | |
Then...then inside your cell. Them same walls. | 0:02:24 | 0:02:28 | |
In the end, you're trapped inside your own head. | 0:02:30 | 0:02:34 | |
Thoughts bouncing round your skull. Like echoes, on and on. | 0:02:34 | 0:02:38 | |
Well, you've got to give it to them Masoods. | 0:02:44 | 0:02:48 | |
-They make a lovely ruby. -I thought I was the one supposed to be pregnant. | 0:02:48 | 0:02:51 | |
I'm going to be giving birth to something else in the morning. | 0:02:51 | 0:02:55 | |
-I hope Shirley and Heather aren't rowing again. -They'll be all right. | 0:02:55 | 0:02:58 | |
-Chuck a couple of plates, make up. Standard. -I'm getting on to the tabloids. | 0:02:58 | 0:03:01 | |
Heather Trott Misses Dinner Shocker. | 0:03:01 | 0:03:04 | |
Will you stop it?! | 0:03:04 | 0:03:06 | |
You want to clear the table? | 0:03:08 | 0:03:10 | |
I was just having a laugh. | 0:03:10 | 0:03:13 | |
A laugh? | 0:03:13 | 0:03:15 | |
I think Heather will look beautiful in her wedding dress. | 0:03:15 | 0:03:17 | |
-LOLA: Yeah, squeezing down the aisle! -Hey! | 0:03:17 | 0:03:20 | |
She deserves every bit of happiness she can get, that girl. | 0:03:20 | 0:03:23 | |
Don't you think we should find out where they are? | 0:03:23 | 0:03:26 | |
I said clear the table, eh? | 0:03:26 | 0:03:28 | |
So what's for dessert, then? | 0:03:31 | 0:03:33 | |
Sticky toffee pudding! | 0:03:33 | 0:03:36 | |
Oh, no! The words every woman dreads. Where is it? | 0:03:36 | 0:03:41 | |
You trying to look suss or what, eh? | 0:03:47 | 0:03:49 | |
One minute you're giving me evils for laughing, the next you're telling me I'm looking suss. | 0:03:49 | 0:03:53 | |
What exactly do you want me to do? | 0:03:53 | 0:03:55 | |
We've got to get over to that flat. What if she's called the police? | 0:03:59 | 0:04:03 | |
-They'll know we were there! Our fingerprints... -All right, yeah? | 0:04:03 | 0:04:08 | |
DOOR OPENING | 0:04:08 | 0:04:10 | |
Sorry, er... | 0:04:11 | 0:04:14 | |
You don't mind us celebrating your release, do you? | 0:04:14 | 0:04:17 | |
Look, I know it can't be easy, | 0:04:17 | 0:04:21 | |
but it's good you're trying. | 0:04:21 | 0:04:25 | |
Right. | 0:04:25 | 0:04:27 | |
Now, we go over there when I say, all right? | 0:04:31 | 0:04:34 | |
Bubbly is up! | 0:04:42 | 0:04:44 | |
Oh, really? Look, we should wait for Shirley, surely. | 0:04:44 | 0:04:46 | |
BOTH: Shirley surely! | 0:04:46 | 0:04:48 | |
-I'll go and check on her. -There's another bottle in the fridge. | 0:04:48 | 0:04:52 | |
-Is there? Oh, go on, then! -This isn't fair. Wish I could have some. | 0:04:52 | 0:04:55 | |
Yeah, well, you do the crime, you serve the time. | 0:04:55 | 0:04:58 | |
Ha! | 0:04:58 | 0:05:00 | |
CORK POPPING | 0:05:00 | 0:05:02 | |
THEY CHEER | 0:05:02 | 0:05:03 | |
Shirl! Hey, what's going on? | 0:05:13 | 0:05:17 | |
-How long you been there? You gave me a fright. -You OK? | 0:05:17 | 0:05:21 | |
-Hello, Georgey. -Let me take him. | 0:05:21 | 0:05:24 | |
Shirley? | 0:05:24 | 0:05:26 | |
She's...she's got blood on her! | 0:05:27 | 0:05:29 | |
What? Shirl? Shirl? George? | 0:05:29 | 0:05:32 | |
-You tell me right now. Are you OK? -Shirley? Is he all right? | 0:05:32 | 0:05:37 | |
Phil... Heather. | 0:05:37 | 0:05:40 | |
You look after her, yeah? | 0:05:40 | 0:05:42 | |
-Lola, call an ambulance. -Boys. Boys! | 0:05:42 | 0:05:45 | |
Come on, what are we waiting for? Go! | 0:05:45 | 0:05:48 | |
Shirl? Shirl, let me take George. Let me take him. | 0:05:48 | 0:05:53 | |
Do you think they suspected anything? | 0:06:15 | 0:06:18 | |
It's like you've done this before. | 0:06:18 | 0:06:19 | |
-Don't be stupid, Jay. Look, come on. -I ain't going over there! | 0:06:19 | 0:06:23 | |
You've got to. How else are you going to explain the DNA? | 0:06:23 | 0:06:26 | |
I can't go over there. | 0:06:26 | 0:06:29 | |
We could get a car from the Arches, you know. Do a runner. | 0:06:29 | 0:06:32 | |
-They'll know it was us, then! -They'll know if we don't go to the flat. | 0:06:32 | 0:06:35 | |
Our DNA's all over it. | 0:06:35 | 0:06:38 | |
Will you stop saying DNA like this is a film? | 0:06:38 | 0:06:41 | |
I ain't going over there, yeah? There's police there, people there... | 0:06:41 | 0:06:44 | |
She's there. | 0:06:44 | 0:06:46 | |
Well, maybe it won't be that bad. | 0:06:48 | 0:06:50 | |
Do you know what you've done? Do you really know? | 0:06:50 | 0:06:53 | |
I've saved our family. Look, Dad's on his way there now. | 0:06:53 | 0:06:57 | |
He didn't have to do what he did. He's risking prison for this, Jay. | 0:06:57 | 0:07:01 | |
If we don't go there, he could get done himself! | 0:07:01 | 0:07:03 | |
Look. We'll do this together, all right? Like Dad said, | 0:07:05 | 0:07:10 | |
everything together from now on. | 0:07:10 | 0:07:12 | |
Look, you've just got to... | 0:07:12 | 0:07:14 | |
You've just got to block it out. | 0:07:14 | 0:07:18 | |
Come on. | 0:07:18 | 0:07:20 | |
This has been kicked in. | 0:07:38 | 0:07:40 | |
-Heather! -Where is she? | 0:07:44 | 0:07:46 | |
Hev! | 0:07:46 | 0:07:48 | |
Oh, no. | 0:07:48 | 0:07:49 | |
Phil, why's she laying down? | 0:07:51 | 0:07:54 | |
She's gone. | 0:07:54 | 0:07:55 | |
Don't say that. She can't be. She's getting married tomorrow! | 0:07:55 | 0:07:59 | |
Where is she? | 0:07:59 | 0:08:01 | |
-Ben, don't look. -What's happened? | 0:08:01 | 0:08:03 | |
-Jay, don't look. -Heather! Get up! | 0:08:03 | 0:08:07 | |
-Heather! -I mean, who...? | 0:08:09 | 0:08:12 | |
-Just call an ambulance. -Lola's calling one. | 0:08:12 | 0:08:16 | |
Yeah, well, make sure! | 0:08:16 | 0:08:17 | |
Jay, get some of George's things. Get his coat. | 0:08:17 | 0:08:22 | |
Ben, check the bedroom. | 0:08:22 | 0:08:25 | |
Ben! | 0:08:25 | 0:08:27 | |
Hello? Yeah, we need an ambulance. | 0:08:27 | 0:08:29 | |
We might have called one already. | 0:08:29 | 0:08:33 | |
57 Turpin Road. | 0:08:33 | 0:08:36 | |
We have? Right. | 0:08:36 | 0:08:38 | |
Heather Trott. | 0:08:41 | 0:08:44 | |
'So you went into the flat.' | 0:08:46 | 0:08:47 | |
And the door was off its hinges. So, I went in and... | 0:08:47 | 0:08:52 | |
And what, Shirl? | 0:08:52 | 0:08:55 | |
What? | 0:08:55 | 0:08:56 | |
-Hev... -It's OK. | 0:08:59 | 0:09:02 | |
-Hev! -Shirl! Wait! | 0:09:04 | 0:09:07 | |
Roxy, I'm scared. What's happened? | 0:09:07 | 0:09:10 | |
Yeah, man. I have it, I have it, I have it! | 0:09:13 | 0:09:16 | |
-Well, the beginning at least. -You work fast. | 0:09:16 | 0:09:18 | |
-Let's hear it, then. -No, no, no. It's a surprise. | 0:09:18 | 0:09:21 | |
Ladies and gentlemen? | 0:09:21 | 0:09:24 | |
You do realise the place is full of Mitchells. | 0:09:24 | 0:09:28 | |
Hey, this is my speech and I can say what I want! | 0:09:28 | 0:09:31 | |
I ain't laughing at your dress, am I? | 0:09:31 | 0:09:33 | |
Nothing to laugh at. It's a work of art. | 0:09:33 | 0:09:37 | |
Well, I hope she loves it, otherwise she's never going to forgive me. | 0:09:37 | 0:09:41 | |
Stop it! You're being melodramatic. She was probably out. | 0:09:41 | 0:09:44 | |
The light was on. I could tell there was someone there. | 0:09:44 | 0:09:47 | |
-You know what this reminds me of? -The war? | 0:09:47 | 0:09:49 | |
Of the '60s. | 0:09:49 | 0:09:53 | |
We always used to help each other out with the wedding dresses. | 0:09:53 | 0:09:57 | |
I remember one. | 0:09:57 | 0:09:59 | |
Mint green chiffon. Short. | 0:09:59 | 0:10:03 | |
Fake emeralds encrusted on the bodice. | 0:10:03 | 0:10:08 | |
We listened to a lot of rock and roll back then. | 0:10:08 | 0:10:11 | |
A wedding dresses should be white. | 0:10:11 | 0:10:13 | |
A bride should pretend to be pure. | 0:10:13 | 0:10:15 | |
Even with the complete absence of moral rectitude | 0:10:15 | 0:10:18 | |
that is usually the case these days. | 0:10:18 | 0:10:20 | |
Well, Heather's got a pure soul. | 0:10:20 | 0:10:23 | |
If you count having a child with a teenage used car salesman pure! | 0:10:23 | 0:10:26 | |
Well, your Andrew is a child born out of bigamy. | 0:10:26 | 0:10:30 | |
I mean, what young Darren did was the will of God. | 0:10:30 | 0:10:34 | |
He knew that Heather needed something to live for, you know. | 0:10:34 | 0:10:38 | |
-Something to bring light to her darkness... -Look now, man. | 0:10:38 | 0:10:41 | |
Andrew and Heather, were meant for each other. | 0:10:41 | 0:10:44 | |
-I wouldn't be giving her away if I thought not. -Well if they were, | 0:10:44 | 0:10:47 | |
she would know he needs his mum. | 0:10:47 | 0:10:48 | |
I'm not going to have her ignore me for ever. | 0:10:48 | 0:10:53 | |
AMBULANCE SIRENS | 0:10:53 | 0:10:56 | |
Listen, you don't need to be here. Just come outside. | 0:11:01 | 0:11:03 | |
I need to get her up. | 0:11:03 | 0:11:04 | |
She's getting married tomorrow. | 0:11:10 | 0:11:12 | |
I need to get her ready. | 0:11:15 | 0:11:16 | |
-She's there. -What happened? | 0:11:27 | 0:11:28 | |
I don't know. | 0:11:28 | 0:11:30 | |
HE MUTTERS | 0:11:41 | 0:11:43 | |
You all right? | 0:11:43 | 0:11:44 | |
Come on, mate. This is no place for a kip. | 0:11:44 | 0:11:47 | |
Get back. Stay back! | 0:11:47 | 0:11:49 | |
It'll look better than it did in the first place. | 0:11:54 | 0:11:56 | |
You do look pretty. | 0:11:56 | 0:11:58 | |
-Ooh, go on! -Pure as the driven snow. | 0:11:58 | 0:12:03 | |
Ooh, Mrs! Don't mock the afflicted. | 0:12:03 | 0:12:04 | |
-SIRENS WAILING -What's all that commotion? | 0:12:04 | 0:12:07 | |
Riots, take two. This time they've come back for the shoes | 0:12:07 | 0:12:10 | |
to go with the handbags. | 0:12:10 | 0:12:12 | |
Where's Andrew? | 0:12:12 | 0:12:13 | |
I hope he's not out with Heather the night before the wedding. | 0:12:13 | 0:12:16 | |
-Let it go! -Well, I think as we've nearly finished, | 0:12:16 | 0:12:20 | |
-we can give ourselves a little celebration. -Rum! | 0:12:20 | 0:12:24 | |
I said celebration, Patrick. Not debauchery. | 0:12:24 | 0:12:28 | |
Something elevated, refined. Like a bottle of sweet sherry. | 0:12:28 | 0:12:33 | |
Now, who's going down to the shop to get it? | 0:12:33 | 0:12:36 | |
-Of course! -I'll come, too. I'll help you with your speech. | 0:12:38 | 0:12:42 | |
Signs of burglary. | 0:12:46 | 0:12:48 | |
Can we get Homicide Assessment down here, ASAP? Over. | 0:12:48 | 0:12:51 | |
POLICE RADIO VOICES | 0:12:51 | 0:12:52 | |
I'm afraid I'm going to have to ask you to exit the premises. | 0:12:52 | 0:12:55 | |
Life extinct. 21:09 hours. | 0:12:55 | 0:12:59 | |
No-o-o! | 0:12:59 | 0:13:02 | |
SHE SOBS | 0:13:02 | 0:13:05 | |
Please. Please don't. | 0:13:07 | 0:13:10 | |
Who found the body? | 0:13:33 | 0:13:35 | |
We did. | 0:13:35 | 0:13:38 | |
I'm Detective Sergeant Crisp, Homicide Assessment Team. | 0:13:38 | 0:13:41 | |
Homicide? | 0:13:41 | 0:13:42 | |
We're going to need somewhere to talk to the witnesses. | 0:13:42 | 0:13:45 | |
Come on, mate. | 0:13:56 | 0:13:58 | |
Stay back! | 0:13:58 | 0:13:59 | |
I'm just trying to help you out. Come on, up you get. | 0:13:59 | 0:14:02 | |
-You can't sleep down here. It stinks. -What you got there? | 0:14:02 | 0:14:06 | |
VIDEO GAME SOUNDS ON PHONE | 0:14:06 | 0:14:09 | |
Will you stop that? | 0:14:09 | 0:14:12 | |
OK, I got to go and see what's going on. | 0:14:12 | 0:14:15 | |
-Where's my coat gone? -I don't know. | 0:14:17 | 0:14:19 | |
Roxy. Roxy, wait! | 0:14:21 | 0:14:23 | |
Look after the kids. They're asleep. They'll be no problem. | 0:14:23 | 0:14:27 | |
-Both of them?! -It'll be good practice. | 0:14:27 | 0:14:29 | |
-Yeah, if I have twins(!) -Yeah, yeah, yeah. | 0:14:29 | 0:14:31 | |
-No, Roxy! I can't... -DOOR SLAMMING SHUT | 0:14:31 | 0:14:33 | |
..do this. | 0:14:33 | 0:14:35 | |
Sorry, fellas. We're going to need this table, if you don't mind. | 0:14:48 | 0:14:52 | |
Thank you. | 0:14:52 | 0:14:53 | |
It's like ET. | 0:14:59 | 0:15:01 | |
I know it's not perfect, but this won't take long. | 0:15:03 | 0:15:06 | |
Just a few preliminary questions. Please. | 0:15:06 | 0:15:09 | |
Gentlemen? | 0:15:16 | 0:15:18 | |
May I? | 0:15:23 | 0:15:25 | |
If I could start with the deceased's name. | 0:15:27 | 0:15:30 | |
It was Heather Trott. | 0:15:30 | 0:15:33 | |
And what was your relationship to Miss Trott? | 0:15:33 | 0:15:36 | |
We were just friends. | 0:15:39 | 0:15:43 | |
-Did she live at the property? -Yeah. Yeah, she did. | 0:15:43 | 0:15:46 | |
-With anyone? -Yeah. | 0:15:46 | 0:15:50 | |
George. | 0:15:52 | 0:15:54 | |
Roxy's got him now. | 0:15:54 | 0:15:57 | |
That's her boy. He's two or three. | 0:15:57 | 0:16:00 | |
He was at the flat when Shirley got there. | 0:16:02 | 0:16:06 | |
So it was you who was first into the flat? | 0:16:06 | 0:16:09 | |
Yeah. | 0:16:09 | 0:16:11 | |
Yeah, it was. We... | 0:16:11 | 0:16:15 | |
Me, Billy and the boys. We were back at ours. | 0:16:15 | 0:16:18 | |
SIRENS WAILING | 0:16:31 | 0:16:34 | |
You don't get this many police cars for nothing. | 0:16:34 | 0:16:38 | |
Rose! | 0:16:38 | 0:16:40 | |
Have you seen all this? | 0:16:40 | 0:16:41 | |
-Rose, look... -What's wrong? | 0:16:41 | 0:16:45 | |
Shirl walked in with George. She didn't say anything, just... | 0:16:48 | 0:16:53 | |
Just stared. | 0:16:54 | 0:16:57 | |
That's when Lola noticed the blood and Dad ran straight out. | 0:16:57 | 0:17:01 | |
What made you think Miss Trott was in trouble? | 0:17:01 | 0:17:05 | |
It's not exactly a big leap, is it? | 0:17:05 | 0:17:07 | |
She's been round Heather's, she's got George and there's blood. | 0:17:07 | 0:17:10 | |
I'm just trying to build up a picture. | 0:17:10 | 0:17:12 | |
So you went to the flat, Mr Mitchell. | 0:17:12 | 0:17:14 | |
It was just you, Miss Carter and Billy who went into the property? | 0:17:14 | 0:17:19 | |
-And the boys. -Ben and Jay? | 0:17:19 | 0:17:22 | |
They were in there before we knew what was what. | 0:17:22 | 0:17:26 | |
It must have been a very difficult situation. | 0:17:26 | 0:17:28 | |
I had them getting George his coat. | 0:17:28 | 0:17:31 | |
It's funny what you think of. | 0:17:32 | 0:17:34 | |
It is. | 0:17:34 | 0:17:37 | |
Very easy to forget that people don't think like police officers. | 0:17:37 | 0:17:41 | |
-How's that? -Methodically. | 0:17:41 | 0:17:44 | |
Is there any next of kin other than George? | 0:17:46 | 0:17:50 | |
What about his dad? | 0:17:50 | 0:17:51 | |
Darren? | 0:17:51 | 0:17:53 | |
Nah, he's long gone. Her mum, Queenie. | 0:17:53 | 0:17:55 | |
She lives down the south coast, I think. | 0:17:55 | 0:17:59 | |
And there's Andrew. Her fiancee. | 0:17:59 | 0:18:03 | |
Do you know of his whereabouts? | 0:18:03 | 0:18:06 | |
The thing with women... | 0:18:30 | 0:18:33 | |
they want to know you're thinking about them the whole time. | 0:18:33 | 0:18:38 | |
That's why they make up all those rules. | 0:18:38 | 0:18:41 | |
Keeps them in mind. | 0:18:41 | 0:18:44 | |
I don't need rules. | 0:18:44 | 0:18:47 | |
I think about my girl all the time anyway. | 0:18:47 | 0:18:51 | |
What you doing here, then? | 0:18:51 | 0:18:53 | |
She don't think about me so much. | 0:18:53 | 0:18:57 | |
More bothered about her mates. | 0:18:57 | 0:19:00 | |
Ah. | 0:19:00 | 0:19:01 | |
Selfless, eh? | 0:19:01 | 0:19:04 | |
What made you enter the property? | 0:19:15 | 0:19:17 | |
Jay ran in there and I went in after him. | 0:19:17 | 0:19:20 | |
We didn't know what was what. | 0:19:28 | 0:19:30 | |
And once inside, did you touch anything? | 0:19:30 | 0:19:33 | |
Jay? | 0:19:33 | 0:19:35 | |
-He can't remember. -He can tell me that. | 0:19:41 | 0:19:45 | |
Don't know. Maybe the kitchen top? | 0:19:49 | 0:19:53 | |
Did you go into any other rooms? | 0:19:53 | 0:19:55 | |
Life extinct. | 0:20:00 | 0:20:02 | |
What happened to time of death? | 0:20:06 | 0:20:08 | |
It's changed. | 0:20:08 | 0:20:09 | |
HOW CAN YOU SAY THAT?! | 0:20:09 | 0:20:12 | |
Extinct? Like she's some kind of dinosaur! | 0:20:12 | 0:20:17 | |
Shirl, come on. It's all right. | 0:20:17 | 0:20:18 | |
Like a bag of old bones with long names | 0:20:18 | 0:20:22 | |
that everybody gawps at! | 0:20:22 | 0:20:25 | |
Well, she's not! She's my Hev! | 0:20:25 | 0:20:28 | |
I don't know who these people are! | 0:20:29 | 0:20:32 | |
And I don't want them touching my Hev! | 0:20:32 | 0:20:36 | |
-Get your hands off me! -Hey, I've got you. | 0:20:36 | 0:20:38 | |
-Come here, come here. -I don't know who they are. | 0:20:38 | 0:20:41 | |
SHE SOBS | 0:20:41 | 0:20:43 | |
If you touch her, I swear to God I'll put you down. Do you hear me? | 0:20:43 | 0:20:46 | |
Now, I'm taking her home. | 0:20:46 | 0:20:48 | |
-I need you all to come to the station. -Why? | 0:20:48 | 0:20:50 | |
DNA evidence. Rule you out of the enquiries. | 0:20:50 | 0:20:54 | |
She's just seen her best friend dead. | 0:20:54 | 0:20:57 | |
I'm sure she's going to want us | 0:20:57 | 0:20:59 | |
to do everything we can to catch the killer, won't she? | 0:20:59 | 0:21:03 | |
-That's Heather's flat. -What? Excuse me! Excuse me! | 0:21:27 | 0:21:32 | |
Phil? | 0:21:37 | 0:21:39 | |
-I thought he was locked... -Phil, they said there's a body. | 0:21:39 | 0:21:43 | |
Who? Who is it? | 0:21:43 | 0:21:47 | |
-Whose body did they find?! -For heaven's sake, would somebody tell me something? | 0:21:47 | 0:21:50 | |
Heather's dead, all right? | 0:21:50 | 0:21:52 | |
Huh? | 0:21:52 | 0:21:54 | |
I'm sorry. | 0:21:59 | 0:22:00 | |
They'll be fumbling by the bins if I know those two. | 0:22:06 | 0:22:09 | |
Cora, you'll be out on your ear again if you keep talking like that. | 0:22:09 | 0:22:13 | |
It's been lovely having Heather in the launderette. | 0:22:16 | 0:22:19 | |
She always keeps the place clean. She never uses up the tea bags. | 0:22:19 | 0:22:24 | |
Mind you, she's terrible about the machines. | 0:22:24 | 0:22:27 | |
-I've never known anyone so hopeless. -You worried she's going to leave? | 0:22:27 | 0:22:32 | |
Well, you want them to go, don't you? | 0:22:32 | 0:22:36 | |
I mean, you can't keep hold of them forever. | 0:22:36 | 0:22:40 | |
You want them to go off | 0:22:40 | 0:22:42 | |
and have a life of their own. | 0:22:42 | 0:22:45 | |
She's like a daughter to you, ain't she? | 0:22:45 | 0:22:49 | |
We'll get you changed into forensics suits first. | 0:22:56 | 0:22:59 | |
We have to do it for all significant witnesses. | 0:22:59 | 0:23:01 | |
-We just want to get out of here. -Of course. | 0:23:01 | 0:23:04 | |
Miss Carter, if you'd come with me, we'll get you changed. | 0:23:04 | 0:23:07 | |
If you'd follow me. | 0:23:14 | 0:23:15 | |
Come on, boys. it'll be all right. Come on. | 0:23:18 | 0:23:22 | |
No! No! No! | 0:23:31 | 0:23:37 | |
You're sure? | 0:24:09 | 0:24:10 | |
OK, that changes things. Thank you. 415, I need DS Crisp. Over. | 0:24:10 | 0:24:14 | |
Excuse me. Excuse me. | 0:24:20 | 0:24:22 | |
-Stay behind the cordon, please. -HEATHER!! What you doing in there? | 0:24:22 | 0:24:26 | |
My baby! | 0:24:26 | 0:24:28 | |
Mum, why are they in there? | 0:24:28 | 0:24:30 | |
Andrew... | 0:24:30 | 0:24:32 | |
Why are they in Heather's flat? | 0:24:32 | 0:24:34 | |
Andrew, please... | 0:24:34 | 0:24:36 | |
-No! What's happened! -Please, sir. | 0:24:36 | 0:24:39 | |
No! No! Get off me. | 0:24:41 | 0:24:45 | |
Heather! | 0:24:45 | 0:24:47 | |
Heather. | 0:24:47 | 0:24:49 | |
Heather, please. | 0:24:51 | 0:24:54 | |
Please don't leave me. | 0:24:54 | 0:24:57 | |
Heather, I love you. Please! Please! | 0:25:00 | 0:25:03 | |
What's this all about, eh? | 0:25:09 | 0:25:11 | |
Trying to make us feel like we've done something wrong! | 0:25:11 | 0:25:14 | |
-I'm sorry, Dad. -Not now, all right? | 0:25:18 | 0:25:20 | |
-Everything you've done, what's happened... -Not now! | 0:25:20 | 0:25:25 | |
This is the last thing you need | 0:25:29 | 0:25:31 | |
with your stomach, innit? | 0:25:31 | 0:25:34 | |
-Don't throw up over them, will ya? -They're Old Bill. Don't matter if he does. | 0:25:34 | 0:25:37 | |
-They think that... -What? | 0:25:52 | 0:25:55 | |
What do they think? | 0:25:55 | 0:25:57 | |
They think the burglary was a fake. | 0:25:59 | 0:26:02 | |
What? How can they know that? | 0:26:02 | 0:26:05 | |
Something to do with the way the drawers were tipped out. | 0:26:05 | 0:26:09 | |
What does that mean? | 0:26:09 | 0:26:10 | |
OK, we're ready. | 0:26:12 | 0:26:13 | |
-Jay, Ben, follow us. -I'll come with them. | 0:26:13 | 0:26:15 | |
I'm afraid as a fellow witness you can't. | 0:26:15 | 0:26:17 | |
It's just a statement, yeah? | 0:26:17 | 0:26:19 | |
It won't take long. I'll take Jay down to suite four, | 0:26:19 | 0:26:23 | |
you take Ben. | 0:26:23 | 0:26:25 | |
It's just routine, OK? | 0:26:28 | 0:26:30 | |
-I'll be right here. -Don't want to go in on my own. | 0:26:30 | 0:26:35 | |
Oi, you're not on your own. We're in this together, remember? | 0:26:36 | 0:26:40 | |
Till the end. | 0:26:40 | 0:26:42 | |
-OK. Jay, Ben, shall we? -Come on. | 0:26:47 | 0:26:51 | |
Subtitles by Red Bee Media Ltd | 0:27:16 | 0:27:19 |