Browse content similar to 29/03/2012. Check below for episodes and series from the same categories and more!
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That a smile? | 0:00:31 | 0:00:32 | |
-Hmm, he sounds a lot happier. -Where's Jay? | 0:00:32 | 0:00:35 | |
No idea. | 0:00:37 | 0:00:38 | |
Jay? | 0:00:49 | 0:00:50 | |
All right? | 0:00:50 | 0:00:51 | |
There's, uh, some stuff that I forgot to tell you. | 0:00:54 | 0:00:56 | |
-KNOCK ON DOOR -Just sound deeply apologetic. You'll be fine. | 0:00:59 | 0:01:01 | |
I've got to go. All right, bye. | 0:01:01 | 0:01:04 | |
Oh, hello. | 0:01:06 | 0:01:08 | |
Oh, no, I wasn't expecting you till next week. | 0:01:08 | 0:01:10 | |
-I'll just make some room for you. The sofa's here. -Oh, yeah? | 0:01:10 | 0:01:13 | |
-D'you want me out the way? -No, I don't. | 0:01:13 | 0:01:15 | |
I want you to help me with this lot. | 0:01:15 | 0:01:17 | |
Oh... | 0:01:17 | 0:01:19 | |
and also, I found this the other day. | 0:01:19 | 0:01:23 | |
It's one of Vanessa's, right? | 0:01:23 | 0:01:25 | |
Dunno. | 0:01:25 | 0:01:26 | |
Yes, you do. | 0:01:27 | 0:01:29 | |
And I was thinking, I know it's been a while | 0:01:29 | 0:01:32 | |
but I don't want any reminders of her. Not a single one. | 0:01:32 | 0:01:35 | |
So, why don't you take the afternoon off | 0:01:35 | 0:01:37 | |
and make me a very happy little wife? | 0:01:37 | 0:01:40 | |
Is Abi about? | 0:02:01 | 0:02:03 | |
Abi? She'll be at school. Why? | 0:02:03 | 0:02:05 | |
Well, I saw her with Jay. That's who I'm looking for. | 0:02:05 | 0:02:07 | |
Well, maybe he's waiting by the school gate for her. | 0:02:07 | 0:02:10 | |
Wouldn't that be sweet? | 0:02:10 | 0:02:11 | |
Oh, any time! | 0:02:11 | 0:02:13 | |
No need to say thank you. | 0:02:13 | 0:02:15 | |
PHONE RINGS | 0:02:15 | 0:02:16 | |
Jay? | 0:02:25 | 0:02:27 | |
Yeah, sorry. | 0:02:27 | 0:02:29 | |
We just needed an adult here to keep it all legit. | 0:02:29 | 0:02:32 | |
Right. | 0:02:35 | 0:02:36 | |
So, what did you want to tell me? | 0:02:36 | 0:02:38 | |
JAY SIGHS | 0:02:38 | 0:02:39 | |
I was on the Square... | 0:02:41 | 0:02:43 | |
the night that Heather got, you know. | 0:02:43 | 0:02:46 | |
And I was, erm... | 0:02:46 | 0:02:48 | |
well, I was just there, all right? | 0:02:48 | 0:02:50 | |
And I saw Andrew. | 0:02:52 | 0:02:54 | |
Andrew Cotton? | 0:02:55 | 0:02:56 | |
-Yeah. -Go on. | 0:02:56 | 0:02:59 | |
Well, I saw Andrew... | 0:03:00 | 0:03:02 | |
the same time that you had him down for Heather's murder. | 0:03:02 | 0:03:05 | |
Can you corroborate this? | 0:03:05 | 0:03:06 | |
What? | 0:03:06 | 0:03:08 | |
It's important that you can, Jay. Otherwise it's just your word. | 0:03:08 | 0:03:12 | |
But I saw him. | 0:03:12 | 0:03:13 | |
But did anyone see you? | 0:03:13 | 0:03:14 | |
I saw the curtains twitching. People have been talking. | 0:03:20 | 0:03:23 | |
"I saw Dot in a police car," they'll be saying. | 0:03:23 | 0:03:26 | |
Don't worry too much. | 0:03:26 | 0:03:28 | |
All right, ladies, we're willing to let this go, for now, | 0:03:28 | 0:03:32 | |
but any more burglaries, you'll be up in court. | 0:03:32 | 0:03:34 | |
And so will you, if you don't let my boy out. | 0:03:34 | 0:03:36 | |
You've got his hoodie, that's enough, innit? | 0:03:36 | 0:03:39 | |
-Crack open the sherry, Dot! -The sherry? | 0:03:41 | 0:03:45 | |
Are you forgetting Heather? | 0:03:45 | 0:03:46 | |
D'you think she'd want to be up there | 0:03:46 | 0:03:48 | |
-looking down seeing us celebrating? -Of course she would. | 0:03:48 | 0:03:50 | |
It puts Andrew in the clear, doesn't it? | 0:03:50 | 0:03:53 | |
Well, I wouldn't be too sure of that. | 0:03:53 | 0:03:55 | |
-They've got his hoodie, Dot! -Yes, but where is he? | 0:03:55 | 0:03:58 | |
He's still locked up and the police don't seem sure. | 0:03:58 | 0:04:00 | |
I mean, otherwise he'd be here. Or that policeman, he would've said. | 0:04:00 | 0:04:04 | |
-You're unbelievable. -That girl was almost like a daughter to me. | 0:04:04 | 0:04:09 | |
I'd rather be thinking about her, if you don't mind. | 0:04:09 | 0:04:12 | |
He's coming home. He is! | 0:04:12 | 0:04:15 | |
-There. Right. -You ready? -Yes. | 0:04:18 | 0:04:21 | |
Ahh! | 0:04:22 | 0:04:23 | |
-Yeah. -Yeah? -Yeah, it's all right this. -See? I have got good taste. | 0:04:24 | 0:04:28 | |
What you doing home? | 0:04:30 | 0:04:31 | |
Erm, the teacher was ill and there was no replacement. | 0:04:31 | 0:04:35 | |
-Is this the new sofa? -Yeah. -Yeah, what do you think? | 0:04:35 | 0:04:37 | |
-You like? -Yeah? -Mm, it's comfy. | 0:04:39 | 0:04:42 | |
Yeah, and I'm not just stopping at a sofa. | 0:04:42 | 0:04:44 | |
Tanya...? | 0:04:46 | 0:04:47 | |
Not one trace. | 0:04:47 | 0:04:49 | |
So, how come it's taken you this long to come forward?! | 0:04:49 | 0:04:53 | |
It's not in your earlier statement, there's no mention of it anywhere. | 0:04:53 | 0:04:57 | |
-That's because... -Yes? | 0:04:57 | 0:05:00 | |
Look, I was in shock about Heather, all right? | 0:05:01 | 0:05:04 | |
I liked her, everybody did. | 0:05:04 | 0:05:05 | |
But I was numb for a while... | 0:05:07 | 0:05:10 | |
in a daze, I was in a trance, you know? | 0:05:10 | 0:05:13 | |
-And then... -What? | 0:05:13 | 0:05:14 | |
Well, then my head cleared. | 0:05:16 | 0:05:18 | |
Listen, this is the God's honest truth, all right? | 0:05:19 | 0:05:22 | |
Andrew Cotton is innocent, all right? You've got the wrong man! | 0:05:22 | 0:05:27 | |
DOOR SLAMS | 0:05:27 | 0:05:28 | |
Look, Shirley just left me with him, all right? Just take him. | 0:05:29 | 0:05:33 | |
Right, so I've ordered the limousine and when we get to the club, | 0:05:40 | 0:05:43 | |
wall to wall celebs but we're going to split it, OK? | 0:05:43 | 0:05:47 | |
Oh, hear that, Whitney Dean? This is what I call an 18th. Yes! | 0:05:47 | 0:05:51 | |
I know. It's great, I can't wait. | 0:05:51 | 0:05:52 | |
-I will need some money for the deposit, though. -Ooh, how much? | 0:05:52 | 0:05:55 | |
-Cos I'm skint! -Well, you're not paying. | 0:05:55 | 0:05:58 | |
It's going to be mainly me and Whit and whoever else we can find. | 0:05:58 | 0:06:02 | |
Listen, I've got to get back to the nursery | 0:06:02 | 0:06:05 | |
but I'll swing past the cashpoint on the way back. | 0:06:05 | 0:06:08 | |
-Yeah, OK, as long as you're quick. -Yeah, see you later. | 0:06:08 | 0:06:11 | |
Ah, I'm really excited now! | 0:06:11 | 0:06:13 | |
-Ray? -Yo. | 0:06:24 | 0:06:25 | |
That's my pot. I was just about to use it! | 0:06:25 | 0:06:28 | |
Yeah, well, it's full of my stuff now. | 0:06:28 | 0:06:30 | |
-Oi! -Not any more, it isn't. | 0:06:36 | 0:06:38 | |
There goes someone's lunch. What are you doing? | 0:06:38 | 0:06:40 | |
-What's wrong with you? -Jean?! | 0:06:40 | 0:06:42 | |
-It's my pot. -It's Alfie's pot! -Yeah, well, I washed it up. | 0:06:42 | 0:06:45 | |
Is she always like this? | 0:06:46 | 0:06:48 | |
Nah, sometimes she's difficult. | 0:06:48 | 0:06:50 | |
That's Michelle. | 0:06:59 | 0:07:00 | |
She was really good, she was. She was a good mate. | 0:07:00 | 0:07:03 | |
There's my Aunty Pauline. | 0:07:04 | 0:07:07 | |
Sadly, she's no longer with us. She was a lovely lady. | 0:07:07 | 0:07:09 | |
And there's Uncle Arthur. | 0:07:09 | 0:07:11 | |
I tell you what, he was a fantastic gardener. | 0:07:11 | 0:07:13 | |
He loved that allotment. | 0:07:13 | 0:07:15 | |
And there... | 0:07:15 | 0:07:17 | |
there's my lovely mum. | 0:07:17 | 0:07:20 | |
So, why are all the good people bigger than the others? | 0:07:20 | 0:07:25 | |
-Erm, well, it's in order of importance. -It looks weird. | 0:07:25 | 0:07:30 | |
It's like we're GIANTS or something. | 0:07:30 | 0:07:32 | |
-All right, boys? What you doing? -All right? -Oh, family tree! | 0:07:32 | 0:07:35 | |
Where am I? | 0:07:37 | 0:07:38 | |
Well, it's a family tree. | 0:07:39 | 0:07:41 | |
Well, I should still be on it. | 0:07:41 | 0:07:43 | |
Yeah, but a family tree is about blood lines and marriage, | 0:07:43 | 0:07:46 | |
and you're... | 0:07:46 | 0:07:48 | |
Right, such a charmer! | 0:07:50 | 0:07:54 | |
I don't know how you got married once, let alone four times. | 0:07:55 | 0:07:58 | |
Ask this lot, they'll tell you why. | 0:07:58 | 0:08:00 | |
DOOR RATTLES | 0:08:00 | 0:08:01 | |
So, where's Jay? | 0:08:04 | 0:08:06 | |
Well, I've looked all over, I've phoned everything. | 0:08:06 | 0:08:09 | |
-All I can think is that he's gone to the police station. -What? | 0:08:09 | 0:08:14 | |
-You said you was handling it! -Yes, and I am. -How? | 0:08:14 | 0:08:17 | |
How exactly is this handling it? I bet he's spilling his guts now. | 0:08:17 | 0:08:20 | |
-Listen, he ain't going to grass you up, is he? -I grassed on you. | 0:08:20 | 0:08:23 | |
I mean, so what's that? It's game over. | 0:08:23 | 0:08:26 | |
-I bet they're coming after me now. -Listen, if he's gone to the police station, he's gone for Andrew. | 0:08:26 | 0:08:30 | |
I believed in you. I TRUSTED you! | 0:08:30 | 0:08:33 | |
He ain't going to dob you in it. He can't, can he? | 0:08:33 | 0:08:35 | |
He was there himself, he's an accessory, ain't he? | 0:08:35 | 0:08:38 | |
I knew this would happen. I KNEW he'd crack. | 0:08:38 | 0:08:40 | |
Ben, there's nothing connecting you with Heather. Nothing. | 0:08:40 | 0:08:43 | |
Ben look at me, will you? LOOK at me! | 0:08:43 | 0:08:45 | |
Now, I've been running round everywhere for you, all right? | 0:08:47 | 0:08:50 | |
I've even got Shirley dancing along to cartoons. | 0:08:50 | 0:08:53 | |
Everywhere I've turned I've hit a brick wall | 0:08:53 | 0:08:55 | |
but I keep going, I keep smashing through those walls. | 0:08:55 | 0:08:58 | |
So, if I can, so can you. | 0:08:58 | 0:08:59 | |
If I go down, right, if that happens, I won't survive, Dad. | 0:08:59 | 0:09:02 | |
I won't. I know I won't! | 0:09:02 | 0:09:04 | |
-I'll do something to myself. -Don't say stuff like that. | 0:09:04 | 0:09:06 | |
Well, that's what you're facing, Dad, I mean it. | 0:09:06 | 0:09:09 | |
-I did this, do you know that? Me? -I -did it. | 0:09:09 | 0:09:11 | |
Now, listen to me, all right? Now, there's no witnesses, OK? | 0:09:11 | 0:09:16 | |
I've replaced Jay's hoodie and you've dumped the frame. | 0:09:16 | 0:09:20 | |
Well, yeah, of course, it's in the canal. | 0:09:20 | 0:09:21 | |
So there's nothing that can give you away! | 0:09:21 | 0:09:24 | |
So, just sit tight and this'll blow over. | 0:09:24 | 0:09:27 | |
Trust me. | 0:09:27 | 0:09:29 | |
They can't keep Andrew past 60 hours without going to court, | 0:09:32 | 0:09:36 | |
so he'll be back by seven. | 0:09:36 | 0:09:38 | |
I'm going to set this so we're all ready. | 0:09:38 | 0:09:41 | |
Ready and waiting to welcome him home. | 0:09:41 | 0:09:43 | |
-What are you doing with that? -If he comes, he comes. | 0:09:44 | 0:09:49 | |
We don't want to sit here watching the minutes tick by. | 0:09:49 | 0:09:52 | |
There's no "if" about it. | 0:09:52 | 0:09:53 | |
Girls, let's just sit tight, eh? | 0:09:53 | 0:09:57 | |
All I'm saying is we've got to be prepared. | 0:09:57 | 0:09:59 | |
We have to be prepared for everything. | 0:09:59 | 0:10:01 | |
You do realise that, don't you? | 0:10:01 | 0:10:03 | |
People are talking, they're talking about his temper. | 0:10:03 | 0:10:06 | |
Well, everyone's got a temper. | 0:10:06 | 0:10:08 | |
Hanged on hearsay, the way of the world. | 0:10:08 | 0:10:11 | |
Yes, but they'll have all his records, won't they? | 0:10:11 | 0:10:14 | |
They'll all be spread over the desk in front of them. | 0:10:14 | 0:10:17 | |
We found the hoodie! | 0:10:17 | 0:10:19 | |
But is it enough? That's all I'm saying. | 0:10:19 | 0:10:24 | |
Andrew LOVED Heather. He loved her to bits. | 0:10:24 | 0:10:28 | |
And that's the Andrew we all know. | 0:10:28 | 0:10:31 | |
And that's the Andrew who's coming home. | 0:10:31 | 0:10:34 | |
What's that doing there? | 0:10:39 | 0:10:41 | |
We're just having a little spring clean. | 0:10:41 | 0:10:43 | |
Hello! | 0:10:43 | 0:10:44 | |
-Yeah, your mum's gone revamp loco. -We're turning it into my own room! | 0:10:44 | 0:10:47 | |
Eh? We haven't decided that yet. | 0:10:47 | 0:10:49 | |
Oh. | 0:10:49 | 0:10:50 | |
Oh, right, well, Whitney was just bringing Oscar back. | 0:10:50 | 0:10:53 | |
I don't mind having him for longer, it's all right. | 0:10:53 | 0:10:55 | |
No, that's all right. You can play upstairs, can't you? | 0:10:55 | 0:10:58 | |
Right. | 0:10:58 | 0:10:59 | |
-Yeah, cool. -Lauren, we're just moving a few things around. | 0:10:59 | 0:11:02 | |
That's all. | 0:11:02 | 0:11:03 | |
-Yeah, it's still your room, Lauren. -No. | 0:11:03 | 0:11:05 | |
No, don't be daft, Abi needs her own space, don't she? | 0:11:05 | 0:11:10 | |
C'mon, Whit. | 0:11:10 | 0:11:12 | |
See you later. | 0:11:12 | 0:11:13 | |
What'd you go and say that for? | 0:11:14 | 0:11:16 | |
What? | 0:11:16 | 0:11:18 | |
No, I can't believe that! Erased without a word. | 0:11:18 | 0:11:21 | |
D'you know what? I'm going to get so smashed on my birthday. | 0:11:21 | 0:11:24 | |
Listen, listen, erm, about that. I don't think I can come. | 0:11:24 | 0:11:28 | |
-What?! -I just checked my balance, Lauren, I can't afford it. | 0:11:28 | 0:11:31 | |
Right, well, this is just turning out to be great, innit? | 0:11:32 | 0:11:35 | |
Brilliant. | 0:11:35 | 0:11:36 | |
That is your grandad Pete. | 0:11:43 | 0:11:45 | |
Ahh, I remember him. | 0:11:45 | 0:11:49 | |
-What was he like? -He was my dad, you should be asking me. | 0:11:49 | 0:11:52 | |
Yeah, he was a lovely man. | 0:11:52 | 0:11:55 | |
Really gentle. Very sweet. | 0:11:56 | 0:11:57 | |
Must have skipped a generation, eh? | 0:11:58 | 0:12:00 | |
So, who's he? | 0:12:02 | 0:12:04 | |
Oh, dunno, darling. | 0:12:04 | 0:12:05 | |
It's Uncle... | 0:12:05 | 0:12:08 | |
-That's Uncle Harry. -Yeah, Harry. -Mine was loads better than this. | 0:12:08 | 0:12:12 | |
-You wrote "witch" under Mel's photo. -Yeah, well, truth's the truth. | 0:12:12 | 0:12:15 | |
So, where should we put you, then? | 0:12:15 | 0:12:18 | |
TELEVISION PLAYING | 0:12:25 | 0:12:27 | |
'..so, while we're gluing... | 0:12:29 | 0:12:31 | |
'can you tell me what your favourite gadget is on this show, Rachel? | 0:12:31 | 0:12:35 | |
'Well, I'm wearing it now...' | 0:12:35 | 0:12:38 | |
-What you doing? -I was just going to take him for a bit. | 0:12:42 | 0:12:46 | |
No, leave him. | 0:12:46 | 0:12:47 | |
I was asked to look after him, and look after him I will. | 0:12:49 | 0:12:51 | |
Well, you can't get too attached, can you? I mean, Darren... | 0:12:51 | 0:12:55 | |
Darren's going to come back for him eventually. | 0:12:55 | 0:12:57 | |
Too ATTACHED? What are you saying? | 0:12:57 | 0:12:59 | |
Well, first you lose Heather and then they come and take George away. | 0:12:59 | 0:13:04 | |
-George ain't going nowhere. -Well, that's not your call, is it? | 0:13:04 | 0:13:08 | |
Look, George is staying here for as long as I want him to. | 0:13:08 | 0:13:10 | |
Someone's got to be around to tell him who Hev was. | 0:13:10 | 0:13:13 | |
-I don't want her forgotten. -Fair enough. | 0:13:15 | 0:13:17 | |
DOOR OPENING | 0:13:17 | 0:13:18 | |
Alfie, you can't do that, there's regression on! | 0:13:36 | 0:13:39 | |
What are you talking about? It's only 10%. | 0:13:39 | 0:13:41 | |
Kim, sweetheart, I can't keep lying to Kat | 0:13:41 | 0:13:44 | |
and telling her everything's OK. | 0:13:44 | 0:13:46 | |
In case you forgot, I've got a little boy to feed when he gets home. | 0:13:46 | 0:13:49 | |
-Well, you need to make some serious cutbacks, then. -Amy and Shenice are settled. | 0:13:49 | 0:13:52 | |
Here, you got any money-making ideas? | 0:13:52 | 0:13:54 | |
Kim, that's my business, darling. | 0:13:54 | 0:13:56 | |
-Alfie here's going into the red. -Actually, I have got one. | 0:13:56 | 0:13:59 | |
They have, literally, given the whole bedroom to Abi. | 0:13:59 | 0:14:01 | |
I mean, I've barely been gone, like, five minutes. | 0:14:01 | 0:14:03 | |
What sort of people do that? | 0:14:03 | 0:14:05 | |
-Yeah, but come Friday, yeah? -I'm going to be here. | 0:14:05 | 0:14:07 | |
-What?! -Well I can't not have Whit there, can I? | 0:14:07 | 0:14:10 | |
No! Listen, don't worry about me, OK? | 0:14:10 | 0:14:12 | |
No, you listen. What do I really want? | 0:14:12 | 0:14:16 | |
I want to be with my best mates. | 0:14:16 | 0:14:17 | |
Cos it's not about where you are, is it? It's about who you're with. | 0:14:17 | 0:14:20 | |
-You sure? -Yes. | 0:14:20 | 0:14:23 | |
Please just get some money fast, yeah? | 0:14:24 | 0:14:27 | |
I'm sorry, but I've been doing a load of planning. | 0:14:27 | 0:14:29 | |
-I can't. I can't get cash just like that. -No, and she doesn't need to. | 0:14:29 | 0:14:34 | |
Right, it's my birthday, we do what I want. | 0:14:34 | 0:14:37 | |
I am merely pointing out that she's not even a proper chef, yeah? | 0:14:37 | 0:14:40 | |
So what exactly is she doing? | 0:14:40 | 0:14:42 | |
Listen, you can't talk to her like that. She's part of the woodwork. | 0:14:42 | 0:14:45 | |
Yeah, too right. | 0:14:45 | 0:14:46 | |
Listen, you want to get rid of someone then it's got to be Ray. | 0:14:46 | 0:14:48 | |
Last dog in, first dog out. | 0:14:48 | 0:14:50 | |
And trust me he's the dog to end all dogs. | 0:14:50 | 0:14:53 | |
Ben! Ben! Where the hell do you think you're going? | 0:14:56 | 0:14:59 | |
-You've got no cash, you won't last five seconds! -That's four more than I'll last here. | 0:14:59 | 0:15:03 | |
-I've explained it to you, all right? -No, it's not just that, all right? | 0:15:03 | 0:15:06 | |
Sitting with George, the more I look at him I see Heather. It's like she's haunting me. | 0:15:06 | 0:15:09 | |
-The Social ain't going to let her keep him. -Don't matter. I'm going to quit school and call Gran. | 0:15:09 | 0:15:13 | |
Forget school, it means I can stick closer to you anyway. Now you listen to me, | 0:15:13 | 0:15:17 | |
you are not going to get done for this, all right? | 0:15:17 | 0:15:20 | |
Because no-one is going to take you away from me. Do you understand? | 0:15:20 | 0:15:23 | |
No-one. | 0:15:23 | 0:15:24 | |
Well? | 0:15:27 | 0:15:28 | |
I preferred the other picture of me. | 0:15:31 | 0:15:34 | |
That's not what I meant. | 0:15:34 | 0:15:35 | |
Yeah, I know. Are you a part of this or not? | 0:15:35 | 0:15:39 | |
D'you want to be? | 0:15:42 | 0:15:43 | |
That's for you to answer. | 0:15:46 | 0:15:47 | |
I tell you, there's some real monsters on there. | 0:15:50 | 0:15:53 | |
DOOR OPENING | 0:15:59 | 0:16:00 | |
What'd you tell 'em? | 0:16:13 | 0:16:15 | |
What I had to. | 0:16:15 | 0:16:16 | |
Couldn't let Andrew go down for it, you know that. | 0:16:16 | 0:16:19 | |
-And that's all? -Yeah. | 0:16:19 | 0:16:21 | |
Swear to you. | 0:16:21 | 0:16:23 | |
D'you know what I'd like to do right now? | 0:16:23 | 0:16:26 | |
Bet I can guess. | 0:16:26 | 0:16:28 | |
I'd like to go to bed, | 0:16:28 | 0:16:30 | |
I'd like to switch the light off and sleep for a week, or maybe two. | 0:16:30 | 0:16:34 | |
Never felt like that, just wanting to hide. | 0:16:36 | 0:16:39 | |
They'll never know it was Ben, will they? | 0:16:39 | 0:16:42 | |
I should be easing off. | 0:16:42 | 0:16:44 | |
You know, looking back and thinking I'd done all right for myself. | 0:16:44 | 0:16:47 | |
I've got a good woman, a...good family, of sorts... | 0:16:47 | 0:16:51 | |
house, cash, businesses. | 0:16:51 | 0:16:53 | |
There's a...a lot to be proud of. | 0:16:55 | 0:16:58 | |
At least, there was. | 0:17:00 | 0:17:01 | |
I know you're protecting him. | 0:17:03 | 0:17:04 | |
I mean, obviously you've got to do that, but... | 0:17:04 | 0:17:08 | |
I mean, you've got to ask yourself why. | 0:17:08 | 0:17:10 | |
Why you'd risk it all happening again. | 0:17:11 | 0:17:13 | |
I'm not saying it will, but... | 0:17:13 | 0:17:16 | |
I mean, if you wanted to, you could stop this, couldn't you? | 0:17:16 | 0:17:18 | |
-Here and now. -It is stopped. | 0:17:18 | 0:17:20 | |
Cos you and me, we can help him. | 0:17:20 | 0:17:24 | |
Watch him, you mean? I ain't a guard dog, Phil. | 0:17:24 | 0:17:26 | |
-Everyone gets tipped over the edge, don't they? -Not that far. | 0:17:26 | 0:17:29 | |
He's innocent. | 0:17:32 | 0:17:34 | |
What?! | 0:17:36 | 0:17:37 | |
He's innocent. | 0:17:37 | 0:17:39 | |
That's what we've got to tell ourselves. That he... | 0:17:39 | 0:17:42 | |
he didn't touch her. | 0:17:42 | 0:17:43 | |
Not the Ben that we know. | 0:17:45 | 0:17:46 | |
You're wrong, you know. | 0:17:55 | 0:17:58 | |
You'll end up apologising. | 0:17:58 | 0:18:00 | |
You will, you'll see. | 0:18:01 | 0:18:03 | |
I shall be wearing black again. | 0:18:04 | 0:18:07 | |
I shall be going to the wardrobe, picking out the same dress, the same hat. | 0:18:07 | 0:18:12 | |
Funerals, Rose, I'm sick of 'em. | 0:18:12 | 0:18:14 | |
Singing the same hymns with a lump in my throat, | 0:18:16 | 0:18:19 | |
looking round seeing people with their mascara running | 0:18:19 | 0:18:22 | |
and red, puffy eyes. | 0:18:22 | 0:18:25 | |
I've got too used to 'em lately. | 0:18:25 | 0:18:27 | |
In truth, I've stopped crying. | 0:18:27 | 0:18:30 | |
But I shall cry for Heather. | 0:18:31 | 0:18:32 | |
And you will too, when you've come to your senses. | 0:18:34 | 0:18:38 | |
Here's another one. | 0:18:41 | 0:18:42 | |
I'm just coming to get some of my stuff before you throw it away. | 0:18:46 | 0:18:49 | |
We're not doing that. | 0:18:49 | 0:18:51 | |
No, course we ain't. No, I'd flog it on the internet first! | 0:18:51 | 0:18:53 | |
Behave. | 0:18:53 | 0:18:55 | |
Look, this is your home. | 0:18:55 | 0:18:56 | |
Even if it all ends up upside down, this is where you belong. | 0:18:56 | 0:18:59 | |
Yeah, I know that, Mum. | 0:18:59 | 0:19:00 | |
And I didn't fight that disease just to watch you walk off into the sunset now, did I? | 0:19:00 | 0:19:05 | |
-Sorry. -Right. There's rooms to sort out and a birthday party to plan | 0:19:05 | 0:19:09 | |
so if you don't mind, we're very busy people. | 0:19:09 | 0:19:11 | |
Wait. What, you're throwing me a birthday party? | 0:19:11 | 0:19:13 | |
Just a little family thing. Emphasis being on the family. | 0:19:13 | 0:19:16 | |
That's before you go out with your mates. Is that all right? | 0:19:16 | 0:19:18 | |
-I thought that you wanted to get shot of me. -And we thought you'd had enough of us. | 0:19:18 | 0:19:22 | |
So what do any of us know? | 0:19:22 | 0:19:24 | |
Bless him. | 0:19:28 | 0:19:30 | |
His little leg hurts. | 0:19:30 | 0:19:32 | |
He can't have any more painkillers yet. | 0:19:32 | 0:19:34 | |
Look, Ian... | 0:19:35 | 0:19:37 | |
I was thinking... | 0:19:37 | 0:19:39 | |
Well, this family tree stuff, I mean, stupid as it is... | 0:19:39 | 0:19:43 | |
it kind of puts things into place, you know? | 0:19:43 | 0:19:47 | |
If I can't even earn a spot on that, really, what is the point? | 0:19:47 | 0:19:52 | |
MANDY LAUGHS | 0:19:59 | 0:20:01 | |
Ian! | 0:20:02 | 0:20:04 | |
Look, doing that family tree, | 0:20:06 | 0:20:07 | |
it's made me realise how many mistakes I've made on the romance front. | 0:20:07 | 0:20:11 | |
Mandy, I don't want to make any more. | 0:20:11 | 0:20:14 | |
-OK, well, stop acting like an idiot, then. -All right. | 0:20:15 | 0:20:19 | |
You look after me, I'll look after you. | 0:20:21 | 0:20:25 | |
-Stop that. -I can't. | 0:20:35 | 0:20:37 | |
I don't like you crying. | 0:20:40 | 0:20:41 | |
Yeah, well, it scared me, what I did. | 0:20:41 | 0:20:44 | |
Listen, I just want my brother back. | 0:20:54 | 0:20:56 | |
Not that thing I saw. | 0:20:58 | 0:20:59 | |
I just want Ben back. | 0:21:01 | 0:21:03 | |
I promise. | 0:21:04 | 0:21:06 | |
For ever. | 0:21:06 | 0:21:08 | |
Yeah, I'll do anything. I swear, I swear. | 0:21:08 | 0:21:11 | |
BEN SOBS | 0:21:13 | 0:21:14 | |
Cos if I see it again, I'll put you down myself. | 0:21:17 | 0:21:20 | |
That's a promise. | 0:21:27 | 0:21:28 | |
Right, there's no choice at all, yeah? | 0:21:32 | 0:21:34 | |
Thank you, Kim. Can you let me handle this, though, darling? | 0:21:34 | 0:21:38 | |
-Ray, could you come through please, mate? -Yo. | 0:21:38 | 0:21:41 | |
Now, you've probably guessed that people aren't having a good time, monetary wise, right now. | 0:21:42 | 0:21:47 | |
Taxi for Ray! | 0:21:47 | 0:21:48 | |
Why she's saying that? | 0:21:48 | 0:21:50 | |
What? And, as you know, there's a recession, a big recession, really massive, right across the country. | 0:21:50 | 0:21:55 | |
Probably the biggest, biggest recession ever... | 0:21:55 | 0:21:57 | |
OK, fair enough, I see where you're heading with this. | 0:21:57 | 0:21:59 | |
Guys, you know, | 0:21:59 | 0:22:01 | |
I'd cut my arms off if it meant things could stay the same. | 0:22:01 | 0:22:05 | |
-Except you wouldn't be able to serve any pints if you... -Stop talking, you're always talking. | 0:22:05 | 0:22:09 | |
Anyway, the bottom line is, I've done some sums | 0:22:09 | 0:22:13 | |
and, well, things have to change. | 0:22:13 | 0:22:15 | |
Jean, will you please not do the big watery-eyes thing. | 0:22:18 | 0:22:21 | |
Listen, you know, | 0:22:21 | 0:22:23 | |
I'm not the drowning-puppies type of guy. I can't do this. No, I can't. | 0:22:23 | 0:22:27 | |
Alfie can't afford to pay you both. So one of you've got to go, OK? | 0:22:27 | 0:22:30 | |
So bye-bye, yeah? Don't forget to write. | 0:22:30 | 0:22:33 | |
Which one of us is going? | 0:22:35 | 0:22:37 | |
Listen, I'm going to do heads and tails, all right? Here we go. | 0:22:41 | 0:22:44 | |
What, flip a coin? I ain't having that. I'd take you to court! | 0:22:44 | 0:22:47 | |
No, Ray, calm down, calm down. | 0:22:47 | 0:22:49 | |
Please, OK... | 0:22:49 | 0:22:51 | |
the one who has to go is... | 0:22:51 | 0:22:53 | |
Yes? | 0:22:54 | 0:22:56 | |
Jean, it's you. | 0:22:59 | 0:23:00 | |
-Me? -Yeah, I'm sorry, sweetheart. I'm sorry. | 0:23:02 | 0:23:06 | |
-You're sacking me? -No, hold on a minute. Alfie, what you doing? | 0:23:09 | 0:23:12 | |
-But I cook, and clean, and I do twice as much as... -Yes. | 0:23:12 | 0:23:15 | |
Jean, Jean, I know, sweetheart | 0:23:15 | 0:23:17 | |
but, you know, Ray, he's a qualified chef | 0:23:17 | 0:23:19 | |
and he brings, you know, he can bring his Michelin magic. | 0:23:19 | 0:23:21 | |
Now you're just sticking the boot in! | 0:23:21 | 0:23:24 | |
Jean, no! Jean, come on! | 0:23:24 | 0:23:27 | |
Jean, please. | 0:23:27 | 0:23:30 | |
You better cancel that taxi. | 0:23:30 | 0:23:31 | |
Do you want a story? | 0:23:36 | 0:23:37 | |
How about a film? | 0:23:40 | 0:23:41 | |
What d'you want then, eh? | 0:23:43 | 0:23:44 | |
Mummy. Mummy. | 0:23:45 | 0:23:48 | |
I want that, too. | 0:23:50 | 0:23:53 | |
You didn't really want me out of here, did you? | 0:23:57 | 0:24:00 | |
I so did, and I still do. | 0:24:00 | 0:24:02 | |
Seriously? You would seriously give all this up? | 0:24:02 | 0:24:05 | |
SHE LAUGHS | 0:24:05 | 0:24:06 | |
Yeah. You ain't as hot as you think, you know. | 0:24:09 | 0:24:11 | |
Not when I see you giving Roxy the chat and the charm. | 0:24:11 | 0:24:14 | |
-Ah, so I should've saved it all for you then, huh? -Baby, I don't care. | 0:24:14 | 0:24:18 | |
"Baby"?! | 0:24:18 | 0:24:19 | |
I think you do. | 0:24:19 | 0:24:21 | |
Jean? | 0:24:25 | 0:24:27 | |
I am so sorry. | 0:24:27 | 0:24:29 | |
No, it's all right, really, I understand. | 0:24:29 | 0:24:32 | |
I'm not wanted. Story of my life! I should've seen it coming, really. | 0:24:32 | 0:24:36 | |
No, no, you've misunderstood cos I've got plans for you.... | 0:24:36 | 0:24:39 | |
big plans, all going round in my head. | 0:24:39 | 0:24:42 | |
Everyone knows you're a great chef but what I need, more than anything... | 0:24:42 | 0:24:47 | |
-is an events manager. -Since when? -Yes, and you're it. | 0:24:47 | 0:24:50 | |
You are it. You are going to be solely responsible | 0:24:50 | 0:24:53 | |
for putting the Queen Vic back on the map and bringing the punters in. | 0:24:53 | 0:24:58 | |
Starting now! That's it, come on, give me a big smile. That's a smile. | 0:24:58 | 0:25:01 | |
You start now. Good girl! Woo! Let's have it! Yes! | 0:25:01 | 0:25:04 | |
You are one soft and STUPID man! | 0:25:10 | 0:25:15 | |
Thank you, Roxy. | 0:25:15 | 0:25:16 | |
Well, you know, wealth is about more than just profits. | 0:25:16 | 0:25:19 | |
Sometimes it's here, inside the heart. | 0:25:19 | 0:25:23 | |
-Thank you. Thank you. -HE LAUGHS | 0:25:23 | 0:25:25 | |
-Which is why I love you. -Thank you. | 0:25:25 | 0:25:27 | |
I'm going to give 'em a bell, see what's going on. | 0:25:41 | 0:25:44 | |
-Wait. -What? | 0:25:44 | 0:25:46 | |
There's someone coming up the path. | 0:25:46 | 0:25:48 | |
Ma. | 0:25:53 | 0:25:54 | |
Oh! | 0:25:54 | 0:25:56 | |
Ohh! | 0:25:56 | 0:25:57 | |
Andrew's out. He's been released. | 0:26:06 | 0:26:09 | |
All right, you two. The game's changed. | 0:26:13 | 0:26:15 | |
The old bill, they're are going to be looking elsewhere, so don't... | 0:26:15 | 0:26:19 | |
do not give them a reason to come to my door. Do you understand? | 0:26:19 | 0:26:22 | |
-I ain't going to do nothing. -Jay, you got that? -Yeah, I got it. | 0:26:22 | 0:26:26 | |
Subtitles by Red Bee Media Ltd | 0:27:58 | 0:28:01 |