Browse content similar to 11/09/2012. Check below for episodes and series from the same categories and more!
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You're just a bit of meat, don't ever forget it. | 0:00:20 | 0:00:24 | |
Scratch my eye! | 0:00:24 | 0:00:26 | |
Grass to the police? Call me scum. | 0:00:26 | 0:00:30 | |
Raise a gun to me or mine, game's changed. | 0:00:30 | 0:00:33 | |
He got a phone call, just before the police arrived. | 0:00:33 | 0:00:36 | |
He walked straight out the back door. | 0:00:36 | 0:00:38 | |
He'd heard Lenny was asking about the meet. | 0:00:38 | 0:00:40 | |
You're saving my life here, and you know what? | 0:00:40 | 0:00:43 | |
It suits me better. | 0:00:45 | 0:00:46 | |
-Cooper. -Sir. | 0:01:16 | 0:01:19 | |
Have we got a time of death? | 0:01:19 | 0:01:21 | |
Forensics estimate it somewhere between ten last night | 0:01:21 | 0:01:24 | |
and three this morning. | 0:01:24 | 0:01:25 | |
What a waste. | 0:01:25 | 0:01:26 | |
Bodies are piling up. | 0:01:28 | 0:01:30 | |
Two unsolved murders, management want results fast. | 0:01:30 | 0:01:33 | |
Guess what? Both girls worked for Sean Kennedy. | 0:01:33 | 0:01:36 | |
How did we not collar him last night? | 0:01:36 | 0:01:38 | |
Someone must have tipped him off. | 0:01:38 | 0:01:40 | |
And now our chief suspect's miles away. | 0:01:40 | 0:01:42 | |
Hardly makes us look great, does it? | 0:01:42 | 0:01:44 | |
Hey! I want every hedge, skip and bin for a half-mile radius searched. | 0:01:44 | 0:01:49 | |
Go. | 0:01:49 | 0:01:50 | |
What a way to die. | 0:01:52 | 0:01:54 | |
What a way to live. | 0:01:54 | 0:01:56 | |
When we interviewed her, she said she'd got out of this game, | 0:01:57 | 0:02:01 | |
away from Kennedy. | 0:02:01 | 0:02:02 | |
Well, wherever he is I fully intend on finding him, | 0:02:05 | 0:02:09 | |
dragging him back here to face the music. | 0:02:09 | 0:02:11 | |
Alicia Petrauskas | 0:02:17 | 0:02:19 | |
and now Angie Warren. | 0:02:19 | 0:02:20 | |
-How are we doing, Raymondo? -I've had better nights. | 0:02:44 | 0:02:47 | |
I slept like a baby for the first time in months. | 0:02:47 | 0:02:50 | |
So you thrive on gun-running and police raids, do you? | 0:02:50 | 0:02:52 | |
No, I thrive on being in my family's' good books | 0:02:52 | 0:02:54 | |
-and seeing the back of that animal Kennedy. -He's gone? | 0:02:54 | 0:02:56 | |
Yeah, left last night apparently and I don't see him coming back anytime soon. | 0:02:56 | 0:03:02 | |
Not with a bunch of hacked-off gangsters and Strathclyde's finest on his tail. | 0:03:02 | 0:03:06 | |
You know, things could finally be looking up. | 0:03:06 | 0:03:08 | |
'This is Angie, | 0:03:24 | 0:03:25 | |
'I can't get to the phone right now, but if you leave a message after the tone, I'll call you back.' | 0:03:25 | 0:03:30 | |
We need to push this case through as a priority. | 0:03:30 | 0:03:33 | |
I don't want any of the leads going cold, understand? | 0:03:33 | 0:03:36 | |
What's happening? | 0:03:38 | 0:03:40 | |
It's almost certain Angie Warren was murdered somewhere else | 0:03:40 | 0:03:43 | |
and then brought here after, which makes the MO identical | 0:03:43 | 0:03:46 | |
to Alicia Petrauskas's murder, right down to the same area being used to dump the body in. | 0:03:46 | 0:03:50 | |
So, we start a manhunt for Kennedy, right? | 0:03:50 | 0:03:53 | |
You always want to start off at a sprint, don't you, Cooper? | 0:03:53 | 0:03:57 | |
Sir! | 0:03:57 | 0:03:58 | |
-I thought you'd be looking like hell today. -I'm feeling pretty good. | 0:04:08 | 0:04:12 | |
Yeah, well if I was you I wouldn't go breaking out the bunting just yet. | 0:04:12 | 0:04:17 | |
-I don't know how you do it. -What? -Having to look over your shoulder all the time. | 0:04:17 | 0:04:21 | |
-It takes commitment... -Yeah well, I'm opting out. | 0:04:21 | 0:04:25 | |
Well, commitment and not giving yourself the choice of opting out. | 0:04:25 | 0:04:29 | |
From now on, you'll be doing it on your tod. | 0:04:29 | 0:04:33 | |
Yeah. Well, like I said, don't be planning any celebrations just yet. | 0:04:33 | 0:04:37 | |
Sorry I'm late. | 0:04:42 | 0:04:43 | |
No bother, pal. | 0:04:43 | 0:04:45 | |
Remember this, eh? Best Scottish Community Pub Of The Year. | 0:04:47 | 0:04:52 | |
-What a joke, eh? -Don't worry about that. | 0:04:52 | 0:04:55 | |
See when you open back up, the community will be back in here in force, | 0:04:55 | 0:04:58 | |
trust me. | 0:04:58 | 0:04:59 | |
Right, there's a few crates of mixers wanting bringing up. | 0:04:59 | 0:05:03 | |
See when you've done that, go and give the outside a bit of sweep, eh? | 0:05:03 | 0:05:06 | |
Back to business as usual, then? | 0:05:06 | 0:05:08 | |
That's the plan. | 0:05:08 | 0:05:09 | |
Forensics have confirmed that the fibres on the scarf we found | 0:05:15 | 0:05:19 | |
match those on Angie Warren's body. | 0:05:19 | 0:05:21 | |
Looks like it was used to strangle her. | 0:05:21 | 0:05:23 | |
The postmortem's still underway but they've found traces of skin and blood under her finger nails. | 0:05:23 | 0:05:27 | |
They're matching it to the national database now. | 0:05:27 | 0:05:29 | |
I've got officers going over CCTV, but I think we should do a little digging ourselves. | 0:05:29 | 0:05:33 | |
-Right. -You speak to Gabriel Brodie, see if he can give you | 0:05:33 | 0:05:36 | |
any information about Sean Kennedy's movements yesterday. But.. | 0:05:36 | 0:05:39 | |
No mention of Angie Warren, I know. | 0:05:39 | 0:05:42 | |
I'll go speak to the other girls, see if anyone's feeling chatty. | 0:05:42 | 0:05:46 | |
Dinner at yours last night and now a personal visit. I must be doing something right. | 0:06:00 | 0:06:05 | |
Have you heard from Angie? Did she get to London OK? | 0:06:05 | 0:06:08 | |
I asked her to text me once she got there, but she's still not been in touch. | 0:06:08 | 0:06:12 | |
Hopefully she's putting this sorry mess behind her. | 0:06:12 | 0:06:15 | |
-Thanks again for yesterday. -It's the least I could do. | 0:06:17 | 0:06:21 | |
Look, I'll let you know, if I hear anything, OK? | 0:06:21 | 0:06:23 | |
Something else on your mind? | 0:06:25 | 0:06:27 | |
I can't stop thinking about how bad I would have felt | 0:06:27 | 0:06:30 | |
if something had happened to Stevie at the pub yesterday. | 0:06:30 | 0:06:33 | |
-But nothing did happen. -I know, but if it had, we haven't spent any proper time together. | 0:06:33 | 0:06:38 | |
-You live with each other. -Yeah, but not properly, not in our own place. | 0:06:38 | 0:06:42 | |
-You're 16 years old, Nicole. -Age has got nothing to do with it. | 0:06:42 | 0:06:45 | |
You promised your dad that you'd stay with the family. | 0:06:45 | 0:06:48 | |
Yeah, but if we moved close by, I'd still be with them, just not WITH them. | 0:06:48 | 0:06:53 | |
What does Leyla think? | 0:06:53 | 0:06:55 | |
-I haven't mentioned it to her yet. -Well, if you're mature enough to move out, | 0:06:55 | 0:06:58 | |
you're certainly mature enough to be up front with her. | 0:06:58 | 0:07:01 | |
She'll just take it personally, she always does. | 0:07:01 | 0:07:03 | |
Then it's up to you to make sure that she doesn't. | 0:07:03 | 0:07:06 | |
Yeah. I'll see you later. | 0:07:08 | 0:07:10 | |
Hey. Thanks for coming to me. | 0:07:10 | 0:07:13 | |
It means a lot. | 0:07:13 | 0:07:15 | |
You heard the news, Eileen? Sean Kennedy's gone. | 0:07:24 | 0:07:26 | |
What, the police have got him? | 0:07:26 | 0:07:29 | |
-Gabriel says he's left town. -So he's not gone, then, he's just missing. | 0:07:29 | 0:07:33 | |
Well, he's not here today and for me, that's a step in the right direction. | 0:07:33 | 0:07:37 | |
I won't relax until he's behind bars or six feet under. | 0:07:37 | 0:07:40 | |
Preferably the latter. | 0:07:40 | 0:07:42 | |
Means we can get this place back on its feet. | 0:07:42 | 0:07:45 | |
You need to see this. It's from the council. | 0:07:45 | 0:07:50 | |
By the look on your face, it's not good news.. | 0:07:50 | 0:07:53 | |
but then why on earth would I expect any good news? | 0:07:53 | 0:07:56 | |
They thought it would soften the blow coming from me. | 0:07:56 | 0:08:00 | |
They're suspending your licence until they look into last night's police raid. | 0:08:00 | 0:08:04 | |
You are joking. | 0:08:04 | 0:08:06 | |
-I don't believe this. -You had gangsters in here doing an arms deal. | 0:08:07 | 0:08:11 | |
There was a sub-machine-gun in the flipping bar, what did you expect? | 0:08:11 | 0:08:16 | |
You'd better get off, Stevie, son. | 0:08:16 | 0:08:19 | |
There's going to be no work round here for a while. | 0:08:19 | 0:08:21 | |
I'm sorry. | 0:08:21 | 0:08:23 | |
We're all sorry. | 0:08:23 | 0:08:26 | |
Leyla. | 0:08:34 | 0:08:35 | |
I wanted to talk to you. | 0:08:35 | 0:08:37 | |
Oh? | 0:08:37 | 0:08:38 | |
About me and Stevie. | 0:08:38 | 0:08:40 | |
Is everything OK between you two? | 0:08:42 | 0:08:45 | |
Yeah, everything's great. That's kind of my point. | 0:08:45 | 0:08:48 | |
We haven't talked this through properly yet, | 0:08:48 | 0:08:50 | |
it's just an idea, but I want us to look for our own place. | 0:08:50 | 0:08:55 | |
-You're 16, Nicole. -Why does everyone go on about my age? | 0:08:55 | 0:08:59 | |
Who's everyone? | 0:08:59 | 0:09:00 | |
Gabriel. | 0:09:00 | 0:09:02 | |
And what wise words does your Uncle Gabriel have for you, then? | 0:09:02 | 0:09:06 | |
-He said I should speak to you. -Honestly, one dinner | 0:09:06 | 0:09:08 | |
and he thinks he's got his feet back under the table. | 0:09:08 | 0:09:11 | |
I went to him, he didn't come to me. | 0:09:11 | 0:09:12 | |
Well, seeing as you followed instructions | 0:09:12 | 0:09:14 | |
and you've spoken to me, why don't you go ahead and find somewhere? | 0:09:14 | 0:09:17 | |
Be sure to let me know when you've got a moving-out date. | 0:09:17 | 0:09:20 | |
I'm guessing that could have gone better. | 0:09:25 | 0:09:27 | |
Mr Brodie? | 0:09:33 | 0:09:34 | |
Here we go... | 0:09:34 | 0:09:36 | |
Things must be looking brighter down at the cop shop | 0:09:37 | 0:09:40 | |
now Public Enemy Number One's out of the way. | 0:09:40 | 0:09:42 | |
-I don't suppose you know where he's gone, do you? -Further away the better. | 0:09:42 | 0:09:45 | |
Did you...see him at all yesterday evening? | 0:09:45 | 0:09:49 | |
Nope. I had dinner with Leyla, Nicole and the boys. | 0:09:49 | 0:09:52 | |
And after dinner? | 0:09:52 | 0:09:55 | |
Do I need my solicitor with me, Will? | 0:09:55 | 0:09:57 | |
A lot happened yesterday, we're just trying to keep on top of things. | 0:09:57 | 0:10:01 | |
Not everyday you have an arms deal going down in Shieldinch, is it? | 0:10:01 | 0:10:05 | |
After I left Leyla's, I fancied a wee drink, | 0:10:05 | 0:10:07 | |
so I came back to the office, cos I knew I had a bottle there. | 0:10:07 | 0:10:10 | |
I ended up crashing. Why? | 0:10:10 | 0:10:13 | |
No reason. | 0:10:13 | 0:10:14 | |
We also want to talk to one of Sean's girls, Angie Warren. | 0:10:14 | 0:10:19 | |
-You know where we might find her? -Why do you want her? | 0:10:19 | 0:10:22 | |
Like I said, we're just trying to keep on top of things. | 0:10:22 | 0:10:25 | |
When did you last see her? | 0:10:25 | 0:10:27 | |
A couple of days ago, I think. | 0:10:27 | 0:10:29 | |
-Well, I suppose she'll turn up. -I wouldn't bet on it. | 0:10:29 | 0:10:32 | |
-Oh? -Now that Sean's not there to stop her, | 0:10:32 | 0:10:35 | |
she's probably taken her opportunity and done a runner. | 0:10:35 | 0:10:38 | |
-PHONE RINGS -OK. Well, thanks for the heads up. | 0:10:38 | 0:10:43 | |
DC Cooper. | 0:10:43 | 0:10:45 | |
OK. | 0:10:47 | 0:10:48 | |
Listen, Gabriel, we might your help again soon. All right? | 0:10:48 | 0:10:53 | |
-Can I go now? -Yeah. | 0:10:53 | 0:10:55 | |
So, no-one knows where Sean Kennedy is | 0:11:01 | 0:11:04 | |
and no one's seen Angie Warren since yesterday? | 0:11:04 | 0:11:06 | |
Strange how sudden acute deaf, dumb and blindness comes over you all whenever I turn up. | 0:11:08 | 0:11:12 | |
Remember Silvie and Alicia? | 0:11:15 | 0:11:18 | |
Have a nice day. | 0:11:23 | 0:11:25 | |
You got something to say? | 0:11:32 | 0:11:35 | |
If you change your mind... PHONE RINGS | 0:11:42 | 0:11:44 | |
Excuse me | 0:11:44 | 0:11:46 | |
Donald. Great, thanks. Let Cooper know. | 0:11:50 | 0:11:55 | |
Didn't Gabriel Brodie tell you he hadn't seen Angie Warren for a few days? | 0:12:10 | 0:12:14 | |
Yeah, he did. He also said he got the scratches on his face from fixing a machine at work. | 0:12:14 | 0:12:19 | |
Which begs the question, why did he feel it necessary to lie? | 0:12:19 | 0:12:23 | |
Have any luck with the girls? | 0:12:23 | 0:12:24 | |
I got the feeling one of them, Charlene, knew something. | 0:12:26 | 0:12:30 | |
Looked like she was about to spill and then thought better of it. | 0:12:30 | 0:12:33 | |
-We could pull her in. -Better to talk to her outside the station, you know, | 0:12:33 | 0:12:36 | |
-away from the other girls. You track her down, see what she knows. -Will do. | 0:12:36 | 0:12:39 | |
Oh! Who's that? Play it back. | 0:12:39 | 0:12:43 | |
Freeze it. | 0:12:43 | 0:12:44 | |
Can we zoom in on that? | 0:12:44 | 0:12:47 | |
No need. I can tell you exactly who it is. | 0:12:47 | 0:12:50 | |
That's Stevie Burns and he's coming from The Tall Ship beer garden. | 0:12:50 | 0:12:53 | |
Looks like he considered intervening and then thought better of it. | 0:12:53 | 0:12:57 | |
HE SIGHS | 0:13:03 | 0:13:04 | |
Maybe I should start looking for another job the now. | 0:13:04 | 0:13:06 | |
I mean, who knows how long the Ship's gonnae be shut down? | 0:13:06 | 0:13:09 | |
I could say to Gabriel if he's heard of anything that's going. | 0:13:09 | 0:13:12 | |
No. I wouldn't ask him for anything the now. | 0:13:12 | 0:13:14 | |
What do you mean? | 0:13:14 | 0:13:16 | |
The more you hang about with scum like that Sean, the more you become like them. | 0:13:16 | 0:13:20 | |
He explained why he was working for Sean. | 0:13:20 | 0:13:22 | |
Oh, aye. Did he also explain why he was manhandling one of his lassies yesterday? | 0:13:22 | 0:13:26 | |
I saw them at the boatyard. The lassie scratched the coupon right off him. | 0:13:26 | 0:13:30 | |
That was Angie, she explained the whole thing to me all when she was here yesterday. | 0:13:30 | 0:13:35 | |
It was staged. Gabriel got her to scratch him. | 0:13:35 | 0:13:38 | |
Am I hearing this right? | 0:13:38 | 0:13:39 | |
Are you saying that Gabriel's working for that Sean Kennedy, as a pimp? | 0:13:39 | 0:13:44 | |
-He's got his reasons. -And he brought one of those... girls into this house yesterday? | 0:13:44 | 0:13:49 | |
It was Angie, the girl who helped me get away from Cammy. | 0:13:49 | 0:13:53 | |
-I know who Angie is. -Well, he was helping her. | 0:13:53 | 0:13:55 | |
And was that be before after she'd paid him his percentage? | 0:13:55 | 0:13:58 | |
-You don't understand. -PHONE RINGS | 0:13:58 | 0:14:00 | |
I understand that if this is the sort of thing that you two get up to | 0:14:00 | 0:14:03 | |
behind my back, then the sooner you get out of here, the better. | 0:14:03 | 0:14:07 | |
-Leyla, nobody's doing anything behind your back. -Yeah, you could have fooled me! | 0:14:07 | 0:14:10 | |
Stevie, I need to talk to you, mate. | 0:14:13 | 0:14:16 | |
Can you tell me the names of the two people we're seeing here? | 0:14:23 | 0:14:26 | |
You know who it is. | 0:14:26 | 0:14:27 | |
The question is, Mr Burns, do you? | 0:14:27 | 0:14:30 | |
It's Gabriel and a lassie called Angie. | 0:14:30 | 0:14:33 | |
And you know this, because...? | 0:14:33 | 0:14:35 | |
I saw them from the beer garden, but my guess is you know that an' all. | 0:14:35 | 0:14:39 | |
-Clever lad. -The film's not what it looks like. | 0:14:39 | 0:14:44 | |
In what way? | 0:14:44 | 0:14:46 | |
I thought it was real when I saw them, but it's not. | 0:14:46 | 0:14:48 | |
They had to make it look like Angie had a fight with Gabriel. | 0:14:48 | 0:14:51 | |
Who told you that? | 0:14:51 | 0:14:53 | |
Nicole. | 0:14:53 | 0:14:55 | |
How did she know? | 0:14:55 | 0:14:56 | |
Angie told me. | 0:14:57 | 0:14:59 | |
-And when exactly did you last speak to Angie? -Yesterday afternoon. | 0:14:59 | 0:15:03 | |
She stayed with me here until Gabriel got the chance to get her away. | 0:15:03 | 0:15:06 | |
I can't believe you lot. | 0:15:06 | 0:15:08 | |
Get her away from what? | 0:15:08 | 0:15:09 | |
Sean Kennedy. | 0:15:09 | 0:15:11 | |
He was planning on sending her down Newcastle to some guy. | 0:15:11 | 0:15:15 | |
She found out what he was like and was freaking out. | 0:15:15 | 0:15:18 | |
So, Gabriel had a soft spot for Angie? | 0:15:18 | 0:15:20 | |
-I think he felt like he owed her. -What for? | 0:15:20 | 0:15:23 | |
-She helped me get away from Cammy. -So, there was a special bond between them? | 0:15:23 | 0:15:27 | |
I suppose. | 0:15:27 | 0:15:29 | |
Did Angie like Gabriel? | 0:15:29 | 0:15:31 | |
He was helping her, so, yeah. | 0:15:32 | 0:15:34 | |
Gabriel was risking everything for this girl. | 0:15:34 | 0:15:36 | |
Was it possible it went beyond simple gratitude? | 0:15:36 | 0:15:40 | |
Do you think this special bond could've been more than just a working relationship? | 0:15:40 | 0:15:45 | |
No. | 0:15:45 | 0:15:47 | |
Strange that Gabriel didn't help any of the other girls. | 0:15:47 | 0:15:50 | |
Did you ever see any intimacy between them? | 0:15:50 | 0:15:53 | |
I know what you're trying to do. | 0:15:53 | 0:15:55 | |
I'm just trying to determine the nature of the relationship, Nicole. | 0:15:55 | 0:15:58 | |
There was no relationship. She had helped me and he was helping her. | 0:15:58 | 0:16:01 | |
By bringing her into the heart of this family? | 0:16:01 | 0:16:04 | |
It's a bit above and beyond for a pimp and his... | 0:16:04 | 0:16:07 | |
That's enough. | 0:16:07 | 0:16:09 | |
If you've got any more questions, you can ask them at the station. | 0:16:09 | 0:16:12 | |
I'm not having any more of this in my house. | 0:16:12 | 0:16:14 | |
To be fair, it's not me who's brought it here, Mrs Brodie, | 0:16:14 | 0:16:16 | |
it's your brother-in-law and your daughter. | 0:16:16 | 0:16:19 | |
Just one more thing. | 0:16:21 | 0:16:24 | |
You said Gabriel came to collect Angie yesterday evening, yes? | 0:16:24 | 0:16:27 | |
-Yeah, about six o'clock. -And then where did he take her? -To the subway. | 0:16:27 | 0:16:31 | |
I told you, he was helping her get away from Sean. | 0:16:31 | 0:16:33 | |
OK, thanks, Nicole. If we need anything else we'll be in touch. | 0:16:35 | 0:16:38 | |
Sorry again for the intrusion. | 0:16:38 | 0:16:40 | |
-When Angie gets back in touch with Gabriel, she'll tell you all this herself. -Yeah. | 0:16:40 | 0:16:45 | |
So, Brodie lied about being with Angie Warren yesterday, | 0:16:52 | 0:16:55 | |
he lied about the scratches on his face and he was, conceivably, | 0:16:55 | 0:16:59 | |
the last person to see her alive. | 0:16:59 | 0:17:01 | |
-So are you considering him as a possible suspect? -It certainly puts him in the top two. | 0:17:01 | 0:17:04 | |
We all know Sean Kennedy's pond life, though. | 0:17:04 | 0:17:07 | |
PHONE RINGS | 0:17:07 | 0:17:08 | |
Brodie's hardly driven snow either, is he? | 0:17:08 | 0:17:10 | |
DCI Donald. | 0:17:10 | 0:17:12 | |
OK. No, thanks. | 0:17:12 | 0:17:17 | |
-They seek him here, they seek him there and then our chief suspect turns up at the station. -Kennedy? | 0:17:17 | 0:17:22 | |
Apparently he wants to have a talk. | 0:17:22 | 0:17:25 | |
It's Batman and Robin. Long time, no see. | 0:17:25 | 0:17:29 | |
Where have you been? | 0:17:29 | 0:17:30 | |
Nowhere. | 0:17:31 | 0:17:33 | |
Who tipped you off about the raid yesterday? | 0:17:33 | 0:17:35 | |
-What raid? -This is no time to get cute, Kennedy. | 0:17:35 | 0:17:39 | |
Running gun deals out of The Tall Ship, | 0:17:39 | 0:17:41 | |
you're lucky you weren't thrown in a cell the second you walked in this place. | 0:17:41 | 0:17:45 | |
Yeah, I was in The Tall Ship yesterday. But gun deals? | 0:17:45 | 0:17:49 | |
I was playing pool. | 0:17:49 | 0:17:52 | |
I don't know anything about any gun deals. | 0:17:52 | 0:17:56 | |
I came here because I heard that one of my girls | 0:17:56 | 0:17:58 | |
turned up dead last night. | 0:17:58 | 0:18:01 | |
How did you hear that? That's not public knowledge yet. | 0:18:01 | 0:18:05 | |
You have your sources, I have mine. | 0:18:05 | 0:18:07 | |
Are you saying you've got someone on the inside? | 0:18:07 | 0:18:10 | |
Somebody on the estate where she was found. | 0:18:10 | 0:18:13 | |
Somebody said Angie had been missing. Angie Warren. | 0:18:13 | 0:18:20 | |
-Is it her? -You tell us. | 0:18:20 | 0:18:22 | |
I heard that it was. She was a nice lassie. | 0:18:23 | 0:18:28 | |
Until you got hold of her. | 0:18:28 | 0:18:29 | |
I had nothing to do with the killing of Angie, | 0:18:29 | 0:18:33 | |
but I have a good idea who did. | 0:18:33 | 0:18:35 | |
Gabriel Brodie was all over her from day one. | 0:18:35 | 0:18:39 | |
She was scared to death of that man. | 0:18:39 | 0:18:40 | |
-Sure it wasn't you she was scared of? -He gave her the total creeps. | 0:18:40 | 0:18:44 | |
she asked me to get her a job in Newcastle just to get away from him. | 0:18:45 | 0:18:49 | |
It was like he was stalking her. | 0:18:49 | 0:18:51 | |
Maybe he found out about that. | 0:18:53 | 0:18:54 | |
He wasn't too pleased about it. | 0:18:57 | 0:18:59 | |
-Sir, do you have a minute? -Excuse me. | 0:19:01 | 0:19:04 | |
I have to say I'm surprised to see you back in Shieldinch. | 0:19:15 | 0:19:19 | |
Why? I've no reason to run. | 0:19:19 | 0:19:20 | |
Your friend, Tony, the arms dealer, might disagree with you there. | 0:19:20 | 0:19:24 | |
He might want to know how you managed to get out of the pub just before the raid. | 0:19:24 | 0:19:28 | |
I've absolutely no idea what you're talking about. | 0:19:28 | 0:19:31 | |
Course you don't. | 0:19:31 | 0:19:32 | |
I'll have someone see you out. | 0:19:35 | 0:19:37 | |
What? | 0:19:37 | 0:19:38 | |
No kicking this time? | 0:19:38 | 0:19:41 | |
There's far worse things I can do to you, Sean. | 0:19:43 | 0:19:47 | |
One of which is put you away for a very long time. | 0:19:47 | 0:19:50 | |
-Sir, I've been thinking... -Wonders will never cease. | 0:20:05 | 0:20:09 | |
I think Gabriel probably lied about not seeing Angie yesterday | 0:20:09 | 0:20:12 | |
because he didn't want anyone to know she'd gone. | 0:20:12 | 0:20:14 | |
If he'd told us he'd put her on a train, | 0:20:14 | 0:20:16 | |
then we'd have chased her down | 0:20:16 | 0:20:17 | |
and brought her back into Kennedy's orbit. | 0:20:17 | 0:20:19 | |
I think he was trying to keep her safe. | 0:20:19 | 0:20:21 | |
Or covering up the fact that he'd killed her. | 0:20:21 | 0:20:23 | |
If he had, why did he dump her where we could find her? | 0:20:23 | 0:20:25 | |
And Kennedy's version of events doesn't stack up. | 0:20:25 | 0:20:28 | |
If Angie was scared of Gabriel, why didn't she run | 0:20:28 | 0:20:30 | |
when he left her with Nicole? | 0:20:30 | 0:20:31 | |
Why did she wait there until he got back and then willingly go to the subway with him? | 0:20:31 | 0:20:35 | |
It's amazing what fear'll make people do. | 0:20:35 | 0:20:37 | |
Maybe she was playing along until a better opportunity | 0:20:37 | 0:20:40 | |
to get away cropped up. | 0:20:40 | 0:20:41 | |
I don't believe he was the last person to see her alive either. | 0:20:41 | 0:20:43 | |
If he dropped her off at the train around six | 0:20:43 | 0:20:45 | |
and she wasn't dead until around nine, | 0:20:45 | 0:20:48 | |
then that gives Kennedy plenty of time to have picked her up. | 0:20:48 | 0:20:50 | |
Hmm. | 0:20:50 | 0:20:52 | |
Look... | 0:20:52 | 0:20:54 | |
What are we looking at? | 0:20:54 | 0:20:55 | |
Gabriel Brodie and Angie Warren outside the subway at 6.30 | 0:20:55 | 0:20:57 | |
yesterday evening. | 0:20:57 | 0:20:58 | |
What do you see? | 0:20:58 | 0:21:00 | |
He's wearing the scarf. | 0:21:03 | 0:21:05 | |
Bingo. | 0:21:05 | 0:21:07 | |
Is that everything closed up down there? | 0:21:12 | 0:21:14 | |
The side door was wide open. | 0:21:14 | 0:21:17 | |
You want to be more careful, anybody could just walk in here. | 0:21:22 | 0:21:25 | |
Lucky for you it's only me. | 0:21:25 | 0:21:27 | |
I was told you'd gone. | 0:21:28 | 0:21:31 | |
I had a few things I had to do. | 0:21:31 | 0:21:32 | |
Talking of which, I need you to do something for me. | 0:21:32 | 0:21:36 | |
-I've picked up a few extra things for Stuart... -Oh, it's the lovely Eileen! | 0:21:36 | 0:21:40 | |
You?! | 0:21:41 | 0:21:42 | |
In the flesh. | 0:21:44 | 0:21:45 | |
She's stunned into silence. | 0:21:50 | 0:21:53 | |
I often have that effect on women. | 0:21:53 | 0:21:56 | |
You know, if I was into older woman, you'd be top of my list. | 0:21:56 | 0:21:59 | |
I mean, you know that, don't you? | 0:21:59 | 0:22:02 | |
You better go. | 0:22:02 | 0:22:03 | |
You'll be all right? | 0:22:05 | 0:22:06 | |
He'll be fine, Eileen. Off you trot now! | 0:22:06 | 0:22:10 | |
If you want my opinion, mate, you're well shot of that one. | 0:22:15 | 0:22:18 | |
Trouble. | 0:22:18 | 0:22:19 | |
So... | 0:22:28 | 0:22:30 | |
"What can I do for you, Sean?" I hear you ask. | 0:22:31 | 0:22:35 | |
Any plans for tonight? | 0:22:38 | 0:22:40 | |
No, not much. Pizza, maybe. | 0:22:40 | 0:22:42 | |
She's not happy about Angie being in the house yesterday. | 0:22:44 | 0:22:47 | |
Cheers for the heads up. | 0:22:47 | 0:22:48 | |
Well, if it isn't the local pimp. | 0:22:49 | 0:22:51 | |
Look, Leyla, let me explain... | 0:22:51 | 0:22:53 | |
You brought a prostitute into our house, | 0:22:53 | 0:22:55 | |
a house where two impressionable teenage boys live! | 0:22:55 | 0:22:58 | |
I'm sorry, all right? I didn't have a choice. | 0:22:58 | 0:23:01 | |
Look, I promise, it's not going to happen again. | 0:23:01 | 0:23:03 | |
-No, it won't, because you won't step foot back in the house. -Leyla... | 0:23:03 | 0:23:06 | |
You don't think this family's been through enough? | 0:23:06 | 0:23:08 | |
-POLICE SIRENS BLARE -Just stay away from us from now on! | 0:23:08 | 0:23:11 | |
Whoa, what's going on? | 0:23:11 | 0:23:13 | |
Gabriel Brodie, I'm arresting you on suspicion of the murder of Angie Warren. | 0:23:13 | 0:23:16 | |
You do not have to say anything but it may harm your defence | 0:23:16 | 0:23:19 | |
-if you fail to mention something you later rely on in court. -Angie's alive! | 0:23:19 | 0:23:22 | |
...Anything you do say may be given in evidence. Do you understand? | 0:23:22 | 0:23:26 | |
-She just went away, that's all. -Do you understand? | 0:23:26 | 0:23:28 | |
Yes. | 0:23:28 | 0:23:29 | |
Good. Take him away. | 0:23:29 | 0:23:31 | |
Wait! | 0:23:32 | 0:23:33 | |
Angie's not dead. She just went to London. | 0:23:33 | 0:23:36 | |
This is a just a mix-up! Why are they saying that Angie's dead?! | 0:23:39 | 0:23:43 | |
We found her body this morning. | 0:23:43 | 0:23:45 | |
-No... -She's dead, Nicole. | 0:23:47 | 0:23:49 | |
It's OK... | 0:23:50 | 0:23:51 | |
It's not OK! | 0:23:51 | 0:23:53 | |
Hamish? It's Lenny. | 0:24:01 | 0:24:04 | |
Look, I'm going to need some of your advice. | 0:24:04 | 0:24:07 | |
Gabriel Brodie... | 0:24:08 | 0:24:09 | |
Right. | 0:24:11 | 0:24:12 | |
What's all the commotion out there? | 0:24:18 | 0:24:20 | |
Gabriel Brodie's been arrested. | 0:24:20 | 0:24:22 | |
What for? | 0:24:22 | 0:24:24 | |
Murder. | 0:24:25 | 0:24:27 | |
Seems another young girl was murdered last night. | 0:24:28 | 0:24:31 | |
You left here last night, after the raid. | 0:24:33 | 0:24:36 | |
So? | 0:24:37 | 0:24:38 | |
So... | 0:24:38 | 0:24:40 | |
nobody knew where you were till you turned up here this morning, | 0:24:40 | 0:24:46 | |
asking me to say you'd been here most of the night. | 0:24:46 | 0:24:49 | |
You want to be careful what you say next, Raymond. | 0:24:49 | 0:24:51 | |
It could get you in a lot of trouble. | 0:24:51 | 0:24:54 | |
You expect me to be an accessory to murder? | 0:24:56 | 0:24:58 | |
No, I'm asking you to do what I say or I'll be calling in my loan. | 0:24:58 | 0:25:04 | |
Go ahead. | 0:25:04 | 0:25:05 | |
And once I've bankrupted you and seen you broken... | 0:25:07 | 0:25:11 | |
..then I'll turn my attentions on the lovely Eileen and wee Stuart. | 0:25:13 | 0:25:18 | |
So, where was I last night? | 0:25:21 | 0:25:23 | |
The police'll never buy it. | 0:25:24 | 0:25:26 | |
It's down to you to make it seem convincing. | 0:25:26 | 0:25:30 | |
So, I'll ask you again. Where was I last night? | 0:25:31 | 0:25:34 | |
Drinking. | 0:25:45 | 0:25:47 | |
Till the early hours. | 0:25:48 | 0:25:50 | |
Lovely. I knew we'd get there in the end. | 0:25:51 | 0:25:56 | |
Mr Brodie, how are you? | 0:26:11 | 0:26:13 | |
Before you ask, my services are being generously paid for | 0:26:13 | 0:26:16 | |
by Mr Murdoch. | 0:26:16 | 0:26:18 | |
First off, I'm going to ask you a question | 0:26:20 | 0:26:23 | |
and it's absolutely essential that you answer me truthfully, | 0:26:23 | 0:26:26 | |
do you understand? | 0:26:26 | 0:26:28 | |
A one word answer is all that's required, | 0:26:28 | 0:26:31 | |
but it will determine the direction and content of the entire case. | 0:26:31 | 0:26:35 | |
Did you kill this girl? | 0:26:38 | 0:26:41 | |
No way. Never. | 0:26:41 | 0:26:44 | |
Well, then, we can play this one straight down the middle. | 0:26:44 | 0:26:48 | |
You're sure you want to look at these? | 0:27:00 | 0:27:03 | |
For the benefit of the tape, I'm showing Mr Brodie photographs of the victim. | 0:27:05 | 0:27:08 | |
Seen enough? | 0:27:17 | 0:27:18 | |
Obviously, my client is deeply distressed | 0:27:18 | 0:27:21 | |
by this young girl's death. | 0:27:21 | 0:27:22 | |
I suggest we take five minutes. | 0:27:22 | 0:27:25 | |
I want to carry on. | 0:27:26 | 0:27:27 | |
You told my colleague you last saw Angie Warren | 0:27:31 | 0:27:34 | |
a few days ago, correct? | 0:27:34 | 0:27:35 | |
I lied. | 0:27:37 | 0:27:38 | |
I spent most of yesterday with her. | 0:27:39 | 0:27:41 | |
Did you leave her at any time? | 0:27:41 | 0:27:44 | |
I took her to Leyla's house to be with Nicole. | 0:27:44 | 0:27:46 | |
Why did you do that? | 0:27:46 | 0:27:48 | |
Well, Angie needed to find somewhere where Sean couldn't find her. | 0:27:48 | 0:27:51 | |
Sean Kennedy? | 0:27:51 | 0:27:53 | |
I was helping her escape from him. | 0:27:54 | 0:27:57 | |
So I picked her up later and took her to the Tube station. | 0:27:57 | 0:28:00 | |
From there, she got a train into the city centre. | 0:28:00 | 0:28:03 | |
And then she was heading down to London. | 0:28:03 | 0:28:05 | |
For the benefit of the tape, I'm showing Mr Brodie | 0:28:07 | 0:28:09 | |
a photograph of himself and the victim taken outside | 0:28:09 | 0:28:12 | |
Shieldinch subway yesterday evening at 18.30 hours. | 0:28:12 | 0:28:15 | |
I saw her over the barrier and then I left. | 0:28:15 | 0:28:18 | |
I thought she'd be safe. | 0:28:20 | 0:28:22 | |
And did keeping her safe include fighting with her? | 0:28:23 | 0:28:28 | |
The last time you were here we took a DNA sample | 0:28:30 | 0:28:33 | |
which matches the traces of skin and blood we found under Angie Warren's fingernails. | 0:28:33 | 0:28:37 | |
Look, we had to convince Sean that she'd fought me to escape, | 0:28:37 | 0:28:40 | |
so I got her to punch and scratch me. | 0:28:40 | 0:28:42 | |
I swear it was a pretend fight. | 0:28:42 | 0:28:45 | |
That's the story Angie told your niece. | 0:28:45 | 0:28:48 | |
-Whether it's true or not... -It is. | 0:28:48 | 0:28:51 | |
It's a shame Angie's not here to corroborate it, then, isn't it? | 0:28:51 | 0:28:55 | |
For the benefit of the tape, I'm showing Mr Brodie | 0:28:56 | 0:28:59 | |
the scarf in evidence bag 002712. Do you recognise it? | 0:28:59 | 0:29:04 | |
It's mine. | 0:29:04 | 0:29:07 | |
Angie asked if she could have it. | 0:29:07 | 0:29:09 | |
This scarf was used to strangle Angie Warren. | 0:29:09 | 0:29:12 | |
We're looking at some pretty comprehensive evidence, Mr Brodie. | 0:29:14 | 0:29:17 | |
Look, I was trying to help her escape from Kennedy! | 0:29:17 | 0:29:20 | |
-So you keep saying. -Why would I want to kill her?! | 0:29:20 | 0:29:22 | |
Falling in love with a cheap hooker can't have been easy. | 0:29:22 | 0:29:26 | |
-She's not a cheap hooker! -Mr Brodie... | 0:29:26 | 0:29:29 | |
I'm not having him bad-mouthing her! That poor girl's dead! | 0:29:29 | 0:29:32 | |
I insist we take a five minute break, Detective Chief Inspector. | 0:29:32 | 0:29:36 | |
DCI Donald suspending the interview at 13.23 hours. | 0:29:41 | 0:29:46 | |
Five minutes. | 0:29:47 | 0:29:49 | |
This is ridiculous. | 0:29:58 | 0:30:00 | |
Gabriel had his dinner here last night and everything was normal. | 0:30:03 | 0:30:07 | |
How long did he stay? | 0:30:07 | 0:30:08 | |
He arrived about 7.30 left about 10-ish. | 0:30:08 | 0:30:12 | |
And you didn't see him at all after that? | 0:30:12 | 0:30:14 | |
No. | 0:30:14 | 0:30:15 | |
We also hoped you might have information | 0:30:15 | 0:30:18 | |
about Gabriel's movements at the time of another young girl's death. | 0:30:18 | 0:30:22 | |
We just want to eliminate him from our enquiries, that's all. | 0:30:24 | 0:30:27 | |
Do you have you any recollection of where Gabriel | 0:30:27 | 0:30:31 | |
might have been on or around the first of May? | 0:30:31 | 0:30:33 | |
We... weren't very close at the time. | 0:30:34 | 0:30:38 | |
In fact, I'd told him to stay away from us. | 0:30:40 | 0:30:42 | |
-Was he behaving badly? -No... | 0:30:42 | 0:30:46 | |
Things had happened and we'd agreed not to see so much of each other. | 0:30:46 | 0:30:50 | |
I've no idea what he was up to at the time. | 0:30:51 | 0:30:53 | |
What about Nicole and the boys? | 0:30:53 | 0:30:55 | |
Had they spent much time with him back then? | 0:30:55 | 0:30:56 | |
Nic wasn't speaking to him either, | 0:30:56 | 0:30:59 | |
although if she thought it'd keep him out of jail, she'd say anything. | 0:30:59 | 0:31:02 | |
Sounds like she's certain he's innocent. | 0:31:02 | 0:31:04 | |
Obviously because you were the last people to see Gabriel last night, | 0:31:07 | 0:31:10 | |
I'll have to speak to both Nicole and the boys. | 0:31:10 | 0:31:12 | |
No way! I'm not having the boys dragged into this. | 0:31:12 | 0:31:15 | |
It was bad enough when Michael was arrested. | 0:31:15 | 0:31:17 | |
When the time comes to talk to them, you're more than welcome to sit in. | 0:31:17 | 0:31:20 | |
Are you going to be OK until somebody gets home? | 0:31:27 | 0:31:29 | |
Yeah. | 0:31:31 | 0:31:33 | |
You'll need to keep yourself in check, Mr Brodie. | 0:31:51 | 0:31:55 | |
Sorry. | 0:31:55 | 0:31:56 | |
Don't apologise to me. | 0:31:56 | 0:31:58 | |
You're the one looking at spending the rest of your life behind bars. | 0:31:58 | 0:32:01 | |
I've been telling them the truth, just like you told me. | 0:32:01 | 0:32:04 | |
Ready to reconvene? | 0:32:06 | 0:32:07 | |
DCI Donald resuming interview with Gabriel Brodie at 13.32 hours. | 0:32:14 | 0:32:18 | |
So, we've established that you last saw our victim at Shieldinch subway. | 0:32:19 | 0:32:24 | |
You saw her at the station and then she caught a train into the city? | 0:32:24 | 0:32:27 | |
That's right. | 0:32:27 | 0:32:28 | |
Well, we've looked at CCTV footage - both of trains leaving Shieldinch | 0:32:28 | 0:32:32 | |
at that time, and of passengers arriving in the city centre. | 0:32:32 | 0:32:36 | |
There's no record of our victim anywhere. | 0:32:36 | 0:32:38 | |
Well, Sean must have got to her somehow. | 0:32:38 | 0:32:41 | |
Our victim's mobile phone records show you've called her nine times | 0:32:42 | 0:32:45 | |
since yesterday evening. | 0:32:45 | 0:32:46 | |
There you go, then. | 0:32:46 | 0:32:47 | |
Why would I be calling her if I already knew she was dead? | 0:32:47 | 0:32:51 | |
That's an old trick. | 0:32:51 | 0:32:52 | |
Look, Sean must have found out that I grassed him up | 0:32:52 | 0:32:55 | |
and that I was helping Angie to get away. | 0:32:55 | 0:32:57 | |
So he must have killed her and now he's doing his best to frame me | 0:32:57 | 0:33:01 | |
for the murder, starting with using my scarf to strangle her. | 0:33:01 | 0:33:04 | |
Well, don't you worry. We'll be having another word with Mr Kennedy. | 0:33:04 | 0:33:08 | |
I already told you, he's gone, he's left town. | 0:33:08 | 0:33:12 | |
He's not gone. | 0:33:12 | 0:33:13 | |
He walked in here earlier today, to help us with our enquiries. | 0:33:13 | 0:33:17 | |
He's very much here. | 0:33:17 | 0:33:18 | |
-Here he is, my very own Robocop. -Hiya. | 0:33:25 | 0:33:28 | |
-Sorry, what did you say? -At the arrest, you were great. | 0:33:29 | 0:33:32 | |
-Aye, well... -"I can't wait to get him home tonight", that's what I thought. | 0:33:32 | 0:33:35 | |
Look, I better to get back to the station. | 0:33:35 | 0:33:37 | |
-But hold that thought. -You don't really think Gabriel did it, do you? | 0:33:37 | 0:33:40 | |
-That's for a court to decide. -I know he loses his temper sometimes, but killing somebody?! | 0:33:40 | 0:33:44 | |
Robbie, you know I can't discuss the case with you. | 0:33:44 | 0:33:47 | |
See my lips? Tight as! | 0:33:47 | 0:33:49 | |
Look, once the case is over, | 0:33:49 | 0:33:51 | |
we'll have lots more time to spend together, OK? | 0:33:51 | 0:33:53 | |
-Can't wait. -Me, neither. | 0:33:53 | 0:33:56 | |
-Meantime... -You got it. | 0:33:56 | 0:33:58 | |
I just wanted to tell you, you've got my full support. | 0:34:42 | 0:34:45 | |
Sorry, Scarlett? | 0:34:45 | 0:34:47 | |
-Managing on your own. All power to you, hen. -Thanks. | 0:34:47 | 0:34:50 | |
So, none of the girls had any idea where Charlene had gone? | 0:35:21 | 0:35:24 | |
My guess is Sean's back in charge and he's battened down the hatches. | 0:35:24 | 0:35:29 | |
We'll put a description of her out, | 0:35:29 | 0:35:31 | |
and if she surfaces for a second, I want to see her. | 0:35:31 | 0:35:34 | |
The evidence is building up against him. | 0:35:36 | 0:35:38 | |
You really think he killed her? | 0:35:38 | 0:35:41 | |
You can't ignore the evidence, plus he misled us | 0:35:41 | 0:35:44 | |
over Sean Kennedy twice, meaning we missed Sean Kennedy twice | 0:35:44 | 0:35:47 | |
and ended up with egg on our face. | 0:35:47 | 0:35:49 | |
-He's a slippery customer. -Yeah, but he led us to the arrest of the punter who killed Silvie McGregor. | 0:35:49 | 0:35:54 | |
Maybe he's leading us in the right direction again this time. | 0:35:54 | 0:35:56 | |
Plus, he hasn't lied to me, whereas Brodie... | 0:35:56 | 0:35:58 | |
PHONE RINGS | 0:35:58 | 0:36:00 | |
DCI Donald. | 0:36:02 | 0:36:05 | |
Yeah, on my way. | 0:36:05 | 0:36:07 | |
If Kennedy's got an alibi, there's only one way this thing's going. | 0:36:07 | 0:36:10 | |
He does have an alibi. | 0:36:10 | 0:36:12 | |
He told me he was drinking in The Tall Ship with Raymond Henderson | 0:36:12 | 0:36:16 | |
till the early hours. | 0:36:16 | 0:36:17 | |
Has Mr Henderson corroborated that? | 0:36:17 | 0:36:19 | |
That was my next job, after getting a formal statement from Kennedy. | 0:36:19 | 0:36:23 | |
But my gut feeling still says Kennedy's the killer. | 0:36:23 | 0:36:25 | |
No-one's been convicted on the strength of a gut feeling yet | 0:36:25 | 0:36:28 | |
and we need a conviction or we could be looking for new jobs. | 0:36:28 | 0:36:31 | |
I'll speak to Mr Henderson. | 0:36:31 | 0:36:33 | |
-I know Raymond, I drink in his pub, he trusts me... -No, no. | 0:36:33 | 0:36:35 | |
-I need to take this thing by the scruff of the neck. -I can do it... | 0:36:35 | 0:36:38 | |
You have got plenty to be getting on with here, OK? | 0:36:38 | 0:36:41 | |
I tried to get them to let you go home, but as they're still questioning you, | 0:36:52 | 0:36:56 | |
they're going to keep you here overnight. | 0:36:56 | 0:36:59 | |
What if Kennedy walks? | 0:37:00 | 0:37:02 | |
I wouldn't be the first innocent man to go down, would I? | 0:37:04 | 0:37:06 | |
Stay positive. I'll be back first thing. | 0:37:06 | 0:37:10 | |
How come this place is closed again? | 0:37:25 | 0:37:27 | |
The council are looking into why it was raided. | 0:37:27 | 0:37:30 | |
Ah. Well, you did have some fairly unsavoury characters in here. | 0:37:30 | 0:37:36 | |
Not my usual clientele. | 0:37:36 | 0:37:38 | |
Talking of unsavoury characters, I want to ask you about Sean Kennedy. | 0:37:38 | 0:37:42 | |
-Fancy a drink? -On duty. | 0:37:42 | 0:37:45 | |
Shame, cos I'm definitely having one. | 0:37:45 | 0:37:48 | |
Was Sean here last night? | 0:37:50 | 0:37:52 | |
Mr Henderson? | 0:37:54 | 0:37:56 | |
Sure? | 0:37:57 | 0:37:58 | |
Was he here? | 0:37:58 | 0:38:00 | |
Yeah, he was. | 0:38:04 | 0:38:07 | |
From what time? | 0:38:07 | 0:38:09 | |
From about nine till four-ish. | 0:38:09 | 0:38:13 | |
Doing what? | 0:38:13 | 0:38:14 | |
He's been using this place as a kind of makeshift office. | 0:38:14 | 0:38:18 | |
Seems an unlikely friendship, you and Mr Kennedy. | 0:38:18 | 0:38:22 | |
Stranger things have happened. | 0:38:22 | 0:38:25 | |
Late night for you, wasn't it? Four o'clock. | 0:38:27 | 0:38:30 | |
I'm a pub landlord, mate. Late is what I do. | 0:38:30 | 0:38:34 | |
Plus, I had to get the place straight after your boys had been through it. | 0:38:34 | 0:38:37 | |
I'm smelling something not quite right here. | 0:38:40 | 0:38:42 | |
There's no-one wants him put away more than me. | 0:38:43 | 0:38:46 | |
Why would I lie to save his skin? | 0:38:46 | 0:38:48 | |
Fair enough. | 0:38:51 | 0:38:54 | |
OK, thanks. | 0:38:54 | 0:38:55 | |
I'll have that drink once you've reopened. | 0:38:57 | 0:38:58 | |
It'll be on the bar waiting for you, pal. | 0:38:58 | 0:39:00 | |
CLAPPING | 0:39:07 | 0:39:10 | |
Oscar-winning performance, Raymundo. | 0:39:16 | 0:39:19 | |
And if the DCI isn't going to have a free drink, I certainly will. | 0:39:20 | 0:39:24 | |
DOOR OPENS | 0:39:32 | 0:39:34 | |
Hey. | 0:39:40 | 0:39:42 | |
Are you feeling any better? | 0:39:42 | 0:39:44 | |
Not really. | 0:39:44 | 0:39:45 | |
Listen, Leyla. We've been talking. | 0:39:47 | 0:39:49 | |
Right. | 0:39:49 | 0:39:51 | |
Aye. | 0:39:51 | 0:39:53 | |
Well, we don't see any real reason to move out right now. | 0:39:53 | 0:39:57 | |
So we thought we'd wait a while, if that's all right with you? | 0:39:58 | 0:40:02 | |
Well, I'll... | 0:40:04 | 0:40:06 | |
I'll just have to put up with the pair of you for a bit longer, eh? | 0:40:06 | 0:40:09 | |
SHE SIGHS | 0:40:19 | 0:40:20 | |
Thank you. | 0:40:20 | 0:40:22 | |
Any convictions yet? | 0:40:25 | 0:40:26 | |
HE SIGHS | 0:40:28 | 0:40:29 | |
I was hoping to get away from the case for half an hour. | 0:40:29 | 0:40:32 | |
-How are you doing? -What, you're going to grill me now as well? | 0:40:32 | 0:40:35 | |
I was asking how you are, not the case. | 0:40:35 | 0:40:37 | |
But while we're on the subject, I'm worried about you. | 0:40:37 | 0:40:40 | |
You've been working so hard. | 0:40:40 | 0:40:43 | |
I'm part of a double-murder enquiry, Robbie. | 0:40:43 | 0:40:45 | |
I know, but maybe you need to learn to leave it behind | 0:40:45 | 0:40:48 | |
at the end of the day. Get some downtime. | 0:40:48 | 0:40:50 | |
-Downtime? -Aye! | 0:40:50 | 0:40:52 | |
-Everybody needs downtime. -Even hairdressers? | 0:40:52 | 0:40:55 | |
Especially hairdressers who are living with detectives. | 0:40:55 | 0:40:59 | |
When was the last time we went to see a film or went to dinner? | 0:40:59 | 0:41:02 | |
I need to keep on top of things at the moment, | 0:41:02 | 0:41:05 | |
especially with the DCI breathing down my neck. He's a workaholic. | 0:41:05 | 0:41:08 | |
And you're not? | 0:41:08 | 0:41:09 | |
-You saying I'm like him? -No, but... | 0:41:10 | 0:41:13 | |
-I've certainly learnt one thing from him. -What's that? | 0:41:13 | 0:41:15 | |
Take your coffee breaks on your own. | 0:41:15 | 0:41:17 | |
So, did he do it? | 0:41:17 | 0:41:21 | |
Gabriel? | 0:41:21 | 0:41:23 | |
Suit yourself! | 0:41:23 | 0:41:24 | |
-Hiya, darling. -Hiya. | 0:41:27 | 0:41:29 | |
-How can he have a watertight alibi? -He does. | 0:41:31 | 0:41:34 | |
And also a witness to say he was with him most of evening | 0:41:34 | 0:41:37 | |
-and into the night. -Then he's lying. | 0:41:37 | 0:41:39 | |
Maybe, but until I can prove otherwise... | 0:41:39 | 0:41:41 | |
If Kennedy didn't kill her himself, he's paid someone to do it for him. | 0:41:41 | 0:41:45 | |
Again, very hard to prove. | 0:41:45 | 0:41:47 | |
OK. Let's say, for argument's sake, that Mr Brodie is not the murderer. | 0:41:47 | 0:41:52 | |
Who else is in the frame? | 0:41:52 | 0:41:53 | |
At the moment, with the evidence we have, no-one. | 0:41:53 | 0:41:56 | |
For the benefit of the tape, I'm showing Mr Brodie the jacket | 0:41:58 | 0:42:01 | |
in evidence bag 0026608. Do you recognise it? | 0:42:01 | 0:42:06 | |
It's Angie's. | 0:42:08 | 0:42:10 | |
And you know that. You found her. | 0:42:10 | 0:42:12 | |
It wasn't on the body. | 0:42:12 | 0:42:15 | |
Well, where did you find it? | 0:42:15 | 0:42:16 | |
In one of the bins outside your arcade. | 0:42:16 | 0:42:19 | |
And you think I put it there? | 0:42:21 | 0:42:22 | |
-Did you? -You think I'm stupid enough to just dump it outside the arcade? | 0:42:22 | 0:42:27 | |
Look, come on. This is Sean. He must have planted it there. | 0:42:27 | 0:42:31 | |
I don't deal in must haves, Mr Brodie. | 0:42:31 | 0:42:33 | |
I deal in hard evidence. | 0:42:33 | 0:42:34 | |
Can you confirm to me that you were running a vice-ring for Mr Kennedy? | 0:42:34 | 0:42:38 | |
Yes. | 0:42:41 | 0:42:42 | |
So, you were in contact with all the girls, including Alicia Petrauskas? | 0:42:42 | 0:42:47 | |
Why are we starting to talk about her now? | 0:42:48 | 0:42:50 | |
Just answer the question, please, Mr Brodie. | 0:42:50 | 0:42:53 | |
-You think I killed her too? -I won't tell you again. | 0:42:53 | 0:42:56 | |
I had nothing to do with the girls back in May, | 0:42:59 | 0:43:01 | |
so I don't know Alicia Petrauskas. | 0:43:01 | 0:43:04 | |
And you say you've been keeping an eye on me from day one, right? | 0:43:04 | 0:43:07 | |
So you must have a record of that. | 0:43:07 | 0:43:09 | |
But you were in contact with Kennedy back then. | 0:43:09 | 0:43:11 | |
You lied to us about what happened with Angie Warren, why wouldn't you lie about knowing Alicia Petrauskas? | 0:43:11 | 0:43:16 | |
You're doing this because I never gave you Sean or Lenny. | 0:43:16 | 0:43:19 | |
I'm doing this because the evidence is overwhelming | 0:43:19 | 0:43:22 | |
and cannot be ignored. | 0:43:22 | 0:43:23 | |
You were infatuated with Angie Warren. | 0:43:23 | 0:43:26 | |
You fought with her on the day of her murder, your DNA was under her fingernails, | 0:43:26 | 0:43:30 | |
your scarf was used to strangle her, | 0:43:30 | 0:43:31 | |
her jacket was found outside your arcade, | 0:43:31 | 0:43:34 | |
you lied about seeing her and were the last person to see her alive. | 0:43:34 | 0:43:37 | |
-This isn't right. -The fact that her killing exactly fits the MO | 0:43:37 | 0:43:40 | |
-of Alicia Petrauskas' murder leads me to conclude you killed her as well. -Look, please... | 0:43:40 | 0:43:45 | |
Therefore, Gabriel Brodie, I'm formally charging you | 0:43:45 | 0:43:47 | |
with the murders of Angie Warren and Alicia Petrauskas. Book him. | 0:43:47 | 0:43:51 | |
What was the argument about? | 0:44:00 | 0:44:02 | |
It wasn't even an argument, it was more a tiff. | 0:44:02 | 0:44:05 | |
I told him he was working too hard and he got all stroppy. | 0:44:05 | 0:44:08 | |
A classic sign of overworking - getting annoyed when it's pointed out to you. | 0:44:08 | 0:44:11 | |
He had dinner last night and went straight to bed with his files. | 0:44:11 | 0:44:14 | |
If that's not the actions of a workaholic, what is? | 0:44:14 | 0:44:17 | |
Robbie, I suppose his job doesn't really compare with ours. | 0:44:17 | 0:44:21 | |
I mean, serving tea to old ladies or doing a perm, | 0:44:21 | 0:44:26 | |
it doesn't keep us up at night, does it? | 0:44:26 | 0:44:28 | |
ROBBIE GROANS | 0:44:28 | 0:44:31 | |
Maybe I'll make him a special dinner. Pamper him a bit. | 0:44:31 | 0:44:34 | |
I think I'm going to be sick! | 0:44:34 | 0:44:36 | |
I'm kidding. I'm happy for you. | 0:44:36 | 0:44:39 | |
We could grab a quick drink before I cook, if you fancy it. | 0:44:39 | 0:44:43 | |
A quick pint and a pie in the pub before you swan off | 0:44:43 | 0:44:46 | |
to your haute cuisine and fine wine, you mean? | 0:44:46 | 0:44:49 | |
-Take it or leave it. -All right, I'll take it. | 0:44:49 | 0:44:52 | |
Hi. | 0:45:01 | 0:45:03 | |
You look terrible. | 0:45:03 | 0:45:05 | |
Eileen, leave it, eh? | 0:45:05 | 0:45:07 | |
Raymond, this is me. | 0:45:07 | 0:45:09 | |
I don't know, I guess it's the shock of Kennedy coming back. | 0:45:09 | 0:45:13 | |
I had one morning with him out of my life, | 0:45:13 | 0:45:16 | |
things are starting to look up. | 0:45:16 | 0:45:18 | |
I open the door... | 0:45:18 | 0:45:20 | |
and bang - back to square one. | 0:45:20 | 0:45:22 | |
I know. But you're not in this alone. | 0:45:22 | 0:45:25 | |
You've got me and Stuart. | 0:45:25 | 0:45:27 | |
If we keep our heads down and play along, he's got to move on one day. | 0:45:27 | 0:45:33 | |
-(WEAKLY) -Yeah. | 0:45:33 | 0:45:35 | |
I'll see you later. | 0:45:35 | 0:45:37 | |
Word has it you're Kennedy's alibi. | 0:45:45 | 0:45:48 | |
-Whose word? -Well, my brief's taken on Gabriel's case. | 0:45:48 | 0:45:52 | |
-Small world. -Yeah, if you can afford it to be. | 0:45:52 | 0:45:55 | |
Listen, if you ever get fed up being Kennedy's whipping boy, | 0:45:56 | 0:46:00 | |
just let me know. | 0:46:00 | 0:46:01 | |
You've changed your tune. | 0:46:04 | 0:46:06 | |
You charged Brodie with the double murder? | 0:46:10 | 0:46:13 | |
-I can't ignore the facts. -I'm still following leads on Alicia Petrauskas' murder. -Waste of time. | 0:46:13 | 0:46:17 | |
You don't believe Gabriel committed these murders | 0:46:17 | 0:46:20 | |
-any more than I do. -Are you asking me or telling me? | 0:46:20 | 0:46:22 | |
I'm stating fact. | 0:46:22 | 0:46:23 | |
Rescind the charge, let me get some more evidence together. | 0:46:23 | 0:46:26 | |
-Must be great to know you're right all the time(!) -That is not it. | 0:46:26 | 0:46:29 | |
You're in the right, everyone else is stupid. | 0:46:29 | 0:46:32 | |
-Look... -You want to do something useful? Rein in the pillow talk. | 0:46:32 | 0:46:35 | |
I've not said a word of this to Robbie. | 0:46:35 | 0:46:38 | |
Somebody's said something. We've had calls from residents worried there's a serial killer on the loose. | 0:46:38 | 0:46:42 | |
Are you accusing Robbie of starting a rumour? | 0:46:42 | 0:46:45 | |
Well, who knows where it came from? | 0:46:45 | 0:46:47 | |
But in my experience, hairdressers - Gossip Central. | 0:46:47 | 0:46:50 | |
-What is this about? Have you got a personal vendetta with me? -You what? | 0:46:50 | 0:46:54 | |
-Are you threatened by me in some way, is that it? -Hey, wind your neck in, zip your mouth | 0:46:54 | 0:46:58 | |
and get some sense before you find yourself on a suspension. | 0:46:58 | 0:47:01 | |
Take the rest of the day off. Come back tomorrow with a fresh attitude. | 0:47:01 | 0:47:05 | |
-In agreement with you, you mean? -Don't push me. | 0:47:05 | 0:47:08 | |
That side door was wide open again. | 0:47:17 | 0:47:19 | |
I'm expecting a delivery. | 0:47:21 | 0:47:22 | |
You still trying to get this place back on its feet, then? | 0:47:22 | 0:47:26 | |
Sooner rather than later. | 0:47:26 | 0:47:29 | |
Then you're maybe speaking to the right man. | 0:47:29 | 0:47:31 | |
I've got influence on the council. | 0:47:31 | 0:47:33 | |
Well, a couple of them are regular punters. | 0:47:33 | 0:47:35 | |
A word from me could make all the difference. | 0:47:37 | 0:47:39 | |
I think I'll wait for a proper decision, thanks. | 0:47:39 | 0:47:42 | |
I don't want to be back in your debt. | 0:47:42 | 0:47:45 | |
What do you mean "back" in my debt? | 0:47:49 | 0:47:52 | |
Look... | 0:47:55 | 0:47:56 | |
..I gave you your alibi. | 0:47:57 | 0:48:00 | |
We're quits. | 0:48:00 | 0:48:01 | |
If only life was that simple, Raymond. | 0:48:01 | 0:48:03 | |
I'm going to be coming and going from here on a regular basis. | 0:48:07 | 0:48:11 | |
I need keys. | 0:48:11 | 0:48:13 | |
A set for the front door, the cellar, the safe. | 0:48:13 | 0:48:17 | |
Is that all right? | 0:48:18 | 0:48:20 | |
Great. | 0:48:22 | 0:48:23 | |
You know what, I'm sure this watch is running slow. | 0:48:26 | 0:48:30 | |
It looks good on me, though, eh? Retro-style. | 0:48:30 | 0:48:33 | |
I'm just nipping out for a while. Will you have the keys ready for me | 0:48:33 | 0:48:36 | |
when I get back, aye? | 0:48:36 | 0:48:38 | |
Conditions of release have been set. | 0:48:59 | 0:49:01 | |
Release? | 0:49:01 | 0:49:03 | |
I had to convince them you're not a flight risk. | 0:49:03 | 0:49:06 | |
-So, no mad dashes to the airport. -So I'm free to go? | 0:49:06 | 0:49:10 | |
As soon as I've sorted the paperwork. | 0:49:10 | 0:49:12 | |
Oh, man, thanks. | 0:49:12 | 0:49:14 | |
OK, Mr Brodie. | 0:49:19 | 0:49:20 | |
DOOR OPENS | 0:49:23 | 0:49:25 | |
Wonders will never cease. Two days back home before eight. | 0:49:25 | 0:49:29 | |
I'd arranged to go for a quick drink with Deek before I cooked, | 0:49:31 | 0:49:34 | |
but I suppose I could always cancel him and make a start on it now, eh? | 0:49:34 | 0:49:38 | |
It's your favourite. | 0:49:38 | 0:49:40 | |
Also, I was thinking we should just rent a film or something. | 0:49:40 | 0:49:44 | |
My career's going down the pan. | 0:49:44 | 0:49:46 | |
What are you talking about? | 0:49:48 | 0:49:49 | |
DCI flaming Donald, he's all over me like a rash. | 0:49:50 | 0:49:55 | |
Have you been winding him up again? | 0:49:55 | 0:49:57 | |
Me? | 0:49:57 | 0:49:58 | |
You know you can be hot-headed when you want to be. | 0:49:58 | 0:50:01 | |
He is a patronising git! Throwing his weight around the station. | 0:50:01 | 0:50:04 | |
He is also the senior officer. | 0:50:06 | 0:50:08 | |
Have you heard yourself? | 0:50:09 | 0:50:11 | |
I'm just saying, maybe you should try to... | 0:50:11 | 0:50:13 | |
I'll tell you what you should try and do. | 0:50:13 | 0:50:15 | |
-Stop gossiping about the case down at the salon. -What? | 0:50:15 | 0:50:19 | |
Donald brought it up today. | 0:50:19 | 0:50:21 | |
Brought what up? Nobody's talking about the case at the salon. | 0:50:21 | 0:50:24 | |
Of all the embarrassing cliches, the gossiping, gay hairdresser. | 0:50:24 | 0:50:28 | |
I'll get the dinner on. | 0:50:28 | 0:50:30 | |
That's right, go on, walk away. | 0:50:30 | 0:50:33 | |
-I want this evening to be chilled. -It's not going to be chilled, is it? | 0:50:33 | 0:50:36 | |
I'm having a nightmare at work and you don't give a damn. | 0:50:36 | 0:50:38 | |
That's not fair. | 0:50:38 | 0:50:39 | |
Ah! | 0:50:39 | 0:50:41 | |
Robbie... | 0:50:45 | 0:50:47 | |
Bail's been set and Gabriel's on his way over. | 0:50:50 | 0:50:53 | |
Cheers, Hamish. | 0:50:53 | 0:50:55 | |
I had to use every trick in the book to get him out. | 0:50:55 | 0:50:58 | |
You must really like this lad. | 0:50:58 | 0:50:59 | |
Maybe I see a bit of myself in him. | 0:50:59 | 0:51:02 | |
Hey-hey. | 0:51:04 | 0:51:05 | |
Right, I'll catch you both tomorrow. | 0:51:06 | 0:51:08 | |
I've got a few things to look over tonight. | 0:51:08 | 0:51:11 | |
Hey, listen. Thanks for posting bail. | 0:51:13 | 0:51:17 | |
I reckon it's safe. Unless you're planning on doing a runner. | 0:51:17 | 0:51:21 | |
What, with this? | 0:51:21 | 0:51:22 | |
No chance. | 0:51:23 | 0:51:24 | |
I wouldn't be here now if I'd have got Angie out sooner. | 0:51:27 | 0:51:30 | |
Ifs and buts, son. | 0:51:30 | 0:51:33 | |
You believe I'm innocent? | 0:51:33 | 0:51:34 | |
It doesn't matter what I believe. It's up to the courts and the judge. | 0:51:34 | 0:51:38 | |
You know, I was sitting down the cop shop, | 0:51:38 | 0:51:40 | |
wondering where it all went wrong. | 0:51:40 | 0:51:43 | |
And I just wish Michael was here. | 0:51:43 | 0:51:45 | |
But then that's something else I've messed up, isn't it? | 0:51:45 | 0:51:48 | |
Look, go home, get a decent night's sleep. | 0:51:48 | 0:51:53 | |
With my curfew starting at seven tonight? | 0:51:53 | 0:51:56 | |
Doesn't give me much option, does it? | 0:51:56 | 0:51:59 | |
Cheers. | 0:52:01 | 0:52:03 | |
MOBILE RINGS | 0:52:07 | 0:52:09 | |
Yeah? | 0:52:10 | 0:52:12 | |
Really? | 0:52:13 | 0:52:14 | |
And what can I do for you? | 0:52:16 | 0:52:19 | |
FOOTSTEPS APPROACHING | 0:52:19 | 0:52:21 | |
I'm so sorry, Robbie. | 0:52:25 | 0:52:27 | |
I just... I need to know that you're there for me | 0:52:32 | 0:52:35 | |
and that I'm not fighting you as well, you know? | 0:52:35 | 0:52:37 | |
You just wind me up, and then I... | 0:52:39 | 0:52:42 | |
HE SIGHS | 0:52:53 | 0:52:55 | |
Let me guess what this is about. | 0:53:01 | 0:53:04 | |
You want my help getting rid of Kennedy. | 0:53:05 | 0:53:07 | |
I only want one thing from you. | 0:53:09 | 0:53:12 | |
What? | 0:53:12 | 0:53:13 | |
A gun. | 0:53:13 | 0:53:15 | |
-How much of this stuff have you already had? -Not nearly enough. | 0:53:17 | 0:53:21 | |
I want rid of him once and for all. | 0:53:21 | 0:53:24 | |
And if I've got a gun pointed at him, he'll have to take me seriously. | 0:53:24 | 0:53:28 | |
If you point a gun at somebody like Kennedy, | 0:53:30 | 0:53:33 | |
you've got to be prepared to use it. | 0:53:33 | 0:53:35 | |
Which means you've got to be ready to kill him. | 0:53:35 | 0:53:38 | |
You're not the only one that wants rid of him. | 0:53:43 | 0:53:47 | |
You've got to play it smart. | 0:53:47 | 0:53:49 | |
You think you can do that? | 0:53:50 | 0:53:52 | |
Good. | 0:53:55 | 0:53:57 | |
Are you sure I can stay on? | 0:54:06 | 0:54:08 | |
You not think I've brought enough trouble to your doorstep? | 0:54:08 | 0:54:11 | |
Gabriel.... | 0:54:11 | 0:54:13 | |
we know you didn't do that terrible thing. | 0:54:13 | 0:54:16 | |
Aye, you maybe. | 0:54:16 | 0:54:18 | |
But some folk like to think the worst before they think the best. | 0:54:18 | 0:54:22 | |
Well, you'll just have to prove them wrong, then, won't you? | 0:54:22 | 0:54:25 | |
On you go. | 0:54:29 | 0:54:31 | |
Thought I'd open a bottle of wine. | 0:54:57 | 0:54:59 | |
DOORBELL RINGS | 0:55:00 | 0:55:02 | |
Leave it. | 0:55:04 | 0:55:05 | |
You ready? | 0:55:14 | 0:55:16 | |
Are you OK? What's happened? | 0:55:16 | 0:55:20 | |
-This is awful. -What is? | 0:55:20 | 0:55:23 | |
Everything. This. | 0:55:23 | 0:55:25 | |
Did he do that to you? | 0:55:25 | 0:55:27 | |
-And I can't live without him. -Stay here. | 0:55:27 | 0:55:31 | |
Deek! | 0:55:31 | 0:55:33 | |
-Where are you going? -We need to sort this out. | 0:55:34 | 0:55:37 | |
Deek! | 0:55:39 | 0:55:40 | |
Trust me, all right? | 0:55:40 | 0:55:42 | |
Will! Oi! | 0:55:51 | 0:55:54 | |
-Deek? Deek! -Deek! | 0:56:06 | 0:56:09 | |
-Robbie, call an ambulance. -Is he breathing? -Call an ambulance. | 0:56:09 | 0:56:13 | |
-Oh, my God. -Deek. | 0:56:15 | 0:56:17 | |
Will, he doesn't look as if he's breathing. | 0:56:19 | 0:56:23 | |
Hi, DC Cooper, CID here, | 0:56:40 | 0:56:41 | |
can you put me through to Traffic Control, please? | 0:56:41 | 0:56:44 | |
I'm going to get this guy, Robbie. | 0:56:47 | 0:56:48 | |
Aye, and that'll make everything all right, won't it(?) | 0:56:48 | 0:56:51 | |
What happened to your face? | 0:56:51 | 0:56:53 | |
Oh, nothing. I-I slipped in the kitchen. | 0:56:53 | 0:56:57 | |
Personal issues or not, | 0:56:57 | 0:56:58 | |
you're coming dangerously close to overstepping the mark, DC Cooper. | 0:56:58 | 0:57:01 | |
I'm coming dangerously close to telling you where to stick your job, DCI Donald. | 0:57:01 | 0:57:06 | |
Subtitles by Red Bee Media | 0:57:13 | 0:57:16 |