Browse content similar to 01/11/2013. Check below for episodes and series from the same categories and more!
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THUNDER RUMBLES | 0:00:25 | 0:00:28 | |
Alice, what happened? | 0:00:28 | 0:00:30 | |
What did you do to her? | 0:00:32 | 0:00:33 | |
It...it all went wrong. | 0:00:35 | 0:00:37 | |
I should never have gone over there. | 0:00:37 | 0:00:39 | |
She found the pills? | 0:00:39 | 0:00:40 | |
She found the pills, is that what happened? | 0:00:40 | 0:00:42 | |
Alice, is she dead? | 0:00:49 | 0:00:50 | |
I don't know, I think so. You think? | 0:00:50 | 0:00:52 | |
I don't know. She attacked me and I defended myself. | 0:00:52 | 0:00:55 | |
It happened so quickly, please... OK, OK, OK - I'm sorry, | 0:00:55 | 0:00:59 | |
I'm sorry. I'm sorry. Calm down. | 0:00:59 | 0:01:01 | |
Calm down. Where is she? | 0:01:01 | 0:01:02 | |
In the house. | 0:01:02 | 0:01:04 | |
Where? Where in the house? | 0:01:04 | 0:01:06 | |
In the kitchen. | 0:01:06 | 0:01:07 | |
You sure? | 0:01:07 | 0:01:08 | |
Yeah, she's in the kitchen. | 0:01:09 | 0:01:11 | |
Good girl. Good girl. | 0:01:11 | 0:01:13 | |
Did anyone see you leave? | 0:01:14 | 0:01:16 | |
No-one saw you...? I don't know. | 0:01:16 | 0:01:18 | |
There were people in the... | 0:01:18 | 0:01:20 | |
Were there people in the Square? There's people everywhere! It's Halloween. | 0:01:20 | 0:01:23 | |
I wasn't looking, I wasn't thinking, I just wanted to get away from the house. | 0:01:23 | 0:01:26 | |
I'm sorry I shouted. I'm sorry I shouted, darling. We've just got to get you cleaned up, OK? | 0:01:26 | 0:01:30 | |
You're covered in blood. Take off your top and let's wash your hands. | 0:01:30 | 0:01:34 | |
Shouldn't you go over there? Why? | 0:01:36 | 0:01:38 | |
To check. Check on what? Look at me. | 0:01:38 | 0:01:42 | |
Take your top off. Now. | 0:01:43 | 0:01:45 | |
Wash your hands. | 0:02:03 | 0:02:04 | |
Wash your hands, baby. | 0:02:07 | 0:02:08 | |
That's it. I love you, Michael. | 0:02:17 | 0:02:19 | |
I love you too, baby. I love you too. | 0:02:19 | 0:02:22 | |
Do you? Yeah. | 0:02:23 | 0:02:25 | |
Just dry your hands and give me the towel. | 0:02:29 | 0:02:31 | |
That's it. That's my girl. | 0:02:41 | 0:02:43 | |
You all right? | 0:02:50 | 0:02:51 | |
I'll get rid of these. | 0:02:57 | 0:02:59 | |
I left the door open. | 0:02:59 | 0:03:01 | |
What? Janine's front door, I left it open. | 0:03:02 | 0:03:05 | |
Why? I was panicking. | 0:03:05 | 0:03:07 | |
MUFFLED CONVERSATION DOWNSTAIRS | 0:03:07 | 0:03:09 | |
OK, here's the deal - you go to your room. | 0:03:14 | 0:03:16 | |
you get into bed, go to sleep. I can't go to sleep! | 0:03:16 | 0:03:19 | |
Just pretend. Just pretend you're going to go to sleep. Do that for me, OK. | 0:03:19 | 0:03:22 | |
I will go to the house and I will sort it out. | 0:03:22 | 0:03:24 | |
Maybe you shouldn't. | 0:03:24 | 0:03:25 | |
Maybe I should. Come on. | 0:03:26 | 0:03:28 | |
Get into bed, baby. Get into bed. | 0:03:40 | 0:03:42 | |
Now listen, you went to bed early because you had a headache. | 0:03:55 | 0:03:59 | |
I don't want you talking to Kat. | 0:03:59 | 0:04:01 | |
Here. | 0:04:02 | 0:04:03 | |
It'll keep the vampires from your door. | 0:04:09 | 0:04:11 | |
DOOR CLOSES | 0:04:19 | 0:04:20 | |
FIREWORKS CRACKLE OUTSIDE | 0:04:26 | 0:04:28 | |
MUFFLED CONVERSATION | 0:04:29 | 0:04:31 | |
I thought I heard someone. | 0:04:37 | 0:04:38 | |
Thought it might've been a ghost. | 0:04:38 | 0:04:41 | |
Have a look at Tommy. Come on. | 0:04:41 | 0:04:45 | |
Looks sweet, don't he? | 0:04:47 | 0:04:49 | |
Yeah. | 0:04:50 | 0:04:52 | |
He didn't know what was going on at one point. Started crying. | 0:04:52 | 0:04:55 | |
You should've come with us, watched your boy in action. | 0:04:55 | 0:05:00 | |
Would've been nice. | 0:05:00 | 0:05:01 | |
What's wrong? Nothing. | 0:05:03 | 0:05:05 | |
You're acting weird. Am I? | 0:05:05 | 0:05:07 | |
Yeah. I mean, you're weird anyway, but you're acting even more weird. | 0:05:07 | 0:05:10 | |
It's Halloween. Brings out the weird in me. | 0:05:10 | 0:05:13 | |
Good. | 0:05:17 | 0:05:18 | |
Hwahh! Hoo! Hoo! | 0:05:34 | 0:05:37 | |
HE LAUGHS | 0:05:37 | 0:05:40 | |
It's me. | 0:05:40 | 0:05:42 | |
Is Tommy in? No. | 0:05:42 | 0:05:44 | |
Oh, OK. | 0:05:44 | 0:05:45 | |
Just that Carol said she saw Kat and Tommy come home. | 0:05:45 | 0:05:48 | |
No. Oh. | 0:05:50 | 0:05:51 | |
No big deal, I just put some bits and pieces together for him, | 0:05:51 | 0:05:54 | |
a little present, but you can give them to him if you like. | 0:05:54 | 0:05:57 | |
Thanks. | 0:05:57 | 0:05:58 | |
HE CHUCKLES | 0:06:00 | 0:06:03 | |
What happened to your date? | 0:06:07 | 0:06:09 | |
She didn't turn up. | 0:06:10 | 0:06:12 | |
Right. See you later. | 0:06:12 | 0:06:14 | |
KIDS CHATTER | 0:06:19 | 0:06:21 | |
ROCK MUSIC PLAYS IN THE VIC | 0:06:41 | 0:06:42 | |
MUSIC CONTINUES | 0:07:15 | 0:07:17 | |
FIREWORK EXPLODES | 0:07:29 | 0:07:31 | |
Hey, Dracula, nice costume. | 0:07:41 | 0:07:43 | |
FIREWORK EXPLODES | 0:07:47 | 0:07:50 | |
DOOR CLOSES | 0:08:05 | 0:08:06 | |
Michael. What are you doing here? | 0:09:38 | 0:09:40 | |
I was just passing. | 0:09:42 | 0:09:43 | |
How did you get in? | 0:09:43 | 0:09:45 | |
The door was open. | 0:09:45 | 0:09:46 | |
Something wrong? | 0:09:48 | 0:09:49 | |
Are you all right? | 0:09:51 | 0:09:53 | |
Yeah, I'm fine, thank you... | 0:09:53 | 0:09:55 | |
apart from this little cut. | 0:09:55 | 0:09:58 | |
It's nothing really. | 0:09:58 | 0:10:00 | |
What happened here? | 0:10:00 | 0:10:01 | |
Well, there's been an incident, | 0:10:02 | 0:10:05 | |
a really unfortunate incident, | 0:10:05 | 0:10:07 | |
it's quite shocking, actually. | 0:10:07 | 0:10:09 | |
Took me totally by surprise. I was just here, preparing a meal... | 0:10:09 | 0:10:14 | |
for us - a little surprise after our disappointment the other night... | 0:10:14 | 0:10:20 | |
..when, there's no other way of putting it, I was attacked. | 0:10:21 | 0:10:25 | |
Attacked? | 0:10:25 | 0:10:26 | |
Mmm. | 0:10:26 | 0:10:27 | |
Brutally attacked in my own house. | 0:10:27 | 0:10:29 | |
That's terrible. And this just happened here? | 0:10:29 | 0:10:32 | |
Ten minutes ago. | 0:10:32 | 0:10:34 | |
Did you call the police yet? | 0:10:34 | 0:10:35 | |
No. I was just about to, actually. | 0:10:35 | 0:10:38 | |
Who was it? | 0:10:41 | 0:10:42 | |
Sorry? Who attacked you? | 0:10:42 | 0:10:44 | |
Well, it was you, of course. | 0:10:46 | 0:10:48 | |
It's been coming for a while, let's face it - | 0:10:50 | 0:10:53 | |
that terrible scene you made the other day, | 0:10:53 | 0:10:56 | |
our legal problems. | 0:10:56 | 0:10:57 | |
You've been pressuring me. | 0:10:57 | 0:10:59 | |
I took out that injunction and you just ignored it. | 0:11:00 | 0:11:03 | |
I tried so hard to be reasonable | 0:11:03 | 0:11:06 | |
but you just wouldn't leave me alone. | 0:11:06 | 0:11:08 | |
Then you turn up here tonight, | 0:11:09 | 0:11:12 | |
in another one of your foul tempers. | 0:11:12 | 0:11:15 | |
You'd been drinking, wanted to see our daughter, | 0:11:15 | 0:11:17 | |
with your disgusting whisky breath. Oh, yeah. | 0:11:17 | 0:11:20 | |
I couldn't have that, could I? | 0:11:20 | 0:11:22 | |
Before I knew it, you just snapped. You snapped, you threatened me, | 0:11:22 | 0:11:25 | |
and then you attacked me and I begged you to stop. | 0:11:25 | 0:11:29 | |
I begged you to leave me alone, but you just wouldn't listen, | 0:11:29 | 0:11:32 | |
so you picked up that knife and you tried to kill me. | 0:11:32 | 0:11:35 | |
I was lucky to get away with just a flesh wound. | 0:11:36 | 0:11:39 | |
I see. | 0:11:40 | 0:11:41 | |
Well, that's ridiculous because I didn't do it. | 0:11:44 | 0:11:46 | |
And yet you're here in my house, uninvited, | 0:11:46 | 0:11:50 | |
with my blood on your sleeve. | 0:11:50 | 0:11:52 | |
How do you explain that? | 0:11:52 | 0:11:53 | |
It's Halloween. | 0:11:55 | 0:11:56 | |
I was out with Tommy and Kat, it's just not real, it's fake, | 0:11:56 | 0:11:59 | |
joking around. | 0:11:59 | 0:12:01 | |
Please, Michael. Come on, don't you know? | 0:12:01 | 0:12:03 | |
Don't you know when you've been caught? | 0:12:03 | 0:12:05 | |
I mean, look at this place. Look at you, this - that knife, Michael, has got your prints on it. | 0:12:05 | 0:12:10 | |
Your prints are all over it. | 0:12:10 | 0:12:11 | |
Don't you remember the other night, helping me cook, | 0:12:11 | 0:12:15 | |
chopping the vegetables like a very good little boy? | 0:12:15 | 0:12:18 | |
You used that knife. | 0:12:19 | 0:12:20 | |
That's evidence - | 0:12:21 | 0:12:23 | |
concrete evidence. | 0:12:23 | 0:12:25 | |
You've been planning this for days? | 0:12:27 | 0:12:29 | |
Two. Two days. | 0:12:29 | 0:12:30 | |
Why? | 0:12:32 | 0:12:34 | |
Why do you think? | 0:12:34 | 0:12:35 | |
Alice? Finally, the penny drops. | 0:12:36 | 0:12:39 | |
What's she said to you? Everything. | 0:12:39 | 0:12:41 | |
Oh, she's told me everything... | 0:12:41 | 0:12:42 | |
..every single, sordid, very pathetic little detail. | 0:12:43 | 0:12:47 | |
And you believe her, clearly. | 0:12:47 | 0:12:49 | |
Yes, I do believe her. | 0:12:49 | 0:12:51 | |
She turned up here at that door crying her eyes out. | 0:12:51 | 0:12:55 | |
She was at her wits' end and she just poured it all out - | 0:12:55 | 0:12:58 | |
everything, you know, how you wanted me dead, | 0:12:58 | 0:13:00 | |
how you wanted to poison me. | 0:13:00 | 0:13:02 | |
Poison me! | 0:13:03 | 0:13:05 | |
Poison the mother of your child. | 0:13:05 | 0:13:08 | |
She was scared of what she'd got herself into, | 0:13:08 | 0:13:10 | |
she was scared of what you'd do. | 0:13:10 | 0:13:14 | |
She really had nowhere else to go. | 0:13:14 | 0:13:16 | |
When was this? | 0:13:16 | 0:13:17 | |
You know exactly when this was - | 0:13:17 | 0:13:20 | |
after your little diatribe against her the other night, | 0:13:20 | 0:13:23 | |
after she just couldn't bring herself to poison an innocent woman. | 0:13:23 | 0:13:27 | |
Innocent? You?! Please, spare me. | 0:13:27 | 0:13:31 | |
She fell in love with me and you couldn't bear that. | 0:13:31 | 0:13:34 | |
So you manipulated her, you used her, you sacked her. | 0:13:34 | 0:13:36 | |
She wanted to be with me | 0:13:36 | 0:13:37 | |
and she was willing to do anything to achieve that end, | 0:13:37 | 0:13:40 | |
including, it seems, getting rid of you. | 0:13:40 | 0:13:43 | |
So this was all her idea, then? This whole thing? | 0:13:43 | 0:13:45 | |
Of course it was. Of course it was her idea! | 0:13:45 | 0:13:48 | |
Oh, please! | 0:13:48 | 0:13:49 | |
Listen, I found these. | 0:13:49 | 0:13:51 | |
I found these crushed up into a powder, | 0:13:51 | 0:13:54 | |
I asked her what she was doing - | 0:13:54 | 0:13:56 | |
you know what she said to me? | 0:13:56 | 0:13:57 | |
She said, "I want to be with you and Scarlett." | 0:13:57 | 0:14:00 | |
That's terrifying, right? Imagine my horror. | 0:14:00 | 0:14:03 | |
I'm a lot of things but I'm not a murderer. | 0:14:03 | 0:14:05 | |
And I know I find you intermittently objectionable | 0:14:05 | 0:14:08 | |
but I could never hurt you. | 0:14:08 | 0:14:09 | |
I just couldn't. | 0:14:09 | 0:14:12 | |
And so Alice is the one that wanted to kill me? | 0:14:12 | 0:14:15 | |
She came up with this whole ludicrous plan? | 0:14:15 | 0:14:18 | |
You really think she's capable of that? | 0:14:18 | 0:14:20 | |
I do, yeah, very capable. No, no, not Alice. | 0:14:20 | 0:14:22 | |
You and I both know that she isn't capable of hurting anyone, | 0:14:22 | 0:14:27 | |
which is why you're standing there with my blood on your sleeve | 0:14:27 | 0:14:30 | |
and I'm standing here with this phone in my hand... | 0:14:30 | 0:14:34 | |
dialling, nine... | 0:14:34 | 0:14:37 | |
I wouldn't. | 0:14:37 | 0:14:38 | |
..nine...nine. | 0:14:39 | 0:14:43 | |
Police. Please, I'm being attacked, someone's trying to kill me, | 0:14:44 | 0:14:47 | |
they're in the house. Please, help me, quick. | 0:14:47 | 0:14:49 | |
What are you doing?! | 0:14:49 | 0:14:52 | |
You were going to kill me. | 0:14:53 | 0:14:55 | |
No. I told you... | 0:14:55 | 0:14:56 | |
Enough lies! Enough! | 0:14:56 | 0:14:58 | |
All right? She told me. Alice. | 0:14:58 | 0:15:01 | |
And I know she has not got the imagination to come up with any of this. | 0:15:01 | 0:15:04 | |
You sent her over here to poison me. | 0:15:04 | 0:15:07 | |
You were going to do that to me, and to her. | 0:15:07 | 0:15:13 | |
You were going to do that to Scarlett. | 0:15:13 | 0:15:15 | |
I mean, what would she have felt? | 0:15:15 | 0:15:19 | |
What were you going to say to her - to your daughter? | 0:15:19 | 0:15:22 | |
"Mummy was sad, she was so sad that she committed suicide. | 0:15:22 | 0:15:25 | |
"Your mummy just didn't love you enough." | 0:15:25 | 0:15:28 | |
Is that what she would've been told, Michael? | 0:15:28 | 0:15:30 | |
Is that what she would've heard, | 0:15:30 | 0:15:32 | |
the same words... | 0:15:32 | 0:15:34 | |
the same words you heard when you were a little boy? | 0:15:34 | 0:15:38 | |
The same words that have made you into the twisted, | 0:15:38 | 0:15:41 | |
messed-up freak that you are today. | 0:15:41 | 0:15:43 | |
Well? | 0:15:44 | 0:15:46 | |
Were you going to do that to Scarlett? | 0:15:46 | 0:15:49 | |
Were you? | 0:15:51 | 0:15:52 | |
The daughter that you claim to love so much, | 0:15:52 | 0:15:56 | |
the one that you were willing to kill for. | 0:15:56 | 0:15:58 | |
Listen to me... | 0:15:59 | 0:16:01 | |
No. You cannot lie your way out of this one, all right. | 0:16:01 | 0:16:06 | |
I mean, I loved you... | 0:16:08 | 0:16:09 | |
And I loved you. I loved you. | 0:16:09 | 0:16:11 | |
This doesn't have to be the end. It doesn't. | 0:16:12 | 0:16:16 | |
What do you suggest? A renewal of vows? | 0:16:16 | 0:16:18 | |
I love you. I still do. I do. I love you. | 0:16:18 | 0:16:21 | |
I do. In my own way. | 0:16:21 | 0:16:24 | |
And maybe this is what we needed to make us see the light. | 0:16:25 | 0:16:28 | |
Like a kind of therapy? | 0:16:28 | 0:16:29 | |
Let's be brave. Let's be brave. Let's seize the moment. | 0:16:29 | 0:16:33 | |
Let's grab this moment. I know this is a mess, | 0:16:33 | 0:16:35 | |
it's a terrible mess, it's a horrible mess I know, | 0:16:35 | 0:16:38 | |
but come on - it's not what you think. | 0:16:38 | 0:16:41 | |
It's exactly what I think. No, no, no. I know you. | 0:16:41 | 0:16:45 | |
More than that - I understand you. | 0:16:45 | 0:16:47 | |
You just want to scare me. And you have, you've scared me - | 0:16:49 | 0:16:52 | |
well done. | 0:16:52 | 0:16:54 | |
I'm scared. | 0:16:54 | 0:16:55 | |
But you don't want to hurt me. | 0:16:56 | 0:16:58 | |
You don't want to do that. | 0:16:58 | 0:17:00 | |
You don't know me. | 0:17:00 | 0:17:02 | |
You don't know what I'm capable of. | 0:17:02 | 0:17:04 | |
I'm very, very capable of sending you to jail | 0:17:04 | 0:17:07 | |
and leaving you there to rot, | 0:17:07 | 0:17:08 | |
because we could have been something, Michael, could - once. | 0:17:08 | 0:17:12 | |
But you blew it. | 0:17:14 | 0:17:15 | |
And now you're going to pay. Doubt that. | 0:17:17 | 0:17:20 | |
The knife? The prints? Alice's testimony? | 0:17:20 | 0:17:24 | |
She's a witness, you know. | 0:17:24 | 0:17:25 | |
She saw everything... | 0:17:25 | 0:17:27 | |
..didn't you? | 0:17:29 | 0:17:30 | |
You saw him come in and grab that knife, | 0:17:36 | 0:17:39 | |
you saw him do that. | 0:17:39 | 0:17:40 | |
I'm disappointed, Alice. | 0:17:42 | 0:17:44 | |
Everything we've been through... I'm sorry. | 0:17:46 | 0:17:48 | |
Oh, don't. Don't say sorry to him. | 0:17:48 | 0:17:50 | |
He doesn't deserve anything from you, not after what he's done. | 0:17:50 | 0:17:53 | |
You say you're sorry. Why? | 0:17:53 | 0:17:56 | |
Why are you sorry? | 0:17:57 | 0:17:59 | |
You were so horrible to me. | 0:18:01 | 0:18:03 | |
Oh, I know. I was disgusting, | 0:18:03 | 0:18:07 | |
but I've apologised for that. | 0:18:07 | 0:18:08 | |
I was under so much pressure. | 0:18:08 | 0:18:10 | |
Planning a murder can do that to you. | 0:18:10 | 0:18:13 | |
Do you know why we were "planning a murder"? | 0:18:13 | 0:18:17 | |
Because you're so disgusting. | 0:18:17 | 0:18:19 | |
You hurt people - me, Scarlett. | 0:18:19 | 0:18:22 | |
What kind of mother are you? | 0:18:22 | 0:18:24 | |
What kind of mother are you going to be? | 0:18:24 | 0:18:26 | |
What chance does this child have in the world? | 0:18:26 | 0:18:30 | |
We... | 0:18:30 | 0:18:31 | |
..me and Alice, we were forced to take action. | 0:18:34 | 0:18:38 | |
You forced our hand. Oh, "our"? | 0:18:38 | 0:18:41 | |
Our. | 0:18:41 | 0:18:44 | |
And you didn't manipulate her into all of this? | 0:18:44 | 0:18:47 | |
Gentle persuasion. | 0:18:47 | 0:18:49 | |
Alice is naturally a very kind, loving person. | 0:18:50 | 0:18:55 | |
You'd never think of anything as disgusting as this, would you? | 0:18:55 | 0:18:58 | |
No, of course I wouldn't. | 0:18:58 | 0:19:00 | |
Don't listen to him, Alice. Don't, all right. | 0:19:00 | 0:19:04 | |
He's trying to twist your mind. It's the truth, | 0:19:04 | 0:19:07 | |
the truth, which you clearly find so repellent. | 0:19:07 | 0:19:09 | |
No, no, you seduced her and you used her and then you threw her away. | 0:19:09 | 0:19:13 | |
She's nothing to you. That's wrong. | 0:19:13 | 0:19:16 | |
She told me everything that happened - | 0:19:16 | 0:19:19 | |
you two sleeping together. | 0:19:19 | 0:19:21 | |
I see, you're jealous? | 0:19:21 | 0:19:23 | |
No. Yeah. | 0:19:23 | 0:19:24 | |
Jealous that one night with Alice was infinitely more | 0:19:24 | 0:19:28 | |
fulfilling than the endless times I had to labour over your carcass. | 0:19:28 | 0:19:32 | |
With Alice, | 0:19:32 | 0:19:34 | |
I finally connected with someone. | 0:19:34 | 0:19:36 | |
It was a revelation. | 0:19:36 | 0:19:38 | |
Very good, Michael. Nice try. | 0:19:38 | 0:19:42 | |
It's the truth. | 0:19:42 | 0:19:43 | |
That's why you wear my St Christopher. | 0:19:43 | 0:19:47 | |
This is the only possession I have left of my mother, | 0:19:47 | 0:19:49 | |
the only other person I've ever cared about in this world - | 0:19:49 | 0:19:52 | |
the only one. | 0:19:52 | 0:19:53 | |
There's a reason I gave it to you. | 0:19:55 | 0:19:59 | |
I looked for you, Alice, | 0:20:00 | 0:20:03 | |
and you came to me. | 0:20:03 | 0:20:04 | |
Oh, Michael... | 0:20:07 | 0:20:08 | |
No, no, no! Please, please don't tell me | 0:20:08 | 0:20:12 | |
that you're actually believing this? | 0:20:12 | 0:20:14 | |
He doesn't love you. | 0:20:17 | 0:20:19 | |
I do love you. I do love you. | 0:20:19 | 0:20:20 | |
We share something way beyond your cognition. | 0:20:20 | 0:20:24 | |
Tell me, baby, am I wrong? | 0:20:24 | 0:20:25 | |
No. | 0:20:27 | 0:20:29 | |
Alice? | 0:20:29 | 0:20:30 | |
He's not wrong. I do love him. No, you don't, OK. | 0:20:30 | 0:20:33 | |
You're young, you don't even know... Stop. | 0:20:33 | 0:20:35 | |
I'm so sick of everybody telling me that I'm so young and I'm | 0:20:35 | 0:20:39 | |
so stupid, like a stupid little girl. | 0:20:39 | 0:20:41 | |
Well, I'm not. I'm a woman and I know how I feel. | 0:20:41 | 0:20:44 | |
I love him. I do. | 0:20:44 | 0:20:46 | |
And you destroyed me. | 0:20:46 | 0:20:48 | |
So I came to you because I didn't have anyone else to go to | 0:20:48 | 0:20:51 | |
and now I don't know what to do. I don't know what's right, I don't know what's wrong... | 0:20:51 | 0:20:54 | |
You need to tell the truth to the police. | 0:20:54 | 0:20:57 | |
The truth? | 0:20:57 | 0:20:58 | |
Janine, none of this is the truth. | 0:20:58 | 0:21:01 | |
I wanted to pay you back. | 0:21:02 | 0:21:04 | |
I wanted to hurt you like you hurt me, | 0:21:04 | 0:21:07 | |
but I didn't want this, | 0:21:07 | 0:21:09 | |
I didn't want any of this. I can't poison somebody. | 0:21:09 | 0:21:11 | |
I can't lie to the police - I can't and I won't. | 0:21:11 | 0:21:15 | |
I just want a normal life. | 0:21:15 | 0:21:17 | |
Snap! | 0:21:17 | 0:21:19 | |
That's exactly what I want. | 0:21:19 | 0:21:21 | |
Thank God. Thank God you came to your senses before I did. | 0:21:21 | 0:21:25 | |
I love you. I can't believe this is happening. Let go of her! | 0:21:25 | 0:21:28 | |
Look at you there, | 0:21:34 | 0:21:37 | |
replete with venom, and poison. | 0:21:37 | 0:21:42 | |
You're toxic. | 0:21:42 | 0:21:43 | |
So, what've you got, Janine? | 0:21:45 | 0:21:48 | |
Cos Alice is not going to lie to the police for you. | 0:21:49 | 0:21:52 | |
You've got a messy kitchen, you've got a knife with some prints on it. | 0:21:52 | 0:21:58 | |
You've got nothing. | 0:21:58 | 0:21:59 | |
Alice! Alice, listen to me. | 0:22:02 | 0:22:03 | |
So you ring the police and tell them that you're sorry - | 0:22:03 | 0:22:06 | |
it's a big mistake and none of this happened. | 0:22:06 | 0:22:09 | |
Alice, he seduced you, he used you. | 0:22:09 | 0:22:10 | |
I know he's making you feel like he loves you but he doesn't. | 0:22:10 | 0:22:13 | |
He's very good at that. | 0:22:13 | 0:22:15 | |
He doesn't love anyone - | 0:22:15 | 0:22:17 | |
not you, or Scarlett, or me or anyone. | 0:22:17 | 0:22:21 | |
That's not true. Oh! He hates himself, | 0:22:21 | 0:22:24 | |
yeah, but he loves Scarlett. | 0:22:24 | 0:22:27 | |
He was going to make it look like I'd committed suicide, | 0:22:27 | 0:22:30 | |
just like his mum did. | 0:22:30 | 0:22:33 | |
If he loved Scarlett, like you say, why would he do that to her? | 0:22:33 | 0:22:37 | |
Why would he leave her for the rest of her life with that? | 0:22:37 | 0:22:41 | |
Why? | 0:22:43 | 0:22:44 | |
Why, Michael? | 0:22:47 | 0:22:49 | |
SIRENS APPROACHING | 0:22:51 | 0:22:54 | |
Think quickly, Michael, they're almost here. | 0:22:55 | 0:22:57 | |
Hey, maybe a full confession might be best. What do you think? | 0:22:57 | 0:23:00 | |
Shut up. Listen to me, I can explain everything. | 0:23:00 | 0:23:03 | |
I can explain my mother, I can explain my daughter but I can't do it before they come in. | 0:23:03 | 0:23:06 | |
Just answer the question. Just come outside with me. | 0:23:06 | 0:23:09 | |
Come outside with me and we can explain to them. | 0:23:09 | 0:23:11 | |
What were you going to say to her? I can't do that now, I haven't got time now! | 0:23:11 | 0:23:14 | |
I will tell you later. Now! Listen to me, | 0:23:14 | 0:23:16 | |
in two minutes, they're going to come through that door. | 0:23:16 | 0:23:19 | |
It's so important that you listen to me. | 0:23:19 | 0:23:21 | |
You don't mention the pills. Don't mention the pills. | 0:23:21 | 0:23:24 | |
If you mention the pills, you'll go to prison, do you understand that? | 0:23:24 | 0:23:27 | |
You'll go to prison. | 0:23:27 | 0:23:29 | |
She forced you into it but you didn't want to do it | 0:23:29 | 0:23:31 | |
because you're a good girl, because you're my special girl - my special beautiful girl. | 0:23:31 | 0:23:35 | |
No, no, I'm not, am I? You are. I'm not! | 0:23:35 | 0:23:37 | |
I can see it in your eyes, Michael - you're scared. | 0:23:37 | 0:23:39 | |
I don't want to see it but I can. | 0:23:39 | 0:23:41 | |
I'm not your special anything. | 0:23:41 | 0:23:42 | |
No, I love you, I do love you! No, you don't. | 0:23:42 | 0:23:44 | |
Alice, this man was going to kill me and he was going to use you to do it. | 0:23:44 | 0:23:47 | |
He was going to leave his little girl motherless. | 0:23:47 | 0:23:49 | |
He needs to be stopped. We need to stick to what we agreed before somebody actually gets hurt... | 0:23:49 | 0:23:53 | |
You don't! You don't! Yes, you do. You need to put him away and protect Scarlett. | 0:23:53 | 0:23:57 | |
From you! You are a disgusting piece of flesh. | 0:23:57 | 0:24:00 | |
This is what I mean. That is exactly what I mean. | 0:24:00 | 0:24:03 | |
Baby, look at me, look at me. I don't know. I don't know. Yes, you do know! | 0:24:03 | 0:24:06 | |
I will go to prison. I'll go to prison! | 0:24:06 | 0:24:08 | |
Michael, just go out the back. | 0:24:08 | 0:24:09 | |
Just run out the door, quickly, they're not here yet. Go. | 0:24:09 | 0:24:11 | |
Please, Michael, go, I promise I won't stop you. | 0:24:11 | 0:24:14 | |
Not without Scarlett. | 0:24:14 | 0:24:16 | |
CHILD'S MOBILE PLAYS MUSIC | 0:24:19 | 0:24:22 | |
No, no, no! | 0:24:28 | 0:24:30 | |
Scarlett! | 0:24:31 | 0:24:33 | |
MUFFLED CHILD'S LAUGHTER | 0:24:33 | 0:24:35 | |
SIRENS APPROACHING | 0:24:43 | 0:24:46 | |
Give me the key. No, they're here, just give it up. | 0:24:58 | 0:25:03 | |
Give me the key! | 0:25:03 | 0:25:04 | |
Michael, don't hurt her. Michael don't. Me and you can go now, OK? | 0:25:04 | 0:25:07 | |
Let's go, let's go. Let's run away. | 0:25:07 | 0:25:09 | |
Why would I want to run away with you? KNOCK ON DOOR | 0:25:09 | 0:25:11 | |
You had your chance and you blew it! | 0:25:11 | 0:25:14 | |
You betrayed me. | 0:25:14 | 0:25:15 | |
You're a stupid little girl! | 0:25:15 | 0:25:20 | |
You're dead to me. | 0:25:20 | 0:25:22 | |
You don't mean that. | 0:25:22 | 0:25:24 | |
Michael, get off her! Michael, get off her! | 0:25:24 | 0:25:26 | |
You're going to kill her! Stop it! I don't care. | 0:25:26 | 0:25:28 | |
Michael, please! Get off! | 0:25:28 | 0:25:30 | |
BANGING ON DOOR | 0:25:44 | 0:25:46 | |
Open the door. Open the door. | 0:25:46 | 0:25:47 | |
BANGING ON DOOR | 0:26:01 | 0:26:03 | |
Is everything OK? | 0:26:11 | 0:26:12 | |
FIREWORK EXPLODES | 0:26:29 | 0:26:31 | |
Indigo, X-ray, three, zero, five - urgent message. | 0:26:31 | 0:26:34 | |
I have a male with stab wounds - life-threatening injury, | 0:26:34 | 0:26:37 | |
I need an ambulance to my location ASAP. | 0:26:37 | 0:26:39 | |
Subtitles by Red Bee Media Ltd | 0:26:46 | 0:26:48 |