Browse content similar to 07/03/2013. Check below for episodes and series from the same categories and more!
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Blended malt. | 0:00:29 | 0:00:31 | |
Dry roasted. | 0:00:31 | 0:00:32 | |
New from the pound shop. | 0:00:32 | 0:00:34 | |
I don't need no company. Specially from the likes of you. | 0:00:34 | 0:00:37 | |
I ain't here for company. Last place I'd look for that. | 0:00:37 | 0:00:40 | |
-I'm here to catch a thief. -Unless, of course, that thief is you. | 0:00:40 | 0:00:44 | |
How many times and how many ways can I say it? | 0:00:44 | 0:00:48 | |
Well, don't bother. | 0:00:48 | 0:00:50 | |
Where do you think you're going? | 0:00:53 | 0:00:55 | |
-Get off my sofa. -No. | 0:00:57 | 0:01:00 | |
Get off my sofa now! | 0:01:00 | 0:01:02 | |
You need to prove you're not losing your marbles, | 0:01:02 | 0:01:05 | |
I want to clear my name. | 0:01:05 | 0:01:07 | |
Stay here all night if I have to. | 0:01:07 | 0:01:09 | |
You're a very irritating woman. | 0:01:09 | 0:01:11 | |
Have to bring religion into everything, don't you, Dorothy? | 0:01:15 | 0:01:19 | |
Yes, Cora, you're right. | 0:01:20 | 0:01:23 | |
I do. | 0:01:23 | 0:01:24 | |
You live it. | 0:01:24 | 0:01:25 | |
We were too late. | 0:01:29 | 0:01:32 | |
How much was in there, Phil? | 0:01:32 | 0:01:34 | |
Er, 50, 60 quid maybe. | 0:01:34 | 0:01:36 | |
We've got no chance now, then, have we? | 0:01:36 | 0:01:38 | |
CLATTERING | 0:01:38 | 0:01:40 | |
We've got to get out there. We've got to start looking. | 0:01:41 | 0:01:44 | |
Phil, come on. It's going to get dark soon. | 0:01:44 | 0:01:47 | |
-What you doing? -Phoning the old bill. | 0:01:47 | 0:01:50 | |
-No. No, no, don't. -Billy, this is kidnap, all right? | 0:01:50 | 0:01:52 | |
Please, Phil. Don't. All right? I spoke to her. | 0:01:52 | 0:01:55 | |
When? | 0:01:58 | 0:01:59 | |
I dunno...a half-hour ago. | 0:01:59 | 0:02:01 | |
She didn't say a lot but...I think I was getting through to her. | 0:02:01 | 0:02:04 | |
I know I was. Just let me try her again, yeah? Please? | 0:02:04 | 0:02:07 | |
HE DIALS | 0:02:07 | 0:02:09 | |
MOBILE RINGS | 0:02:13 | 0:02:15 | |
It should be you going up here doing this. | 0:02:27 | 0:02:29 | |
I've got a date. You get up there. | 0:02:29 | 0:02:31 | |
You've got a really unfortunate tone about you sometimes. | 0:02:31 | 0:02:33 | |
Get...up! | 0:02:33 | 0:02:36 | |
All right! | 0:02:36 | 0:02:37 | |
-Ow. -Sorry. -Ow! | 0:02:39 | 0:02:42 | |
-What? -Ow! Eye, eye! | 0:02:42 | 0:02:44 | |
All right, sorry! | 0:02:44 | 0:02:46 | |
Oh, it's pointless. It's sealed. | 0:02:46 | 0:02:49 | |
'Ere y'are. Move. | 0:02:49 | 0:02:50 | |
How can I? I'm on a chair! | 0:02:50 | 0:02:52 | |
If I could just... | 0:02:52 | 0:02:54 | |
-That's no use. -You're no use. | 0:02:57 | 0:02:59 | |
-Oh, shut up. -You shut up. | 0:02:59 | 0:03:01 | |
-Told ya. -Shut up. | 0:03:03 | 0:03:05 | |
SHE INHALES | 0:03:19 | 0:03:21 | |
CLATTERING OUTSIDE | 0:03:22 | 0:03:24 | |
CLATTERING | 0:03:26 | 0:03:27 | |
CATS MEWL | 0:03:32 | 0:03:34 | |
Ohh. | 0:03:34 | 0:03:36 | |
Where to now? There's no point driving round in circles, is there? | 0:03:48 | 0:03:51 | |
Hold up, hold up. 2, 3, 0, 7. | 0:03:51 | 0:03:56 | |
Bingo. 23rd July. | 0:03:56 | 0:03:58 | |
Lexi's birthday. What are you going to do if you find her, Phil? | 0:03:58 | 0:04:01 | |
WHEN, Billy. When we find her. | 0:04:01 | 0:04:03 | |
You got to go easy on her, you know. | 0:04:03 | 0:04:05 | |
-You didn't go easy on Stella, and look what happened to her, eh? -Right, that's it, Billy, that is it! | 0:04:05 | 0:04:10 | |
-What? -Get out! -No! -Get out the car now! | 0:04:10 | 0:04:13 | |
-She's my granddaughter. She's my responsibility. -Get out! | 0:04:13 | 0:04:16 | |
Just shut up! She called someone just before she left. | 0:04:16 | 0:04:20 | |
Call them back. | 0:04:20 | 0:04:21 | |
-You know what your problem is? -What? -You are so defensive. | 0:04:21 | 0:04:24 | |
-Oh, am I? -Yeah, you just jump on every little tiny thing. | 0:04:24 | 0:04:27 | |
I do not jump on every little thing. | 0:04:27 | 0:04:29 | |
You can't get through a sentence, right, without getting stroppy. | 0:04:29 | 0:04:32 | |
-You're stingy. -You're...really attractive when you're angry. | 0:04:32 | 0:04:35 | |
Do you believe in ghosts? | 0:04:45 | 0:04:48 | |
Nah. Load of old tosh. | 0:04:48 | 0:04:49 | |
Well, that's what Poppy thinks we've got. | 0:04:49 | 0:04:52 | |
She thinks it's one of them... "polterjeists". | 0:04:52 | 0:04:55 | |
Rubbish. | 0:04:55 | 0:04:57 | |
No, it's not. | 0:04:57 | 0:04:58 | |
I mean, sometimes I think that the people we've lost, | 0:04:59 | 0:05:03 | |
they're nearer than we think. | 0:05:03 | 0:05:05 | |
I feel 'em all round me. Charlie and...Ethel... | 0:05:05 | 0:05:10 | |
Who's Ethel? | 0:05:10 | 0:05:11 | |
Oh, just a friend. | 0:05:11 | 0:05:13 | |
Do you really believe this place is haunted? | 0:05:15 | 0:05:17 | |
By me memories. The place is full of memories. | 0:05:18 | 0:05:23 | |
A house is just bricks and mortar, Dorothy. | 0:05:24 | 0:05:28 | |
-Memories is in here. And in here. -No...you're wrong. | 0:05:28 | 0:05:32 | |
Do you know what I hate? | 0:05:33 | 0:05:35 | |
Place full of strangers. | 0:05:35 | 0:05:38 | |
I don't feel safe no more. | 0:05:39 | 0:05:41 | |
You'll be fine, Dot. | 0:05:41 | 0:05:42 | |
Tough as old boots. | 0:05:42 | 0:05:45 | |
Well, I thought I was. | 0:05:45 | 0:05:46 | |
But now I'm not so sure. | 0:05:47 | 0:05:49 | |
Have you ever done anything interesting in your entire life? | 0:05:51 | 0:05:54 | |
No, the homeless thing don't count. | 0:05:54 | 0:05:56 | |
Knew it. | 0:06:00 | 0:06:02 | |
SHE LAUGHS | 0:06:02 | 0:06:04 | |
-I got a tattoo. -You never. | 0:06:05 | 0:06:07 | |
-Yeah. -You never have. -Did. Got it for me 40th. | 0:06:07 | 0:06:12 | |
-That's a classic mid-life crisis, that. -Yeah, probably. | 0:06:12 | 0:06:14 | |
-But here, you can have a look if you like. -Go on, then. Ian... Ian! | 0:06:14 | 0:06:18 | |
-No, it's there, look. -Put it away! -No. Go on. Look. | 0:06:18 | 0:06:21 | |
See, it's a little devil. | 0:06:21 | 0:06:23 | |
Oh, yeah. He's got a little fork and everything! | 0:06:25 | 0:06:29 | |
I actually think it's... rather tasteful. | 0:06:29 | 0:06:32 | |
It's a cartoon devil. | 0:06:32 | 0:06:34 | |
On your backside, Ian. | 0:06:34 | 0:06:36 | |
Oh. And there was me thinking that I knew ya. | 0:06:38 | 0:06:40 | |
BASS-HEAVY RAP PLAYS | 0:06:58 | 0:07:01 | |
This is it, Phil. | 0:07:01 | 0:07:03 | |
-Alexa? -Yeah? | 0:07:03 | 0:07:05 | |
We spoke on the phone. | 0:07:05 | 0:07:07 | |
-You got my money? -Where is she? -Money first. -Where is she? | 0:07:07 | 0:07:12 | |
Tottenham. | 0:07:12 | 0:07:15 | |
She came to me for help. | 0:07:15 | 0:07:16 | |
There wasn't a lot I could do so she went to check out a shelter there. | 0:07:16 | 0:07:19 | |
-You're lying. -Be my guest. | 0:07:19 | 0:07:22 | |
RAP PLAYS LOUDLY | 0:07:27 | 0:07:29 | |
Why would she come to you, eh? | 0:08:02 | 0:08:04 | |
You're the one who messed things up for her in the first place. | 0:08:04 | 0:08:07 | |
Must've been desperate. | 0:08:07 | 0:08:09 | |
It's funny. When I heard she'd gone to live with her family, I was dead jealous. | 0:08:09 | 0:08:13 | |
You done? | 0:08:13 | 0:08:15 | |
I guess we'll go to Tottenham, yeah? | 0:08:15 | 0:08:17 | |
Why? She's wasting our time. She's messing us about. | 0:08:17 | 0:08:21 | |
What if Lola's gone home? I mean, she could be there now. | 0:08:21 | 0:08:25 | |
Drop me off at the tube, will you? | 0:08:25 | 0:08:26 | |
-Billy. -No, no, no. I'm going home. | 0:08:26 | 0:08:28 | |
Hello, darlin'. What can I get ya? | 0:08:36 | 0:08:38 | |
-Tanya? -No. Erm...Denny! Denny, where's my little Denny? | 0:08:38 | 0:08:42 | |
-SHE LAUGHS -Sharon. | 0:08:42 | 0:08:45 | |
-Yeah, you got it! -Right, I tell you what. I got one for you, OK? -Go on. | 0:08:45 | 0:08:49 | |
Dot Branning! That's too easy. | 0:08:49 | 0:08:51 | |
Oh, here, I've got a great one. | 0:08:51 | 0:08:53 | |
You're going to love this! | 0:08:53 | 0:08:56 | |
-Lister? -No! | 0:08:58 | 0:09:00 | |
Hold on. | 0:09:00 | 0:09:01 | |
Apples and pears. | 0:09:02 | 0:09:04 | |
-Apples and pears... -Alfie? -No. It's you! | 0:09:04 | 0:09:06 | |
You know, when you came back and you had that little straggly beard | 0:09:06 | 0:09:10 | |
and you looked terrible. | 0:09:10 | 0:09:11 | |
That was awful. You looked really, really bad! | 0:09:11 | 0:09:14 | |
That weren't funny, was it? | 0:09:20 | 0:09:22 | |
Sorry. Not for the...thing. | 0:09:24 | 0:09:27 | |
I'm sorry for what happened to you. | 0:09:30 | 0:09:33 | |
You know, with your... | 0:09:33 | 0:09:35 | |
your breakdown and everything. | 0:09:35 | 0:09:37 | |
And you can...talk to me about it if you want to. | 0:09:38 | 0:09:42 | |
-I don't want to talk about it. -OK. | 0:09:42 | 0:09:44 | |
I haven't... | 0:09:49 | 0:09:50 | |
I haven't talked to any of my friends. Just... | 0:09:52 | 0:09:55 | |
Just my counsellor. | 0:09:56 | 0:09:58 | |
It's pretty humiliating, OK? | 0:10:02 | 0:10:04 | |
There was, erm... | 0:10:10 | 0:10:11 | |
There was one day I was just sat in a church. | 0:10:13 | 0:10:17 | |
I was sat there for hours, cos no-one bothered me. | 0:10:17 | 0:10:21 | |
It's not cos I'm religious or anything, I'm just... | 0:10:21 | 0:10:25 | |
I was just sat there and there was this statue of Jesus. | 0:10:25 | 0:10:28 | |
I was staring at it and I thought, | 0:10:28 | 0:10:31 | |
maybe that's what life's all about, you know? | 0:10:31 | 0:10:34 | |
I'm suffering like he was suffering, and... | 0:10:35 | 0:10:38 | |
..maybe that's what it's all about. | 0:10:41 | 0:10:43 | |
-You know what you just did, don't you? -No. | 0:10:49 | 0:10:53 | |
Compared yourself to Jesus. | 0:10:53 | 0:10:55 | |
-But, you know, I always knew you had a little bit of a complex, so... -Shut up. | 0:10:55 | 0:10:59 | |
No. | 0:10:59 | 0:11:01 | |
You shut up. | 0:11:01 | 0:11:03 | |
They haven't seen them. | 0:11:16 | 0:11:18 | |
We've lost her, ain't we? She ain't going to be coming back. | 0:11:18 | 0:11:21 | |
What did you mean when you said that I'm not Grant? | 0:11:27 | 0:11:30 | |
It's just, you was always the kind one. The gentle one. | 0:11:32 | 0:11:35 | |
That's why I fell for you all those years ago. | 0:11:36 | 0:11:39 | |
They said there's a mother and baby unit down the road, | 0:11:42 | 0:11:45 | |
so let's give it a try. | 0:11:45 | 0:11:47 | |
Lo? | 0:11:54 | 0:11:55 | |
Look, we're going back out, innit? We're not giving up now. | 0:12:05 | 0:12:09 | |
Sometimes I think she'd be better off if I'd never found her. | 0:12:09 | 0:12:13 | |
-If I'd never taken her out of that home. -Look, that ain't true. | 0:12:13 | 0:12:16 | |
Look...I used to get in trouble all the time. | 0:12:16 | 0:12:20 | |
I stayed out late this one night. | 0:12:20 | 0:12:22 | |
Mum didn't know where I was but that didn't stop her, though. | 0:12:22 | 0:12:25 | |
She was out there, kicking down doors. | 0:12:25 | 0:12:27 | |
She tracked me down, and when she did she proper told me off | 0:12:27 | 0:12:30 | |
in front of all my friends. | 0:12:30 | 0:12:32 | |
I hated her after that. | 0:12:32 | 0:12:34 | |
But now...I'm glad... | 0:12:34 | 0:12:36 | |
..cos I know she didn't give up on me. | 0:12:37 | 0:12:39 | |
And Lola wants you to find her. And, when you do, you tell her off. | 0:12:39 | 0:12:43 | |
Cos she deserves it. For putting you through all this. | 0:12:43 | 0:12:46 | |
-Come on. -Yes. | 0:12:51 | 0:12:52 | |
BASS THUMPS | 0:12:52 | 0:12:55 | |
It's all right. They ain't outside. | 0:12:58 | 0:13:00 | |
Got yourself in a whole heap of trouble, ain't you? | 0:13:02 | 0:13:05 | |
Yeah, cos of you. | 0:13:05 | 0:13:07 | |
You're not the one with the deviated septum. I could have sued you. | 0:13:07 | 0:13:10 | |
Well, I'm the one who had my baby taken away, so I guess we're even, then. | 0:13:10 | 0:13:15 | |
There's a good girl. | 0:13:15 | 0:13:17 | |
I mean, she's not as ugly as she was. | 0:13:17 | 0:13:19 | |
Right little munter when I first saw her. | 0:13:19 | 0:13:22 | |
-Do you want a black eye to go with your dodgy nose, do you? -Always so easy to wind up. | 0:13:22 | 0:13:25 | |
Why'd you phone me? | 0:13:30 | 0:13:32 | |
Cos I ain't got anyone else. | 0:13:32 | 0:13:34 | |
That sucks. | 0:13:35 | 0:13:36 | |
Yeah. | 0:13:36 | 0:13:38 | |
Anyway, why are you here? | 0:13:38 | 0:13:39 | |
I thought you was with your foster parents. | 0:13:39 | 0:13:41 | |
Oh, no. She's a cow and...I'm pretty sure he looked at me funny. | 0:13:41 | 0:13:46 | |
So I legged it a couple of days ago. | 0:13:46 | 0:13:48 | |
Talking of cows - saw Mum the other day. | 0:13:51 | 0:13:53 | |
-Yeah? How is she? -OD'd again. | 0:13:53 | 0:13:56 | |
Should've seen the state of her. Hospital gown on back to front, | 0:13:56 | 0:13:59 | |
all her bits hanging out all over the place. | 0:13:59 | 0:14:02 | |
Is she...going to be all right? | 0:14:02 | 0:14:04 | |
She's got nine lives, my mum. | 0:14:04 | 0:14:05 | |
So...are you not going home? | 0:14:07 | 0:14:11 | |
No, I can't. | 0:14:11 | 0:14:13 | |
-Was that the longest time? -What? | 0:14:14 | 0:14:17 | |
The longest time you've been in one place? | 0:14:17 | 0:14:19 | |
Yeah. Yeah, I guess it was. | 0:14:19 | 0:14:22 | |
LEXI GRIZZLES | 0:14:25 | 0:14:27 | |
Right, well, we're having a party. | 0:14:29 | 0:14:31 | |
-Fancy some? -No, Lex. | 0:14:31 | 0:14:34 | |
All right. Well, you can stay here for the night if you want. | 0:14:34 | 0:14:37 | |
And...here. Conned it off that bald bloke. | 0:14:37 | 0:14:41 | |
SHE LAUGHS Cheers. | 0:14:41 | 0:14:44 | |
Lex? | 0:14:46 | 0:14:47 | |
Yeah? | 0:14:47 | 0:14:48 | |
-Where's that place? -Dunno. It's just some house. | 0:14:48 | 0:14:52 | |
FRONT DOOR OPENS | 0:14:57 | 0:14:59 | |
GIGGLING AND SHUSHING | 0:14:59 | 0:15:02 | |
-Should I wake 'em? -No. They look really sweet. | 0:15:10 | 0:15:14 | |
Come on, let's put a blanket over them. | 0:15:15 | 0:15:17 | |
Has either of you seen this girl? | 0:15:41 | 0:15:43 | |
Sorry, fellas, have you seen this girl at all? | 0:15:43 | 0:15:47 | |
-'Scuse me, you haven't seen this girl, have you? -No, sorry. | 0:15:48 | 0:15:51 | |
Well? Anything? | 0:16:01 | 0:16:03 | |
Where else can we look? | 0:16:06 | 0:16:08 | |
Look, Jay and Abi said they're going to go to the station. | 0:16:08 | 0:16:11 | |
-Billy, don't just stand there. What are we going to do? -I don't know! | 0:16:11 | 0:16:14 | |
Don't worry about her, man. She'll be all right out there. She's tough. | 0:16:18 | 0:16:21 | |
No, she ain't. | 0:16:21 | 0:16:23 | |
LOUD MUSIC AND CONVERSATION THROUGH WALL | 0:16:25 | 0:16:27 | |
LEXI GRIZZLES | 0:16:27 | 0:16:29 | |
Shhh, shhh. | 0:16:32 | 0:16:34 | |
# If you ain't doing nothing we can fly away, get away | 0:16:34 | 0:16:38 | |
# We can do what you want to, baby. # | 0:16:38 | 0:16:41 | |
Do you remember that? | 0:16:41 | 0:16:42 | |
Mummy used to sing that to you all the time. Do you remember? | 0:16:42 | 0:16:46 | |
LEXI GRIZZLES | 0:16:46 | 0:16:48 | |
SIRENS APPROACH | 0:16:50 | 0:16:52 | |
Shh. It's OK. It's OK. Mummy's got you. | 0:16:52 | 0:16:56 | |
They're not going to take you again, I promise. I promise. | 0:16:56 | 0:16:59 | |
CLATTERING | 0:17:00 | 0:17:02 | |
(Dot! Dot!) | 0:17:03 | 0:17:06 | |
-Who put this here? -Shh! | 0:17:06 | 0:17:08 | |
-(D'you hear that?) -DOOR OPENS IN HALL | 0:17:08 | 0:17:11 | |
What? | 0:17:11 | 0:17:12 | |
The intruder. | 0:17:14 | 0:17:16 | |
The thief. | 0:17:17 | 0:17:18 | |
PACKAGING RUSTLES | 0:17:33 | 0:17:36 | |
Arthur! | 0:17:47 | 0:17:49 | |
Avert your eyes, Cora. Arthur Chubb! | 0:17:53 | 0:17:56 | |
Put some clothes on. Have some dignity. | 0:17:56 | 0:17:58 | |
He can't hear you. He's sleepwalking. | 0:17:58 | 0:18:01 | |
He's got one of my eclairs! Cora, do something. | 0:18:04 | 0:18:08 | |
You should never wake someone who's sleepwalking. | 0:18:08 | 0:18:11 | |
Have you ever seen anything so pert? | 0:18:14 | 0:18:18 | |
Fats! Where are your knickers?! | 0:18:19 | 0:18:22 | |
Poppy Meadows, what is Arthur doing in my house in his altogether? | 0:18:22 | 0:18:26 | |
Cora! | 0:18:27 | 0:18:29 | |
CORA LAUGHS | 0:18:29 | 0:18:31 | |
-Who was the last person you saw naked? -What? | 0:18:34 | 0:18:36 | |
-No, who was the last person you saw naked? -I'm not answering that. | 0:18:36 | 0:18:39 | |
-Why not? -I am not answering that. | 0:18:39 | 0:18:42 | |
-Cos it's been so long you can't remember? -Ha-ha(!) | 0:18:42 | 0:18:46 | |
Yeah, yeah. It's been that long. | 0:18:46 | 0:18:49 | |
Me and Mandy, the whole... physical side... | 0:18:51 | 0:18:53 | |
No, no, I don't want to hear it. | 0:18:53 | 0:18:56 | |
I'm not going to say anything embarrassing. | 0:18:56 | 0:18:58 | |
OK. | 0:19:00 | 0:19:01 | |
-Me and Mandy, the whole...physical side... -You're doing it again. | 0:19:01 | 0:19:04 | |
No, listen! | 0:19:04 | 0:19:06 | |
..was fine, OK? | 0:19:06 | 0:19:08 | |
It was...all the other stuff - the hugs and kisses. The nice stuff. | 0:19:08 | 0:19:14 | |
She just wasn't into it. | 0:19:14 | 0:19:17 | |
She'd lie there on her half of the bed and that'd be it. | 0:19:17 | 0:19:20 | |
No hugs. Nothing at all. Just weren't into it. | 0:19:20 | 0:19:22 | |
That's sad. | 0:19:24 | 0:19:25 | |
-Yeah. It is. -You know what's sadder? | 0:19:25 | 0:19:28 | |
-What? -Best relationship I ever had was with Kevin. | 0:19:28 | 0:19:32 | |
And he's been dead now, what... five years. | 0:19:32 | 0:19:36 | |
Weren't even really that good if I think about it. | 0:19:38 | 0:19:41 | |
What? No hugs? | 0:19:41 | 0:19:42 | |
No, there was lots of hugs but, you know... | 0:19:42 | 0:19:45 | |
-the old...physical side of things... -No, no, no, no, no! Not listening. | 0:19:45 | 0:19:50 | |
-Not listening. -I'm joking. I'm joking... | 0:19:50 | 0:19:52 | |
-Not listening. -Joking. | 0:19:52 | 0:19:53 | |
Well. | 0:20:09 | 0:20:11 | |
That was unexpected. | 0:20:13 | 0:20:14 | |
So, er...that was a bit scary. | 0:20:26 | 0:20:28 | |
You know, I ain't sleepwalked in years. | 0:20:28 | 0:20:31 | |
Well, you never were a sleepwalker when you was living here, Arthur. | 0:20:31 | 0:20:35 | |
No, no. Erm... I'm going to replace the eclairs. | 0:20:35 | 0:20:38 | |
-And the cold cuts. -And the cold cuts, of course! | 0:20:38 | 0:20:40 | |
I'm sorry. I'm sorry, Mrs Branning. | 0:20:40 | 0:20:43 | |
Well, it isn't the fact that you had uninvited guests here, Poppy. | 0:20:43 | 0:20:47 | |
Or heaven knows what went on upstairs. | 0:20:47 | 0:20:50 | |
Nor even that you was cavorting in your birthday suit, Arthur. | 0:20:50 | 0:20:54 | |
It was that you was lying to me. | 0:20:54 | 0:20:56 | |
I took you in out of the goodness of me heart | 0:20:57 | 0:21:00 | |
and that's how you repay me. | 0:21:00 | 0:21:02 | |
I mean, it's absolute bare-faced cheek. | 0:21:02 | 0:21:06 | |
TITTERING | 0:21:07 | 0:21:08 | |
Oh, that's right, make a big joke out of it. | 0:21:08 | 0:21:12 | |
Well, this is my house. This is my home. I make the rules. | 0:21:12 | 0:21:14 | |
I decide what happens. This is mine! | 0:21:14 | 0:21:17 | |
It's mine. | 0:21:20 | 0:21:21 | |
DISTANT SIREN | 0:21:28 | 0:21:30 | |
This is a nightmare. | 0:21:57 | 0:21:58 | |
-We've got to keep looking. -Where, eh? Where? | 0:21:58 | 0:22:01 | |
When's it all going to end, Sharon, eh? | 0:22:02 | 0:22:04 | |
I mean, it feels like it never stopped. You know, Louise... | 0:22:04 | 0:22:08 | |
Ben...now Lexi. It's just one thing after another. | 0:22:08 | 0:22:11 | |
-And I feel like I'm being punished. -SHE LAUGHS | 0:22:11 | 0:22:13 | |
What you laughing at? Come on, Sharon, what you laughing at? | 0:22:13 | 0:22:16 | |
This is what I meant. | 0:22:16 | 0:22:17 | |
You're just like Grant. | 0:22:17 | 0:22:19 | |
It's a classic, isn't it? | 0:22:19 | 0:22:21 | |
Something goes wrong and you...throw your weight around. | 0:22:21 | 0:22:23 | |
Smash a few things up and then you get all maudlin. Phil, I've had enough. | 0:22:23 | 0:22:29 | |
My granddaughter is missing, Sharon. | 0:22:29 | 0:22:31 | |
My relationship is on the line cos of you. | 0:22:33 | 0:22:35 | |
But you don't think about that, do you? Hmm? | 0:22:37 | 0:22:39 | |
You don't think about me or Lola. Or Billy. | 0:22:39 | 0:22:42 | |
Do you think for even one second what they're going through? | 0:22:43 | 0:22:47 | |
No, no, of course you don't. Because all you care about is yourself. | 0:22:47 | 0:22:50 | |
Which is why we're in this mess. | 0:22:50 | 0:22:52 | |
-You're saying this is my fault? -Yes, that's exactly what I'm saying. | 0:22:52 | 0:22:56 | |
If you hadn't gone into that court gunning for her | 0:22:56 | 0:22:58 | |
none of this would've happened. | 0:22:58 | 0:23:01 | |
You know, Phil, you... you go through your life | 0:23:01 | 0:23:04 | |
and you don't really look at people, do you? | 0:23:04 | 0:23:07 | |
You don't look at 'em. | 0:23:07 | 0:23:09 | |
Really look at 'em and see what pain they're going through | 0:23:09 | 0:23:11 | |
and feel just a little bit of something for them. | 0:23:11 | 0:23:14 | |
A little bit of compassion. | 0:23:14 | 0:23:15 | |
You're making out like I'm a monster. | 0:23:15 | 0:23:18 | |
Well, you are, Phil. You didn't use to be but you are now. | 0:23:18 | 0:23:23 | |
You messed up with Ben and you're looking for a replacement. | 0:23:24 | 0:23:28 | |
That is all Lexi means to you. | 0:23:28 | 0:23:30 | |
You know, all Lola ever wanted was a home. To feel safe. | 0:23:33 | 0:23:38 | |
That is all she wanted. | 0:23:38 | 0:23:39 | |
You know, there's somewhere we should try. | 0:23:44 | 0:23:47 | |
What do you think you're doing, delving in me drawers? | 0:23:51 | 0:23:54 | |
They're private. | 0:23:54 | 0:23:55 | |
Like I said, I gave it back to you last week. | 0:23:55 | 0:23:58 | |
I'd ask for an apology but I don't think I'd get one. | 0:23:59 | 0:24:03 | |
-See you tomorrow. -Don't forget to leave the washing machine doors open. | 0:24:06 | 0:24:10 | |
-Otherwise they'll go... -Otherwise they'll go mouldy. | 0:24:10 | 0:24:12 | |
Dorothy Branning, you're tough as old boots. | 0:24:14 | 0:24:19 | |
Whatever this is, you'll be fine. | 0:24:19 | 0:24:22 | |
I've been around long enough to know that a kiss... | 0:24:37 | 0:24:41 | |
it don't mean everything, but... it does mean something, doesn't it? | 0:24:41 | 0:24:46 | |
I'm over mucking about, Ian. | 0:24:49 | 0:24:51 | |
I never thought I'd say this but... | 0:24:53 | 0:24:55 | |
..I want stability and... | 0:24:57 | 0:25:00 | |
companionship, and fun obviously. | 0:25:00 | 0:25:03 | |
But...mainly... | 0:25:03 | 0:25:07 | |
..I just want someone to sit down with | 0:25:10 | 0:25:13 | |
and have a glass of wine and tell 'em about me day. | 0:25:13 | 0:25:17 | |
Just someone who's there. | 0:25:19 | 0:25:21 | |
You're asleep, ain't ya? | 0:25:25 | 0:25:27 | |
-Ian. -Hm? | 0:25:27 | 0:25:29 | |
I don't want to be lonely any more. | 0:25:37 | 0:25:39 | |
LEXI GRIZZLES | 0:25:57 | 0:25:59 | |
Shhh, shhh. | 0:25:59 | 0:26:01 | |
She used to come here when she was a kid. Said she felt safe. | 0:26:21 | 0:26:24 | |
Well, it was worth a shot. | 0:26:34 | 0:26:36 | |
(Shhh, shhh.) | 0:26:42 | 0:26:46 | |
# If you ain't doing nothing we can fly away, get away, drive away | 0:26:46 | 0:26:51 | |
# We can do what you want to, baby... # | 0:26:51 | 0:26:53 | |
We'll find her. | 0:26:53 | 0:26:54 | |
No. | 0:26:54 | 0:26:56 | |
We'll find her, Phil, I promise you. | 0:26:56 | 0:26:58 | |
I hate it. | 0:26:58 | 0:27:00 | |
What? | 0:27:00 | 0:27:01 | |
I never...wanted to be like this, Sharon. I never wanted that. | 0:27:02 | 0:27:07 | |
I'm not... I'm not a monster. | 0:27:11 | 0:27:15 | |
I'm not. | 0:27:15 | 0:27:18 | |
I'm still that man that you fell in love with all those years ago. | 0:27:18 | 0:27:23 | |
I am. | 0:27:23 | 0:27:24 | |
You do believe me, don't ya? | 0:27:28 | 0:27:30 | |
Sharon... | 0:27:54 | 0:27:55 | |
Sharon... | 0:27:57 | 0:27:59 | |
Sharon! | 0:28:00 | 0:28:02 | |
LEXI CRIES | 0:28:02 | 0:28:04 | |
-Lola! -No! No, please, no! | 0:28:07 | 0:28:10 | |
-Lola... -No! No, please! Please don't.... | 0:28:10 | 0:28:14 | |
It's OK. It's OK. | 0:28:18 | 0:28:20 | |
-It's OK. -Please... | 0:28:20 | 0:28:23 | |
It's all right. It's OK. | 0:28:24 | 0:28:27 | |
It's OK. It's OK. | 0:28:27 | 0:28:30 | |
LOLA CRIES | 0:28:30 | 0:28:33 | |
Subtitles by Red Bee Media Ltd | 0:29:00 | 0:29:03 |