07/03/2013 EastEnders


07/03/2013

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Blended malt.

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Dry roasted.

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New from the pound shop.

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I don't need no company. Specially from the likes of you.

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I ain't here for company. Last place I'd look for that.

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-I'm here to catch a thief.

-Unless, of course, that thief is you.

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How many times and how many ways can I say it?

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Well, don't bother.

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Where do you think you're going?

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-Get off my sofa.

-No.

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Get off my sofa now!

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You need to prove you're not losing your marbles,

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I want to clear my name.

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Stay here all night if I have to.

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You're a very irritating woman.

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Have to bring religion into everything, don't you, Dorothy?

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Yes, Cora, you're right.

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I do.

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You live it.

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We were too late.

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How much was in there, Phil?

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Er, 50, 60 quid maybe.

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We've got no chance now, then, have we?

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CLATTERING

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We've got to get out there. We've got to start looking.

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Phil, come on. It's going to get dark soon.

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-What you doing?

-Phoning the old bill.

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-No. No, no, don't.

-Billy, this is kidnap, all right?

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Please, Phil. Don't. All right? I spoke to her.

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When?

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I dunno...a half-hour ago.

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She didn't say a lot but...I think I was getting through to her.

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I know I was. Just let me try her again, yeah? Please?

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HE DIALS

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MOBILE RINGS

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It should be you going up here doing this.

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I've got a date. You get up there.

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You've got a really unfortunate tone about you sometimes.

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Get...up!

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All right!

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-Ow.

-Sorry.

-Ow!

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-What?

-Ow! Eye, eye!

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All right, sorry!

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Oh, it's pointless. It's sealed.

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'Ere y'are. Move.

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How can I? I'm on a chair!

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If I could just...

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-That's no use.

-You're no use.

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-Oh, shut up.

-You shut up.

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-Told ya.

-Shut up.

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SHE INHALES

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CLATTERING OUTSIDE

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CLATTERING

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CATS MEWL

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Ohh.

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Where to now? There's no point driving round in circles, is there?

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Hold up, hold up. 2, 3, 0, 7.

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Bingo. 23rd July.

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Lexi's birthday. What are you going to do if you find her, Phil?

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WHEN, Billy. When we find her.

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You got to go easy on her, you know.

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-You didn't go easy on Stella, and look what happened to her, eh?

-Right, that's it, Billy, that is it!

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-What?

-Get out!

-No!

-Get out the car now!

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-She's my granddaughter. She's my responsibility.

-Get out!

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Just shut up! She called someone just before she left.

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Call them back.

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-You know what your problem is?

-What?

-You are so defensive.

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-Oh, am I?

-Yeah, you just jump on every little tiny thing.

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I do not jump on every little thing.

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You can't get through a sentence, right, without getting stroppy.

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-You're stingy.

-You're...really attractive when you're angry.

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Do you believe in ghosts?

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Nah. Load of old tosh.

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Well, that's what Poppy thinks we've got.

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She thinks it's one of them... "polterjeists".

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Rubbish.

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No, it's not.

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I mean, sometimes I think that the people we've lost,

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they're nearer than we think.

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I feel 'em all round me. Charlie and...Ethel...

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Who's Ethel?

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Oh, just a friend.

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Do you really believe this place is haunted?

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By me memories. The place is full of memories.

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A house is just bricks and mortar, Dorothy.

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-Memories is in here. And in here.

-No...you're wrong.

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Do you know what I hate?

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Place full of strangers.

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I don't feel safe no more.

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You'll be fine, Dot.

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Tough as old boots.

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Well, I thought I was.

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But now I'm not so sure.

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Have you ever done anything interesting in your entire life?

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No, the homeless thing don't count.

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Knew it.

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SHE LAUGHS

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-I got a tattoo.

-You never.

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-Yeah.

-You never have.

-Did. Got it for me 40th.

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-That's a classic mid-life crisis, that.

-Yeah, probably.

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-But here, you can have a look if you like.

-Go on, then. Ian... Ian!

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-No, it's there, look.

-Put it away!

-No. Go on. Look.

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See, it's a little devil.

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Oh, yeah. He's got a little fork and everything!

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I actually think it's... rather tasteful.

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It's a cartoon devil.

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On your backside, Ian.

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Oh. And there was me thinking that I knew ya.

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BASS-HEAVY RAP PLAYS

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This is it, Phil.

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-Alexa?

-Yeah?

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We spoke on the phone.

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-You got my money?

-Where is she?

-Money first.

-Where is she?

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Tottenham.

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She came to me for help.

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There wasn't a lot I could do so she went to check out a shelter there.

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-You're lying.

-Be my guest.

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RAP PLAYS LOUDLY

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Why would she come to you, eh?

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You're the one who messed things up for her in the first place.

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Must've been desperate.

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It's funny. When I heard she'd gone to live with her family, I was dead jealous.

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You done?

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I guess we'll go to Tottenham, yeah?

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Why? She's wasting our time. She's messing us about.

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What if Lola's gone home? I mean, she could be there now.

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Drop me off at the tube, will you?

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-Billy.

-No, no, no. I'm going home.

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Hello, darlin'. What can I get ya?

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-Tanya?

-No. Erm...Denny! Denny, where's my little Denny?

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-SHE LAUGHS

-Sharon.

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-Yeah, you got it!

-Right, I tell you what. I got one for you, OK?

-Go on.

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Dot Branning! That's too easy.

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Oh, here, I've got a great one.

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You're going to love this!

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-Lister?

-No!

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Hold on.

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Apples and pears.

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-Apples and pears...

-Alfie?

-No. It's you!

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You know, when you came back and you had that little straggly beard

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and you looked terrible.

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That was awful. You looked really, really bad!

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That weren't funny, was it?

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Sorry. Not for the...thing.

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I'm sorry for what happened to you.

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You know, with your...

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your breakdown and everything.

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And you can...talk to me about it if you want to.

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-I don't want to talk about it.

-OK.

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I haven't...

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I haven't talked to any of my friends. Just...

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Just my counsellor.

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It's pretty humiliating, OK?

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There was, erm...

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There was one day I was just sat in a church.

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I was sat there for hours, cos no-one bothered me.

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It's not cos I'm religious or anything, I'm just...

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I was just sat there and there was this statue of Jesus.

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I was staring at it and I thought,

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maybe that's what life's all about, you know?

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I'm suffering like he was suffering, and...

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..maybe that's what it's all about.

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-You know what you just did, don't you?

-No.

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Compared yourself to Jesus.

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-But, you know, I always knew you had a little bit of a complex, so...

-Shut up.

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No.

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You shut up.

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They haven't seen them.

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We've lost her, ain't we? She ain't going to be coming back.

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What did you mean when you said that I'm not Grant?

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It's just, you was always the kind one. The gentle one.

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That's why I fell for you all those years ago.

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They said there's a mother and baby unit down the road,

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so let's give it a try.

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Lo?

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Look, we're going back out, innit? We're not giving up now.

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Sometimes I think she'd be better off if I'd never found her.

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-If I'd never taken her out of that home.

-Look, that ain't true.

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Look...I used to get in trouble all the time.

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I stayed out late this one night.

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Mum didn't know where I was but that didn't stop her, though.

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She was out there, kicking down doors.

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She tracked me down, and when she did she proper told me off

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in front of all my friends.

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I hated her after that.

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But now...I'm glad...

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..cos I know she didn't give up on me.

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And Lola wants you to find her. And, when you do, you tell her off.

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Cos she deserves it. For putting you through all this.

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-Come on.

-Yes.

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BASS THUMPS

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It's all right. They ain't outside.

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Got yourself in a whole heap of trouble, ain't you?

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Yeah, cos of you.

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You're not the one with the deviated septum. I could have sued you.

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Well, I'm the one who had my baby taken away, so I guess we're even, then.

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There's a good girl.

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I mean, she's not as ugly as she was.

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Right little munter when I first saw her.

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-Do you want a black eye to go with your dodgy nose, do you?

-Always so easy to wind up.

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Why'd you phone me?

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Cos I ain't got anyone else.

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That sucks.

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Yeah.

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Anyway, why are you here?

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I thought you was with your foster parents.

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Oh, no. She's a cow and...I'm pretty sure he looked at me funny.

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So I legged it a couple of days ago.

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Talking of cows - saw Mum the other day.

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-Yeah? How is she?

-OD'd again.

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Should've seen the state of her. Hospital gown on back to front,

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all her bits hanging out all over the place.

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Is she...going to be all right?

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She's got nine lives, my mum.

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So...are you not going home?

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No, I can't.

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-Was that the longest time?

-What?

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The longest time you've been in one place?

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Yeah. Yeah, I guess it was.

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LEXI GRIZZLES

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Right, well, we're having a party.

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-Fancy some?

-No, Lex.

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All right. Well, you can stay here for the night if you want.

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And...here. Conned it off that bald bloke.

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SHE LAUGHS Cheers.

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Lex?

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Yeah?

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-Where's that place?

-Dunno. It's just some house.

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FRONT DOOR OPENS

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GIGGLING AND SHUSHING

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-Should I wake 'em?

-No. They look really sweet.

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Come on, let's put a blanket over them.

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Has either of you seen this girl?

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Sorry, fellas, have you seen this girl at all?

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-'Scuse me, you haven't seen this girl, have you?

-No, sorry.

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Well? Anything?

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Where else can we look?

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Look, Jay and Abi said they're going to go to the station.

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-Billy, don't just stand there. What are we going to do?

-I don't know!

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Don't worry about her, man. She'll be all right out there. She's tough.

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No, she ain't.

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LOUD MUSIC AND CONVERSATION THROUGH WALL

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LEXI GRIZZLES

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Shhh, shhh.

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# If you ain't doing nothing we can fly away, get away

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# We can do what you want to, baby. #

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Do you remember that?

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Mummy used to sing that to you all the time. Do you remember?

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LEXI GRIZZLES

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SIRENS APPROACH

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Shh. It's OK. It's OK. Mummy's got you.

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They're not going to take you again, I promise. I promise.

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CLATTERING

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(Dot! Dot!)

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-Who put this here?

-Shh!

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-(D'you hear that?)

-DOOR OPENS IN HALL

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What?

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The intruder.

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The thief.

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PACKAGING RUSTLES

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Arthur!

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Avert your eyes, Cora. Arthur Chubb!

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Put some clothes on. Have some dignity.

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He can't hear you. He's sleepwalking.

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He's got one of my eclairs! Cora, do something.

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You should never wake someone who's sleepwalking.

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Have you ever seen anything so pert?

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Fats! Where are your knickers?!

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Poppy Meadows, what is Arthur doing in my house in his altogether?

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Cora!

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CORA LAUGHS

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-Who was the last person you saw naked?

-What?

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-No, who was the last person you saw naked?

-I'm not answering that.

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-Why not?

-I am not answering that.

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-Cos it's been so long you can't remember?

-Ha-ha(!)

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Yeah, yeah. It's been that long.

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Me and Mandy, the whole... physical side...

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No, no, I don't want to hear it.

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I'm not going to say anything embarrassing.

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OK.

0:19:000:19:01

-Me and Mandy, the whole...physical side...

-You're doing it again.

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No, listen!

0:19:040:19:06

..was fine, OK?

0:19:060:19:08

It was...all the other stuff - the hugs and kisses. The nice stuff.

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She just wasn't into it.

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She'd lie there on her half of the bed and that'd be it.

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No hugs. Nothing at all. Just weren't into it.

0:19:200:19:22

That's sad.

0:19:240:19:25

-Yeah. It is.

-You know what's sadder?

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-What?

-Best relationship I ever had was with Kevin.

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And he's been dead now, what... five years.

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Weren't even really that good if I think about it.

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What? No hugs?

0:19:410:19:42

No, there was lots of hugs but, you know...

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-the old...physical side of things...

-No, no, no, no, no! Not listening.

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-Not listening.

-I'm joking. I'm joking...

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-Not listening.

-Joking.

0:19:520:19:53

Well.

0:20:090:20:11

That was unexpected.

0:20:130:20:14

So, er...that was a bit scary.

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You know, I ain't sleepwalked in years.

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Well, you never were a sleepwalker when you was living here, Arthur.

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No, no. Erm... I'm going to replace the eclairs.

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-And the cold cuts.

-And the cold cuts, of course!

0:20:380:20:40

I'm sorry. I'm sorry, Mrs Branning.

0:20:400:20:43

Well, it isn't the fact that you had uninvited guests here, Poppy.

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Or heaven knows what went on upstairs.

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Nor even that you was cavorting in your birthday suit, Arthur.

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It was that you was lying to me.

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I took you in out of the goodness of me heart

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and that's how you repay me.

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I mean, it's absolute bare-faced cheek.

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TITTERING

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Oh, that's right, make a big joke out of it.

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Well, this is my house. This is my home. I make the rules.

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I decide what happens. This is mine!

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It's mine.

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DISTANT SIREN

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This is a nightmare.

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-We've got to keep looking.

-Where, eh? Where?

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When's it all going to end, Sharon, eh?

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I mean, it feels like it never stopped. You know, Louise...

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Ben...now Lexi. It's just one thing after another.

0:22:080:22:11

-And I feel like I'm being punished.

-SHE LAUGHS

0:22:110:22:13

What you laughing at? Come on, Sharon, what you laughing at?

0:22:130:22:16

This is what I meant.

0:22:160:22:17

You're just like Grant.

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It's a classic, isn't it?

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Something goes wrong and you...throw your weight around.

0:22:210:22:23

Smash a few things up and then you get all maudlin. Phil, I've had enough.

0:22:230:22:29

My granddaughter is missing, Sharon.

0:22:290:22:31

My relationship is on the line cos of you.

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But you don't think about that, do you? Hmm?

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You don't think about me or Lola. Or Billy.

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Do you think for even one second what they're going through?

0:22:430:22:47

No, no, of course you don't. Because all you care about is yourself.

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Which is why we're in this mess.

0:22:500:22:52

-You're saying this is my fault?

-Yes, that's exactly what I'm saying.

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If you hadn't gone into that court gunning for her

0:22:560:22:58

none of this would've happened.

0:22:580:23:01

You know, Phil, you... you go through your life

0:23:010:23:04

and you don't really look at people, do you?

0:23:040:23:07

You don't look at 'em.

0:23:070:23:09

Really look at 'em and see what pain they're going through

0:23:090:23:11

and feel just a little bit of something for them.

0:23:110:23:14

A little bit of compassion.

0:23:140:23:15

You're making out like I'm a monster.

0:23:150:23:18

Well, you are, Phil. You didn't use to be but you are now.

0:23:180:23:23

You messed up with Ben and you're looking for a replacement.

0:23:240:23:28

That is all Lexi means to you.

0:23:280:23:30

You know, all Lola ever wanted was a home. To feel safe.

0:23:330:23:38

That is all she wanted.

0:23:380:23:39

You know, there's somewhere we should try.

0:23:440:23:47

What do you think you're doing, delving in me drawers?

0:23:510:23:54

They're private.

0:23:540:23:55

Like I said, I gave it back to you last week.

0:23:550:23:58

I'd ask for an apology but I don't think I'd get one.

0:23:590:24:03

-See you tomorrow.

-Don't forget to leave the washing machine doors open.

0:24:060:24:10

-Otherwise they'll go...

-Otherwise they'll go mouldy.

0:24:100:24:12

Dorothy Branning, you're tough as old boots.

0:24:140:24:19

Whatever this is, you'll be fine.

0:24:190:24:22

I've been around long enough to know that a kiss...

0:24:370:24:41

it don't mean everything, but... it does mean something, doesn't it?

0:24:410:24:46

I'm over mucking about, Ian.

0:24:490:24:51

I never thought I'd say this but...

0:24:530:24:55

..I want stability and...

0:24:570:25:00

companionship, and fun obviously.

0:25:000:25:03

But...mainly...

0:25:030:25:07

..I just want someone to sit down with

0:25:100:25:13

and have a glass of wine and tell 'em about me day.

0:25:130:25:17

Just someone who's there.

0:25:190:25:21

You're asleep, ain't ya?

0:25:250:25:27

-Ian.

-Hm?

0:25:270:25:29

I don't want to be lonely any more.

0:25:370:25:39

LEXI GRIZZLES

0:25:570:25:59

Shhh, shhh.

0:25:590:26:01

She used to come here when she was a kid. Said she felt safe.

0:26:210:26:24

Well, it was worth a shot.

0:26:340:26:36

(Shhh, shhh.)

0:26:420:26:46

# If you ain't doing nothing we can fly away, get away, drive away

0:26:460:26:51

# We can do what you want to, baby... #

0:26:510:26:53

We'll find her.

0:26:530:26:54

No.

0:26:540:26:56

We'll find her, Phil, I promise you.

0:26:560:26:58

I hate it.

0:26:580:27:00

What?

0:27:000:27:01

I never...wanted to be like this, Sharon. I never wanted that.

0:27:020:27:07

I'm not... I'm not a monster.

0:27:110:27:15

I'm not.

0:27:150:27:18

I'm still that man that you fell in love with all those years ago.

0:27:180:27:23

I am.

0:27:230:27:24

You do believe me, don't ya?

0:27:280:27:30

Sharon...

0:27:540:27:55

Sharon...

0:27:570:27:59

Sharon!

0:28:000:28:02

LEXI CRIES

0:28:020:28:04

-Lola!

-No! No, please, no!

0:28:070:28:10

-Lola...

-No! No, please! Please don't....

0:28:100:28:14

It's OK. It's OK.

0:28:180:28:20

-It's OK.

-Please...

0:28:200:28:23

It's all right. It's OK.

0:28:240:28:27

It's OK. It's OK.

0:28:270:28:30

LOLA CRIES

0:28:300:28:33

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