Browse content similar to 13/03/2012. Check below for episodes and series from the same categories and more!
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-Whatever happens, she stays indoors. -Why? | 0:00:21 | 0:00:24 | |
Because her coupon's all over the papers, that's why. | 0:00:24 | 0:00:27 | |
How long before they want the young bird - | 0:00:27 | 0:00:29 | |
the one that's not been round the block and back? | 0:00:29 | 0:00:31 | |
Go. | 0:00:31 | 0:00:34 | |
I said go! | 0:00:34 | 0:00:35 | |
Even if the police find her, they won't tell me. | 0:00:39 | 0:00:42 | |
-Because she won't want me to know. -How can you say that? | 0:00:42 | 0:00:44 | |
It's what I deserve. | 0:00:44 | 0:00:46 | |
MUSIC: "When You Are A King" by White Plains | 0:00:49 | 0:00:52 | |
There are a few leads they're following up. | 0:01:26 | 0:01:29 | |
They'll be in touch with any developments. | 0:01:29 | 0:01:31 | |
You're here again, then? | 0:01:31 | 0:01:33 | |
Afraid so. | 0:01:33 | 0:01:34 | |
Do we have any shoelaces? | 0:01:36 | 0:01:39 | |
Yeah, second drawer. | 0:01:39 | 0:01:41 | |
So, how are we all doing, then? | 0:01:43 | 0:01:45 | |
-Fine until you turned up. -Conor. -Well, why's she always here? | 0:01:45 | 0:01:50 | |
-Because she's helping us. -It's OK. I'd get fed up with me hanging around if I were you. | 0:01:50 | 0:01:54 | |
-Nobody's fed up with you. -Speak for yourself. | 0:01:54 | 0:01:57 | |
Enough. | 0:01:57 | 0:01:58 | |
She is a guest in this house and I expect you to be polite. | 0:01:58 | 0:02:02 | |
-Got that? -Michael. -I said have you got that? | 0:02:02 | 0:02:06 | |
Good. | 0:02:08 | 0:02:09 | |
You all right, pet? | 0:02:18 | 0:02:21 | |
-There's nothing in here. -It's probably too early. | 0:02:21 | 0:02:24 | |
I went to the police three weeks ago. Why haven't they found her? | 0:02:24 | 0:02:28 | |
They're doing everything they can. | 0:02:28 | 0:02:32 | |
I waited too long. | 0:02:32 | 0:02:34 | |
-You did what you could. This isn't your fault. -Your mum's right. | 0:02:34 | 0:02:37 | |
You've got to stop beating yourself up. | 0:02:37 | 0:02:41 | |
You might have said how late it was. | 0:02:41 | 0:02:44 | |
What's up with you lot? | 0:02:48 | 0:02:50 | |
-Christina's worried about Nicole. -Will you stop beating yourself up? | 0:02:51 | 0:02:56 | |
-You told the police what you know. -Aye, important information as well. | 0:02:56 | 0:03:00 | |
Aye. You took your time about it, mind. But better late than never. | 0:03:00 | 0:03:04 | |
What's that face for? | 0:03:08 | 0:03:10 | |
-So, love me and leave me, is that it? -Sorry. | 0:03:22 | 0:03:25 | |
-Got to get to work. -Don't give me any excuses. | 0:03:25 | 0:03:28 | |
-I know you just used me for my body last night. -What can I say? | 0:03:28 | 0:03:31 | |
You're nothing but a piece of meat to me. How's the arm? | 0:03:31 | 0:03:36 | |
-Wound's a bit tight, but I'll live. -Got a lot on today? | 0:03:36 | 0:03:39 | |
I was thinking of asking this wee bird over there for a drink. | 0:03:39 | 0:03:42 | |
-Oh, really? What's she like, this wee bird of yours? -Cannae resist me. | 0:03:42 | 0:03:46 | |
And anything interesting lined up for after this drink? | 0:03:46 | 0:03:49 | |
I was thinking of... | 0:03:49 | 0:03:52 | |
taking a trip up the cemetery. To see Ewan. Well, his grave. | 0:03:52 | 0:03:56 | |
Right. Great. I mean... Yeah, that'd be nice. | 0:03:56 | 0:04:02 | |
-Listen...I better get... -Going? | 0:04:02 | 0:04:05 | |
Yeah. Booked out all day. | 0:04:05 | 0:04:08 | |
Maybe see you later? | 0:04:12 | 0:04:14 | |
Yeah, maybe. | 0:04:14 | 0:04:16 | |
-Your dad didn't mean to get angry. -Whatever. | 0:04:23 | 0:04:26 | |
He's just worried, that's all. DOOR OPENS | 0:04:26 | 0:04:30 | |
Only me. | 0:04:30 | 0:04:31 | |
And where are you two going? | 0:04:35 | 0:04:36 | |
-School. -Not without this, you're not. | 0:04:36 | 0:04:40 | |
Cheers. | 0:04:42 | 0:04:43 | |
-Any news? -Nothing. -The boys OK? | 0:04:47 | 0:04:52 | |
They're coping. Which is more than can be said for Michael. | 0:04:52 | 0:04:56 | |
He won't talk. Just keeps blowing up at me and the boys. | 0:04:56 | 0:04:59 | |
-Well, what do you expect, Leyla? -Better get a move on. -Before you go, | 0:04:59 | 0:05:03 | |
-can I have a word? -We're late already, actually. -Won't take long. | 0:05:03 | 0:05:08 | |
-You want to do something? -Like what? -Dog it. | 0:05:16 | 0:05:19 | |
-Go into town with Gabriel's money. -Dad would just love that, wouldn't he? | 0:05:19 | 0:05:23 | |
Any news on Nicole? | 0:05:23 | 0:05:25 | |
-What do you care? -She's her friend, Conor. -Some friend. | 0:05:25 | 0:05:28 | |
Keeps her mouth shut until it's too late. | 0:05:28 | 0:05:32 | |
-I'm sorry about that. -Yeah? | 0:05:32 | 0:05:33 | |
So what? Saying sorry's not going to help get my sister back, is it? | 0:05:33 | 0:05:37 | |
-What are you taking it out on her for? -Cos it's her fault! | 0:05:40 | 0:05:42 | |
-That's rubbish. -How? -She made a mistake. | 0:05:42 | 0:05:45 | |
And my family's got to pay for it. | 0:05:45 | 0:05:47 | |
It's my family as well! | 0:05:50 | 0:05:52 | |
I know you're under pressure. But you can't forget about the boys. | 0:05:54 | 0:05:58 | |
-We're taking care of them. -Well, you say that. | 0:05:58 | 0:06:00 | |
-But there was the thing with Conor earlier. -What happened with Conor? | 0:06:00 | 0:06:04 | |
-He just made a stupid remark, that's all. -He was being a brat. | 0:06:04 | 0:06:07 | |
He was letting off some steam. | 0:06:07 | 0:06:10 | |
Conor and Adeeb are feeling the same things you are - | 0:06:10 | 0:06:12 | |
worry, guilt, frustration. The whole shebang. | 0:06:12 | 0:06:16 | |
Problem is, they can't show you any of it. | 0:06:16 | 0:06:19 | |
so they look around for someone to take it out on. Someone safe. | 0:06:19 | 0:06:25 | |
That's no excuse for Conor being rude. | 0:06:25 | 0:06:27 | |
-Michael, if he wants to use me as a punchbag, that's fine. -Well, I'm not. | 0:06:27 | 0:06:32 | |
You can't expect perfect manners in these circumstances. | 0:06:32 | 0:06:35 | |
Your job is to help us communicate with your colleagues. Right? | 0:06:35 | 0:06:39 | |
That's part of Family Liaison. | 0:06:39 | 0:06:40 | |
And is the other part telling me how to raise my kids? | 0:06:40 | 0:06:43 | |
-I was just offering some advice. -Well, thanks. But I don't need it. | 0:06:43 | 0:06:47 | |
What I do need is to get to work. | 0:06:47 | 0:06:49 | |
-I'll see you later? -Sure. | 0:06:52 | 0:06:54 | |
-Maybe he's taken the day off. -I wouldn't count on it. | 0:07:11 | 0:07:15 | |
-Why does he keep coming in, anyway? -It's easier if he stays busy. | 0:07:16 | 0:07:21 | |
Yes, but not easy for us. He makes things so tense around here. | 0:07:21 | 0:07:26 | |
-You think she'll ever come back? -I really don't know. | 0:07:29 | 0:07:34 | |
-But the longer this goes on... -Don't. | 0:07:34 | 0:07:37 | |
I've already had to deal with Christina thinking the worst. | 0:07:37 | 0:07:40 | |
-How is she? -She feels guilty. | 0:07:40 | 0:07:44 | |
Sorry we're late. Got held up. | 0:07:46 | 0:07:49 | |
-Is everything OK? -Yeah, everything's just great, Dan. | 0:07:49 | 0:07:53 | |
I was only asking. | 0:07:53 | 0:07:55 | |
Sorry, it's been a bit of a morning. | 0:07:55 | 0:07:58 | |
And you're sure he wanted you to go with him? | 0:08:05 | 0:08:08 | |
It was more like he was waiting for me to invite myself. | 0:08:08 | 0:08:11 | |
-So, why didn't you? -Come on. Going to a cemetery with him? It's a bit... | 0:08:11 | 0:08:15 | |
-Creepy? -Intimate. -I once went out with a guy that was into cemeteries. | 0:08:15 | 0:08:20 | |
We used to wait till it got dark, jump the gate, | 0:08:20 | 0:08:23 | |
-share a curry out amongst the headstones. -Sounds lovely. -Oh, aye. It was dead exciting. | 0:08:23 | 0:08:27 | |
But then he started talking about breaking into funeral parlours... | 0:08:27 | 0:08:30 | |
and I just said to him, "Listen, pal. Now you're just being weird." | 0:08:30 | 0:08:34 | |
OK. | 0:08:35 | 0:08:36 | |
-So, you're planning on giving Lenny the bump, then? -No. Why would I do that? -Dunno. | 0:08:36 | 0:08:42 | |
Just got the impression you're not really that into him. | 0:08:42 | 0:08:45 | |
You never talk about him. Half the time you seem embarrassed. | 0:08:45 | 0:08:48 | |
No, I'm not embarrassed. I like him. I like him a lot. | 0:08:48 | 0:08:51 | |
-What's the problem, then? -I'm not ready to tell him that. | 0:08:51 | 0:08:54 | |
Right, and going to his dead son's grave is declaring your love? | 0:08:54 | 0:08:57 | |
Of course it is. It saying, "I'm there for you, you've got me". | 0:08:57 | 0:09:01 | |
Are you sure it doesn't just say, "I'm neurotic, | 0:09:01 | 0:09:04 | |
-"I read too much into things"? -I just don't want to rush it. | 0:09:04 | 0:09:07 | |
OK, well, don't make him wait too long. | 0:09:07 | 0:09:11 | |
Lenny's not exactly known for his patience. | 0:09:11 | 0:09:14 | |
-So, how long's he thinking of staying? -Couple of weeks, he reckons. | 0:09:20 | 0:09:25 | |
I can't say I blame him. It's a beautiful place - peace and quiet. | 0:09:25 | 0:09:30 | |
No windows to smash, eh? | 0:09:30 | 0:09:32 | |
Look, he feels terrible about that and a lot of other things. | 0:09:33 | 0:09:36 | |
-Aye, well, so he should. -He'll get himself sorted soon. | 0:09:36 | 0:09:40 | |
You wait and see. | 0:09:40 | 0:09:42 | |
You can stare at it all you want, it's still going to be tea. | 0:09:47 | 0:09:50 | |
You all right? | 0:09:52 | 0:09:54 | |
-Was it really bad? -Was what really bad? | 0:09:55 | 0:10:00 | |
Out there. | 0:10:00 | 0:10:02 | |
Living on the streets. | 0:10:02 | 0:10:04 | |
I'm not really sure I want to talk about that. | 0:10:06 | 0:10:09 | |
Sorry. I didn't... | 0:10:09 | 0:10:11 | |
I'm just worried about Nicole, that's all. | 0:10:12 | 0:10:14 | |
-Gina, I'm just gonnae take a break, all right? -Sure. | 0:10:16 | 0:10:21 | |
-Is there any news on Nicole? -No, sorry. | 0:10:32 | 0:10:34 | |
-So why are you here, then? -I thought we could have a chat. | 0:10:34 | 0:10:38 | |
-About? -About Nicole, and why she ran away. | 0:10:38 | 0:10:42 | |
Did she have any problems or issues? | 0:10:42 | 0:10:46 | |
What, apart from getting mixed up with this Cammy guy? | 0:10:46 | 0:10:49 | |
-I was thinking about something closer to home. Something within the family. -Like what? | 0:10:49 | 0:10:55 | |
Michael and Leyla, for instance. Was she worried about them? | 0:10:55 | 0:10:59 | |
Why would she be worried about them? | 0:10:59 | 0:11:01 | |
Well, kids have a sixth sense when it comes to parents. | 0:11:01 | 0:11:05 | |
If they feel any tension, it can unsettle them. | 0:11:05 | 0:11:08 | |
-She never ran away because Michael and Leyla were having problems. -But they were having problems? | 0:11:08 | 0:11:13 | |
No, what I'm saying is, the reason she left is out there. | 0:11:13 | 0:11:18 | |
-Not at home. -Probably right. | 0:11:18 | 0:11:21 | |
Just thought with you being so close to Michael and Leyla, you might... | 0:11:21 | 0:11:24 | |
I'm close to Michael. | 0:11:24 | 0:11:26 | |
Well, I'll leave you to it, then. | 0:11:26 | 0:11:29 | |
Aye... | 0:11:39 | 0:11:40 | |
You'd think I was five years old the way she goes on. | 0:11:40 | 0:11:43 | |
All that fussing and nagging - more like a wife than a daughter. | 0:11:43 | 0:11:47 | |
-She's only looking out for you. -I'm more than capable of looking out for myself. | 0:11:47 | 0:11:53 | |
I remember when I was the one who told her what to do. But not now. | 0:11:53 | 0:11:57 | |
-It'll happen to you, too. -Is that right? | 0:11:57 | 0:12:00 | |
Aye. She might be over there right now, | 0:12:00 | 0:12:02 | |
talking boys and pop music, but give her a few years... | 0:12:02 | 0:12:06 | |
-Sorry. Who are we talking about here? -Your girl. | 0:12:06 | 0:12:10 | |
-She'll end up running your life the way Gina runs mine. -Are you saying you've seen Nicole? | 0:12:11 | 0:12:15 | |
Aye. In the Oyster. | 0:12:15 | 0:12:18 | |
Nicole! | 0:12:26 | 0:12:27 | |
-Where is she? -Who? -Nicole. -Your dad said Nicole was here. -When? | 0:12:30 | 0:12:36 | |
-He said he saw her this morning. -I'm sorry, Michael. He's made a mistake. | 0:12:36 | 0:12:41 | |
I would've phoned you straight away if Nicole was here. | 0:12:41 | 0:12:44 | |
-What the hell is he playing at? -Come on, you know he gets confused. | 0:12:44 | 0:12:48 | |
Didn't take you long to find a new mate, did it? | 0:12:49 | 0:12:53 | |
Let's hope she doesn't let you down the same way she did Nicole. | 0:12:53 | 0:12:57 | |
-Are you OK? -No, Leyla. I'm not OK. | 0:13:11 | 0:13:15 | |
Mr Brodie! | 0:13:19 | 0:13:20 | |
I've been looking for you, sweetheart. | 0:13:44 | 0:13:46 | |
-Get off! -Be nice. -Get off me! | 0:13:46 | 0:13:49 | |
I just want to talk. | 0:13:49 | 0:13:52 | |
-Let me go. -Know what your problem is? | 0:13:52 | 0:13:55 | |
You've got a big mouth. | 0:13:55 | 0:13:57 | |
Half of Glasgow's coppers are after me. | 0:14:01 | 0:14:05 | |
So, you're going to help me get out of here. You understand? Money. | 0:14:06 | 0:14:12 | |
-You get it and bring it to me. You bring it here... -I don't have any... | 0:14:12 | 0:14:16 | |
Then get some. Cos I'm not doing time for you and that wee bitch. | 0:14:16 | 0:14:21 | |
If you want to see your pal again... Two o'clock. And don't be late... | 0:14:24 | 0:14:29 | |
or the Brodies won't be the only family missing a daughter. | 0:14:29 | 0:14:34 | |
-Aye! He was out of here like a shot, so he was. -Sorry about that. | 0:14:38 | 0:14:43 | |
-Can I book you in later in the week? -I don't know, hen. I'm a busy man. DOOR OPENS | 0:14:43 | 0:14:49 | |
There he is. The wanderer's returned. Did you get her, then? | 0:14:49 | 0:14:54 | |
No, Malcolm. We didn't get her. | 0:14:54 | 0:14:56 | |
-Oh. Must've just missed her. -You know what, Malcolm? | 0:14:56 | 0:15:00 | |
-It's about time you started facing up to reality. -Oh. Is that a fact? | 0:15:00 | 0:15:05 | |
-You need Gina to look after you. You're a liability. -He was only trying to help. | 0:15:05 | 0:15:09 | |
Sorry, but the idea of people helping round here is frankly laughable. | 0:15:09 | 0:15:12 | |
Michael, calm down. | 0:15:12 | 0:15:14 | |
Seriously, if it's not this stupid old goat giving us false hope... | 0:15:14 | 0:15:17 | |
-it's her daughter holding back information. -This isn't Christina's fault! | 0:15:17 | 0:15:21 | |
No, no, it's not just her. | 0:15:21 | 0:15:23 | |
Everyone around here is to blame. Bloody cowards. | 0:15:23 | 0:15:26 | |
Right. That's it. | 0:15:29 | 0:15:31 | |
-What on Earth are you playing at? -What are THEY playing at, more like? | 0:15:43 | 0:15:47 | |
Look at them! Nicole's missing and that lot just go about their day. | 0:15:47 | 0:15:50 | |
Coffee in the Oyster. A quick trip to the doctors. A wee pint later. | 0:15:50 | 0:15:54 | |
What do you expect them to do? Turn every house upside down? | 0:15:54 | 0:15:57 | |
-That would be a start. Least it would show they care. -They do care. | 0:15:57 | 0:16:00 | |
And they'd tell you that if you'd only listen! | 0:16:00 | 0:16:02 | |
Listening to people is how I got into this mess in the first place. | 0:16:02 | 0:16:06 | |
I knew this would happen. I should've trusted my instincts. | 0:16:06 | 0:16:09 | |
I should've reined her in but no, no. "Give her space, Michael, | 0:16:09 | 0:16:12 | |
"Let her experiment." | 0:16:12 | 0:16:14 | |
-She's only 16 years old! -Right. So, now it's my turn, is it? | 0:16:14 | 0:16:19 | |
You're the one that said treat her like an adult. | 0:16:19 | 0:16:21 | |
Junkie boyfriends and going on the pill? | 0:16:21 | 0:16:24 | |
I was helping her make her own choices. | 0:16:24 | 0:16:26 | |
Well, now she's chosen to stay out there with God knows what kind of scum instead of coming home. | 0:16:26 | 0:16:32 | |
So, well done Leyla. Great work. | 0:16:32 | 0:16:33 | |
You know, maybe you're the reason she's not come home, Michael. | 0:16:37 | 0:16:40 | |
I mean, what sort of teenager would choose to come home to a dad | 0:16:40 | 0:16:43 | |
who runs his family like a boot camp? | 0:16:43 | 0:16:45 | |
Who barely shows his kids any affection? | 0:16:45 | 0:16:47 | |
-Treats them like his subordinates? -That's enough! -Yes, sir(!) | 0:16:47 | 0:16:52 | |
-Where's my next patient? -She went home. -Why? | 0:17:11 | 0:17:14 | |
Maybe she was upset by your outburst earlier. | 0:17:15 | 0:17:18 | |
-Why don't you go home, Michael? -I've got some notes to catch up on. | 0:17:18 | 0:17:22 | |
They can wait. Your family need you right now. | 0:17:22 | 0:17:26 | |
I understand this helps take your mind off Nicole, but... | 0:17:26 | 0:17:28 | |
-I don't know what makes you think you're in a position to give me all this Zen-like advice... -Michael. | 0:17:28 | 0:17:33 | |
I mean, why would I listen to you? | 0:17:33 | 0:17:34 | |
Michael. | 0:17:34 | 0:17:37 | |
There's been a development. | 0:17:40 | 0:17:42 | |
It's as if he's determined to alienate everyone. | 0:17:45 | 0:17:48 | |
I mean, does he think he's the only one that's suffering? | 0:17:48 | 0:17:52 | |
That no-one else is worried? And I knew it was coming. | 0:17:52 | 0:17:55 | |
I knew he blamed me all along. | 0:17:55 | 0:17:56 | |
Aren't you going to say something? | 0:17:58 | 0:18:00 | |
-Like what? -I don't know. What you think? | 0:18:00 | 0:18:04 | |
I think he's worried about Nicole and people should give him a break. | 0:18:04 | 0:18:08 | |
Right. And does that include me? | 0:18:08 | 0:18:12 | |
You could spend less time arguing with him and try supporting him. | 0:18:12 | 0:18:17 | |
I am trying to support him, but he won't let me. That's the point. | 0:18:17 | 0:18:23 | |
-Try harder. -Great. Thanks, Gabriel(!) | 0:18:23 | 0:18:30 | |
Well, what do you want me to say? | 0:18:30 | 0:18:32 | |
-He's my brother, Leyla. -So now you're loyal to him? | 0:18:32 | 0:18:37 | |
-Well, it's about time that I was. -What's that supposed to mean? | 0:18:37 | 0:18:42 | |
It's bad enough cheating with your brother's wife. | 0:18:43 | 0:18:46 | |
But when he's going through something like this... | 0:18:46 | 0:18:49 | |
I'm going through it, too. | 0:18:49 | 0:18:51 | |
It feels wrong, Leyla. | 0:18:54 | 0:18:56 | |
Wow. | 0:18:59 | 0:19:01 | |
Loyalty AND guilt? This is a big day for you. | 0:19:01 | 0:19:04 | |
SHE SIGHS | 0:19:09 | 0:19:11 | |
So, what are you saying? | 0:19:13 | 0:19:15 | |
You want us to stop this until Nicole's back? | 0:19:18 | 0:19:21 | |
Right. I see. Nice timing. | 0:19:28 | 0:19:34 | |
It couldn't go on for ever. | 0:19:34 | 0:19:37 | |
Clearly. | 0:19:38 | 0:19:40 | |
-KNOCKING> -Gabe, it's Michael! | 0:19:40 | 0:19:43 | |
DOORBELL RINGS | 0:19:43 | 0:19:45 | |
Gabe, hurry up! | 0:19:45 | 0:19:47 | |
-They found a body. -What? | 0:19:51 | 0:19:53 | |
They want me at the morgue. I don't know where Leyla is. | 0:19:53 | 0:19:56 | |
MUSIC: "Spies" by Coldplay | 0:20:05 | 0:20:10 | |
I was beginning to think you weren't going to make it. | 0:20:49 | 0:20:52 | |
-Sorry. A bit hectic over there. -Booked out all day, eh? -Yeah. | 0:20:52 | 0:20:56 | |
Glass of white wine. | 0:20:56 | 0:20:57 | |
I mean, I was only working with her a couple of weeks ago. | 0:20:57 | 0:21:00 | |
-What do you think happened? -Something bad, by the sounds of it. | 0:21:00 | 0:21:04 | |
-You don't think she was... -Annie! -What? | 0:21:04 | 0:21:08 | |
You want to shake yourself and go and change that barrel. | 0:21:08 | 0:21:11 | |
What's that all about? | 0:21:14 | 0:21:17 | |
Michael Brodie's at the morgue. | 0:21:18 | 0:21:20 | |
-They found her? -Probably just a coincidence. -Yeah. | 0:21:21 | 0:21:25 | |
-False alarm, no doubt. -Who'd be him today, eh? | 0:21:25 | 0:21:28 | |
-I mean, what's keeping them? -They need to prep the body. | 0:21:33 | 0:21:37 | |
Prep it? Prep it for what? | 0:21:40 | 0:21:43 | |
For me. | 0:21:43 | 0:21:44 | |
The last thing they want to do is traumatise the loved ones. | 0:21:44 | 0:21:47 | |
If it's been a violent death, they do their best to hide the wounds. | 0:21:50 | 0:21:55 | |
Bloody hell. Look, maybe I should phone Leyla. | 0:21:57 | 0:22:02 | |
No point. | 0:22:02 | 0:22:04 | |
She's not picking up. | 0:22:04 | 0:22:07 | |
She should be here with you now. | 0:22:07 | 0:22:10 | |
If you want to go, please yourself. | 0:22:10 | 0:22:13 | |
Don't start, Michael. Your emotional blackmail crap didn't work when we were kids. It still doesn't. | 0:22:13 | 0:22:20 | |
Look, I just think you and Leyla should be together right now. | 0:22:22 | 0:22:26 | |
-Leyla and I haven't been together for a long time. -Meaning? | 0:22:27 | 0:22:32 | |
-We're like a pair of strangers. -Well, with Nicole... | 0:22:33 | 0:22:38 | |
We were like that before Nicole left. Just didn't notice. | 0:22:38 | 0:22:41 | |
That's marriage, though, isn't it? Ups, downs. You just muddle through. | 0:22:45 | 0:22:50 | |
What would you know? | 0:22:51 | 0:22:55 | |
Anyway, this is different. | 0:22:57 | 0:23:00 | |
-Feel like I've lost her to something. -Like what? | 0:23:01 | 0:23:07 | |
I don't know. | 0:23:07 | 0:23:08 | |
All I know is she's not with me any more. | 0:23:10 | 0:23:14 | |
Good luck. | 0:23:26 | 0:23:28 | |
Brenda! Is it her? | 0:24:00 | 0:24:02 | |
We don't know yet. He's just gone in. | 0:24:02 | 0:24:05 | |
This is unbelievable. | 0:24:11 | 0:24:12 | |
I'll make you some tea. | 0:24:13 | 0:24:16 | |
-Michael did try to call you. -What? | 0:24:19 | 0:24:22 | |
To let you know what was happening, but there was no answer. | 0:24:22 | 0:24:25 | |
Yeah, sorry... | 0:24:25 | 0:24:29 | |
I was in town and my phone ran out of battery. | 0:24:29 | 0:24:34 | |
-So in the end, Gabriel went along with him. For support. -Right. | 0:24:34 | 0:24:39 | |
-By the way, how did you know? -Sorry? -The first thing you said when you came in was, "Is it her?", | 0:24:44 | 0:24:50 | |
but presumably you didn't get the message if your phone was down. | 0:24:50 | 0:24:54 | |
-So, how did you know? -Dan told me. | 0:24:54 | 0:24:57 | |
I went to the health centre on the way back. | 0:24:57 | 0:24:59 | |
-I see. -DOOR CLOSES | 0:24:59 | 0:25:02 | |
Is it her? | 0:25:05 | 0:25:06 | |
Michael. | 0:25:13 | 0:25:15 | |
What happened? | 0:25:15 | 0:25:17 | |
Wasn't her. | 0:25:18 | 0:25:20 | |
-You OK? -Yeah. That poor girl. | 0:25:27 | 0:25:30 | |
Just lying in there all alone. Nobody with her. | 0:25:32 | 0:25:35 | |
Just some stranger standing over her, | 0:25:38 | 0:25:41 | |
relieved it's her that's dead and not his kid. | 0:25:41 | 0:25:44 | |
Come on, let's go. | 0:25:46 | 0:25:49 | |
-What they must be going through. -It's every parent's nightmare. | 0:25:53 | 0:25:58 | |
Makes you wonder if it's worth having them in the first place. | 0:25:58 | 0:26:02 | |
-Sorry, that was a dumb thing to say. I'm so sorry. -It's all right. | 0:26:02 | 0:26:06 | |
But to answer your question, they ARE worth it. | 0:26:08 | 0:26:11 | |
-You OK? -Fine. Why? | 0:26:14 | 0:26:18 | |
-Just seem a bit nervous. -Why would I be? -I dunno. | 0:26:18 | 0:26:22 | |
-All I know is that you drink faster when you're nervous. -No, I don't. | 0:26:22 | 0:26:27 | |
-Are you trying to say I've got a drink problem? -There's another thing you do when you're nervous. -Do what? | 0:26:27 | 0:26:31 | |
-You got all defensive. -I'm not getting defensive. -Just a wee bit. | 0:26:31 | 0:26:35 | |
Lenny, you know what? Maybe we should just call this a day, since you have so many problems with me. | 0:26:35 | 0:26:39 | |
OK. I take it back. You're not nervous. You're psychotic. | 0:26:39 | 0:26:44 | |
Frances. | 0:26:44 | 0:26:46 | |
All I wanted to do was meet and have a drink. | 0:26:46 | 0:26:49 | |
If you don't want to be here, go. | 0:26:49 | 0:26:51 | |
Sorry. | 0:26:53 | 0:26:54 | |
I don't know what's wrong with me. | 0:26:55 | 0:26:57 | |
Anyway, how do you know I drink faster when I'm nervous? | 0:26:59 | 0:27:04 | |
I notice things about you. | 0:27:04 | 0:27:06 | |
You and I need to talk. | 0:27:10 | 0:27:12 | |
What exactly did the school say? | 0:27:15 | 0:27:17 | |
That she didn't turn up and none of her friends know where she is. | 0:27:17 | 0:27:21 | |
-Maybe she's be back at the flat. -I checked. | 0:27:22 | 0:27:25 | |
And I checked the cafe and the deli. Nothing. Something's wrong, Bob. | 0:27:25 | 0:27:31 | |
-She was so emotional this morning. -She was upset about Nicole. | 0:27:31 | 0:27:34 | |
And if she knows the police found a body, she'll be even more upset. | 0:27:34 | 0:27:39 | |
-We need to find her. -I can't get away from my work. -Bob. | 0:27:39 | 0:27:43 | |
-I'm really worried about her. -Right, you two! I want a word. | 0:27:43 | 0:27:49 | |
I know things are tight, but you might at least have asked me. | 0:27:49 | 0:27:54 | |
-Molly, what are you talking about? -My wages. | 0:27:54 | 0:27:58 | |
The £40 one of you two pinched from the drawer. | 0:27:58 | 0:28:01 | |
-I didn't touch your wages. -So, it was you, then? -Of course not. | 0:28:01 | 0:28:05 | |
Well, somebody must have taken it, because it was definitely there this morning. | 0:28:05 | 0:28:10 | |
Oh. Not again. | 0:28:13 | 0:28:15 | |
-What's this? -You wanted money. | 0:28:18 | 0:28:21 | |
Is that supposed to be a joke? | 0:28:24 | 0:28:26 | |
-Not going to get far with 40 quid, am I? -It's all I could find. | 0:28:26 | 0:28:30 | |
Well, you better try harder. Cos I need out of here today. | 0:28:30 | 0:28:34 | |
Maybe I should call the police. Tell them where you are. | 0:28:34 | 0:28:37 | |
-You're not going to do that. -I've been before, remember? | 0:28:37 | 0:28:41 | |
-If you grass me up, you'll never see your pal again. -Where is she? | 0:28:41 | 0:28:46 | |
-Where's Nicole? -She's safe as long as you get me more money. | 0:28:46 | 0:28:50 | |
Now you've got an hour, or it's Nicole that's going to pay. | 0:28:50 | 0:28:54 | |
We had a deal. You promised not to interfere in my business. | 0:29:04 | 0:29:08 | |
-But I did say I would help out. -Help! I've had the same bakery supplier for ten years. | 0:29:08 | 0:29:12 | |
-And you're paying over the odds. -In the food business, Lenny, | 0:29:12 | 0:29:15 | |
-you pay for quality. -How much discount did you get? -20%. | 0:29:15 | 0:29:18 | |
-That's quite good. -He's a mate. | 0:29:18 | 0:29:21 | |
-Looking to expand, so we worked out a deal. -I am still here, you know. | 0:29:21 | 0:29:25 | |
-Gina, why not call your supplier and tell them you're switching? -Like hell I will. | 0:29:25 | 0:29:30 | |
Just tell them you've got a better deal and with pressure on your margins | 0:29:30 | 0:29:34 | |
and business being slow, you're going to take it. | 0:29:34 | 0:29:37 | |
-Look, let me spell this one out to you. Ten years. -Exactly. | 0:29:37 | 0:29:41 | |
So they won't want to lose you. Might offer you a better price. | 0:29:41 | 0:29:46 | |
You'll not get 20%, but you'll get something. | 0:29:46 | 0:29:48 | |
I don't suppose it'd do any harm to give it a go. | 0:29:50 | 0:29:52 | |
Ten years is a long time. | 0:29:52 | 0:29:55 | |
Right. I'll phone him. | 0:29:58 | 0:30:01 | |
But I'm not going with your guy. Discount or no discount. | 0:30:02 | 0:30:05 | |
Sorry. | 0:30:10 | 0:30:11 | |
-Your mate won't be very happy. -He'll get over it. That was quick thinking. | 0:30:11 | 0:30:15 | |
You know, if you ever get fed up working in the salon, we could work together. | 0:30:15 | 0:30:18 | |
What, me and you? Partners? | 0:30:18 | 0:30:20 | |
Would that be such a bad thing? | 0:30:20 | 0:30:22 | |
Do you know who the girl is? | 0:30:26 | 0:30:28 | |
We'll find out soon. Main thing is it's not Nicole. | 0:30:28 | 0:30:32 | |
Are you OK? | 0:30:38 | 0:30:40 | |
Bit of a scare. That's all. | 0:30:41 | 0:30:44 | |
-Shouldn't you be at school? -I called them home. Thought they should be here just in case. | 0:30:44 | 0:30:49 | |
-Well, it's time you were getting back. -Dad, I want to stay here. | 0:30:49 | 0:30:52 | |
Conor, this is a big year for you. I don't want you missing anything. | 0:30:52 | 0:30:56 | |
Just let them stay, Mick. It's no big deal if they miss an afternoon. | 0:30:56 | 0:31:00 | |
-It's only PE. -Just go to school. | 0:31:00 | 0:31:03 | |
Look, off you go. We'll see you later. | 0:31:04 | 0:31:08 | |
-Maybe we should have a talk. -Maybe you should just leave. | 0:31:15 | 0:31:18 | |
-Michael, please don't. -I don't think you're helping here. | 0:31:18 | 0:31:22 | |
-How would you like me to help? -By leaving. | 0:31:22 | 0:31:25 | |
You were the one who asked for this. You wanted us to pull out all the stops to find Nicole. | 0:31:27 | 0:31:31 | |
And now I want you to go. | 0:31:31 | 0:31:33 | |
I can call your boss if you like. | 0:31:35 | 0:31:37 | |
I mean, what's wrong with him? | 0:31:57 | 0:31:59 | |
Does he really think we can just carry on as normal with all this happening? | 0:31:59 | 0:32:03 | |
Meanwhile, he goes around shouting the odds like a maniac. | 0:32:03 | 0:32:06 | |
-That's my dad you're talking about. -Well, he's still a maniac. | 0:32:06 | 0:32:09 | |
-Enough. -Like father, like son. -Say that again! -What's wrong with you? | 0:32:09 | 0:32:13 | |
-Ask him. He started it. -Aye, so I did. -All right. Give it a rest. | 0:32:13 | 0:32:16 | |
-You two are supposed to be family, remember? -Except we're not. Are we? | 0:32:16 | 0:32:20 | |
Hiya. Have you seen Christina? | 0:32:22 | 0:32:25 | |
-So now we're back in limbo. -We just need to be patient. -But it's the waiting that's killing me. | 0:32:32 | 0:32:37 | |
The not knowing. | 0:32:37 | 0:32:39 | |
Maybe it would have been better if it had been Nicole, then. | 0:32:39 | 0:32:42 | |
Why would that have been better? | 0:32:43 | 0:32:45 | |
Well, you wouldn't have to endure all that inconvenient waiting. | 0:32:45 | 0:32:49 | |
-For God's sake, Michael. You know that's not what she meant. -Right. | 0:32:49 | 0:32:52 | |
Sorry. Are you interpreting for my wife now? | 0:32:52 | 0:32:54 | |
-Well, you seem to be having trouble understanding her. -I tell you what I'm having trouble with. | 0:32:54 | 0:32:59 | |
I'm having trouble with where you were this morning. | 0:32:59 | 0:33:03 | |
-What? -Well, where were you? Tried calling you. Half a dozen times. | 0:33:03 | 0:33:08 | |
-I was in town. My phone was off. -Oh, how convenient. | 0:33:08 | 0:33:12 | |
Tell me this, even if I had got you, would you even have been bothered? | 0:33:12 | 0:33:16 | |
-What the hell? -Seriously, would it have had any effect whatsoever? | 0:33:16 | 0:33:20 | |
Don't answer that. | 0:33:20 | 0:33:21 | |
Let me get this straight. | 0:33:21 | 0:33:24 | |
Not only is it my fault that she's gone, | 0:33:26 | 0:33:30 | |
now you're telling me that I don't care. | 0:33:30 | 0:33:33 | |
Well, it's not as if she's yours. | 0:33:33 | 0:33:35 | |
My God, Michael. | 0:33:35 | 0:33:37 | |
-If you really do think that, then... -Then what? | 0:33:38 | 0:33:42 | |
Then I really don't know what we're doing here. | 0:33:42 | 0:33:44 | |
Me neither. | 0:33:47 | 0:33:49 | |
-Hey. What the hell are you doing? -I'm going to the pub. Coming? | 0:34:01 | 0:34:05 | |
-You need to go back in there and fix things with Leyla. -Why should I? | 0:34:05 | 0:34:09 | |
Because you're out of order. You're going to end up losing her. | 0:34:09 | 0:34:13 | |
-And what's that got to do with you? -I'm just trying to help you, Michael. | 0:34:13 | 0:34:17 | |
I'm sick of your help, all right? I'm sick of you hanging around us. | 0:34:17 | 0:34:20 | |
Get your own family, Gabriel. Stop sticking your nose into mine. | 0:34:20 | 0:34:25 | |
Single malt. | 0:34:37 | 0:34:40 | |
Give me a second. | 0:34:40 | 0:34:41 | |
Was it her? | 0:34:44 | 0:34:46 | |
Good. I'll get that. | 0:34:49 | 0:34:53 | |
It's on the house. | 0:34:53 | 0:34:56 | |
INAUDIBLE | 0:34:59 | 0:35:01 | |
-Secret code, was it? -What you on about? | 0:35:19 | 0:35:22 | |
Whatever you said to him in there. | 0:35:22 | 0:35:25 | |
-Just giving him some words of support. -They had quite an effect. | 0:35:25 | 0:35:28 | |
Come on, tell me, what did you say to him? | 0:35:28 | 0:35:31 | |
-I just say I'd say a prayer for his daughter. -Are you serious? | 0:35:31 | 0:35:35 | |
So, you off to the cemetery, then? | 0:35:38 | 0:35:41 | |
-Aye. Actually, I better get goin'. -Yeah. | 0:35:41 | 0:35:45 | |
Me, too. | 0:35:45 | 0:35:47 | |
-Haven't seen Christina, have you? -No. Sorry. | 0:35:51 | 0:35:55 | |
-I'm looking for Christina. -She's not been in here. | 0:36:13 | 0:36:17 | |
-Just trying to see if anybody's seen her. -Raymond, | 0:36:17 | 0:36:20 | |
-have you seen Christina? -No. Why, is there a problem? -I dunno. Maybe. | 0:36:20 | 0:36:25 | |
-Gone missing, has she? -Just trying to find her, Michael. | 0:36:25 | 0:36:29 | |
Maybe she's worried the police have got more questions for her. | 0:36:29 | 0:36:32 | |
I know you've had a tough day, mate, so I'm going to bite my tongue. | 0:36:32 | 0:36:35 | |
Yeah, well it wasn't Nicole at the morgue. | 0:36:35 | 0:36:38 | |
-So why don't you say what you want to say? -OK. Fine. | 0:36:38 | 0:36:43 | |
I don't appreciate you upsetting Tatiana. | 0:36:43 | 0:36:46 | |
-And I think you should give Christina a break. -Is that right? -Aye, that's right. | 0:36:46 | 0:36:50 | |
Well, I'm sorry Tatiana's upset but as for Christina... | 0:36:50 | 0:36:54 | |
-I don't understand why she waited so long to help my daughter. -Because she's her pal. | 0:36:54 | 0:36:58 | |
She thought she was being loyal and she didn't want Nicole to get into trouble, | 0:36:58 | 0:37:02 | |
because that's what 15-year-old girls do. | 0:37:02 | 0:37:04 | |
And I know she was wrong. | 0:37:04 | 0:37:06 | |
I know she should've spoken up sooner...but she's a kid. | 0:37:06 | 0:37:09 | |
Just like Nicole. And kids make mistakes. | 0:37:09 | 0:37:12 | |
I'm sorry, but it had to be said. | 0:37:19 | 0:37:22 | |
-He sees you here, he'll go nuts. -Let him. | 0:37:45 | 0:37:50 | |
Doesn't bother me. | 0:37:50 | 0:37:51 | |
Look, I know he's not the easiest person to be around right now. | 0:37:53 | 0:37:57 | |
He never was. You grew up with him. Was he always this uptight? | 0:37:57 | 0:38:02 | |
No. | 0:38:02 | 0:38:04 | |
Well, he was never Mr Laidback, that's for sure. | 0:38:04 | 0:38:08 | |
Why's he so angry? | 0:38:08 | 0:38:10 | |
Your sister going AWOL, that hasn't helped. | 0:38:10 | 0:38:12 | |
He was like this before she left. | 0:38:12 | 0:38:15 | |
You know, I once asked Mum why Dad never laughed. | 0:38:18 | 0:38:21 | |
She said he used to laugh... before they had us. | 0:38:21 | 0:38:25 | |
Hey, no matter what you think of him, your dad loves you. | 0:38:25 | 0:38:30 | |
-Doesn't mean we make him happy. -Of course you do. | 0:38:30 | 0:38:33 | |
-Listen, son, you and the family mean everything to him. -What family? | 0:38:34 | 0:38:39 | |
Look at us. Nicole's gone missing. Him and Leyla never talk. | 0:38:39 | 0:38:42 | |
-Yeah. And he's trying to fix that. -Why? I mean, seriously, why bother? | 0:38:42 | 0:38:47 | |
We just make him miserable. | 0:38:47 | 0:38:49 | |
He'd be a lot more miserable without you. | 0:38:49 | 0:38:52 | |
See, I'm not so sure about that. | 0:38:52 | 0:38:55 | |
-Sometimes I think it would be better if... -If what? | 0:38:55 | 0:38:59 | |
I don't know. I just want to see him laugh again. | 0:38:59 | 0:39:03 | |
-Maybe he didn't get your message. -I sent him four in the space of an hour. | 0:39:26 | 0:39:30 | |
-He must've got one of them. -He's probably in the house. Just go and speak to him. -No. | 0:39:30 | 0:39:35 | |
-I can't do that. -He might want some company. | 0:39:35 | 0:39:37 | |
-Four unanswered text messages? -Look. | 0:39:37 | 0:39:42 | |
All you've done all day is hum and haw, and over what? | 0:39:42 | 0:39:45 | |
-A trip to the cemetery. -Come on, it's more than that. -Yeah, yeah. | 0:39:45 | 0:39:48 | |
-I get it, you're not ready to tell him how you feel. -Exactly. | 0:39:48 | 0:39:51 | |
But would you rather he was sitting on his own thinking you don't care? | 0:39:51 | 0:39:55 | |
Go and speak to him. | 0:39:55 | 0:39:57 | |
All right? I was just about to text you back. | 0:40:06 | 0:40:10 | |
-I didn't know which one to answer first. -Don't worry. | 0:40:10 | 0:40:14 | |
-I thought I should come round and talk to you anyway. -Sounds ominous. | 0:40:14 | 0:40:17 | |
So, how was it? At the cemetery? | 0:40:27 | 0:40:30 | |
Yeah, it was nice. Well, not nice. Nice to go, you know? | 0:40:30 | 0:40:35 | |
-I was thinking...maybe I could come with you next time. -Really? | 0:40:38 | 0:40:45 | |
I mean, I don't want to intrude and if you'd rather be alone... | 0:40:45 | 0:40:49 | |
No, no, no. | 0:40:49 | 0:40:50 | |
-I just got the impression, you weren't too keen. -No. | 0:40:51 | 0:40:54 | |
I just wasn't sure how I felt about it. | 0:40:54 | 0:40:56 | |
And how do you feel? | 0:40:59 | 0:41:00 | |
That it would be a good thing to do. | 0:41:00 | 0:41:04 | |
Right. Well, I better be off, then. | 0:41:06 | 0:41:10 | |
Listen, I'm starving. | 0:41:10 | 0:41:12 | |
I was just about to order some food in. | 0:41:12 | 0:41:15 | |
-Fancy it? -Yeah. Why not? | 0:41:15 | 0:41:20 | |
Christina? | 0:41:34 | 0:41:36 | |
Christina! Wait! | 0:41:40 | 0:41:42 | |
Christina, just calm down, OK? | 0:41:51 | 0:41:53 | |
What's the matter with you? What are you scared of? Is it me? | 0:41:53 | 0:41:58 | |
-God Almighty. Am I really that bad? -Just leave me alone. OK? | 0:41:58 | 0:42:02 | |
Is that how Nicole felt? | 0:42:02 | 0:42:04 | |
Is that why she left? | 0:42:04 | 0:42:07 | |
Was she scared of me? Is that it? | 0:42:07 | 0:42:09 | |
You're her friend. Tell me! Christina! | 0:42:09 | 0:42:13 | |
I don't believe this. | 0:42:13 | 0:42:14 | |
She wasn't scared of you. | 0:42:31 | 0:42:32 | |
Thought you were with Michael. | 0:42:37 | 0:42:39 | |
I think he'd rather be on his own. | 0:42:39 | 0:42:41 | |
-You OK? -Oh, I'm just brilliant. | 0:42:45 | 0:42:47 | |
You know, he had no right speaking to you like that. | 0:42:48 | 0:42:51 | |
-He was way out of line. -You've changed your tune. | 0:42:51 | 0:42:54 | |
-What happened to "give him a break"? -Aye, well, there's limits. | 0:42:54 | 0:42:58 | |
Maybe he's right. Maybe I would feel different if it was Adeeb. | 0:43:03 | 0:43:09 | |
-That's garbage and you know it. -Is it? | 0:43:10 | 0:43:13 | |
Sometimes I think the only reason I want her home is so that things can just go back to the way they were. | 0:43:16 | 0:43:21 | |
There's nothing wrong with that, I suppose. | 0:43:21 | 0:43:24 | |
I think Michael might consider it a little selfish. | 0:43:25 | 0:43:29 | |
-Only cos he likes to have the moral high ground on absolutely everyone. -He's certainly got it on us. | 0:43:29 | 0:43:33 | |
Do you really want things to go back to the way they were? | 0:43:39 | 0:43:42 | |
-Better than what I've got now. -But not much better. | 0:43:45 | 0:43:48 | |
Even if she comes back, you know he's never going to change. | 0:43:50 | 0:43:54 | |
-You don't know that. -Yeah, I do. | 0:43:54 | 0:43:57 | |
This is how your marriage is going to be from now on. | 0:43:59 | 0:44:03 | |
-Well, then we've got a pretty bleak future ahead of us. -Not necessarily. | 0:44:03 | 0:44:08 | |
You could have a different one. | 0:44:10 | 0:44:13 | |
'How did we get here?' | 0:44:13 | 0:44:16 | |
Been asking myself that all day. | 0:44:17 | 0:44:20 | |
I remember them handing me this tiny thing at the hospital. | 0:44:23 | 0:44:27 | |
I just stood there, staring at her face. | 0:44:28 | 0:44:31 | |
And then 16 years later, I'm in the morgue | 0:44:33 | 0:44:37 | |
praying that it won't be the same face under the sheets. | 0:44:37 | 0:44:41 | |
And I have no idea how we got here. | 0:44:42 | 0:44:44 | |
See, everybody thinks she ran away because of the big stuff - | 0:44:48 | 0:44:51 | |
fights about Stevie, going on the pill. | 0:44:51 | 0:44:54 | |
I'm not so sure. By that time, it was all over. The damage was done. | 0:44:56 | 0:45:02 | |
-What damage? -The damage the small stuff does. | 0:45:02 | 0:45:05 | |
The time you snapped at them | 0:45:08 | 0:45:11 | |
or didn't do the thing you said you would. | 0:45:11 | 0:45:14 | |
When you ignored them because you wanted a bit of peace and quiet. | 0:45:14 | 0:45:19 | |
-It all adds up. Bit by bit. -That's just normal, though. | 0:45:19 | 0:45:24 | |
But that's what matters. Because it's those ordinary little moments that lead to the big awful stuff. | 0:45:24 | 0:45:31 | |
And if I could find out what those moments were, | 0:45:33 | 0:45:38 | |
if I could go back and change them, maybe we wouldn't be here. | 0:45:38 | 0:45:42 | |
Mr Brodie, I'm sorry... for not telling you about Nicole. | 0:45:44 | 0:45:48 | |
-It's not your fault. -I was a coward. | 0:45:48 | 0:45:54 | |
No. What you did took courage. | 0:45:54 | 0:45:57 | |
And if you hadn't come forward, then God knows where we'd be. | 0:45:59 | 0:46:03 | |
The police know about this Cammy guy. They'll find him. | 0:46:03 | 0:46:07 | |
-They won't find him. -What are you talking about? | 0:46:10 | 0:46:15 | |
This is unfair. You can't just spring this on me, Gabriel. | 0:46:20 | 0:46:22 | |
Look, I'm not saying that we need to do this tonight. | 0:46:22 | 0:46:25 | |
-This is stupid. -No. | 0:46:27 | 0:46:31 | |
Stupid's staying in a marriage that's broken and can't be fixed. | 0:46:31 | 0:46:35 | |
-I can't leave him. -Why not? -He's lost his daughter. | 0:46:35 | 0:46:40 | |
And, what, I'm going to abandon him? | 0:46:40 | 0:46:45 | |
OK. We wait till she comes back. | 0:46:45 | 0:46:49 | |
And if she doesn't? If she doesn't come back? | 0:46:49 | 0:46:52 | |
There is never ever going to be a good time to do this, Leyla. | 0:46:52 | 0:46:57 | |
No, but there are some pretty bad times to do it. | 0:46:57 | 0:47:01 | |
And anyway, | 0:47:03 | 0:47:05 | |
this morning, you were all for calling this off. | 0:47:05 | 0:47:08 | |
Doesn't matter what I said this morning. | 0:47:08 | 0:47:11 | |
I've had time to think about this. It's what I want. | 0:47:11 | 0:47:16 | |
He's your brother. | 0:47:18 | 0:47:20 | |
And I would never ever do anything like this to him if I wasn't sure. | 0:47:20 | 0:47:25 | |
God, this isn't just about Michael. | 0:47:25 | 0:47:28 | |
This is about the kids, Conor and Adeeb. We need to think about them. | 0:47:28 | 0:47:35 | |
I am, Leyla. And I want to see them happy. | 0:47:35 | 0:47:38 | |
But what are the chances of that with you and Michaels' relationship gone to pieces? | 0:47:38 | 0:47:44 | |
You know, I still love him. | 0:47:48 | 0:47:50 | |
It doesn't change how I feel for you, but... | 0:47:50 | 0:47:53 | |
..I can't stop loving the man that I've built this family with. | 0:47:55 | 0:47:59 | |
-But the way he treats you, Leyla. -It wasn't always like this. And... | 0:47:59 | 0:48:04 | |
..he might not stay like this, either. | 0:48:05 | 0:48:09 | |
What? | 0:48:09 | 0:48:11 | |
You think when Nicole comes back that he's gonnae change? | 0:48:11 | 0:48:14 | |
Well, maybe I have to live with that. | 0:48:16 | 0:48:19 | |
No, you don't. | 0:48:19 | 0:48:21 | |
Look, I know this isn't going to be easy... | 0:48:24 | 0:48:29 | |
..but all you have to do is say "yes". | 0:48:30 | 0:48:33 | |
We can do this, Leyla. | 0:48:34 | 0:48:36 | |
I can't. | 0:48:47 | 0:48:48 | |
I can't. I'm sorry. | 0:48:50 | 0:48:51 | |
-I'm sorry. -Hey, it's going to be fine. | 0:49:03 | 0:49:06 | |
Listen, you better go home. Your mum and Bob will be worried about you. | 0:49:09 | 0:49:13 | |
And we can't have Molly out of pocket, can we? | 0:49:13 | 0:49:17 | |
-No, Mr Brodie, honestly. -No, no, it's fine. It's the least I can do. | 0:49:17 | 0:49:22 | |
There you go. | 0:49:22 | 0:49:23 | |
-Thanks. -Come on. | 0:49:23 | 0:49:27 | |
-What about Cammy? -It'll be fine. | 0:49:28 | 0:49:32 | |
-You've done more than enough for Nicole. -Will you call the police? | 0:49:33 | 0:49:38 | |
Soon as I get home. | 0:49:38 | 0:49:40 | |
I really miss her. | 0:49:40 | 0:49:42 | |
Yeah. So do I. | 0:49:42 | 0:49:46 | |
About time you showed up. | 0:50:09 | 0:50:11 | |
-Where is she? -What? | 0:50:13 | 0:50:15 | |
What you on about? | 0:50:16 | 0:50:17 | |
Where's Nicole? | 0:50:17 | 0:50:20 | |
Don't know any Nicole, mate. | 0:50:20 | 0:50:22 | |
Get your hands off me. | 0:50:22 | 0:50:24 | |
-I'm not in the mood for you, mate. -I'm going to ask you one last time. Where is she? | 0:50:24 | 0:50:29 | |
Aye. | 0:50:29 | 0:50:30 | |
See you later, pal. | 0:50:32 | 0:50:33 | |
HE CRIES OUT | 0:50:35 | 0:50:37 | |
-Where's my daughter? -I don't know. I swear. -You're lying. | 0:50:37 | 0:50:40 | |
-I don't know. -Where is she?! -Please! -Where is she? Don't... | 0:50:40 | 0:50:45 | |
You tell me where my daughter is. | 0:50:49 | 0:50:51 | |
Where is she? | 0:50:51 | 0:50:52 | |
WHERE IS SHE? | 0:50:53 | 0:50:55 | |
CRIES OF PAIN | 0:50:55 | 0:50:57 | |
Where's my daughter? | 0:50:57 | 0:50:59 | |
Where is she? | 0:50:59 | 0:51:01 | |
All right? | 0:51:20 | 0:51:22 | |
-Look, about earlier, I didn't... -No, I understand. It's your family. | 0:51:23 | 0:51:29 | |
It's your family, too. | 0:51:29 | 0:51:31 | |
We should get back. | 0:51:33 | 0:51:35 | |
Hey, boys. | 0:52:00 | 0:52:02 | |
Hey. | 0:52:02 | 0:52:03 | |
Hey. I'm starvin'. | 0:52:04 | 0:52:05 | |
-Sorry, I'll get dinner on soon. -Will you just give us a shout? | 0:52:05 | 0:52:09 | |
Uh-huh. | 0:52:09 | 0:52:10 | |
Michael. | 0:52:19 | 0:52:21 | |
Are you all right? | 0:52:23 | 0:52:25 | |
-Michael. What's wrong? -Nothing. | 0:52:30 | 0:52:33 | |
-Talk to me. -Nothing to talk about. | 0:52:40 | 0:52:43 | |
Right. I better go. | 0:52:43 | 0:52:46 | |
See you later. | 0:52:49 | 0:52:51 | |
Wait, I'll see you out. | 0:52:55 | 0:52:58 | |
Yes. | 0:53:09 | 0:53:11 | |
Aye, I know it's only been a few hours but it's not like her. | 0:53:25 | 0:53:30 | |
Aye, but see, the thing is, she's taken some money. | 0:53:30 | 0:53:34 | |
No. She's no' a thief. | 0:53:34 | 0:53:37 | |
I just want you guys to start looking for her. | 0:53:37 | 0:53:41 | |
Mum! | 0:53:41 | 0:53:42 | |
-D'you know what? Just forget it. -There you are. Thank God! Oh! | 0:53:43 | 0:53:49 | |
You had us so worried. Where have you been, Christina? | 0:53:49 | 0:53:53 | |
Nowhere. Just about. | 0:53:53 | 0:53:55 | |
-Is everything all right? -Yeah. Everything's fine. | 0:53:55 | 0:53:58 | |
Bob and I think we should sit down tonight and talk about Nicole. | 0:53:58 | 0:54:02 | |
-It's OK. I talked to Michael. -What did he say? -Nothing. | 0:54:02 | 0:54:06 | |
He just helped me. | 0:54:06 | 0:54:09 | |
-Are you sure? -He's a really nice man. | 0:54:09 | 0:54:13 | |
Michael, Brenda has some news. | 0:54:35 | 0:54:39 | |
-Have you found her? -No. | 0:54:39 | 0:54:41 | |
-But we have found Cameron Tennant. -So, what's he saying? | 0:54:41 | 0:54:46 | |
-Not much, I'm afraid. -Have you questioned him? Is he at the station? | 0:54:46 | 0:54:50 | |
-Where is he? -Right now, he's in the intensive care unit at the hospital. | 0:54:50 | 0:54:54 | |
-Mr Tennant has been the victim of a serious assault. -By whom? | 0:54:54 | 0:54:58 | |
We don't know yet. But whoever it was wasn't messing about. | 0:54:58 | 0:55:02 | |
You can still question him about Nicole, can't you? | 0:55:02 | 0:55:05 | |
If he regains consciousness, then we'll speak to him. | 0:55:05 | 0:55:08 | |
Michael? | 0:55:10 | 0:55:12 | |
Are you OK, Dad? | 0:55:16 | 0:55:17 | |
You're a good lad, Conor. | 0:55:19 | 0:55:21 | |
Come here. | 0:55:21 | 0:55:24 | |
Go get your dinner. | 0:55:35 | 0:55:37 | |
-What is it? -I've not been entirely honest with you. | 0:56:31 | 0:56:35 | |
Dr Brodie... | 0:56:37 | 0:56:39 | |
..I need you to come down to the station. | 0:56:41 | 0:56:44 | |
Subtitles by Red Bee Media Ltd | 0:56:51 | 0:56:54 |