Browse content similar to 06/03/2013. Check below for episodes and series from the same categories and more!
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Lola! | 0:00:25 | 0:00:27 | |
Maybe she took her for a walk, or for a feed. | 0:00:27 | 0:00:29 | |
-Oh, yeah, without saying anything? -Maybe Sharon took her. | 0:00:29 | 0:00:33 | |
-Come on, Lo. -Lola! | 0:00:33 | 0:00:36 | |
-Yeah, Lola, it's me. Where are you, darling? -Lola! | 0:00:36 | 0:00:38 | |
Where's Lexi? Look, we're not angry with you, | 0:00:38 | 0:00:40 | |
just call me back, please, yeah? | 0:00:40 | 0:00:43 | |
-I'm going to kill her! -No, Phil. | 0:00:43 | 0:00:45 | |
-I am. I'm going to kill her. -Phil...Phil, wait. | 0:00:45 | 0:00:48 | |
Phil. I'm sure there's an explanation. | 0:00:49 | 0:00:52 | |
I'm going to kill her! | 0:00:52 | 0:00:53 | |
No. No, you're not going to lay a finger on her. I mean it. | 0:00:53 | 0:00:56 | |
Lola! Lola! | 0:00:56 | 0:00:57 | |
Shhh. It's OK. It's going to be OK. | 0:01:19 | 0:01:22 | |
I promise it's going to be OK. | 0:01:22 | 0:01:25 | |
THEY LAUGH | 0:01:30 | 0:01:32 | |
Are you trying to get me drunk? | 0:01:32 | 0:01:34 | |
Looks like you're already there. | 0:01:34 | 0:01:35 | |
PHONE RINGS | 0:01:35 | 0:01:38 | |
That's him, isn't it? | 0:01:41 | 0:01:44 | |
Just leave it. | 0:01:46 | 0:01:47 | |
Yeah. Right. Ta. | 0:01:47 | 0:01:50 | |
-You know what we should do? -What's that? | 0:01:50 | 0:01:53 | |
Get away. Somewhere hot. Bit of sun. Nice pool. | 0:01:53 | 0:01:57 | |
PHONE CONTINUES RINGING | 0:01:57 | 0:01:59 | |
-Jack, something's wrong. -So? | 0:02:01 | 0:02:03 | |
Don't do it, Sharon. | 0:02:05 | 0:02:07 | |
You said you and me, that was it. Don't do it. | 0:02:07 | 0:02:10 | |
What is it? | 0:02:12 | 0:02:14 | |
Oh. | 0:02:20 | 0:02:22 | |
Cora? | 0:02:42 | 0:02:44 | |
In the back. | 0:02:44 | 0:02:45 | |
I was enjoying that. | 0:02:52 | 0:02:54 | |
-You stole my cold cuts. -Your cold cuts? | 0:02:54 | 0:02:57 | |
-My cold cuts. -You're as nutty as a fruitcake. | 0:02:57 | 0:03:00 | |
-After all I've done for you, taking you in... -Throwing me out. | 0:03:00 | 0:03:03 | |
Swapping shifts with you | 0:03:03 | 0:03:05 | |
so you could get up to goodness knows what. | 0:03:05 | 0:03:07 | |
What would I want with your mouldy old ham? | 0:03:07 | 0:03:09 | |
-You admit it. You know it was ham. -No, I don't admit it! | 0:03:09 | 0:03:14 | |
You are a thief and a scoundrel and I want an apology. | 0:03:14 | 0:03:19 | |
Why don't you sit down and put your feet up, | 0:03:19 | 0:03:23 | |
cos you're going to be waiting for a very long time. | 0:03:23 | 0:03:26 | |
So he just clicks his fingers you go running? | 0:03:31 | 0:03:33 | |
-This is different. -No, it isn't. -Lexi's missing. | 0:03:33 | 0:03:35 | |
Oh, and tomorrow it'll be something else. | 0:03:35 | 0:03:37 | |
-Look, it's one last time. -Listen to you. You're pathetic. | 0:03:37 | 0:03:40 | |
Look, I'm sorry, Jack... | 0:03:40 | 0:03:41 | |
No, you're not sorry. I've done everything you've asked, all right? | 0:03:41 | 0:03:44 | |
I've tried to understand, I've apologised. I've even grovelled. | 0:03:44 | 0:03:47 | |
Yeah, I know. I know you did. | 0:03:47 | 0:03:49 | |
But all you ever do is throw it back in my face. | 0:03:49 | 0:03:51 | |
Jack, it's a baby. A kid. | 0:03:51 | 0:03:53 | |
A kid? How about your kid? Oh, but that's all right. | 0:03:53 | 0:03:55 | |
I'll take care of him. I'll pick him up. You know what? | 0:03:55 | 0:03:58 | |
Just go, will you? Cos I can't even look at your face. | 0:03:58 | 0:04:01 | |
Oi! Give that back! | 0:04:18 | 0:04:20 | |
One of these is mine. You've had one cut. | 0:04:20 | 0:04:23 | |
Tanya's. | 0:04:23 | 0:04:26 | |
Front door, top lock, bottom lock, back door, | 0:04:26 | 0:04:32 | |
this place, petty cash. | 0:04:32 | 0:04:34 | |
I shan't say another word to you until you apologise. | 0:04:36 | 0:04:39 | |
You're lucky I haven't got a violent streak, Dorothy Branning. | 0:04:39 | 0:04:43 | |
I should feel sorry for you. | 0:04:43 | 0:04:46 | |
I thought you weren't speaking to me. | 0:04:46 | 0:04:48 | |
With the sort of life you lead. You know... | 0:04:48 | 0:04:51 | |
-No. I don't know, as it happens. -Well, some of us have morals. | 0:04:51 | 0:04:54 | |
And some of us steal and are promiscuous and have umpteen | 0:04:54 | 0:04:57 | |
grandchildren popping out of every nook and cranny. | 0:04:57 | 0:05:00 | |
-That is all I am saying. -Maybe I have got a violent streak. | 0:05:00 | 0:05:04 | |
-Apologise. -No. | 0:05:04 | 0:05:06 | |
Then I shall pray for your unrepentant soul. | 0:05:07 | 0:05:11 | |
And the safe return of my ham. | 0:05:11 | 0:05:13 | |
Stuff you, Dorothy. And your ham. | 0:05:13 | 0:05:16 | |
Excuse me? Have you got any money, please? | 0:05:30 | 0:05:32 | |
Excuse me, can I borrow just 50p please? Excuse me? | 0:05:32 | 0:05:36 | |
Have you got any money? I just need 50p, please. | 0:05:36 | 0:05:38 | |
Lola! | 0:05:56 | 0:05:57 | |
Lola! | 0:05:59 | 0:06:00 | |
The thing is...the thing is, Denise... | 0:06:07 | 0:06:11 | |
I know you and me, we haven't always seen eye to eye. | 0:06:11 | 0:06:13 | |
Recently we've been getting on much better | 0:06:13 | 0:06:17 | |
and, well, I think we might have something. You know. A spark. | 0:06:17 | 0:06:20 | |
So...I was wondering perhaps if we could go out for a drink? | 0:06:20 | 0:06:24 | |
Having a little chat with your vegetables, Ian? | 0:06:24 | 0:06:28 | |
No. | 0:06:28 | 0:06:29 | |
I hate to break it to you, but you are. | 0:06:29 | 0:06:31 | |
You're chatting up an aubergine. | 0:06:31 | 0:06:33 | |
-I'm sorry. -What are you apologising for? | 0:06:34 | 0:06:38 | |
I don't know. | 0:06:38 | 0:06:39 | |
Right, well I just wanted to say thank you | 0:06:39 | 0:06:42 | |
for dropping in on Patrick today. | 0:06:42 | 0:06:43 | |
That was very sweet of you. Thank you. | 0:06:43 | 0:06:46 | |
That's OK. And can I just say how, erm, | 0:06:46 | 0:06:48 | |
how lovely you're looking. | 0:06:48 | 0:06:50 | |
-Oh. -Very, erm...fragrant. | 0:06:50 | 0:06:56 | |
Thank you. I think. | 0:06:56 | 0:06:59 | |
Fragrant. | 0:07:01 | 0:07:03 | |
Where else, eh? Where else would she go? | 0:07:03 | 0:07:06 | |
She hasn't got anywhere else. She's got here. She's got me. | 0:07:06 | 0:07:11 | |
You get your brief to say all those things in court. | 0:07:15 | 0:07:17 | |
You call her everything under the sun and you're surprised, Phil? | 0:07:17 | 0:07:22 | |
You're really surprised she's gone and done something like this? | 0:07:22 | 0:07:25 | |
-Are you in on this? -What? -You are, aren't you? -Course I'm not. | 0:07:25 | 0:07:29 | |
Keep me talking while she grabs the baby, is that it? | 0:07:29 | 0:07:31 | |
You think I want this, do you? | 0:07:31 | 0:07:33 | |
They're out there on their own. You really think I want that? | 0:07:33 | 0:07:36 | |
No. No, no, no, this is you, Phil. | 0:07:36 | 0:07:39 | |
Cos you pushed her. You pushed and you pushed and you pushed. | 0:07:39 | 0:07:43 | |
She's a kid, She's a little girl. | 0:07:43 | 0:07:45 | |
She isn't fit to look after that baby. | 0:07:45 | 0:07:47 | |
-That is not true. -And neither are you, Billy. | 0:07:47 | 0:07:49 | |
This isn't about me. This is about you. | 0:07:49 | 0:07:51 | |
You came to me, Billy. You came to me for my help. | 0:07:51 | 0:07:53 | |
And what you did today in court, that helped, did it? | 0:07:53 | 0:07:55 | |
You know she can't cope. You know that, don't you! | 0:07:55 | 0:07:58 | |
This is not about her. All of this. It's about you. | 0:07:58 | 0:08:01 | |
Cos you've got to be in control of everyone, haven't you? | 0:08:01 | 0:08:05 | |
Got to keep hold of us all. Keep us all in our place. | 0:08:05 | 0:08:08 | |
Me, Lexi, Lola, Kathy and Ben. | 0:08:08 | 0:08:11 | |
Got to keep hold of us all. But you don't see it, do you? | 0:08:11 | 0:08:14 | |
You just destroy everyone around you. You crush 'em. | 0:08:14 | 0:08:18 | |
Just like you did with Ben. Oh, yeah, I watched that. | 0:08:18 | 0:08:21 | |
I watched you break that boy and I will not let you do it to Lola. | 0:08:21 | 0:08:24 | |
-Listen to me, Billy. -I will not let you do it to her. Go on. Hit me. | 0:08:24 | 0:08:28 | |
-Shut your mouth. -Hit me, cos I don't care any more. | 0:08:28 | 0:08:30 | |
Stop it! | 0:08:30 | 0:08:31 | |
How is this helping? | 0:08:39 | 0:08:40 | |
Now, come on, we've got to get out. We've got to start looking. | 0:08:40 | 0:08:45 | |
Go on. Billy. Billy, someone's got to stay here. | 0:08:45 | 0:08:48 | |
-What? -What if she comes back? | 0:08:48 | 0:08:50 | |
I'm not sitting here doing nothing. | 0:08:50 | 0:08:52 | |
Look, just give me a chance to calm him down. | 0:08:52 | 0:08:55 | |
Lola's in a panic right now. | 0:08:55 | 0:08:57 | |
Chances are, she'll realise she's made a mistake | 0:08:57 | 0:08:59 | |
and where's the first place she's going to come, hmm? | 0:08:59 | 0:09:03 | |
You brought this on yourself, you know that? | 0:09:09 | 0:09:12 | |
I can't lose Lexi too. | 0:09:12 | 0:09:14 | |
I'm doing this for Lola. Not you. | 0:09:15 | 0:09:18 | |
Oh, Ian, glad you're here. | 0:09:29 | 0:09:32 | |
I've got someone that needs to talk to you. | 0:09:32 | 0:09:35 | |
SHE LAUGHS | 0:09:36 | 0:09:39 | |
Very funny. | 0:09:39 | 0:09:41 | |
Oh, it's just... | 0:09:41 | 0:09:42 | |
What? | 0:09:43 | 0:09:46 | |
Chocolates. | 0:09:46 | 0:09:47 | |
I can see that. | 0:09:47 | 0:09:49 | |
For you. | 0:09:49 | 0:09:50 | |
-They're my chocolates. -Yeah, I know, that's what I'm saying. | 0:09:50 | 0:09:53 | |
No. They're my chocolates. From my shop. That's £5.95. | 0:09:53 | 0:09:56 | |
Sorry, no, hold on. See... | 0:09:56 | 0:09:57 | |
The thing is... | 0:09:59 | 0:10:01 | |
Here's the thing. | 0:10:03 | 0:10:04 | |
You said that bit. | 0:10:04 | 0:10:05 | |
You and me, we haven't always seen eye to eye. | 0:10:07 | 0:10:10 | |
I mean, I think you have, in the past, actively hated me. | 0:10:10 | 0:10:14 | |
Definitely. You know, sometimes you can be quite irritating. | 0:10:14 | 0:10:16 | |
Like that time when I was staying at yours when me and Kim fell out. | 0:10:16 | 0:10:20 | |
-You were just... -Can you just let me finish? Let me finish. | 0:10:20 | 0:10:23 | |
Sorry. Go on. Yeah. | 0:10:23 | 0:10:24 | |
Putting all that aside, I think you and me, we might have... | 0:10:24 | 0:10:30 | |
You know... | 0:10:32 | 0:10:33 | |
Well, look, even if you don't know, | 0:10:35 | 0:10:38 | |
I think you and me, we might have... | 0:10:38 | 0:10:40 | |
Something. | 0:10:42 | 0:10:44 | |
Have something? | 0:10:44 | 0:10:45 | |
Yeah. Something. I mean, not something as in, you know... | 0:10:45 | 0:10:51 | |
Look, I think something is better than nothing, don't you? | 0:10:53 | 0:11:01 | |
I have absolutely no idea what any of that meant. | 0:11:01 | 0:11:04 | |
Right, OK, this is the thing. | 0:11:06 | 0:11:09 | |
I was thinking, no pressure obviously, of course, | 0:11:09 | 0:11:12 | |
but I was thinking that perhaps one day, you and me, we could... | 0:11:12 | 0:11:16 | |
Oh, Ian, are you asking me out on a date? | 0:11:16 | 0:11:19 | |
Yeah. I guess I am. | 0:11:21 | 0:11:22 | |
Oh, right. Well, I see. | 0:11:25 | 0:11:29 | |
I tell you what, the way I see it, right, you and me, | 0:11:29 | 0:11:33 | |
neither one of us is getting any younger. | 0:11:33 | 0:11:35 | |
We're not spring chickens any more, are we? | 0:11:35 | 0:11:38 | |
And you being at that age where you're...going through the change, | 0:11:38 | 0:11:42 | |
I don't think either one of us is going to get a better offer. | 0:11:42 | 0:11:45 | |
I am not going through the change. | 0:11:50 | 0:11:53 | |
Oh, you'll have to excuse me, Yam Man's here. | 0:11:53 | 0:11:55 | |
-Yam Man? -Oh, let me get that door for you. | 0:11:55 | 0:11:58 | |
Where do you want it? | 0:11:58 | 0:12:00 | |
Well, you can just leave it on the counter, | 0:12:00 | 0:12:02 | |
or maybe outside in the back room. | 0:12:02 | 0:12:05 | |
What happened to your face? Hurt it falling from heaven? | 0:12:05 | 0:12:09 | |
Oh, stop it, you. SHE GIGGLES | 0:12:09 | 0:12:12 | |
I had a dream about you last night. | 0:12:12 | 0:12:14 | |
Really? So what happened, then? | 0:12:15 | 0:12:18 | |
Not sure I can tell you that in public. | 0:12:18 | 0:12:21 | |
Oh, sounds interesting. Only wish I was there. | 0:12:22 | 0:12:25 | |
Let me...let me get that for you. | 0:12:28 | 0:12:31 | |
Towels. For the salon. One thing I can't stand is dirty towels. | 0:12:46 | 0:12:50 | |
So did Cora know anything about your cold cuts? | 0:12:53 | 0:12:57 | |
She denied everything. | 0:12:57 | 0:12:59 | |
Oh, I see. | 0:13:01 | 0:13:03 | |
To be honest, I didn't even know what cold cuts was | 0:13:03 | 0:13:06 | |
till this all happened. | 0:13:06 | 0:13:07 | |
Sounds like a band from the '80s, doesn't it? | 0:13:07 | 0:13:10 | |
Please welcome to the stage The Cold Cuts! | 0:13:10 | 0:13:13 | |
Um...I just wanted to apologise. | 0:13:19 | 0:13:23 | |
Me and Fats, we didn't mean anything by what we said. | 0:13:24 | 0:13:27 | |
You're not losing your mind. You're as sharp as you ever was. | 0:13:29 | 0:13:33 | |
Sharp as a pin, my mum used to say. | 0:13:33 | 0:13:36 | |
But maybe we should take you to the doctor's anyway. | 0:13:36 | 0:13:42 | |
Just to check. | 0:13:42 | 0:13:43 | |
Just in case, cos it's always good to just check, isn't it? | 0:13:43 | 0:13:48 | |
Shut, you stupid thing! | 0:13:48 | 0:13:50 | |
Stop it! Has no-one any respect for other people's property no more? | 0:13:50 | 0:13:56 | |
What would I want with the contents of her bleeding fridge? | 0:14:09 | 0:14:12 | |
Abi! Are you going back to your classes or not? | 0:14:12 | 0:14:15 | |
It's not about food. No. | 0:14:15 | 0:14:17 | |
It's about her being a bible-bashing, lemon-lipped, | 0:14:17 | 0:14:22 | |
poker up her backside freak of nature. | 0:14:22 | 0:14:26 | |
Mum. | 0:14:26 | 0:14:28 | |
Well, that woman pushes my buttons like no-one else can. | 0:14:28 | 0:14:30 | |
I've got an inkling how that might feel. | 0:14:30 | 0:14:32 | |
Abi! It's gone quiet up there. | 0:14:32 | 0:14:36 | |
What do you think they're up to? | 0:14:36 | 0:14:38 | |
Mum, there must be something else going on. | 0:14:38 | 0:14:41 | |
This can't just be about a few bits and bobs going missing, can it? | 0:14:41 | 0:14:44 | |
-Then why don't she say that? -I don't know. Why don't you ask her? | 0:14:44 | 0:14:48 | |
-Because I don't care. -No? | 0:14:48 | 0:14:49 | |
For someone who doesn't care, you're going on about it an awful lot. | 0:14:49 | 0:14:54 | |
Abi! | 0:14:54 | 0:14:55 | |
Abi, please will you just put Jay down | 0:14:55 | 0:14:57 | |
and get your backside to sixth form? | 0:14:57 | 0:14:59 | |
-She branded me a thief. -Right, well, then, clear your name. | 0:15:01 | 0:15:04 | |
-How? -I don't know, Mum. | 0:15:04 | 0:15:06 | |
KNOCK ON DOOR | 0:15:06 | 0:15:07 | |
Someone needs to start smoking again. | 0:15:07 | 0:15:09 | |
-Where's Abi? -Hang on a minute. -Sorry about this, Tan. Really. | 0:15:11 | 0:15:15 | |
-Where is she? -What? -Where's Lola? | 0:15:15 | 0:15:17 | |
-Well, I don't know. At Billy's? -You know something, don't you? | 0:15:17 | 0:15:20 | |
We haven't seen her all day. | 0:15:20 | 0:15:21 | |
What's the matter? Is something wrong? | 0:15:21 | 0:15:23 | |
You know where she is. You tell me, yeah? | 0:15:23 | 0:15:25 | |
-No, I don't know. Honestly. -Phil. -Don't talk to her like that. | 0:15:25 | 0:15:27 | |
Where do you think you're going? Hello! This is my house. | 0:15:27 | 0:15:30 | |
-There's nothing up there. -What's happened? | 0:15:30 | 0:15:32 | |
Lola's taken Lexi. She's missing. | 0:15:32 | 0:15:35 | |
Where's Jay? | 0:15:48 | 0:15:50 | |
He's on his break. | 0:15:50 | 0:15:52 | |
Hello. | 0:15:52 | 0:15:53 | |
PHONE RINGS | 0:15:53 | 0:15:54 | |
Hello, how's my favourite little girl? You all right? | 0:15:54 | 0:15:58 | |
You got a smile for me? | 0:15:58 | 0:16:00 | |
We've got to keep that open, you know. Lola? Lola, what is it? | 0:16:00 | 0:16:04 | |
I've done something really, really stupid. | 0:16:04 | 0:16:07 | |
-She's not answering. You try. -She'll be long gone by now. | 0:16:13 | 0:16:17 | |
Don't say that. | 0:16:17 | 0:16:18 | |
If you hear anything, anything, you come straight to me. | 0:16:18 | 0:16:21 | |
You got that? | 0:16:21 | 0:16:22 | |
No wonder she legged it. She stood up to you, didn't she? | 0:16:22 | 0:16:27 | |
Didn't do as she was told. Good on her. That's what I reckon. | 0:16:27 | 0:16:30 | |
-Oh, that's what you reckon, is it? -Get him out of here. | 0:16:30 | 0:16:33 | |
-Come on, Phil, let's go. -I don't know why you bother with him. | 0:16:33 | 0:16:36 | |
Good on her. | 0:16:40 | 0:16:42 | |
So, where are you going to go? Where are you going to live? | 0:16:42 | 0:16:44 | |
I don't know. | 0:16:44 | 0:16:46 | |
How are you going to take care of Lexi or feed yourself? | 0:16:46 | 0:16:48 | |
I just said I don't know, all right! | 0:16:48 | 0:16:50 | |
Look, I just know that we can't stay here. | 0:16:50 | 0:16:53 | |
We'd both be better off dead. | 0:16:53 | 0:16:55 | |
-Look, don't say that. -It's true. | 0:16:55 | 0:16:57 | |
Look, I'll talk to Phil. I'll make him understand. | 0:17:00 | 0:17:02 | |
No, no. He will never understand. Have you got any money? | 0:17:02 | 0:17:06 | |
-I'll pay you back. -I've only got this till pay day. | 0:17:06 | 0:17:08 | |
Right, well, you must have some petty cash round here. | 0:17:08 | 0:17:11 | |
-I just need a little bit. -Lola! Lola. | 0:17:11 | 0:17:12 | |
-I just need something to get me out of here. -Stop now. This is mad. | 0:17:12 | 0:17:16 | |
You know, look, just wait right here. I'm coming back. | 0:17:18 | 0:17:20 | |
-What? No. -Look, I'm about to talk to my mum. | 0:17:20 | 0:17:23 | |
Dexter, I said no! | 0:17:23 | 0:17:24 | |
You can stay at ours for a while. She won't mind. | 0:17:24 | 0:17:27 | |
She won't ask no questions. | 0:17:27 | 0:17:29 | |
Lola! Look, it's all going to be all right, yeah? | 0:17:30 | 0:17:34 | |
What about that girl she used to hang out with at parenting classes? | 0:17:47 | 0:17:50 | |
-What girl? -What's her name? Dark hair. -Oh, Kelly? | 0:17:50 | 0:17:53 | |
Yeah, yeah, Kelly. | 0:17:53 | 0:17:54 | |
-Yeah, all right, we'll try her, then see if Liam's seen her. -Yeah. | 0:17:54 | 0:17:58 | |
FOOTSTEPS APPROACH | 0:17:58 | 0:17:59 | |
All right, you're up to something. | 0:18:03 | 0:18:05 | |
You've had the same guilty face since you were three years old. | 0:18:05 | 0:18:09 | |
Well, our friend's missing, Mum. | 0:18:09 | 0:18:11 | |
Right. And with your great powers of detection, | 0:18:11 | 0:18:13 | |
you're going to find her, are you? | 0:18:13 | 0:18:14 | |
-We've got to try. -They're out there on their own. | 0:18:14 | 0:18:17 | |
And I'll only be missing a study period. | 0:18:17 | 0:18:20 | |
Nothing I say's going to stop you, is it? All right. Just stay together. | 0:18:20 | 0:18:24 | |
And make sure if you go off anywhere else, you ring me first. | 0:18:24 | 0:18:27 | |
-You understand? -Yeah. I love you, Mum. | 0:18:27 | 0:18:29 | |
Yeah, when it suits you. | 0:18:29 | 0:18:31 | |
Oh, please, don't say another word about Dot. | 0:18:31 | 0:18:34 | |
I wasn't going to. She said she would pray for me. | 0:18:34 | 0:18:37 | |
Why would I want her praying for me? | 0:18:37 | 0:18:40 | |
You're worse than kids, you know that? Right, come with me. | 0:18:40 | 0:18:45 | |
-What you doing? -We are going down the launderette. | 0:18:45 | 0:18:47 | |
And we are going to sort this out. Woman to woman. | 0:18:47 | 0:18:49 | |
-I don't need you to fight my battles. -Really? | 0:18:49 | 0:18:52 | |
Maybe think about getting some of those nicotine patches. | 0:18:52 | 0:18:55 | |
GIGGLING | 0:19:00 | 0:19:02 | |
INDISTINCT CONVERSATION | 0:19:02 | 0:19:04 | |
Sweetheart? | 0:19:04 | 0:19:06 | |
What? | 0:19:08 | 0:19:09 | |
I hope you haven't forgotten our reservation for tonight? | 0:19:09 | 0:19:12 | |
What? | 0:19:12 | 0:19:13 | |
For dinner. For our anniversary. Can't believe she's forgotten. | 0:19:13 | 0:19:17 | |
-Married four years. Two kids. -Have you totally lost your mind? | 0:19:17 | 0:19:22 | |
-I should probably get going anyway. -Oh no, no, no, no. You don't have to. | 0:19:22 | 0:19:26 | |
If you've got reservations. And children. | 0:19:27 | 0:19:30 | |
-We haven't. Tell him. -We have. | 0:19:30 | 0:19:32 | |
Ian! | 0:19:32 | 0:19:33 | |
See you next week. | 0:19:33 | 0:19:35 | |
Bye. Yam Man. | 0:19:37 | 0:19:40 | |
Come here. | 0:19:40 | 0:19:42 | |
Why? | 0:19:42 | 0:19:43 | |
Cos I'm going to kick you in the shins, that's why. | 0:19:43 | 0:19:45 | |
I'm sorry, I had to do something. He was smarming all over you. | 0:19:45 | 0:19:48 | |
I know. That was the whole point. You are so... | 0:19:48 | 0:19:50 | |
SHE GROWLS | 0:19:50 | 0:19:51 | |
Did you just growl at me? | 0:19:51 | 0:19:53 | |
Look, come on, you can't really like him. | 0:19:53 | 0:19:55 | |
You were just doing that to make me jealous. | 0:19:55 | 0:19:58 | |
Ha! | 0:19:58 | 0:19:59 | |
Play nice. | 0:19:59 | 0:20:00 | |
Cora, I'm so glad you're here. | 0:20:09 | 0:20:11 | |
(WHISPERING) I'm not here. I'm waiting for my daughter to go. | 0:20:11 | 0:20:16 | |
Where's Dot? | 0:20:22 | 0:20:23 | |
She's out the back. | 0:20:23 | 0:20:25 | |
Look, she's been out there for ages, OK? | 0:20:25 | 0:20:27 | |
And she won't speak to me. | 0:20:27 | 0:20:29 | |
I'd better get back to the salon. | 0:20:29 | 0:20:32 | |
Poor Gaynor's been holding the fort, she must be run off her feet. | 0:20:32 | 0:20:37 | |
Something's up. Something big. | 0:20:37 | 0:20:40 | |
I don't care. | 0:20:40 | 0:20:42 | |
Ma, that's not very nice, is it? | 0:20:42 | 0:20:44 | |
Me...me and Fats are worried it's her memory. | 0:20:44 | 0:20:50 | |
What? You think she's losing her marbles? | 0:20:50 | 0:20:55 | |
What else could it be? | 0:20:55 | 0:20:57 | |
Look, I know you and her don't see eye to eye | 0:20:57 | 0:20:59 | |
but if something's wrong... | 0:20:59 | 0:21:02 | |
You wouldn't wish that on your worst enemy, would you? | 0:21:02 | 0:21:04 | |
I'll pop back for the towels later. | 0:21:06 | 0:21:09 | |
Need a nice tumble or else they don't go fluffy. | 0:21:09 | 0:21:12 | |
Listen, Dorothy Branning. I've had enough of this nonsense. | 0:21:22 | 0:21:26 | |
You and I are going to have a sherry | 0:21:26 | 0:21:28 | |
and you're going to spill whatever's in that deluded head of yours. | 0:21:28 | 0:21:33 | |
I know you're surgically attached to that overall | 0:21:33 | 0:21:37 | |
but we've got some serious drinking to do. | 0:21:37 | 0:21:40 | |
It would be very much appreciated if you could lock up, you know, | 0:21:40 | 0:21:45 | |
when the plumber has gone. Thank you very much. | 0:21:45 | 0:21:48 | |
No. | 0:21:59 | 0:22:00 | |
But, Mum, you let Ash stay when he was getting grief from his mum. | 0:22:00 | 0:22:03 | |
-I know. -And Rhys when he got kicked out. | 0:22:03 | 0:22:05 | |
This is different. Chicken or pasta for tea? | 0:22:05 | 0:22:07 | |
-How, Mum? How is this different? -Dexter, she has a child. -So? | 0:22:07 | 0:22:11 | |
Look, if she's had an argument with her family, I will speak to them. | 0:22:11 | 0:22:14 | |
You know what, never mind, man. Forget it. | 0:22:14 | 0:22:17 | |
You brought me here after school for "never mind"? | 0:22:17 | 0:22:19 | |
I don't even know why I bother with you. | 0:22:19 | 0:22:21 | |
Dexter, don't be like that. It doesn't suit you. | 0:22:21 | 0:22:23 | |
Mum, if we don't help her, she's going to do something stupid. | 0:22:23 | 0:22:26 | |
Why would she do something stupid? | 0:22:26 | 0:22:28 | |
-All right, you promise not to say nothing? -What? Dex? | 0:22:31 | 0:22:34 | |
PHONE RINGS | 0:22:37 | 0:22:39 | |
Please. Please. Please. | 0:22:44 | 0:22:46 | |
SHE SNIFFS | 0:22:52 | 0:22:54 | |
'Lola? It's me.' | 0:22:54 | 0:22:56 | |
I just want to know that you're all right, darling. | 0:22:58 | 0:23:00 | |
Are you all right? | 0:23:01 | 0:23:04 | |
Where are you, Lo? | 0:23:06 | 0:23:08 | |
Come home, baby. | 0:23:10 | 0:23:12 | |
Please come home. | 0:23:14 | 0:23:16 | |
I've let you down, haven't I? | 0:23:18 | 0:23:21 | |
And I'm sorry. I'm so sorry. | 0:23:21 | 0:23:26 | |
I'm going to make it all right, Lo. | 0:23:26 | 0:23:28 | |
I'm going to make everything all right. I promise you. | 0:23:28 | 0:23:32 | |
I love you. | 0:23:36 | 0:23:38 | |
I love you too. | 0:23:39 | 0:23:41 | |
Billy knows something. I'm sure he does. | 0:23:48 | 0:23:50 | |
You're being paranoid. What? | 0:23:50 | 0:23:52 | |
Have you got anything helpful to say? | 0:23:52 | 0:23:54 | |
Just be patient. | 0:23:54 | 0:23:56 | |
-All right, thanks. Thanks for that. -I'm trying to help. | 0:23:56 | 0:23:58 | |
-Well, help, then, will you? -Oh, I don't need this. | 0:23:58 | 0:24:01 | |
That's really helpful. Just walk out, yeah, that's great, thanks. | 0:24:01 | 0:24:04 | |
-You know, Cora's right. No wonder she left. -What? | 0:24:04 | 0:24:07 | |
She was safe here. Lexi was safe. She had a home. | 0:24:07 | 0:24:11 | |
You've made her feel like she has nowhere else to run. | 0:24:11 | 0:24:14 | |
-I hate you when you're like this. -Like what? | 0:24:15 | 0:24:18 | |
-You're not Grant. -What do you mean? | 0:24:18 | 0:24:21 | |
Let go. I'll see if Jack can make some calls. | 0:24:21 | 0:24:25 | |
What do you mean, I'm not Grant? | 0:24:25 | 0:24:27 | |
Let me know if you hear anything, yeah? | 0:24:27 | 0:24:29 | |
DOORBELL RINGS | 0:24:29 | 0:24:31 | |
My son has something to tell you. | 0:24:35 | 0:24:39 | |
Come in. | 0:24:39 | 0:24:40 | |
Sorry. | 0:24:47 | 0:24:48 | |
OK. | 0:24:51 | 0:24:53 | |
Look, I'm sorry I made you growl. | 0:24:53 | 0:24:56 | |
OK. | 0:24:58 | 0:25:01 | |
I'm sorry about the whole change of life thing. | 0:25:01 | 0:25:04 | |
And I'm sorry about Yam Man. | 0:25:05 | 0:25:08 | |
OK, you can leave now, thank you. | 0:25:10 | 0:25:12 | |
Denise, I had to say something. He's named after a vegetable. | 0:25:12 | 0:25:17 | |
-You deserve better. -Yeah? -Yeah, way better. | 0:25:17 | 0:25:20 | |
Actually, I'm just shutting up early because I'm going to go | 0:25:20 | 0:25:23 | |
and check on Patrick, then I'm going for a drink. | 0:25:23 | 0:25:26 | |
With Yam Man. | 0:25:26 | 0:25:27 | |
Oh. | 0:25:27 | 0:25:29 | |
Yeah, once I explained that you were the local nut job, | 0:25:29 | 0:25:32 | |
he come round pretty quick. | 0:25:32 | 0:25:34 | |
-I didn't use those words exactly. -Yeah, you did. | 0:25:36 | 0:25:39 | |
I mean, just cos I've had mental health issues, | 0:25:39 | 0:25:42 | |
-doesn't mean you can be judgmental. -I wasn't. | 0:25:42 | 0:25:44 | |
-ALARM SETS -Nut job sounds pretty judgmental. | 0:25:44 | 0:25:47 | |
You're being pretty freaky, Ian. You've got to admit that. | 0:25:47 | 0:25:49 | |
Oh, now I'm a freak? | 0:25:49 | 0:25:52 | |
I've left my coat. You pretended to be my husband. | 0:25:52 | 0:25:55 | |
You growl at people. | 0:25:55 | 0:25:56 | |
You talk to aubergines. | 0:25:56 | 0:25:58 | |
Your taste in men's lousy. | 0:25:58 | 0:26:00 | |
So's yours. | 0:26:00 | 0:26:01 | |
SHE GROWLS | 0:26:01 | 0:26:02 | |
Oh! | 0:26:02 | 0:26:04 | |
METAL CLANKS | 0:26:05 | 0:26:06 | |
That's not going to open now, is it? | 0:26:09 | 0:26:11 | |
No. | 0:26:11 | 0:26:12 | |
-We'll just have to call someone. -Yeah. | 0:26:16 | 0:26:18 | |
-My phone's on the counter. -Mine's at home on charge. | 0:26:21 | 0:26:24 | |
-This is your fault. -My fault? -Yes. Your fault. | 0:26:24 | 0:26:27 | |
-Help! -Hello! -Help! -Help! -Help! | 0:26:27 | 0:26:32 | |
We're in the Arches, Billy. We've found her. | 0:26:32 | 0:26:36 | |
Phil. | 0:26:40 | 0:26:42 | |
Great. | 0:26:44 | 0:26:45 | |
Subtitles by Red Bee Media Ltd | 0:27:12 | 0:27:15 |