21/03/2012 EastEnders


21/03/2012

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How could she stay angry with you,

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when you've worked so hard to mend it?

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-What's it like being inside? Bet you got stories.

-Lola! He just got out.

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So?

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You wake up. You sit. You think.

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You wash. You eat. You sleep.

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Lights go on. Lights go off. It don't matter.

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That what bedtime stories were like growing up, Ben?

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Explains a lot, don't it.

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At first, you're trapped inside a prison.

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Then...then inside your cell. Them same walls.

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In the end, you're trapped inside your own head.

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Thoughts bouncing round your skull. Like echoes, on and on.

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Well, you've got to give it to them Masoods.

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-They make a lovely ruby.

-I thought I was the one supposed to be pregnant.

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I'm going to be giving birth to something else in the morning.

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-I hope Shirley and Heather aren't rowing again.

-They'll be all right.

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-Chuck a couple of plates, make up. Standard.

-I'm getting on to the tabloids.

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Heather Trott Misses Dinner Shocker.

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Will you stop it?!

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You want to clear the table?

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I was just having a laugh.

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A laugh?

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I think Heather will look beautiful in her wedding dress.

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-LOLA: Yeah, squeezing down the aisle!

-Hey!

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She deserves every bit of happiness she can get, that girl.

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Don't you think we should find out where they are?

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I said clear the table, eh?

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So what's for dessert, then?

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Sticky toffee pudding!

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Oh, no! The words every woman dreads. Where is it?

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You trying to look suss or what, eh?

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One minute you're giving me evils for laughing, the next you're telling me I'm looking suss.

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What exactly do you want me to do?

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We've got to get over to that flat. What if she's called the police?

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-They'll know we were there! Our fingerprints...

-All right, yeah?

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DOOR OPENING

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Sorry, er...

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You don't mind us celebrating your release, do you?

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Look, I know it can't be easy,

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but it's good you're trying.

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Right.

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Now, we go over there when I say, all right?

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Bubbly is up!

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Oh, really? Look, we should wait for Shirley, surely.

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BOTH: Shirley surely!

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-I'll go and check on her.

-There's another bottle in the fridge.

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-Is there? Oh, go on, then!

-This isn't fair. Wish I could have some.

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Yeah, well, you do the crime, you serve the time.

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Ha!

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CORK POPPING

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THEY CHEER

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Shirl! Hey, what's going on?

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-How long you been there? You gave me a fright.

-You OK?

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-Hello, Georgey.

-Let me take him.

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Shirley?

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She's...she's got blood on her!

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What? Shirl? Shirl? George?

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-You tell me right now. Are you OK?

-Shirley? Is he all right?

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Phil... Heather.

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You look after her, yeah?

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-Lola, call an ambulance.

-Boys. Boys!

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Come on, what are we waiting for? Go!

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Shirl? Shirl, let me take George. Let me take him.

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Do you think they suspected anything?

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It's like you've done this before.

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-Don't be stupid, Jay. Look, come on.

-I ain't going over there!

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You've got to. How else are you going to explain the DNA?

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I can't go over there.

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We could get a car from the Arches, you know. Do a runner.

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-They'll know it was us, then!

-They'll know if we don't go to the flat.

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Our DNA's all over it.

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Will you stop saying DNA like this is a film?

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I ain't going over there, yeah? There's police there, people there...

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She's there.

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Well, maybe it won't be that bad.

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Do you know what you've done? Do you really know?

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I've saved our family. Look, Dad's on his way there now.

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He didn't have to do what he did. He's risking prison for this, Jay.

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If we don't go there, he could get done himself!

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Look. We'll do this together, all right? Like Dad said,

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everything together from now on.

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Look, you've just got to...

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You've just got to block it out.

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Come on.

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This has been kicked in.

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-Heather!

-Where is she?

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Hev!

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Oh, no.

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Phil, why's she laying down?

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She's gone.

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Don't say that. She can't be. She's getting married tomorrow!

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Where is she?

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-Ben, don't look.

-What's happened?

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-Jay, don't look.

-Heather! Get up!

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-Heather!

-I mean, who...?

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-Just call an ambulance.

-Lola's calling one.

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Yeah, well, make sure!

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Jay, get some of George's things. Get his coat.

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Ben, check the bedroom.

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Ben!

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Hello? Yeah, we need an ambulance.

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We might have called one already.

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57 Turpin Road.

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We have? Right.

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Heather Trott.

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'So you went into the flat.'

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And the door was off its hinges. So, I went in and...

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And what, Shirl?

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What?

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-Hev...

-It's OK.

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-Hev!

-Shirl! Wait!

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Roxy, I'm scared. What's happened?

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Yeah, man. I have it, I have it, I have it!

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-Well, the beginning at least.

-You work fast.

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-Let's hear it, then.

-No, no, no. It's a surprise.

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Ladies and gentlemen?

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You do realise the place is full of Mitchells.

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Hey, this is my speech and I can say what I want!

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I ain't laughing at your dress, am I?

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Nothing to laugh at. It's a work of art.

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Well, I hope she loves it, otherwise she's never going to forgive me.

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Stop it! You're being melodramatic. She was probably out.

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The light was on. I could tell there was someone there.

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-You know what this reminds me of?

-The war?

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Of the '60s.

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We always used to help each other out with the wedding dresses.

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I remember one.

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Mint green chiffon. Short.

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Fake emeralds encrusted on the bodice.

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We listened to a lot of rock and roll back then.

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A wedding dresses should be white.

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A bride should pretend to be pure.

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Even with the complete absence of moral rectitude

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that is usually the case these days.

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Well, Heather's got a pure soul.

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If you count having a child with a teenage used car salesman pure!

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Well, your Andrew is a child born out of bigamy.

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I mean, what young Darren did was the will of God.

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He knew that Heather needed something to live for, you know.

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-Something to bring light to her darkness...

-Look now, man.

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Andrew and Heather, were meant for each other.

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-I wouldn't be giving her away if I thought not.

-Well if they were,

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she would know he needs his mum.

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I'm not going to have her ignore me for ever.

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AMBULANCE SIRENS

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Listen, you don't need to be here. Just come outside.

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I need to get her up.

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She's getting married tomorrow.

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I need to get her ready.

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-She's there.

-What happened?

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I don't know.

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HE MUTTERS

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You all right?

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Come on, mate. This is no place for a kip.

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Get back. Stay back!

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It'll look better than it did in the first place.

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You do look pretty.

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-Ooh, go on!

-Pure as the driven snow.

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Ooh, Mrs! Don't mock the afflicted.

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-SIRENS WAILING

-What's all that commotion?

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Riots, take two. This time they've come back for the shoes

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to go with the handbags.

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Where's Andrew?

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I hope he's not out with Heather the night before the wedding.

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-Let it go!

-Well, I think as we've nearly finished,

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-we can give ourselves a little celebration.

-Rum!

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I said celebration, Patrick. Not debauchery.

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Something elevated, refined. Like a bottle of sweet sherry.

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Now, who's going down to the shop to get it?

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-Of course!

-I'll come, too. I'll help you with your speech.

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Signs of burglary.

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Can we get Homicide Assessment down here, ASAP? Over.

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POLICE RADIO VOICES

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I'm afraid I'm going to have to ask you to exit the premises.

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Life extinct. 21:09 hours.

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No-o-o!

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SHE SOBS

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Please. Please don't.

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Who found the body?

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We did.

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I'm Detective Sergeant Crisp, Homicide Assessment Team.

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Homicide?

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We're going to need somewhere to talk to the witnesses.

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Come on, mate.

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Stay back!

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I'm just trying to help you out. Come on, up you get.

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-You can't sleep down here. It stinks.

-What you got there?

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VIDEO GAME SOUNDS ON PHONE

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Will you stop that?

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OK, I got to go and see what's going on.

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-Where's my coat gone?

-I don't know.

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Roxy. Roxy, wait!

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Look after the kids. They're asleep. They'll be no problem.

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-Both of them?!

-It'll be good practice.

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-Yeah, if I have twins(!)

-Yeah, yeah, yeah.

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-No, Roxy! I can't...

-DOOR SLAMMING SHUT

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..do this.

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Sorry, fellas. We're going to need this table, if you don't mind.

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Thank you.

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It's like ET.

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I know it's not perfect, but this won't take long.

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Just a few preliminary questions. Please.

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Gentlemen?

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May I?

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If I could start with the deceased's name.

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It was Heather Trott.

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And what was your relationship to Miss Trott?

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We were just friends.

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-Did she live at the property?

-Yeah. Yeah, she did.

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-With anyone?

-Yeah.

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George.

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Roxy's got him now.

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That's her boy. He's two or three.

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He was at the flat when Shirley got there.

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So it was you who was first into the flat?

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Yeah.

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Yeah, it was. We...

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Me, Billy and the boys. We were back at ours.

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SIRENS WAILING

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You don't get this many police cars for nothing.

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Rose!

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Have you seen all this?

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-Rose, look...

-What's wrong?

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Shirl walked in with George. She didn't say anything, just...

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Just stared.

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That's when Lola noticed the blood and Dad ran straight out.

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What made you think Miss Trott was in trouble?

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It's not exactly a big leap, is it?

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She's been round Heather's, she's got George and there's blood.

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I'm just trying to build up a picture.

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So you went to the flat, Mr Mitchell.

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It was just you, Miss Carter and Billy who went into the property?

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-And the boys.

-Ben and Jay?

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They were in there before we knew what was what.

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It must have been a very difficult situation.

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I had them getting George his coat.

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It's funny what you think of.

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It is.

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Very easy to forget that people don't think like police officers.

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-How's that?

-Methodically.

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Is there any next of kin other than George?

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What about his dad?

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Darren?

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Nah, he's long gone. Her mum, Queenie.

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She lives down the south coast, I think.

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And there's Andrew. Her fiancee.

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Do you know of his whereabouts?

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The thing with women...

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they want to know you're thinking about them the whole time.

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That's why they make up all those rules.

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Keeps them in mind.

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I don't need rules.

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I think about my girl all the time anyway.

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What you doing here, then?

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She don't think about me so much.

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More bothered about her mates.

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Ah.

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Selfless, eh?

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What made you enter the property?

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Jay ran in there and I went in after him.

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We didn't know what was what.

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And once inside, did you touch anything?

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Jay?

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-He can't remember.

-He can tell me that.

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Don't know. Maybe the kitchen top?

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Did you go into any other rooms?

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Life extinct.

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What happened to time of death?

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It's changed.

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HOW CAN YOU SAY THAT?!

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Extinct? Like she's some kind of dinosaur!

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Shirl, come on. It's all right.

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Like a bag of old bones with long names

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that everybody gawps at!

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Well, she's not! She's my Hev!

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I don't know who these people are!

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And I don't want them touching my Hev!

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-Get your hands off me!

-Hey, I've got you.

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-Come here, come here.

-I don't know who they are.

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SHE SOBS

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If you touch her, I swear to God I'll put you down. Do you hear me?

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Now, I'm taking her home.

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-I need you all to come to the station.

-Why?

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DNA evidence. Rule you out of the enquiries.

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She's just seen her best friend dead.

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I'm sure she's going to want us

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to do everything we can to catch the killer, won't she?

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-That's Heather's flat.

-What? Excuse me! Excuse me!

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Phil?

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-I thought he was locked...

-Phil, they said there's a body.

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Who? Who is it?

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-Whose body did they find?!

-For heaven's sake, would somebody tell me something?

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Heather's dead, all right?

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Huh?

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I'm sorry.

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They'll be fumbling by the bins if I know those two.

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Cora, you'll be out on your ear again if you keep talking like that.

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It's been lovely having Heather in the launderette.

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She always keeps the place clean. She never uses up the tea bags.

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Mind you, she's terrible about the machines.

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-I've never known anyone so hopeless.

-You worried she's going to leave?

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Well, you want them to go, don't you?

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I mean, you can't keep hold of them forever.

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You want them to go off

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and have a life of their own.

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She's like a daughter to you, ain't she?

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We'll get you changed into forensics suits first.

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We have to do it for all significant witnesses.

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-We just want to get out of here.

-Of course.

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Miss Carter, if you'd come with me, we'll get you changed.

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If you'd follow me.

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Come on, boys. it'll be all right. Come on.

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No! No! No!

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You're sure?

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OK, that changes things. Thank you. 415, I need DS Crisp. Over.

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Excuse me. Excuse me.

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-Stay behind the cordon, please.

-HEATHER!! What you doing in there?

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My baby!

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Mum, why are they in there?

0:24:280:24:30

Andrew...

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Why are they in Heather's flat?

0:24:320:24:34

Andrew, please...

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-No! What's happened!

-Please, sir.

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No! No! Get off me.

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Heather!

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Heather.

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Heather, please.

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Please don't leave me.

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Heather, I love you. Please! Please!

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What's this all about, eh?

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Trying to make us feel like we've done something wrong!

0:25:110:25:14

-I'm sorry, Dad.

-Not now, all right?

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-Everything you've done, what's happened...

-Not now!

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This is the last thing you need

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with your stomach, innit?

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-Don't throw up over them, will ya?

-They're Old Bill. Don't matter if he does.

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-They think that...

-What?

0:25:520:25:55

What do they think?

0:25:550:25:57

They think the burglary was a fake.

0:25:590:26:02

What? How can they know that?

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Something to do with the way the drawers were tipped out.

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What does that mean?

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OK, we're ready.

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-Jay, Ben, follow us.

-I'll come with them.

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I'm afraid as a fellow witness you can't.

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It's just a statement, yeah?

0:26:170:26:19

It won't take long. I'll take Jay down to suite four,

0:26:190:26:23

you take Ben.

0:26:230:26:25

It's just routine, OK?

0:26:280:26:30

-I'll be right here.

-Don't want to go in on my own.

0:26:300:26:35

Oi, you're not on your own. We're in this together, remember?

0:26:360:26:40

Till the end.

0:26:400:26:42

-OK. Jay, Ben, shall we?

-Come on.

0:26:470:26:51

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