Browse content similar to 01/02/2013. Check below for episodes and series from the same categories and more!
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How long's Uncle-Ji been out there? | 0:00:33 | 0:00:35 | |
Oh, since first thing. | 0:00:35 | 0:00:36 | |
He's so excited about finishing that water feature. | 0:00:36 | 0:00:39 | |
Hardly slept all night. | 0:00:39 | 0:00:41 | |
It's freezing. He'll get frostbite. | 0:00:41 | 0:00:43 | |
Frostbite. Don't be so dramatic, Ayesha! It's bracing. | 0:00:43 | 0:00:46 | |
-Morning. -Morning. | 0:01:00 | 0:01:02 | |
SHE SIGHS | 0:01:04 | 0:01:05 | |
Tyler. | 0:01:05 | 0:01:06 | |
Again. This time don't do anything. | 0:01:06 | 0:01:10 | |
I'll deal with him when I get back. | 0:01:10 | 0:01:11 | |
Stand there. | 0:01:19 | 0:01:21 | |
What for? | 0:01:21 | 0:01:23 | |
-My song. -You want to sing me a song? | 0:01:23 | 0:01:26 | |
A performer's got to be prepared for any kind of audience. | 0:01:26 | 0:01:29 | |
A what? | 0:01:29 | 0:01:31 | |
All the top stars say it. Even Tulisa. | 0:01:31 | 0:01:34 | |
Who? | 0:01:34 | 0:01:35 | |
Good ones, bad ones, and real nasty pieces of work. | 0:01:35 | 0:01:38 | |
Ah, so you thought of me? How touching. | 0:01:38 | 0:01:41 | |
No, I thought of Uncle Derek. He wasn't nasty. | 0:01:41 | 0:01:43 | |
Just said things straight. But he's dead. | 0:01:43 | 0:01:46 | |
So then I thought of you. | 0:01:46 | 0:01:48 | |
Good. Bye. | 0:01:48 | 0:01:49 | |
Hey! | 0:01:51 | 0:01:52 | |
Hey! | 0:01:52 | 0:01:53 | |
Whose is that? | 0:02:05 | 0:02:07 | |
Kirsty sent it back. | 0:02:08 | 0:02:10 | |
Because? | 0:02:10 | 0:02:12 | |
She's playing games. | 0:02:12 | 0:02:13 | |
Yeah, well, she's gone now, hasn't she? | 0:02:13 | 0:02:15 | |
Now the damage has been done. | 0:02:15 | 0:02:16 | |
She's signed them divorce papers, yeah? | 0:02:16 | 0:02:18 | |
After wrecking everything for me and Tanya. | 0:02:18 | 0:02:20 | |
Come on, Max. Why are you sitting about here, | 0:02:20 | 0:02:23 | |
brooding like this anyway? | 0:02:23 | 0:02:25 | |
-I called her, didn't I? -What? | 0:02:25 | 0:02:26 | |
-First thing. -Why? | 0:02:26 | 0:02:28 | |
To say all this to her. | 0:02:28 | 0:02:29 | |
Look, come on, Max, it's done with now, you've got to move on. | 0:02:29 | 0:02:32 | |
Some geezer answered. | 0:02:32 | 0:02:34 | |
Who? | 0:02:34 | 0:02:35 | |
I didn't ask, did I? Don't have to. | 0:02:35 | 0:02:37 | |
You know, she comes here, smashes my life into little bits. | 0:02:37 | 0:02:40 | |
You did a pretty good job of that yourself. | 0:02:40 | 0:02:41 | |
Now she's gone back, she's picking up the pieces with some other mug. | 0:02:41 | 0:02:45 | |
Oi, Max, it's water under the bridge, mate. | 0:02:45 | 0:02:47 | |
-You reckon? -Mmm. | 0:02:47 | 0:02:49 | |
Do you want anything? | 0:03:03 | 0:03:06 | |
Tea, coffee, hot soup? | 0:03:06 | 0:03:09 | |
I can fetch your hat if you want. | 0:03:09 | 0:03:11 | |
Masood, don't forget we have our meeting with the new Imam later on. | 0:03:11 | 0:03:15 | |
Discuss our wedding. We must make a good impression, no? | 0:03:15 | 0:03:18 | |
No, I'm fine. Thank you, Ayesha. | 0:03:25 | 0:03:29 | |
Well, in that case, I'll be going. I'm seeing Rashid. | 0:03:32 | 0:03:36 | |
We're meeting for a coffee. | 0:03:37 | 0:03:39 | |
So...so Alice is babysitting again for you, is she? | 0:04:12 | 0:04:16 | |
Yeah. You got a problem with that? | 0:04:16 | 0:04:19 | |
No. No, no, no. Not so long as she's getting paid properly. | 0:04:19 | 0:04:23 | |
Treated properly. Not being taken advantage of. | 0:04:23 | 0:04:26 | |
Such a caring family, aren't you? | 0:04:26 | 0:04:28 | |
Yeah, well, we do try. | 0:04:28 | 0:04:30 | |
I saw that yesterday, in fact. In abundance. | 0:04:30 | 0:04:33 | |
Uncle-Ji. | 0:04:42 | 0:04:44 | |
I thought you... | 0:04:47 | 0:04:48 | |
I knew you wouldn't come back in till you'd thought I'd gone. | 0:04:48 | 0:04:52 | |
There won't be a repeat performance, don't worry. | 0:04:54 | 0:04:57 | |
You've made your feelings crystal clear on that score. | 0:04:57 | 0:05:01 | |
It's not that I...I mean, that you're...you... | 0:05:05 | 0:05:11 | |
I'm as good as married. | 0:05:13 | 0:05:15 | |
To a woman who thinks more of her precious water feature | 0:05:15 | 0:05:17 | |
than her own husband. | 0:05:17 | 0:05:18 | |
I've told you before, please don't criticise Zainab to me. | 0:05:18 | 0:05:21 | |
Sorry. | 0:05:21 | 0:05:23 | |
I'm leaving. It's what I came in to tell you. | 0:05:26 | 0:05:30 | |
I've called a friend to come fetch us. | 0:05:30 | 0:05:32 | |
What friend? | 0:05:32 | 0:05:34 | |
Does that matter? | 0:05:36 | 0:05:37 | |
Yes. | 0:05:37 | 0:05:39 | |
Why? | 0:05:40 | 0:05:42 | |
You're a beautiful girl, Ayesha. | 0:05:45 | 0:05:48 | |
A beautiful girl with your whole life in front of you, | 0:05:49 | 0:05:53 | |
this, whatever this is, it's not real, it's foolishness. | 0:05:53 | 0:06:00 | |
And you and Zainab, that's real, is it? | 0:06:00 | 0:06:02 | |
She makes you happy? | 0:06:04 | 0:06:06 | |
I'm not criticising. I'm just asking. | 0:06:06 | 0:06:08 | |
Yeah. | 0:06:11 | 0:06:12 | |
She makes your heart sing? | 0:06:13 | 0:06:15 | |
HE CLEARS THROAT | 0:06:18 | 0:06:20 | |
-Yeah. -The way you make mine? | 0:06:20 | 0:06:23 | |
I...on the surface she can be... | 0:06:29 | 0:06:32 | |
Yeah, I know, sometimes she's... on occasion, I know she... | 0:06:34 | 0:06:40 | |
What am I saying? | 0:06:43 | 0:06:45 | |
Why am I justifying my whole life to you? | 0:06:47 | 0:06:50 | |
Yes. I am happy! | 0:06:54 | 0:06:57 | |
What's really going on, Max? | 0:07:06 | 0:07:08 | |
I told you. Just want to deliver a few home truths. | 0:07:08 | 0:07:11 | |
Yeah? How are you going to find her? | 0:07:11 | 0:07:13 | |
The last place she was staying was with her ex's brother. | 0:07:13 | 0:07:16 | |
I'll start there, won't I? | 0:07:16 | 0:07:17 | |
Oi, Max! There's not something else going on here, is there? | 0:07:17 | 0:07:21 | |
What do you mean? Like what? | 0:07:21 | 0:07:23 | |
Maybe this has got nothing to do with what Kirsty did or didn't do. | 0:07:23 | 0:07:26 | |
-Sorry, what's that supposed to mean? -This other feller. Whoever he is. | 0:07:26 | 0:07:29 | |
You know, maybe it's him who's getting under your skin. | 0:07:29 | 0:07:32 | |
You need help, you know that? | 0:07:32 | 0:07:34 | |
'Hi, it's Whitney. Sorry, I'm not here. Leave a message.' | 0:07:40 | 0:07:43 | |
Have you seen my shoes? I think I left them in the hall. | 0:07:53 | 0:07:56 | |
Along with everything else. | 0:07:56 | 0:07:59 | |
Don't you start. Getting enough of that from Michael. | 0:07:59 | 0:08:02 | |
Yes, I have seen your shoes. | 0:08:02 | 0:08:05 | |
And? | 0:08:05 | 0:08:06 | |
And what? | 0:08:06 | 0:08:07 | |
Where are they? | 0:08:07 | 0:08:09 | |
In a safe place. | 0:08:09 | 0:08:11 | |
What does that mean? | 0:08:11 | 0:08:12 | |
All ready for you. | 0:08:12 | 0:08:14 | |
Alice, look I really haven't had the best of nights, sweetheart. | 0:08:14 | 0:08:17 | |
Now I've got to get to the market stall sharpish. | 0:08:17 | 0:08:20 | |
And I've got to speak to Whit, so... | 0:08:20 | 0:08:22 | |
And you will. Just as soon as you've tidied that up. | 0:08:22 | 0:08:24 | |
I've got another pair. | 0:08:26 | 0:08:28 | |
No, you haven't. | 0:08:31 | 0:08:33 | |
And there's no point looking for your trainers, | 0:08:33 | 0:08:37 | |
because they're in a safe place too. | 0:08:37 | 0:08:39 | |
You're not serious. | 0:08:39 | 0:08:40 | |
Shouldn't you be in school? Don't tell me. | 0:08:47 | 0:08:51 | |
It's another one of those inset days, is it? | 0:08:51 | 0:08:53 | |
-There's only one a term. -Feels like more. | 0:08:53 | 0:08:56 | |
-Heating's broke down. -A lot more. Every time I see you. | 0:08:56 | 0:09:01 | |
-You'll do. -I'll do what? | 0:09:05 | 0:09:08 | |
-Gary'd definitely approve. -Who is Gary? | 0:09:08 | 0:09:10 | |
Are you actually alive? | 0:09:10 | 0:09:12 | |
Am I what? | 0:09:12 | 0:09:13 | |
I want someone to listen to my song. | 0:09:13 | 0:09:15 | |
What song, child? | 0:09:15 | 0:09:16 | |
I need an audience. To help me become a superstar. | 0:09:16 | 0:09:20 | |
Oh, and so you thought of me? | 0:09:20 | 0:09:22 | |
Right, I don't know what to say. | 0:09:22 | 0:09:24 | |
Well, I did think of Uncle Derek, but he's dead. | 0:09:24 | 0:09:27 | |
Then I thought of Michael, he just got the hump. | 0:09:27 | 0:09:29 | |
Then I thought of you. | 0:09:29 | 0:09:31 | |
Derek and Michael? | 0:09:31 | 0:09:33 | |
Why would you want them to hear you sing, | 0:09:33 | 0:09:35 | |
they're both dreadful people, both of them. | 0:09:35 | 0:09:38 | |
So? What do you say? | 0:09:40 | 0:09:42 | |
I would say, give up now. | 0:09:42 | 0:09:43 | |
You haven't even heard me yet. | 0:09:43 | 0:09:45 | |
I don't think there's any chance of you ever being a superstar. | 0:09:45 | 0:09:48 | |
You know, it's just not going to be possible. | 0:09:48 | 0:09:51 | |
Why? | 0:09:51 | 0:09:52 | |
-Well, because of the...and your... -That's gingerist. | 0:09:52 | 0:09:56 | |
I did not say anything gingerist. | 0:09:56 | 0:09:58 | |
But if you happened to say it, then... | 0:09:58 | 0:10:00 | |
See? You're perfect. | 0:10:00 | 0:10:02 | |
Go away. | 0:10:02 | 0:10:04 | |
Eh, do you know where Zainab got these from? | 0:10:10 | 0:10:12 | |
I can't find the invoices. | 0:10:12 | 0:10:13 | |
-Actually, I do. Have you got a pen? -Yeah. | 0:10:13 | 0:10:16 | |
-Place on the High Street. -Yeah, go on? | 0:10:16 | 0:10:20 | |
The Totally Tasteless Tile shop. | 0:10:20 | 0:10:22 | |
Speaking of poor blinkered souls, how's Ayesha today? | 0:10:24 | 0:10:27 | |
Still pining, is she? | 0:10:27 | 0:10:29 | |
-It's like you said. A bit of a joke. -You amaze me. | 0:10:29 | 0:10:32 | |
Denise. | 0:10:42 | 0:10:43 | |
-What? -Can I buy you a drink? | 0:10:43 | 0:10:45 | |
A drink? | 0:10:45 | 0:10:46 | |
Yeah, in the Vic? 5.00? | 0:10:46 | 0:10:49 | |
Why? | 0:10:49 | 0:10:50 | |
Well, I don't get off till 5.00. | 0:10:50 | 0:10:52 | |
No, I mean... | 0:10:52 | 0:10:53 | |
Yeah, I suppose. | 0:10:53 | 0:10:55 | |
Or, I tell you what, how about I make that lunch? | 0:10:55 | 0:10:57 | |
And we'll go somewhere really nice. | 0:10:57 | 0:11:00 | |
Is there any particular reason? | 0:11:00 | 0:11:01 | |
Yeah, Bobby's away on a school trip whilst I'm going to visit Michelle, | 0:11:01 | 0:11:05 | |
and that means Lucy's going to be on her own. | 0:11:05 | 0:11:08 | |
It'd be great if you could keep an eye on her for me. | 0:11:08 | 0:11:10 | |
Please don't say anything to her or she'd kill me. | 0:11:10 | 0:11:13 | |
Just our little secret, yeah? | 0:11:13 | 0:11:14 | |
There's a slap-up meal in it for you. What do you say? | 0:11:14 | 0:11:17 | |
Yeah. | 0:11:17 | 0:11:19 | |
Just had some good news. The Imam. He can't get here till late. | 0:11:25 | 0:11:29 | |
And that's good news because? | 0:11:29 | 0:11:31 | |
Well, because with you starting early. | 0:11:31 | 0:11:32 | |
And him now not arriving till later... | 0:11:32 | 0:11:35 | |
It's not going to be ready, Zee. | 0:11:35 | 0:11:36 | |
It certainly won't be if you keep taking all these breaks. | 0:11:36 | 0:11:39 | |
Think about it, Masood. The Imam arrives. | 0:11:39 | 0:11:42 | |
And as he approaches the house, | 0:11:42 | 0:11:44 | |
he hears the sound of a babbling brook. | 0:11:44 | 0:11:46 | |
-We've run out of tiles. -What? Well, go and get some. | 0:11:46 | 0:11:49 | |
You didn't tell me where you got them. | 0:11:49 | 0:11:51 | |
Why didn't you come and ask me? | 0:11:51 | 0:11:53 | |
-You said I was barred from the shop. -What? | 0:11:53 | 0:11:54 | |
I thought your new manager didn't approve of personal visits | 0:11:54 | 0:11:57 | |
during business hours. | 0:11:57 | 0:11:58 | |
I'm sure he would have made an exception in an emergency. | 0:11:58 | 0:12:01 | |
-A what? -Here, here, here. Here's the address. | 0:12:01 | 0:12:04 | |
Please, please, please. For me. | 0:12:04 | 0:12:06 | |
-But, Zee! -Come on, Masood. Please? Hurry up! | 0:12:06 | 0:12:09 | |
Alice, I expressly said not to tidy up. | 0:12:15 | 0:12:17 | |
She didn't. I'm going to put it outside on my way out, OK? | 0:12:17 | 0:12:21 | |
Thank you. | 0:12:21 | 0:12:22 | |
Now. Shoes? | 0:12:22 | 0:12:23 | |
SHE HUMS | 0:12:23 | 0:12:25 | |
Alice! | 0:12:25 | 0:12:26 | |
Freezer. | 0:12:26 | 0:12:28 | |
You really aren't serious. | 0:12:28 | 0:12:31 | |
Just wear two pairs of socks. You'll be fine. | 0:12:31 | 0:12:34 | |
I got you these. Looking at them now, they're horrible. | 0:12:34 | 0:12:37 | |
Just to say thanks, you know. | 0:12:37 | 0:12:39 | |
I don't want you to think I'm taking advantage of you. | 0:12:39 | 0:12:41 | |
Great minds. | 0:12:41 | 0:12:42 | |
For being so nice yesterday. | 0:12:44 | 0:12:46 | |
Not gate-crashing, am I? | 0:12:48 | 0:12:49 | |
You won't be. Once you let yourself out. | 0:12:49 | 0:12:51 | |
Goodbye, Tyler. | 0:12:57 | 0:12:59 | |
Thanks. | 0:13:03 | 0:13:05 | |
Whit! | 0:13:07 | 0:13:09 | |
I'm going to the Community Centre, Tyler. | 0:13:09 | 0:13:11 | |
Whit, please, you've got this so wrong. | 0:13:11 | 0:13:16 | |
What you said about what I see when I look at you. | 0:13:16 | 0:13:20 | |
I know what you see when you look at me. | 0:13:20 | 0:13:22 | |
-Ian. -Before you say anything, I've already spoken to Zainab. | 0:13:29 | 0:13:32 | |
And the answer's no. | 0:13:32 | 0:13:34 | |
All right, Tiff. No to what? | 0:13:35 | 0:13:37 | |
You're no good. | 0:13:38 | 0:13:40 | |
No good for what? | 0:13:47 | 0:13:48 | |
I need advice. Feedback. For my stage act. | 0:13:48 | 0:13:52 | |
You'd just treat me like a little kid. | 0:13:52 | 0:13:54 | |
So you're looking for someone like that guy off the X Factor? | 0:13:54 | 0:13:58 | |
Exactly. | 0:13:58 | 0:13:59 | |
OK. Well, how does this sound? "Look, dull, dull, dull." | 0:13:59 | 0:14:05 | |
Like Craig Revel Horwood. | 0:14:05 | 0:14:07 | |
That was Simon Cowell. | 0:14:07 | 0:14:08 | |
He's not even on X Factor any more. | 0:14:08 | 0:14:10 | |
Did you really think that was Simon Cowell? | 0:14:12 | 0:14:14 | |
I don't watch that many talent shows. | 0:14:14 | 0:14:17 | |
OK. | 0:14:17 | 0:14:19 | |
OK, what? | 0:14:19 | 0:14:20 | |
I'll go practise. | 0:14:20 | 0:14:22 | |
LOUD MUSIC FROM HOUSE | 0:14:51 | 0:14:54 | |
LOUD DANCE MUSIC | 0:15:10 | 0:15:12 | |
Max? | 0:15:17 | 0:15:18 | |
So you did come back here. | 0:15:22 | 0:15:24 | |
What's the matter, has his hearing gone? | 0:15:25 | 0:15:28 | |
You all right? | 0:15:31 | 0:15:33 | |
-I'm a bit busy right now. -Kirsty? | 0:15:33 | 0:15:36 | |
What are you doing here anyway? | 0:15:39 | 0:15:41 | |
You sure you're all right? | 0:15:41 | 0:15:43 | |
Look, just go, will you? | 0:15:43 | 0:15:45 | |
Well, well. Lover boy's returned too, has he? | 0:15:48 | 0:15:51 | |
Adam. | 0:15:51 | 0:15:52 | |
Second bad penny in a week. | 0:15:52 | 0:15:55 | |
Can we talk? | 0:15:55 | 0:15:57 | |
I said, go, Max. | 0:15:57 | 0:15:58 | |
What's that? Has he done this to you? | 0:15:58 | 0:16:02 | |
Max, please. | 0:16:02 | 0:16:03 | |
Has he? That your work, is it? | 0:16:03 | 0:16:06 | |
-Max! -Is it? | 0:16:06 | 0:16:08 | |
Someone talking? Don't think so. | 0:16:08 | 0:16:10 | |
-Max! -How's that, eh? Taste of your own medicine. | 0:16:10 | 0:16:15 | |
HE YELLS | 0:16:15 | 0:16:17 | |
-Max! Max! Max! What you've done?! -Get her out of here. | 0:16:17 | 0:16:20 | |
What've you done?! What've you done to him?! | 0:16:20 | 0:16:23 | |
Max! Max! Max! | 0:16:28 | 0:16:32 | |
-GROANING AND THUDDING -Max! No! | 0:16:32 | 0:16:36 | |
Max! Max! No! | 0:16:36 | 0:16:39 | |
Max! No! No! | 0:16:39 | 0:16:41 | |
Do you sell marker pens? | 0:16:41 | 0:16:43 | |
Yeah. Over there. | 0:16:43 | 0:16:45 | |
You haven't got any left. | 0:16:48 | 0:16:51 | |
What's that, darling? Oh, marker pens? Sorry, we've run out. | 0:16:51 | 0:16:55 | |
Yeah, had one of my managerial memos earlier. | 0:17:00 | 0:17:04 | |
Something about our stock control playing up. | 0:17:04 | 0:17:06 | |
All them things are going to be a thing of the past now we've | 0:17:06 | 0:17:10 | |
got a brand new Regional Manager. | 0:17:10 | 0:17:12 | |
Oh, I'm sorry, Zee. Look on the bright side. | 0:17:12 | 0:17:15 | |
You haven't so much lost out on a job, you've more gained a new boss. | 0:17:15 | 0:17:20 | |
Yes, yes, very good. | 0:17:20 | 0:17:21 | |
Even if he does look about 12. | 0:17:21 | 0:17:23 | |
It must be ever so disappointing, though. | 0:17:23 | 0:17:26 | |
And after you were so sure that the job was yours too. | 0:17:26 | 0:17:29 | |
Tell me something, darling, | 0:17:29 | 0:17:31 | |
why is it that they said you didn't get it again? | 0:17:31 | 0:17:33 | |
# Fly | 0:17:36 | 0:17:37 | |
# And we don't let nobody bring us down | 0:17:37 | 0:17:41 | |
# No matter what you say it won't hurt me | 0:17:41 | 0:17:44 | |
# Not matter if I fall from the sky | 0:17:44 | 0:17:47 | |
# Cos wings were made to fly. # | 0:17:47 | 0:17:51 | |
Well? | 0:17:51 | 0:17:52 | |
-I... -What? | 0:17:54 | 0:17:57 | |
Well, I already told you, I don't watch a lot of talent shows. | 0:17:57 | 0:18:00 | |
But I thought it was, well, to be honest... | 0:18:00 | 0:18:04 | |
What? | 0:18:04 | 0:18:05 | |
-Rubbish. -Good. -Good? | 0:18:05 | 0:18:08 | |
And you are by the way. Totally the wrong person for this. | 0:18:08 | 0:18:10 | |
So this is perfect. | 0:18:10 | 0:18:12 | |
Is it? | 0:18:12 | 0:18:13 | |
If someone like you likes what I'm doing, | 0:18:13 | 0:18:16 | |
then I'd be in real trouble, wouldn't I? | 0:18:16 | 0:18:18 | |
So all I've got to do is make sure you hate it. | 0:18:18 | 0:18:21 | |
Then I'll know I'm on the right track. | 0:18:21 | 0:18:24 | |
Max. Max! | 0:18:33 | 0:18:36 | |
HE GROANS | 0:18:36 | 0:18:37 | |
Max? Max! | 0:18:39 | 0:18:43 | |
PHONE RINGS | 0:18:52 | 0:18:54 | |
Hi, Zainab. No, I couldn't get any more, cos they'd run out. | 0:19:01 | 0:19:07 | |
I know. Yep. | 0:19:08 | 0:19:11 | |
Yes, but... | 0:19:11 | 0:19:13 | |
Initiative? | 0:19:13 | 0:19:16 | |
What do you want me to do, | 0:19:16 | 0:19:17 | |
go down to the factory and make them myself? | 0:19:17 | 0:19:20 | |
So that's OK, then? | 0:19:25 | 0:19:27 | |
Yeah, yeah, I just need about 10, 15 minutes. Yeah. | 0:19:27 | 0:19:32 | |
And you've told her to come late, have you? All right lovely. | 0:19:32 | 0:19:37 | |
Thank you. Bye. | 0:19:37 | 0:19:40 | |
That was a bit of a surprise. | 0:19:49 | 0:19:51 | |
Sorry, mate, are you talking to me? | 0:19:51 | 0:19:53 | |
-Yeah. -What was? | 0:19:53 | 0:19:55 | |
Your sister. And Michael. | 0:19:55 | 0:19:59 | |
-Eh? -So that's what that babysitting's all about. | 0:19:59 | 0:20:01 | |
-I did wonder. -What are you talking about, Tyler? | 0:20:01 | 0:20:04 | |
I just left the two of them | 0:20:04 | 0:20:05 | |
getting very cosy with a bottle of wine earlier on. | 0:20:05 | 0:20:08 | |
HE SNIGGERS | 0:20:08 | 0:20:10 | |
Alice and Michael? Yeah, all right, mate. | 0:20:10 | 0:20:13 | |
I think you might have got that a little bit wrong, don't you? | 0:20:13 | 0:20:16 | |
Yeah. Actually, you're right. | 0:20:16 | 0:20:18 | |
I saw them getting very cosy with a big bunch of flowers | 0:20:18 | 0:20:21 | |
and a bottle of wine. | 0:20:21 | 0:20:22 | |
I just had the most surreal experience. | 0:20:36 | 0:20:39 | |
Almost as surreal as listening to you yesterday, | 0:20:39 | 0:20:42 | |
going on about the lovelorn Ayesha. | 0:20:42 | 0:20:44 | |
-I was just in the Arches... -Why did you come here, AJ? | 0:20:46 | 0:20:50 | |
-Huh? -And why do you stay? | 0:20:50 | 0:20:51 | |
I mean, you find us such figures of fun. | 0:20:53 | 0:20:56 | |
Zainab with her water feature. | 0:20:56 | 0:20:58 | |
Me and...we're ridiculous to you, aren't we? | 0:20:58 | 0:21:00 | |
Lighten up. | 0:21:00 | 0:21:02 | |
You poke fun at us all the time. | 0:21:02 | 0:21:04 | |
Only because you're that kind of family. | 0:21:04 | 0:21:06 | |
What kind of a family? Stupid? | 0:21:06 | 0:21:08 | |
Strong. | 0:21:08 | 0:21:10 | |
Certainly strong enough to take a little leg pull. | 0:21:11 | 0:21:16 | |
That's why I came here, that's why I stayed here too. | 0:21:16 | 0:21:19 | |
You've got a family, Mas, a proper family, and a real home. | 0:21:22 | 0:21:27 | |
Crazy, yes, ridiculous, sometimes, definitely. | 0:21:27 | 0:21:32 | |
But aren't all the best families like that? | 0:21:32 | 0:21:36 | |
All the best homes? | 0:21:36 | 0:21:39 | |
HE LAUGHS | 0:21:39 | 0:21:41 | |
CHILDREN CHATTER | 0:21:46 | 0:21:48 | |
-What are you doing here? -I've got something to show you. | 0:21:48 | 0:21:51 | |
Tyler, I've got a whole class to look after. | 0:21:51 | 0:21:54 | |
Please. Two minutes, that's all. All right, just a second, yeah. | 0:21:54 | 0:21:59 | |
Tyler? | 0:21:59 | 0:22:00 | |
I know you asked me what I see when I look at you, all right. | 0:22:00 | 0:22:05 | |
And I could try telling you how amazing you are, | 0:22:05 | 0:22:09 | |
how kind and generous, how good you are with them kids. | 0:22:09 | 0:22:14 | |
But I thought I'd try and show you instead. | 0:22:16 | 0:22:19 | |
OK, ready? Now! | 0:22:21 | 0:22:24 | |
That's what I see when I look at you. | 0:22:33 | 0:22:35 | |
My wife. | 0:22:35 | 0:22:37 | |
So what do you say? | 0:22:43 | 0:22:45 | |
SHE LAUGHS EXCITEDLY | 0:22:56 | 0:22:58 | |
DOOR CLOSES | 0:23:01 | 0:23:02 | |
You going out? | 0:23:08 | 0:23:09 | |
Rashid's taking us to see a film. He's called us a cab. | 0:23:09 | 0:23:13 | |
Well, enjoy yourself. | 0:23:13 | 0:23:15 | |
What were you saying earlier on. | 0:23:18 | 0:23:20 | |
Maybe you weren't. | 0:23:22 | 0:23:24 | |
Maybe I wasn't what? | 0:23:24 | 0:23:26 | |
Maybe you weren't trying to justify your life to me. | 0:23:26 | 0:23:30 | |
Maybe you were trying to justify it to yourself. | 0:23:30 | 0:23:33 | |
ENGINE STARTS | 0:23:48 | 0:23:49 | |
And you're both sure now? | 0:23:56 | 0:23:57 | |
Yes, yes. We're both absolutely sure. | 0:23:57 | 0:24:00 | |
Because I'm aware you have had some doubts in the past, | 0:24:00 | 0:24:05 | |
some difficulties. | 0:24:05 | 0:24:07 | |
Yes. Which have made us both stronger. | 0:24:07 | 0:24:11 | |
Masood will tell you the same. | 0:24:11 | 0:24:14 | |
All our troubles are now in the past, | 0:24:14 | 0:24:17 | |
and we are looking forward to one thing and one thing only. | 0:24:17 | 0:24:21 | |
And that is a very long and happy life together. | 0:24:21 | 0:24:24 | |
LOCK TURNS | 0:24:25 | 0:24:27 | |
Masood? Is that you? | 0:24:27 | 0:24:30 | |
Would you excuse me for a minute, please? | 0:24:44 | 0:24:46 | |
(Masood?) | 0:24:49 | 0:24:50 | |
Masood? | 0:24:57 | 0:24:59 | |
He's never done that before. | 0:25:26 | 0:25:27 | |
He's threatened, but more like a joke, really. | 0:25:27 | 0:25:30 | |
A joke? | 0:25:32 | 0:25:34 | |
But he's never actually hit me. He's off his head, Max. | 0:25:34 | 0:25:36 | |
He has been ever since that mate of his came to stay. | 0:25:36 | 0:25:38 | |
It's all that stuff they're on. | 0:25:38 | 0:25:40 | |
So why didn't you just get out of there? | 0:25:42 | 0:25:44 | |
I was going to. I was just waiting for the two of them to pass out, | 0:25:44 | 0:25:48 | |
then I was going to go in, and get my stuff. | 0:25:48 | 0:25:50 | |
What was it? You haven't got anywhere else to go? | 0:25:51 | 0:25:54 | |
You know I don't. | 0:25:54 | 0:25:55 | |
And what, it's cos of that stuff he's on, | 0:25:58 | 0:26:00 | |
that's why he lashed out at you, is it? | 0:26:00 | 0:26:03 | |
Isn't that enough? | 0:26:03 | 0:26:04 | |
It's not cos of you and him? | 0:26:06 | 0:26:08 | |
No, Max. There is no me and him. | 0:26:08 | 0:26:11 | |
Would it matter? | 0:26:17 | 0:26:18 | |
Just trying to get it all straight, that's all. | 0:26:18 | 0:26:21 | |
Geezer's off his head, hitting women. | 0:26:22 | 0:26:26 | |
I never expected to see you again. | 0:26:34 | 0:26:36 | |
I signed the divorce papers. | 0:26:37 | 0:26:39 | |
Well, I haven't sent them back yet, have I? | 0:26:39 | 0:26:41 | |
Why are you here, Max? | 0:26:46 | 0:26:47 | |
I don't know, Kirsty, I don't know what I'm doing here. | 0:26:47 | 0:26:50 | |
-I thought I did. -Which was? | 0:26:52 | 0:26:54 | |
It's just seeing you like this... | 0:26:57 | 0:26:59 | |
Seeing what he done to you. | 0:27:02 | 0:27:05 | |
Subtitles by Red Bee Media Ltd | 0:27:38 | 0:27:41 |